Robert Allen Zimmerman was born 24 May 1941 in Duluth, Minnesota; his father Abe worked for the Standard Oil Co. Six years later the family moved to Hibbing, often the coldest place in the US, where he taught himself piano and guitar and formed several high school rock bands. In 1959 he entered the University of Minnesota and began performing as Bob Dylan at clubs in Minneapolis and St. Paul. The following year he went to New York, performed in Greenwich Village folk clubs, and spent much time in the hospital room of his hero 'Woody Guthrie' (qv). Late in 1961 Columbia signed him to a contract and the following year released his first album, containing two original songs. Next year "The Freewheelin' Bob Dylan" appeared, with all original songs including the 1960s anthem "Blowin' in the Wind." After several more important acoustic/folk albums, and tours with 'Joan Baez' (qv), he launched into a new electric/acoustic format with 1965's "Bringing It All Back Home" which, with 'The Byrds' (qv)' cover of his "Mr Tambourine Man," launched folk-rock. The documentary _Dont Look Back (1967)_ (qv) was filmed at this time; he broke off his relationship with Baez and by the end of the year had married 'Sara Dylan (I)' (qv) (born Sara Lowndes). Nearly killed in a motorcycle accident 29 July 1966, he withdrew for a time of introspection. After more hard rock performances, his next albums were mostly country. With his career wandering (and critics condemning the fact), 'Sam Peckinpah' (qv) asked him to compose the score for, and appear in, his _Pat Garrett & Billy the Kid (1973)_ (qv) - more memorable as a soundtrack than a film. In 1974 he and 'The Band' (qv) went on tour, releasing his first #1 album, "Planet Waves". It was followed a year later by another first-place album, "Blood on the Tracks". After several Rolling Thunder tours, the unsuccessful film _Renaldo and Clara (1978)_ (qv) and a divorce, he stunned the music world again by his release of the fundamentalist Christrian album "Slow Train Coming," a cut from which won him his first Grammy. Many tours and albums later, on the eve of a European tour May 1997, he was stricken with histoplasmosis (a possibly fatal infection of the heart sac); he recovered and appeared in Bologna that September at the request of the Pope. In December he received the Kennedy Center Award for artistic excellence.
Name | Bob Dylan |
---|---|
Background | solo_singer |
Birth name | Robert Allen Zimmerman |
Alias | Elston Gunnn, Blind Boy Grunt, Bob Landy, Robert Milkwood Thomas, Tedham Porterhouse, Lucky/Boo Wilbury, Jack Frost, Sergei Petrov |
Origin | Hibbing, Minnesota, U.S. |
Birth date | May 24, 1941 |
Birth place | Duluth, Minnesota, U.S. |
Instrument | Vocals, guitar, harmonica, piano, keyboard, bass |
Genre | Rock, folk rock, folk, blues, country, gospel, alternative country, country rock |
Occupation | Musician, songwriter, producer, visual artist, poet, writer, director, screenwriter |
Years active | 1959–present |
Label | Columbia, Asylum |
Associated acts | Traveling Wilburys, The Band, Joan Baez, Grateful Dead, Tom Petty and the Heartbreakers |
Website | }} |
Bob Dylan (), born Robert Allen Zimmerman, May 24, 1941, is an American singer-songwriter, musician, poet and painter. He has been a major figure in music for five decades and has had immense influence on popular music. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of his early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan proceeded to revolutionize perceptions of the limits of popular music in 1965 with the six-minute single "Like a Rolling Stone".
His lyrics incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the songs of Woody Guthrie, Robert Johnson, Hank Williams, and the performance styles of Buddy Holly and Little Richard, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.
Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the ''Never Ending Tour''. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.
Since 1994, Dylan has published three books of drawings and paintings, and his work has been exhibited in major art galleries. As a songwriter and musician, Dylan has received numerous awards over the years including Grammy, Golden Globe, and Academy Awards; he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame. In 2008, a road called the ''Bob Dylan Pathway'' was opened in the singer's honor in his birthplace of Duluth, Minnesota. The Pulitzer Prize jury in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."
Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of the area's small but close-knit Jewish community. Robert Zimmerman lived in Duluth until age six, when his father was stricken with polio and the family returned to his mother's home town, Hibbing, where Zimmerman spent the rest of his childhood. Robert Zimmerman spent much of his youth listening to the radio—first to blues and country stations broadcasting from Shreveport, Louisiana and, later, to early rock and roll. He formed several bands while he attended Hibbing High School. The Shadow Blasters was short-lived, but his next, The Golden Chords, lasted longer and played covers of popular songs. Their performance of Danny and the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone off. In his 1959 school yearbook, Robert Zimmerman listed as his ambition "To follow Little Richard." The same year, using the name Elston Gunnn (sic), he performed two dates with Bobby Vee, playing piano and providing handclaps.
Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota, where his early focus on rock and roll gave way to an interest in American folk music. In 1985, Dylan explained the attraction that folk music had exerted on him:
He soon began to perform at the 10 O'clock Scholar, a coffee house a few blocks from campus, and became actively involved in the local Dinkytown folk music circuit.
During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."
From February 1961, Dylan played at various clubs around Greenwich Village. In September, he gained some public recognition when Robert Shelton wrote a positive review in ''The New York Times'' of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's eponymous third album, which brought his talents to the attention of the album's producer John Hammond. Hammond signed Dylan to Columbia Records in October. The performances on his first Columbia album, ''Bob Dylan'' (1962), consisted of familiar folk, blues and gospel material combined with two original compositions. The album made little impact, selling only 5,000 copies in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously. In March 1962, Dylan contributed harmonica and back-up vocals to the album ''Three Kings and the Queen'', accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. While working for Columbia, Dylan also recorded several songs under the pseudonym Blind Boy Grunt, for ''Broadside Magazine'', a folk music magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on the 1964 anthology album, ''The Blues Project'', issued by Elektra Records. Under the pseudonym Tedham Porterhouse, Dylan contributed harmonica to Ramblin' Jack Elliott's 1964 album ''Jack Elliott''.
Dylan made two important career moves in August 1962. He legally changed his name to Bob Dylan, and signed a management contract with Albert Grossman. Grossman remained Dylan's manager until 1970, and was notable both for his sometimes confrontational personality, and for the fiercely protective loyalty he displayed towards his principal client. Dylan subsequently said of Grossman, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming." Tensions between Grossman and John Hammond led to Hammond being replaced as the producer of Dylan's second album by the young African American jazz producer Tom Wilson.
From December 1962 to January 1963, Dylan made his first trip to the United Kingdom. He had been invited by TV director Philip Saville to appear in a drama, ''The Madhouse on Castle Street'', which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The recording of ''The Madhouse on Castle Street'' was wiped by the BBC in 1968. While in London, Dylan performed at several London folk clubs, including Les Cousins, The Pinder of Wakefield, and Bunjies. He also learned new songs from several UK performers, including Martin Carthy.
By the time Dylan's second album, ''The Freewheelin' Bob Dylan'', was released in May 1963, he had begun to make his name as both a singer and a songwriter. Many of the songs on this album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was a sardonic account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. His most famous song at this time, "Blowin' in the Wind", partially derived its melody from the traditional slave song "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded and became an international hit for Peter, Paul and Mary, setting a precedent for many other artists who had hits with Dylan's songs. "A Hard Rain's a-Gonna Fall" was based on the tune of the folk ballad "Lord Randall". With its veiled references to nuclear apocalypse, it gained even more resonance when the Cuban missile crisis developed only a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked an important new direction in modern songwriting, blending a stream-of-consciousness, imagist lyrical attack with a traditional folk form.
While Dylan's topical songs solidified his early reputation, ''Freewheelin''' also included a mixture of love songs and jokey, surreal talking blues. Humor was a large part of Dylan's persona, and the range of material on the album impressed many listeners, including The Beatles. George Harrison said, "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful."
The rough edge of Dylan's singing was unsettling to some early listeners but an attraction to others. Describing the impact that Dylan had on her and her husband, Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying." Many of his most famous early songs first reached the public through more immediately palatable versions by other performers, such as Joan Baez, who became Dylan's advocate, as well as his lover. Baez was influential in bringing Dylan to national and international prominence by recording several of his early songs and inviting him onstage during her own concerts.
Others who recorded and had hits with Dylan's songs in the early and mid-1960s included The Byrds; Sonny and Cher; The Hollies; Peter, Paul and Mary; The Association; Manfred Mann; and The Turtles. Most attempted to impart a pop feel and rhythm to the songs, while Dylan and Baez performed them mostly as sparse folk pieces. The cover versions became so ubiquitous that CBS started to promote him with the tag "Nobody Sings Dylan Like Dylan."
"Mixed Up Confusion", recorded during the ''Freewheelin''' sessions with a backing band, was released as a single and then quickly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records."
By this time, Dylan and Baez were both prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963. Dylan's third album, ''The Times They Are a-Changin''', reflected a more politicized and cynical Dylan. The songs often took as their subject matter contemporary, real life stories, with "Only A Pawn In Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" address the despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".
By the end of 1963, Dylan felt both manipulated and constrained by the folk and protest movements. These tensions were publicly displayed when, accepting the "Tom Paine Award" from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy, an intoxicated Dylan brashly questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself (and of every man) in Kennedy's alleged assassin, Lee Harvey Oswald.
''Another Side of Bob Dylan'', recorded on a single June evening in 1964, had a lighter mood than its predecessor. The surreal, humorous Dylan reemerged on "I Shall Be Free #10" and "Motorpsycho Nightmare". "Spanish Harlem Incident" and "To Ramona" are romantic and passionate love songs, while "Black Crow Blues" and "I Don't Believe You (She Acts Like We Never Have Met)" suggest the rock and roll soon to dominate Dylan's music. "It Ain't Me Babe", on the surface a song about spurned love, has been described as a rejection of the role his reputation had thrust at him. His newest direction was signaled by two lengthy songs: the impressionistic "Chimes of Freedom," which sets elements of social commentary against a denser metaphorical landscape in a style later characterized by Allen Ginsberg as "chains of flashing images," and "My Back Pages," which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction.
In the latter half of 1964 and 1965, Dylan's appearance and musical style changed rapidly, as he made his move from leading contemporary songwriter of the folk scene to folk-rock pop-music star. His scruffy jeans and work shirts were replaced by a Carnaby Street wardrobe, sunglasses day or night, and pointy "Beatle boots". A London reporter wrote: "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of Leicester Square. He looks like an undernourished cockatoo." Dylan also began to spar in increasingly surreal ways with his interviewers. Appearing on the Les Crane TV show and asked about a movie he was planning to make, he told Crane it would be a cowboy horror movie. Asked if he played the cowboy, Dylan replied, "No, I play my mother."
Dylan's April 1965 album ''Bringing It All Back Home'' was yet another stylistic leap, featuring his first recordings made with electric instruments. The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics have been described as both harkening back to the manic energy of Beat poetry and as a forerunner of rap and hip-hop. The song was provided with an early music video which opened D. A. Pennebaker's cinéma vérité presentation of Dylan's 1965 tour of England, ''Dont Look Back''. Instead of miming to the recording, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker has said the sequence was Dylan's idea, and it has been widely imitated in both music videos and advertisements.
The B side of ''Bringing It All Back Home'' consisted of four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" quickly became one of Dylan's best known songs when The Byrds recorded an electric version that reached number one in both the U.S. and the U.K. charts. "It's All Over Now Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were acclaimed as two of Dylan's most important compositions.
In the summer of 1965, as the headliner at the Newport Folk Festival, Dylan performed his first electric set since his high school days with a pickup group drawn mostly from the Paul Butterfield Blues Band, featuring Mike Bloomfield (guitar), Sam Lay (drums) and Jerome Arnold (bass), plus Al Kooper (organ) and Barry Goldberg (piano). Dylan had appeared at Newport in 1963 and 1964, but in 1965 Dylan, met with a mix of cheering and booing, left the stage after only three songs. One version of the legend has it that the boos were from the outraged folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were merely upset by poor sound quality and a surprisingly short set. This account is supported by Kooper and one of the directors of the festival, who reports his audio recording of the concert proves that the only boos were in reaction to the emcee's announcement that there was only enough time for a short set.
Nevertheless, Dylan's 1965 Newport performance provoked a hostile response from the folk music establishment. In the September issue of ''Sing Out!'', singer Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time... 'But what of Bobby Dylan?' scream the outraged teenagers... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, just four days after his controversial performance at Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics teemed with images of vengeance and paranoia, and it was widely interpreted as Dylan's put-down of former friends from the folk community—friends he had known in the clubs along West 4th Street.
In July 1965, Dylan released the single "Like a Rolling Stone", which peaked at No.2 in the U.S. and at No.4 in the UK charts. At over six minutes, the song has been widely credited with altering attitudes about what a pop single could convey. Bruce Springsteen, in his speech during Dylan's inauguration into the Rock and Roll Hall of Fame said that on first hearing the single, "that snare shot sounded like somebody'd kicked open the door to your mind". In 2004, and again in 2011, ''Rolling Stone Magazine'' listed it as number one on its list of "The 500 Greatest Songs of All Time". The song also opened Dylan's next album, ''Highway 61 Revisited,'' titled after the road that led from Dylan's Minnesota to the musical hotbed of New Orleans. The songs were in the same vein as the hit single, flavored by Mike Bloomfield's blues guitar and Al Kooper's organ riffs. "Desolation Row" offers the sole acoustic exception, with Dylan making surreal allusions to a variety of figures in Western culture during this epic song, which was described by Andy Gill as "an 11-minute epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast of celebrated characters, some historical (Einstein, Nero), some biblical (Noah, Cain and Abel), some fictional (Ophelia, Romeo, Cinderella), some literary (T.S. Eliot and Ezra Pound), and some who fit into none of the above categories, notably Dr. Filth and his dubious nurse."
In support of the record, Dylan was booked for two U.S. concerts and set about assembling a band. Mike Bloomfield was unwilling to leave the Butterfield Band, so Dylan mixed Al Kooper and Harvey Brooks from his studio crew with bar-band stalwarts Robbie Robertson and Levon Helm, best known at the time for being part of Ronnie Hawkins's backing band The Hawks (later to become The Band). On August 28 at Forest Hills Tennis Stadium, the group was heckled by an audience still annoyed by Dylan's electric sound. The band's reception on September 3 at the Hollywood Bowl was more favorable.
While Dylan and the Hawks met increasingly receptive audiences on tour, their studio efforts floundered. Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966, and surrounded him with a cadre of top-notch session men. At Dylan's insistence, Robertson and Kooper came down from New York City to play on the sessions. The Nashville sessions produced the double-album ''Blonde on Blonde'' (1966), featuring what Dylan later called "that thin wild mercury sound". Al Kooper described the album as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan.
On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds. Some of Dylan's friends (including Ramblin' Jack Elliott) claim that, in conversation immediately after the event, Dylan denied that he was married. Journalist Nora Ephron first made the news public in the ''New York Post'' in February 1966 with the headline "Hush! Bob Dylan is wed."
Dylan undertook a world tour of Australia and Europe in the spring of 1966. Each show was split into two parts. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. In the second half, backed by the Hawks, he played high voltage electric music. This contrast provoked many fans, who jeered and slow handclapped. The tour culminated in a famously raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17, 1966. An official recording of this concert was finally released in 1998: ''The Bootleg Series Vol. 4: Bob Dylan Live 1966''. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "Judas!" to which Dylan responded, "I don't believe you ... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!" as they launched into the final song of the night—"Like a Rolling Stone."
During his 1966 tour, Dylan was frequently described as exhausted and acting "as if on a death trip". D. A. Pennebaker, the film maker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else." In a 1969 interview with Jann Wenner, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things... just to keep going, you know?" In 2011, BBC Radio 4 reported that, in an interview which Robert Shelton had taped in 1966, Dylan claimed that he had kicked a heroin habit in New York City: "I got very, very strung out for a while... I had about a $25-a-day habit and I kicked it." Some journalists questioned the validity of this confession, pointing out that Dylan had "been telling journalists wild lies about his past since the earliest days of his career."
On July 29, 1966, Dylan crashed his 500cc Triumph Tiger 100 motorcycle on a road near his home in Woodstock, New York, throwing him to the ground. Though the extent of his injuries were never fully disclosed, Dylan said that he broke several vertebrae in his neck. Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized. Dylan's biographers have written that the crash offered Dylan the much-needed chance to escape from the pressures that had built up around him. Dylan confirmed this interpretation of the crash when he stated in his autobiography, "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race." In the wake of his accident, Dylan withdrew from the public and, apart from a few select appearances, did not tour again for eight years.
Once Dylan was well enough to resume creative work, he began editing film footage of his 1966 tour for ''Eat the Document'', a rarely exhibited follow-up to ''Dont Look Back''. A rough-cut was shown to ABC Television and was promptly rejected as incomprehensible to a mainstream audience. In 1967 he began recording music with the Hawks at his home and in the basement of the Hawks' nearby house, called "Big Pink". These songs, initially compiled as demos for other artists to record, provided hit singles for Julie Driscoll ("This Wheel's on Fire"), The Byrds ("You Ain't Goin' Nowhere", "Nothing Was Delivered"), and Manfred Mann ("Mighty Quinn"). Columbia belatedly released selections from them in 1975 as ''The Basement Tapes''. Over the years, more and more of the songs recorded by Dylan and his band in 1967 appeared on various bootleg recordings, culminating in a five-CD bootleg set titled ''The Genuine Basement Tapes'', containing 107 songs and alternate takes. In the coming months, the Hawks recorded the album ''Music from Big Pink'' using songs they first worked on in their basement in Woodstock, and renamed themselves The Band, thus beginning a long and successful recording and performing career of their own.
In October and November 1967, Dylan returned to Nashville. Back in the recording studio after a 19-month break, he was accompanied only by Charlie McCoy on bass, Kenny Buttrey on drums, and Pete Drake on steel guitar. The result was ''John Wesley Harding'', a quiet, contemplative record of shorter songs, set in a landscape that drew on both the American West and the Bible. The sparse structure and instrumentation, coupled with lyrics that took the Judeo-Christian tradition seriously, marked a departure not only from Dylan's own work but from the escalating psychedelic fervor of the 1960s musical culture. It included "All Along the Watchtower", with lyrics derived from the Book of Isaiah (21:5–9). The song was later recorded by Jimi Hendrix, whose version Dylan later acknowledged as definitive. Woody Guthrie died on October 3, 1967, and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20, 1968, where he was backed by The Band.
Dylan's next release, ''Nashville Skyline'' (1969), was virtually a mainstream country record featuring instrumental backing by Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay." Dylan and Cash also recorded a series of duets, including Dylan's "One Too Many Mornings," but they were not used on the album.
In May 1969, Dylan appeared on the first episode of Johnny Cash's new television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away" and "Living the Blues". Dylan next travelled to England to top the bill at the Isle of Wight rock festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival far closer to his home.
Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock Studios, a small studio in New York's Greenwich Village. These sessions resulted in one single, "Watching The River Flow", and a new recording of "When I Paint My Masterpiece". On November 4, 1971 Dylan recorded "George Jackson," which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin Prison that summer. Dylan contributed piano and hamony vocals to Steve Goodman's album, ''Somebody Else's Troubles'', under the pseudonym Robert Milkwood Thomas in September 1972.
In 1972, Dylan signed onto Sam Peckinpah's film ''Pat Garrett and Billy the Kid'', providing songs and backing music for the movie, and playing the role of "Alias," a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" has proven its durability as one of Dylan's most extensively covered songs.
Dylan began 1973 by signing with a new record label, David Geffen's Asylum Records, when his contract with Columbia Records expired. On his next album, ''Planet Waves'', he used The Band as backing group, while rehearsing for a major tour. The album included two versions of "Forever Young," which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental." Biographer Howard Sounes noted that Jakob Dylan believed the song was about him.
Columbia Records simultaneously released ''Dylan'', a haphazard collection of studio outtakes (almost exclusively cover songs), which was widely interpreted as a churlish response to Dylan's signing with a rival record label. In January 1974, Dylan returned to live touring after a break of seven years; backed by The Band, he embarked on a high-profile, coast-to-coast North American tour, playing 40 concerts. A live double album of the tour, ''Before the Flood'', was released on Asylum Records. Soon, Columbia Records sent word that they "will spare nothing to bring Dylan back into the fold". Dylan had second thoughts about Asylum, apparently miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had managed to sell only 700,000 copies of ''Planet Waves''. Dylan returned to Columbia Records, which subsequently reissued his two Asylum albums on their imprint.
After the tour, Dylan and his wife became publicly estranged. He filled a small red notebook with songs about relationships and ruptures, and quickly recorded a new album entitled ''Blood on the Tracks'' in September 1974. Dylan delayed the album's release, however, and re-recorded half of the songs at Sound 80 Studios in Minneapolis with production assistance from his brother David Zimmerman.
Released in early 1975, ''Blood on the Tracks'' received mixed reviews. In the ''NME'', Nick Kent described "the accompaniments [as] often so trashy they sound like mere practice takes." In ''Rolling Stone'', reviewer Jon Landau wrote that "the record has been made with typical shoddiness." However, over the years critics have come to see it as one of Dylan's greatest achievements, perhaps the only serious rival to his mid-60s trilogy of albums. In Salon.com, Bill Wyman wrote: "''Blood on the Tracks'' is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-'60s output and the self-consciously simple compositions of his post-accident years." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape."
That summer Dylan wrote a lengthy ballad championing the cause of boxer Rubin "Hurricane" Carter, who had been imprisoned for a triple murder committed in Paterson, New Jersey, in 1966. After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its 8:32 minute length, the song was released as a single, peaking at No.33 on the U.S. Billboard Chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue, named after the Shoshone medicine man, shaman, teacher, and activist Rolling Thunder. The tour was a varied evening of entertainment featuring about one hundred performers and supporters drawn from the resurgent Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and violinist Scarlet Rivera, whom Dylan discovered while she was walking down the street, her violin case hanging on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was simultaneously shooting. Sam Shepard was initially hired to write the film's screenplay, but ended up accompanying the tour as informal chronicler.
Running through late 1975 and again through early 1976, the tour encompassed the release of the album ''Desire'', with many of Dylan's new songs featuring an almost travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy. The spring 1976 half of the tour was documented by a TV concert special, ''Hard Rain'', and the LP ''Hard Rain''; no concert album from the better-received and better-known opening half of the tour was released until 2002's ''Live 1975''.
The fall 1975 tour with the Revue also provided the backdrop to Dylan's nearly four-hour film ''Renaldo and Clara'', a sprawling and improvised narrative, mixed with concert footage and reminiscences. Released in 1978, the movie received generally poor, sometimes scathing, reviews and had a very brief theatrical run. Later in that year, Dylan allowed a two-hour edit, dominated by the concert performances, to be more widely released.
In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison and Neil Young. Martin Scorsese's acclaimed cinematic chronicle of this show, ''The Last Waltz,'' was released in 1978 and included about half of Dylan's set. In 1976, Dylan also wrote and duetted on the song "Sign Language" for Eric Clapton's ''No Reason To Cry''.
In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. Concerts in Tokyo in February and March were recorded and released as the live double album, ''Bob Dylan At Budokan''. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in ''Rolling Stone'', writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." When Dylan brought the tour to the US in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the ''Los Angeles Times'' that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California."
In April and May 1978, Dylan went into the studio in Santa Monica, California, to record an album of new material with the same large band and backing vocalists: ''Street-Legal''. It was described by Michael Gray as, "after ''Blood On The Tracks'', arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it suffered from poor sound recording and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.
In the late 1970s, Dylan became a born-again Christian and released two albums of Christian gospel music. ''Slow Train Coming'' (1979) featured the guitar accompaniment of Mark Knopfler (of Dire Straits) and was produced by veteran R&B; producer, Jerry Wexler. Wexler recalled that when Dylan had tried to evangelize him during the recording, he replied: "Bob, you're dealing with a sixty-two-year old Jewish atheist. Let's just make an album." The album won Dylan a Grammy Award as "Best Male Vocalist" for the song "Gotta Serve Somebody". The second evangelical album, ''Saved'' (1980), received mixed reviews, and was described by Dylan critic Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, ''Slow Train Coming II'' and inferior." When touring from the fall of 1979 through the spring of 1980, Dylan would not play any of his older, secular works, and he delivered declarations of his faith from the stage, such as:
Dylan's embrace of Christianity was unpopular with some of his fans and fellow musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, while Dylan's Christian faith was obvious, Stephen Holden wrote in the ''New York Times'' that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."
In the 1980s the quality of Dylan's recorded work varied, from the well-regarded ''Infidels'' in 1983 to the panned ''Down in the Groove'' in 1988. Critics such as Michael Gray condemned Dylan's 1980s albums both for showing an extraordinary carelessness in the studio and for failing to release his best songs. The ''Infidels'' recording sessions, for example, produced several notable songs that Dylan left off the album. Most well regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were later released on ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991''.
Between July 1984 and March 1985, Dylan recorded his next studio album, ''Empire Burlesque''. Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker has said he felt he was hired to make Dylan's album sound "a little bit more contemporary".
Dylan sang on USA for Africa's famine relief fundraising single "We Are the World". On July 13, 1985, he appeared at the climax at the Live Aid concert at JFK Stadium, Philadelphia. Backed by Keith Richards and Ronnie Wood, Dylan performed a ragged version of "Hollis Brown", his ballad of rural poverty, and then said to the worldwide audience exceeding one billion people: "I hope that some of the money ... maybe they can just take a little bit of it, maybe ... one or two million, maybe ... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks." His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.
In April 1986, Dylan made a brief foray into the world of rap music when he added vocals to the opening verse of "Street Rock", a song featured on Kurtis Blow's album ''Kingdom Blow''. Dylan's next studio album, ''Knocked Out Loaded'', was released in July 1986 and contained three cover songs (by Little Junior Parker, Kris Kristofferson and the traditional gospel hymn "Precious Memories"), plus three collaborations with other writers (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan. One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating." It was the first Dylan album since ''Freewheelin''' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, 'Brownsville Girl', a work of genius.
In 1986 and 1987, Dylan toured extensively with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night. Dylan also toured with The Grateful Dead in 1987, resulting in a live album ''Dylan & The Dead''. This album received some very negative reviews: ''Allmusic'' said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." After performing with these musical permutations, Dylan initiated what came to be called The Never Ending Tour on June 7, 1988, performing with a tight back-up band featuring guitarist G. E. Smith. Dylan continued to tour with this small but constantly evolving band for the next 20 years.
In 1987, Dylan starred in Richard Marquand's movie ''Hearts of Fire'', in which he played Billy Parker, a washed-up-rock-star-turned-chicken farmer whose teenage lover (Fiona) leaves him for a jaded English synth-pop sensation (played by Rupert Everett). Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop. Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introductory speech declaring, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.
When Dylan released the album ''Down in the Groove'' in May 1988, it was even more unsuccessful in its sales than his previous studio album. Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys. Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in the fall of 1988 their multi-platinum ''Traveling Wilburys Vol. 1'' reached number three on the US album chart, featuring songs that were described as Dylan's most accessible compositions in years. Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, which they released with the unexpected title ''Traveling Wilburys Vol. 3''.
Dylan finished the decade on a critical high note with ''Oh Mercy'' produced by Daniel Lanois. Dylan critic Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film ''High Fidelity'', while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith.
In 1991, Dylan was honored by the recording industry with a Grammy Lifetime Achievement Award from American actor Jack Nicholson. The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed his song "Masters of War". Dylan then made a short speech that startled some of the audience.
The next few years saw Dylan returning to his roots with two albums covering old folk and blues numbers: ''Good as I Been to You'' (1992) and ''World Gone Wrong'' (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", penned by a 19th century teacher and sung by Dylan with a haunting reverence. In November 1994 Dylan recorded two live shows for ''MTV Unplugged''. He claimed his wish to perform a set of traditional songs for the show was overruled by Sony executives who insisted on a greatest hits package. The album produced from it, ''MTV Unplugged'', included "John Brown", an unreleased 1963 song detailing the ravages of both war and jingoism.
With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension. Late that spring, before the album's release, Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by midsummer, and in early fall performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind".
September saw the release of the new Lanois-produced album, ''Time Out of Mind''. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.
In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."
Dylan commenced the new millennium by winning his first Oscar; his song "Things Have Changed", penned for the film ''Wonder Boys'', won an Academy Award in March 2001. The Oscar (by some reports a facsimile) tours with him, presiding over shows perched atop an amplifier.
''"Love and Theft"'' was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well-received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads.
In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project ''Gotta Serve Somebody: The Gospel Songs of Bob Dylan''. That year also saw the release of the film ''Masked & Anonymous'', which Dylan co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast which included Jeff Bridges, Penelope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.
In October 2004, Dylan published the first part of his autobiography, ''Chronicles: Volume One''. The book confounded expectations. Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-'60s when his fame was at its height. He also devoted chapters to the albums ''New Morning'' (1970) and ''Oh Mercy'' (1989). The book reached number two on ''The New York Times''' Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.
Martin Scorsese's acclaimed film biography ''No Direction Home'' was broadcast in September 2005. It was shown on September 26–27, 2005, on BBC Two in the UK and PBS in the US. The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The accompanying soundtrack featured unreleased songs from Dylan's early career.
Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by The Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".
On August 29, 2006, Dylan released his ''Modern Times'' album. Despite some coarsening of Dylan's voice (a critic for ''The Guardian'' characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing ''Time Out of Mind'' and ''"Love and Theft"''. ''Modern Times'' entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's ''Desire''.
Nominated for three Grammy Awards, ''Modern Times'' won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". ''Modern Times'' was named Album of the Year, 2006, by ''Rolling Stone'' magazine, and by ''Uncut'' in the UK. On the same day that ''Modern Times'' was released the iTunes Music Store released ''Bob Dylan: The Collection'', a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.
In August 2007, the award-winning film biography of Dylan ''I'm Not There'', written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan". The movie uses six distinct characters to represent different aspects of Dylan's life, played by Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.
On October 1, 2007, Columbia Records released the triple CD retrospective album ''Dylan'', anthologising his entire career under the ''Dylan 07'' logo. As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way (And I'll Go Mine)," which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings.
The sophistication of the ''Dylan 07'' marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evidenced in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie. Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade. Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper Will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII. The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by Will.i.am doing a hip hop version of the song's third and final verse.
In October 2008, Columbia released Volume 8 of Dylan's ''Bootleg Series'', ''Tell Tale Signs: Rare And Unreleased 1989–2006'' as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from ''Oh Mercy'' to ''Modern Times'', as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The plethora of alternative takes and unreleased material suggested to ''Uncut'''s reviewer: "''Tell Tale Signs'' is awash with evidence of (Dylan's) staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible."
The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in ''The Independent'' that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."
In its first week of release, the album reached number one in the Billboard 200 chart in the U.S., making Bob Dylan (67 years of age) the oldest artist to ever debut at number one on that chart.
On October 13, 2009, Dylan released a Christmas album, ''Christmas in the Heart'', comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus". Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme.
The album received generally favorable reviews. ''The New Yorker'' commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In ''USA Today'', Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere".
In an interview published by Street News Service, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."
On April 12, 2011, Legacy Recordings released ''Bob Dylan in Concert – Brandeis University 1963'' . The recording was taped at Brandeis University on May 10, 1963, two weeks prior to the release of ''The Freewheelin' Bob Dylan''. The tape had been discovered in the archive of music writer Ralph J. Gleason, and had previously been available as a limited edition supplement to ''The Bootleg Series Vol. 9''. The recording carries liner notes by Dylan scholar Michael Gray. Gray writes, "(The) Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn't yet reached America, wasn't even on fans' radar.... It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."
The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organised symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians from Europe and the US to give papers on aspects of Dylan's work. Other events, including tribute bands, intellectual debates and simple singalongs, took place around the world, as reported in ''The Guardian'': "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed "Bobcats" will gather today to celebrate the 70th birthday of a giant of popular music."
In August 2011, Dylan's label, Egyptian Records, announced that an album of previously unheard Hank Williams songs, ''The Lost Notebooks of Hank Williams'', would be released in October. Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.
Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set-list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set-list existed.
Dylan responded to these allegations of censorship by posting a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."
In April 2011, Dylan performed concerts in Taiwan, China, Vietnam and Australia. Dylan's website has published details of Dylan's 2011 tour of Europe, Israel and the US from June to August, commencing in Cork, Ireland, and concluding in Bangor, Maine.
From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, ''The Brazil Series''. In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. The Gagosian Gallery has announced an exhibition of Dylan's art, ''The Asia Series'', will take place at their Madison Avenue Gallery in September-October 2011.
In June 1986, Dylan married his longtime backup singer Carolyn Dennis (often professionally known as Carol Dennis). Their daughter, Desiree Gabrielle Dennis-Dylan, was born on January 31, 1986. The couple divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, ''Down the Highway: The Life Of Bob Dylan'' in 2001. Dylan now lives in Malibu, California, when not on the road.
For a period during the late 1970s and early 1980s, Dylan was a public convert to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord."
By 1984, Dylan was deliberately distancing himself from the "born-again" label. He told Kurt Loder of ''Rolling Stone'' magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any Church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of ''Newsweek'':
In an interview published in ''The New York Times'' on September 28, 1997, journalist Jon Pareles reported that "Dylan says he now subscribes to no organized religion."
Dylan has been described, in the last 20 years, as a supporter of the Chabad Lubavitch movement and has privately participated in Jewish religious events, including the bar mitzvahs of his sons and attending Hadar Hatorah, a Chabad Lubavitch yeshiva. In September 1989 and September 1991, Dylan appeared on the Chabad telethon. Jewish news services have reported that Dylan has visited Chabad synagogues; on September 22, 2007 (Yom Kippur), he attended Congregation Beth Tefillah, in Atlanta, Georgia, where he was called to the Torah for the sixth aliyah.
Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has also made passing references to his religious faith—such as in a 2004 interview with ''60 Minutes'', when he told Ed Bradley that "the only person you have to think twice about lying to is either yourself or to God." He also explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see."
In a 2009 interview with Bill Flanagan promoting his Christmas LP, ''Christmas in the Heart'', Flanagan commented on the "heroic performance" Dylan gave of "O Little Town of Bethlehem" and that Dylan "delivered the song like a true believer". Dylan replied: "Well, I am a true believer."
Initially modeling his writing style on the songs of Woody Guthrie, and lessons learned from the blues of Robert Johnson, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 60s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."
When Dylan made his move from acoustic music to a rock backing, the mix became more complex. For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-'60s trilogy of albums—''Bringing It All Back Home'', ''Highway 61 Revisited'' and ''Blonde on Blonde''. In Mike Marqusee's words: "Between late 1964 and the summer of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B;, rock'n'roll, gospel, British beat, symbolist, modernist and Beat poetry, surrealism and Dada, advertising jargon and social commentary, Fellini and ''Mad'' magazine, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console."
One legacy of Dylan's verbal sophistication was the increasing attention paid by literary critics to his lyrics. Professor Christopher Ricks published a 500-page analysis of Dylan's work, placing him in the context of Eliot, Keats and Tennyson, and claiming that Dylan was a poet worthy of the same close and painstaking analysis. Former British poet laureate, Andrew Motion, argued that Bob Dylan's lyrics should be studied in schools. Since 1996, academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature.
Dylan's voice was, in some ways, as startling as his lyrics. New York Times critic Robert Shelton described Dylan's early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like Dave Van Ronk's." David Bowie, in his tribute, "Song for Bob Dylan", described Dylan's singing as "a voice like sand and glue". Dylan's voice continued to develop as he began to work with rock'n'roll backing bands; critic Michael Gray described the sound of Dylan's vocal on his hit single, "Like a Rolling Stone", as "at once young and jeeringly cynical". As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal ''Oral Tradition'', "Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "Everything is Broken" (on the album ''Oh Mercy'') is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality."
Dylan's influence has been felt in several musical genres. As Edna Gundersen stated in ''USA Today'': "Dylan's musical DNA has informed nearly every simple twist of pop since 1962." Many musicians have testified to Dylan's influence, such as Joe Strummer, who praised Dylan as having "laid down the template for lyric, tune, seriousness, spirituality, depth of rock music." Other major musicians to have acknowledged Dylan's importance include John Lennon, Paul McCartney, Pete Townshend, Neil Young, Bruce Springsteen, David Bowie, Bryan Ferry, Nick Cave, Patti Smith, Syd Barrett, Cat Stevens,Joni Mitchell, and Tom Waits. More directly, both The Byrds and The Band, two 1960s contemporary groups with some measure of influence on popular music themselves, largely owed their initial success to Dylan: the Byrds with their hit of "Mr. Tambourine Man" and subsequent album; and the Band for their association with him on tour in 1966, on retreat in Woodstock, and on their debut album featuring three previously unreleased Dylan songs.
There have been dissenters. Because Dylan was widely credited with imbuing pop culture with a new seriousness, the critic Nik Cohn objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype." Similarly, Australian critic Jack Marx credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook." Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the ''Los Angeles Times'', in response to a suggestion that she and Dylan were similar since they had both changed their birthnames. Mitchell's comment led to discussions of Dylan's use of other people's material, both supporting and criticizing Dylan.
If Bob Dylan's legacy in the 1960s was seen as bringing intellectual ambition to popular music, now that he has reached the age of 70, he has been described as a figure who has greatly expanded the folk culture from which he initially emerged. As J. Hoberman wrote in ''The Village Voice'', "Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making."
Category:1941 births Category:American blues singers Category:American Christians Category:American country singers Category:American DJs Category:American folk guitarists Category:American folk singers Category:American gospel singers Category:American harmonica players Category:American male singers Category:American memoirists Category:American multi-instrumentalists Category:American people of Lithuanian-Jewish descent Category:American people of Ukrainian-Jewish descent Category:American poets Category:American rock guitarists Category:American rock singer-songwriters Category:Best Song Academy Award winning songwriters Category:American people of Jewish descent Category:Columbia Records artists Category:English-language singers Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Harmonica blues musicians
Category:Kennedy Center honorees Category:Living people Category:Musicians from Minnesota Category:Musicians from New York City Category:People from Duluth, Minnesota Category:People from Greenwich Village, New York Category:Pulitzer Prize winners Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Sony/ATV Music Publishing artists Category:Traveling Wilburys members Category:United States National Medal of Arts recipients Category:University of Minnesota alumni Category:Converts to Christianity
af:Bob Dylan ar:بوب ديلن an:Bob Dylan ast:Bob Dylan bn:বব ডিলন bar:Dylan Bob bs:Bob Dylan br:Bob Dylan bg:Боб Дилън ca:Bob Dylan cs:Bob Dylan cy:Bob Dylan da:Bob Dylan de:Bob Dylan et:Bob Dylan el:Μπομπ Ντίλαν es:Bob Dylan eo:Bob Dylan eu:Bob Dylan fa:باب دیلن fo:Bob Dylan fr:Bob Dylan fy:Bob Dylan ga:Bob Dylan gl:Bob Dylan ko:밥 딜런 hy:Բոբ Դիլան hr:Bob Dylan io:Bob Dylan id:Bob Dylan ia:Bob Dylan os:Боб Дилан is:Bob Dylan it:Bob Dylan he:בוב דילן kn:ಬಾಬ್ ಡೈಲನ್ ka:ბობ დილანი sw:Bob Dylan la:Robertus Dylan lv:Bobs Dilans lb:Bob Dylan lt:Bob Dylan li:Bob Dylan hu:Bob Dylan mk:Боб Дилан mn:Боб Дилан mrj:Боб Дилан nl:Bob Dylan new:बब डिल्यान ja:ボブ・ディラン no:Bob Dylan nn:Bob Dylan oc:Bob Dylan uz:Bob Dylan pl:Bob Dylan pt:Bob Dylan ro:Bob Dylan ru:Боб Дилан se:Bob Dylan sco:Bob Dylan sq:Bob Dylan scn:Bob Dylan simple:Bob Dylan sk:Bob Dylan sl:Bob Dylan sr:Боб Дилан sh:Bob Dylan fi:Bob Dylan sv:Bob Dylan tl:Bob Dylan ta:பாப் டிலான் te:బాబ్ డైలాన్ th:บ็อบ ดิลลัน tr:Bob Dylan uk:Боб Ділан vi:Bob Dylan vls:Bob Dylan war:Bob Dylan yo:Bob Dylan zh:鲍勃·迪伦This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Rebecca Black |
---|---|
background | solo_singer |
birth date | June 21, 1997 |
birth place | Anaheim, California, U.S. |
genre | Teen pop, bubblegum pop, dance-pop, pop |
occupation | Singer |
instrument | Vocals |
years active | 2011–present |
label | RB |
website | |
notable instruments | }} |
In an interview with ''The Sun'', Black said that she is recording a new song for possible release as a single. She is currently working without a record deal. She also said that she is preparing materials for her debut album at Flying Pig Productions studio in Los Angeles containing songs with themes similar to that of "Friday," as she wants it to be "appropriate and clean." Black teamed up with Funny or Die on April Fools Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety." She has also stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.
In response to the YouTube video of "Friday," Black began to receive death threats in late February 2011, specifically by phone and email. These threats are being investigated by the Anaheim Police Department.
In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.
MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011. As an homage to "Friday," Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)," in which Black plays alongside Perry as the hostess of a party Perry attends. "Friday" was also performed on the second season of ''Glee'' in the episode, "Prom Queen," which originally aired May 10, 2011. When asked about why the song was covered on ''Glee'', show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."
Black released a self-produced single titled "My Moment" on July 18, with an accompanying music video, publishing it to her YouTube channel; the video as of August 22 has received, approximately, 520,000 "dislikes" against 300,000 "likes." In the "My Moment" music video, director Morgan Lawley features real life video of Black's life from both before and after her fame. Black is set to release a digital 5-track EP in August.
Black appears as herself in the music video of Katy Perry's single "Last Friday Night (T.G.I.F.)". She appears as the host of a party in the house next door to that of "Kathy Beth Terry". At the end of the video Perry attempts to blame the excesses of the party (which had subsequently moved to her own house) on Black, only for her parents (Corey Feldman and Debbie Gibson) to disbelieve her. Later on, Perry (in character as Kathy Beth Terry) and Black hosted a livestream on Tinychat.com after weeks of Black being mentioned on Terry's twitter. Perry, who performs Friday routinely on stage as part of California Dreams Tour, also brought Black on stage to perform the song as a duet during her show at the Nokia Theater on August 5, 2011.
On August 10, 2011, Rebecca Black was featured in an ABC ''Primetime Nightline: Celebrity Secrets'' special entitled ''Underage and Famous: Inside Child Stars' Lives''.
scope="col" rowspan="2" style="width:16em;" | Title | Year | Peak chart positions | Album | |||||
! scope="col" style="width:3em;font-size:90%;" | ! scope="col" style="width:3em;font-size:90%;" | ! scope="col" style="width:3em;font-size:90%;" | ! scope="col" style="width:3em;font-size:90%;" | ! scope="col" style="width:3em;font-size:90%;" | ! scope="col" style="width:3em;font-size:90%;" | ||||
! scope="row" | rowspan="2">2011 | 58 | 40 | 61| | 46 | 33 | 60 | rowspan="2" | TBA |
scope="row" | "My Moment" | — | — | —| | — | — | — | ||
Year | Nominated work | Event | Award | Result |
"Which Seat Can I Take?" (50 Cent, Rebecca Black, Bert) | MTV O Music Awards | Favorite Animated GIF | ||
Herself | 2011 Teen Choice Awards | Choice Web Star |
Category:1997 births Category:American child singers Category:American dance musicians Category:American female pop singers Category:ARK Music Factory Category:Child pop musicians Category:Internet memes Category:Living people Category:People from Anaheim, California Category:Singers from California
ar:ريبيكا بلاك ca:Rebecca Black de:Rebecca Black es:Rebecca Black fr:Rebecca Black id:Rebecca Black it:Rebecca Black he:רבקה בלאק ka:რებეკა ბლეკი lv:Rebeka Bleka hu:Rebecca Black mk:Ребека Блек ml:റെബേക്കാ ബ്ലാക്ക് nl:Rebecca Black ja:レベッカ・ブラック no:Rebecca Black nn:Rebecca Black uz:Rebecca Black pl:Rebecca Black pt:Rebecca Black ru:Блэк, Ребекка simple:Rebecca Black sr:Rebeka Blek fi:Rebecca Black sv:Rebecca Black uk:Ребекка Блек vi:Rebecca Black zh:瑞贝卡·布莱克This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | The Lonesome Death of Hattie Carroll |
---|---|
artist | Bob Dylan |
album | The Times They Are a-Changin' |
released | January 13, 1964 |
recorded | October 23, 1963 |
track no | 9 |
genre | Folk |
length | 5:48 |
label | Columbia |
writer | Bob Dylan |
producer | Tom Wilson |
tracks | ;Side one # "The Times They Are a-Changin'" # "Ballad of Hollis Brown" # "With God on Our Side" # "One Too Many Mornings" # "North Country Blues" ;Side two # "Only a Pawn in Their Game" # "Boots of Spanish Leather" # "When the Ship Comes In" # "The Lonesome Death of Hattie Carroll" # "Restless Farewell" }} |
The lyrics are a commentary on the racism of the 1960s. In 1963 when Hattie Carroll was killed, Charles County was still strictly segregated by race in public facilities such as restaurants, churches, theaters, doctor's offices, buses, and the county fair. The schools of Charles County were not integrated until 1967.
Already drunk before he got to the Emerson Hotel that night, Zantzinger, 24 years old and 6'2", had assaulted employees at Eager House, a prestigious Baltimore restaurant, with the same cane. The cane was a 25-cent toy. At the Spinsters' Ball, he called a 30-year-old waitress a "nigger" and hit her with the cane; she fled the room in tears. Moments later, after ordering a bourbon that Carroll didn't bring immediately, Zantzinger cursed at her, called her a "nigger" also, then "you black son of a bitch," and struck her on the shoulder and across the head with the cane. In the words of the court notes: " He asked for a drink and called her 'a black bitch', and ' black s.o.b'. She replied, 'Just a moment' and started to prepare his drink. After a delay of perhaps a minute, he complained about her being slow and struck her a hard blow on her shoulder about half-way between the point of her shoulder and her neck." She handed him his drink. After striking Carroll, he attacked his own wife, knocking her to the ground and hitting her with his shoe.
Very soon, within five minutes from the time of the blow, Carroll leaned heavily against the barmaid next to her and complained of feeling ill. Carroll told co-workers, "I feel deathly ill, that man has upset me so." The barmaid and another helped her to the kitchen. Her arm became numb, her speech thick. She collapsed and was hospitalized. Hattie Carroll died eight hours after the assault. Her autopsy showed hardened arteries, an enlarged heart, and high blood pressure. A spinal tap confirmed brain hemorrhage as the cause of death. She died 9a.m. February 9, 1963.
Zantzinger was initially charged with murder. His defense was that he had been extremely drunk, and he admitted to no memory of the attack. His charge was reduced to manslaughter and assault, based on the likelihood that it was her stress reaction to his verbal and physical abuse that led to the intracranial bleeding, rather than blunt-force trauma from the blow that left no lasting mark. On August 28, Zantzinger was convicted of both charges and sentenced to six months' imprisonment.
''Time'' magazine covered the sentencing:
After the sentence was announced, ''The New York Herald Tribune'' conjectured he was given a sentence that short to keep him out of the largely black state prison, reasoning that his notoriety would make him a target for abuse there. Throughout the United States, sentences over a year are generally served in a state prison; sentences under a year are usually served in a county jail or city lockup. Zantzinger instead served his time in the comparative safety of the Washington county jail, some from the scene of the crime.
In September, the ''Herald Tribune'' quoted Zantzinger on his sentence: "I'll just miss a lot of snow." His then-wife, Jane, was quoted saying, "Nobody treats his negroes as well as Billy does around here."
The wording of the lyrics, "a cane / That sailed through the air and came down through the room", either describe the arc of the cane's descent, or assert that the cane was thrown, or is a metaphor for the baselessness of the attack and its impact on society. And the next line, "doomed and determined to destroy all the gentle" presumably draws on poetic license as to the degree of malice evidenced.
The song juxtaposes Zantzinger's wealth and connections to the powerful with the brevity of that sentence. Despite the song's topical nature, Dylan continues to perform it in concert as of May 2009. His live-audience renditions of it appear on the albums ''The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue'' (2002) and ''The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall'' (2004).
In ''Chronicles: Volume One'', Dylan includes "Hattie Carroll" in a list of his early songs which he feels were influenced by his introduction to the work of Bertolt Brecht and Kurt Weill. He describes writing out the words of ''Pirate Jenny'' (or ''The Black Freighter'') in order to understand how the Brecht-Weill song achieved its effect. Dylan writes: "Woody had never written a song like that. It wasn't a protest or a topical song and there was no love for people in it. I took the song apart and unzipped it—it was the free verse association, the structure and disregard for the known certainty of melodic pattern to make it seriously matter, give it its cutting edge. It also had the ideal chorus for the lyrics"
Literary critic Christopher Ricks considers the song to be "one of Dylan's greatest" and the recording on ''The Times They Are A-Changin''' to be "perfect." He devotes an entire chapter to it, analyzing both the meaning as well as the prosody in his book on Dylan's songs as poetry. "But here is a song that could not be written better."
In addition to federal tax delinquencies, Zantzinger fell more than $18,000 behind on county taxes on properties he owned in two Charles County communities called Patuxent Woods and Indian Head, shanties he leased to poor blacks. In 1986, the same year the IRS ruled against him, Charles County confiscated those properties. Nonetheless, Zantzinger continued to collect rents, raise rents, and even successfully prosecute his putative tenants for back rent. In June 1991, Zantzinger was initially charged with a single count of "deceptive trade practices." After some delay, Zantzinger pleaded guilty to 50 misdemeanor counts of unfair and deceptive trade practices. He was sentenced to 19 months in prison and a $50,000 fine. Some of his prison sentence was served in a work release program.
In 2001, Zantzinger discussed the song with Howard Sounes for ''Down the Highway, the Life of Bob Dylan''. He dismissed the song as a "total lie" and claimed "It's actually had no effect upon my life," but expressed scorn for Dylan, saying, "He's a no-account son of a bitch, he's just like a scum of a scum bag of the earth, I should have sued him and put him in jail." Zantzinger died on January 3, 2009, at the age of 69.
Clinton Heylin, author of the Dylan biography ''Behind the Shades Take Two'', defends Zantzinger and chastises Dylan: "Dylan's portrait of William Zantzinger verges on the libelous… That the song itself is a masterpiece of drama and wordplay does not excuse Dylan's distortions, and 36 years on he continues to misrepresent poor William Zantzinger in concert."
Category:1963 murders in the United States Category:1964 songs Category:Songs written by Bob Dylan Category:Bob Dylan songs Category:Folk rock songs Category:Blues rock songs Category:American murder victims Category:People murdered in Maryland Category:Protest songs Category:Murder in Maryland Category:Songs based on actual events Category:Murdered African-American people
es:The Lonesome Death of Hattie Carroll fr:The Lonesome Death of Hattie Carroll he:The Lonesome Death of Hattie Carroll it:The Lonesome Death of Hattie Carroll nn:The Lonesome Death of Hattie Carroll pl:The Lonesome Death of Hattie CarrollThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | The Times |
---|---|
type | Daily newspaper |
format | Compact |
price | UK£0.90 (Monday–Friday)£2 (Saturday) £1.30(Sat., Scotland) |
foundation | 1 January 1785 |
owners | News Corporation |
sister newspapers | ''The Sunday Times'' |
political | Moderate Conservative |
headquarters | Wapping, London, UK |
editor | James Harding |
issn | 0140-0460 |
website | www.thetimes.co.uk |
circulation | 502,436 March 2010 }} |
''The Times'' and its sister paper ''The Sunday Times'' are published by Times Newspapers Limited, since 1981 a subsidiary of News International. News International is entirely owned by the News Corporation group, headed by Rupert Murdoch. Though traditionally a moderately centre-right newspaper and a supporter of the Conservatives, it supported the Labour Party in the 2001 and 2005 general elections. In 2004, according to MORI, the voting intentions of its readership were 40% for the Conservative Party, 29% for the Liberal Democrats, 26% for Labour.
''The Times'' is the original "Times" newspaper, lending its name to many other papers around the world, such as ''The New York Times'', ''The Los Angeles Times'', ''The Seattle Times'', ''The Daily Times (Malawi)'', Jimma Times (Ethiopia), ''The Times of India'', ''The Straits Times'', ''Polska The Times'' ''The Times of Malta'' and ''The Irish Times''. For distinguishing purposes it is therefore sometimes referred to, particularly in North America, as the 'London Times' or 'The Times of London'. The paper is also the originator of the ubiquitous Times Roman typeface, originally developed by Stanley Morison of ''The Times'' in collaboration with the Monotype Corporation for its legibility in low-tech printing.
The Times was printed in broadsheet format for 219 years, but switched to compact size in 2004 partly in an attempt to appeal to younger readers and partly to appeal to commuters using public transport. An American edition has been published since 6 June 2006.
''The Times'' used contributions from significant figures in the fields of politics, science, literature, and the arts to build its reputation. For much of its early life, the profits of ''The Times'' were very large and the competition minimal, so it could pay far better than its rivals for information or writers.
In 1809, John Stoddart was appointed general editor, replaced in 1817 with Thomas Barnes. Under Barnes and his successor in 1841, John Thadeus Delane, the influence of ''The Times'' rose to great heights, especially in politics and amongst the City of London. Peter Fraser and Edward Sterling were two noted journalists, and gained for ''The Times'' the pompous/satirical nickname 'The Thunderer' (from "We thundered out the other day an article on social and political reform.").The increased circulation and influence of the paper was based in part to its early adoption of the steam driven rotary printing press. Distribution via steam trains to rapidly growing concentrations of urban populations helped ensure the profitability of the paper and its growing influence.
''The Times'' was the first newspaper to send war correspondents to cover particular conflicts. W. H. Russell, the paper's correspondent with the army in the Crimean War, was immensely influential with his dispatches back to England. In other events of the nineteenth century, ''The Times'' opposed the repeal of the Corn Laws until the number of demonstrations convinced the editorial board otherwise, and only reluctantly supported aid to victims of the Irish Potato Famine. It enthusiastically supported the Great Reform Bill of 1832 which reduced corruption and increased the electorate from 400 000 people to 800 000 people (still a small minority of the population). During the American Civil War, ''The Times'' represented the view of the wealthy classes, favouring the secessionists, but it was not a supporter of slavery.
The third John Walter (the founder's grandson) succeeded his father in 1847. The paper continued as more or less independent. From the 1850s, however, ''The Times'' was beginning to suffer from the rise in competition from the penny press, notably ''The Daily Telegraph'' and ''The Morning Post''.
During the 19th century, it was not infrequent for the Foreign Office to approach ''The Times'' and ask for continental intelligence, which was often superior to that conveyed by official sources.
''The Times'' faced financial extinction in 1890 under Arthur Fraser Walter, but it was rescued by an energetic editor, Charles Frederic Moberly Bell. During his tenure (1890–1911), ''The Times'' became associated with selling the ''Encyclopædia Britannica'' using aggressive American marketing methods introduced by Horace Everett Hooper and his advertising executive, Henry Haxton. However, due to legal fights between the ''Britannica's'' two owners, Hooper and Walter Montgomery Jackson, ''The Times'' severed its connection in 1908 and was bought by pioneering newspaper magnate, Alfred Harmsworth, later Lord Northcliffe.
In editorials published on 29 and 31 July 1914 Wickham Steed, the ''Times'''s Chief Editor argued that the British Empire should enter World War I. On 8 May 1920, under the editorship of Wickham Steed, the ''Times'' in an editorial endorsed the anti-Semitic forgery ''The Protocols of the Learned Elders of Zion'' as a genuine document, and called Jews the world's greatest danger. In the leader entitled "The Jewish Peril, a Disturbing Pamphlet: Call for Inquiry", Steed wrote about ''The Protocols of the Elders of Zion'':
What are these 'Protocols'? Are they authentic? If so, what malevolent assembly concocted these plans and gloated over their exposition? Are they forgery? If so, whence comes the uncanny note of prophecy, prophecy in part fulfilled, in part so far gone in the way of fulfillment?".The following year, when Philip Graves, the Constantinople (modern Istanbul) correspondent of the ''Times'', exposed ''The Protocols'' as a forgery, the ''Times'' retracted the editorial of the previous year.
In 1922, John Jacob Astor, a son of the 1st Viscount Astor, bought ''The Times'' from the Northcliffe estate. The paper gained a measure of notoriety in the 1930s with its advocacy of German appeasement; then-editor Geoffrey Dawson was closely allied with those in the government who practised appeasement, most notably Neville Chamberlain.
Kim Philby, a Soviet double agent, served as a correspondent for the newspaper in Spain during the Spanish Civil War of the late 1930s. Philby was admired for his courage in obtaining high-quality reporting from the front lines of the bloody conflict. He later joined MI6 during World War II, was promoted into senior positions after the war ended, then eventually defected to the Soviet Union in 1963.
Between 1941 and 1946, the left-wing British historian E.H. Carr was Assistant Editor. Carr was well known for the strongly pro-Soviet tone of his editorials. In December 1944, when fighting broke out in Athens between the Greek Communist ELAS and the British Army, Carr in a ''Times'' editorial sided with the Communists, leading Winston Churchill to condemn him and that leader in a speech to the House of Commons. As a result of Carr's editorial, the ''Times'' became popularly known during World War II as the threepenny ''Daily Worker'' (the price of the ''Daily Worker'' was one penny)
In 1967, members of the Astor family sold the paper to Canadian publishing magnate Roy Thomson, and on 3 May 1966 it started printing news on the front page for the first time. (Previously, the paper's front page featured small advertisements, usually of interest to the moneyed classes in British society.) The Thomson Corporation merged it with ''The Sunday Times'' to form Times Newspapers Limited.
An industrial dispute prompted the management to shut the paper for nearly a year (1 December 1978 – 12 November 1979).
The Thomson Corporation management were struggling to run the business due to the 1979 Energy Crisis and union demands. Management were left with no choice but to save both titles by finding a buyer who was in a position to guarantee the survival of both titles, and also one who had the resources and was committed to funding the introduction of modern printing methods.
Several suitors appeared, including Robert Maxwell, Tiny Rowland and Lord Rothermere; however, only one buyer was in a position to meet the full Thomson remit. That buyer was the Australian media magnate Rupert Murdoch.
Murdoch soon began making his mark on the paper, replacing its editor, William Rees-Mogg, with Harold Evans in 1981. One of his most important changes was the introduction of new technology and efficiency measures. In March–May 1982, following agreement with print unions, the hot-metal Linotype printing process used to print ''The Times'' since the 19th century was phased out and replaced by computer input and photo-composition. This allowed print room staff at ''The Times'' and ''The Sunday Times'' to be reduced by half. However, direct input of text by journalists ("single stroke" input) was still not achieved, and this was to remain an interim measure until the Wapping dispute of 1986, when ''The Times'' moved from New Printing House Square in Gray's Inn Road (near Fleet Street) to new offices in Wapping.
In June 1990, ''The Times'' ceased its policy of using courtesy titles ("Mr", "Mrs", or "Miss" prefixes for living persons) before full names on first reference, but it continues to use them before surnames on subsequent references. The more formal style is now confined to the "Court and Social" page, though "Ms" is now acceptable in that section, as well as before surnames in news sections.
In November 2003, News International began producing the newspaper in both broadsheet and tabloid sizes. On 13 September 2004, the weekday broadsheet was withdrawn from sale in Northern Ireland. Since 1 November 2004, the paper has been printed solely in tabloid format.
The Conservative Party announced plans to launch litigation against ''The Times'' over an incident in which the newspaper claimed that Conservative election strategist Lynton Crosby had admitted that his party would not win the 2005 General Election. ''The Times'' later published a clarification, and the litigation was dropped.
On 6 June 2005, ''The Times'' redesigned its Letters page, dropping the practice of printing correspondents' full postal addresses. Published letters were long regarded as one of the paper's key constituents. Author/solicitor David Green of Castle Morris Pembrokeshire has had more letters published on the main letters page than any known contributor – 158 by 31 January 2008. According to its leading article, "From Our Own Correspondents", removal of full postal addresses was in order to fit more letters onto the page.
In a 2007 meeting with the House of Lords Select Committee on Communications, which was investigating media ownership and the news, Murdoch stated that the law and the independent board prevented him from exercising editorial control.
In May 2008 printing of ''The Times'' switched from Wapping to new plants at Broxbourne on the outskirts of London, and Merseyside and Glasgow, enabling the paper to be produced with full colour on every page for the first time.
Some allege that ''The Times''' partisan opinion pieces also damage its status as 'paper of record,' particularly when attacking interests that go against those of its parent company – News International. In 2010 it published an opinion piece attacking the BBC for being 'one of a group of' signatories to a letter criticising BSkyB share options in October 2010.
The latest figures from the national readership survey show ''The Times'' to have the highest number of ABC1 25–44 readers and the largest numbers of readers in London of any of the "quality" papers. The certified average circulation figures for November 2005 show that The Times sold 692,581 copies per day. This was the highest achieved under the last editor, Robert Thomson, and ensured that the newspaper remained ahead of ''The Daily Telegraph'' in terms of full-rate sales, although the ''Telegraph'' remains the market leader for broadsheets, with a circulation of 905,955 copies. Tabloid newspapers, such as ''The Sun'' and middle-market newspapers such as the ''Daily Mail'', at present outsell both papers with a circulation of around 3,005,308 and 2,082,352 respectively. By March 2010 the paper's circulation had fallen to 502,436 copies daily and the ''Telegraph's'' to 686,679, according to ABC figures.
''The Times'' started another new (but free) monthly science magazine, ''Eureka'', in October 2009.
The supplement also contained arts and lifestyle features, TV and radio listings and reviews which have now become their own weekly supplements.
''Saturday Review'' is the first regular supplement published in broadsheet format again since the paper switched to a compact size in 2004.
At the beginning of Summer 2011 ''Saturday Review'' switched to the tabloid format
''The Times Magazine'' features columns touching on various subjects such as celebrities, fashion and beauty, food and drink, homes and gardens or simply writers' anecdotes. Notable contributors include Giles Coren, Food And Drink Writer of the Year in 2005.
There are now two websites, instead of one: ''thetimes.co.uk'' is aimed at daily readers, and the ''thesundaytimes.co.uk'' site at providing weekly magazine-like content.
According to figures released in November 2010 by ''The Times'', 100,000 people had paid to use the service in its first four months of operation, and another 100,000 received free access because they subscribe to the printed paper. Visits to the websites have decreased by 87% since the paywall was introduced, from 21 million unique users per month to 2.7 million.
''The Times'' also sponsors the Cheltenham Literature Festival and the Asia House Festival of Asian Literature at Asia House, London.
The Times had declared its support for Clement Attlee's Labour at the 1945 general election; the party went on to win the election by a landslide over Winston Churchill's Conservative government. However, the newspaper reverted to the Tories for the next election five years later. It would not switch sides again for more than 50 years.
!Editor's name | !Years |
1785–1803 | |
1803–1812 | |
John Stoddart | 1812–1816 |
1817–1841 | |
John Delane | 1841–1877 |
Thomas Chenery | 1877–1884 |
George Earle Buckle | 1884–1912 |
George Geoffrey Dawson | 1912–1919 |
1919–1922 | |
George Geoffrey Dawson | 1923–1941 |
Robert McGowan Barrington-Ward | 1941–1948 |
William Francis Casey | 1948–1952 |
William Haley | 1952–1966 |
William Rees-Mogg | 1967–1981 |
Harold Evans | 1981–1982 |
1982–1985 | |
1985–1990 | |
Simon Jenkins | 1990–1992 |
Peter Stothard | 1992–2002 |
2002–2007 | |
2007– |
Category:Newspapers published in the United Kingdom Category:News Corporation subsidiaries * Category:Publications established in 1785 Category:1785 establishments in Great Britain
ar:ذي تايمز bn:দ্য টাইমস be:The Times be-x-old:The Times bg:Таймс ca:The Times cs:The Times cy:The Times da:The Times de:The Times es:The Times eo:The Times eu:The Times fa:تایمز fr:The Times gl:The Times ko:타임스 id:The Times is:The Times it:The Times he:הטיימס jv:The Times ka:The Times ku:The Times la:The Times lv:The Times lt:The Times hu:The Times mk:The Times ml:ദി ടൈംസ് ms:The Times (kugiran) nl:The Times ja:タイムズ no:The Times nn:The Times pms:The Times pl:The Times pt:The Times ro:The Times ru:The Times simple:The Times sk:The Times sl:The Times sr:Тајмс fi:The Times sv:The Times ta:தி டைம்ஸ் th:เดอะไทมส์ tr:The Times uk:Таймс vi:The Times zh:泰晤士报This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Mark Knopfler |
---|---|
background | solo_singer |
birth name | Mark Freuder Knopfler |
born | August 12, 1949Glasgow, Scotland |
origin | Newcastle upon Tyne, England |
instrument | Vocals, guitar |
genre | RockRoots rockCeltic rockCountry rockBlues-rock |
occupation | Musician, Songwriter, Record producer, Film score composer |
years active | 1965–present |
label | Vertigo, Mercury, Warner |
associated acts | Dire StraitsThe Notting HillbilliesChet AtkinsEmmylou HarrisBob DylanEric ClaptonSonny Landreth |
website | MarkKnopfler.com |
notable instruments | Mark Knopfler StratocasterFender TelecasterGibson Les PaulPensa Custom MKIISteinberger GL-2 }} |
Mark Freuder Knopfler, OBE (born 12 August 1949) is a British guitarist, singer, songwriter, record producer and film score composer. He is best known as the lead guitarist, vocalist, and songwriter for the British rock band Dire Straits, which he co-founded in 1977. After Dire Straits disbanded in 1995, Knopfler went on to record and produce six solo albums, including ''Golden Heart'' (1996), ''Sailing to Philadelphia'' (2000), and ''Get Lucky'' (2009). He has composed and produced film scores for eight films, including ''Local Hero'' (1983), ''Cal'' (1984), and ''The Princess Bride'' (1987). In addition to his work with Dire Straits and as a solo artist and composer, Knopfler has recorded and performed with many prominant musical artists, including Chet Atkins, The Chieftains, Eric Clapton, Bob Dylan, Emmylou Harris, Jools Holland, Sonny Landreth, and Van Morrison. He has produced albums for such artists as Tina Turner, Bob Dylan, and Randy Newman.
Knopfler is one of the most respected fingerstyle guitarists of the modern rock era, and was ranked 27th on ''Rolling Stone'' magazine's list of 100 Greatest Guitarists of All Time. Knopfler and Dire Straits have sold in excess of 120 million albums to date. A four-time Grammy Award winner, Knopfler is the recipient of the Edison Award and the Steiger Award, and holds three honorary doctorate degrees in music from universities in the United Kingdom.
In 1968, after studying journalism for a year at Harlow Technical College, Knopfler was hired as a junior reporter in Leeds for the ''Yorkshire Evening Post''. Two years later, he decided to further his studies, and went on to graduate with a degree in English at the University of Leeds. In April 1970, while living in Leeds, Knopfler recorded a demo disk of an original song he'd written, "Summer's Coming My Way". The recording included Mark Knopfler (guitar and vocals), Steve Phillips (second guitar), Dave Johnson (bass), and Paul Granger (percussion). Johnson, Granger, and vocalist Mick Dewhirst played with Mark in the band Silverheels.
Upon graduation in 1973, Knopfler moved to London and joined a High Wycombe-based band called Brewers Droop, appearing on the album ''The Booze Brothers''. One night while spending some time with friends, the only guitar available was an old acoustic with a badly warped neck that had been strung with extra-light strings to make it playable. Even so, he found it impossible to play unless he finger-picked it. He said in a later interview, "That was where I found my 'voice' on guitar." After a brief stint with Brewers Droop, Knopfler took a job as a lecturer at Loughton College in Essex—a position he held for three years. Throughout this time, he continued performing with local pub bands, including the Café Racers. He also formed a duo with long-time associate bluesman Steve Phillips called The Duolian String Pickers.
By the mid-1970s, Knopfler devoted much of his musical energies to his group, the Café Racers. His brother David moved to London, where he shared a flat with John Illsley—a guitarist who changed over to bass guitar. In April 1977, Mark gave up his flat in Buckhurst Hill and moved in with David and John. The three began playing music together, and soon Mark invited John to join the Café Racers.
Initially on its release, ''Dire Straits'' received little fanfare in the UK, but when "Sultans of Swing" was released as a single it became a chart hit in The Netherlands and album sales took off across Europe and then in the United States and Canada, and finally the UK. The group's second album, ''Communiqué'', produced by Jerry Wexler and Barry Beckett, followed in 1979, reaching number one in France while the first album was still at number three.
There were frequent personnel changes within Dire Straits after the release of their third album ''Making Movies'', with Mark Knopfler increasingly becoming the driving force behind the group. Released in 1980, ''Making Movies'' marked a move towards more complex arrangements and production which continued for the remainder of the group's career. The album included many of Mark Knopfler's most personal compositions, most notably "Romeo and Juliet" and "Tunnel of Love". ''Love over Gold'' followed in 1982 and included the UK #2 hit "Private Investigations", "Telegraph Road", "Industrial Disease" and "It Never Rains" as well as the title track to that album.
With ''Love Over Gold'' still in the albums charts, the band released a four-song EP titled ''ExtendedancEPlay'' in early 1983. Featuring the hit single "Twisting By the Pool", this was the first output by the band that featured new drummer Terry Williams, (formerly of Rockpile), who had replaced Pick Withers in November 1982. A world tour followed later in 1983, and in March 1984 the double album ''Alchemy Live'' was released. ''Alchemy Live'' documented the recordings of two live shows in Hammersmith Odeon in London in July 1983, and reached number three in the UK Albums Chart.
During 1983 and 1984 Knopfler was involved with other projects as well, including writing and producing the music score to the film ''Local Hero'' which was a large success, and it was followed in 1984 by his scores for the films ''Cal'' and ''Comfort and Joy''. Also during this time Knopfler produced Bob Dylan's ''Infidels'' album, as well as Aztec Camera and Willy DeVille; he also wrote ''Private Dancer'' for Tina Turner's comeback album of the same name. Dire Straits' biggest studio album by far was their fifth, ''Brothers in Arms,'' recorded at Air Studios Montserrat and released in May 1985. It became an international blockbuster which has now sold more than 30 million copies worldwide, and is the fourth best selling album in UK chart history. ''Brothers In Arms'' spawned several chart singles including the US # 1 hit "Money for Nothing", which was the first video ever to be played on MTV in Britain. It was also the first compact disc to sell a million copies and is largely credited for launching the CD format as it was also one of the first DDD CDs ever released. Other successful singles were "So Far Away", "Walk of Life", and the album's title track. The band's 1985–86 world tour of over 230 shows was immensely successful.
After the ''Brothers in Arms'' tour Dire Straits ceased to work together for some time, Knopfler concentrating mainly on film soundtracks. Knopfler joined the charity ensemble Ferry Aid on "Let It Be" in the wake of the Zeebrugge ferry disaster. The song reached #1 on the UK singles chart in March 1987. Knopfler wrote the music score for the film ''The Princess Bride'' which was released at the end of 1987.
Mark Knopfler also took part in a comedy skit (featured on the French and Saunders Show) titled "The Easy Guitar Book Sketch" with comedian Rowland Rivron and fellow British musicians David Gilmour, Lemmy from Motorhead, Mark King from Level 42, and Gary Moore. Phil Taylor explained in an interview that Knopfler used Gilmour's guitar rig and managed to sound like himself when performing in the skit.
Dire Straits regrouped for the 11 June 1988 Nelson Mandela 70th Birthday Tribute concert at Wembley Stadium, in which they were the headline act, and were accompanied by Elton John and Eric Clapton, who by this time had developed a strong friendship with Knopfler. Shortly after this, drummer Terry Williams left the band. In September 1988 Mark Knopfler announced the official dissolution of Dire Straits, saying that he "needed a rest", and in October 1988, a "best of" album, ''Money for Nothing'', was released and reached number one in the United Kingdom.
In 1989 Knopfler formed The Notting Hillbillies, a band at the other end of the commercial spectrum. It leaned heavily towards American roots music - folk, blues and country music. The band members included keyboardist Guy Fletcher, with Brendan Croker and Steve Phillips. For both the album and the tour Paul Franklin was added to the line-up on pedal steel. The Notting Hillbillies sole studio album, ''Missing...Presumed Having a Good Time'' was released in 1990, and Knopfler then toured with the Notting Hillbillies for the remainder of that year. He further emphasized his country music influences with his 1990s collaboration with Chet Atkins, ''Neck and Neck''. The Hillbillies toured the UK in early 1990 with a limited number of shows, it was strictly low key, packing out smaller venues, such as Newcastle University.
In 1990 Knopfler, John Illsley, and Alan Clark performed as Dire Straits at the Knebworth gig, joined by Eric Clapton, Ray Cooper, and guitarist Phil Palmer (who was at that time part of Eric Clapton's touring band), and in January the following year, Knopfler, John Illsley and manager Ed Bicknell decided to reform Dire Straits. Knopfler, Illsley, Alan Clark, and Guy Fletcher set about recording what turned out to be their final studio album accompanied by several part-time sidemen, including Phil Palmer, Paul Franklin, percussionist Danny Cummings and Toto drummer Jeff Porcaro.
The follow-up to ''Brothers In Arms'' was finally released in September 1991. ''On Every Street'' was nowhere near as popular as its predecessor, and met with a mixed critical reaction, with some reviewers regarding the album as an underwhelming comeback after a six year break. Nonetheless, the album sold well and reached #1 in the UK. A gruelling world tour to accompany the album followed, which lasted until the end of 1992. This was to be Dire Straits' final world tour; it was not as well received as the previous ''Brothers In Arms'' tour, and by this time Mark Knopfler had had enough of such massive operations. This drove the band into the ground, and ultimately led to the group's final dissolution in 1995.
Following the tour, Knopfler took some time off from the music business. In 1993, he received an honorary music doctorate from the University of Newcastle upon Tyne. Two more Dire Straits albums were released, both live albums. ''On the Night'', released in May 1993, documented Dire Straits' final world tour. In 1995, following the release of ''Live at the BBC'', Mark Knopfler quietly dissolved Dire Straits and launched his career as a solo artist.
Since the break-up of Dire Straits, Knopfler has shown no interest in reforming the group. However, keyboardist Guy Fletcher has been associated with almost every piece of Knopfler's solo material to date, while Danny Cummings has also contributed frequently, including Knopfler's last three solo album releases ''All the Roadrunning'' (with Emmylou Harris), ''Kill to Get Crimson'' and ''Get Lucky''. In October 2008 Knopfler declined a suggestion by John Illsley that the band should reform. Illsley said that a reunion would be "entirely up to Mark", however he also suggested that Knopfler was enjoying his continued success as a solo artist, saying that "He's doing incredibly well as a solo artist, so hats off to him. He's having a perfectly good time doing what he's doing". Knopfler meanwhile is quoted as saying "Oh, I don't know whether to start getting all that stuff back together again", and that the global fame that came his way in the 1980s "just got too big".
Also in 1996, Mark Knopfler recorded guitar for Ted Christopher's Dunblane massacre tribute cover of Knocking on Heaven's Door
In 1997 Knopfler recorded the soundtrack for the movie ''Wag the Dog''. During that same year ''Rolling Stone'' magazine listed "Rock 'n' Roll Hall of Fame's 500 Songs That Shaped Rock and Roll", which included "Sultans of Swing", Dire Straits' first hit. 2000 saw the release of Knopfler's next solo album, ''Sailing to Philadelphia.'' This has been his most successful to date, possibly helped by the number of collaborators to the album like Van Morrison.
In 2002 Mark Knopfler gave four charity concerts with former Dire Straits members John Illsley, Chris White, Danny Cummings and Guy Fletcher, playing old material from the Dire Straits years. The concerts also featured The Notting Hillbillies with Brendan Croker and Steve Phillips. At these four concerts (three of the four were at the Shepherd's Bush, the fourth at Beaulieu on the south coast) they were joined by Jimmy Nail, who provided backing vocals for Knopfler's 2002 composition "Why Aye Man".
Also in 2002 Knopfler released his third solo album, ''The Ragpicker's Dream''. However, in March 2003 he was involved in a motorbike crash in Grosvenor Road, Belgravia and suffered a broken collarbone, broken shoulder blade and seven broken ribs. The planned ''Ragpicker's Dream'' tour was subsequently cancelled, but Knopfler recovered and was able to return to the stage in 2004 for his fourth album, ''Shangri-La.''
''Shangri-La'' was recorded at the Shangri-La Studio in Malibu, California in 2004, where The Band made recordings years before for their documentary/movie, ''The Last Waltz.'' In the promo for "Shangri-La" on his official website he said that his current line-up of Glenn Worf (bass), Guy Fletcher (keyboards), Chad Cromwell (drums), Richard Bennett (guitar) and Matt Rollings (piano) "play Dire Straits songs better than Dire Straits did." The "Shangri-La" tour took Knopfler to countries such as India and the United Arab Emirates for the first time. In India, his concerts at Mumbai and Bangalore were very well received, with over 20,000 fans gathering at each concert to listen to a legend many thought would never visit their country.
In November 2005 a compilation, ''The Best of Dire Straits & Mark Knopfler: Private Investigations'' was released, consisting of material from most of Dire Straits' studio albums and Knopfler's solo and soundtrack material. The album was made available in two editions, as a single CD (with a grey cover) and as a double CD (with the cover in blue), and was well-received. The only previously unreleased track on the album is "All the Roadrunning", a duet with country music singer Emmylou Harris, which was followed in 2006 by an album of duets of the same name.
Released in April 2006, ''All the Roadrunning'' reached #1 in Denmark and Switzerland, #2 in Norway and Sweden, #3 in Germany, Holland and Italy, #8 in Austria and UK, #9 in Spain, #17 in the United States (''Billboard'' Top 200 Chart), #25 in Ireland and #41 in Australia. ''All the Roadrunning'' was nominated for "Best Folk Rock/Americana Album" at the 49th Grammy Awards (11 February 2007) but lost out to Bob Dylan's nomination for ''Modern Times''.
Joined by Emmylou Harris, Knopfler supported ''All the Roadrunning'' with a limited – 15 gigs in Europe, 1 in Canada and 8 in the USA – but highly successful tour of Europe and N America. Selections from the duo's 28 June performance at the Gibson Amphitheatre, Universal City, California, were released as a DVD entitled ''Real Live Roadrunning'' on 14 November 2006. In addition to several of the compositions that Harris and Knopfler recorded together in the studio, ''Real Live Roadrunning'' features solo hits from both members of the duo, as well as three tracks from Knopfler's days with Dire Straits.
A charity event in 2007 went wrong. A Fender Stratocaster guitar signed by Knopfler, Clapton, Brian May, and Jimmy Page was to be auctioned for £20,000 to raise the money for a children's hospice, was lost when being shipped. It "vanished after being posted from London to Leicestershire, England". Parcelforce, the company responsible, agreed to pay US$30,000 for its loss.
Knopfler released his fifth solo studio-album ''Kill to Get Crimson'' on 14 September 2007 in Germany, 17 September in the UK and 18 September in the United States. During the autumn of 2007 he played a series of intimate 'showcases' in various European cities to promote the album. A tour of Europe and North America followed in 2008. Many older songs from the early solo days, such as Cannibals (from Golden Heart), were brought back to life. Cannibals opened up shows throughout Europe. Cannibals was received extremely well particularly in Ireland as it was released by an Irish Country Artist David Maguire in 2007. The new version of Cannibals that David Maguire and his Band released was the 7th most requested song on Irish radio that year.
Continuing a pattern of high productivity through his solo career, Knopfler began work on his next studio album, entitled ''Get Lucky'', in September 2008 with long-time band mate Guy Fletcher, who again compiled a pictorial diary of the making of the album on his website. The album was released on September 14 the following year and Knopfler subsequently undertook an extensive tour across Europe and America. The album met with moderate success on the charts (much of it in Europe) reaching #1 only in Norway but peaking in the Top 5 in most major European countries (Germany, Italy, Holland). The album peaked at #2 on the Billboard European Album chart and at #5 on the Billboard Rock Album chart.
Knopfler's solo live performances can be characterized as relaxed—almost workmanlike. He uses very little stage production, other than some lighting effects to enhance the music's dynamics. He has been known to sip tea on stage during live performances. Richard Bennett, who has been playing with him on tour since 1996, has also joined in drinking tea with him on stage. On 31 July 2005, at the Queen Elizabeth Theatre in Vancouver, BC, the tea was replaced with whisky as a "last show of tour" sort of joke.
In February 2009, Knopfler gave an intimate solo concert at the Garrick Club in London. Knopfler had recently become a member of the exclusive gentlemen's club for men of letters.
In 2010, Knopfler appeared on the newest Thomas Dolby release, the EP ''Amerikana''. Knopfler performed on the track "17 Hills".
In February 2011, Knopfler began work on his next solo album, once again working with Guy Fletcher. A release date is yet to be announced. In July 2011, it was announced that Knopfler would take time out from recording this album in order to take part in a European tour with Bob Dylan during October and November.
Knopfler's other contributions include writing and playing guitar on John Anderson's 1992 single "When It Comes to You" (from his album ''Seminole Wind''). In 1993 Mary Chapin Carpenter also released a cover of the Dire Straits song "The Bug". Randy Travis released another of Knopfler's songs, "Are We In Trouble Now", in 1996. In that same year, Knopfler's solo single "Darling Pretty" reached a peak of #87.
Knopfler collaborated with George Jones on the 1994 "The Bradley Barn Sessions" album performing guitar duties on the classic J.P. Richardson composition White Lightnin'.
Knopfler is featured on Kris Kristofferson's album "The Austin Sessions", (on the track "Please Don't Tell Me How The Story Ends") released in 1999 by Atlantic Records.
In 2006 Knopfler and Emmylou Harris made a country album together titled ''All the Roadrunning''. Knopfler also charted two singles on the Canadian country music singles chart.
Again in 2006, Knopfler contributed the song "Whoop De Doo" to Jimmy Buffett's "Gulf and Western" style album "Take the Weather with You".
On the "Get Lucky" tour in 2010, Knopfler used a pair of custom built Reinhardt guitar amp heads with matching cabinets, and a Tone King combo in between that is used on some songs.
Category:1949 births Category:Alumni of the University of Leeds Category:British guitarists Category:English rock guitarists Category:English Jews Category:British Jews Category:British male singers Category:English rock singers Category:British singer-songwriters Category:Dire Straits members Category:Fingerstyle guitarists Category:Grammy Award winners Category:Lead guitarists Category:Living people Category:People from Newcastle upon Tyne Category:Resonator guitarists Category:Brit Award winners Category:People educated at Gosforth Academy
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