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Terry's family relocated to Vancouver, in the early '60s from Winnipeg and Jacks took up guitar in his teens and at 18 formed a Vancouver, British Columbia, band called The Chessmen with guitarist Guy Sobell.. The group had 4 Top Ten local Vancouver hits between 1964 and 1966. Following The Chessmen, Terry, Susan Pesklevits (Susan Jacks), Craig McCaw and Satwant Singh formed The Poppy Family. Susan and Terry were married in 1967. The Poppy Family had several hits in Canada and internationally, their biggest being "Which Way You Goin' Billy?", which went to #1 in Canada and #2 on the Billboard charts in the U.S. The song was written and produced by Terry Jacks.
In the early 70s, Terry and Susan travelled to L.A. where Terry was to work with the Beach Boys to record the song "Seasons In The Sun" but the project was never finished and they returned to Vancouver.
The couple recorded two more albums before Susan left the marriage in 1973, Susan's solo album "I Thought of You Again" and Terry's solo album "Seasons In The Sun". "Seasons in the sun", released in late 1973 on his own record label, Goldfish Records, became the largest-selling international single by a Canadian artist at that time and earned Jacks four Juno Awards. "Seasons in the Sun" is Rod McKuen's 1965 adaptation of "Le moribond", a 1962 original by Belgian singer Jacques Brel; for his version, Jacks made some modifications to the lyrics. In the United States, in Great Britain and in Germany, in these countries it was released on Bell Records, the song went to No. 1 on the charts. The “B” side of "Seasons In The Sun" 45 record was a song about a woman asking her butcher to put in the bone with the rest of her meat order entitled "Put the Bone In". Terry released two more singles entitled "If You Go Away" (another McKuen adaptation of a Jacques Brel song entitled "Ne Me Quitte Pas"), it reached #8 in Great Britain and #24 in Germany, and "Rock & Roll (I Gave You The Best Years Of My Life)", both of which had more impact in Canada but some modest success on the Billboard Hot 100 chart in the USA.
Terry Jacks wrote and recorded a number of other songs and went on to produce a single for VALDY, Buddy Knox (unreleased), Chilliwack (including "Crazy Talk") and a handful of other artists. He also earned a Gold Leaf award in 1970 for his production work while with the Poppy Family. Terry also produced several songs for Nana Mouskouri who has sold over 300 million records worldwide.
In the late 1970s, Jacks re-married and gradually withdrew from the music world. The couple had a daughter, Holly Michelle Jacks in 1985. Jacks became involved in the environmental movement, focusing on pulp mill pollution issues in Canada. Jacks' environmental work has earned him several awards including one from the United Nations Association of Canada and the Western Canada Wilderness Committee. He has worked in documentary film and video, producing several shorts on environmental themes including The Tragedy of Clearcutting, The Southern Chilcotin Mountains and The Warmth of Love (The Four Seasons of Sophie Thomas). The video production The Faceless Ones earned an Environmental Gold Award from the New York International Film Festival.
! Year | ! Song | RPM (magazine)>CAN | RPM (magazine)>CAN AC | Billboard Hot 100>U.S. | UK Singles Chart>UK |
1970 | "I'm Gonna Capture You" | ||||
1972 | "Concrete Sea" | ||||
1973 | "I'm Gonna Love You Too" | ||||
"Seasons in the Sun" | |||||
"If You Go Away" | |||||
"Rock and Roll (I Gave You the Best Years of My Life)" | |||||
"Christina" | |||||
"Holly" | |||||
"Y' Don't Fight the Sea" | |||||
"In My Father's Footsteps" | |||||
1977 | "Hey Country Girl" | ||||
1981 | "Greenback Dollar" | ||||
1983 | "You Fool Me" | ||||
1987 | "Just Like That" |
Category:1944 births Category:Living people Category:Canadian pop singers Category:Canadian songwriters Category:Juno Award winners Category:People from Winnipeg Category:Bell Records artists
de:Terry Jacks es:Terry Jacks fr:Terry Jacks id:Terry Jacks la:Terry Jacks nl:Terry Jacks no:Terry Jacks pl:Terry Jacks pt:Terry Jacks ru:Джекс, Терри simple:Terry Jacks fi:Terry Jacks sv:Terry JacksThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Joni Mitchell |
---|---|
genre | Folk-rock, folk-jazz/jazz, pop |
background | solo_singer |
birth name | Roberta Joan Anderson |
born | November 07, 1943Fort Macleod, Alberta, Canada |
origin | Saskatoon, Saskatchewan, Canada |
instrument | Vocals, piano, guitar, ukulele, dulcimer |
occupation | Singer, songwriter, composer, record producer, musician, painter, guitarist, pianist |
label | Reprise (1968–1972; 1994–2001)Asylum (1972–1981)Geffen (1982–1993)Nonesuch (2002)Hear Music (2007) |
associated acts | Crosby, Stills, Nash and Young, Graham Nash, Joan Baez, Charles Mingus, Mary Travers, David Crosby, James Taylor, Herbie Hancock, Mama Cass |
website | }} |
Joni Mitchell, CC, (born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, singer, songwriter, and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. In the mid-1960s she left for New York City and its rich folk music scene, recording her debut album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. ''Blue'', her starkly personal 1971 album, was voted #30 in Rolling Stone magazine's "500 Greatest Albums of All Time" list of 2003. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling ''Court and Spark''.
Mitchell's distinctive harmonic guitar style and piano arrangements all grew more complex through the 1970s as she was deeply influenced by jazz, melding it with pop, folk and rock on experimental albums like 1976's ''Hejira''. She worked closely with jazz musicians including Pat Metheny, Wayne Shorter, Jaco Pastorius, Herbie Hancock, and on a 1979 record released after his death, Charles Mingus. From the 1980s on, Mitchell reduced her recording and touring schedule but turned again toward pop, making greater use of synthesizers and direct political protest in her lyrics, which often tackled social and environmental themes alongside romantic and emotional ones.
Mitchell's work is highly respected both by critics and by fellow musicians. ''Rolling Stone'' magazine called her "one of the greatest songwriters ever," while Allmusic said, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century." Mitchell is also a visual artist. She created the artwork for each of her albums, and in 2000 described herself as a "painter derailed by circumstance." A blunt critic of the music industry, Mitchell stopped recording over the last several years, focusing more attention on painting, but in 2007 she released ''Shine'', her first album of new songs in nine years.
Her mother's ancestors were Scottish and Irish; her father's were Norwegian and Sami. Her paternal grandmother was born on the farm Farestveit in Modalen, Hordaland, Norway. Her paternal grandfather was from Sømna, Sør-Helgeland, Nordland, Norway.
At the age of eight, Mitchell contracted polio during a Canadian epidemic, but she recovered after a stay in hospital. This was the same polio epidemic (1951) in which singer Neil Young, then aged five, also contracted the virus. It was during this time that she first became interested in singing. She describes her first experience singing while in hospital during the winter in the following way:
"They said I might not walk again, and that I would not be able to go home for Christmas. I wouldn't go for it. So I started to sing Christmas carols and I used to sing them real loud ... The boy in the bed next to me, you know, used to complain. And I discovered I was a ham."She began smoking at the age of nine as well, a habit which is arguably one of the factors contributing to the change in her voice in recent years (Mitchell herself disputes this in several interviews).
As a teenager, Joni taught herself ukulele and, later, guitar. She began performing at parties and bonfires, which eventually led to gigs playing in coffeehouses and other venues in Saskatoon. After finishing high school at Aden Bowman Collegiate in Saskatoon, she attended the Alberta College of Art and Design in Calgary for a year, during which she made the acquaintance of another budding singer-songwriter, Harry Chapin, but Mitchell then left, telling her mother: "I'm going to Toronto to be a folksinger."
After leaving art college in June 1964, Mitchell left her home in Saskatoon to relocate to Toronto. She found out that she was pregnant by her college ex-boyfriend, and in February 1965 she gave birth to a baby girl. A few weeks after the birth, Joni Anderson married folk-singer Chuck Mitchell, and took his surname. A few weeks later she gave her daughter, Kelly Dale Anderson, up for adoption. The experience remained private for most of her career, but she made allusions to it in several songs, most notably a very specific telling of the story in the 1971 song "Little Green". Mitchell's 1982 song "Chinese Cafe", from the album ''Wild Things Run Fast'', includes the lyrics "Your kids are coming up straight / My child's a stranger / I bore her / But I could not raise her."
Mitchell's daughter, renamed Kilauren Gibb, began a search for her as an adult. In 1997 Gibb mentioned her search to the girlfriend of a man with whom she had grown up. By coincidence, this woman knew a third person who had once told her that he knew Joni Mitchell years earlier "when she was pregnant." Mitchell and her daughter were reunited shortly thereafter.
Folk singer Tom Rush had met Mitchell in Toronto and was impressed with her songwriting ability. He took "Urge For Going" to popular folk act Judy Collins but she was not interested in the song at the time, so Rush recorded it himself. Country singer George Hamilton IV heard Rush performing it and recorded a hit country version. Other artists who recorded Mitchell songs in the early years were Buffy Sainte-Marie ("The Circle Game"), Dave Van Ronk ("Both Sides Now"), and eventually Judy Collins ("Both Sides Now", a top ten hit, and Michael From Mountains, both included on her 1967 album ''Wildflowers''). Collins also covered "Chelsea Morning", a recording which again eclipsed Mitchell's own commercial success early on.
While she was playing one night in "The Gaslight South", a club in Coconut Grove, Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. Crosby convinced a record company to agree to let Mitchell record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time, and his clout earned him a producer's credit in March 1968, when Reprise Records released her debut album, alternately known as ''Joni Mitchell'' or ''Song to a Seagull''.
Mitchell continued touring steadily to promote the LP. The tour helped create eager anticipation for Mitchell's second LP, ''Clouds'', which was released in April 1969. It finally contained Mitchell's own versions of some of her songs already recorded and performed by other artists: "Chelsea Morning", "Both Sides, Now", and "Tin Angel." The covers of both LPs, including a self-portrait on ''Clouds'', were designed and painted by Mitchell, a marriage of her art and music which she would continue throughout her career.
''Ladies of the Canyon'' was an instant smash on FM radio and sold briskly through the summer and fall, eventually becoming Mitchell's first gold album (selling over a half million copies). Mitchell made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for 1970 by ''Melody Maker'', the UK's leading pop music magazine. On the April 1971 release of James Taylor's ''Mud Slide Slim and the Blue Horizon'' album, Joni Mitchell is credited with backup vocals – along with Carole King – on the track "You've Got A Friend". The songs she wrote during the months she took off for travel and life experience would appear on her next album, ''Blue'', released in June 1971. Of ''Blue'' and in comparing Joni Mitchell's talent to his own, David Crosby said, "By the time she did ''Blue'' she was past me and rushing toward the horizon" (A 65th Birthday Tribute to Joni Mitchell, 2008).
''Blue'' was an almost instant critical and commercial success, peaking in the top 20 in the Billboard Album Charts in September and also hitting the British Top 3. Lushly produced "Carey" was the single at the time, but musically, other parts of ''Blue'' departed further from the sounds of ''Ladies of the Canyon'' in favor of simpler, rhythmic acoustic parts allowing a focus on Mitchell's voice and emotions ("All I Want", "A Case of You"), while others such as "Blue", "River" and "The Last Time I Saw Richard" were sung to her rolling piano accompaniment. In its lyrics, the album was regarded as an inspired culmination of her early work, with depressed assessments of the world around her serving as counterpoint to exuberant expressions of romantic love (for example, in "California"). Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong."
Mitchell made the decision to return to the live stage after the great success of ''Blue'', and she presented many new songs on tour which would appear on her next album. Her fifth album, ''For the Roses'', was released in October 1972 and immediately zoomed up the charts. She followed with the single, "You Turn Me On, I'm a Radio", which peaked at #25 in the Billboard Charts in February 1973, becoming her first bonafide hit single. The album was critically acclaimed and earned her success on her own terms, though it was somewhat overshadowed by the success of ''Blue'' and by Mitchell's next album.
''Court and Spark'', released in January 1974, would see Mitchell begin the flirtation with jazz and jazz fusion that marked her experimental period ahead, but it was also her most commercially successful recording, and among her most critically acclaimed. ''Court and Spark'' went to #1 on the Cashbox Album Charts. The LP made Joni Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker "Raised on Robbery", which was released right before Christmas 1973, and "Help Me", which was released in March of the following year, and became Joni's only Top 10 single when it peaked at #7 in the first week of June. "Free Man in Paris" was another hit single and staple in her catalog.
While recording ''Court and Spark'', Mitchell had tried to make a clean break with her earlier folk sound, producing the album herself and employing jazz/pop fusion band the L.A. Express as what she called her first real backing group. In February 1974, her tour with the L.A. Express began, and they received rave notices as they traveled across the United States and Canada during the next two months. A series of shows at L.A.'s Universal Amphitheater from August 14–17 were recorded for a live album release. In November, Mitchell released a live album called ''Miles of Aisles'', a two-record set including all but two songs from the L.A. concerts (one selection each from the Berkeley Community Center, on March 2, and the LA Music Center, on March 4, were also included in the set). The live album slowly moved up to #2, matching ''Court and Sparks'''s chart peak on Billboard. "Big Yellow Taxi", the live version, was also released as a single and did reasonably well (Mitchell would ultimately release yet another recording of "Big Yellow Taxi" in 2007).
In January 1975, ''Court and Spark'' received four nominations for Grammy Awards, including Grammy Award for Album of the Year, for which Mitchell was the only woman nominated. She won only the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)
The new song cycle was released in November 1975 as ''The Hissing of Summer Lawns''. The album was initially a big seller, peaking at #4 on the Billboard Album Charts, but it received mixed reviews at the time of its release. A common legend holds that ''Rolling Stone'' magazine declared it the "Worst Album of the Year"; in truth, it was called only the year's worst album ''title''. However, Mitchell and ''Rolling Stone'' have had a contentious relationship, beginning years earlier when the magazine featured a "tree" illustrating all of Mitchell's alleged romantic partners, primarily other musicians, which the singer said "hurt my feelings terribly at the time." During 1975, Mitchell also participated in several concerts in the Rolling Thunder Revue tours featuring Bob Dylan and Joan Baez, and in 1976 she performed as part of ''The Last Waltz'' by The Band. In January 1976, Mitchell received one nomination for the Grammy Award for Best Female Pop Vocal Performance for the album ''The Hissing of Summer Lawns'', though the Grammy went to Linda Ronstadt.
In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, Mitchell drove back to California alone and composed several songs during her journey which would feature on her next album, 1976's ''Hejira''. She states, "This album was written mostly while I was traveling in the car. That's why there were no piano songs..." ''Hejira'' was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with legendary jazz virtuoso bass guitarist Jaco Pastorius on several songs including the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow," and the album's last song "Refuge of the Roads." The album climbed to No. 13 on the Billboard Charts, reaching gold status three weeks after release, and received airplay from album oriented FM rock stations. Yet "Coyote", backed with "Blue Motel Room", failed to chart on the Hot 100. While the album was greeted by many fans and critics as a "return to form", by the time she recorded it her days as a huge pop star were over. However, if ''Hejira'' "did not sell as briskly as Mitchell's earlier, more "radio friendly" albums, its stature in her catalogue has grown over the years." Mitchell herself believes the album to be unique. In 2006 she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on ''Hejira'' could only have come from me."
In the summer of 1977, Mitchell began work on new recordings, what would become her first double studio album. Close to completing her contract with Asylum Records, Mitchell felt that this album could be looser in feel than any album she'd done in the past.''Don Juan's Reckless Daughter'' was released in December 1977. The album received mixed reviews but still sold relatively well, peaking at No. 25 in the US and going gold within three months. The cover of the album created its own controversy; Mitchell was featured in several photographs on the cover, including one where she was disguised as a black man (this is a reference to a character in one song on the album). Layered, atmospheric compositions such as "Overture / Cotton Avenue" featured more collaboration with Pastorius, while "Paprika Plains" was a 16-minute epic that stretched the boundaries of pop, owing more to Joni's memories of childhood in Canada and her study of classical music. "Dreamland" and "The Tenth World", featuring Chaka Khan on backing vocals, were percussion dominated tracks. Other songs continued the jazz-rock-folk collisions of ''Hejira''. Mitchell also revived "Jericho", written but never recorded years earlier (a version is found on her 1974 live album).
A few months after the release of ''Don Juan's Reckless Daughter'', Mitchell was contacted by jazz great Charles Mingus, who had heard the orchestrated song, "Paprika Plains", and wanted her to work with him. Mitchell began a collaboration with Mingus, who died before the project was completed in 1979. She finished the tracks (most were her own Mingus-inspired compositions, though "Goodbye Pork Pie Hat" is a Mingus instrumental standard to which Joni composed lyrics) and the resulting album, ''Mingus'', was released in June 1979, though it was poorly received in the press. Fans were confused over such a major change in Mitchell's overall sound, and though the album topped out at No. 17 on the Billboard album charts—a higher placement than ''Don Juan's Reckless Daughter'' – ''Mingus'' still fell short of gold status, making it her first album since the 1960s to not sell at least a half-million copies.
Mitchell's summer tour to promote ''Mingus'' began in August 1979 in Oklahoma City and concluded six weeks later with five shows at Los Angeles' Greek Theater, where she recorded and filmed the concerts. It was her first tour in several years, and with Pastorius, jazz guitar great Pat Metheny, and other members of her band, Mitchell also performed songs from her other jazz-inspired albums. When the tour ended she began a year of work, turning the tapes from the Los Angeles shows into a two-album set and a concert film, both to be called ''Shadows and Light''. Her final release on Asylum Records and her second live double-album, it was released in September 1980, and made it up to No. 38 on the Billboard Charts. A single from the LP, "Why Do Fools Fall in Love?", Mitchell's duet with The Persuasions (her opening act for the tour), bubbled under on Billboard, just missing the Hot 100.
As 1983 began, Mitchell began a world tour, visiting Japan, Australia, Ireland, the United Kingdom, Belgium, France, Germany, Italy, Scandinavia and then back to the United States. A performance from the tour was videotaped and later released on home video (and later DVD) as "Refuge Of The Roads." As 1984 ended, Mitchell was writing new songs, when she had a suggestion from Geffen that perhaps an outside producer with experience in the modern technical arenas they wanted to explore might be a worthy addition. British synth-pop performer and producer Thomas Dolby was brought on board. Of Dolby's role, Mitchell later commented: "I was reluctant when Thomas was suggested because he had been asked to produce the record [by Geffen], and would he consider coming in as just a programmer and a player? So on that level we did have some problems... He may be able to do it faster. He may be able to do it better, but the fact is that it then wouldn't really be my music."
The album that resulted, ''Dog Eat Dog'', released in October 1985, received a mostly negative critical response. It turned out to be only a moderate seller, peaking at No. 63 on Billboard's Top Albums Chart, Mitchell's lowest chart position since her first album peaked at No. 189 almost eighteen years before. One of the songs on the album, "Tax Free", created controversy by lambasting "televangelists" and what she saw as a drift to the religious right in American politics. "The churches came after me", she wrote, "they attacked me, though the Episcopalian Church, which I've described as the only church in America which actually uses its head, wrote me a letter of congratulation."
Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 1988's ''Chalk Mark in a Rain Storm''. She also collaborated with artists including Willie Nelson, Billy Idol, Wendy & Lisa, Tom Petty, Don Henley and Peter Gabriel. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot 100 charts. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the deadly battle between Native American activists and the FBI on the Lakota Sioux reservation in the previous decade. Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. ''Chalk Mark'' ultimately improved on the chart performance of ''Dog Eat Dog'', peaking at No. 45.
After its release, Mitchell, who rarely performed live anymore, participated in Roger Waters' The Wall Concert in Berlin in 1990. She performed the song, "Goodbye Blue Sky" and also was one of the performers on the concerts ending song, "The Tide Is Turning" along with Waters, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.
Throughout the first half of 1990, Mitchell recorded songs that would appear on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs. The album ''Night Ride Home'' was released in March 1991. In the United States, it premiered on Billboard's Top Album charts at No. 68, moving up to No. 48 in its second week, and peaking at No. 41 in its sixth week. In the United Kingdom, the album premiered at No. 25 on the album charts. Critically, it was better received than her '80s work and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of ''Hejira''. This album was also Mitchell's first since Geffen Records was sold to MCA Inc., meaning that ''Night Ride Home'' was her first album not to be initially distributed by WEA (now Warner Music Group).
In 1996, Mitchell agreed to release a greatest ''Hits'' collection when label Reprise also allowed her a second ''Misses'' album to include some of the lesser known songs from her career. ''Hits'' charted at No. 161 in the US, but made No. 6 in the UK. Mitchell also included on ''Hits'', for the first time on an album, her first recording, a version of "Urge for Going" which preceded ''Song to a Seagull'' but was previously released only as a B-side.
Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 1998's ''Taming the Tiger''. She promoted ''Tiger'' with a return to regular concert appearances, most notably a co-headlining tour with Bob Dylan and Van Morrison. On the album, Mitchell had played a "guitar synthesizer" on most songs, and for the tour she adapted many of her old songs to this instrument, and reportedly had to re-learn all her complex tunings once again.
It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later admitted to feeling the same way, explaining that "I'd go to hit a note and there was nothing there." While her more limited range and huskier vocals have sometimes been attributed to her smoking (she has been described as "one of the world's last great smokers"), Mitchell believes the changes in her voice that became noticeable in the nineties were due to other problems, including vocal nodules, a compressed larynx, and the lingering effects of having had polio. In an interview in 2004, she denied that "my terrible habits" had anything to do with her more limited range and pointed out that singers often lose the upper register when they pass fifty. In addition, she contended that in her opinion her voice became a more interesting and expressive alto range when she no longer could hit the high notes, let alone hold them like she did in her youth.
The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", but on both she attempted to make use of her new vocal range in interpreting familiar material. ''Both Sides, Now'' (2000) was an album composed mostly of covers of jazz standards, performed with an orchestra, featuring orchestral arrangements by Vince Mendoza. The album also contained remakes of "A Case of You" and the title track "Both Sides Now", two early hits transposed down to Mitchell's now dusky, soulful alto range. It received mostly strong reviews and spawned a short national tour, with Mitchell accompanied by a core band featuring Larry Klein on bass plus a local orchestra on each tour stop. Its success led to 2002's ''Travelogue'', a collection of re-workings of her previous songs with lush orchestral accompaniments.
During the next few years, the only albums Mitchell released were compilations of her earlier work. In 2003, Mitchell's Geffen recordings were collected in a remastered, four-disc box set, ''The Complete Geffen Recordings'', including notes by Mitchell and some previously unreleased tracks. A series of themed compilations of songs from earlier albums were also released: ''The Beginning of Survival'' (2004), ''Dreamland'' (2004), and ''Songs of a Prairie Girl'' (2005), the last of which collected the threads of her Canadian upbringing and which she released after accepting an invitation to the Saskatchewan Centennial concert in Saskatoon. The concert, which featured a tribute to Mitchell, was also attended by Queen Elizabeth II. In ''Prairie Girl'' liner notes, she writes that the collection is "my contribution to Saskatchewan's Centennial celebrations."
In the early 1990s, Mitchell signed a deal with Random House to publish an autobiography. In 1998 she told ''The New York Times'' that her memoirs were "in the works", that they would be published in as many as four volumes, and that the first line would be "I was the only black man at the party." In 2005, Mitchell said that she was using a tape recorder to get her memories "down in the oral tradition."
As well in the early 2000s, Joni Mitchell worked with artist Gilles Hebert. Joni visited the Mendel Art Gallery in Saskatoon, where she and Giles produced a book called 'Voices'. The book received international attention and extended her fame, and the fame of Gilles Hebert.
Although Mitchell stated that she would no longer tour or give concerts, she has made occasional public appearances to speak on environmental issues. Mitchell divides her time between her longtime home in Los Angeles, and the property in Sechelt, British Columbia that she has owned since the early 1970s. "L.A. is my workplace", she said in 2006, "B.C. is my heartbeat." According to interviews, today she focuses mainly on her visual art, which she does not sell and which she displays only on rare occasions.
In February 2007, Mitchell also returned to Calgary and served as an advisor for the Alberta Ballet Company premiere of "The Fiddle and the Drum", a dance choreographed to both new and old songs. Mitchell also filmed portions of the rehearsals for a documentary she's working on. Of the flurry of recent activity she quipped, "I've never worked so hard in my life."
In summer 2007, Mitchell's official fan-run site confirmed speculation that she had signed a two-record deal with Starbucks' Hear Music label. ''Shine'' was released by the label on September 25, 2007, debuting at number 14 on the Billboard 200 album chart, her highest chart position in the United States since the release of ''Hejira'' in 1976, over thirty years previously, and at number 36 on the United Kingdom albums chart.
On the same day, Herbie Hancock, a longtime associate and friend of Mitchell's, released ''River: The Joni Letters'', an album paying tribute to Mitchell's work. Among the album's contributors were Norah Jones, Tina Turner, Leonard Cohen, and Mitchell herself, who contributed a vocal to the re-recording of "The Tea Leaf Prophecy (Lay Down Your Arms)" (originally on her album ''Chalk Mark in a Rain Storm''). On February 10, 2008, Hancock's recording won Album of the Year at the Grammy Awards. It was the first time in 43 years that a jazz artist took the top prize at the annual award ceremony. In accepting the award, Hancock paid tribute to Mitchell as well as to Miles Davis and John Coltrane. At the same ceremony Mitchell won a Grammy for Best Instrumental Pop Performance for the opening track "One Week Last Summer" from her album ''Shine''.
On February 12, 2010, "Both Sides, Now" was performed at the opening ceremonies of the 2010 Winter Olympics in Vancouver.
Mitchell is currently receiving treatment for the controversial condition called "Morgellons syndrome". Mitchell spoke to the ''Los Angeles Times'' on April 22, 2010 about the disease, saying, "I have this weird, incurable disease that seems like it's from outer space, but my health's the best it's been in a while." She described Morgellons as a "slow, unpredictable killer" but said she is determined to fight the disease. "I have a tremendous will to live: I've been through another pandemic – I'm a polio survivor, so I know how conservative the medical body can be." According to Mitchell, Morgellons is often misdiagnosed as "delusion of parasites," and sufferers of the disease are offered psychiatric treatment. Mitchell said she plans to leave the music industry to work toward giving people diagnosed with Morgellons more credibility. In the same interview, Mitchell made the statement that singer-songwriter Bob Dylan, with whom she had worked closely in the past, was a fake and plagiarist. The controversial remark was widely reported by other media. Mitchell did not explain the contention further, but it may have related to the allegations of plagiarism surrounding some lyrics on Dylan's 2006 album ''Modern Times''.
Mitchell's longtime archivist, the San Francisco-based Joel Bernstein, maintains a detailed list of all her tunings, and has assisted her in relearning the tunings for several older songs.
Mitchell was also highly innovative harmonically in her early work (1966–72) using techniques including modality, chromaticism, and pedal points.
In 2003 ''Rolling Stone'' named her the 72nd greatest guitarist of all time; she was the highest-ranked woman on the list.
For instance, Prince's song "The Ballad of Dorothy Parker" on the album ''Sign 'O' the Times'' (1987), pays tribute to Mitchell, both through his evocative Mitchell-like harmonies and through the use of one of Mitchell's own techniques: as in Mitchell's song "This Flight Tonight", Prince references a song in his lyrics (Joni's own "Help Me") as the music begins to emulate the chords and melody of that song. Another Mitchell reference left by Prince can also be seen on the back cover of his 1981 ''Controversy'' record, where one of the headlines reads "★JONI★." His song "Raspberry Beret" also references "McGee's general store" from Joni's song "Paprika Plains".
Madonna has also cited Mitchell as the first female artist that really spoke to her as a teenager; "I was really, really into Joni Mitchell. I knew every word to ''Court and Spark''; I worshipped her when I was in high school. ''Blue'' is amazing. I would have to say of all the women I've heard, she had the most profound effect on me from a lyrical point of view."
Steve Hogarth, Steve Rothery and Mark Kelly of Marillion all cite Mitchell as a favorite artist.
A number of artists have enjoyed success covering Mitchell's songs. Judy Collins's 1967 recording of "Both Sides Now" reached No. 8 on Billboard charts and was a breakthrough in the career of both artists (Mitchell's own recording did not see release until two years later, on her second album ''Clouds''). This is Mitchell's most-covered song by far, with 587 versions recorded at latest count. Hole also covered "Both Sides Now" in 1990, renaming it ''Clouds'' and changing the lyrics. Pop group Neighborhood in 1970 and Amy Grant in 1995 scored hits with covers of "Big Yellow Taxi", the second most covered song in Mitchell's repertoire (with 223 covers). Recent releases of this song have been by Counting Crows in 2002 and Nena in 2007. Janet Jackson used a sample of the chorus of "Big Yellow Taxi" as the centerpiece of her 1997 hit single "Got 'Til It's Gone", which also features rapper Q-Tip saying "Joni Mitchell never lies." Rap artists Kanye West and Mac Dre have also sampled Mitchell's vocals in their music. In addition, Annie Lennox has covered "Ladies Of The Canyon" for the B-side of her 1995 hit "No More I Love You's." Mandy Moore covered "Help Me" in 2003. In 2004 singer George Michael covered her song "Edith And The Kingpin" for a radio show. "River" has been of the most popular songs covered in recent years, with versions by Dianne Reeves (1999), James Taylor (recorded for television in 2000, and for CD release in 2004), Allison Crowe (2004), Rachael Yamagata (2004), Aimee Mann (2005), and Sarah McLachlan (2006). McLachlan also did a version of "Blue" in 1996, and Cat Power recorded a cover of "Blue" in 2008. Other Mitchell covers include the famous "Woodstock" by both Crosby, Stills, Nash and Young and Matthews Southern Comfort, "This Flight Tonight" by Nazareth, and well-known versions of "Woodstock" by Eva Cassidy and "A Case of You" by Tori Amos, Michelle Branch, Jane Monheit, Prince, and Diana Krall. A 40th anniversary version of "Woodstock" was released in 2009 by Nick Vernier Band featuring Ian Matthews (formerly of Matthews Southern Comfort).
Prince's version, "A Case of U", appeared on ''A Tribute to Joni Mitchell'', a 2007 compilation released by Nonesuch Records, which also featured Björk ("The Boho Dance"), Caetano Veloso ("Dreamland"), Emmylou Harris ("The Magdalene Laundries"), Sufjan Stevens ("Free Man in Paris") and Cassandra Wilson ("For the Roses"), among others. Some of the recordings were made in the late 1990s when a project entitled ''A Case of Joni'' was developed but left incomplete. Among those who recorded tracks for the first tribute album, which remain unreleased, were Janet Jackson, Steely Dan, and Sheryl Crow. Chaka Khan recorded "Ladies Man" from Mitchell's LP ''Wild Things Run Fast'' on her 2007 CD titled ''Funk This''. Cassandra Wilson recorded "Black Crow" from Mitchell's ''Hejira'' on her ''Blue Light 'Til Dawn'' CD.
Several other songs reference Joni Mitchell. The song "Our House" by Graham Nash refers to Nash's brief affair with Mitchell at the time Crosby, Stills Nash and Young recorded the Déjà Vu album. Led Zeppelin's "Going to California" was said to be written about Robert Plant and Jimmy Page's infatuation with Mitchell, a claim that seems to be borne out by the fact that, in live performances, Plant often says "Joni" after the line "To find a queen without a king, they say she plays guitar and cries and sings." Jimmy Page uses a double dropped D guitar tuning similar to the alternative tunings Mitchell uses. The Sonic Youth song "Hey Joni" from their acclaimed ''Daydream Nation'' album is named for Mitchell. Sonic Youth also uses a wide variety of alternate guitar tunings. Alanis Morissette also mentions Joni in one of her songs, "Your House." British folk singer; Frank Turner mentions Joni in his song 'Sunshine State'. Fellow Canadian songwriter Ferron invokes Mitchell to open the song "Maya": "Last night I dreamed Joni Mitchell cut her hair and changed her name to Gaia. And she spoke to me in a confident air and said...'You better push the edge of Maya.'"
Melody Green wrote in "No Compromise, the life story of Keith Green", that her husband Keith Green and some friends found Joni's Southern California home security gate was open and they sang in her front lawn until she came out. She invited them all in and Green entertained her for a while on her piano.
Also, on the 2004 album ''eMOTIVe'' by A Perfect Circle, Maynard James Keenan covered Mitchell's song ''Fiddle and the Drum.''
She has received eight Grammy Awards during her career, with the first coming in 1969 and the most recent in 2008. She received a Grammy Lifetime Achievement Award in 2002, with the citation describing her as "one of the most important female recording artists of the rock era" and "a powerful influence on all artists who embrace diversity, imagination and integrity."
In fitting tribute to Joni Mitchell, the TNT network presented an all-star celebration at the Hammerstein Ballroom in New York City, April 6, 2000. Many legendary performers sang Mitchell's songs, including James Taylor, Elton John, Wynonna Judd, Bryan Adams, Cyndi Lauper, Diana Krall, and Richard Thompson of Fairport Convention fame. Mitchell herself ended the evening with a rendition of "Both Sides Now" with a full 70 piece orchestra. The version was featured on the soundtrack to the hit movie, ''Love Actually''.
Regarding her as a national treasure, Mitchell's home country Canada has bestowed a number of honours on her. She was inducted into the Canadian Music Hall of Fame in 1981 and received a star on Canada's Walk of Fame in 2000. In 2002 she became only the third popular Canadian singer/songwriter (Gordon Lightfoot and Leonard Cohen being the other two), to be appointed a Companion of the Order of Canada, Canada's highest civilian honour. She received an honorary doctorate in music from McGill University in 2004. In January 2007 she was inducted into the Canadian Songwriters Hall of Fame. In June 2007 Canada Post featured Mitchell on a postage stamp.
In November 2006, the album ''Blue'' was listed by ''TIME'' magazine as among the "All-Time 100 Albums."
In 1999 Mitchell was listed as fifth on VH1's list of "The 100 Greatest Women of Rock N' Roll." In 2010, Vh1 would name her the #44 Greatest Artist of All Time.
In the 2010 film ''The Kids Are All Right'', the character Joni is supposed to have been named after Joni Mitchell since the character Nic, Joni's mother, declares to be a fan of Mitchell.
Year !!Category !! Work!! Result | ||||
1969 | Best Folk Performance | Clouds (Joni Mitchell album)>Clouds'' | ||
1974 | Album of the Year| | ''Court and Spark'' | Nomination | |
1974 | Record of the Year| | Help Me (Joni Mitchell song)>Help Me" | Nomination | |
1974 | Pop Female Vocalist| | ''Court and Spark'' | Nomination | |
1974 | Best Arrangement Accompanying Vocalist(s)| | "Down To You" | Won | |
1976 | Pop Female Vocalist| | ''The Hissing of Summer Lawns'' | Nomination | |
1977 | Best Album Package| | Hejira (album)>Hejira'' | Nomination | |
1988 | Pop Female Vocalist| | ''Chalk Mark in a Rain Storm'' | Nomination | |
1995 | Best Pop Album| | ''Turbulent Indigo'' | Won | |
1995 | Best Album Package| | ''Turbulent Indigo'' | Won | |
2000 | Best Female Pop Vocal Performance| | ''Both Sides, Now'' | Nomination | |
2000 | Best Traditional Pop Vocal Album| | ''Both Sides, Now'' | Won | |
2002 | Lifetime Achievement Award| | – | Won | |
2007 | Album of the Year| | ''River: The Joni Letters'' | Won* | |
2007 | Best Pop Instrumental Performance | | | "One Week Last Summer" | Won |
;Studio releases
Category:1943 births Category:Living people Category:Musicians from Alberta Category:Appalachian dulcimer players Category:Canadian female guitarists Category:Canadian female singers Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian Music Hall of Fame inductees Category:Canadian pop singers Category:Canadian singer-songwriters Category:Canadian people of Norwegian descent Category:Canadian people of Irish descent Category:Canadian people of Scottish descent Category:Companions of the Order of Canada Category:Crossover (music) Category:Female rock singers Category:Feminist musicians Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Juno Award winners Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:People from Southern California Category:People from Saskatoon Category:People from Willow Creek, Alberta Category:Musicians from Saskatchewan Category:Sami people
af:Joni Mitchell ca:Joni Mitchell cs:Joni Mitchell da:Joni Mitchell de:Joni Mitchell el:Τζόνι Μίτσελ es:Joni Mitchell fr:Joni Mitchell id:Joni Mitchell it:Joni Mitchell he:ג'וני מיטשל nl:Joni Mitchell ja:ジョニ・ミッチェル no:Joni Mitchell nn:Joni Mitchell pl:Joni Mitchell pt:Joni Mitchell ro:Joni Mitchell ru:Джони Митчелл sc:Joni Mitchell simple:Joni Mitchell sk:Joni Mitchellová sh:Joni Mitchell fi:Joni Mitchell sv:Joni Mitchell th:โจนี มิตเชลล์ tr:Joni Mitchell uk:Джоні Мітчелл zh:琼尼·米歇尔This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
background | solo_singer |
---|---|
born | September 26, 1948Cambridge, England |
origin | Melbourne, Australia |
instrument | Vocals, piano, guitar, recorder |
genre | Pop, country, soft rock |
occupation | Singer, actress, songwriter, entrepreneur |
years active | 1963–present |
label | MCA, EMI, Pye, Festival |
associated acts | Cliff Richard, John Travolta, Electric Light Orchestra, John Farrar, Helen Reddy, Bruce Welch |
website | olivianewton-john.com |
spouse | Amazon John Easterling (2008–present)Matt Lattanzi (1984–95) (divorced) 1 child }} |
Olivia Newton-John AO, OBE (born 26 September 1948) is an English-born, Australian-raised singer and actress. She is a four-time Grammy award winner who has amassed five No. 1 and ten other Top Ten Billboard Hot 100 singles and two No. 1 Billboard 200 solo albums. Eleven of her singles (including two platinum) and 14 of her albums (including two platinum and four double platinum) have been certified gold by the RIAA. Her music has been successful in multiple formats including pop, country and adult contemporary and has sold an estimated over 100 million albums worldwide. She co-starred with John Travolta in the film adaptation of the Broadway musical, ''Grease,'' which featured one of the most successful film soundtracks in Hollywood history.
Newton-John has been a long-time activist for environmental and animal rights issues. Since surviving breast cancer in 1992, she has been an advocate for health awareness becoming involved with various charities, health products and fundraising efforts. Her business interests have included launching several product lines for Koala Blue and co-owning the Gaia Retreat & Spa in Australia.
Newton-John has been married twice. She currently lives with her second husband, John Easterling, in Jupiter Inlet Colony, Florida. She is the mother of one daughter, Chloe Rose Lattanzi, with her first husband, actor Matt Lattanzi.
At 14, Newton-John formed a short-lived all-girl band, Sol Four, with three classmates often performing in a coffee shop owned by her brother-in-law. She became a regular on local Australian radio and television shows including HSV-7's ''The Happy Show'' where she performed as "Lovely Livvy." She also appeared on the ''Go Show'' where she met future duet partner, Pat Carroll, and future music producer John Farrar. (Carroll and Farrar would later marry.) She entered and won a talent contest on the television program ''Sing, Sing, Sing,'' hosted by 1960s Australian icon Johnny O'Keefe, performing the songs "Anyone Who Had A Heart" and "Everything's Coming Up Roses." Newton-John was initially reluctant to use the prize she had won, a trip to England, but travelled there nearly a year later after her mother encouraged her to broaden her horizons.
Newton-John recorded her first single, ''Till You Say You'll Be Mine'' b/w ''Forever,'' in England for Decca Records in 1966. Newton-John was homesick in England for her then-boyfriend, Ian Turpie, with whom she had co-starred in the Australian telefilm, ''Funny Things Happen Down Under.'' Newton-John would repeatedly book trips back to Australia that her mother would subsequently cancel. Newton-John's outlook changed when Pat Carroll also moved to England. The two formed a duo called "Pat and Olivia" and toured nightclubs in Europe. (In one incident, they were booked at Paul Raymond's Revue in Soho, London. Dressed primly in frilly, high-collared dresses, they were unaware that this was a strip club until they began to perform onstage.) After Carroll's visa expired forcing her to return to Australia, Newton-John remained in England to pursue solo work until 1975. She became engaged to The Shadows' guitarist Bruce Welch, but they never married.
Newton-John was recruited for the group Toomorrow formed by American producer Don Kirshner who was also the music consultant for the earliest recordings of The Monkees. In 1970, the group starred in a "science fiction musical" film and recorded an accompanying soundtrack album both named after the group. The project bombed and the group disbanded.
In 1974, Newton-John represented the United Kingdom in the Eurovision Song Contest with the song, "Long Live Love". The song was chosen for Newton-John by the British public out of six possible entries. (Newton-John later admitted that she disliked the song.) Newton-John placed fourth at the contest held in Brighton behind ABBA's winning ''Waterloo.'' All six Eurovision contest song candidates were recorded by Newton-John and included on her ''Long Live Love'' album, her first for the EMI Records label.
In the United States, Newton-John's career floundered after ''If Not For You.'' Subsequent singles including "Banks of the Ohio" (No. 94 Pop, No. 34 AC) and remakes of George Harrison's "What Is Life" (No. 34 AC) and John Denver's "Take Me Home, Country Roads" (No. 119 Pop) made minimal chart impact until the release of "Let Me Be There" in 1973. The song reached the American Top 10 on the Pop (No. 6), Country (No. 7), and AC (No. 3) charts and earned her a Grammy for Best Country Female and an Academy of Country Music award for Most Promising Female Vocalist. The album, ''Let Me Be There,'' charted No. 1 on Country Albums for two weeks as well as No. 54 on the Billboard 200.
The ''Long Live Love'' album was released in the United States as ''If You Love Me, Let Me Know'' with the six Eurovision songs dropped for four different, more country-oriented tracks intended to capitalize on the success of "Let Me Be There." The title track was the first single reaching No. 5 Pop, No. 2 Country (her best country placement to date) and No. 2 AC. The next single, "I Honestly Love You," became Newton-John's signature song. Written and composed by Jeff Barry and Peter Allen, the ballad became her first No. 1 Pop (two weeks), second No. 1 AC (three weeks) and third Top 10 Country (No. 6) hit and earned Newton-John two more Grammys for Record of the Year and Best Pop Vocal Performance-Female. The success of both singles helped the album reach No. 1 on both the Pop (one week) and Country (eight weeks) Albums charts.
Newton-John's country success sparked a debate among purists who believed a foreigner singing country-flavored pop music did not belong in country music. In addition to her Grammy for "Let Me Be There," Newton-John was also named the Country Music Association Female Vocalist of the Year in 1974, defeating more established nominees Loretta Lynn, Canadian Anne Murray, Dolly Parton, and Tanya Tucker. This outrage led to the formation of the short-lived Association of Country Entertainers (ACE). Newton-John was eventually supported by the country music community. Stella Parton, Dolly's sister, recorded "Ode To Olivia" and Newton-John recorded her 1976 album, ''Don't Stop Believin','' in Nashville.
Encouraged by expatriate Australian singer Helen Reddy, Newton-John left England and moved to the United States. Newton-John topped the Pop (one week) and Country (six weeks) Albums charts with her next album, ''Have You Never Been Mellow.'' The album generated two singles – the John Farrar penned title track (No. 1 Pop, No. 3 Country, No. 1 AC) and "Please Mr. Please" (No. 3 Pop, No. 5 Country, No. 1 AC). Newton-John's pop career cooled with the release of her next album, ''Clearly Love.'' Her streak of five consecutive gold Top 10 singles on the Billboard Hot 100 ended when the album's first single, "Something Better To Do," stopped at No. 13 (also No. 19 Country and No. 1 AC). Although her albums still achieved gold status, she did not return to the Top 10 on the Hot 100 or Billboard 200 charts again until 1978.
Newton-John's singles continued to easily top the AC chart, where she ultimately amassed ten No. 1 singles including a record seven consecutively:
She also provided a prominent, but uncredited, vocal on John Denver's "Fly Away" single which was succeeded by her own single, "Let It Shine"/"He Ain't Heavy, He's My Brother," at No. 1 on the AC chart. ("Fly Away" returned to No. 1 after the two week reign of "Let It Shine".) Newton-John also continued to reach the Country Top 10 where she tallied seven Top 10 singles through 1976's "Come on Over" (No. 23 Pop, No. 5 Country, No. 1 AC) and six consecutive (of a career nine total) Top 10 albums through 1976's ''Don't Stop Believin''' (No. 30 Pop, No. 7 Country). She headlined her first U.S. television special, ''A Special Olivia Newton-John,'' in November 1976.
By mid-1977, Newton-John's AC and country success also began to wane. Her ''Making a Good Thing Better'' album (No. 34 Pop, No. 13 Country) failed to be certified gold, and its only single, the title track (No. 87 Pop, No. 20 AC), did not reach even the AC Top 10 or the Country chart. Later that year, ''Olivia Newton-John's Greatest Hits'' (No. 13 Pop, No. 7 Country) became her first platinum album as she prepared to launch a new phase in her career.
Newton-John's career soared after starring in the film adaptation of the Broadway musical, ''Grease,'' in 1978. She was offered the lead role of Sandy after meeting producer Allan Carr at a dinner party at Helen Reddy's home. Burned by her ''Toomorrow'' experience and concerned that she was too old to play a high school senior (she turned 29 during the latter 1977 filming), Newton-John insisted on a screen test with the film's co-star, John Travolta. The film accommodated Newton-John's Australian accent by recasting her character from the play's original American Sandy Dumbrowski to Sandy Olsson, an Australian who vacations and then moves with her family to the United States. Newton-John previewed some of the film's soundtrack during her second American network television special, ''Olivia,'' featuring guests ABBA and Andy Gibb.
''Grease'' became the biggest box-office hit of 1978. The soundtrack album spent 12 non-consecutive weeks at No. 1 and yielded three Top 5 singles for Newton-John: the platinum "You're The One That I Want" (No. 1 Pop, No. 23 AC) with John Travolta, the gold "Hopelessly Devoted To You" (No. 3 Pop, No. 20 Country, No. 7 AC) and the gold "Summer Nights" (No. 5 Pop, No. 21 AC) with John Travolta and the film's cast. The former two songs were written and composed by Newton-John's long-time music producer, John Farrar, specifically for the film. ("Summer Nights" was from the original play written by Jim Jacobs and Warren Casey.) Newton-John became the second female (after Linda Ronstadt in 1977) to have two singles – "Hopelessly Devoted to You" and "Summer Nights" – in the Billboard Top 5 simultaneously. Newton-John's performance earned her a People's Choice award for Favorite Motion Picture Actress. She was also nominated for a Golden Globe as Best Actress in a Musical and performed the Oscar-nominated "Hopelessly Devoted To You" at the 1979 Academy Awards.
The film's popularity has endured through the years. It was re-released for its 20th anniversary in 1998 and ranked as the second highest grossing film behind ''Titanic'' in its opening weekend. It was most recently re-released in July 2010 as a sing-along version in select American theatres. The soundtrack still sells strongly enough to often appear on ''Billboard's'' Top Soundtracks chart.
Newton-John began 1980 by releasing ''I Can't Help It'' (No. 12 Pop, No. 8 AC), a duet with Andy Gibb from his ''After Dark'' album, and by starring in her third television special, ''Hollywood Nights.'' Later that year, she appeared in her first film since ''Grease'' starring in the musical ''Xanadu'' with Gene Kelly and Michael Beck. Although the movie was a critical failure, its soundtrack (No. 4 Pop) was certified double platinum boasting five Top 20 singles on the Billboard Hot 100. Newton-John charted with ''Magic'' (No. 1 Pop, No. 1 AC), ''Suddenly'' with Cliff Richard (No. 20 Pop, No. 4 AC) and the title song with the Electric Light Orchestra (No. 8 Pop, No. 2 AC). (The Electric Light Orchestra also charted with "I'm Alive" (No. 16 Pop, No. 48 AC) and "All Over The World" (No. 13 Pop, No. 46 AC).) ''Magic'' was Newton-John's biggest Pop hit to that point (four weeks at No. 1) and still ranks as the biggest AC hit of her career (five weeks at No. 1). The film has since become a cult classic and the basis for a well-reviewed Broadway show that ran for more than 500 performances beginning in 2007 and was nominated for four Tony Awards including Best Musical. (A successful international tour of the show followed.)
In 1981, Newton-John released her most successful studio album, the double platinum ''Physical.'' The title track, written by Steve Kipner and Terry Shaddick, spent ten weeks atop the Billboard Hot 100, matching the then record of most weeks spent at No. 1 in the rock era held by Debby Boone's ''You Light Up My Life.'' The single was certified platinum and it ultimately ranked as the biggest song of the decade. (In 2008, Billboard ranked the song No. 6 among all songs that charted in the 50-year history of the Hot 100.) "Physical" even earned Newton-John her only placement ever on the R&B; Singles (No. 28) and Albums (No. 32) chart. The ''Physical'' album spawned two more singles, ''Make a Move on Me'' (No. 5 Pop, No. 6 AC) and ''Landslide'' (No. 52 Pop).
The provocative lyrics of the title track prompted two Utah radio stations to ban the single from their playlists. (In 2010, Billboard magazine ranked this as the most popular single ever about sex.) To counter its overtly suggestive tone, Newton-John filmed an exercise-themed video that turned the song into an aerobics anthem and made headbands a fashion accessory outside the gym. Newton-John became a pioneer in the nascent music video industry by recording a video album for ''Physical'' featuring videos of all the album's tracks and three of her older hits. The video album earned her a fourth Grammy and was aired as an ABC prime time special, ''Let's Get Physical,'' becoming a Top 10 Nielsen hit. The success of ''Physical'' led to an international tour and the release of her second hits collection, the double platinum ''Olivia's Greatest Hits Vol. 2'' (No. 16 Pop), which yielded two more Top 40 singles: ''Heart Attack'' (No. 3 Pop) and ''Tied Up'' (No. 38 Pop). The tour was filmed for her ''Olivia In Concert'' television special which premiered on HBO in January 1983. The special was subsequently released to video earning Newton-John another Grammy nomination.
Newton-John re-teamed with Travolta in 1983 for the critically and commercially unsuccessful ''Two of a Kind,'' redeemed by its platinum soundtrack (No. 26 Pop) featuring ''Twist Of Fate'' (No. 5 Pop), ''Livin' In Desperate Times'' (No. 31 Pop), and a new duet with Travolta, ''Take A Chance'' (No. 3 AC). Newton-John released another video package, the Grammy-nominated ''Twist Of Fate,'' featuring videos of her four songs on the ''Two of a Kind'' soundtrack and the two new singles from ''Olivia's Greatest Hits Vol. 2.''
The same year, Newton-John and Pat Carroll founded ''Koala Blue.'' The store, originally for Australian imports, evolved into a chain of women's clothing boutiques. The chain was initially successful, but it eventually declared bankruptcy and closed in 1992. Newton-John and Farrar would later license the brand name for a line of Australian produced wines, confections, and bed/bath products. Newton-John married her long-time boyfriend, actor Matt Lattanzi, in December 1984. The couple had met four years earlier while filming ''Xanadu.'' Their daughter, Chloe Rose Lattanzi, was born in January 1986. (They divorced in 1995.)
Newton-John's music career cooled again with the release of her next studio album, the gold ''Soul Kiss'' (No. 29 Pop), in 1985. The album's only charted single was the title track (No. 20 Pop, No. 20 AC). Due to her pregnancy, Newton-John limited her publicity for the album. The video album for ''Soul Kiss'' featured only five of the album's ten tracks (concept videos for the album's singles ''Soul Kiss'' and ''Toughen Up'' as well as performance videos of the tracks ''Culture Shock'', ''Emotional Tangle'' and ''The Right Moment'').
Newton-John was primed for another comeback in 1992 when she compiled her third hits collection, ''Back To Basics – The Essential Collection 1971–1992'', and planned her first tour since her ''Physical'' trek ten years earlier. Shortly after the album's release, Newton-John was diagnosed with breast cancer forcing her to cancel all publicity for the album including the tour. (Newton-John received her diagnosis the same weekend her father died.) Newton-John recovered and since became a tireless advocate for breast cancer research and other health issues. She is a product spokesperson for the Liv-Kit, a breast self-examination product. She is also partial owner of the Gaia Retreat and Spa in Byron Bay, Australia advertised as "the ideal place to renew, refresh, and restore your mind, body and soul."
Newton-John's advocacy for health issues was presaged by her prior involvement with many humanitarian causes. Newton-John cancelled a 1978 concert tour of Japan to protest the slaughter of dolphins caught in tuna fishing nets. (She subsequently rescheduled the tour when the Japanese government assured her the matter was being addressed.) She was a performer on the 1979 Music for UNICEF Concert for the UN' International Year of the Child televised worldwide. During the concert, artists performed songs for which they donated their royalties, some in perpetuity, to benefit the cause. She was appointed a Goodwill Ambassador to the United Nations Environment Programme. In 1991, she became the National Spokesperson for the Colette Chuda Environmental Fund/CHEC (Children’s Health Environmental Coalition) following the death of four year old Colette Chuda, a family friend, from cancer. (Chuda was featured along with Newton-John and daughter Chloe on the cover of Newton-John's ''Warm and Tender'' album.)
Newton-John's cancer diagnosis also affected the type of music she recorded. In 1994, she released ''Gaia: One Woman's Journey'' which chronicled her ordeal. This was the first album on which Newton-John wrote all of the songs encouraging her to become more active as a songwriter thereafter. In 2005, she released ''Stronger Than Before,'' sold exclusively in the United States by Hallmark. Proceeds from the album's sales benefited breast cancer research. The album featured the song ''Phenomenal Woman'' based on the poem by Maya Angelou that featured guest vocals from Diahann Carroll, Beth Nielsen Chapman, Delta Goodrem, Amy Holland, Patti LaBelle, and Mindy Smith – all survivors of or affected by cancer.
The following year, Newton-John released a healing CD, ''Grace And Gratitude.'' The album was sold exclusively by Walgreens also benefitting various charities including Y-ME National Breast Cancer Organization. The CD was the "heart" of their "Body – Heart – Spirit" Wellness Collection which also featured a re-branded Liv-Kit and breast-health dietary supplements. Newton-John re-recorded some tracks from ''Grace And Gratitude'' in 2010 and re-released the album as ''Grace And Gratitude Renewed'' on the Green Hill music label. The ''Renewed'' CD includes a new track, "Help Me To Heal," not featured on the original album. The ''Renewed'' CD yielded Newton-John's first appearances on the Billboard Christian Albums (No. 36), Christian & Gospel Albums (No. 54) and New Age Albums (No. 2) charts.
In 2008, Newton-John raised funds to help build the Olivia Newton-John Cancer and Wellness Centre in Melbourne, Australia. She led a three-week, 228 km. walk along the Great Wall of China during April joined by various celebrities and cancer survivors throughout her trek. The walk symbolized the steps cancer patients must take on their road to recovery. Newton-John released a companion CD, ''A Celebration In Song,'' the following month in Australia and later worldwide featuring new and previously recorded duets by "Olivia Newton-John & Friends." Her "Friends" included Jann Arden, Jimmy Barnes, John Farrar, Barry Gibb, Delta Goodrem, Sun Ho, Richard Marx, Cliff Richard, Melinda Schneider, Amy Sky and Keith Urban. (The album was re-released by Green Hill Records with different artwork in 2011.) In October, Newton-John helped launch the www.liv.com website and teamed with fitness franchise Curves to distribute one million Liv-Aid breast self-examination aids for Breast Cancer Awareness Month.
Newton-John collaborated with producer David Foster to record ''Hope Is Always Here'' for the November 2009 television special, ''Kaleidoscope.'' The song was written and composed for the show's performance by another breast cancer survivor, figure skater Dorothy Hamill. The song was released as a digital single after the show aired.
Newton-John was featured in UniGlobe Entertainment's breast cancer docu-drama, ''1 a Minute,'' released in October 2010. The documentary was made by actress Namrata Singh Gujral and featured other celebrities who survived breast cancer or were affected by the disease. During the same month, Bluewater Productions released a comic book featuring Newton-John to coincide with Breast Cancer Awareness Month.
Newton-John's subsequent secular albums were released primarily in Australia. Newton-John, John Farnham and Anthony Warlow toured Australia as ''The Main Event.'' The live album won an ARIA Award for Highest Selling Australian CD and was also nominated for Best Adult Contemporary Album. She and Farnham performed ''Dare To Dream'' at the Opening Ceremony of the 2000 Sydney Olympics. In 2002, Newton-John released ''(2),'' a duets album featuring mostly Australian artists (Tina Arena, Darren Hayes, Jimmy Little, Johnny O'Keefe, Billy Thorpe, Keith Urban) as well as a heartfelt "duet" with the deceased Peter Allen. The same year, Newton-John was inducted into Australia's ARIA Hall of Fame. ''Indigo: Women of Song,'' a tribute album covering songs by female artists such as Joan Baez, The Carpenters, Doris Day, Nina Simone, Minnie Riperton and others, was released in 2004. Newton-John dedicated the album to her mother, who had died the previous year.
Newton-John also released several Christmas albums. In 2000, she teamed with Vince Gill and the London Symphony Orchestra for '''Tis The Season'' sold exclusively through Hallmark. The following year, she released ''The Christmas Collection'' which compiled seasonal music previously recorded for her Hallmark Christmas album, her appearance on Kenny Loggins' 1999 TNN Christmas special and her contributions to the ''Mother And Child'' and ''Spirit Of Christmas'' multi-artist collections. (Green Hill Records re-released this album with different artwork in 2010.) In 2007, she re-teamed with her ''Grace And Gratitude'' producer, Amy Sky, for ''Christmas Wish'' (No. 187 Pop) which was sold exclusively by Target in its first year of release.
Newton-John acted occasionally since ''Two of a Kind''. She appeared in a supporting role in the 1996 AIDS drama, ''It's My Party''. In 2000, she appeared in a dramatically different role as Bitsy Mae Harling, a lesbian ex-con country singer, in Del Shores' ''Sordid Lives.'' Newton-John reprised her role for ''Sordid Lives: The Series'' which aired one season on the LOGO television network. The series featured five original songs written and composed by Newton-John specifically for the show. In 2010, Newton-John starred in the film ''Score: A Hockey Musical,'' released in Canada. Newton-John portrayed Hope Gordon, the mother of a home-schooled hockey prodigy. The film opened the 2010 Toronto International Film Festival.
Newton-John's television work included starring in two Christmas movies, ''A Mom For Christmas'' (1990) and ''A Christmas Romance'' (1994) – both Top 10 Nielsen hits. Her daughter, Chloe, starred as one of her children in both ''A Christmas Romance'' and in the 2001 Showtime film ''The Wilde Girls.'' Newton-John guest-starred as herself in the sitcoms ''Ned and Stacey,'' ''Murphy Brown,'' and ''Bette,'' and made two appearances as herself on ''Glee.'' For her first ''Glee'' appearance, Newton-John re-created her "Physical" video with series regular Jane Lynch. The performance was released as a digital single, returning Newton-John to the Billboard Hot 100 (No. 89) for the first time since her 1998 re-release of ''I Honestly Love You.'' In Australia, Newton-John hosted the animal and nature series ''Wild Life'' and guest starred as Joanna on two episodes of the Australian series ''The Man From Snowy River.''
Newton-John met gaffer/cameraman Patrick McDermott a year after her 1995 divorce from Matt Lattanzi. The couple dated on and off for nine years. McDermott disappeared following a 2005 fishing trip off the California coast. Various theories abounded regarding his disappearance ranging from his death by accident or foul play to McDermott staging his disappearance to avoid child support payments to his ex-wife, actress Yvette Nipar. Newton-John, who was in Australia at her Gaia Retreat & Spa at the time of his disappearance, was never a suspect in McDermott's disappearance and has refused to comment on any speculation. A US Coast Guard investigation released in 2008 "suggest[ed] McDermott was lost at sea," although some have claimed contact with McDermott since his disappearance.
Newton-John returned to the tabloid headlines again in 2007 when it was revealed that her daughter Chloe was recovering from anorexia.
Newton-John released another concert DVD, ''Olivia Newton-John and the Sydney Symphony: Live at the Sydney Opera House,'' and a companion CD, ''Olivia's Live Hits,'' in January 2008. An edited version of the DVD premiered on PBS station, WLIW (Garden City, New York), in October 2007 and subsequently aired nationally during the network's fund-raising pledge drives. This was Newton-John's third live album after the 1981 Japanese release, ''Love Performance,'' and her 2000 Australian release, ''One Woman's Live Journey.''
In June 2008, Newton-John secretly wed John ("Amazon John") Easterling, founder and president of natural remedy firm, Amazon Herb Company. The couple had first met 15 years earlier, but they only became romantically involved in 2007. (Like Newton-John, this was Easterling's second marriage.) The couple married alone in a private Incan spiritual ceremony in Cuzco, Peru on June 21 followed nine days later by a legal ceremony on the Jupiter Island beachfront in Florida. There were no guests at either service since the couple preferred to marry simply and privately. Only Newton-John's daughter, Chloe, was aware of the nuptials. The couple did not announce their marriage until a 4 July barbecue at Newton-John's Malibu, California home, where guests were surprised with the news. The wedding was confirmed thereafter by ''HELLO!'' Magazine which published exclusive pictures of both weddings. In June 2009, the Easterlings purchased a new $4.1 million home in Jupiter Inlet, and Newton-John sold her home in Malibu, California.
Newton-John joined Judy Brooks and Roy Walkenhorst as co-host of the health and well-being series ''Healing Quest'', currently airing on PBS.
In January 2011, Newton-John began filming "A Few Best Men" in Australia with director Stephan Elliott in the role of mother of the groom played by (Xavier Samuel).
Ten of Newton-John's albums were re-released separately and combined as a box set in October 2010 by Universal Music Japan. The albums include ''Long Live Love,'' ''Clearly Love,'' ''Come On Over,'' ''Don't Stop Believin','' ''Making A Good Thing Better,'' ''Totally Hot,'' ''Physical,'' ''Soul Kiss'', and ''The Rumour''. Each studio album featured two additional bonus tracks not included on the original releases of each album. On the same day, Universal Music Japan also released a "40/40" compilation that included 40 of Newton-John's hits as voted for by her Japanese fans as well as a previously unreleased bonus track, "Come on Home". Newton-John promoted these re-releases with a five-date tour of Japan.
On 12 February 2011, the BBC website reported that Newton-John was keen to join the 'Hetton Thunderer' project, a collaboration between musicians and the Hetton-le-Hole Historical Musical Society to re-invent forgotten musical instruments. Newton-John wished to keep the project under-wraps until demonstrations of the remodelled musical instruments were made public.
;Main compilation albums
;Live albums
;Soundtracks
;DVDs/Laserdisc(12")/VHS/Betamax
Year !! Title !! Role !! Notes | ||||
1965 | ''Funny Things Happen Down Under'' | Olivia | ||
1970 | ''Toomorrow (film)Toomorrow'' || | Olivia | Lead role | |
1972 | ''The Case''| | Herself | BBC2 TV special w/Cliff Richard & Tim Brooke-Taylor | |
1976 | ''A Special Olivia Newton-John''| | Herself | TV special | |
1977 | ''Only Olivia''| | Herself | TV special | |
rowspan="2" | 1978 | ''Olivia''| | Herself | TV special |
''Grease (film) | Grease'' | Sandy Olsson | ||
rowspan="2" | 1980 | ''Xanadu (film)Xanadu'' || | Terpsichore>Kira | Lead role |
''Hollywood Nights'' | Herself | |||
1983 | ''Two of a Kind (1983 film)Two of a Kind'' || | Debbie | Lead role | |
1988 | ''She's Having a Baby''| | Herself | Cameo | |
1989 | ''Mothers & Others''| | Herself | TV special | |
1990 | ''A Mom for Christmas''| | Amy Miller | Lead role in television film | |
rowspan="2" | 1991 | ''A Christmas Romance''| | Julia Stonecypher | Lead role in television film |
''Madonna: Truth or Dare'' | Herself | |||
1996 | ''It's My Party (film)It's My Party'' || | Lina Bingham | Supporting role | |
2000 | ''Sordid Lives''| | Bitsy Mae Harling | Supporting role | |
2001 | ''The Wilde Girls''| | Jasmine Wilde | Lead role in television film | |
2002 | ''A Night with Olivia''| | Herself | TV special | |
2003 | ''Live in Japan '03''| | Herself | TV special | |
2008 | ''Sordid Lives: The Series''| | Bitsy Mae Harling | Supporting role in TV Series | |
2009 | ''Kathy Griffin: My Life On The D-List''| | Herself | Guest appearance | |
rowspan="3" | 2010 | ''1 a Minute''| | Herself | Documentary |
''Glee (TV series) | Glee'' | Herself | ||
''Score: A Hockey Musical'' | Hope Gordon | |||
2011 | ''A Few Best Men''| | Mother-in-Law | Supporting role | |
{| class=wikitable |- style="background:#ccc;" !Year !Category !Genre !Recording !Result |- style="background:#ddd;" | colspan="5" style="text-align:center;"| Grammy Awards |- align=left | style="text-align:left;"|1973 |Best Female Country Vocal Performance |Country |"Let Me Be There" | |- align=left | style="text-align:left;" rowspan="2"|1974 |Record of the Year |General |"I Honestly Love You" | |- align=left |Best Female Pop Vocal Performance |Pop |"I Honestly Love You" | |- align=left | style="text-align:left;"|1975 |Best Female Pop Vocal Performance |Pop |"Have You Never Been Mellow" | |- align=left | style="text-align:left;" rowspan="2"|1978 |Album of the Year |General |"Grease" (Soundtrack) | |- align=left |Best Female Pop Vocal Performance |Pop |"Hopelessly Devoted to You" | |- align=left | style="text-align:left;"|1980 |Best Female Pop Vocal Performance |Pop |"Magic" | |- align=left | style="text-align:left;"|1981 |Best Female Pop Vocal Performance |Pop |"Physical" | |- align=left | style="text-align:left;" rowspan="2"|1982 |Best Female Pop Vocal Performance |Pop |"Heart Attack" | |- align=left |Video of the Year |General |''Olivia Physical'' | |- align=left | style="text-align:left;"|1983 |Best Long Form Music Video |General |''Olivia in Concert'' | |- align=left | style="text-align:left;"|1984 |Best Short Form Music Video |General |''Twist of Fate'' | |}
Category:1948 births Category:20th-century actors Category:21st-century actors Category:Living people Category:Actors from Melbourne Category:ARIA Award winners Category:ARIA Hall of Fame inductees Category:Australian country singers Category:Australian dance musicians Category:Australian expatriate actors in the United States Category:Australian female singers Category:Australian film actors Category:Australian people of English descent Category:Australian people of German descent Category:Australian people of Welsh descent Category:Australian pop singers Category:Australian television actors Category:Breast cancer survivors Category:British Eurovision Song Contest entrants Category:English country singers Category:English dance musicians Category:English expatriates in the United States Category:English female singers Category:English film actors Category:English emigrants to Australia Category:English pop singers Category:English people of German descent Category:English people of Welsh descent Category:English television actors Category:Daytime Emmy Award winners Category:Eurovision Song Contest entrants of 1974 Category:Grammy Award winners Category:Naturalised citizens of Australia Category:Officers of the Order of Australia Category:Officers of the Order of the British Empire Category:People from Cambridge Category:Singers from Melbourne
bg:Оливия Нютън-Джон ca:Olivia Newton-John cs:Olivia Newton-John cy:Olivia Newton-John da:Olivia Newton-John de:Olivia Newton-John et:Olivia Newton-John es:Olivia Newton-John eo:Olivia Newton-John fa:الیویا نیوتن جان fr:Olivia Newton-John ga:Olivia Newton-John ko:올리비아 뉴튼 존 id:Olivia Newton-John is:Olivia Newton-John it:Olivia Newton-John he:אוליביה ניוטון-ג'ון la:Olivia Newton-John lv:Olīvija Ņūtona-Džona lt:Olivia Newton-John hu:Olivia Newton-John nl:Olivia Newton-John ja:オリビア・ニュートン=ジョン no:Olivia Newton-John pl:Olivia Newton-John pt:Olivia Newton-John ro:Olivia Newton-John qu:Olivia Newton-John ru:Ньютон-Джон, Оливия simple:Olivia Newton-John fi:Olivia Newton-John sv:Olivia Newton-John tl:Olivia Newton-John th:โอลิเวีย นิวตัน-จอห์น tr:Olivia Newton-John uk:Олівія Ньютон-Джон wuu:欧里维娅 zh:奧莉維亞·紐頓-約翰This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | John Rutsey |
---|---|
background | non_vocal_instrumentalist |
birth name | John Howard Rutsey |
born | May 14, 1953 |
died | May 11, 2008 |
instrument | Drums, percussion, vocals |
genre | Hard rock, heavy metal |
occupation | Musician |
years active | 1963–1974 |
label | Mercury |
associated acts | Rush |
website | www.rush.com |
notable instruments | }} |
John Howard Rutsey (May 14, 1953 – May 11, 2008) from Ontario, Canada was a former drummer, most recognized for being a co-founding member of Rush along with Alex Lifeson and Jeff Jones.
Soon after the band released its debut album, Rutsey left the band, due to health concerns related to diabetes, which may have posed potential problems with extended tours. His final performance with the group was on July 25, 1974 at Centennial Hall in London, Ontario. His replacement was Neil Peart.
Rutsey maintained a low media profile after leaving the band. In a 1989 Rockline interview, Lifeson remarked, "John's still around. I see John quite often. He gave up playing shortly after he left the band and went into bodybuilding. He competed on an amateur level for a while, doing that for a few years, and has sort of been in and out of that, but he still works out, and I work out with him a few times a week at a local gym - at a Gold's, here in Toronto." In a more recent interview on the VH1 Classic show "Hangin' With," Alex said that he had not seen John since around 1990.
On May 11, 2008, Rutsey died in his sleep of an apparent heart attack, related to complications from diabetes. Rutsey's family wished to keep the funeral a private affair, although an obituary posted in the ''Toronto Star'' on May 15 suggested those wishing to pay tribute to Rutsey could do so by making a donation to the Juvenile Diabetes Research Foundation of Ontario.
After Rutsey's death, former bandmates Lee and Lifeson released this statement: "Those years spent in our teens dreaming of one day doing what we continue to do decades later are special. Although our paths diverged many years ago, we smile today, thinking back on those exciting times and remembering John's wonderful sense of humour and impeccable timing."
Rutsey's part in the band's early history is acknowledged in the 2010 documentary ''Rush: Beyond the Lighted Stage''. Tape-recorded comments from him are heard during the film, and the DVD release includes two performances with him on drums in its bonus features.
Category:Rush (band) members Category:Canadian rock drummers Category:Canadian heavy metal drummers Category:Deaths from diabetes Category:1953 births Category:2008 deaths
es:John Rutsey fr:John Rutsey it:John Rutsey nl:John Rutsey no:John Rutsey pl:John Rutsey pt:John Rutsey ro:John Rutsey sv:John RutseyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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