This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | David Bowie |
---|---|
background | solo_singer |
birth name | David Robert Jones |
birth date | January 08, 1947 |
birth place | Brixton, London, England |
occupation | Musician, singer-songwriter,record producer, actor |
years active | 1964–present |
instrument | |
genre | Rock, glam rock, art rock, pop |
associated acts | The Riot Squad, Tin Machine |
label | Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye |
website | davidbowie.com }} |
Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.
In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.
After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.
Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.
In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.
It was an unusual technical school, as biographer Christopher Sandford writes:
Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.
Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.
Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.
Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.
Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.
The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".
''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.
Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".
Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.
After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.
The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.
''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.
''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."
Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".
Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.
After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.
The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.
Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.
Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.
''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.
Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.
Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.
In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.
1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.
Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.
Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.
In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.
Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.
Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.
Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.
In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.
The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).
''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.
Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.
In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".
Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}
Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."
Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."
Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."
Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.
Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."
Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."
Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.
In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."
Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.
Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny
az:Devid Boui bs:David Bowie br:David Bowie bg:Дейвид Боуи ca:David Bowie cs:David Bowie cy:David Bowie da:David Bowie de:David Bowie et:David Bowie es:David Bowie eo:David Bowie eu:David Bowie fa:دیوید بویی fr:David Bowie ga:David Bowie gl:David Bowie ko:데이비드 보위 hi:डेविड बोवी hr:David Bowie io:David Bowie id:David Bowie is:David Bowie it:David Bowie he:דייוויד בואי ka:დევიდ ბოუი lv:Deivids Bovijs lt:David Bowie li:David Bowie hu:David Bowie mk:Дејвид Боуви nl:David Bowie ja:デヴィッド・ボウイ no:David Bowie nn:David Bowie oc:David Bowie uz:David Bowie pms:David Bowie pl:David Bowie pt:David Bowie ro:David Bowie ru:Боуи, Дэвид sq:David Bowie scn:David Bowie simple:David Bowie sk:David Bowie sl:David Bowie sr:Дејвид Боуи sh:David Bowie fi:David Bowie sv:David Bowie te:డేవిడ్ బౌవీ th:เดวิด โบวี tr:David Bowie uk:Девід Бові vi:David Bowie vls:David Bowie zh-yue:大衛寶兒 zh:大卫·鲍伊
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Joni Mitchell |
---|---|
genre | Folk-rock, folk-jazz/jazz, pop |
background | solo_singer |
birth name | Roberta Joan Anderson |
born | November 07, 1943Fort Macleod, Alberta, Canada |
origin | Saskatoon, Saskatchewan, Canada |
instrument | Vocals, piano, guitar, ukulele, dulcimer |
occupation | Singer, songwriter, composer, record producer, musician, painter, guitarist, pianist |
label | Reprise (1968–1972; 1994–2001)Asylum (1972–1981)Geffen (1982–1993)Nonesuch (2002)Hear Music (2007) |
associated acts | Crosby, Stills, Nash and Young, Graham Nash, Joan Baez, Charles Mingus, Mary Travers, David Crosby, James Taylor, Herbie Hancock, Mama Cass |
website | }} |
Joni Mitchell, CC, (born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, singer, songwriter, and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. In the mid-1960s she left for New York City and its rich folk music scene, recording her debut album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. ''Blue'', her starkly personal 1971 album, was voted #30 in Rolling Stone magazine's "500 Greatest Albums of All Time" list of 2003. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling ''Court and Spark''.
Mitchell's distinctive harmonic guitar style and piano arrangements all grew more complex through the 1970s as she was deeply influenced by jazz, melding it with pop, folk and rock on experimental albums like 1976's ''Hejira''. She worked closely with jazz musicians including Pat Metheny, Wayne Shorter, Jaco Pastorius, Herbie Hancock, and on a 1979 record released after his death, Charles Mingus. From the 1980s on, Mitchell reduced her recording and touring schedule but turned again toward pop, making greater use of synthesizers and direct political protest in her lyrics, which often tackled social and environmental themes alongside romantic and emotional ones.
Mitchell's work is highly respected both by critics and by fellow musicians. ''Rolling Stone'' magazine called her "one of the greatest songwriters ever," while Allmusic said, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century." Mitchell is also a visual artist. She created the artwork for each of her albums, and in 2000 described herself as a "painter derailed by circumstance." A blunt critic of the music industry, Mitchell stopped recording over the last several years, focusing more attention on painting, but in 2007 she released ''Shine'', her first album of new songs in nine years.
Her mother's ancestors were Scottish and Irish; her father's were Norwegian and Sami. Her paternal grandmother was born on the farm Farestveit in Modalen, Hordaland, Norway. Her paternal grandfather was from Sømna, Sør-Helgeland, Nordland, Norway.
At the age of eight, Mitchell contracted polio during a Canadian epidemic, but she recovered after a stay in hospital. This was the same polio epidemic (1951) in which singer Neil Young, then aged five, also contracted the virus. It was during this time that she first became interested in singing. She describes her first experience singing while in hospital during the winter in the following way:
"They said I might not walk again, and that I would not be able to go home for Christmas. I wouldn't go for it. So I started to sing Christmas carols and I used to sing them real loud ... The boy in the bed next to me, you know, used to complain. And I discovered I was a ham."She began smoking at the age of nine as well, a habit which is arguably one of the factors contributing to the change in her voice in recent years (Mitchell herself disputes this in several interviews).
As a teenager, Joni taught herself ukulele and, later, guitar. She began performing at parties and bonfires, which eventually led to gigs playing in coffeehouses and other venues in Saskatoon. After finishing high school at Aden Bowman Collegiate in Saskatoon, she attended the Alberta College of Art and Design in Calgary for a year, during which she made the acquaintance of another budding singer-songwriter, Harry Chapin, but Mitchell then left, telling her mother: "I'm going to Toronto to be a folksinger."
After leaving art college in June 1964, Mitchell left her home in Saskatoon to relocate to Toronto. She found out that she was pregnant by her college ex-boyfriend, and in February 1965 she gave birth to a baby girl. A few weeks after the birth, Joni Anderson married folk-singer Chuck Mitchell, and took his surname. A few weeks later she gave her daughter, Kelly Dale Anderson, up for adoption. The experience remained private for most of her career, but she made allusions to it in several songs, most notably a very specific telling of the story in the 1971 song "Little Green". Mitchell's 1982 song "Chinese Cafe", from the album ''Wild Things Run Fast'', includes the lyrics "Your kids are coming up straight / My child's a stranger / I bore her / But I could not raise her."
Mitchell's daughter, renamed Kilauren Gibb, began a search for her as an adult. In 1997 Gibb mentioned her search to the girlfriend of a man with whom she had grown up. By coincidence, this woman knew a third person who had once told her that he knew Joni Mitchell years earlier "when she was pregnant." Mitchell and her daughter were reunited shortly thereafter.
Folk singer Tom Rush had met Mitchell in Toronto and was impressed with her songwriting ability. He took "Urge For Going" to popular folk act Judy Collins but she was not interested in the song at the time, so Rush recorded it himself. Country singer George Hamilton IV heard Rush performing it and recorded a hit country version. Other artists who recorded Mitchell songs in the early years were Buffy Sainte-Marie ("The Circle Game"), Dave Van Ronk ("Both Sides Now"), and eventually Judy Collins ("Both Sides Now", a top ten hit, and Michael From Mountains, both included on her 1967 album ''Wildflowers''). Collins also covered "Chelsea Morning", a recording which again eclipsed Mitchell's own commercial success early on.
While she was playing one night in "The Gaslight South", a club in Coconut Grove, Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. Crosby convinced a record company to agree to let Mitchell record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time, and his clout earned him a producer's credit in March 1968, when Reprise Records released her debut album, alternately known as ''Joni Mitchell'' or ''Song to a Seagull''.
Mitchell continued touring steadily to promote the LP. The tour helped create eager anticipation for Mitchell's second LP, ''Clouds'', which was released in April 1969. It finally contained Mitchell's own versions of some of her songs already recorded and performed by other artists: "Chelsea Morning", "Both Sides, Now", and "Tin Angel." The covers of both LPs, including a self-portrait on ''Clouds'', were designed and painted by Mitchell, a marriage of her art and music which she would continue throughout her career.
''Ladies of the Canyon'' was an instant smash on FM radio and sold briskly through the summer and fall, eventually becoming Mitchell's first gold album (selling over a half million copies). Mitchell made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for 1970 by ''Melody Maker'', the UK's leading pop music magazine. On the April 1971 release of James Taylor's ''Mud Slide Slim and the Blue Horizon'' album, Joni Mitchell is credited with backup vocals – along with Carole King – on the track "You've Got A Friend". The songs she wrote during the months she took off for travel and life experience would appear on her next album, ''Blue'', released in June 1971. Of ''Blue'' and in comparing Joni Mitchell's talent to his own, David Crosby said, "By the time she did ''Blue'' she was past me and rushing toward the horizon" (A 65th Birthday Tribute to Joni Mitchell, 2008).
''Blue'' was an almost instant critical and commercial success, peaking in the top 20 in the Billboard Album Charts in September and also hitting the British Top 3. Lushly produced "Carey" was the single at the time, but musically, other parts of ''Blue'' departed further from the sounds of ''Ladies of the Canyon'' in favor of simpler, rhythmic acoustic parts allowing a focus on Mitchell's voice and emotions ("All I Want", "A Case of You"), while others such as "Blue", "River" and "The Last Time I Saw Richard" were sung to her rolling piano accompaniment. In its lyrics, the album was regarded as an inspired culmination of her early work, with depressed assessments of the world around her serving as counterpoint to exuberant expressions of romantic love (for example, in "California"). Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong."
Mitchell made the decision to return to the live stage after the great success of ''Blue'', and she presented many new songs on tour which would appear on her next album. Her fifth album, ''For the Roses'', was released in October 1972 and immediately zoomed up the charts. She followed with the single, "You Turn Me On, I'm a Radio", which peaked at #25 in the Billboard Charts in February 1973, becoming her first bonafide hit single. The album was critically acclaimed and earned her success on her own terms, though it was somewhat overshadowed by the success of ''Blue'' and by Mitchell's next album.
''Court and Spark'', released in January 1974, would see Mitchell begin the flirtation with jazz and jazz fusion that marked her experimental period ahead, but it was also her most commercially successful recording, and among her most critically acclaimed. ''Court and Spark'' went to #1 on the Cashbox Album Charts. The LP made Joni Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker "Raised on Robbery", which was released right before Christmas 1973, and "Help Me", which was released in March of the following year, and became Joni's only Top 10 single when it peaked at #7 in the first week of June. "Free Man in Paris" was another hit single and staple in her catalog.
While recording ''Court and Spark'', Mitchell had tried to make a clean break with her earlier folk sound, producing the album herself and employing jazz/pop fusion band the L.A. Express as what she called her first real backing group. In February 1974, her tour with the L.A. Express began, and they received rave notices as they traveled across the United States and Canada during the next two months. A series of shows at L.A.'s Universal Amphitheater from August 14–17 were recorded for a live album release. In November, Mitchell released a live album called ''Miles of Aisles'', a two-record set including all but two songs from the L.A. concerts (one selection each from the Berkeley Community Center, on March 2, and the LA Music Center, on March 4, were also included in the set). The live album slowly moved up to #2, matching ''Court and Sparks'''s chart peak on Billboard. "Big Yellow Taxi", the live version, was also released as a single and did reasonably well (Mitchell would ultimately release yet another recording of "Big Yellow Taxi" in 2007).
In January 1975, ''Court and Spark'' received four nominations for Grammy Awards, including Grammy Award for Album of the Year, for which Mitchell was the only woman nominated. She won only the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)
The new song cycle was released in November 1975 as ''The Hissing of Summer Lawns''. The album was initially a big seller, peaking at #4 on the Billboard Album Charts, but it received mixed reviews at the time of its release. A common legend holds that ''Rolling Stone'' magazine declared it the "Worst Album of the Year"; in truth, it was called only the year's worst album ''title''. However, Mitchell and ''Rolling Stone'' have had a contentious relationship, beginning years earlier when the magazine featured a "tree" illustrating all of Mitchell's alleged romantic partners, primarily other musicians, which the singer said "hurt my feelings terribly at the time." During 1975, Mitchell also participated in several concerts in the Rolling Thunder Revue tours featuring Bob Dylan and Joan Baez, and in 1976 she performed as part of ''The Last Waltz'' by The Band. In January 1976, Mitchell received one nomination for the Grammy Award for Best Female Pop Vocal Performance for the album ''The Hissing of Summer Lawns'', though the Grammy went to Linda Ronstadt.
In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, Mitchell drove back to California alone and composed several songs during her journey which would feature on her next album, 1976's ''Hejira''. She states, "This album was written mostly while I was traveling in the car. That's why there were no piano songs..." ''Hejira'' was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with legendary jazz virtuoso bass guitarist Jaco Pastorius on several songs including the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow," and the album's last song "Refuge of the Roads." The album climbed to No. 13 on the Billboard Charts, reaching gold status three weeks after release, and received airplay from album oriented FM rock stations. Yet "Coyote", backed with "Blue Motel Room", failed to chart on the Hot 100. While the album was greeted by many fans and critics as a "return to form", by the time she recorded it her days as a huge pop star were over. However, if ''Hejira'' "did not sell as briskly as Mitchell's earlier, more "radio friendly" albums, its stature in her catalogue has grown over the years." Mitchell herself believes the album to be unique. In 2006 she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on ''Hejira'' could only have come from me."
In the summer of 1977, Mitchell began work on new recordings, what would become her first double studio album. Close to completing her contract with Asylum Records, Mitchell felt that this album could be looser in feel than any album she'd done in the past.''Don Juan's Reckless Daughter'' was released in December 1977. The album received mixed reviews but still sold relatively well, peaking at No. 25 in the US and going gold within three months. The cover of the album created its own controversy; Mitchell was featured in several photographs on the cover, including one where she was disguised as a black man (this is a reference to a character in one song on the album). Layered, atmospheric compositions such as "Overture / Cotton Avenue" featured more collaboration with Pastorius, while "Paprika Plains" was a 16-minute epic that stretched the boundaries of pop, owing more to Joni's memories of childhood in Canada and her study of classical music. "Dreamland" and "The Tenth World", featuring Chaka Khan on backing vocals, were percussion dominated tracks. Other songs continued the jazz-rock-folk collisions of ''Hejira''. Mitchell also revived "Jericho", written but never recorded years earlier (a version is found on her 1974 live album).
A few months after the release of ''Don Juan's Reckless Daughter'', Mitchell was contacted by jazz great Charles Mingus, who had heard the orchestrated song, "Paprika Plains", and wanted her to work with him. Mitchell began a collaboration with Mingus, who died before the project was completed in 1979. She finished the tracks (most were her own Mingus-inspired compositions, though "Goodbye Pork Pie Hat" is a Mingus instrumental standard to which Joni composed lyrics) and the resulting album, ''Mingus'', was released in June 1979, though it was poorly received in the press. Fans were confused over such a major change in Mitchell's overall sound, and though the album topped out at No. 17 on the Billboard album charts—a higher placement than ''Don Juan's Reckless Daughter'' – ''Mingus'' still fell short of gold status, making it her first album since the 1960s to not sell at least a half-million copies.
Mitchell's summer tour to promote ''Mingus'' began in August 1979 in Oklahoma City and concluded six weeks later with five shows at Los Angeles' Greek Theater, where she recorded and filmed the concerts. It was her first tour in several years, and with Pastorius, jazz guitar great Pat Metheny, and other members of her band, Mitchell also performed songs from her other jazz-inspired albums. When the tour ended she began a year of work, turning the tapes from the Los Angeles shows into a two-album set and a concert film, both to be called ''Shadows and Light''. Her final release on Asylum Records and her second live double-album, it was released in September 1980, and made it up to No. 38 on the Billboard Charts. A single from the LP, "Why Do Fools Fall in Love?", Mitchell's duet with The Persuasions (her opening act for the tour), bubbled under on Billboard, just missing the Hot 100.
As 1983 began, Mitchell began a world tour, visiting Japan, Australia, Ireland, the United Kingdom, Belgium, France, Germany, Italy, Scandinavia and then back to the United States. A performance from the tour was videotaped and later released on home video (and later DVD) as "Refuge Of The Roads." As 1984 ended, Mitchell was writing new songs, when she had a suggestion from Geffen that perhaps an outside producer with experience in the modern technical arenas they wanted to explore might be a worthy addition. British synth-pop performer and producer Thomas Dolby was brought on board. Of Dolby's role, Mitchell later commented: "I was reluctant when Thomas was suggested because he had been asked to produce the record [by Geffen], and would he consider coming in as just a programmer and a player? So on that level we did have some problems... He may be able to do it faster. He may be able to do it better, but the fact is that it then wouldn't really be my music."
The album that resulted, ''Dog Eat Dog'', released in October 1985, received a mostly negative critical response. It turned out to be only a moderate seller, peaking at No. 63 on Billboard's Top Albums Chart, Mitchell's lowest chart position since her first album peaked at No. 189 almost eighteen years before. One of the songs on the album, "Tax Free", created controversy by lambasting "televangelists" and what she saw as a drift to the religious right in American politics. "The churches came after me", she wrote, "they attacked me, though the Episcopalian Church, which I've described as the only church in America which actually uses its head, wrote me a letter of congratulation."
Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 1988's ''Chalk Mark in a Rain Storm''. She also collaborated with artists including Willie Nelson, Billy Idol, Wendy & Lisa, Tom Petty, Don Henley and Peter Gabriel. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot 100 charts. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the deadly battle between Native American activists and the FBI on the Lakota Sioux reservation in the previous decade. Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. ''Chalk Mark'' ultimately improved on the chart performance of ''Dog Eat Dog'', peaking at No. 45.
After its release, Mitchell, who rarely performed live anymore, participated in Roger Waters' The Wall Concert in Berlin in 1990. She performed the song, "Goodbye Blue Sky" and also was one of the performers on the concerts ending song, "The Tide Is Turning" along with Waters, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.
Throughout the first half of 1990, Mitchell recorded songs that would appear on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs. The album ''Night Ride Home'' was released in March 1991. In the United States, it premiered on Billboard's Top Album charts at No. 68, moving up to No. 48 in its second week, and peaking at No. 41 in its sixth week. In the United Kingdom, the album premiered at No. 25 on the album charts. Critically, it was better received than her '80s work and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of ''Hejira''. This album was also Mitchell's first since Geffen Records was sold to MCA Inc., meaning that ''Night Ride Home'' was her first album not to be initially distributed by WEA (now Warner Music Group).
In 1996, Mitchell agreed to release a greatest ''Hits'' collection when label Reprise also allowed her a second ''Misses'' album to include some of the lesser known songs from her career. ''Hits'' charted at No. 161 in the US, but made No. 6 in the UK. Mitchell also included on ''Hits'', for the first time on an album, her first recording, a version of "Urge for Going" which preceded ''Song to a Seagull'' but was previously released only as a B-side.
Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 1998's ''Taming the Tiger''. She promoted ''Tiger'' with a return to regular concert appearances, most notably a co-headlining tour with Bob Dylan and Van Morrison. On the album, Mitchell had played a "guitar synthesizer" on most songs, and for the tour she adapted many of her old songs to this instrument, and reportedly had to re-learn all her complex tunings once again.
It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later admitted to feeling the same way, explaining that "I'd go to hit a note and there was nothing there." While her more limited range and huskier vocals have sometimes been attributed to her smoking (she has been described as "one of the world's last great smokers"), Mitchell believes the changes in her voice that became noticeable in the nineties were due to other problems, including vocal nodules, a compressed larynx, and the lingering effects of having had polio. In an interview in 2004, she denied that "my terrible habits" had anything to do with her more limited range and pointed out that singers often lose the upper register when they pass fifty. In addition, she contended that in her opinion her voice became a more interesting and expressive alto range when she no longer could hit the high notes, let alone hold them like she did in her youth.
The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", but on both she attempted to make use of her new vocal range in interpreting familiar material. ''Both Sides, Now'' (2000) was an album composed mostly of covers of jazz standards, performed with an orchestra, featuring orchestral arrangements by Vince Mendoza. The album also contained remakes of "A Case of You" and the title track "Both Sides Now", two early hits transposed down to Mitchell's now dusky, soulful alto range. It received mostly strong reviews and spawned a short national tour, with Mitchell accompanied by a core band featuring Larry Klein on bass plus a local orchestra on each tour stop. Its success led to 2002's ''Travelogue'', a collection of re-workings of her previous songs with lush orchestral accompaniments.
During the next few years, the only albums Mitchell released were compilations of her earlier work. In 2003, Mitchell's Geffen recordings were collected in a remastered, four-disc box set, ''The Complete Geffen Recordings'', including notes by Mitchell and some previously unreleased tracks. A series of themed compilations of songs from earlier albums were also released: ''The Beginning of Survival'' (2004), ''Dreamland'' (2004), and ''Songs of a Prairie Girl'' (2005), the last of which collected the threads of her Canadian upbringing and which she released after accepting an invitation to the Saskatchewan Centennial concert in Saskatoon. The concert, which featured a tribute to Mitchell, was also attended by Queen Elizabeth II. In ''Prairie Girl'' liner notes, she writes that the collection is "my contribution to Saskatchewan's Centennial celebrations."
In the early 1990s, Mitchell signed a deal with Random House to publish an autobiography. In 1998 she told ''The New York Times'' that her memoirs were "in the works", that they would be published in as many as four volumes, and that the first line would be "I was the only black man at the party." In 2005, Mitchell said that she was using a tape recorder to get her memories "down in the oral tradition."
As well in the early 2000s, Joni Mitchell worked with artist Gilles Hebert. Joni visited the Mendel Art Gallery in Saskatoon, where she and Giles produced a book called 'Voices'. The book received international attention and extended her fame, and the fame of Gilles Hebert.
Although Mitchell stated that she would no longer tour or give concerts, she has made occasional public appearances to speak on environmental issues. Mitchell divides her time between her longtime home in Los Angeles, and the property in Sechelt, British Columbia that she has owned since the early 1970s. "L.A. is my workplace", she said in 2006, "B.C. is my heartbeat." According to interviews, today she focuses mainly on her visual art, which she does not sell and which she displays only on rare occasions.
In February 2007, Mitchell also returned to Calgary and served as an advisor for the Alberta Ballet Company premiere of "The Fiddle and the Drum", a dance choreographed to both new and old songs. Mitchell also filmed portions of the rehearsals for a documentary she's working on. Of the flurry of recent activity she quipped, "I've never worked so hard in my life."
In summer 2007, Mitchell's official fan-run site confirmed speculation that she had signed a two-record deal with Starbucks' Hear Music label. ''Shine'' was released by the label on September 25, 2007, debuting at number 14 on the Billboard 200 album chart, her highest chart position in the United States since the release of ''Hejira'' in 1976, over thirty years previously, and at number 36 on the United Kingdom albums chart.
On the same day, Herbie Hancock, a longtime associate and friend of Mitchell's, released ''River: The Joni Letters'', an album paying tribute to Mitchell's work. Among the album's contributors were Norah Jones, Tina Turner, Leonard Cohen, and Mitchell herself, who contributed a vocal to the re-recording of "The Tea Leaf Prophecy (Lay Down Your Arms)" (originally on her album ''Chalk Mark in a Rain Storm''). On February 10, 2008, Hancock's recording won Album of the Year at the Grammy Awards. It was the first time in 43 years that a jazz artist took the top prize at the annual award ceremony. In accepting the award, Hancock paid tribute to Mitchell as well as to Miles Davis and John Coltrane. At the same ceremony Mitchell won a Grammy for Best Instrumental Pop Performance for the opening track "One Week Last Summer" from her album ''Shine''.
On February 12, 2010, "Both Sides, Now" was performed at the opening ceremonies of the 2010 Winter Olympics in Vancouver.
Mitchell is currently receiving treatment for the controversial condition called "Morgellons syndrome". Mitchell spoke to the ''Los Angeles Times'' on April 22, 2010 about the disease, saying, "I have this weird, incurable disease that seems like it's from outer space, but my health's the best it's been in a while." She described Morgellons as a "slow, unpredictable killer" but said she is determined to fight the disease. "I have a tremendous will to live: I've been through another pandemic – I'm a polio survivor, so I know how conservative the medical body can be." According to Mitchell, Morgellons is often misdiagnosed as "delusion of parasites," and sufferers of the disease are offered psychiatric treatment. Mitchell said she plans to leave the music industry to work toward giving people diagnosed with Morgellons more credibility. In the same interview, Mitchell made the statement that singer-songwriter Bob Dylan, with whom she had worked closely in the past, was a fake and plagiarist. The controversial remark was widely reported by other media. Mitchell did not explain the contention further, but it may have related to the allegations of plagiarism surrounding some lyrics on Dylan's 2006 album ''Modern Times''.
Mitchell's longtime archivist, the San Francisco-based Joel Bernstein, maintains a detailed list of all her tunings, and has assisted her in relearning the tunings for several older songs.
Mitchell was also highly innovative harmonically in her early work (1966–72) using techniques including modality, chromaticism, and pedal points.
In 2003 ''Rolling Stone'' named her the 72nd greatest guitarist of all time; she was the highest-ranked woman on the list.
For instance, Prince's song "The Ballad of Dorothy Parker" on the album ''Sign 'O' the Times'' (1987), pays tribute to Mitchell, both through his evocative Mitchell-like harmonies and through the use of one of Mitchell's own techniques: as in Mitchell's song "This Flight Tonight", Prince references a song in his lyrics (Joni's own "Help Me") as the music begins to emulate the chords and melody of that song. Another Mitchell reference left by Prince can also be seen on the back cover of his 1981 ''Controversy'' record, where one of the headlines reads "★JONI★." His song "Raspberry Beret" also references "McGee's general store" from Joni's song "Paprika Plains".
Madonna has also cited Mitchell as the first female artist that really spoke to her as a teenager; "I was really, really into Joni Mitchell. I knew every word to ''Court and Spark''; I worshipped her when I was in high school. ''Blue'' is amazing. I would have to say of all the women I've heard, she had the most profound effect on me from a lyrical point of view."
Steve Hogarth, Steve Rothery and Mark Kelly of Marillion all cite Mitchell as a favorite artist.
A number of artists have enjoyed success covering Mitchell's songs. Judy Collins's 1967 recording of "Both Sides Now" reached No. 8 on Billboard charts and was a breakthrough in the career of both artists (Mitchell's own recording did not see release until two years later, on her second album ''Clouds''). This is Mitchell's most-covered song by far, with 587 versions recorded at latest count. Hole also covered "Both Sides Now" in 1990, renaming it ''Clouds'' and changing the lyrics. Pop group Neighborhood in 1970 and Amy Grant in 1995 scored hits with covers of "Big Yellow Taxi", the second most covered song in Mitchell's repertoire (with 223 covers). Recent releases of this song have been by Counting Crows in 2002 and Nena in 2007. Janet Jackson used a sample of the chorus of "Big Yellow Taxi" as the centerpiece of her 1997 hit single "Got 'Til It's Gone", which also features rapper Q-Tip saying "Joni Mitchell never lies." Rap artists Kanye West and Mac Dre have also sampled Mitchell's vocals in their music. In addition, Annie Lennox has covered "Ladies Of The Canyon" for the B-side of her 1995 hit "No More I Love You's." Mandy Moore covered "Help Me" in 2003. In 2004 singer George Michael covered her song "Edith And The Kingpin" for a radio show. "River" has been of the most popular songs covered in recent years, with versions by Dianne Reeves (1999), James Taylor (recorded for television in 2000, and for CD release in 2004), Allison Crowe (2004), Rachael Yamagata (2004), Aimee Mann (2005), and Sarah McLachlan (2006). McLachlan also did a version of "Blue" in 1996, and Cat Power recorded a cover of "Blue" in 2008. Other Mitchell covers include the famous "Woodstock" by both Crosby, Stills, Nash and Young and Matthews Southern Comfort, "This Flight Tonight" by Nazareth, and well-known versions of "Woodstock" by Eva Cassidy and "A Case of You" by Tori Amos, Michelle Branch, Jane Monheit, Prince, and Diana Krall. A 40th anniversary version of "Woodstock" was released in 2009 by Nick Vernier Band featuring Ian Matthews (formerly of Matthews Southern Comfort).
Prince's version, "A Case of U", appeared on ''A Tribute to Joni Mitchell'', a 2007 compilation released by Nonesuch Records, which also featured Björk ("The Boho Dance"), Caetano Veloso ("Dreamland"), Emmylou Harris ("The Magdalene Laundries"), Sufjan Stevens ("Free Man in Paris") and Cassandra Wilson ("For the Roses"), among others. Some of the recordings were made in the late 1990s when a project entitled ''A Case of Joni'' was developed but left incomplete. Among those who recorded tracks for the first tribute album, which remain unreleased, were Janet Jackson, Steely Dan, and Sheryl Crow. Chaka Khan recorded "Ladies Man" from Mitchell's LP ''Wild Things Run Fast'' on her 2007 CD titled ''Funk This''. Cassandra Wilson recorded "Black Crow" from Mitchell's ''Hejira'' on her ''Blue Light 'Til Dawn'' CD.
Several other songs reference Joni Mitchell. The song "Our House" by Graham Nash refers to Nash's brief affair with Mitchell at the time Crosby, Stills Nash and Young recorded the Déjà Vu album. Led Zeppelin's "Going to California" was said to be written about Robert Plant and Jimmy Page's infatuation with Mitchell, a claim that seems to be borne out by the fact that, in live performances, Plant often says "Joni" after the line "To find a queen without a king, they say she plays guitar and cries and sings." Jimmy Page uses a double dropped D guitar tuning similar to the alternative tunings Mitchell uses. The Sonic Youth song "Hey Joni" from their acclaimed ''Daydream Nation'' album is named for Mitchell. Sonic Youth also uses a wide variety of alternate guitar tunings. Alanis Morissette also mentions Joni in one of her songs, "Your House." British folk singer; Frank Turner mentions Joni in his song 'Sunshine State'. Fellow Canadian songwriter Ferron invokes Mitchell to open the song "Maya": "Last night I dreamed Joni Mitchell cut her hair and changed her name to Gaia. And she spoke to me in a confident air and said...'You better push the edge of Maya.'"
Melody Green wrote in "No Compromise, the life story of Keith Green", that her husband Keith Green and some friends found Joni's Southern California home security gate was open and they sang in her front lawn until she came out. She invited them all in and Green entertained her for a while on her piano.
Also, on the 2004 album ''eMOTIVe'' by A Perfect Circle, Maynard James Keenan covered Mitchell's song ''Fiddle and the Drum.''
She has received eight Grammy Awards during her career, with the first coming in 1969 and the most recent in 2008. She received a Grammy Lifetime Achievement Award in 2002, with the citation describing her as "one of the most important female recording artists of the rock era" and "a powerful influence on all artists who embrace diversity, imagination and integrity."
In fitting tribute to Joni Mitchell, the TNT network presented an all-star celebration at the Hammerstein Ballroom in New York City, April 6, 2000. Many legendary performers sang Mitchell's songs, including James Taylor, Elton John, Wynonna Judd, Bryan Adams, Cyndi Lauper, Diana Krall, and Richard Thompson of Fairport Convention fame. Mitchell herself ended the evening with a rendition of "Both Sides Now" with a full 70 piece orchestra. The version was featured on the soundtrack to the hit movie, ''Love Actually''.
Regarding her as a national treasure, Mitchell's home country Canada has bestowed a number of honours on her. She was inducted into the Canadian Music Hall of Fame in 1981 and received a star on Canada's Walk of Fame in 2000. In 2002 she became only the third popular Canadian singer/songwriter (Gordon Lightfoot and Leonard Cohen being the other two), to be appointed a Companion of the Order of Canada, Canada's highest civilian honour. She received an honorary doctorate in music from McGill University in 2004. In January 2007 she was inducted into the Canadian Songwriters Hall of Fame. In June 2007 Canada Post featured Mitchell on a postage stamp.
In November 2006, the album ''Blue'' was listed by ''TIME'' magazine as among the "All-Time 100 Albums."
In 1999 Mitchell was listed as fifth on VH1's list of "The 100 Greatest Women of Rock N' Roll." In 2010, Vh1 would name her the #44 Greatest Artist of All Time.
In the 2010 film ''The Kids Are All Right'', the character Joni is supposed to have been named after Joni Mitchell since the character Nic, Joni's mother, declares to be a fan of Mitchell.
Year !!Category !! Work!! Result | ||||
1969 | Best Folk Performance | Clouds (Joni Mitchell album)>Clouds'' | ||
1974 | Album of the Year| | ''Court and Spark'' | Nomination | |
1974 | Record of the Year| | Help Me (Joni Mitchell song)>Help Me" | Nomination | |
1974 | Pop Female Vocalist| | ''Court and Spark'' | Nomination | |
1974 | Best Arrangement Accompanying Vocalist(s)| | "Down To You" | Won | |
1976 | Pop Female Vocalist| | ''The Hissing of Summer Lawns'' | Nomination | |
1977 | Best Album Package| | Hejira (album)>Hejira'' | Nomination | |
1988 | Pop Female Vocalist| | ''Chalk Mark in a Rain Storm'' | Nomination | |
1995 | Best Pop Album| | ''Turbulent Indigo'' | Won | |
1995 | Best Album Package| | ''Turbulent Indigo'' | Won | |
2000 | Best Female Pop Vocal Performance| | ''Both Sides, Now'' | Nomination | |
2000 | Best Traditional Pop Vocal Album| | ''Both Sides, Now'' | Won | |
2002 | Lifetime Achievement Award| | – | Won | |
2007 | Album of the Year| | ''River: The Joni Letters'' | Won* | |
2007 | Best Pop Instrumental Performance | | | "One Week Last Summer" | Won |
;Studio releases
Category:1943 births Category:Living people Category:Musicians from Alberta Category:Appalachian dulcimer players Category:Canadian female guitarists Category:Canadian female singers Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian Music Hall of Fame inductees Category:Canadian pop singers Category:Canadian singer-songwriters Category:Canadian people of Norwegian descent Category:Canadian people of Irish descent Category:Canadian people of Scottish descent Category:Companions of the Order of Canada Category:Crossover (music) Category:Female rock singers Category:Feminist musicians Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Juno Award winners Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:People from Southern California Category:People from Saskatoon Category:People from Willow Creek, Alberta Category:Musicians from Saskatchewan Category:Sami people
af:Joni Mitchell ca:Joni Mitchell cs:Joni Mitchell da:Joni Mitchell de:Joni Mitchell el:Τζόνι Μίτσελ es:Joni Mitchell fr:Joni Mitchell id:Joni Mitchell it:Joni Mitchell he:ג'וני מיטשל nl:Joni Mitchell ja:ジョニ・ミッチェル no:Joni Mitchell nn:Joni Mitchell pl:Joni Mitchell pt:Joni Mitchell ro:Joni Mitchell ru:Джони Митчелл sc:Joni Mitchell simple:Joni Mitchell sk:Joni Mitchellová sh:Joni Mitchell fi:Joni Mitchell sv:Joni Mitchell th:โจนี มิตเชลล์ tr:Joni Mitchell uk:Джоні Мітчелл zh:琼尼·米歇尔This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jeremy Clarkson |
---|---|
Birth name | Jeremy Charles Robert Clarkson |
Birth date | April 11, 1960 |
Birth place | Doncaster, South Yorkshire, England, UK |
Residence | Chipping Norton, Oxfordshire, EnglandLangness, Isle of Man |
Other names | ''Jezza'' |
Notable works | See below |
Networth | £2.7 million (estimated). |
Salary | £2 million (estimated). |
Height | |
Known for | |
Education | Repton SchoolHill House School, Doncaster |
Employer | |
Occupation | Author, writer, journalist, broadcaster, talk show host |
Home town | Doncaster, South Yorkshire, England |
Years active | 1988–present |
Spouse | (divorced) |
Children | 3 |
Parents | Shirley and Eddie Clarkson |
Website | topgear.com }} |
From a career as a local journalist in Northern England, Clarkson rose to public prominence as a presenter of the original format of ''Top Gear'' in 1988. Since the mid-1990s Clarkson has become a recognised public personality, regularly appearing on British television presenting his own shows and appearing as a guest on other shows. As well as motoring, Clarkson has produced programmes and books on subjects such as history and engineering. From 1998 to 2000 he also hosted his own chat show, ''Clarkson''.
His opinionated but humorous tongue-in-cheek writing and presenting style has often generated much public reaction to his viewpoints. His actions both privately and as a ''Top Gear'' presenter have also sometimes resulted in criticism from the media, politicians, pressure groups and the public.
Despite the criticism levelled against him, Clarkson has also generated a significant following from the public at large, being credited as a major factor in the resurgence of ''Top Gear'' as one of the most popular shows on the BBC.
Clarkson played the role of a public schoolboy, Taplin, in a BBC radio Children's Hour serial adaptation of Anthony Buckeridge's ''Jennings'' novels until his voice broke.
Clarkson suffered from testicular torsion as a teenager and has since become a patron of several charities raising awareness of this condition.
Clarkson is twice-married. His first marriage was in September 1989 to Alexandra James (now Hall). This marriage was short-lived, and in May 1993 he married his manager, Frances Cain (daughter of VC recipient Robert Henry Cain) in Fulham. The couple currently live in the town of Chipping Norton, situated in the Cotswolds, with their three children. Known for buying him car-related gifts, for Christmas 2007 Clarkson's wife bought him a Mercedes-Benz 600.
Clarkson's fondness for wearing jeans has been blamed by some for the decline in sales of denim in the mid 1990s, particularly Levi's, because of their being associated with middle aged men, the so-called 'Jeremy Clarkson effect'. After fashion gurus Trinny and Susannah labelled Clarkson's dress sense as that of a market trader, he was persuaded to appear on their fashion makeover show ''What Not to Wear'' in order to avoid being considered for their all-time worst dressed winner award. Their attempts at restyling Clarkson were however all rebuffed, and Clarkson stated he would rather eat his own hair than appear on the show again.
For an episode of the first series of the BBC's ''Who Do You Think You Are?'' broadcast in November 2004, Clarkson was invited to investigate his family history. It included the story of his great-great-great grandfather John Kilner (1792–1857), who invented the Kilner jar: a container for preserved fruit.
Clarkson is reportedly a big fan of the rock band Genesis and attended the band‘s reunion concert at Twickenham Stadium in 2007. He also provided sleeve notes for the reissue of the album ''Selling England by the Pound'' as part of the ''Genesis 1970–1975'' box set.
Clarkson has been involved in a protracted legal dispute about access to a "permissive path" across the grounds of his second home on the Isle of Man since 2005, after reports that dogs had attacked and killed sheep on the property. He eventually lost the dispute after the Isle of Man government started a public enquiry and was told to re-open the footpath in May 2010. The case is currently being brought before the High Court.
Clarkson is also an avid birdwatcher. His favorite bird noted as being the Peregrine Falcon.
In 1984 Clarkson formed the Motoring Press Agency (MPA), in which, with fellow motoring journalist Jonathan Gill, he would conduct road tests for local newspapers and automotive magazines. This developed into pieces for publications such as ''Performance Car''. He has regularly written for ''Top Gear'' magazine since its launch in 1993.
Clarkson went on to writing articles for a diverse spectrum of readers through regular columns in both the mass-market tabloid newspaper ''The Sun'', and for the more 'up market' broadsheet newspaper ''The Sunday Times''. The ''Times'' columns are republished in The Weekend Australian newspaper. He also writes for the Toronto Star-Wheels Section.
In addition to newsprint, Clarkson has written books about cars and several other, humorous, titles. Many of his books are aggregated collections of articles that he has written for ''The Sunday Times''.
Clarkson's views are often showcased on television shows. In 1997 Clarkson appeared on the light hearted comedy show ''Room 101'', in which a guest nominates things they hate in life to be consigned to nothingness. Clarkson despatched caravans, houseflies, the sitcom ''Last Of The Summer Wine'', the mentality within golf clubs, and vegetarians. His public persona has seen him make several appearances on the prime time talk shows ''Parkinson'' and ''Friday Night with Jonathan Ross'' since 2002. By 2003 his persona was deemed to fit the mould for the series ''Grumpy Old Men'', in which middle-aged men talk about any aspects of modern life which irritate them. Since the topical news panel show ''Have I Got News for You'' dismissed regular host Angus Deayton in October 2002, Clarkson has become one of the most regularly used guest hosts on the show in a role which attracts a sideways look at current affairs. On a more serious platform, Clarkson has appeared as a panellist on the political current affairs television show ''Question Time'' twice since 2003.
In 2007 Clarkson won the National Television Awards' Special Recognition Award. Also in 2007, it was reported that Clarkson earned £1 million a year for his role as a ''Top Gear'' presenter, and a further £1.7 million from books, DVDs and newspaper columns.
In 2007, Clarkson and co-presenter James May were the first people to reach the magnetic North Pole in a car, chronicled in a ''Top Gear'' polar special. Clarkson more recently sustained minor injuries to his legs, back and hand in an intentional high-speed head-on collision with a brick wall while making the 12th series of ''Top Gear''.
Clarkson is often politically incorrect. He often comments on the media-perceived social issues of the day such as the fear of challenging adolescent youths, known as 'hoodies'. In 2007 Clarkson was cleared of allegations of assaulting a hoodie while visiting Central Milton Keynes, after Thames Valley Police said that if anything, he had been the victim. In the five-part series ''Jeremy Clarkson Meets the Neighbours'' he travelled around Europe in a Jaguar E-Type, examining (and in some cases reinforcing) his stereotypes of other countries.
As a motoring journalist, he is frequently critical of government initiatives such as the London congestion charge or proposals on road charging. He is also frequently scornful of caravanners and cyclists. He has often singled out John Prescott the former Transport Minister, and Stephen Joseph the head of the public transport pressure group Transport 2000 for ridicule.
Clarkson is unsympathetic to the green movement and has little respect for groups such as Greenpeace—he believes that the "eco-mentalists" are a by-product of the "old trade unionists and CND lesbians" who had found a more relevant cause— but "loves the destination" of environmentalism and believes that people should quietly strive to be more eco-friendly. Clarkson has unorthodox views regarding global warming: although he believes that higher temperatures are not necessarily negative and that anthropogenic carbon dioxide production has a negligible effect on the global climate, but is aware of the negative potential consequences of global warming, saying "let's just stop and think for a moment what the consequences might be. Switzerland loses its skiing resorts? The beach in Miami is washed away? North Carolina gets knocked over by a hurricane? Anything bothering you yet?"
In an attempt to prove the press and public furore over the 2007 UK child benefit data scandal was a fuss about nothing, he published his own bank account number and sort code, together with instructions on how to find out his address, in ''The Sun'' newspaper, expecting nobody to be able to remove money from his account. He later discovered that someone had been able to set up a monthly direct debit for £500 to Diabetes UK, and this person's identity was protected from the bank under the Data Protection Act 1998.
Clarkson has been highly critical of the United States and more recently President Barack Obama. In an article after Obama was sworn into office, Clarkson wrote (in reference to over 308,000,000 Americans) "they have got it into their heads that Barack Obama is actually a blend of Jesus, Mother Teresa and Martin Luther King." Clarkson has also been very critical of the Special Relationship between the United States and the United Kingdom. He referred to America as the United States of Total Paranoia, commenting that one needs a permit to do everything except for purchasing firearms.
Whilst Clarkson states such views in his columns and in public appearances, his public persona does not necessarily represent his personal views, as he acknowledged whilst interviewing Alastair Campbell saying "I don't believe what I write, any more than you (Alastair Campbell) believe what you say"
Clarkson has been described as a "skilful propagandist for the motoring lobby" by ''The Economist'' and a "dazzling hero of political incorrectness" by the ''Daily Mirror''. With a forthright and sometimes deadpan delivery, Clarkson is said to thrive on the notoriety his public comments bring, and has risen to the level of the bête noire of the various groups who disagree with his views. On the Channel 4 organised viewer poll, for the ''100 Worst Britons We Love to Hate'' programme, Clarkson polled in 66th place. By 2005, Clarkson was perceived by the press to have upset so many people and groups, ''The Independent'' put him on trial for various 'crimes', declaring him guilty on most counts.
Responses to Clarkson's comments are often directed personally, with derogatory comments about residents of Norfolk leading to some residents organising a "We hate Jeremy Clarkson" club. In ''The Guardian's'' 2007 'Media 100' list, which lists the top 100 most "powerful people in the [media] industry", based on cultural, economic and political influence in the UK, Clarkson was listed as a new entrant at 74th. Some critics even attribute Clarkson's actions and views as being influential enough to be responsible for the closure of Rover and the Luton manufacturing plant of Vauxhall. Clarkson's comments about Rover prompted workers to hang an "Anti-Clarkson Campaign" banner outside the defunct Longbridge plant in its last days.
The BBC often plays down his comments as ultimately not having the weight they are ascribed. In 2007 they described Clarkson as "Not a man given to considered opinion", and in response to an official complaint another BBC spokeswoman once said: "Jeremy's colourful comments are always entertaining, but they are his own comments and not those of the BBC. More often than not they are said with a twinkle in his eye." Some of his opponents state they take the view he is a man that should be ignored. Kevin Clinton, head of Road Safety at the Royal Society for the Prevention of Accidents (RoSPA) has stated "We don't take what he says too seriously and hopefully other people don't either."
On his chat show, ''Clarkson'', he caused upset to the Welsh by placing a 3D plastic map of Wales into a microwave oven and switching it on. He later defended this by saying, "I put Wales in there because Scotland wouldn't fit."
His views on the environment once precipitated a small demonstration at the 2005 award ceremony for his honorary degree from Oxford Brookes University, when Clarkson was pied by road protester Rebecca Lush. Clarkson took this incident in good humour, responding 'good shot' and subsequently referring to Lush as "Banana girl". Clarkson has spoken in support of hydrogen cars as a solution.
In 2008 an internet petition was posted on the Prime Minister's Number 10 website to "Make Jeremy Clarkson Prime Minister". By the time it closed, it had attracted 49,446 signatures. An opposing petition posted on the same site set to "Never, Ever Make Jeremy Clarkson Prime Minister" attracted 87 signatures. Clarkson later commented he would be a rubbish Prime Minister as he is always contradicting himself in his columns. In their official response to the petition, Number 10 agreed with Clarkson's comments.
In a 2008 poll of 5,000 female members of an online dating website, Clarkson came third in a poll of MISAs—Men I Secretly Adore—behind Jonathan Ross and Phillip Schofield. Characteristically, Clarkson was upset not to have come top.
In response to the reactions he gets, Clarkson has stated "I enjoy this back and forth, it makes the world go round but it is just opinion" and "I don't have any influence over what people do, I really don't. It makes no difference what I say. ''Top Gear'' is just fluff. It's just entertainment – people don't listen to me." On the opinion that his views are influential enough to topple car companies, he has argued that he has proof that he has had no influence. "When I said that the Ford Orion was the worst car ever it went on to become a best-selling car."
Clarkson was ranked 50th on Motor Trend Magazine's Power List for 2011, its list of the fifty most influential figures in the automotive industry.
Clarkson presented a programme looking at recipients of the Victoria Cross, in particular focusing on his father-in-law, Robert Henry Cain, who received a VC for actions during the Battle of Arnhem in World War II.
In 2007 Clarkson wrote and presented ''Jeremy Clarkson: Greatest Raid of All Time'', a documentary about the World War II Operation Chariot, a 1942 Commando raid on the docks of Saint-Nazaire in occupied France. At the end of 2007 Clarkson became a patron of Help for Heroes, a charity aiming to raise money to provide better facilities to wounded British servicemen. His effort led to the 2007 Christmas appeal in ''The Sunday Times'' supporting Help for Heroes.
Clarkson borrowed a Lightning (serial XM172), an RAF supersonic jet fighter of the Cold War era, which was temporarily placed in his garden and documented on his TV show Speed.
In his book, ''I Know You Got Soul'' he describes many machines that he believes possess a soul. He cited the Concorde crash as his inspiration, feeling a sadness for the demise of the machine as well as the passengers. Clarkson was a passenger on the last BA Concorde flight on 24 October 2003. Paraphrasing Neil Armstrong he described the retirement of the fleet as "This is one small step for a man, but one huge leap backwards for mankind", and that the challenge of building Concorde had been a greater human feat than landing a man on the Moon.
His known passion for single- or two-passenger high-velocity transport led to his brief acquisition of an English Electric Lightning F1A jet fighter XM172, which was installed in the front garden of his country home. The Lightning was subsequently removed on the orders of the local council, which "wouldn't believe my claim that it was a leaf blower", according to Clarkson on a Tiscali Motoring webchat. In fact, the whole affair was set up for his programme ''Speed'', and the Lightning is now back serving as gate guardian at Wycombe Air Park (formerly RAF Booker).
In a ''Top Gear'' episode, Clarkson drove the Bugatti Veyron in a race across Europe against a Cessna private aeroplane. The Veyron was an £850,000 technology demonstrator project built by Volkswagen to become the fastest production car, but a practical road car at the same time. In building such an ambitious machine, Clarkson described the project as "a triumph for lunacy over common sense, a triumph for man over nature and a triumph for Volkswagen over absolutely every other car maker in the world." After winning the race, Clarkson announced that "It's quite a hollow victory really, because I've got to go for the rest of my life knowing that I'll never own that car. I'll never experience that power again."
In addition to the many cars he has owned, as a motoring journalist Clarkson regularly has car companies deliver a choice of cars to his driveway for testing.
Clarkson wanted to purchase the Ford GT after admiring its inspiration, the Ford GT40 race cars of the 1960s. Clarkson was able to secure a place on the shortlist for the few cars that would be imported to Britain to official customers, only through knowing Ford's head of PR through a previous job. After waiting years and facing an increased price, he found many technical problems with the car. After "the most miserable month's motoring possible," he returned it to Ford for a full refund. After a short period, including asking ''Top Gear'' fans for advice over the Internet, he bought back his GT. He called it "the most unreliable car ever made", owing to never being able to complete a return journey with it. In 2006 Clarkson ordered a Gallardo Spyder and sold the Ford GT to make way for it. In August 2008 he sold the Gallardo because "idiots in Peugeots kept trying to race [him] in it" [Jeremy Clarkson - "The Italian Job" DVD]. In October, he also announced he sold his Volvo XC90. But in January 2009, in a review of the car printed in The Times, he said, "I’ve just bought my third Volvo XC90 in a row and the simple fact is this: it takes six children to school in the morning."
Despite not liking Rover or Vauxhall, Clarkson does have an affection for the 'British' marques of Jaguar and Aston Martin, but has previously described this success as being down to the combination of British ingenuity with foreign funding, management and marketing. Clarkson often applies national stereotypes to cars, i.e. German cars are well built but too serious, Italian cars are stylish but temperamental, Japanese cars are hi-tech but soulless, and the present intermixing of nationalities in the global car industry becomes a source of comment.
Clarkson has a particular fondness for Alfa Romeos, and has owned several. He contends that "you cannot be a true petrolhead until you've owned one... it's like having really great sex that leaves you with an embarrassing itch." In his book ''I Know You Got Soul'' the Alfa Romeo 166 was one of only three cars classified as having that "special something". Clarkson quotably called the Brera, Alfa's latest sports car, "Cameron Diaz on wheels". Despite his love for Alfa Romeos, he was very critical of the company's supercar, the 8C Competizione. In both ''Top Gear'' and his 2009 video special ''Thriller'', Clarkson had no doubts about the car's beauty, but panned the poorly-designed suspension, comparing it to a Ford Mustang.
Clarkson has had mixed views on the Porsche 911 sports cars, feeling them to have uninspiring styling. He is also not a fan of the rear-engined flat six layout, feeling it a fundamentally flawed design. He has, however, often complimented the technical aspects and practicalities of many Porsches, over say the equivalent Ferrari of the time. In reviewing a 2003 Porsche 911 GT3 though, Clarkson conceded that Porsche had finally overcome the natural tendency of a Porsche mechanical layout to lose the grip in the rear tyres in a bend, and stated it was the first Porsche he had ever seriously considered buying. Clarkson also praised Porsche's supercar, the Carrera GT, in an October 2004 episode of ''Top Gear'', and even commented that it's one of the most beautiful cars he has ever driven. Clarkson has also expressed fondness for late-model V8 Holdens, available in the UK rebadged as Vauxhalls. Of the Monaro VXR he said, "It's like they had a picture of me on their desk and said
One of Clarkson's most infamous dislikes was of the British car brand Rover, the last major British owned and built car manufacturer. This view stretched back to the company's time as part of British Leyland. Describing the history of the company up to its last flagship model, the Rover 75, he stated "Never in the field of human endeavour has so much been done, so badly, by so many." In the latter years of the company Clarkson blamed the "uncool" brand image as being more of a hindrance to sales than any faults with the cars. On its demise, Clarkson stated "I cannot even get teary and emotional about the demise of the company itself – though I do feel sorry for the workforce."
Clarkson is also well known for his criticism of Vauxhalls and has described Vauxhall's parent company, General Motors, as a "pensions and healthcare" company which sees the "car making side of the business as an expensive loss-making nuisance". In spite of this, he has expressed approval of several recent Vauxhall models including the VXR models, the Monaro and Maloo, (both originally Australian Holdens) and the Zafira people carrier. Clarkson has expressed particular disdain of the Vauxhall Vectra, describing it as "One of my least favourite cars in the world. I've always hated it because I've always felt it was designed in a coffee break by people who couldn't care less about cars" and "one of the worst chassis I've ever come across". After a Top Gear piece by Clarkson for its launch in 1995, described by ''The Independent'' as "not doing [GM] any favours", Vauxhall complained to the BBC and announced, "We can take criticism but this piece was totally unbalanced."
Clarkson is known for destroying his most hated cars in various ways, including crushing a Yugo with a tank, catapulting a Nissan Sunny with a trebuchet, dropping a Porsche 911 onto a caravan (after plunging a piano onto the bonnet and dousing it in hydrochloric acid, amongst other things), getting a Land Rover and a box labelled "CND" to destroy a Citroën 2CV, allowing his American friend "Billy Bob" to destroy a Toyota Prius by shooting it with an arsenal of weaponry, shooting a Chevrolet Corvette with a helicopter gunship, dismantling a Buick Park Avenue with a bulldozer, or tearing a Lada Riva in half. In an episode of ''Top Gear'', Clarkson bought a Maserati Biturbo just to drop a skip on it to show how much the model ruined Maserati's reputation. In ''Jeremy Clarkson: Heaven and Hell'' (2005), he bought a brand-new Perodua Kelisa, proceeded to attack it with a sledgehammer, tore it apart with a heavy weight while being suspended in mid-air and finally blew it up.
In April 2007 he was criticised in the Malaysian parliament for having described one of their cars, the Perodua Kelisa, as the worst in the world, built "in jungles by people who wear leaves for shoes". A Malaysian government minister countered, pointing out that no complaints had been received from UK customers who had bought the car.
While in Australia, Clarkson made disparaging remarks aimed at Gordon Brown, in February 2009, calling him a "one-eyed Scottish idiot" and accused him of lying. These comments were widely condemned by the Royal National Institute of Blind People and also Scottish politicians who requested that he should be taken off air. Furthermore, the comments were condemned as racist. He subsequently provided a qualified apology for remarks regarding Brown's "personal appearance".
In July 2009 though, Clarkson made another indignant remark about the British Prime Minister during a warm-up while recording a ''Top Gear'' show, apparently describing Brown as "a silly cunt". Although several newspapers reported that he had subsequently argued with BBC 2 controller Janice Hadlow, who was present at the recording, the BBC denied that he had been given a "dressing down". John Whittingdale, Conservative chair of the Culture Select Committee remarked: "Many people will find that offensive, many people will find that word in particular very offensive [...] I am surprised he felt it appropriate to use it."
On 6 July 2010 Clarkson reportedly angered gay rights campaigners after he made a remark on Top Gear that did not get aired on the 4 July's episode. But guest Alastair Campbell wrote about it on twitter. Clarkson apparently said he "Demanded the right not to get bummed". The BBC later said that they cut this remark out as they had to "Cut Down" the interview as it was too long to fit into the show.
On the final Concorde flight, Clarkson threw a glass of water over Morgan during an argument. In March 2004 at the British Press Awards, he swore at Morgan and punched him before being restrained by security; Morgan says it has left him with a scar above his left eyebrow. In 2006 Morgan revealed that the feud was over, saying "There should always be a moment when you finally down cudgels, kiss and make up." Clarkson also mentioned that despite not getting on with Morgan, he can at least be in the same room as him at the same time.
In November 2008 Clarkson attracted over 500 complaints to the BBC when he joked about lorry drivers murdering prostitutes. The BBC stated the comment was a comic rebuttal of a common misconception about lorry drivers and was within the viewer's expectation of Clarkson's ''Top Gear'' persona. Chris Mole, the Member of Parliament for Ipswich, where five prostitutes were murdered in 2006, wrote a "strongly worded" letter to BBC Director-General Mark Thompson, demanding that Clarkson be sacked. Clarkson dismissed Mole's comments in his ''Sunday Times'' column the following weekend, writing, "There are more important things to worry about than what some balding and irrelevant middle-aged man might have said on a crappy BBC2 motoring show." On the next ''Top Gear'' programme, Clarkson appeared sincerely apologetic and stated "It has been all over the news and the internet and after many complaints I feel I must apologise." However, instead of apologising for his comments, he went on to say "I'm sorry I didn't put the [Porsche] 911's time on the board last week" (after he set it on fire in the previous week's show), much to the studio audience's amusement. Andrew Tinkler, chief executive of the Eddie Stobart Group, a major trucking company, stated that "They were just having a laugh. It’s the 21st century, let’s get our sense of humour in line."
In an episode aired after the watershed on 1 August 2010, Clarkson described a ''Ferrari F430 Speciale'' as "speciale needs". He said the car owned by co-presenter James May looked "like a simpleton". Media regulator Ofcom investigated after receiving two complaints, and found that the comments "were capable of causing offence" but did not censure the BBC.
! Year !! Title |- | 1988–2000 || ''Top Gear'' (1977) |- | 1995–96 || ''Jeremy Clarkson's Motorworld'' |- | 1996 || ''Clarkson: Unleashed On Cars'' |- | 1997 || ''Apocalypse Clarkson'' |- | 1997 || ''Jeremy Clarkson's: Extreme Machines'' |- | 1998 || ''The Most Outrageous Jeremy Clarkson Video In The World...Ever!'' |- | 1998 || ''Robot Wars'' |- | 1999 || ''Jeremy Clarkson: Head To Head'' |- | 1998–2000 || ''Clarkson (chat show)'' |- | 2000 || ''Jeremy Clarkson: At Full Throttle'' |- | 2000 || ''Clarkson's Car Years'' |- | 2001 || ''Clarkson's Top 100 Cars'' |- | 2001 || ''Speed'' |- | 2001 || ''You Don't Want To Do That'' |- | 2002 || ''Clarkson: No Limits'' |- | 2002 – present|| ''Top Gear (2002)'' |- | 2002 || ''Jeremy Clarkson Meets The Neighbours'' |- | 2003 || ''Clarkson: Shootout'' |- | 2003 || ''The Victoria Cross: For Valour'' |- | 2004 || ''Clarkson: Hot Metal'' |- | 2004 || ''Inventions That Changed the World'' |- | 2005 || ''Clarkson: Heaven And Hell'' |- | 2006 || ''Clarkson: The Good, The Bad And The Ugly'' |- | 2007 || ''Clarkson: Supercar Showdown'' |- | 2007 || ''Jeremy Clarkson: The Greatest Raid of All Time'' |- | 2008 || ''Clarkson: Thriller'' |- | 2009 || ''Clarkson: Duel'' |- | 2010 || ''Clarkson: The Italian Job'' |}
! Year !! Title !! Role |- | 1993 || ''Mr Blobby's Christmas (Music Video) || Guest |- | 1997 || ''Room 101'' || Guest |- | 1997 || ''The Mrs Merton Show'' || Guest |- | 2002 || ''100 Greatest Britons'' || Guest |- | 2002 || ''Have I Got News for You'' || Guest Host |- | 2002 || ''Friday Night with Jonathan Ross'' || Guest |- | 2003 || ''Patrick Kielty Almost Live'' || Guest |- | 2003 || ''Parkinson'' || Guest |- | 2003 || ''Question Time'' || Participant |- | 2003 || ''Grumpy Old Men'' || Participant |- | 2004 || ''Call My Bluff'' || Participant |- | 2004 || ''QI'' || Participant |- | 2004 || ''Who Do You Think You Are?'' || Participant |- | 2005 || ''Top of the Pops'' || Guest Host |- | 2006 || ''Cars'' || Voice Artist of Harv in UK Version. |- | 2006 || ''Never Mind the Buzzcocks'' || Guest Host |- | 2006 || ''The F Word || Participant |- | 2008 || ''The One Show'' || Guest |- | 2008 || ''Have I Got News for You'' || Guest Host |- | 2009 || ''The Chris Moyles Show'' || Guest |- | 2009 || ''Love the Beast'' || Guest |- | 2009 || ''8 out of 10 Cats'' || Guest |- | 2009 || ''Have I Got News For You'' || Guest |- | 2010 || ''Have I Got News For You'' || Guest Host |- | 2010 || ''QI'' || Participant |}
! Book !! Publisher !! Year |- | Jeremy Clarkson's Motorworld || BBC Books Penguin Books || 1996 Reprinted 2004 |- | Clarkson On Cars || Virgin Books Penguin Books || 1996 Reprinted 2004 |- | Clarkson's Hot 100 || Virgin Books Carlton Books || 1997 Reprinted 1998 |- | Planet Dagenham || Andre Deustch Carlton Books || 1998 Reprinted 2006 |- | Born To Be Riled || BBC Books Penguin Books || 1999 Reprinted 2007 |- | Jeremy Clarkson On Ferrari || Lancaster Books Salamander Books || 2000 Reprinted 2001 |- | The World According To Clarkson || Icon Books Penguin Books || 2004 Reprinted 2005 |- | I Know You Got Soul || Micheal Joseph Penguin Books || 2005 Reprinted 2006 |- | And Another Thing... || Micheal Joseph Penguin Books || 2006 Reprinted 2007 |- | Don't Stop Me Now!! || Micheal Joseph Penguin Books || 2007 Reprinted 2008 |- | For Crying Out Loud! || Micheal Joseph Penguin Books || 2008 Reprinted 2009 |- | Driven To Distraction || Micheal Joseph Penguin Books || 2009 Reprinted 2010 |- | How Hard Can It Be? || Micheal Joseph Penguin Books || 2010 Reprinted 2010 |}
Category:Article Feedback Pilot Category:1960 births Category:Living people Category:Critics of the European Union Category:English writers Category:English journalists Category:English television presenters Category:Motoring journalists Category:Never Mind the Buzzcocks Category:Old Reptonians Category:People from Doncaster Category:The Sunday Times people Category:Top Gear Category:People educated at Hill House School, Doncaster
ar:جيرمي كلاركسون cs:Jeremy Clarkson da:Jeremy Clarkson de:Jeremy Clarkson et:Jeremy Clarkson es:Jeremy Clarkson fa:جرمی کلارکسون fr:Jeremy Clarkson gl:Jeremy Clarkson it:Jeremy Clarkson he:ג'רמי קלארקסון hu:Jeremy Clarkson ms:Jeremy Clarkson nl:Jeremy Clarkson ja:ジェレミー・クラークソン no:Jeremy Clarkson pl:Jeremy Clarkson pt:Jeremy Clarkson ro:Jeremy Clarkson ru:Кларксон, Джереми sq:Jeremy Clarkson simple:Jeremy Clarkson fi:Jeremy Clarkson sv:Jeremy Clarkson tr:Jeremy Clarkson vi:Jeremy Clarkson zh:杰里米·克拉克森This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | James Taylor |
---|---|
background | solo_singer |
birth name | James Vernon Taylor |
born | March 12, 1948Lenox, Massachusetts, U.S. |
origin | Chapel Hill, North Carolina |
instrument | Vocals, guitar, harmonica |
genre | Folk rock, rock, pop, country |
occupation | Singer-songwriter, musician |
years active | 1968–present |
label | Apple/Capitol/EMIWarner Bros.Columbia/SME RecordsHear Music |
associated acts | Carole King, Carly Simon |
website | |
notable instruments | }} |
Taylor achieved his major breakthrough in 1970 with the #3 single "Fire and Rain" and had his first #1 hit the following year with "You've Got a Friend", a recording of Carole King's classic song. His 1976 ''Greatest Hits'' album was certified Diamond and has sold 12 million US copies. Following his 1977 album, ''JT'', he has retained a large audience over the decades. His commercial achievements declined slightly until a big resurgence during the late 1990s and 2000s, when some of his best-selling and most-awarded albums (including ''Hourglass'', ''October Road'' and ''Covers'') were released.
In 1951, when James was three years old, the family moved to what was then the countryside of Chapel Hill, North Carolina, when Isaac took a job as Assistant Professor of Medicine at the University of North Carolina School of Medicine. They built a house in the Morgan Creek area off of what is now Morgan Creek Road, which was sparsely populated. James would later say, "Chapel Hill, the Piedmont, the outlying hills, were tranquil, rural, beautiful, but ''quiet''. Thinking of the red soil, the seasons, the way things smelled down there, I feel as though my experience of coming of age there was more a matter of landscape and climate than people." James attended public primary school in Chapel Hill. Isaac's career prospered, but he was frequently away from home, either on military service at Bethesda Naval Hospital in Maryland or as part of Operation Deep Freeze in Antarctica during 1955–1956. Isaac Taylor later rose to become Dean of the UNC School of Medicine from 1964 to 1971. The family spent summers on Martha's Vineyard beginning in 1953.
Taylor first learned to play the cello as a child in North Carolina, and switched to the guitar in 1960. His style on that instrument evolved from listening to hymns, carols, and Woody Guthrie, while his technique derived from his bass clef-oriented cello training and from experimenting on his sister Kate's keyboards: "My style was a finger-picking style that was meant to be like a piano, as if my thumb were my left hand, and my first, second, and third fingers were my right hand." He began attending Milton Academy, a prep boarding school in Massachusetts in Fall 1961; summering before then with his family on Martha's Vineyard, he met Danny Kortchmar, an aspiring teenage guitarist from Larchmont, New York. The two began listening to and playing blues and folk music together, and Kortchmar quickly realized that Taylor's singing had a "natural sense of phrasing, every syllable beautifully in time. I knew James had that ''thing''." Taylor wrote his first song on guitar at age 14, and continued to learn the instrument effortlessly. By the summer of 1963, he and Kortchmar were playing coffeehouses around the Vineyard, billed as "Jamie & Kootch".
Taylor faltered during his junior year at Milton, not feeling at ease in the high-pressured college prep environment despite having good scholastic performance. The Milton principal would later say, "James was more sensitive and less goal oriented than most students of his day." He returned home to North Carolina to finish out the semester at Chapel Hill High School. There he joined a band his brother Alex had formed called The Corsayers (later The Fabulous Corsairs), playing electric guitar; in 1964 they cut a single in Raleigh that featured James's song "Cha Cha Blues" on the B-side. Having lost touch with his former school friends in North Carolina, Taylor returned to Milton for his senior year.
There, Taylor started applying to colleges, but soon descended into depression; his grades collapsed, he slept twenty hours a day, and he felt part of a "life that I [was] unable to lead." In late 1965 he committed himself to the renowned McLean Hospital in Belmont, Massachusetts, where he was treated with Thorazine and where the organized days began to give him a sense of time and structure. As the Vietnam War built up, Taylor received a psychological rejection from Selective Service System when he appeared before them with two white-suited McLean assistants and was uncommunicative. Taylor earned a high school diploma in 1966 from the hospital's associated Arlington School. He would later view his nine-month stay at McLean as "a lifesaver ... like a pardon or like a reprieve," and both his brother Livingston and sister Kate would later be patients and students there as well. As for his mental health struggles, Taylor would think of them as innate, and say: "It's an inseparable part of my personality that I have these feelings."
Taylor associated with a motley collection of people and began using heroin, to Kortchmar's dismay, and wrote the "Paint It, Black"-influenced "Rainy Day Man" to depict his drug experience. In a hasty recording session in late 1966, the group cut a single, Taylor's "Brighten Your Night with My Day" backed with his "Night Owl". Released on Jay Gee Records, a subsidiary of Jubilee Records, it received some radio airplay in the Northeast, but only charted to #102 nationally. Other songs had been recorded during the same session, but Jubilee declined to go forward with an album. After a series of poorly-chosen appearances outside New York, culminating with a three-week stay at a failing nightspot in Freeport, Bahamas for which they were never paid, The Flying Machine broke up. (A UK band with the same name emerged in 1969 with the hit song "Smile a Little Smile for Me". The New York band's recordings were later released in 1971 as ''James Taylor and the Original Flying Machine''.)
Taylor would later say of this New York period, "I learned a lot about music and too much about drugs." Indeed, his drug use had developed into full-blown heroin addiction during the final Flying Machine period: "I just fell into it, since it was as easy to get high in the Village as get a drink." He hung out in Washington Square Park, playing guitar to ward off depression and then passing out, letting runaways and criminals stay at his apartment. Finally out of money and abandoned by his manager, he made a desperate call one night to his father. Isaac Taylor flew to New York and staged a rescue, renting a car and driving all night back to North Carolina with James and his possessions. Taylor spent six months getting treatment and making a tentative recovery; he also required a throat operation to fix vocal cords damaged from singing too harshly.
Taylor decided to try being a solo act and a change of scenery. In late 1967, funded by a small family inheritance, he moved to London, living variously in Notting Hill, Belgravia, and Chelsea. He recorded some demos in Soho and, capitalizing on Kortchmar's connection to The King Bees (who once once opened for Peter and Gordon), brought the demos to Peter Asher, who was A&R; head for The Beatles' newly-formed label Apple Records. Asher showed the demos to Paul McCartney, who later said, "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's ''great''." Taylor became the first non-British act signed to Apple. Living chaotically in various places with various women, Taylor wrote additional material, including "Carolina in My Mind", and rehearsed with a new backing band. Taylor recorded the album from July to October 1968 at Trident Studios, at the same time The Beatles were recording ''The White Album''. McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric ''holy host of others standing around me'' made reference to the Beatles, while the title phrase of Taylor's "Something in the Way She Moves" provided the lyrical starting point for Harrison's classic "Something". McCartney and Asher brought in arranger Richard Hewson to add orchestrations to several of the songs and unusual "link" passages in between them; these would receive a mixed reception at best.
During the recording sessions, Taylor fell back into his drug habit, using heroin and methedrine. He underwent physeptone treatment in a British program, returned to New York and was hospitalized there, and then finally committed himself to the Austen Riggs Center in Stockbridge, Massachusetts, which emphasized cultural and historical factors in trying to treat difficult psychiatric disorders. Meanwhile, Apple released his debut album, ''James Taylor'', in December 1968 in the UK and February 1969 in the U.S. Critical reaction was generally good, including a very positive Jon Landau review in ''Rolling Stone'' which said "this album is the coolest breath of fresh air I've inhaled in a good long while. It knocks me out." The record's commercial potential suffered from Taylor's inability to promote it due to his hospitalization and it sold poorly; "Carolina in My Mind" was released as a single, but failed to chart in the UK and only made #118 in the U.S.
Apple Corps itself had fallen into chaos, with anarchic business planning and freeloaders taking advantage of it in every direction. In early 1969, to clean up the situation, three of the Beatles brought in Allen Klein, who began purging Apple personnel. Asher did not like Klein; he resigned of his own accord and offered to manage Taylor, to which Taylor agreed. Klein wanted to hit Taylor with a $5 million lawsuit for leaving, but McCartney (a Klein antagonist) and then the other Beatles, overruled him on the grounds that artists should not be holding each other to contracts.
In July 1969 Taylor had a six-night stand at The Troubadour in Los Angeles. On July 20 he performed at the Newport Folk Festival as the last act, and was cheered by thousands of fans who stayed in the rain to hear him. Shortly thereafter, he broke both hands and both feet in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months. But while recovering, he continued to write songs and in October 1969, signed a new deal with Warner Bros. Records.
During the time ''Sweet Baby James'' was released, Taylor appeared with Dennis Wilson of The Beach Boys in a Monte Hellman film, ''Two-Lane Blacktop''. In October 1970, he performed with Joni Mitchell, Phil Ochs, and the Canadian band Chilliwack at a Vancouver benefit concert that funded Greenpeace's protests of 1971 nuclear weapons tests by the U.S. Atomic Energy Commission at Amchitka, Alaska. (This performance would be released in 2009 on the album ''Amchitka, The 1970 Concert That Launched Greenpeace''.) In January 1971, sessions for Taylor's next album began.
His career success so far, and appeal to female fans of various ages, piqued tremendous interest in Taylor, prompting a March 1, 1971, ''Time'' magazine cover story. It compared his strong-but-brooding persona to that of ''Wuthering Heights''s Heathcliff and to ''The Sorrows of Young Werther'', and said that, "Taylor's use of elemental imagery—darkness and sunlight, references to roads traveled and untraveled. to fears spoken and left unsaid—reaches a level both of intimacy and controlled emotion rarely achieved in purely pop music." Released in April, ''Mud Slide Slim and the Blue Horizon'' also gained massive critical acclaim and contained Taylor's biggest hit single in the U.S., a version of the Carole King standard "You've Got a Friend" (featuring backing vocals by Joni Mitchell), which reached #1 on the Billboard Hot 100 in late July. The album itself reached #2 in the album charts, which would be Taylor's highest position ever on this list. In early 1972, Taylor received his first Grammy Award, for (Best Pop Vocal Performance, Male) for "You've Got a Friend" (King also won Song of the Year for the same song in that ceremony). The album went on to sell 2½ million copies in the United States alone.
November 1972 saw the release of Taylor's fourth album, ''One Man Dog''. A concept album primarily recorded in his home recording studio, it featured cameos by Linda Ronstadt and consisted of eighteen short pieces of music put together. It was received with generally lukewarm reviews and, despite making the Top 10 of the Billboard Album Charts, overall sales were disappointing. The lead single "Don't Let Me Be Lonely Tonight" peaked at #18 on the Hot 100, and the follow-up, "One Man Parade", barely reached the Top 75. Almost simultaneously, Taylor married fellow singer-songwriter Carly Simon on November 3, in a small ceremony at her Murray Hill, Manhattan apartment. A post-concert party following a Taylor performance at Radio City Music Hall turned into a large-scale wedding party, and the Simon-Taylor marriage would find much public attention over the following years. They had two children, Sarah Maria "Sally" Taylor, born January 7, 1974, and Benjamin Simon "Ben" Taylor, born January 22, 1977.
However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album ''Gorilla'' reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", which featured wife Carly in backing vocals and reached #5 in America and #1 in Canada. On the Billboard's Adult Contemporary chart, the track also reached the top, and the follow-up single, the feel-good "Mexico" also reached the Top 5 of that list. A critically very-well received album, ''Gorilla'' showcased Taylor's electric, lighter side that was evident on ''Walking Man''. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Wandering" and "Angry Blues." It also featured a song about his daughter Sally, "Sarah Maria".
''Gorilla'' was followed in 1976 by ''In the Pocket'', Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A very melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 Adult Contemporary and almost hit the Top 20 of the Pop Charts. But the album was not very well-received, reaching only #16 and being highly criticized, particularly by ''Rolling Stone''. Nevertheless 1976 was a huge boom year in the recording business — the year of inception of the "Platinum" disc — and ''In The Pocket'' was certified Gold.
With the close of Taylor's contract with Warner, in November the label released ''Greatest Hits'', the album that comprised most of his best work between 1970 and 1976. It became with time his best-selling album, ever. It was certified eleven times Platinum in the US, earning a Diamond certification by the RIAA and eventually selling close to twenty million copies worldwide. It still stands as the best-selling folk album by any artist.
Back in the forefront of popular music, Taylor collaborated with Paul Simon and Art Garfunkel in the recording of a cover of Sam Cooke's "Wonderful World", which reached the Top 20 in the U.S. and topped the AC charts in early 1978. After briefly working on Broadway, he took a one-year break, reappearing in the summer of 1979 with the cover-studded Platinum album ''Flag,'' featuring a Top 30 version of Gerry Goffin and Carole King's "Up on the Roof". (Two selections from ''Flag,'' "Millworker" and "Brother Trucker," were featured on the PBS production of the Broadway musical based on Studs Terkel's non-fiction book ''Working,'' and James himself appeared in that production as a trucker; he performed "Brother Trucker" in character.) Taylor also appeared on the No Nukes concert in Madison Square Garden, where he made a memorable live performance of "Mockingbird" with his wife Carly. The concert appeared on both the ''No Nukes'' album and film.
On December 7, 1980 Taylor had an encounter with Mark David Chapman who would assassinate John Lennon. Taylor told the BBC in 2010 "The guy had sort of pinned me to the wall and was glistening with maniacal sweat and talking some freak speak about what he was going to do and his stuff with how John was interested, and he was going to get in touch with John Lennon. And it was surreal to actually have contact with the guy 24 hours before he shot John." The next night Taylor, who lived in the next building from Lennon, heard the assassination occur. Taylor commented "I heard him shot — five, just as quick as you could pull the trigger, about five explosions".
In March 1981, James Taylor released the album ''Dad Loves His Work,'' whose themes concerned his relationship with his father, the course his ancestors had taken, and the effect he and Simon had had on each other. The album was another Platinum success, reaching #10 and providing Taylor's final real hit single in a duet with J. D. Souther, "Her Town Too," which reached #5 Adult Contemporary and #11 on the Hot 100 in Billboard. The album's title was, in part, drawn from the reasons for Taylor's divorce from Carly Simon. She gave him an ultimatum: cut back on his music and touring, and spend more time with her and their children, or the marriage was through. The album's title was Taylor's answer, and Simon asked for divorce. (The emotional repercussions of the divorce likely served as at least part of the inspiration for "Her Town Too.")
Taylor had thoughts of retiring by the time he played the massive Rock in Rio festival in Rio de Janeiro in January 1985. He was encouraged by the nascent democracy in Brazil at the time, buoyed by the positive reception he got from the large crowd and other musicians, and musically energized by the sounds and nature of Brazilian music. "I had... sort of bottomed-out in a drug habit, my marriage with Carly had dissolved, and I had basically been depressed and lost for a while, " he recalled in 1995. "I sort of hit a low spot. I was asked to go down to Rio de Janeiro to play in this festival down there. We put the band together and went down and it was just an amazing response. I played to 300,000 people. They not only knew my music, they knew things about it and were interested in aspects of it that to that point had only interested me. To have that kind of validation right about then was really what I needed. It helped get me back on track." The song "Only a Dream in Rio" was written in tribute to that night, with lines like ''I was there that very day and my heart came back alive.'' The October 1985 album, ''That's Why I'm Here'', from which that song came, started a series of studio recordings that, while spaced further apart than his previous records, showed a more consistent level of quality and fewer covers, most notably the Buddy Holly song "Everyday", released as a single reached #61.
On December 14, 1985, Taylor married actress Kathryn Walker at the Cathedral of St. John the Divine in New York. Taylor's next albums were partially successful – in 1988, he released ''Never Die Young'', highlighted with the charting title track, and in 1991, the platinum ''New Moon Shine'' provided Taylor some popular songs with the melancholic "Copperline" and the upbeat "(I've Got to) Stop Thinkin' About That", both hit singles in the AC radio. During the late 1980s, he began touring regularly, especially on the summer amphitheater circuit. His later concerts feature songs from throughout his career and are marked by the musicianship of his band and backup singers. The 1993 two-disc ''Live'' album captures this, with a highlight being Arnold McCuller's descants in the codas of "Shower the People" and "I Will Follow." In 1995, Taylor performed the role of the Lord in Randy Newman's Faust.
On February 18, 2001 at the Emmanuel Episcopal Church, Boston, Taylor wed for the third time, marrying Caroline ("Kim") Smedvig, the director of public relations and marketing for the Boston Symphony Orchestra. They had begun dating in 1995, when they met as he appeared with John Williams and the Boston Pops Orchestra. Part of their relationship was worked into the album ''October Road'', on the song "On the 4th of July." The couple reside in the town of Washington, Massachusetts with their twin boys, Rufus and Henry, born in April 2001 to a surrogate mother via in vitro fertilization.
Flanked by two greatest hit releases, Taylor's Platinum-certified ''October Road'' appeared in 2002 to a receptive audience. It featured a number of quiet instrumental accompaniments and passages. Overall, it found Taylor in a more peaceful frame of mind; rather than facing a crisis now, Taylor said in an interview that "I thought I'd passed the midpoint of my life when I was 17." The album appeared in two versions, a single-disc version and a "limited edition" two-disc version which contained three extra songs including a duet with Mark Knopfler, "Sailing to Philadelphia," which also appeared on Knopfler's ''Sailing to Philadelphia'' album. Also in 2002, Taylor teamed with bluegrass musician Alison Krauss in singing "The Boxer" at the Kennedy Center Honors Tribute to Paul Simon. They later recorded the Louvin Brothers duet, "How's the World Treating You?" In 2004, after he chose not to renew his record contract with Columbia/Sony, he released ''James Taylor: A Christmas Album'' with distribution through Hallmark Cards.
Taylor performed "The Star-Spangled Banner" at Game 2 of the World Series in Boston on October 24, 2004. In December, he appeared as himself in an episode of ''The West Wing'' entitled "A Change Is Gonna Come". He sang Sam Cooke's classic "A Change Is Gonna Come" at an event honoring an artist played by Taylor's wife Caroline. Later on, he appeared on CMT's ''Crossroads'' alongside the Dixie Chicks. In early 2006, MusiCares honored Taylor with performances of his songs by an array of notable musicians. Before a performance by the Dixie Chicks, lead singer Natalie Maines acknowledged that he had always been one of their musical heroes, and had for them lived up to their once-imagined reputation of him. They performed his song, "Shower the People", with a surprise appearance by Arnold McCuller, who has sung backing vocals on Taylor's live tours for many years.
In the fall of 2006, Taylor released a repackaged and slightly different version of his Hallmark Christmas album, now entitled ''James Taylor at Christmas,'' and distributed by Columbia/Sony. In 2006, Taylor performed Randy Newman's song "Our Town" for the Disney animated film ''Cars''. The song was nominated for the 2007 Academy Award for the best Original Song. On January 1, 2007, Taylor headlined the inaugural concert at the Times Union Center in Albany, New York, honoring newly sworn in Governor of New York Eliot Spitzer.
Taylor's next album, ''One Man Band'' was released on CD and DVD in November 2007 on Starbucks' Hear Music Label, where he joined with Paul McCartney and Joni Mitchell. The introspective album grew out of a three-year tour of the United States and Europe—featuring some of Taylor's most beloved songs and anecdotes about their creative origins—accompanied solely by the "one man band" of his longtime pianist/keyboardist, Larry Goldings. The digital discrete 5.1 surround sound mix of ''One Man Band'' won a TEC Award for best surround sound recording in 2008.
November 28–30, 2007, Taylor, accompanied by his original band and Carole King, headlined a series of six shows at The Troubadour. The appearances marked the 50th anniversary of the venue, where Taylor, King and many others, such as Tom Waits, Neil Diamond, and Elton John, began their music careers. Proceeds from the concert went to benefit the Natural Resources Defense Council, MusiCares, Alliance for the Wild Rockies, and the Los Angeles Regional Foodbank, a member of America's Second Harvest — The Nation's Food Bank Network. Parts of the performance shown on ''CBS Sunday Morning'' in the December 23, 2007, broadcast showed Taylor alluding to his early drug problems by saying, "I played here a number of times in the 70s, allegedly..." Taylor has used versions of this joke on other occasions, and it appears as part of his ''One Man Band'' DVD and tour performances.
In December 2007 ''James Taylor at Christmas'' was nominated for a Grammy Award. In January 2008 Taylor recorded approximately 20 songs by others for a new album with a band including Luis Conte, Michael Landau, Lou Marini, Arnold McCuller, Jimmy Johnson, David Lasley, Walt Fowler, Andrea Zonn, Kate Markowitz, Steve Gadd and Larry Goldings. The resulting live-in-studio album, named ''Covers'', was released in September 2008. This album forays into country and soul while being the latest proof that Taylor is a more versatile singer than his best known hits might suggest. The Covers sessions stretched to include "Oh What a Beautiful Morning," from the musical Oklahoma - a song that his grandmother had caught him singing over and over at the top of his lungs when he was seven years old. Meanwhile, in summer 2008, Taylor and this band toured 34 North American cities with a tour entitled James Taylor and His Band of Legends. A additional album, called ''Other Covers'', came out in April 2009, containing songs that were recorded during the same sessions as the original ''Covers'' but had not been put out to the full public yet.
During October 19–21, 2008, Taylor performed a series of free concerts in five North Carolina cities in support of Barack Obama's presidential bid. On Sunday, January 18, 2009, he performed at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial, singing "Shower the People" with John Legend and Jennifer Nettles of Sugarland.
Taylor performed on the final ''The Tonight Show with Jay Leno'' on May 29, 2009, distinguishing himself further as the final musician to appear in Leno's original 17-year run.
On September 8, 2009 Taylor made an appearance at the twenty-fourth season premiere block party of ''The Oprah Winfrey Show'' on Chicago's Michigan Avenue.
On January 1, 2010, Taylor sang the American national anthem at the NHL Winter Classic at Fenway Park, while Daniel Powter sang the Canadian national anthem.
On March 7, 2010, Taylor sang The Beatles' "In My Life" in tribute to deceased artists at the 82nd Academy Awards.
In March 2010 he commenced the Troubadour Reunion Tour with Carole King and members of his original band, including Russ Kunkel, Leland Sklar, and Danny Kortchmar. They played shows in Australia, New Zealand, Japan and North America, with the final night being at the Honda Center, in Anaheim, CA. The tour was a major commercial success, and in some locations found Taylor playing arenas instead of his usual theaters or amphitheaters. Ticket sales amounted to over 700,000 and the tour grossed over 59 million dollars. It was one of the most successful tours of the year.
Taylor owns a house in the Berkshire County town of Washington, Massachusetts.
;U.S. Billboard Top 10 Albums
;U.S. Billboard Top 10 'Pop' Singles
Category:1948 births Category:Living people Category:American acoustic guitarists Category:American folk guitarists Category:American folk singers Category:American male singers Category:American pop guitarists Category:American rock guitarists Category:American rock singers Category:American singer-songwriters Category:Apple Records artists Category:Grammy Award winners Category:MusiCares Person of the Year Honorees Category:Musicians from Massachusetts Category:Musicians from North Carolina Category:People from Belmont, Massachusetts Category:Rock and Roll Hall of Fame inductees Category:People from Martha's Vineyard, Massachusetts Category:American people of Scottish descent Category:Songwriters Hall of Fame inductees Category:United States National Medal of Arts recipients
da:James Taylor de:James Taylor es:James Taylor fr:James Vernon Taylor ga:James Taylor id:James Taylor it:James Taylor he:ג'יימס טיילור nl:James Taylor ja:ジェームス・テイラー no:James Taylor pl:James Taylor pt:James Taylor ru:Тейлор, Джеймс simple:James Taylor fi:James Taylor sv:James Taylor tl:James Taylor th:เจมส์ เทย์เลอร์ tr:James Taylor uk:Джеймс Тейлор zh:詹姆士·泰勒This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.