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name | Helen Keller |
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Birthname | Helen Adams Keller |
birth date | June 27, 1880 |
birth place | Tuscumbia, Alabama, USA |
death date | June 01, 1968 |
death place | Arcan Ridge, Easton, Connecticut, USA |
signature | helen_keller_signature.svg }} |
A prolific author, Keller was well-traveled, and was outspoken in her opposition to war. A member of the Socialist Party of America and the Wobblies, she campaigned for women's suffrage, workers' rights, and socialism, as well as many other leftist causes.
Helen's father's lineage can be traced to Casper Keller, a native of Switzerland. Coincidentally, one of Helen's Swiss ancestors was the first teacher for the deaf in Zurich. Helen reflects upon this coincidence in her first autobiography, stating "that there is no king who has not had a slave among his ancestors, and no slave who has not had a king among his."
Helen Keller was not born blind and deaf; it was not until she was 19 months old that she contracted an illness described by doctors as "an acute congestion of the stomach and the brain", which might have been scarlet fever or meningitis. The illness did not last for a particularly long time, but it left her deaf and blind. At that time, she was able to communicate somewhat with Martha Washington, the six-year-old daughter of the family cook, who understood her signs; by the age of seven, she had over 60 home signs to communicate with her family.
In 1886, her mother, inspired by an account in Charles Dickens' ''American Notes'' of the successful education of another deaf and blind woman, Laura Bridgman, dispatched young Helen, accompanied by her father, to seek out Dr. J. Julian Chisolm, an eye, ear, nose, and throat specialist in Baltimore, for advice. He subsequently put them in touch with Alexander Graham Bell, who was working with deaf children at the time. Bell advised the couple to contact the Perkins Institute for the Blind, the school where Bridgman had been educated, which was then located in South Boston. Michael Anaganos, the school's director, asked former student Anne Sullivan, herself visually impaired and only 20 years old, to become Keller's instructor. It was the beginning of a 49-year-long relationship, Sullivan evolving into governess and then eventual companion.
Anne Sullivan arrived at Keller's house in March 1887, and immediately began to teach Helen to communicate by spelling words into her hand, beginning with "d-o-l-l" for the doll that she had brought Keller as a present. Keller was frustrated, at first, because she did not understand that every object had a word uniquely identifying it. In fact, when Sullivan was trying to teach Keller the word for "mug", Keller became so frustrated she broke the doll. Keller's big breakthrough in communication came the next month, when she realized that the motions her teacher was making on the palm of her hand, while running cool water over her other hand, symbolized the idea of "water"; she then nearly exhausted Sullivan demanding the names of all the other familiar objects in her world.
Due to a protruding left eye, Keller was usually photographed in profile. Both her eyes were replaced in adulthood with glass replicas for "medical and cosmetic reasons".
Keller moved to Forest Hills, Queens, together with Anne and John, and used the house as a base for her efforts on behalf of American Foundation for the Blind.
After Anne died in 1936, Keller and Thompson moved to Connecticut. They traveled worldwide and raised funding for the blind. Thompson had a stroke in 1957 from which she never fully recovered, and died in 1960.
Winnie Corbally, a nurse who was originally brought in to care for Thompson in 1957, stayed on after her death and was Keller's companion for the rest of her life.
Keller went on to become a world-famous speaker and author. She is remembered as an advocate for people with disabilities, amid numerous other causes. She was a suffragist, a pacifist, an opponent of Woodrow Wilson, a radical socialist and a birth control supporter. In 1915 she and George Kessler founded the Helen Keller International (HKI) organization. This organization is devoted to research in vision, health and nutrition. In 1920 she helped to found the American Civil Liberties Union (ACLU). Keller traveled to over 39 countries with Sullivan, making several trips to Japan and becoming a favorite of the Japanese people. Keller met every U.S. President from Grover Cleveland to Lyndon B. Johnson and was friends with many famous figures, including Alexander Graham Bell, Charlie Chaplin and Mark Twain. Keller and Mark Twain were both considered radicals at the beginning of the 20th century, and as a consequence, their political views have been forgotten or glossed over in popular perception.
Keller was a member of the Socialist Party and actively campaigned and wrote in support of the working class from 1909 to 1921. She supported Socialist Party candidate Eugene V. Debs in each of his campaigns for the presidency. Newspaper columnists who had praised her courage and intelligence before she expressed her socialist views now called attention to her disabilities. The editor of the ''Brooklyn Eagle'' wrote that her "mistakes sprung out of the manifest limitations of her development." Keller responded to that editor, referring to having met him before he knew of her political views: }}
Keller joined the Industrial Workers of the World (known as the IWW or the Wobblies) in 1912, saying that parliamentary socialism was "sinking in the political bog". She wrote for the IWW between 1916 and 1918. In ''Why I Became an IWW'', Keller explained that her motivation for activism came in part from her concern about blindness and other disabilities:
The last sentence refers to prostitution and syphilis, the former a frequent cause of the latter, and the latter a leading cause of blindness.
One of her earliest pieces of writing, at age 11, was ''The Frost King'' (1891). There were allegations that this story had been plagiarized from ''The Frost Fairies'' by Margaret Canby. An investigation into the matter revealed that Keller may have experienced a case of cryptomnesia, which was that she had Canby's story read to her but forgot about it, while the memory remained in her subconscious.
At age 22, Keller published her autobiography, ''The Story of My Life'' (1903), with help from Sullivan and Sullivan's husband, John Macy. It includes words that Keller wrote and the story of her life up to age 21, and was written during her time in college.
Keller wrote ''The World I Live In'' in 1908 giving readers an insight into how she felt about the world. ''Out of the Dark'', a series of essays on socialism, was published in 1913.
When Keller was young, Anne Sullivan introduced her to Phillips Brooks, who introduced her to Christianity, Keller famously saying: "I always knew He was there, but I didn't know His name!
Her spiritual autobiography, ''My Religion'', was published in 1927 and then in 1994 extensively revised and re-issued under the title ''Light in My Darkness''. It advocates the teachings of Emanuel Swedenborg, the Christian revelator and theologian who gives a spiritual interpretation of the teachings of the Bible and who claims that the second coming of Jesus Christ has already taken place. Adherents use several names to describe themselves, including Second Advent Christian, Swedenborgian and New Church.
By 1939 a breed standard had been established and dog shows had been held, but such activities stopped after World War II began. Keller wrote in the ''Akita Journal'': }}
On September 14, 1964, President Lyndon B. Johnson awarded her the Presidential Medal of Freedom, one of the United States' highest two civilian honors. In 1965 she was elected to the National Women's Hall of Fame at the New York World's Fair.
Keller devoted much of her later life to raising funds for the American Foundation for the Blind. She died in her sleep on June 1, 1968, at her home, Arcan Ridge, located in Easton, Connecticut. A service was held in her honor at the National Cathedral in Washington, D.C., and her ashes were placed there next to her constant companions, Anne Sullivan and Polly Thompson.
She was also the subject of the documentaries ''Helen Keller in Her Story'', narrated by Katharine Cornell, and ''The Story of Helen Keller'', part of the Famous Americans series produced by Hearst Entertainment.
''The Miracle Worker'' is a cycle of dramatic works ultimately derived from her autobiography, ''The Story of My Life''. The various dramas each describe the relationship between Keller and Sullivan, depicting how the teacher led her from a state of almost feral wildness into education, activism, and intellectual celebrity. The common title of the cycle echoes Mark Twain's description of Sullivan as a "miracle worker." Its first realization was the 1957 ''Playhouse 90'' teleplay of that title by William Gibson. He adapted it for a Broadway production in 1959 and an Oscar-winning feature film in 1962, starring Anne Bancroft and Patty Duke. It was remade for television in 1979 and 2000.
In 1984, Helen Keller's life story was made into a TV movie called ''The Miracle Continues''. This film that entailed the semi-sequel to ''The Miracle Worker'' recounts her college years and her early adult life. None of the early movies hint at the social activism that would become the hallmark of Keller's later life, although Disney version produced in 2000 states in the credits that she became an activist for social equality.
The Bollywood movie ''Black'' (2005) was largely based on Keller's story, from her childhood to her graduation. A documentary called ''Shining Soul: Helen Keller's Spiritual Life and Legacy'' was produced by the Swedenborg Foundation in the same year. The film focuses on the role played by Emanuel Swedenborg's spiritual theology in her life and how it inspired Keller's triumph over her triple disabilities of blindness, deafness and a severe speech impediment.
On March 6, 2008, the New England Historic Genealogical Society announced that a staff member had discovered a rare 1888 photograph showing Helen and Anne, which, although previously published, had escaped widespread attention. Depicting Helen holding one of her many dolls, it is believed to be the earliest surviving photograph of Anne.
In 2003, Alabama honored its native daughter on its state quarter.
The Helen Keller Hospital in Sheffield, Alabama is dedicated to her.
There are streets named after Helen Keller in Getafe, Spain, in Lod, Israel and in Lisbon, Portugal.
A preschool for the deaf and hard of hearing in Mysore, India, was originally named after Helen Keller by its founder K. K. Srinivasan.
On October 7, 2009, a bronze statue of Helen Keller was added to the National Statuary Hall Collection, as a replacement for the State of Alabama's former 1908 statue of the education reformer Jabez Lamar Monroe Curry. It is displayed in the United States Capitol Visitor Center and depicts Keller as a seven-year-old child standing at a water pump. The statue represents the seminal moment in Keller's life when she understood her first word: W-A-T-E-R, as signed into her hand by teacher Anne Sullivan. The pedestal base bears a quotation in raised letters and Braille characters: "The best and most beautiful things in the world cannot be seen or even touched, they must be felt with the heart." The statue is the first one of a handicapped person and of a child to be permanently displayed at the U.S. Capitol.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Anne Sullivan Macy |
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birth name | Johanna Mansfield Sullivan |
birth date | April 14, 1866 |
birth place | Feeding Hills, Massachusetts |
death date | October 20, 1936 |
death place | Forest Hills, New York, New York |
spouse | }} |
Anne Sullivan arrived at Keller's house in March 1887, and immediately began to teach Helen to communicate by spelling words into her hand, beginning with "d-o-l-l" for the doll that she had brought Keller as a present. Keller was frustrated, at first, because she did not understand that every object had a word uniquely identifying it. In fact, when Sullivan was trying to teach Keller the word for "mug", Keller became so frustrated she broke the doll. Keller's big breakthrough in communication came the next month, when she realized that the motions her teacher was making on the palm of her hand, while running cool water over her other hand, symbolized the idea of "water"; she then nearly exhausted Sullivan demanding the names of all the other familiar objects in her world.
As lifelong companions Sullivan and Keller continually lived, worked, and traveled together.
In the 1920 census, Helen Keller was 38 years old and listed as head of her household in the Queens, New York Census. Anne is listed as living with her, age 52, listed as a private teacher of Helen. John Macy is also listed as living with them (entered as a Lodger, writer/author, age 44). As the years progressed Macy appears to have faded from Sullivan's life. Sullivan never remarried.
Both Anne Bancroft and Patty Duke won Academy Awards for Best Actress and Best Supporting Actress for their roles as Sullivan and Keller in the 1962 film version.
Category:1866 births Category:1936 deaths Category:American educationists Category:American educators Category:American people of Irish descent Category:Language teachers Category:Vaudeville performers Category:Burials at Washington National Cathedral Category:Blind people
ar:آن سولÙ?Ù?ان ca:Anne Sullivan de:Anne Sullivan Macy es:Anne Sullivan fr:Ann Mansfield Sullivan ga:Anne Sullivan Macy ko:앤 설리번 id:Anne Sullivan sw:Anne Sullivan ja:アン・サリヴァン no:Anne Sullivan Macy pt:Anne Sullivan ru:Салливан, Ðнн simple:Anne Sullivan fi:Anne Sullivan sv:Anne Sullivan zh:安·沙利文This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Marlene Dietrich |
---|---|
birth date | December 27, 1901 |
birth place | Schöneberg, German Empire |
death date | May 06, 1992 |
death place | Paris, France |
birth name | Marie Magdalene Dietrich |
occupation | Actress/Singer |
years active | 1919–84 |
spouse | Rudolf Sieber (1923–76) |
children | Maria Riva, born December 13, 1924 |
relations | John Michael Riva (grandson), born June 28, 1948 |
website | http://www.marlene.com/ }} |
Marlene Dietrich (; 27 December 1901 – 6 May 1992) was a German born American actress and singer.
Dietrich remained popular throughout her long career by continually re-inventing herself, professionally and characteristically. In the Berlin of the 1920s, she acted on the stage and in silent films. Her performance as Lola-Lola in ''The Blue Angel'', directed by Josef von Sternberg, brought her international fame and provided her a contract with Paramount Pictures in the US. Hollywood films such as ''Shanghai Express'' and ''Desire'' capitalised on her glamour and exotic looks, cementing her stardom and making her one of the highest paid actresses of the era. Dietrich became a US citizen in 1937, and throughout World War II she was a high-profile frontline entertainer. Although she still made occasional films in the post-war years, Dietrich spent most of the 1950s to the 1970s touring the world as a successful show performer.
In 1999, the American Film Institute named Dietrich the ninth greatest female star of all time.
Dietrich attended the Auguste-Viktoria girls school from 1907 - 1917 and graduated from the Viktoria-Suisen-Schule the following year. She studied the violin and became interested in theatre and poetry as a teenager. Her dreams of becoming a concert violinist were cut short when she injured her wrist, but by 1922 she was employed as a violinist in a pit band accompanying silent films at a cinema in Berlin — her first job, from which she was fired after only four weeks.
She met her future husband, Rudolf Sieber, on the set of another film made that year, ''Tragödie der Liebe''. Dietrich and Sieber were married in a civil ceremony in Berlin on 17 May 1923 Her only child, daughter Maria Elisabeth Sieber, was born on 13 December 1924.
Dietrich continued to work on stage and in film both in Berlin and Vienna throughout the 1920s. On stage, she had roles of varying importance in Frank Wedekind's ''Pandora's Box'', William Shakespeare's ''The Taming of the Shrew'' and ''A Midsummer Night's Dream'' as well as George Bernard Shaw's ''Back to Methuselah'' and ''Misalliance''. It was in musicals and revues, such as ''Broadway'', ''Es Liegt in der Luft'' and ''Zwei Krawatten'', however, that she attracted the most attention. By the late 1920s, Dietrich was also playing sizable parts on screen, including ''Café Elektric'' (1927), ''Ich küsse Ihre Hand, Madame'' (1928) and ''Das Schiff der verlorenen Menschen'' (1929).
In 1929, Dietrich landed the breakthrough role of Lola-Lola, a cabaret singer who causes the downfall of a hitherto respected schoolmaster, in UFA's production, ''The Blue Angel'' (1930). The film was directed by Josef von Sternberg, who thereafter took credit for having "discovered" Dietrich. The film is also noteworthy for having introduced Dietrich's signature song "Falling in Love Again", which Dietrich recorded for Electrola. She made further recordings in the 1930s for Polydor and Decca.
On the strength of ''The Blue Angel's'' international success, and with encouragement and promotion from von Sternberg, who was already established in Hollywood, Dietrich then moved to the U.S. on contract to Paramount Pictures. The studio sought to market Dietrich as a German answer to MGM's Swedish sensation, Greta Garbo. Her first American film, ''Morocco'', directed by von Sternberg, earned Dietrich her only Oscar nomination. However, at the time she knew very little English and so spoke her lines phonetically.
Dietrich starred in six films directed by von Sternberg at Paramount between 1930 and 1935: ''Morocco'', ''Dishonored'', ''Shanghai Express'', ''Blonde Venus'', ''The Scarlet Empress'', and ''The Devil is a Woman''. In Hollywood, von Sternberg worked very effectively with Dietrich to create the image of a glamorous femme fatale. He encouraged her to lose weight and coached her intensively as an actress – she, in turn, was willing to trust him and follow his sometimes imperious direction in a way that a number of other performers resisted.
A crucial part of the overall effect was created by von Sternberg's exceptional skill in lighting and photographing Dietrich to optimum effect—the use of light and shadow, including the impact of light passed through a veil or slatted blinds (as for example in ''Shanghai Express'')—which, when combined with scrupulous attention to all aspects of set design and costumes, make this series of films among the most visually stylish in cinema history. Critics still vigorously debate how much of the credit belonged to von Sternberg and how much to Dietrich, but most would agree that neither consistently reached such heights again after Paramount fired von Sternberg and the two ceased working together. Without von Sternberg, Dietrich — along with Fred Astaire, Joan Crawford, Mae West, Dolores del RÃo, Katharine Hepburn and others — was labeled "box office poison" after her 1937 film, ''Knight Without Armour,'' proved an expensive flop. In 1939, however, her stardom revived when she played the cowboy saloon girl Frenchie in the light-hearted western ''Destry Rides Again'' opposite James Stewart. The movie also introduced another favorite song, "The Boys in the Back Room". She played a similar role in 1942 with John Wayne in ''The Spoilers''.
While Dietrich arguably never fully regained her former screen glory, she continued performing in the movies, including appearances for such distinguished directors as Billy Wilder, Fritz Lang, Alfred Hitchcock and Orson Welles, in films that included ''A Foreign Affair'', ''Witness for the Prosecution'', ''Rancho Notorious'', ''Stage Fright'' and ''Touch of Evil''.
In December 1941, the U.S. entered World War II, and Dietrich became one of the first celebrities to raise war bonds. She toured the US from January 1942 to September 1943 (appearing before 250 000 troops on the Pacific Coast leg of her tour alone) and it is said that she sold more war bonds than any other star.
During two extended tours for the USO in 1944 and 1945, she performed for Allied troops on the front lines in Algeria, Italy, England and France and went into Germany with Generals James M. Gavin and George S. Patton. When asked why she had done this, in spite of the obvious danger of being within a few kilometres of German lines, she replied, "aus Anstand" — "out of decency".
Her revue, with future TV pioneer Danny Thomas as her opening act, included songs from her films, performances on her musical saw (a skill she had originally acquired for stage appearances in Berlin in the 1920s), and a pretend "mindreading" act. Dietrich would inform the audience that she could read minds, and ask them to concentrate hard on thinking about whatever came into their minds. Then she would walk over to a soldier and earnestly tell him, "Oh, think of something else. I can't possibly talk about ''that''!" American church papers reportedly published stories complaining about this part of Dietrich's act.
In 1944, the Morale Operations Branch of the Office of Strategic Services (OSS) initiated the Musac project, musical propaganda broadcasts designed to demoralize enemy soldiers. Dietrich, the only performer who was made aware that her recordings would be for OSS use, recorded a number of songs in German for the project, including ''Lili Marleen'', a favourite of soldiers on both sides of the conflict. William Joseph Donovan, head of the OSS, wrote to Dietrich, "I am personally deeply grateful for your generosity in making these recordings for us.
Dietrich was awarded the Presidential Medal of Freedom by the US in 1947. She said that this was her proudest accomplishment. She was also awarded the Légion d'honneur by the French government as recognition for her wartime work.
Dietrich progressed a contralto vocal range. In 1953, Dietrich was offered a then-substantial $30,000 per week to appear live at the Sahara Hotel on the Las Vegas Strip. The show was short, consisting only of a few songs associated with her. Her daringly sheer "nude dress" — a heavily beaded evening gown of silk soufflé, which gave the illusion of transparency — designed by Jean Louis, attracted a lot of publicity. This engagement was so successful that she was signed to appear at the Café de Paris in London the following year, and her Las Vegas contracts were also renewed.
Dietrich employed Burt Bacharach as her musical arranger starting in the mid-1950s; together they refined her nightclub act into a more ambitious theatrical one-woman show with an expanded repertoire. Her repertoire included songs from her films as well as popular songs of the day. Bacharach's arrangements helped to disguise Dietrich's limited vocal range – she was a contralto – and allowed her to perform her songs to maximum dramatic effect; together, they recorded four albums and several singles between 1957 and 1964.
She would often perform the first part of her show in one of her body-hugging dresses and a swansdown coat, and change to top hat and tails for the second half of the performance. This allowed her to sing songs usually associated with male singers, like "One For My Baby" and "I've Grown Accustomed to Her Face".
"She ... transcends her material," according to Peter Bogdanovich. "Whether it's a flighty old tune like 'I Can't Give You Anything But Love, Baby' ... a schmaltzy German love song, 'Das Lied Ist Aus' or a French one 'La Vie en Rose', she lends each an air of the aristocrat, yet she never patronises ... A folk song, 'Go 'Way From My Window' has never been sung with such passion, and in her hands 'Where Have All the Flowers Gone?' is not just another anti-war lament but a tragic accusation against us all."
Francis Wyndham offered a more critical appraisal of the phenomenon of Dietrich in concert. He wrote in 1964: "What she does is neither difficult nor diverting, but the fact that she does it at all fills the onlookers with wonder ... It takes two to make a conjuring trick: the illusionist's sleight of hand and the stooge's desire to be deceived. To these necessary elements (her own technical competence and her audience's sentimentality) Marlene Dietrich adds a third — the mysterious force of her belief in her own magic. Those who find themselves unable to share this belief tend to blame themselves rather than her."
Her use of body-sculpting undergarments, nonsurgical temporary facelifts, expert makeup and wigs, combined with careful stage lighting helped to preserve Dietrich's glamorous image as she grew older.
thumb|left|alt=Marlene Dietrich, 1960|In Jerusalem during a concert tour of Israel, 1960.thumb|right|Marlene Dietrich discusses her film and cabaret career in an interview recorded in Paris, 1959.Dietrich's return to Germany in 1960 for a concert tour elicited a mixed response. Many Germans felt she had betrayed her homeland by her actions during World War II. During her performances at Berlin's Titania Palast theatre, protesters chanted, "Marlene Go Home!". On the other hand, Dietrich was warmly welcomed by other Germans, including Berlin Mayor Willy Brandt, who was, like Dietrich, an opponent of the Nazis who had lived in exile during their rule. The tour was an artistic triumph, but a financial failure. She also undertook a tour of Israel around the same time, which was well-received; she sang some songs in German during her concerts, including, from 1962, a German version of Pete Seeger's anti-war anthem "Where Have All the Flowers Gone", thus breaking the unofficial taboo against the use of German in Israel. ''Dietrich in London'', a concert album, was recorded during the run of her 1964 engagement at the Queen's Theatre.
She performed on Broadway twice (in 1967 and 1968) and won a special Tony Award in 1968. In November 1972 ''I Wish You Love'', a version of Dietrich's Broadway show, was filmed in London. She was paid $250,000 for her cooperation, but was unhappy with the result. The show was broadcast in the UK on the BBC and in the US on CBS in January 1973.
In her sixties and seventies, Dietrich's health declined: she survived cervical cancer in 1965 and suffered from poor circulation in her legs. Dietrich became increasingly dependent on painkillers and alcohol. A stage fall at the Shady Grove Music Fair in Washington DC in 1973 injured her left thigh, necessitating skin grafts to allow the wound to heal. She fractured her right leg in August 1974. "Do you think this is glamorous? That it's a great life and that I do it for my health? Well it isn't. Maybe once, but not now," Dietrich told Clive Hirschorn in 1973, explaining that she continued performing only for the money.
thumb|upright|Dietrich's gravestone in Berlin. The inscription reads "Hier steh ich an den Marken meiner Tage" (Here I stand at the mile-stone of my days), a paraphrased line from the sonnet ''Abschied vom Leben'' (Farewell from Life) by [[Theodor Körner (author)|Theodor Körner.]]Dietrich's final on-camera film appearance was a cameo role in ''Just a Gigolo'' (1979), starring David Bowie and directed by David Hemmings. Dietrich also performed the title track in the film, and recorded the song for the soundtrack LP.
An alcoholic and dependent on painkillers, Dietrich withdrew to her apartment at 12 avenue Montaigne in Paris. She spent the final 11 years of her life mostly bedridden, allowing only a select few—including family and employees—to enter the apartment. During this time, she was a prolific letter-writer and phone-caller. Her autobiography, ''Nehmt nur mein Leben'', was published in 1979.
In 1982, Dietrich agreed to participate in a documentary film about her life, ''Marlene'' (1984), but refused to be filmed. The film's director, Maximilian Schell, was only allowed to record her voice. He used his interviews with her as the basis for the film, set to a collage of film clips from her career. The final film won several European film prizes and received an Academy Award nomination for Best Documentary in 1984. ''Newsweek'' named it "a unique film, perhaps the most fascinating and affecting documentary ever made about a great movie star".
In 1988, Dietrich recorded spoken introductions to songs for a nostalgia album by Udo Lindenberg.
She began a close friendship with the biographer David Bret, one of the few people allowed inside her Paris apartment. Bret is thought to have been the last person outside her family that Dietrich spoke to, two days before her death: "I have called to say that I love you, and now I may die." She was in constant contact with her daughter, who came to Paris regularly to check on her.
In an interview with the German magazine ''Der Spiegel'' in November 2005, Dietrich's daughter and grandson claim that Dietrich was politically active during these years. She kept in contact with world leaders by telephone, including Ronald Reagan and Mikhail Gorbachev, running up a monthly bill of over US$3,000. In 1989, her appeal to save the Babelsberg studios from closure was broadcast on BBC Radio, and she spoke on television via telephone on the occasion of the fall of the Berlin Wall in 1990.
Dietrich died of renal failure on 6 May 1992 at the age of 90 in Paris. A service was conducted at La Madeleine in Paris before 3,500 mourners and a crowd of well-wishers outside. Her body, covered with an American flag, was then returned to Berlin, where she was interred at the Städtischer Friedhof III, Berlin-Schöneberg, Stubenrauchstraße 43–45, in Friedenau Cemetery, near her mother's grave and not far away from the house where she was born.
She married only once, assistant director Rudolf Sieber, who later became an assistant director at Paramount Pictures in France, responsible for foreign language dubbing. Dietrich's only child, Maria Elisabeth Sieber, was born in Berlin on 13 December 1924. She would later become an actress, primarily working in television, known as Maria Riva. When Maria gave birth to a son in 1948, Dietrich was dubbed "the world's most glamorous grandmother". After Dietrich's death, Riva published a frank biography of her mother, titled ''Marlene Dietrich'' (1992).
Throughout her career Dietrich had an unending string of affairs, some short-lived, some lasting decades; they often overlapped and were almost all known to her husband, to whom she was in the habit of passing the love letters of her men, sometimes with biting comments. During the filming of ''Destry Rides Again'', Dietrich, started a love affair with co-star Jimmy Stewart, which ended after filming. In 1938, Dietrich met and began a relationship with the writer Erich Maria Remarque, and in 1941, the French actor and military hero Jean Gabin. Their relationship ended in the mid-1940s. She also had an affair with the Cuban-American writer Mercedes de Acosta, who was Greta Garbo's lover. Her last great passion, when she was in her 50s, appears to have been for the actor Yul Brynner, but her love life continued well into her 70s. She counted John Wayne, George Bernard Shaw and John F. Kennedy among her conquests. Dietrich maintained her husband and his mistress first in Europe and later on a ranch in the San Fernando Valley, California.
She was raised a Protestant but lost her faith due to battlefront experiences during her time with the US Army as an entertainer after hearing preachers from both sides invoking God as their support. "I lost my faith during the war and can't believe they are all up there, flying around or sitting at tables, all those I've lost." She once said: “If God exists, he needs to review his plan.�
Dietrich was a fashion icon to the top designers as well as a screen icon that later stars would follow. She once said, "I dress for myself. Not for the image, not for the public, not for the fashion, not for men." Her public image and some of her movies included strong sexual undertones, including bisexuality.
A significant volume of academic literature, especially since 1975, analyzes Dietrich's image, as created by the movie industry, within various theoretical frameworks, including that of psycho-analysis. Emphasis is placed, inter alia, on the "fetishistic" manipulation of the female image.
In 1992, a plaque was unveiled at Leberstraße 65 in Berlin-Schöneberg, the site of Dietrich's birth. A postage stamp bearing Dietrich's portrait was issued in Germany on 14 August 1997.
Luxury pen manufacturer MontBlanc produced a limited edition 'Marlene Dietrich' pen to commemorate Dietrich's life. It is platinum-plated and has an encrusted deep blue sapphire.
For some Germans, she remained a controversial figure for having sided with Nazi Germany's foes during the Second World War. In 1996, after some debate, it was decided not to name a street after Dietrich in Berlin-Schöneberg, her birthplace. However, on 8 November 1997, the central Marlene-Dietrich-Platz was unveiled in Berlin to honor Dietrich. The commemoration reads ''Berliner Weltstar des Films und des Chansons. Einsatz für Freiheit und Demokratie, für Berlin und Deutschland'' ("Berlin world star of film and song. Dedication to freedom and democracy, to Berlin and Germany").
Dietrich was made an honorary citizen of Berlin on 16 May 2002.
The U.S. Government awarded Marlene Dietrich the Presidential Medal of Freedom for her war work. Dietrich has been quoted as saying this was the honor of which she was most proud in her life. She was also made a ''chevalier'' (later ''commandeur'') of the Légion d'honneur by the French government.
In 2000 a German biopic film ''Marlene'' was made directed by Joseph Vilsmaier and starring Katja Flint as Dietrich.
The contents of Dietrich's Manhattan apartment, along with other personal effects such as jewelry and items of clothing, were sold by public auction by Sotheby's (Los Angeles) on 1 November 1997. The apartment itself (located at 993 Park Avenue) was sold for $615,000 in 1998.
Dietrich made several appearances on Armed Forces Radio Services shows like ''The Army Hour'' and ''Command Performance'' during the war years. In 1952, she had her own series on American ABC entitled, ''Cafe Istanbul''. During 1953–54, she starred in 38 episodes of ''Time for Love'' on CBS. She recorded 94 short inserts, "Dietrich Talks on Love and Life", for NBC's ''Monitor'' in 1958.
Dietrich gave many radio interviews worldwide on her concert tours. In 1960, her show at the Tuschinski in Amsterdam was broadcast live on Dutch radio. Her 1962 appearance at the Olympia in Paris was also broadcast.
Category:1901 births Category:1992 deaths Category:People from Berlin Category:American female singers Category:American film actors Category:American radio actors Category:American television actors Category:Bisexual actors Category:Cabaret singers Category:Deaths from renal failure Category:Disease-related deaths in France Category:English-language singers Category:American people of German descent Category:German expatriates in the United States Category:German female singers Category:German film actors Category:Former Calvinists Category:German emigrants to the United States Category:German silent film actors Category:German stage actors Category:German-language singers Category:LGBT people from the United States Category:LGBT parents Category:Liberty Records artists Category:Naturalized citizens of the United States Category:Tony Award winners Category:Torch singers Category:Women in World War II Category:LGBT musicians from Germany Category:Presidential Medal of Freedom recipients Category:German autobiographers Category:Commandeurs of the Légion d'honneur
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Brian Fallon |
---|---|
background | solo_singer |
birth name | Brian Fallon |
born | January 28, 1980Red Bank, New Jersey, USA |
origin | New Brunswick, New Jersey, USA |
instrument | Vocals, Guitar, Harmonica |
genre | Alternative rock, folk punk, punk rock, Soul |
occupation | Musician, Songwriter |
years active | 1997–present |
label | SideOneDummyXOXOSabot ProductionsResist records |
associated acts | The Gaslight AnthemThe Horrible CrowsThis Charming ManSurrogate McKenzieAmping CopperCincinnati Rail TieNo ReleaseChuck RaganShady View Terrace |
website | Cassettes In The Mailbox |
notable instruments | Fender TelecasterGibson Les Paul }} |
This Charming Man's only full release was 'Every Little Secret' in 2005, with the original lineup. Another song by the original band called "She Coulda Raised the Titanic" later became The Gaslight Anthem's "1930" song on the Sink or Swim album.
Following the release of their third full-length album, American Slang, Fallon himself said, "There's so much else that we look at for our sound and influences that you don't want to be notched in with one guy," Fallon explains. "There's a lot of things [Springsteen] does that I admire. We come from a lot of the same places but a lot of different places, too. But at the same time, that's a good thing to be compared to. I think it's one of those things we're gonna have to wear until it wears out."
Fallon suggests the possibility that the group may do some touring, but nothing major like Gaslight does. He also assures his fans that this is his "for me" project, as he puts it and that Gaslight is still 'his baby'. It has been announced on the Horrible Crowes page that a full length album is to be released in the future.
Only a preview of the duo's first song has been released, entitled "Black Betty and the Moon." The song can be found on YouTube.
The first single "Behold the Hurricane" was made available for streaming through RollingStone.com on July 13, 2011.
Australian website bombshellzine.com posted a review of the album on August 24th revealing a September 9, 2011 release date in Australia. link.
Their debut album, "Elsie" will be released in the United States on September 6, 2011. The album is reported to be a bit of a departure from the sound and attitude of The Gaslight Anthem . Fallon, in describing the upcoming album said: "As much as I have this fantasy in the Gaslight Anthem of being Bruce Springsteen , I also have this fantasy of being Tom Waitsor Greg Dulli . These songs are very dark; they’re like hymns for lonely people, it’s really a trip through a breakdown and that dissent into madness and hopefully redemption." Fallon and Perkins will begin playing a limited number of shows in support of the album starting September 8th.
;With This Charming Man
;With Brian Fallon - Cincinnati Rail Tie
;With Amping Cooper
;With Surrogate McKenzie
;As No Release
;With Chuck Ragan
;Unreleased Studio Recordings ~ Singles
!Year | !Song | !Album | !Band | !Record label | !Credits |
2000 | "Alarm" | — | Lanemeyer | Springman Records | Vocal |
2000 | "Somebody to Shove" (Soul Asylum cover) | — | Lanemeyer | Springman Records | Vocal |
2009 | "No Surrender" | ''London Calling: Live in Hyde Park'' | Bruce Springsteen & The E-Street Band | Columbia Records | Vocal |
2010 | "The South Has Spoiled Me" | ''Raise It High'' | — | Vocal |
Category:1980 births Category:American guitarists Category:American male singers Category:American rock singers Category:Musicians from New Jersey Category:Living people Category:People from Red Bank, New Jersey
sv:Brian FallonThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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