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Name | Calvin Coolidge |
---|---|
Office | 30th President of the United States |
Vicepresident | Charles Dawes |
Term start | August 2, 1923 |
Term end | March 4, 1929 |
Predecessor | Warren Harding |
Successor | Herbert Hoover |
Office2 | 29th Vice President of the United States |
President2 | Warren Harding |
Term start2 | March 4, 1921 |
Term end2 | August 2, 1923 |
Predecessor2 | Thomas Marshall |
Successor2 | Charles Dawes |
Order3 | 48th Governor of Massachusetts |
Lieutenant3 | Channing Cox |
Term start3 | January 2, 1919 |
Term end3 | January 6, 1921 |
Predecessor3 | Samuel McCall |
Successor3 | Channing Cox |
Office4 | 46th Lieutenant Governor of Massachusetts |
Governor4 | Samuel McCall |
Term start4 | January 6, 1916 |
Term end4 | January 2, 1919 |
Predecessor4 | Grafton Cushing |
Successor4 | Channing Cox |
Birth date | July 04, 1872 |
Birth place | Plymouth, Vermont, U.S. |
Death date | January 05, 1933 |
Death place | Northampton, Massachusetts, U.S. |
Party | Republican Party |
Spouse | Grace Goodhue |
Children | JohnCalvin |
Alma mater | Amherst College |
Profession | Lawyer |
Religion | Congregationalism |
Signature | C Coolidge signature.svg |
Signature alt | Cursive signature in ink }} |
Coolidge restored public confidence in the White House after the scandals of his predecessor's administration, and left office with considerable popularity. As a Coolidge biographer put it, "He embodied the spirit and hopes of the middle class, could interpret their longings and express their opinions. That he did represent the genius of the average is the most convincing proof of his strength." Some later criticized Coolidge as part of a general criticism of laissez-faire government. His reputation underwent a renaissance during the Ronald Reagan Administration, but the ultimate assessment of his presidency is still divided between those who approve of his reduction of the size of government programs and those who believe the federal government should be more involved in regulating and controlling the economy.
Coolidge's family had deep roots in New England. His earliest American ancestor, John Coolidge, emigrated from Cottenham, Cambridgeshire, England, around 1630 and settled in Watertown, Massachusetts. Another ancestor, Edmund Rice, arrived at Watertown in 1638. Coolidge's great-great-grandfather, also named John Coolidge, was an American military officer in the Revolutionary War and one of the first selectmen of the town of Plymouth Notch. Most of Coolidge's ancestors were farmers. Other well-known Coolidges, architect Charles Allerton Coolidge, General Charles Austin Coolidge, and diplomat Archibald Cary Coolidge among them, were descended from branches of the family that had remained in Massachusetts. Coolidge's grandmother Sarah Almeda Brewer had two famous first cousins: Arthur Brown, a United States Senator, and Olympia Brown, a women's suffragist. It is through Sarah Brewer that Coolidge believed that he inherited American Indian blood, but this descent has never been established by modern genealogists.
They were opposites in personality: she was talkative and fun-loving, while he was quiet and serious. Not long after their marriage, Coolidge handed her a bag with fifty-two pairs of socks in it, all of them full of holes. Grace's reply was "Did you marry me to darn your socks?" Without cracking a smile and with his usual seriousness, Calvin answered, "No, but I find it mighty handy." They had two sons: John, born in 1906, and Calvin, Jr., born in 1908. The marriage was, by most accounts, a happy one. As Coolidge wrote in his ''Autobiography'', "We thought we were made for each other. For almost a quarter of a century she has borne with my infirmities, and I have rejoiced in her graces."
In 1906 the local Republican committee nominated Coolidge for election to the state House of Representatives. He won a close victory over the incumbent Democrat, and reported to Boston for the 1907 session of the Massachusetts General Court. In his freshman term, Coolidge served on minor committees and, although he usually voted with the party, was known as a Progressive Republican, voting in favor of such measures as women's suffrage and the direct election of Senators. Throughout his time in Boston, Coolidge found himself allied primarily with the western Winthrop Murray Crane faction of the state Republican Party, as against the Henry Cabot Lodge-dominated eastern faction. In 1907, he was elected to a second term. In the 1908 session, Coolidge was more outspoken, but was still not one of the leaders in the legislature.
Instead of vying for another term in the State House, Coolidge returned home to his growing family and ran for mayor of Northampton when the incumbent Democrat retired. He was well liked in the town, and defeated his challenger by a vote of 1,597 to 1,409. During his first term (1910 to 1911), he increased teachers' salaries and retired some of the city's debt while still managing to effect a slight tax decrease. He was renominated in 1911, and defeated the same opponent by a slightly larger margin.
In 1911, the State Senator for the Hampshire County area retired and encouraged Coolidge to run for his seat for the 1912 session. He defeated his Democratic opponent by a large margin. At the start of that term, Coolidge was selected to be chairman of a committee to arbitrate the "Bread and Roses" strike by the workers of the American Woolen Company in Lawrence, Massachusetts. After two tense months, the company agreed to the workers' demands in a settlement the committee proposed. The other major issue for Republicans that year was the party split between the progressive wing, which favored Theodore Roosevelt, and the conservative wing, which favored William Howard Taft. Although he favored some progressive measures, Coolidge refused to leave the Republican party. When the new Progressive Party declined to run a candidate in his state senate district, Coolidge won reelection against his Democratic opponent by an increased margin.
The 1913 session was less eventful, and Coolidge's time was mostly spent on the railroad committee, of which he was the chairman. Coolidge intended to retire after the 1913 session, as two terms were the norm, but when the President of the State Senate, Levi H. Greenwood, considered running for Lieutenant Governor, Coolidge decided to run again for the Senate in the hopes of being elected as its presiding officer. Although Greenwood later decided to run for reelection to the Senate, he was defeated and Coolidge was elected, with Crane's help, as the President of a closely divided Senate. After his election in January 1914, Coolidge delivered a speech entitled ''Have Faith in Massachusetts'', which summarized his philosophy of government. It was later published in a book, and frequently quoted.
Coolidge's speech was well-received and he attracted some admirers on its account. Towards the end of the term, many of them were proposing his name for nomination to lieutenant governor. After winning reelection to the Senate by an increased margin in the 1914 elections, Coolidge was reelected unanimously to be President of the Senate. As the 1915 session ended, Coolidge's supporters, led by fellow Amherst alumnus Frank Stearns, encouraged him again to run for lieutenant governor. This time, he accepted their advice.
Coolidge's duties as lieutenant governor were few; in Massachusetts, the lieutenant governor does not preside over the state Senate, although Coolidge did become an ''ex officio'' member of the governor's cabinet. As a full-time elected official, Coolidge no longer practiced law after 1916, though his family continued to live in Northampton. McCall and Coolidge were both reelected in 1916 and again in 1917 (At the time, both offices were held for one-year terms). When McCall decided that he would not stand for a fourth term, Coolidge announced his intention to run for governor.
That night Coolidge received a telegram from AFL leader Samuel Gompers. "Whatever disorder has occurred", Gompers wrote, "is due to Curtis's order in which the right of the policemen has been denied …" Coolidge publicly answered Gompers's telegram with the response that would launch him into the national consciousness (quoted, above left). Newspapers across the nation picked up on Coolidge's statement and he became the newest hero to opponents of the strike. In the midst of the First Red Scare, many Americans were terrified of the spread of communist revolution, like those that had taken place in Russia, Hungary, and Germany. While Coolidge had lost some friends among organized labor, conservatives across the nation had seen a rising star. Although he usually acted with deliberation, the Boston police strike gave him a national reputation as a man who would take decisive action.
Coolidge also wielded the veto pen as governor. His most publicized veto was of a bill that would have increased legislators' pay by 50%. Although Coolidge was personally opposed to Prohibition, he vetoed a bill in May 1920 that would have allowed the sale of beer or wine of 2.75% alcohol or less, in Massachusetts in violation of the Eighteenth Amendment to the United States Constitution. "Opinions and instructions do not outmatch the Constitution," he said in his veto message, "Against it, they are void."
The Democrats nominated another Ohioan, James M. Cox, for President and the Assistant Secretary of the Navy, Franklin D. Roosevelt, for Vice President. The question of the United States joining the League of Nations was a major issue in the campaign, as was the unfinished legacy of Progressivism. Harding ran a "front-porch" campaign from his home in Marion, Ohio, but Coolidge took to the campaign trail in the Upper South, New York, and New England. On November 2, 1920, Harding and Coolidge were victorious in a landslide, winning every state outside the South. They also won in Tennessee, the first time a Republican ticket had won a Southern state since Reconstruction.
As Vice-President, Coolidge and his vivacious wife Grace were invited to quite a few parties, where the legend of "Silent Cal" was born. It is from this time that most of the jokes and anecdotes involving Coolidge originate. Although Coolidge was known to be a skilled and effective public speaker, in private he was a man of few words and was therefore commonly referred to as "Silent Cal." A possibly apocryphal story has it that Dorothy Parker, seated next to him at a dinner, said to him, "Mr. Coolidge, I've made a bet against a fellow who said it was impossible to get more than two words out of you." His famous reply: "You lose." It was also Parker who, upon learning that Coolidge had died, reportedly remarked, "How can they tell?" Alice Roosevelt Longworth supposedly once commented that, "He looks as if he'd been weaned on a pickle." Coolidge often seemed uncomfortable among fashionable Washington society; when asked why he continued to attend so many of their dinner parties, he replied, "Got to eat somewhere."
As President, Coolidge's reputation as a quiet man continued. "The words of a President have an enormous weight," he would later write, "and ought not to be used indiscriminately." Coolidge was aware of his stiff reputation; indeed, he cultivated it. "I think the American people want a solemn ass as a President," he once told Ethel Barrymore, "and I think I will go along with them." However, he did hold a then-record number of presidential press conferences, 520 during his presidency. Some historians would later suggest that Coolidge's image was created deliberately as a campaign tactic, while others believe his withdrawn and quiet behavior to be natural, deepening after the death of his son in 1924.
He addressed Congress when it reconvened on December 6, 1923, giving a speech that echoed many of Harding's themes, including immigration restriction and the need for the government to arbitrate the coal strikes then ongoing in Pennsylvania. Coolidge's speech was the first Presidential speech to be broadcast to the nation over the radio The Washington Naval Treaty was proclaimed just one month into Coolidge's term, and was generally well received in the country. In May 1924, the World War I veterans' World War Adjusted Compensation Act or "Bonus Bill" was passed over his veto. Coolidge signed the Immigration Act later that year, though he appended a signing statement expressing his unhappiness with the bill's specific exclusion of Japanese immigrants. Just before the Republican Convention began, Coolidge signed into law the Revenue Act of 1924, which decreased personal income tax rates while increasing the estate tax, and creating a gift tax to reinforce the transfer tax system.
The Democrats held their convention from June 24 to July 9 in New York City. The convention soon deadlocked, and after 103 ballots, the delegates finally agreed on a compromise candidate, John W. Davis, with Charles W. Bryan nominated for Vice President. The Democrats' hopes were buoyed when Robert M. La Follette, Sr., a Republican Senator from Wisconsin, split from his party to form a new Progressive Party. Many believed that the split in the Republican party, like the one in 1912, would allow a Democrat to win the Presidency.
Shortly after the conventions Coolidge experienced a personal tragedy. Coolidge's younger son, Calvin, Jr., developed a blister from playing tennis on the White House courts. The blister became infected, and within days Calvin, Jr. developed sepsis and died. After that Coolidge became withdrawn. He later said that "when he died, the power and glory of the Presidency went with him." In spite of his sadness, Coolidge ran his conventional campaign; he never maligned his opponents (or even mentioned them by name) and delivered speeches on his theory of government, including several that were broadcast over radio. It was easily the most subdued campaign since 1896, partly because the President was grieving for his son, but partly because Coolidge's style was naturally non-confrontational. The other candidates campaigned in a more modern fashion, but despite the split in the Republican party, the results were very similar to those of 1920. Coolidge and Dawes won every state outside the South except for Wisconsin, La Follette's home state. Coolidge had a popular vote majority of 2.5 million over his opponents' combined total.
Coolidge's economic policy has often been misquoted as "generally speaking, the business of the American people is business" (full quotation at right). Some have criticized Coolidge as an adherent of the laissez-faire ideology, which they claim led to the Great Depression. On the other hand, historian Robert Sobel offers some context based on Coolidge's sense of federalism: "As Governor of Massachusetts, Coolidge supported wages and hours legislation, opposed child labor, imposed economic controls during World War I, favored safety measures in factories, and even worker representation on corporate boards. Did he support these measures while president? No, because in the 1920s, such matters were considered the responsibilities of state and local governments."
After McNary-Haugen's defeat, Coolidge supported a less radical measure, the Curtis-Crisp Act, which would have created a federal board to lend money to farm co-operatives in times of surplus; the bill did not pass. In February 1927, Congress took up the McNary-Haugen bill again, this time narrowly passing it. Coolidge vetoed it. In his veto message, he expressed the belief that the bill would do nothing to help farmers, benefitting only exporters and expanding the federal bureaucracy. Congress did not override the veto, but passed the bill again in May 1928 by an increased majority; again, Coolidge vetoed it. "Farmers never have made much money," said Coolidge, the Vermont farmer's son, "I do not believe we can do much about it."
In 1924, Coolidge responded to a letter that claimed the United States was a "white man's country":
On June 2, 1924, Coolidge signed the Indian Citizenship Act, which granted full U.S. citizenship to all American Indians, while permitting them to retain tribal land and cultural rights. However, the act was unclear on whether the federal government or the tribal leaders retained tribal sovereignty. Coolidge repeatedly called for anti-lynching laws to be enacted, but most Congressional attempts to pass this legislation were filibustered by Southern Democrats.
Coolidge appointed some African Americans to federal office. He retained Harding's choice of Walter L. Cohen of New Orleans, Louisiana, as the comptroller of customs and offered Cohen the post of minister to Liberia, which the businessman declined.
Coolidge's best-known initiative was the Kellogg-Briand Pact of 1928, named for Coolidge's Secretary of State, Frank B. Kellogg, and French foreign minister Aristide Briand. The treaty, ratified in 1929, committed signatories including the U.S., the United Kingdom, France, Germany, Italy, and Japan to "renounce war, as an instrument of national policy in their relations with one another." The treaty did not achieve its intended result the outlawry of war but did provide the founding principle for international law after World War II.
Coolidge continued the previous administration's policy not to recognize the Soviet Union. He also continued the United States' support for the elected government of Mexico against the rebels there, lifting the arms embargo on that country. He sent his close friend Dwight Morrow to Mexico as the American ambassador. Coolidge represented the U.S. at the Pan American Conference in Havana, Cuba, making him the only sitting U.S. President to visit the country. The United States' occupation of Nicaragua and Haiti continued under his administration, but Coolidge withdrew American troops from the Dominican Republic in 1924.
Coolidge had been reluctant to choose Hoover as his successor; on one occasion he remarked that "for six years that man has given me unsolicited advice—all of it bad." Even so, Coolidge had no desire to split the party by publicly opposing the popular Commerce Secretary's nomination. The delegates did consider nominating Vice President Charles Dawes to be Hoover's running mate, but the convention selected Senator Charles Curtis instead.
Coolidge published his autobiography in 1929 and wrote a syndicated newspaper column, "Calvin Coolidge Says," from 1930 to 1931. Faced with looming defeat in 1932, some Republicans spoke of rejecting Herbert Hoover as their party's nominee, and instead drafting Coolidge to run, but the former President made it clear that he was not interested in running again, and that he would publicly repudiate any effort to draft him, should it come about. Hoover was renominated, and Coolidge made several radio addresses in support of him.
He died suddenly of a heart attack at "The Beeches," at 12:45 pm, January 5, 1933. Shortly before his death, Coolidge confided to an old friend: "I feel I no longer fit in with these times."
Coolidge is buried beneath a simple headstone in Notch Cemetery, Plymouth Notch, Vermont, where the family home is maintained as one of the original buildings on the site, all of which comprise the Calvin Coolidge Homestead District. The State of Vermont dedicated a new visitors' center nearby to mark Coolidge's 100th birthday on July 4, 1972. Calvin Coolidge's "Brave Little State of Vermont speech" is memorialized in the Hall of Inscriptions at the Vermont State House in Montpelier, Vermont.
Coolidge's inauguration was the first presidential inauguration broadcast on radio. On December 6, 1923, he was the first President whose address to Congress was broadcast on radio. On February 22, 1924, he became the first President of the United States to deliver a political speech on radio. Coolidge signed the Radio Act of 1927, which assigned regulation of radio to the newly created Federal Radio Commission.
On August 11, 1924, Lee De Forest filmed Coolidge on the White House lawn with DeForest's Phonofilm sound-on-film process, becoming the first President to appear in a sound film. The title of the DeForest film was ''President Coolidge, Taken on the White House Grounds''.
Coolidge was the only president to have his portrait on a coin during his lifetime, the Sesquicentennial of American Independence Half Dollar, minted in 1926. After his death he also appeared on a postage stamp, pictured below.
Category:1872 births Category:1933 deaths Category:Amherst College alumni Category:American Congregationalists Category:American people of English descent Category:Articles containing video clips Calvin Coolidge Category:College Republicans Category:Coolidge family Category:Deaths from myocardial infarction Category:Governors of Massachusetts Category:Lieutenant Governors of Massachusetts Category:Massachusetts city council members Category:Massachusetts lawyers Category:Massachusetts State Senators Category:Mayors of places in Massachusetts Category:Members of the Massachusetts House of Representatives Category:People from Northampton, Massachusetts Category:Plymouth, Vermont Category:Presidents of the United States Category:Republican Party (United States) presidential nominees Category:Republican Party (United States) vice presidential nominees Category:Republican Party Presidents of the United States Category:Republican Party state governors of the United States Category:Republican Party Vice Presidents of the United States Category:St. Johnsbury Academy alumni Category:United States presidential candidates, 1920 Category:United States presidential candidates, 1924 Category:United States presidential candidates, 1932 Category:United States vice-presidential candidates, 1920 Category:Vice Presidents of the United States
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
bgcolour | #6495ED |
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name | Anna Pavlova |
birth name | Анна Павловна (Матвеевна) Павлова |
birth date | February 12, 1881 |
birth place | Ligovo, Saint Petersburg |
death date | January 23, 1931 |
death place | The Hague, Netherlands |
field | Ballet |
website | }} |
Anna Pavlova (January 23, 1931) was a Russian ballerina of the late 19th and the early 20th century. She is widely regarded as one of the finest classical ballet dancers in history and was most noted as a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognised for the creation of the role ''The Dying Swan'' and, with her own company, would become the first ballerina to tour ballet around the world.
Pavlova's passion for the art of ballet was ignited when her mother took her to a performance of Marius Petipa's original production of ''The Sleeping Beauty'' at the Imperial Maryinsky Theater. The lavish spectacle made an impression on the young Pavlova, and at the age of eight her mother took her to audition for the renowned Imperial Ballet School. She was not chosen due to her age and for what was considered to be a "sickly" appearance, but she was finally accepted at the age of 10 in 1891. She appeared for the first time on stage in Marius Petipa's ''Un conte de fées'' (''A Fairy Tale''), which the ballet master staged for the students of the school.
The young Pavlova's years of training were difficult, as classical ballet did not come easily to her. Her severely arched feet, thin ankles, and long limbs clashed with the small and compact body in favor for the ballerina at the time. Her fellow students taunted her with such nicknames as ''The broom'' and ''La petite sauvage'' (The little savage). Undeterred, Pavlova trained to improve her technique. She took extra lessons from the noted teachers of the day — Christian Johansson, Pavel Gerdt, Nikolai Legat and more especially from Enrico Cecchetti, considered the greatest ballet virtuoso of the time and founder of the Cecchetti method, a very influential ballet technique used up to this day. In 1898 she entered the ''classe de perfection'' of Ekaterina Vazem, former ''Prima ballerina'' of the Saint Petersburg Imperial Theatres.
During her final year at the Imperial Ballet School, she performed many roles with the principal company. She graduated in 1899 at age 18, being allowed to enter the Imperial Ballet a rank ahead of ''corps de ballet'' as a ''coryphée''. She made her official début at the Mariinsky Theatre in Pavel Gerdt's ''Les Dryades prétendues'' (''The False Dryads''). Her performance drew praise from the critics, particularly the great critic and historian Nikolai Bezobrazov.
Pavlova performed in various classical variations, ''pas de deux'' and ''pas de trois'' in such ballets as ''La Camargo'', ''Le Roi Candaule'', ''Marcobomba'' and ''The Sleeping Beauty''. Her enthusiasm often led her astray: once during a performance as the River Thames in Petipa's ''The Pharaoh's Daughter'' her energetic double ''pique turns'' led her to lose her balance, and she ended up falling in the prompter's box. Her weak ankles led to difficulty while performing as the fairy Candide in Petipa's ''The Sleeping Beauty'', leading the ballerina to revise the fairy's jumps ''en pointe'', much to the surprise of the Ballet Master. She tried desperately to imitate the renowned ''Prima ballerina'' of the day Pierina Legnani, ''Prima ballerina assoluta'' of the Imperial Theaters. Once during class she attempted Legnani's famous fouettés, causing her teacher Pavel Gerdt to fly into a rage. He told her to
... leave acrobatics to others. It is positively more than I can bear to see the pressure such steps put on your delicate muscles and the severe arch of your foot. I beg you to never again try to imitate those who are physically stronger than you. You must realize that your daintiness and fragility are your greatest assets. You should always do the kind of dancing which brings out your own rare qualities instead of trying to win praise by mere acrobatic tricks.
When the ''prima ballerina assoluta of the Imperial Theaters'' Mathilde Kschessinska was with child in 1901, she coached Pavlova in the role of Nikya in ''La Bayadère''. Kschessinska, not wanting to be upstaged, was certain Pavlova would fail in the role, as she was considered technically inferior due to her small ankles and lithe legs. Instead audiences became enchanted with Pavlova and her frail, ethereal look, which fit the role perfectly, particularly in the scene ''The Kingdom of the Shades''.
Her feet were extremely rigid, so she strengthened her pointe shoe by adding a piece of hard wood on the soles for support and curving the box of the shoe. At the time, many considered this "cheating", for a ballerina of the era was taught that she, not her shoes, must hold her weight ''en pointe''. In Pavlova's case this was extremely difficult, as the shape of her feet required her to balance her weight on her little toes. Her solution became, over time, the precursor of the modern pointe shoe, as pointe work became less painful and easier for curved feet. According to Margot Fonteyn's biography, Pavlova did not like the way her invention looked in photographs, so she would remove it or have the photographs altered so that it appeared she was using a normal pointe shoe.
In the first years of the Ballets Russes Pavlova worked briefly for Sergei Diaghilev. Originally she was to dance the lead in Mikhail Fokine's ''The Firebird'', but refused the part, as she could not come to terms with Igor Stravinsky's avant-garde score, and the role was given to Tamara Karsavina. All her life Pavlova preferred the melodious ''"musique dansante"'' of the old maestros such as Cesare Pugni and Ludwig Minkus, and cared little for anything else which strayed from the salon-style ballet music of the 19th century.
By the mid 1900s she founded her own company and performed throughout the world, with a repertory consisting primarily of abridgements of Petipa's works, and specially choreographed pieces for herself. The ballet writer Cyril Johnson described that ''"her bourrées were like a string of pearls"''.
In accordance with old ballet tradition, on the day she was to have next performed, the show went on as scheduled, with a single spotlight circling an empty stage where she would have been. Memorial services were held in the Russian Orthodox Church in London. Anna Pavlova was cremated, and her ashes placed in a columbarium at Golders Green Crematorium, where her urn was subsequently adorned with her ballet shoes (which since then have been stolen).
Pavlova's ashes have been a source of much controversy, following attempts by Valentina Zhilenkova and Moscow mayor Yury Luzhkov, to have them flown to Moscow for interment in the Novodevichy Cemetery. These attempts were based on claims that it was Pavlova's dying wish that her ashes be returned to Russia following the fall of Communism. These claims were later found to be false, as there is no evidence to suggest that this was her wish at all. The only documentary evidence that suggests that such a move would be possible is in the will of Pavlova's husband, who stipulated that if Russian authorities agreed to such a move and treated her remains with proper reverence, then the crematorium caretakers should agree to it. Despite this clause, the will does not contain a formal request or plans for a posthumous journey to Russia.
The most recent attempt to move Pavlova's remains to Russia came in 2001. Golders Green Crematorium had made arrangements for them to be flown to Russia for interment on 14 March 2001, in a ceremony to be attended by various Russian dignitaries. This plan was later abandoned after Russian authorities withdrew permission for the move. It was later revealed that neither Pavlova's family nor the Russian Government had sanctioned the move and that they had agreed the remains should stay in London.
The Pavlova dessert is believed to have been created in honour of the dancer either during or after one of her tours to Australia and New Zealand in the 1920s. The nationality of its creator has been a source of argument between the two nations for many years.
The Jarabe Tapatío, known in English as the 'Mexican Hat Dance', gained popularity outside of Mexico when Pavlova created a staged version in pointe shoes, for which she was showered with hats by her adoring Mexican audiences. Afterward, in 1924, the Jarabe Tapatío was proclaimed Mexico’s national dance.
She once said that the country that would produce the best ballerina in history would be the United States because of all the different cultures that came together there.
Anna Pavlova was able to complete 37 twirls while on top of a moving elephant while on a tour in China.
Pavlova's life was depicted in the 1983 film ''Anna Pavlova''.
When the Victoria Palace Theatre in London, England, opened in 1911, a gilded statue of Pavlova had been installed above the cupola of the theatre. This was taken down for its safety during World War II and was lost. In 2006, a replica of the original statue was restored in its place.
Category:1881 births Category:1931 deaths Category:19th-century Russian people Category:20th-century Russian people Category:Ballets Russes dancers Category:Deaths from lung disease Category:Mistresses of Russian royalty Category:People from Saint Petersburg Category:Prima ballerinas Category:Russian ballet dancers
be:Ганна Паўлаўна Паўлава be-x-old:Ганна Паўлава bg:Анна Павлова ca:Anna Pàvlova cv:Павлова Анна Павловна da:Anna Pavlova de:Anna Pawlowna Pawlowa et:Anna Pavlova es:Anna Pávlova eo:Anna Pavlova fr:Anna Pavlova (danseuse) ko:안나 파블로바 hr:Ana Pavlova it:Anna Pavlovna Pavlova he:אנה פבלובה ka:ანა პავლოვა la:Anna Pavlova lv:Anna Pavlova lb:Anna Pawlowna Pawlowa mk:Ана Павлова nl:Anna Pavlova ja:アンナ・パヴロワ no:Anna Pavlova pl:Anna Pawłowa pt:Anna Pavlova ksh:Anna Povlova qu:Anna Pawlowa ru:Павлова, Анна Павловна sl:Ana Pavlova sr:Ана Павлова fi:Anna Pavlova (balettitanssija) sv:Anna Pavlova uk:Павлова Анна Павлівна vi:Anna Pavlovna Pavlova zh:安娜·巴甫洛娃This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Bessie Smith |
---|---|
background | solo_singer |
born | April 15, 1894 Chattanooga, Tennessee, United States |
died | September 26, 1937 Clarksdale, Mississippi, United States |
instrument | Vocals |
genre | Blues, Jazz |
occupation | Singer |
years active | 1912–1937 |
label | Columbia |
notable instruments | }} |
Sometimes referred to as The Empress of the Blues, Smith was the most popular female blues singer of the 1920s and 1930s. She is often regarded as one of the greatest singers of her era and, along with Louis Armstrong, a major influence on subsequent jazz vocalists.
Bessie Smith was the daughter of Laura (née Owens) and William Smith. William Smith was a laborer and part-time Baptist preacher (he was listed in the 1870 census as a "minister of the gospel", in Moulton, Lawrence, Alabama.) He died before his daughter could remember him. By the time she was nine, she had lost her mother and a brother as well. Her older sister Viola took charge of caring for her siblings.
To earn money for their impoverished household, Bessie Smith and her brother Andrew began busking on the streets of Chattanooga as a duo: she singing and dancing, he accompanying her on guitar. Their favorite location was in front of the White Elephant Saloon at Thirteenth and Elm streets in the heart of the city's African-American community.
In 1904, her oldest brother, Clarence, covertly left home by joining a small traveling troupe owned by Moses Stokes. "If Bessie had been old enough, she would have gone with him," said Clarence's widow, Maud. "That's why he left without telling her, but Clarence told me she was ready, even then. Of course, she was only a child."
In 1912, Clarence returned to Chattanooga with the Stokes troupe. He arranged for its managers, Lonnie and Cora Fisher, to give Smith an audition. She was hired as a dancer rather than a singer, because the company also included the then unknown singer, Ma Rainey. Smith eventually moved on to performing in various chorus lines, making the "81" Theater in Atlanta her home base. There were times when she worked in shows on the black-owned T.O.B.A Theater Owners Booking Association circuit. She would rise to become its biggest star after signing with Columbia Records.
By 1923, when she began her recording career, Smith had taken up residence in Philadelphia. There she met and fell in love with Jack Gee, a security guard whom she married on June 7, 1923, just as her first record was released. During the marriage—a stormy one, with infidelity on both sides—Smith became the highest paid black entertainer of the day, heading her own shows, which sometimes featured as many as 40 troupers, and touring in her own railroad car. Gee was impressed by the money, but never adjusted to show business life, or to Smith's bisexuality. In 1929, when she learned of his affair with another singer, Gertrude Saunders, Bessie Smith ended the relationship, although neither of them sought a divorce.
Smith eventually found a common-law husband in an old friend, Richard Morgan, who was Lionel Hampton's uncle and the antithesis of her husband. She stayed with him until her death.
In 1920, sales figures for "Crazy Blues," an Okeh Records recording by singer Mamie Smith (no relation) pointed to a new market. The recording industry had not directed its product to blacks, but the success of the record led to a search for female blues singers. Bessie Smith was signed by Columbia Records in 1923 and her first session for Columbia was February 15, 1923. For most of 1923, her records were issued on Columbia's regular A- series; when the label decided to establish a "race records" series, Smith's "Cemetery Blues" (September 26, 1923) was the first issued.
She scored a big hit with her first release, a coupling of "Gulf Coast Blues" and "Downhearted Blues", which its composer Alberta Hunter had already turned into a hit on the Paramount label. Smith became a headliner on the black T.O.B.A. circuit and rose to become its top attraction in the 1920s. Working a heavy theater schedule during the winter months and doing tent tours the rest of the year (eventually traveling in her own railroad car), Smith became the highest-paid black entertainer of her day. Columbia nicknamed her "Queen of the Blues," but a PR-minded press soon upgraded her title to "Empress".
She made some 160 recordings for Columbia, often accompanied by the finest musicians of the day, most notably Louis Armstrong, James P. Johnson, Joe Smith, Charlie Green and Fletcher Henderson.
Bessie Smith was paid a non-royalty fee of $37.50 for each selection and these Okeh sides, which were her last recordings. Made November 24, 1933, they serve as a hint of the transformation she made in her performances as she shifted her blues artistry into something that fit the "swing era". The relatively modern accompaniment is notable. The band included such swing era musicians as trombonist Jack Teagarden, trumpeter Frankie Newton, tenor saxophonist Chu Berry, pianist Buck Washington, guitarist Bobby Johnson, and bassist Billy Taylor. Benny Goodman, who happened to be recording with Ethel Waters in the adjoining studio, dropped by and is barely audible on one selection. Hammond was not entirely pleased with the results, preferring to have Smith revisit her old blues groove. Her "Take Me For A Buggy Ride" and "Gimme a Pigfoot" continue to be ranked among her most popular recordings.
The first people on the scene were a Memphis surgeon, Dr. Hugh Smith (no relation), and his fishing partner Henry Broughton. In the early 1970s, Dr. Smith gave a detailed account of his experience to Bessie's biographer Chris Albertson. This is the most reliable eyewitness testimony about the events surrounding Bessie Smith's death.
After stopping at the accident scene, Dr. Smith examined Bessie Smith, who was lying in the middle of the road with obviously severe injuries. He estimated she had lost about a half-pint of blood, and immediately noted a major traumatic injury to her right arm; it had been almost completely severed at the elbow. But Dr. Smith was emphatic that this arm injury alone did not cause her death. Although the light was poor, he observed only minor head injuries. He attributed her death to extensive and severe crush injuries to the entire right side of her body, consistent with a "sideswipe" collision.
Broughton and Dr. Smith moved the singer to the shoulder of the road. Dr. Smith dressed her arm injury with a clean handkerchief and asked Broughton to go to a house about 500 feet off the road to call an ambulance.
By the time Broughton returned, about 25 minutes had elapsed since the accident and Bessie Smith was in shock. Time passed with no sign of the ambulance, so Dr. Smith suggested that they take her into Clarksdale in his car. He and Broughton had almost finished clearing the back seat when they heard the sound of a car approaching at high speed. Dr. Smith flashed his lights in warning, but the oncoming car failed to stop and plowed into the doctor's car at full speed. It sent his car careening into Bessie Smith's overturned Packard, completely wrecking it. The oncoming car ricocheted off Dr. Smith's car into the ditch on the right, barely missing Broughton and Bessie Smith.
The young couple in the new car did not have life-threatening injuries. Two ambulances arrived on the scene from Clarksdale; one from the black hospital, summoned by Mr. Broughton, the other from the white hospital, acting on a report from the truck driver, who had not seen the accident victims.
Bessie Smith was taken to Clarksdale's Afro-American Hospital where her right arm was amputated. She died that morning without regaining consciousness. After Smith's death, an often repeated but now discredited story emerged about the circumstances; namely, that she had died as a result of having been refused admission to a "whites only" hospital in Clarksdale. Jazz writer/producer John Hammond gave this account in an article in the November 1937 issue of ''Down Beat'' magazine. The circumstances of Smith's death and the rumor promoted by Hammond formed the basis for Edward Albee's 1959 one-act play ''The Death of Bessie Smith''.
"The Bessie Smith ambulance would ''not'' have gone to a white hospital, you can forget that." Dr. Smith told Albertson. "Down in the Deep South cotton country, no ambulance driver, or white driver, would even have thought of putting a colored person off in a hospital for white folks."
Smith's funeral was held in Philadelphia on Monday, October 4, 1937. Her body was originally laid out at Upshur's funeral home. As word of her death spread through Philadelphia's black community, the body had to be moved to the O.V. Catto Elks Lodge to accommodate the estimated 10,000 mourners who filed past her coffin on Sunday, October 3. Contemporary newspapers reported that her funeral was attended by about seven thousand people. Far fewer mourners attended the burial at Mount Lawn Cemetery, in nearby Sharon Hill. Gee thwarted all efforts to purchase a stone for his estranged wife, once or twice pocketing money raised for that purpose.
The grave remained unmarked until August 7, 1970, when a tombstone—paid for by singer Janis Joplin and Juanita Green, who as a child had done housework for Smith—was erected.
Dory Previn wrote a song of Janis Joplin and the tombstone called ''Stone for Bessie Smith'' on her album ''Mythical Kings & Iguanas''.
The Afro-American Hospital, now the Riverside Hotel in Clarksdale, was the site of the dedication of the fourth historic marker on the Mississippi Blues Trail.
{| class=wikitable |- | colspan="5" style="text-align:center;"| Bessie Smith: Grammy Hall of Fame Award |- ! Year Recorded ! Title ! Genre ! Label ! Year Inducted |- align=center | 1923 | "Downhearted Blues" | Blues (Single) | Columbia | 2006 |- align=center | 1925 | "St. Louis Blues" | Jazz (Single) | Columbia | 1993 |- align=center | 1928 | "Empty Bed Blues" | Blues (Single) | Columbia | 1983 |}
"Downhearted Blues" was included in the list of ''Songs of the Century'' by the Recording Industry of America and the National Endowment for the Arts in 2001. It is in the Rock and Roll Hall of Fame as one of the 500 songs that shaped rock 'n' roll.
U.S. Postage Stamp
{| class=wikitable |- | colspan="4" style="text-align:center;"| |- ! Year Issued ! Stamp ! USA |- align=center | 1994 | 29 cents Commemorative stamp | U.S. Postal Stamps |}
Given those historic limitations, the current digitally remastered versions of her work deliver significant, very positive differences in the sound quality of Smith's performances. Some critics believe that the American Columbia Records compact disc releases are somewhat inferior to subsequent transfers made by the late John R.T. Davies for Frog Records.
Category:1894 births Category:1937 deaths Category:African American female singers Category:American blues singers Category:American buskers Category:Bisexual musicians Category:Blues Hall of Fame inductees Category:Road accident deaths in Mississippi Category:Grammy Lifetime Achievement Award winners Category:LGBT African Americans Category:LGBT musicians from the United States Category:People from Chattanooga, Tennessee Category:Rock and Roll Hall of Fame inductees Category:Vaudeville performers Category:Classic female blues singers
an:Bessie Smith ca:Bessie Smith cy:Bessie Smith de:Bessie Smith es:Bessie Smith eo:Bessie Smith fa:بسی اسمیت fr:Bessie Smith ga:Bessie Smith gl:Bessie Smith hr:Bessie Smith io:Bessie Smith it:Bessie Smith he:בסי סמית hu:Bessie Smith nl:Bessie Smith ja:ベッシー・スミス no:Bessie Smith oc:Bessie Smith pl:Bessie Smith pt:Bessie Smith ru:Смит, Бесси simple:Bessie Smith sk:Bessie Smithová sr:Беси Смит sh:Bessie Smith fi:Bessie Smith sv:Bessie Smith tl:Bessie Smith uk:Бессі СмітThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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