This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Harry Nilsson |
---|---|
background | solo_singer |
birth name | Harry Edward Nilsson III |
alias | Nilsson |
birth date | June 15, 1941Brooklyn, New York, |
death date | January 15, 1994Agoura Hills, California, |
instrument | Piano, vocals, keyboards, guitar, harmonica |
genre | RockPopRock and roll |
occupation | Singer-songwriter |
years active | 1958–1994 |
label | Tower RecordsRCA VictorMercury Records |
website | }} |
He was awarded Grammys for two of his recordings; best male contemporary vocal in 1969 for "Everybody's Talkin'", the theme song to the Academy Award-winning movie ''Midnight Cowboy'', and best male pop vocal in 1972 for "Without You".
:Well, in 1941, the happy father had a son :And in 1944, the father walked right out the door
Nilsson's "Daddy's Song", and "Cuddly Toy" recorded by The Monkees, also refer to this period.
Nilsson grew up with his mother Bette and his younger half-sister. His younger half-brother Drake was left with family or friends during their moves between California and New York, sometimes living with a succession of relatives and stepfathers. His Uncle John, a mechanic in San Bernardino, California, helped Nilsson improve his vocal and musical abilities.
He had a half-brother and a half-sister through their mother. He also had three half-sisters and one half-brother through his father.
Due to the poor financial situation of his family, Nilsson worked from an early age, including a job at the Paramount Theatre in Los Angeles. When the Paramount closed, Nilsson applied for a job at a bank, falsely stating he was a high school graduate on his application (he only completed ninth grade). He had an aptitude for computers, which were beginning to be employed by banks at the time. He performed so well that the bank retained him after discovering the lie about his education. He worked on bank computers at night, and in the daytime pursued his songwriting and singing career.
Uncle John's singing lessons, along with Nilsson's natural talent, helped when he got a job singing demos for songwriter Scott Turner in 1960. Turner paid Nilsson five dollars for each track they recorded. (When Nilsson became famous, Turner decided to release these early recordings, and contacted Nilsson to work out a fair payment. Nilsson replied that he had already been paid — five dollars a track.).
In 1963, Nilsson began to have some early success as a songwriter, working with John Marascalco on a song for Little Richard. Upon hearing Nilsson sing, Little Richard reportedly remarked: "My! You sing ''good'' for a white boy!" Marascalco also financed some independent singles by Nilsson. One, "Baa Baa Blacksheep", was released under the pseudonym "Bo Pete" to some small local airplay. Another recording, "Donna, I Understand", convinced Mercury Records to offer Nilsson a contract, and release recordings by him under the name "Johnny Niles."
In 1964, Nilsson worked with Phil Spector, writing three songs with him. He also established a relationship with songwriter and publisher Perry Botkin, Jr., who began to find a market for Nilsson's songs. Botkin also gave Nilsson a key to his office, providing another place to write after hours.
Nilsson's recording contract was picked up by Tower Records, which in 1966 released the first singles actually credited to him by name, as well as the debut album ''Spotlight on Nilsson''. None of Nilsson's Tower releases charted or gained much critical attention, although his songs were being recorded by Glen Campbell, Fred Astaire, The Shangri-Las, The Yardbirds, and others. Despite his growing success, Nilsson remained on the night shift at the bank.
Some of the albums from Derek Taylor's box eventually ended up with the Beatles themselves, who quickly became Nilsson fans. This may have been helped by the track "You Can't Do That", in which Nilsson covered one Beatles song but added 22 others in the multi-tracked background vocals. When John Lennon and Paul McCartney held a press conference in 1968 to announce the formation of Apple Corps, John was asked to name his favorite American artist. He replied, "Nilsson". Paul was then asked to name his favorite American group. He replied, "Nilsson".
Aided by the Beatles' praise, "You Can't Do That" became a minor hit in the U.S., and a top 10 hit in Canada.
When RCA had asked if there was anything special he wanted as a signing premium, Nilsson asked for his own office at RCA, being used to working out of one. In the weeks after the Apple press conference, Nilsson's office phone began ringing constantly, with offers and requests for interviews and inquiries about his performing schedule. Nilsson usually answered the calls himself, surprising the callers, and answered questions candidly. (He recalled years later the flow of a typical conversation: "When did you play last?" "I didn't." "Where have you played before?" "I haven't." "When will you be playing next?" "I don't.") Nilsson acquired a manager, who steered him into a handful of TV guest appearances, and a brief run of stage performances in Europe set up by RCA. He disliked the experiences he had, though, and decided to stick to the recording studio. He later admitted this was a huge mistake on his part.
Once John Lennon called and praised ''Pandemonium Shadow Show'', which he had listened to in a 36-hour marathon. Paul McCartney called the following day, also expressing his admiration]. Eventually a message came, inviting him to London to meet the Beatles, watch them at work, and possibly sign with Apple Corps.
''Pandemonium Shadow Show'' was followed in 1968 by ''Aerial Ballet'', an album that included Nilsson's rendition of Fred Neil's song "Everybody's Talkin'". A minor U.S. hit at the time of release (and a top 40 hit in Canada), the song would become extremely popular a year later when it was featured in the film ''Midnight Cowboy'', and it would earn Nilsson his first Grammy Award. The song would also become Nilsson's first U.S. top 10 hit, reaching #6, and his first Canadian #1.
''Aerial Ballet'' also contained Nilsson's version of his own composition, "One", which was later taken to the top 5 of the U.S. charts by Three Dog Night. Nilsson was also commissioned at this time to write and perform the theme song for the ABC television series ''The Courtship of Eddie's Father''. The result, "Best Friend", was very popular, but Nilsson never released the song on record; an alternative version, "Girlfriend", did appear on the 1995 ''Personal Best'' anthology. Late in 1968, The Monkees' notorious experimental film ''Head'' premiered, featuring a memorable song-and-dance sequence with Davy Jones and Toni Basil performing Nilsson's composition "Daddy's Song." (This is followed by Frank Zappa's cameo as "The Critic," who dismisses the 1920s-style tune as "pretty white.")
With the success of Nilsson's RCA recordings, Tower re-issued or re-packaged many of their early Nilsson recordings in various formats. All of these re-issues failed to chart, including a 1969 single "Good Times".
Nilsson's next project was an animated film, ''The Point!'', created with animation director Fred Wolf, and broadcast on ABC television on February 2, 1971, as an "ABC Movie of the Week". Nilsson's album of songs from ''The Point!'' was well received, and it spawned a hit single, "Me and My Arrow".
Later that year, Nilsson went to England with producer Richard Perry to record what became the most successful album of his career. ''Nilsson Schmilsson'' yielded three very stylistically different hit singles. The first was a cover of Badfinger's song "Without You" (by Pete Ham and Tom Evans), featuring a highly emotional arrangement and soaring vocals to match, a performance that was rewarded with Nilsson's second Grammy Award.
The second single was "Coconut", a novelty calypso number featuring three characters (the narrator, the sister, and the doctor) all sung in different voices by Nilsson. The song is best remembered for its chorus lyric, "Put de lime in de coconut, and drink 'em both up." Also notable is that the entire song is played using one chord, C 7th. "Coconut" was featured in Episode 81 (October 25, 1973) of The Flip Wilson Show. The song has since been featured in many other films and commercials. It was also used in a comedy skit on ''The Muppet Show'', which featured Kermit the Frog in a hospital bed. The song was also used during the end credits of Quentin Tarantino's ''Reservoir Dogs''. George Carlin also made reference to "Coconut" in the live recording of "Occupation: Foole" dated 1973, singing "Put de lime in de coconut, de lemon in de Tidy Bowl." It also featured in the FOX television series Bones, episode "The Hole in The Heart"; is said to be the favorite song of a character killed in the episode and is sung by the remaining characters as they load his coffin into a hearse for transport home to England.
The third single, "Jump into the Fire", was raucous, screaming rock and roll, including a drum solo by Derek and the Dominos' Jim Gordon and a bass detuning by Herbie Flowers. The song was used during the "Sunday, May 11, 1980", sequence in the 1990 film ''Goodfellas'' - and also in the 2006 film A Good Year.
Nilsson followed quickly with ''Son of Schmilsson'' (1972), released while its predecessor was still in the charts. Besides the problem of competing with himself, Nilsson's decision to give free rein to his bawdiness and bluntness on this release alienated some of his earlier, more conservative fan base. With lyrics like "I sang my balls off for you, baby", "Roll the world over / And give her a kiss and a feel", and the notorious "You're breaking my heart / You're tearing it apart / So fuck you"- a reference to his ongoing divorce, Nilsson had traveled far afield from his earlier work. Still, the album reached 12 in the US Hot 100 and the single "Spaceman" was a Top 40 hit. However, the follow-up single "Remember (Christmas)" stalled at #53. A third single, the tongue-in-cheek C&W; send up "Joy", was issued on RCA's country imprint Green and credited to Buck Earle, but it failed to chart.
1973 found Nilsson back in California, and when John Lennon moved there during his separation from Yoko Ono, the two musicians rekindled their earlier friendship. Lennon was intent upon producing Nilsson's next album, much to Nilsson's delight. However, their time together in California became known much more for heavy drinking and drug use than it did for musical collaboration. In a widely publicized incident, they were ejected from the Troubadour nightclub in West Hollywood for drunken heckling of the Smothers Brothers. Both men also caused property damage during binges, with Lennon trashing a bedroom in Lou Adler's house, and Nilsson throwing a bottle through a thirty-foot-high hotel window.
To make matters worse, Nilsson ruptured a vocal cord during the sessions for this album, but he hid the injury due to fear that Lennon would call a halt to the production. The resulting album was ''Pussy Cats''. In an effort to clean up, Lennon, Nilsson and Ringo Starr first rented a house together, then Lennon and Nilsson left for New York.
After the relative failure of his latest two albums, RCA Records considered dropping Nilsson's contract. In a show of friendship, Lennon accompanied Nilsson to negotiations, and both intimated to RCA that Lennon and Starr might want to sign with them, once their Apple Records contracts with EMI expired in 1975, but would not be interested if Nilsson were no longer with the label. RCA took the hint and re-signed Nilsson (adding a bonus clause, to apply to each new album completed), but neither Lennon nor Starr signed with RCA.
Nilsson's voice had mostly recovered by his next release, ''Duit on Mon Dei'' (1975), but neither it nor its follow-ups, ''Sandman'' and ''...That's the Way It Is'' (both 1976) met with chart success. Finally, Nilsson recorded what he later considered to be his favorite album, 1977's ''Knnillssonn''. With his voice strong again, and his songs exploring musical territory reminiscent of ''Harry'' or ''The Point!'', Nilsson anticipated ''Knnillssonn'' to be a comeback album. RCA seemed to agree, and promised Nilsson a substantial marketing campaign for the album. However, the death of Elvis Presley caused RCA to ignore everything except meeting demand for Presley's back catalog, and the promised marketing push never happened. This, combined with RCA releasing a ''Nilsson Greatest Hits'' collection without consulting him, prompted Nilsson to leave the label.
On September 7, 1978, The Who's drummer Keith Moon returned to the same room in the flat after a night out, and died from an overdose of Clomethiazole, a prescribed anti-alcohol drug. Nilsson, distraught over another friend's death in his flat, and having little need for the property, sold it to Moon's bandmate Pete Townshend and consolidated his life in Los Angeles.
Nilsson was profoundly affected by the death of John Lennon on December 8, 1980. He joined the Coalition to Stop Gun Violence and overcame his preference for privacy to make appearances for gun control fundraising. He began to appear at Beatlefest conventions and he would get on stage with the Beatlefest house band "Liverpool" to either sing some of his own songs or "Give Peace a Chance."
After a long hiatus from the studio, Nilsson started recording sporadically once again in the mid to late 1980s. Most of these recordings were commissioned songs for movies or television shows. One notable exception was his work on a Yoko Ono Lennon tribute album, ''Every Man Has A Woman'' (1984) (Polydor); another was a cover of "Zip-A-Dee-Doo-Dah" recorded for Hal Willner's 1988 tribute album ''Stay Awake: Various Interpretations of Music from Vintage Disney Films''. Nilsson donated his performance royalties from the song to the Coalition to Stop Gun Violence.
In 1985 Nilsson set up a production company, Hawkeye, to oversee various film, TV and multimedia projects he was involved in. He appointed his friend, satirist and screenwriter Terry Southern, as one of the principals. They collaborated on a number of screenplays including ''Obits'' (a Citizen Kane-style story about a journalist investigating an obituary notice) and ''The Telephone'', a comedy about an unhinged unemployed actor.
''The Telephone'' was virtually the only Hawkeye project that made it to the screen. It had been written with Robin Williams in mind but he turned it down; comedian-actress Whoopi Goldberg then signed on, with Southern's friend Rip Torn directing, but the project was troubled. Torn battled with Goldberg, who interfered in the production and constantly digressed from the script during shooting, and Torn was forced to plead with her to perform takes that stuck to the screenplay. Torn, Southern and Nilsson put together their own version of the film, which screened at the Sundance Film Festival in early 1988, but it was overtaken by the "official" version from the studio, and this version premiered to poor reviews in late January 1988. The project reportedly had some later success when adapted as a theatre piece in Germany.
In 1990, Hawkeye foundered and Nilsson found himself in a dire financial situation after it was discovered that his financial adviser Cindy Sims had embezzled all the funds he had earned as a recording artist. The Nilssons were left with $300 in the bank and a mountain of debt, while Sims served less than two years and was released from prison in 1994 without making restitution.
In 1991, the Disney CD ''For Our Children'', a compilation of children's music performed by celebrities to benefit the Elizabeth Glaser Pediatric AIDS Foundation, included Nilsson's original composition "Blanket for a Sail," recorded at the Shandaliza Recording Studio in Los Angeles.
Nilsson made his last concert appearance September 1, 1992, when he joined Ringo Starr and His All Starr Band on stage at Caesar's Palace in Las Vegas, Nevada to sing "Without You" with Todd Rundgren handling the high notes. Afterwards, an emotional Ringo Starr embraced Nilsson on stage.
On January 15, 1994, Nilsson died of heart failure in his Agoura Hills, California, home. According to his wife, they had been watching ''Enchanted April'', and the last thing he told her before she fell asleep was, "I love you so much."
In 1995, the 2-CD anthology he worked on with RCA, ''Personal Best'', was released.
The filmmakers re-edited the film with found rare footage of Nilsson, further interviews, and family photographs, and finally released it on September 17, 2010 at selected theaters in the United States. A DVD, including additional footage not in the theatrical release, was released on October 26, 2010.
, Nilsson's final album, tentatively titled ''Papa's Got a Brown New Robe'' (produced by Mark Hudson) has not been released, though several demos from the album are available on promotional CDs and online.
The musical ''Everyday Rapture'' features three songs by Nilsson.
Nilsson was survived by his third wife, Una (née O'Keeffe), and their six children (Annie, Beau, Ben, Kief, Olivia, Oscar), his son Zachary Nine Nilsson from his marriage to Diane Clatworthy, and one grandson (Caleb). He was married to Sandy Maganiello (1964–1966), Diane Clatworthy (1969–1974) and Una O'Keeffe (1976–1994).
The ''New York Post'' rated Nilsson's cover of Fred Neil's "Everybody's Talking" #51 on their list of the 100 Best Cover Songs of All Time.
''For The Love of Harry: Everybody Sings Nilsson'' (1995, MusicMasters/BMG), featured Nilsson's songs performed by Ringo Starr, Stevie Nicks, Richard Barone, Brian Wilson, Aimee Mann, Fred Schneider, and others, with proceeds benefitting the Coalition to Stop Gun Violence.
# Peter Dizozza: "Without Her" # Hilary Levitt: "Down" # Shank: "Jump Into the Fire" # OrimaR2 featuring NitWiT: "I'd Rather Be Dead" # The Neshama Alma Band: "Ambush" # Buzzsaw and the Shavings: "Best Friend" # Matt Kinnison: "Coconut" # LAM: "Driving Along" # Johnny J with Vorgus: "Spaceman" # Mary Jane: "Me And My Arrow" # MWF: "I'll Never Leave You" # Lolwolf: "Black Sails In The Moonlight" # Charles Fyant: "The Moonbeam Song" # Pinkie: "One" # Linda Draper and Brian Wurschum: "The Lottery Song" # David Spero Peligro: "It's a Jungle Out There" # an additional track by The Spaceheaters. "Doris, Buzz and Friends" by John Krane (2008 Cloverbelly Records). Although no Nilsson tracks were featured, the digital version of this album paid tribute to the famous Nilsson Schmilsson album cover, and the robe worn by Krane in the cover photograph actually belonged to Harry Nilsson.
Category:1941 births Category:1994 deaths Category:American male singers Category:American pianists Category:American rock guitarists Category:Songwriters from New York Category:Deaths from myocardial infarction Category:Disease-related deaths in California Category:Grammy Award winners Category:Musicians from New York City Category:People from Brooklyn Category:American musicians of Swedish descent
ca:Harry Nilsson de:Harry Nilsson es:Harry Nilsson fa:هری نیلسون fr:Harry Nilsson it:Harry Nilsson he:הארי נילסון nl:Harry Nilsson ja:ハリー・ニルソン no:Harry Nilsson nn:Harry Nilsson pl:Harry Nilsson pt:Harry Nilsson ro:Harry Nilsson ru:Нилссон, Гарри simple:Harry Nilsson fi:Harry Nilsson sv:Harry Nilsson uk:Гаррі НілссонThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Orville Wright |
---|---|
birth date | August 19, 1871 |
birth place | Dayton, Ohio |
death date | January 30, 1948 |
death place | Dayton, Ohio |
occupation | printer/publisher, bicycle retailer/manufacturer, airplane inventor/manufacturer, pilot trainer |
spouse | none |
ethnicity | German, Dutch, English |
signature | Orville Wright Signature.svg }} |
name | Wilbur Wright |
---|---|
birth date | April 16, 1867 |
birth place | Millville, Indiana |
death date | May 30, 1912 |
death place | Dayton, Ohio |
occupation | editor, bicycle retailer/manufacturer, airplane inventor/manufacturer, pilot trainer |
spouse | none |
ethnicity | German, Dutch, English |
signature | Wilbur Wright Signature.svg }} |
The brothers' fundamental breakthrough was their invention of three-axis control, which enabled the pilot to steer the aircraft effectively and to maintain its equilibrium. This method became standard and remains standard on fixed-wing aircraft of all kinds. From the beginning of their aeronautical work, the Wright brothers focused on developing a reliable method of pilot control as the key to solving "the flying problem". This approach differed significantly from other experimenters of the time who put more emphasis on developing powerful engines. Using a small homebuilt wind tunnel, the Wrights also collected more accurate data than any before, enabling them to design and build wings and propellers that were more efficient than any before. Their first U.S. patent, 821,393, did not claim invention of a flying machine, but rather, the invention of a system of aerodynamic control that manipulated a flying machine's surfaces.
They gained the mechanical skills essential for their success by working for years in their shop with printing presses, bicycles, motors, and other machinery. Their work with bicycles in particular influenced their belief that an unstable vehicle like a flying machine could be controlled and balanced with practice. From 1900 until their first powered flights in late 1903, they conducted extensive glider tests that also developed their skills as pilots. Their bicycle shop employee Charlie Taylor became an important part of the team, building their first aircraft engine in close collaboration with the brothers.
The Wright brothers' status as inventors of the airplane has been subject to counter-claims by various parties. Much controversy persists over the many competing claims of early aviators.
In the winter of 1885–86 Wilbur was accidentally struck in the face by a hockey stick while playing an ice-skating game with friends, resulting in the loss of his front teeth. He had been vigorous and athletic until then, and although his injuries did not appear especially severe, he became withdrawn, and did not attend Yale as planned. Had he enrolled, his career might have taken a very different path than the extraordinary one he eventually followed with Orville. Instead, he spent the next few years largely housebound, caring for his mother who was terminally ill with tuberculosis and reading extensively in his father's library. He ably assisted his father during times of controversy within the Brethren Church, but also expressed unease over his own lack of ambition.
Orville dropped out of high school after his junior year to start a printing business in 1889, having designed and built his own printing press with Wilbur's help. Wilbur shook off the lingering depression caused by his accident and joined the print shop, serving as editor while Orville was publisher of the weekly newspaper the ''West Side News'', followed for only a few months by the daily ''Evening Item''. One of their clients for printing jobs was Orville's friend and classmate in high school, Paul Laurence Dunbar, who rose to international acclaim as a ground-breaking African-American poet and writer. The Wrights printed the ''Dayton Tattler,'' a weekly newspaper that Dunbar edited for a brief period.
Capitalizing on the national bicycle craze (spurred by the invention of the safety bicycle and its substantial advantages over the penny farthing design), the brothers opened a repair and sales shop in 1892 (the Wright Cycle Exchange, later the Wright Cycle Company) and began manufacturing their own brand in 1896. They used this endeavor to fund their growing interest in flight. In the early or mid-1890s they saw newspaper or magazine articles and probably photographs of the dramatic glides by Otto Lilienthal in Germany. The year 1896 brought three important aeronautical events. In May, Smithsonian Institution Secretary Samuel Langley successfully flew an unmanned steam-powered model aircraft. In the summer, Chicago engineer and aviation authority Octave Chanute brought together several men who tested various types of gliders over the sand dunes along the shore of Lake Michigan. In August, Lilienthal was killed in the plunge of his glider. These events lodged in the consciousness of the brothers. In May 1899 Wilbur wrote a letter to the Smithsonian Institution requesting information and publications about aeronautics. Drawing on the work of Sir George Cayley, Chanute, Lilienthal, Leonardo da Vinci, and Langley, they began their mechanical aeronautical experimentation that year.
The Wright brothers always presented a unified image to the public, sharing equally in the credit for their invention. Biographers note, however, that Wilbur took the initiative in 1899–1900, writing of "my" machine and "my" plans before Orville became deeply involved when the first person singular became the plural "we" and "our". Author James Tobin asserts, "it is impossible to imagine Orville, bright as he was, supplying the driving force that started their work and kept it going from the back room of a store in Ohio to conferences with capitalists, presidents, and kings. Will did that. He was the leader, from the beginning to the end."
On the basis of observation, Wilbur concluded that birds changed the angle of the ends of their wings to make their bodies roll right or left. The brothers decided this would also be a good way for a flying machine to turn—to "bank" or "lean" into the turn just like a bird—and just like a person riding a bicycle, an experience with which they were thoroughly familiar. Equally important, they hoped this method would enable recovery when the wind tilted the machine to one side (lateral balance). They puzzled over how to achieve the same effect with man-made wings and eventually discovered wing-warping when Wilbur idly twisted a long inner-tube box at the bicycle shop.
Other aeronautical investigators regarded flight as if it were not so different from surface locomotion, except the surface would be elevated. They thought in terms of a ship's rudder for steering, while the flying machine remained essentially level in the air, as did a train or an automobile or a ship at the surface. The idea of deliberately leaning, or rolling, to one side seemed either undesirable or did not enter their thinking. Some of these other investigators, including Langley and Chanute, sought the elusive ideal of "inherent stability", believing the pilot of a flying machine would not be able to react quickly enough to wind disturbances to use mechanical controls effectively. The Wright brothers, on the other hand, wanted the pilot to have absolute control. For that reason, their early designs made no concessions toward built-in stability (such as dihedral wings). They deliberately designed their 1903 first powered flyer with anhedral (drooping) wings, which are inherently unstable, but less susceptible to upset by gusty sidewinds.
In 1900 the brothers journeyed to Kitty Hawk, North Carolina to begin their manned gliding experiments. Wilbur chose the location on the basis of a reply to his first letter to Octave Chanute, whose suggestions included the Atlantic coast for regular breezes and a soft sandy landing surface. Wilbur also requested and scrutinized U.S. Weather Bureau data, and selected Kitty Hawk after writing to the government meteorologist stationed there. The location, although remote, was closer to Dayton than other places Chanute had suggested, including California and Florida. The spot also gave them privacy from reporters, who had turned the 1896 Chanute experiments at Lake Michigan into something of a circus. Chanute visited them in camp each season from 1901 to 1903 and saw gliding experiments, but not the powered flights.
The Wrights based the design of their first full-size glider (as well as the 1899 kite) on the work of their recent predecessors, chiefly the Chanute-Herring biplane hang glider ("double-decker", as the Wrights called it), which flew well in the 1896 experiments near Chicago; and aeronautical data on lift that Lilienthal had published. The Wrights designed the wings with camber, a curvature of the top surface. The brothers did not discover this principle, but took advantage of it. The better lift of a cambered surface compared to a flat one was first discussed scientifically by Sir George Cayley. Lilienthal, whose work the Wrights carefully studied, used cambered wings in his gliders, proving in flight the advantage over flat surfaces. The wooden uprights between the wings of the Wright glider were braced by wires in their own adaptation of Chanute's modified "Pratt truss", a bridge-building design he used in his 1896 glider. The Wrights mounted the horizontal elevator in front of the wings rather than behind, apparently believing this feature would help avoid a nosedive and crash like the one that killed Lilienthal. (Later, when the Brazilian aviation pioneer, Santos-Dumont, flew his ''14-bis'' in Paris in 1906, French newspapers dubbed the tail-first arrangement a "canard", because of the supposed resemblance to a duck in flight.) Wilbur incorrectly believed a tail was not necessary, and their first two gliders did not have one. According to some Wright biographers, Wilbur probably did all the gliding until 1902, perhaps to exercise his authority as older brother and to protect Orville from harm.
+ Glider Vital Statistics | !! Wingspan!!Wing area!! Chord !! Camber !!Aspect ratio!!Length !!Weight | |||||||
1900 | | | 1/20 | 3.5:1 | |||||
1901 | | | 1/12,*1/19 | 3:1 | |||||
1902 | | | 1/20–1/24 | 6.5:1 |
The pilot lay flat on the lower wing, as planned, to reduce aerodynamic drag. As a glide ended, the pilot was supposed to lower himself to a vertical position through an opening in the wing and land on his feet with his arms wrapped over the framework. Within a few glides, however, they discovered the pilot could remain prone on the wing, headfirst, without undue danger when landing. They made all their flights in that position for the next five years.
The poor lift of the gliders led the Wrights to question the accuracy of Lilienthal's data, as well as the "Smeaton coefficient" of air pressure, which had been in existence for over 100 years and was part of the accepted equation for lift. {| border="1" cellpadding="10" |+ The Lift Equation | L = lift in pounds k = coefficient of air pressure (Smeaton coefficient) S = total area of lifting surface in square feet V = velocity (headwind plus ground speed) in miles per hour CL = coefficient of lift (varies with wing shape) |} The Wrights—and Lilienthal—used the equation to calculate the amount of lift that wings of various sizes would produce. On the basis of measurements of lift and wind during the 1901 glider's kite and free flights, Wilbur believed (correctly, as tests later showed) that the Smeaton number was very close to 0.0033, not the traditionally used 60 percent larger 0.0054, which would exaggerate predicted lift.
Back home, furiously pedaling a strange-looking bicycle on neighborhood streets, they conducted makeshift open-air tests with a miniature Lilienthal airfoil and a counter-acting flat plate, which were both attached to a freely rotating third bicycle wheel mounted horizontally in front of the handlebars. Because the third wheel rotated against the airfoil instead of remaining motionless as the calculations predicted, the Wrights confirmed their suspicion that published data on lift were unreliable, and they decided to expand their investigation. They also realized that trial-and-error with different wings on full-size gliders was too costly and time-consuming. Putting aside the three-wheel bicycle, they built a six-foot wind tunnel in their shop and conducted systematic tests on miniature wings from October to December 1901. The "balances" they devised and mounted inside the tunnel to hold the wings looked crude, made of bicycle spokes and scrap metal, but were "as critical to the ultimate success of the Wright brothers as were the gliders." The devices allowed the brothers to balance lift against drag and accurately calculate the performance of each wing. They could also see which wings worked well as they looked through the viewing window in the top of the tunnel. Prior to beginning their wind tunnel experiments, Wilbur, at Chanute's invitation, traveled to Chicago to give a speech to the Western Society of Engineers on September 18, 1901. Wilbur's speech consisted of detailed accounts of his and Orville's glider experiments at Kitty Hawk up to the fall of 1901 and was complemented by a lantern slide show of photographs. Wilbur's speech was the first public account of the brothers' experiments.
Lilienthal had made "whirling arm" tests on only a few wing shapes, and the Wrights mistakenly assumed the data would apply to their wings, which had a different shape. The Wrights took a huge step forward and made basic wind tunnel tests on 200 wings of many shapes and airfoil curves, followed by detailed tests on 38 of them. The tests, according to biographer Howard, "were the most crucial and fruitful aeronautical experiments ever conducted in so short a time with so few materials and at so little expense". An important discovery was the benefit of longer narrower wings: in aeronautical terms, wings with a larger aspect ratio (wingspan divided by chord—the wing's front-to-back dimension). Such shapes offered much better lift-to-drag ratio than the broader wings the brothers had tried so far.
With this knowledge, and a more accurate Smeaton number, the Wrights designed their 1902 glider. Using another crucial discovery from the wind tunnel, they made the airfoil flatter, reducing the camber (the depth of the wing's curvature divided by its chord). The 1901 wings had significantly greater curvature, a highly inefficient feature the Wrights copied directly from Lilienthal. Fully confident in their new wind tunnel results, the Wrights discarded Lilienthal's data, now basing their designs on their own calculations. With characteristic caution, the brothers first flew the 1902 glider as an unmanned kite, as they had done with their two previous versions. Rewarding their wind tunnel work, the glider produced the expected lift. It also had a new structural feature: a fixed, rear vertical rudder, which the brothers hoped would eliminate turning problems.
By 1902 they realized that wing-warping created "differential drag" at the wingtips. Greater lift at one end of the wing also increased drag, which slowed that end of the wing, making the aircraft swivel—or "yaw"—so the nose pointed away from the turn. That was how the tailless 1901 glider behaved.
The improved wing design enabled consistently longer glides, and the rear rudder prevented adverse yaw—so effectively that it introduced a new problem. Sometimes when the pilot attempted to level off from a turn, the glider failed to respond to corrective wing-warping and persisted into a tighter turn. The glider would slide toward the lower wing, which hit the ground, spinning the aircraft around. The Wrights called this "well digging".
Orville apparently visualized that the fixed rudder resisted the effect of corrective wing-warping when attempting to level off from a turn. He wrote in his diary that on the night of October 2, "I studied out a new vertical rudder". The brothers then decided to make the rear rudder movable to solve the problem. They hinged the rudder and connected it to the pilot's warping "cradle", so a single movement by the pilot simultaneously controlled wing-warping and rudder deflection. Tests while gliding proved that the trailing edge of the rudder should be turned away from whichever end of the wings had more drag (and lift) due to warping. The opposing pressure produced by turning the rudder enabled corrective wing-warping to reliably restore level flight after a turn or a wind disturbance. Furthermore, when the glider banked into a turn, rudder pressure overcame the effect of differential drag and pointed the nose of the aircraft in the direction of the turn, eliminating adverse yaw.
In short, the Wrights discovered the true purpose of the movable vertical rudder. Its role was not to change the direction of flight, but rather, to aim or align the aircraft correctly during banking turns and when leveling off from turns and wind disturbances. The actual turn—the change in direction—was done with roll control using wing-warping. The principles remained the same when ailerons superseded wing-warping.
With their new method the Wrights achieved true control in turns for the first time on October 8, 1902, a major milestone. During September and October they made between 700 and 1,000 glides, the longest lasting 26 seconds and covering . Hundreds of well-controlled glides after they made the rudder steerable convinced them they were ready to build a powered flying machine.
Thus did three-axis control evolve: wing-warping for roll (lateral motion), forward elevator for pitch (up and down) and rear rudder for yaw (side to side). On March 23, 1903, the Wrights applied for their famous patent for a "Flying Machine", based on their successful 1902 glider. Some aviation historians believe that applying the system of three-axis flight control on the 1902 glider was equal to, or even more significant, than the addition of power to the 1903 Flyer. Peter Jakab of the Smithsonian asserts that perfection of the 1902 glider essentially represents invention of the airplane.
Wilbur made a March 1903 entry in his notebook indicating the prototype propeller was 66% efficient. Modern wind tunnel tests on reproduction 1903 propellers show they were more than 75% efficient under the conditions of the first flights, and actually had a peak efficiency of 82%. This is a remarkable achievement, considering that modern wooden propellers have a maximum efficiency of 85%.
The Wrights wrote to several engine manufacturers, but none met their need for a sufficiently lightweight powerplant. They turned to their shop mechanic, Charlie Taylor, who built an engine in just six weeks in close consultation with the brothers. To keep the weight low enough, the engine block was cast from aluminum, a rare practice for the time. The Wright/Taylor engine was a primitive version of modern fuel-injection systems, having no carburetor or fuel pump. Gasoline was gravity-fed into the crankcase through a rubber tube from the fuel tank mounted on a wing strut.
The propeller drive chains, resembling those of bicycles, were actually supplied by a manufacturer of heavy-duty automobile chain-drives. The ''Flyer'' cost less than a thousand dollars, in contrast to more than $50,000 in government funds given to Samuel Langley for his man-carrying Great Aerodrome. The Flyer had a wingspan of , weighed and sported a engine.
In camp at Kill Devil Hills, they suffered weeks of delays caused by broken propeller shafts during engine tests. After the shafts were replaced (requiring two trips back to Dayton), Wilbur won a coin toss and made a three-second flight attempt on December 14, 1903, stalling after takeoff and causing minor damage to the Flyer. (Because December 13, 1903, was a Sunday, the brothers did not make any attempts that day, even though the weather was good.) In a message to their family, Wilbur referred to the trial as having "only partial success", stating "the power is ample, and but for a trifling error due to lack of experience with this machine and this method of starting, the machine would undoubtedly have flown beautifully." Following repairs, the Wrights finally took to the air on December 17, 1903, making two flights each from level ground into a freezing headwind gusting to . The first flight, by Orville, of in 12 seconds, at a speed of only over the ground, was recorded in a famous photograph. The next two flights covered approximately and , by Wilbur and Orville respectively. Their altitude was about above the ground. The following is Orville Wright's account of the final flight of the day:
Wilbur started the fourth and last flight at just about 12 o'clock. The first few hundred feet were up and down, as before, but by the time three hundred ft had been covered, the machine was under much better control. The course for the next four or five hundred feet had but little undulation. However, when out about eight hundred feet the machine began pitching again, and, in one of its darts downward, struck the ground. The distance over the ground was measured to be 852 feet; the time of the flight was 59 seconds. The frame supporting the front rudder was badly broken, but the main part of the machine was not injured at all. We estimated that the machine could be put in condition for flight again in about a day or two.Five people witnessed the flights: Adam Etheridge, John T. Daniels (who snapped the famous "first flight" photo using Orville's pre-positioned camera) and Will Dough, all of the U.S. government coastal lifesaving crew; area businessman W.C. Brinkley; and Johnny Moore, a teenaged boy who lived in the area. After the men hauled the Flyer back from its fourth flight, a powerful gust of wind flipped it over several times, despite the crew's attempt to hold it down. Severely damaged, the airplane never flew again. The brothers shipped it home, and years later Orville restored it, lending it to several U.S. locations for display, then to a British museum (see Smithsonian dispute below), before it was finally installed in the Smithsonian Institution in Washington, D.C. in 1948, its current residence.
The Wrights sent a telegram about the flights to their father, requesting that he "inform press." However, the ''Dayton Journal'' refused to publish the story, saying the flights were too short to be important. Meanwhile, against the brothers' wishes, a telegraph operator leaked their message to a Virginia newspaper, which concocted a highly inaccurate news article that was reprinted the next day in several newspapers elsewhere, including Dayton. The Wrights issued their own factual statement to the press in January. Nevertheless, the flights did not create public excitement—if people even knew about them—and the news soon faded. (In Paris, however, Aero Club of France members, already stimulated by Chanute's reports of Wright gliding successes, took the news more seriously and increased their efforts to catch up to the brothers.)
Modern analysis by Professor Fred E. C. Culick and Henry R. Jex (in 1985) has demonstrated that the 1903 Wright Flyer was so unstable as to be almost unmanageable by anyone but the Wrights, who had trained themselves in the 1902 glider.
The only photos of the flights of 1904–1905 were taken by the brothers. (A few photos were damaged in the Great Dayton Flood of 1913, but most survived intact.) In 1904 Ohio beekeeping businessman Amos Root, a technology enthusiast, saw a few flights including the first circle. Articles he wrote for his beekeeping magazine were the only published eyewitness reports of the Huffman Prairie flights, except for the unimpressive early hop local newsmen saw. Root offered a report to ''Scientific American'' magazine, but the editor turned it down. As a result, the news was not widely known outside of Ohio, and was often met with skepticism. The Paris edition of the Herald Tribune headlined a 1906 article on the Wrights "FLYERS OR LIARS?"
In years to come Dayton newspapers would proudly celebrate the hometown Wright brothers as national heroes, but the local reporters somehow missed one of the most important stories in history as it was happening a few miles from their doorstep. James M. Cox, publisher at that time of the Dayton Daily News (later governor of Ohio and Democratic presidential nominee in 1920), expressed the attitude of newspapermen—and the public—in those days when he admitted years later, "Frankly, none of us believed it." thumb|left|The ''Dayton Daily News'' reported the October 5 flight on page 9, with agriculture and business news.A few newspapers published articles about the long flights, but no reporters or photographers had been there. The lack of splashy eyewitness press coverage was a major reason for disbelief in Washington, D.C. and Europe and in journals like ''Scientific American,'' whose editors doubted the "alleged experiments" and asked how U.S. newspapers, "alert as they are, allowed these sensational performances to escape their notice."
The Wright brothers were certainly complicit in the lack of attention they received. Fearful of competitors stealing their ideas, and still without a patent, they flew on only one more day after October 5. From then on, they refused to fly anywhere unless they had a firm contract to sell their aircraft. They wrote to the U.S. government, then to Britain, France and Germany with an offer to sell a flying machine, but were rebuffed because they insisted on a signed contract before giving a demonstration. They were unwilling even to show their photographs of the airborne Flyer. The American military, having recently spent $50,000 on the Langley Aerodrome—a product of the nation's foremost scientist—only to see it plunge twice into the Potomac River "like a handful of mortar", was particularly unreceptive to the claims of two unknown bicycle makers from Ohio. Thus, doubted or scorned, the Wright brothers continued their work in semi-obscurity, while other aviation pioneers like Brazilian Alberto Santos-Dumont, Henri Farman, Leon Delagrange and American Glenn Curtiss entered the limelight.
The Paris edition of the ''New York Herald'' summed up Europe's opinion of the Wright brothers in an editorial on February 10, 1906: :The Wrights have flown or they have not flown. They possess a machine or they do not possess one. They are in fact either fliers or liars. It is difficult to fly. It's easy to say, 'We have flown.'
Alberto Santos-Dumont´s public flight in October 1906 was the first certified by the Aéro-Club de France and the Fédération Aéronautique Internationale (FAI). In 1908, after the Wrights' first flights in France, Archdeacon publicly admitted that he had done them an injustice.
Their American and French contracts required them to be able to carry a passenger. They modified the 1905 Flyer by installing two seats and adding upright control levers. After tests with sandbags in the passenger seat, Charlie Furnas, a helper from Dayton, became the first fixed-wing aircraft passenger on a few short flights May 14. For safety, and as a promise to their father, Wilbur and Orville did not fly together. However, several newspaper accounts at the time mistakenly took Orville's flight with Furnas as both brothers flying together. Later that day after flying solo seven minutes, Wilbur suffered his worst crash when, still not well-acquainted with the two control levers, he apparently moved one the wrong way and slammed the Flyer into the sand between 40 and an hour. He emerged with only bruises and a cut nose, but the accident ended the practice flights—and the airplane's flying career.
Facing a lot of skepticism in the French aeronautical community and outright scorn by some newspapers that called him a "bluffeur," Wilbur began official public demonstrations on August 8, 1908 at the Hunaudières horse racing track near the town of Le Mans, France. His first flight lasted only one minute 45 seconds, but his ability to effortlessly make banking turns and fly a circle amazed and stunned onlookers, including several pioneer French aviators, among them Louis Bleriot. In the following days, Wilbur made a series of technically challenging flights, including figure-eights, demonstrating his skills as a pilot and the capability of his flying machine, which far surpassed those of all other pilot pioneers.
The French public was thrilled by Wilbur's feats and flocked to the field by the thousands. The Wright brothers catapulted to world fame overnight. Former doubters issued apologies and effusive praise. ''L'Aérophile'' editor Georges Besançon wrote that the flights "have completely dissipated all doubts. Not one of the former detractors of the Wrights dare question, today, the previous experiments of the men who were truly the first to fly...." Leading French aviation promoter Ernest Archdeacon wrote, "For a long time, the Wright brothers have been accused in Europe of bluff... They are today hallowed in France, and I feel an intense pleasure...to make amends."
On October 7, 1908, Edith Berg, the wife of the brothers' European business agent, became the first American woman passenger when she flew with Wilbur—-one of many passengers who rode with him that autumn. with Léon Delagrange in Milan, Italy.|group=N}} Wilbur also became acquainted with Léon Bollée and his family. Bollee was the owner of an automobile factory where Wilbur would assemble the Flyer and where he would be provided with hired assistance. Bollee would fly that autumn with Wilbur. Madame Bollee had been in the latter stages of pregnancy when Wilbur arrived in LeMans in June 1908 to assemble the Flyer. Wilbur promised her that he would make his first European flight the day her baby was born which he did, August 8, 1908.
Orville followed his brother's success by demonstrating another nearly identical Flyer to the United States Army at Fort Myer, Virginia, starting on September 3, 1908. On September 9, he made the first hour-long flight, lasting 62 minutes and 15 seconds.thumb|Fort Myer crash. Photo by C.H. Claudy. On September 17, Army lieutenant Thomas Selfridge rode along as his passenger, serving as an official observer. A few minutes into the flight at an altitude of about , a propeller split and shattered, sending the aircraft out of control. Selfridge suffered a fractured skull in the crash and died that evening in the nearby Army hospital, becoming the first airplane crash fatality. Orville was badly injured, suffering a broken left leg and four broken ribs. Twelve years later, after he suffered increasingly severe pains, X-rays revealed the accident had also caused three hip bone fractures and a dislocated hip. The brothers' sister Katharine, a school teacher, rushed from Dayton to Virginia and stayed by Orville's side for the seven weeks of his hospitalization. She helped negotiate a one-year extension of the Army contract. A friend visiting Orville in the hospital asked, "Has it got your nerve?" "Nerve?" repeated Orville, slightly puzzled. "Oh, do you mean will I be ''afraid'' to fly again? The only thing I'm afraid of is that I can't get well soon enough to finish those tests next year."
Deeply shocked by the accident, Wilbur determined to make even more impressive flight demonstrations; in the ensuing days and weeks he set new records for altitude and duration. In January 1909 Orville and Katharine joined him in France, and for a time they were the three most famous people in the world, sought after by royalty, the rich, reporters and the public. The kings of England, Spain and Italy came to see Wilbur fly. thumb|left|Wright Model A Flyer flown by Wilbur 1908–1909 and launching derrick, France, 1909 The Wrights traveled to Pau, in the south of France, where Wilbur made many more public flights, giving rides to a procession of officers, journalists and statesmen—and his sister Katharine on February 15. He trained two French pilots, then transferred the airplane to the French company. In April the Wrights went to Italy where Wilbur assembled another Flyer, giving demonstrations and training more pilots. A cameraman climbed aboard and made the first motion picture from an aircraft.
After their return to the U.S., the brothers and Katharine were invited to the White House where President Taft bestowed awards upon them. Dayton followed up with a lavish two-day homecoming celebration. In July 1909 Orville, with Wilbur assisting, completed the proving flights for the U.S. Army, meeting the requirements of a two-seater able to fly with a passenger for an hour at an average of speed of an hour (64 km/h) and land undamaged. They sold the aircraft to the Army's Aeronautical Division, U.S. Signal Corps for $30,000 (which included a $5,000 bonus for exceeding the speed specification). Wilbur climaxed an extraordinary year in early October when he flew at New York City's Hudson-Fulton celebrations, circling the Statue of Liberty and making a 33-minute flight up and down the Hudson River alongside Manhattan in view of up to one million New Yorkers. These flights solidly established the fame of the Wright brothers in America.
From 1910 until his death from typhoid fever in 1912, Wilbur took the leading role in the patent struggle, traveling incessantly to consult with lawyers and testify in what he felt was a moral cause, particularly against Curtiss, who was creating a large company to manufacture aircraft. The Wrights' preoccupation with the legal issue stifled their work on new designs, and by 1911 Wright aircraft were considered inferior to those of European makers. Indeed, aviation development in the U.S. was suppressed to such an extent that when the U.S. entered World War I no acceptable American-designed aircraft were available, and U.S. forces were compelled to use French machines. Orville and Katharine Wright believed Curtiss was partly responsible for Wilbur's premature death, which occurred in the wake of his exhausting travels and the stress of the legal battle.
In mid-1910, the Wrights changed the design of the Wright Flyer, moving the horizontal elevator from the front to the back and adding wheels although keeping the skids as part of the undercarriage unit. It had become apparent by then that a rear elevator would make the airplane easier to control, especially as higher speeds grew more common. This aircraft was designated the "Model B", although the original canard design was never referred to as the "Model A" by the Wrights. However, the US Signal Corps which bought the aircraft did call it "Wright Type A".
There were not many customers for aircraft, so in the spring of 1910 the Wrights hired and trained a team of salaried exhibition pilots to show off their machines and win prize money for the company—despite Wilbur's disdain for what he called "the mountebank business". The team debuted at the Indianapolis Speedway on June 13. Before the year was over, pilots Ralph Johnstone and Arch Hoxsey died in air show crashes, and in November 1911 the brothers disbanded the team on which nine men had served (four other former team members died in crashes afterward).
The Wright Company transported the first known commercial air cargo on November 7, 1910 by flying two bolts of dress silk from Dayton to Columbus, Ohio for the Morehouse-Martens Department Store, which paid a $5,000 fee. Company pilot Phil Parmelee made the flight—which was more an exercise in advertising than a simple delivery—in an hour and six minutes with the cargo strapped in the passenger's seat. The silk was cut into small pieces and sold as souvenirs.
Between 1910 and 1916 the Wright Company flying school at Huffman Prairie trained 115 pilots who were instructed by Orville and his assistants. Several trainees became famous, including Henry "Hap" Arnold, who rose to Five-Star General, commanded U.S. Army Air Forces in World War II, and became first head of the U.S. Air Force; Calbraith Perry Rodgers, who made the first coast-to-coast flight in 1911 (with many stops and crashes) in a Wright Model EX named the "Vin Fiz" after the sponsor's soft drink; and Eddie Stinson, founder of the Stinson Aircraft Company.
Orville repeatedly objected to misrepresentation of the Aerodrome, but the Smithsonian was unyielding. Orville responded by loaning the restored 1903 Kitty Hawk Flyer to the London Science Museum in 1928, refusing to donate it to the Smithsonian while the Institution "perverted" the history of the flying machine. Subsequently Orville would never see his invention again as he would die before its return to the United States. Charles Lindbergh attempted to mediate the dispute, to no avail. In 1942, after years of bad publicity, and encouraged by Wright biographer Fred C. Kelly, the Smithsonian finally relented by publishing, for the first time, a list of the Aerodrome modifications and recanting misleading statements it had made about the 1914 tests. Orville then privately requested the British museum to return the Flyer, but the airplane remained in protective storage for the duration of World War II and finally came home after Orville's death.
On November 23, 1948, the executors of Orville's estate signed an agreement for the Smithsonian to purchase the Flyer for one dollar. At the insistence of the executors, the agreement also included strict conditions for display of the airplane.thumb|left|Original 1903 Wright Flyer in the National Air and Space Museum in Washington, D.C. The agreement reads, in part, "Neither the Smithsonian Institution or its successors, nor any museum or other agency, bureau or facilities administered for the United States of America by the Smithsonian Institution or its successors shall publish or permit to be displayed a statement or label in connection with or in respect of any aircraft model or design of earlier date than the 1903 Wright Aeroplane, claiming in effect that such aircraft was capable of carrying a man under its own power in controlled flight." If this agreement is not fulfilled, the Flyer can be reclaimed by the heir of the Wright brothers. Some aviation buffs, particularly those who promote the legacy of Gustave Whitehead, now accuse the Smithsonian of refusing to investigate claims of earlier flights. After a ceremony in the Smithsonian museum, the Flyer went on public display on December 17, 1948, the 45th anniversary of the only day it was flown successfully. The Wright brothers' nephew Milton (Lorin's son), who had seen gliders and the Flyer under construction in the bicycle shop when he was a boy, gave a brief speech and formally transferred the airplane to the Smithsonian, which displayed it with the accompanying label:
The original Wright brothers aeroplane | The world's first power-driven heavier-than-air machine in which man made free, controlled, and sustained flight | Invented and built by Wilbur and Orville Wright | Flown by them at Kitty Hawk, North Carolina December 17, 1903 | By original scientific research the Wright brothers discovered the principles of human flight | As inventors, builders, and flyers they further developed the aeroplane, taught man to fly, and opened the era of aviation |
Orville Wright served NACA for 28 years. In 1930, he received the first Daniel Guggenheim Medal established in 1928 by the Daniel Guggenheim Fund for the Promotion of Aeronautics. In 1936, he was elected a member of the National Academy of Sciences.
On April 19, 1944, the second production Lockheed Constellation, piloted by Howard Hughes and TWA president Jack Frye, flew from Burbank, California, to Washington, D.C. in 6 hours and 57 minutes (2300 mi – 330.9 mph). On the return trip, the aircraft stopped at Wright Field to give Orville Wright his last airplane flight, more than 40 years after his historic first flight. He may even have briefly handled the controls. He commented that the wingspan of the Constellation was longer than the distance of his first flight. Perhaps the last major highlight of Orville's life was supervising the reclamation and preservation of the 1905 Wright Flyer III, an aircraft that stands equally in importance with the 1903 Flyer.
Orville died on January 30, 1948, after his second heart attack, having lived from the horse-and-buggy age to the dawn of supersonic flight. He was followed a day later by John T. Daniels, the Coast Guardsman who took their famous first flight photo. Both brothers are buried at the family plot at Woodland Cemetery, Dayton, Ohio.
The site of the first flights in North Carolina is preserved as Wright Brothers National Memorial, while their Ohio facilities are part of Dayton Aviation Heritage National Historical Park. As the positions of both states can be factually defended, and each played a significant role in the history of flight, neither state truly has an exclusive claim to the Wrights' accomplishment.
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On May 10, 1863 Joachim married the contralto Amalie Schneeweiss (stage name: Amalie Weiss) (1839–99). Amalie gave up her own promising career as an opera singer and gave birth to six children. She did continue to perform in oratorios and to give lieder recitals. In 1865 Joachim quit the service of the King of Hanover in protest, when the Intendant of the Opera refused to advance one of the orchestral players (Jakob Grün) because of the latter's Jewish birth. In 1866, Joachim moved to Berlin, where he was invited to help found a new department of the Royal Academy of Music. There he became the director of the Hochschule für ausübende Tonkunst, or High School for Musical Execution.
On Good Friday, April 10, 1868, Joachim and his wife joined their friend, Johannes Brahms, in the celebration of one of Brahms' greatest triumphs, the first complete performance of his ''German Requiem'' at the Bremen Cathedral. Amalie Joachim sang "I Know that My Redeemer Liveth" and Joseph Joachim played Schumann's ''Abendlied''. It was a glorious occasion, after which about 100 of the composer's friends, the Joachims, Clara Schumann, the Dietrichs, Max Bruch and others gathered at the Bremen Rathskeller.
In 1869, the Joachim String Quartet, was formed, which quickly gained a reputation as Europe's finest. Other members of the Quartet were Karel Halíř (2nd violin), Emanuel Wirth (viola) and Robert Hausmann (cello).
In 1884, Joachim and his wife separated after he became convinced that she was having an affair with the publisher Fritz Simrock. Brahms, certain that Joachim's suspicions were groundless, wrote a sympathetic letter to Amalie, which she later produced as evidence in Joachim's divorce proceeding against her. This led to a cooling of Brahms and Joachim's friendship, which was not restored until some years later, when Brahms composed the Double Concerto in A minor for violin and cello, Op. 102, as a peace offering to his old friend.
On April 16, 1889, in England, Joseph Joachim was presented a Stradivarius violin and Tourte bow once owned by Raphael Georg Kiesewetter. In late 1895 both Brahms and Joachim were present at the opening of the new Tonhalle at Zurich, Switzerland; Brahms conducted and Joachim was assistant conductor. But in April, two years later, Joachim was to lose forever this revered friend, as Johannes Brahms died at the age of 64 at Vienna. At Meiningen, in December 1899, it was Joachim who made the speech when a statue to Brahms was unveiled.
200px|thumb|right|Joseph Joachim, by Philip Alexius de László, 1903During 1899, Joachim was invited to become president of the newly-established Oxford & Cambridge Musical Club in London. He remained club president until his death.
In Berlin on August 17, 1903, Joachim recorded five sides for The Gramophone & Typewriter Ltd (G&T;), which remain a fascinating and valuable source of information about 19th-century styles of violin playing. He is the earliest violinist of distinction known to have recorded, only to be followed soon thereafter when Sarasate made some recordings the following year.
Joachim's portrait was twice painted by Philip de László. A portrait of Joachim was painted by John Singer Sargent and presented to him at the 1904 "Diamond Jubilee" celebration of his sixtieth anniversary of his first appearance in London. In Berlin, a great concert took place, at which his pupils past and present, 116 violinists and violists, with 24 cellists who attended his classes played under the direction of Fritz Steinbach, a conductor of note, for his interpretations of Brahms' music. The great moment of celebration came when Joachim, without the slightest hesitation, responded to the spontaneous request to play Beethoven's Violin Concerto in D major.
Joachim remained in Berlin until his death in 1907.
A number of Joachim's composer colleagues, including Schumann, Brahms, Bruch, and Dvořák composed concerti with Joachim in mind, many of which entered the standard repertory. Nevertheless, Joachim's solo repertoire remained relatively restricted. Despite his close friendship with Brahms, Joachim performed his Violin Concerto in D major only six times in his career. He never performed Schumann's Violin Concerto in D minor, which Schumann wrote especially for him, or Dvořák's Violin Concerto in A minor. The most unusual work written for Joachim was the ''F-A-E Sonata'', a collaboration between Schumann, Brahms, and Albert Dietrich, based upon the initials of Joachim's motto, ''Frei aber Einsam'' (free but lonely). Although the sonata is rarely performed in its entirety, the third movement, the ''Scherzo in C minor'', composed by Brahms, is still frequently played today.
Original pressings are single-sided and have a flat red G&T; label. Later reeditions have a black G&T; label (or, from 1909, a label showing the 'His Master's Voice' trade-mark), and those made for the German market are double-sided. They are better in quality.
Category:1831 births Category:1907 deaths Category:Concertmasters Category:Deaths from actinomycosis Category:German people of Hungarian-Jewish descent Category:Honorary Members of the Royal Philharmonic Society Category:Hungarian classical violinists Category:Hungarian composers Category:Hungarian conductors (music) Category:Jewish classical musicians Category:Jewish composers and songwriters Category:Jewish violinists Category:Romantic composers Category:Royal Philharmonic Society Gold Medallists Category:People from Hanover Category:People from Neusiedl am See District Category:Members of the Bavarian Maximilian Order for Science and Art
ca:Joseph Joachim da:Joseph Joachim de:Joseph Joachim es:Joseph Joachim eo:Joseph Joachim fr:Joseph Joachim ko:요제프 요하임 it:József Joachim he:יוזף יואכים la:Iosephus Joachim hu:Joachim József (hegedűművész) nl:Joseph Joachim ja:ヨーゼフ・ヨアヒム no:Joseph Joachim oc:Joseph Joachim pl:Joseph Joachim pt:Joseph Joachim ru:Иоахим, Йозеф fi:Joseph Joachim sv:Joseph Joachim uk:Йозеф Йоахім zh:约瑟夫·约阿希姆This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
In Persia, the title "the Great" at first seems to be a colloquial version of the Old Persian title "Great King". This title was first used by the conqueror Cyrus II of Persia.
The Persian title was inherited by Alexander III of Macedon (336–323 BC) when he conquered the Persian Empire, and the epithet "Great" eventually became personally associated with him. The first reference (in a comedy by Plautus) assumes that everyone knew who "Alexander the Great" was; however, there is no earlier evidence that Alexander III of Macedon was called "''the Great''".
The early Seleucid kings, who succeeded Alexander in Persia, used "Great King" in local documents, but the title was most notably used for Antiochus the Great (223–187 BC).
Later rulers and commanders began to use the epithet "the Great" as a personal name, like the Roman general Pompey. Others received the surname retrospectively, like the Carthaginian Hanno and the Indian emperor Ashoka the Great. Once the surname gained currency, it was also used as an honorific surname for people without political careers, like the philosopher Albert the Great.
As there are no objective criteria for "greatness", the persistence of later generations in using the designation greatly varies. For example, Louis XIV of France was often referred to as "The Great" in his lifetime but is rarely called such nowadays, while Frederick II of Prussia is still called "The Great". A later Hohenzollern - Wilhelm I - was often called "The Great" in the time of his grandson Wilhelm II, but rarely later.
Category:Monarchs Great, List of people known as The Category:Greatest Nationals Category:Epithets
bs:Spisak osoba znanih kao Veliki id:Daftar tokoh dengan gelar yang Agung jv:Daftar pamimpin ingkang dipun paringi julukan Ingkang Agung la:Magnus lt:Sąrašas:Žmonės, vadinami Didžiaisiais ja:称号に大が付く人物の一覧 ru:Великий (прозвище) sl:Seznam ljudi z vzdevkom Veliki sv:Lista över personer kallade den store th:รายพระนามกษัตริย์ที่ได้รับสมัญญานามมหาราช vi:Đại đếThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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