A number is a mathematical object used to count and measure. A notational symbol that represents a number is called a numeral but in common use, the word number can mean the abstract object, the symbol, or the word for the number. In addition to their use in counting and measuring, numerals are often used for labels (telephone numbers), for ordering (serial numbers), and for codes (e.g., ISBNs). In mathematics, the definition of number has been extended over the years to include such numbers as zero, negative numbers, rational numbers, irrational numbers, and complex numbers.
Certain procedures that take one or more numbers as input and produce a number as output are called numerical operations. Unary operations take a single input number and produce a single output number. For example, the successor operation adds one to an integer, thus the successor of 4 is 5. Binary operations take two input numbers and produce a single output number. Examples of binary operations include addition, subtraction, multiplication, division, and exponentiation. The study of numerical operations is called arithmetic.
+ Number systems | ||
! | ! Natural | 0, 1, 2, 3, 4, ... or 1, 2, 3, 4, ... |
! | ! Integers | ..., −5, −4, −3, −2, −1, 0, 1, 2, 3, 4, 5, ... |
! - | ! Positive integers | 1, 2, 3, 4, 5, ... |
! | ! Rational | where ''a'' and ''b'' are integers and ''b'' is not zero |
! | ! Real | The limit of a convergent sequence of rational numbers |
! | ! Complex | ''a'' + ''bi'' where ''a'' and ''b'' are real numbers and ''i'' is the square root of −1 |
In the base ten numeral system, in almost universal use today for mathematical operations, the symbols for natural numbers are written using ten digits: 0, 1, 2, 3, 4, 5, 6, 7, 8, and 9. In this base ten system, the rightmost digit of a natural number has a place value of one, and every other digit has a place value ten times that of the place value of the digit to its right.
In set theory, which is capable of acting as an axiomatic foundation for modern mathematics, natural numbers can be represented by classes of equivalent sets. For instance, the number 3 can be represented as the class of all sets that have exactly three elements. Alternatively, in Peano Arithmetic, the number 3 is represented as sss0, where s is the "successor" function (i.e., 3 is the third successor of 0). Many different representations are possible; all that is needed to formally represent 3 is to inscribe a certain symbol or pattern of symbols three times.
The set of integers forms a ring with operations addition and multiplication.
Every rational number is also a real number. It is not the case, however, that every real number is rational. If a real number cannot be written as a fraction of two integers, it is called irrational. A decimal that can be written as a fraction either ends (terminates) or forever repeats, because it is the answer to a problem in division. Thus the real number 0.5 can be written as and the real number 0.333... (forever repeating threes, otherwise written 0.) can be written as . On the other hand, the real number π (pi), the ratio of the circumference of any circle to its diameter, is : Since the decimal neither ends nor forever repeats, it cannot be written as a fraction, and is an example of an irrational number. Other irrational numbers include : (the square root of 2, that is, the positive number whose square is 2).
Thus 1.0 and 0.999... are two different decimal numerals representing the natural number 1. There are infinitely many other ways of representing the number 1, for example , , 1.00, 1.000, and so on.
Every real number is either rational or irrational. Every real number corresponds to a point on the number line. The real numbers also have an important but highly technical property called the least upper bound property. The symbol for the real numbers is R, also written as .
When a real number represents a measurement, there is always a margin of error. This is often indicated by rounding or truncating a decimal, so that digits that suggest a greater accuracy than the measurement itself are removed. The remaining digits are called significant digits. For example, measurements with a ruler can seldom be made without a margin of error of at least 0.01 meters. If the sides of a rectangle are measured as 1.23 meters and 4.56 meters, then multiplication gives an area for the rectangle of 5.6088 square meters. Since only the first two digits after the decimal place are significant, this is usually rounded to 5.61.
In abstract algebra, it can be shown that any complete ordered field is isomorphic to the real numbers. The real numbers are not, however, an algebraically closed field.
In abstract algebra, the complex numbers are an example of an algebraically closed field, meaning that every polynomial with complex coefficients can be factored into linear factors. Like the real number system, the complex number system is a field and is complete, but unlike the real numbers it is not ordered. That is, there is no meaning in saying that ''i'' is greater than 1, nor is there any meaning in saying that ''i'' is less than 1. In technical terms, the complex numbers lack the trichotomy property.
Complex numbers correspond to points on the complex plane, sometimes called the Argand plane.
Each of the number systems mentioned above is a proper subset of the next number system. Symbolically, .
Hyperreal numbers are used in non-standard analysis. The hyperreals, or nonstandard reals (usually denoted as *R), denote an ordered field that is a proper extension of the ordered field of real numbers R and satisfies the transfer principle. This principle allows true first order statements about R to be reinterpreted as true first order statements about *R.
Superreal and surreal numbers extend the real numbers by adding infinitesimally small numbers and infinitely large numbers, but still form fields.
The p-adic numbers may have infinitely long expansions to the left of the decimal point, in the same way that real numbers may have infinitely long expansions to the right. The number system that results depends on what base is used for the digits: any base is possible, but a prime number base provides the best mathematical properties.
For dealing with infinite collections, the natural numbers have been generalized to the ordinal numbers and to the cardinal numbers. The former gives the ordering of the collection, while the latter gives its size. For the finite set, the ordinal and cardinal numbers are equivalent, but they differ in the infinite case.
A relation number is defined as the class of relations consisting of all those relations that are similar to one member of the class.
Sets of numbers that are not subsets of the complex numbers are sometimes called hypercomplex numbers. They include the quaternions H, invented by Sir William Rowan Hamilton, in which multiplication is not commutative, and the octonions, in which multiplication is not associative. Elements of function fields of non-zero characteristic behave in some ways like numbers and are often regarded as numbers by number theorists.
An even number is an integer that is "evenly divisible" by 2, i.e., divisible by 2 without remainder; an odd number is an integer that is not evenly divisible by 2. (The old-fashioned term "evenly divisible" is now almost always shortened to "divisible".) A formal definition of an odd number is that it is an integer of the form ''n'' = 2''k'' + 1, where ''k'' is an integer. An even number has the form ''n'' = 2''k'' where ''k'' is an integer.
A perfect number is a positive integer that is the sum of its proper positive divisors—the sum of the positive divisors not including the number itself. Equivalently, a perfect number is a number that is half the sum of all of its positive divisors, or σ(''n'') = 2 ''n''. The first perfect number is 6, because 1, 2, and 3 are its proper positive divisors and 1 + 2 + 3 = 6. The next perfect number is 28 = 1 + 2 + 4 + 7 + 14. The next perfect numbers are 496 and 8128 . These first four perfect numbers were the only ones known to early Greek mathematics.
A figurate number is a number that can be represented as a regular and discrete geometric pattern (e.g. dots). If the pattern is polytopic, the figurate is labeled a polytopic number, and may be a polygonal number or a polyhedral number. Polytopic numbers for r = 2, 3, and 4 are: ''n''(''n'' + 1)}} (triangular numbers) ''n''(''n'' + 1)(''n'' + 2)}} (tetrahedral numbers) ''n''(''n'' + 1)(''n'' + 2)(''n'' + 3)}} (pentatopic numbers)
A tallying system has no concept of place value (as in modern decimal notation), which limits its representation of large numbers. Nonetheless tallying systems are considered the first kind of abstract numeral system.
The first known system with place value was the Mesopotamian base 60 system (ca. 3400 BC) and the earliest known base 10 system dates to 3100 BC in Egypt.
The use of zero as a number should be distinguished from its use as a placeholder numeral in place-value systems. Many ancient texts used zero. Babylonian and Egyptian texts used it. Egyptians used the word ''nfr'' to denote zero balance in double entry accounting entries. Indian texts used a Sanskrit word to refer to the concept of ''void''. In mathematics texts this word often refers to the number zero.
Records show that the Ancient Greeks seemed unsure about the status of zero as a number: they asked themselves "how can 'nothing' be something?" leading to interesting philosophical and, by the Medieval period, religious arguments about the nature and existence of zero and the vacuum. The paradoxes of Zeno of Elea depend in large part on the uncertain interpretation of zero. (The ancient Greeks even questioned whether 1 was a number.)
The late Olmec people of south-central Mexico began to use a true zero (a shell glyph) in the New World possibly by the 4th century BC but certainly by 40 BC, which became an integral part of Maya numerals and the Maya calendar. Mayan arithmetic used base 4 and base 5 written as base 20. Sanchez in 1961 reported a base 4, base 5 'finger' abacus.
By 130 AD, Ptolemy, influenced by Hipparchus and the Babylonians, was using a symbol for zero (a small circle with a long overbar) within a sexagesimal numeral system otherwise using alphabetic Greek numerals. Because it was used alone, not as just a placeholder, this Hellenistic zero was the first ''documented'' use of a true zero in the Old World. In later Byzantine manuscripts of his ''Syntaxis Mathematica'' (''Almagest''), the Hellenistic zero had morphed into the Greek letter omicron (otherwise meaning 70).
Another true zero was used in tables alongside Roman numerals by 525 (first known use by Dionysius Exiguus), but as a word, meaning ''nothing'', not as a symbol. When division produced zero as a remainder, , also meaning ''nothing'', was used. These medieval zeros were used by all future medieval computists (calculators of Easter). An isolated use of their initial, N, was used in a table of Roman numerals by Bede or a colleague about 725, a true zero symbol.
An early documented use of the zero by Brahmagupta (in the Brahmasphutasiddhanta) dates to 628. He treated zero as a number and discussed operations involving it, including division. By this time (the 7th century) the concept had clearly reached Cambodia as Khmer numerals, and documentation shows the idea later spreading to China and the Islamic world.
The abstract concept of negative numbers was recognised as early as 100 BC – 50 BC. The Chinese ''Nine Chapters on the Mathematical Art'' () contains methods for finding the areas of figures; red rods were used to denote positive coefficients, black for negative. This is the earliest known mention of negative numbers in the East; the first reference in a Western work was in the 3rd century in Greece. Diophantus referred to the equation equivalent to (the solution is negative) in ''Arithmetica'', saying that the equation gave an absurd result.
During the 600s, negative numbers were in use in India to represent debts. Diophantus’ previous reference was discussed more explicitly by Indian mathematician Brahmagupta, in Brahma-Sphuta-Siddhanta 628, who used negative numbers to produce the general form quadratic formula that remains in use today. However, in the 12th century in India, Bhaskara gives negative roots for quadratic equations but says the negative value "is in this case not to be taken, for it is inadequate; people do not approve of negative roots."
European mathematicians, for the most part, resisted the concept of negative numbers until the 17th century, although Fibonacci allowed negative solutions in financial problems where they could be interpreted as debts (chapter 13 of ''Liber Abaci'', 1202) and later as losses (in ). At the same time, the Chinese were indicating negative numbers either by drawing a diagonal stroke through the right-most nonzero digit of the corresponding positive number's numeral. The first use of negative numbers in a European work was by Chuquet during the 15th century. He used them as exponents, but referred to them as “absurd numbers”.
As recently as the 18th century, it was common practice to ignore any negative results returned by equations on the assumption that they were meaningless, just as René Descartes did with negative solutions in a Cartesian coordinate system.
The concept of decimal fractions is closely linked with decimal place-value notation; the two seem to have developed in tandem. For example, it is common for the Jain math sutras to include calculations of decimal-fraction approximations to pi or the square root of two. Similarly, Babylonian math texts had always used sexagesimal (base 60) fractions with great frequency.
The earliest known use of irrational numbers was in the Indian Sulba Sutras composed between 800–500 BC. The first existence proofs of irrational numbers is usually attributed to Pythagoras, more specifically to the Pythagorean Hippasus of Metapontum, who produced a (most likely geometrical) proof of the irrationality of the square root of 2. The story goes that Hippasus discovered irrational numbers when trying to represent the square root of 2 as a fraction. However Pythagoras believed in the absoluteness of numbers, and could not accept the existence of irrational numbers. He could not disprove their existence through logic, but he could not accept irrational numbers, so he sentenced Hippasus to death by drowning.
The sixteenth century brought final European acceptance of negative integral and fractional numbers. By the seventeenth century, mathematicians generally used decimal fractions with modern notation. It was not, however, until the nineteenth century that mathematicians separated irrationals into algebraic and transcendental parts, and once more undertook scientific study of irrationals. It had remained almost dormant since Euclid. 1872 brought publication of the theories of Karl Weierstrass (by his pupil Kossak), Heine (''Crelle'', 74), Georg Cantor (Annalen, 5), and Richard Dedekind. In 1869, Méray had taken the same point of departure as Heine, but the theory is generally referred to the year 1872. Weierstrass's method was completely set forth by Salvatore Pincherle (1880), and Dedekind's has received additional prominence through the author's later work (1888) and endorsement by Paul Tannery (1894). Weierstrass, Cantor, and Heine base their theories on infinite series, while Dedekind founds his on the idea of a cut (Schnitt) in the system of real numbers, separating all rational numbers into two groups having certain characteristic properties. The subject has received later contributions at the hands of Weierstrass, Kronecker (Crelle, 101), and Méray.
Continued fractions, closely related to irrational numbers (and due to Cataldi, 1613), received attention at the hands of Euler, and at the opening of the nineteenth century were brought into prominence through the writings of Joseph Louis Lagrange. Other noteworthy contributions have been made by Druckenmüller (1837), Kunze (1857), Lemke (1870), and Günther (1872). Ramus (1855) first connected the subject with determinants, resulting, with the subsequent contributions of Heine, Möbius, and Günther, in the theory of Kettenbruchdeterminanten. Dirichlet also added to the general theory, as have numerous contributors to the applications of the subject.
The existence of transcendental numbers was first established by Liouville (1844, 1851). Hermite proved in 1873 that ''e'' is transcendental and Lindemann proved in 1882 that π is transcendental. Finally Cantor shows that the set of all real numbers is uncountably infinite but the set of all algebraic numbers is countably infinite, so there is an uncountably infinite number of transcendental numbers.
The earliest known conception of mathematical infinity appears in the Yajur Veda, an ancient Indian script, which at one point states, "If you remove a part from infinity or add a part to infinity, still what remains is infinity." Infinity was a popular topic of philosophical study among the Jain mathematicians c. 400 BC. They distinguished between five types of infinity: infinite in one and two directions, infinite in area, infinite everywhere, and infinite perpetually.
Aristotle defined the traditional Western notion of mathematical infinity. He distinguished between actual infinity and potential infinity—the general consensus being that only the latter had true value. Galileo's Two New Sciences discussed the idea of one-to-one correspondences between infinite sets. But the next major advance in the theory was made by Georg Cantor; in 1895 he published a book about his new set theory, introducing, among other things, transfinite numbers and formulating the continuum hypothesis. This was the first mathematical model that represented infinity by numbers and gave rules for operating with these infinite numbers.
In the 1960s, Abraham Robinson showed how infinitely large and infinitesimal numbers can be rigorously defined and used to develop the field of nonstandard analysis. The system of hyperreal numbers represents a rigorous method of treating the ideas about infinite and infinitesimal numbers that had been used casually by mathematicians, scientists, and engineers ever since the invention of infinitesimal calculus by Newton and Leibniz.
A modern geometrical version of infinity is given by projective geometry, which introduces "ideal points at infinity," one for each spatial direction. Each family of parallel lines in a given direction is postulated to converge to the corresponding ideal point. This is closely related to the idea of vanishing points in perspective drawing.
The earliest fleeting reference to square roots of negative numbers occurred in the work of the mathematician and inventor Heron of Alexandria in the 1st century AD, when he considered the volume of an impossible frustum of a pyramid. They became more prominent when in the 16th century closed formulas for the roots of third and fourth degree polynomials were discovered by Italian mathematicians such as Niccolo Fontana Tartaglia and Gerolamo Cardano. It was soon realized that these formulas, even if one was only interested in real solutions, sometimes required the manipulation of square roots of negative numbers.
This was doubly unsettling since they did not even consider negative numbers to be on firm ground at the time. When René Descartes coined the term "imaginary" for these quantities in 1637, he intended it as derogatory. (See imaginary number for a discussion of the "reality" of complex numbers.) A further source of confusion was that the equation : seemed to be capriciously inconsistent with the algebraic identity : which is valid for positive real numbers ''a'' and ''b'', and was also used in complex number calculations with one of ''a'', ''b'' positive and the other negative. The incorrect use of this identity, and the related identity : in the case when both ''a'' and ''b'' are negative even bedeviled Euler. This difficulty eventually led him to the convention of using the special symbol ''i'' in place of to guard against this mistake.
The 18th century saw the work of Abraham de Moivre and Leonhard Euler. de Moivre's formula (1730) states:
:
and to Euler (1748) Euler's formula of complex analysis:
:
The existence of complex numbers was not completely accepted until Caspar Wessel described the geometrical interpretation in 1799. Carl Friedrich Gauss rediscovered and popularized it several years later, and as a result the theory of complex numbers received a notable expansion. The idea of the graphic representation of complex numbers had appeared, however, as early as 1685, in Wallis's ''De Algebra tractatus''.
Also in 1799, Gauss provided the first generally accepted proof of the fundamental theorem of algebra, showing that every polynomial over the complex numbers has a full set of solutions in that realm. The general acceptance of the theory of complex numbers is due to the labors of Augustin Louis Cauchy and Niels Henrik Abel, and especially the latter, who was the first to boldly use complex numbers with a success that is well known.
Gauss studied complex numbers of the form ''a'' + ''bi'', where ''a'' and ''b'' are integral, or rational (and ''i'' is one of the two roots of ''x''2 + 1 = 0). His student, Gotthold Eisenstein, studied the type ''a'' + ''bω'', where ''ω'' is a complex root of ''x''3 − 1 = 0. Other such classes (called cyclotomic fields) of complex numbers derive from the roots of unity ''x''''k'' − 1 = 0 for higher values of ''k''. This generalization is largely due to Ernst Kummer, who also invented ideal numbers, which were expressed as geometrical entities by Felix Klein in 1893. The general theory of fields was created by Évariste Galois, who studied the fields generated by the roots of any polynomial equation ''F''(''x'') = 0.
In 1850 Victor Alexandre Puiseux took the key step of distinguishing between poles and branch points, and introduced the concept of essential singular points. This eventually led to the concept of the extended complex plane.
In 240 BC, Eratosthenes used the Sieve of Eratosthenes to quickly isolate prime numbers. But most further development of the theory of primes in Europe dates to the Renaissance and later eras.
In 1796, Adrien-Marie Legendre conjectured the prime number theorem, describing the asymptotic distribution of primes. Other results concerning the distribution of the primes include Euler's proof that the sum of the reciprocals of the primes diverges, and the Goldbach conjecture, which claims that any sufficiently large even number is the sum of two primes. Yet another conjecture related to the distribution of prime numbers is the Riemann hypothesis, formulated by Bernhard Riemann in 1859. The prime number theorem was finally proved by Jacques Hadamard and Charles de la Vallée-Poussin in 1896. Goldbach and Riemann's conjectures remain unproven and unrefuted.
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Category:Group theory Category:Mathematical concepts
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name | Keri Hilson |
---|---|
background | solo_singer |
birth name | Keri Lynn Hilson |
birth date | December 05, 1982 |
birth place | Decatur, Georgia, |
genre | R&B;, pop, hip hop |
occupation | Singer–songwriter |
years relevant | 2008 |
label | Zone 4, Mosley Music, Interscope |
associated acts | The Clutch, Timbaland, Polow da Don, Kanye West, Chris Brown, Akon |
website | }} |
Keri Lynn Hilson (born December 5, 1982) is an American R&B; recording artist, and songwriter. Born and raised in Decatur, Georgia, Hilson made herself a name as a songwriter, penning tracks for several artists in the mid-2000s as part of the five-person production/songwriting team known as The Clutch. In 2006, she signed a recording contract with Timbaland's label, Mosley Music. Critics have credited Hilson for her amazing songwriting skills and her vocal performances.
Hilson released her debut studio album, ''In a Perfect World...'' in March 2009, which peaked within the top five of the ''Billboard'' 200 albums chart and featured the hit singles "Knock You Down" and "Turnin Me On". The album reached number one on the US Top R&B;/Hip-Hop Albums chart and was eventually certified gold. Hilson earned two Grammy Award nominations for the album including Best Rap/Sung Collaboration for "Knock You Down", which features Kanye West and Ne-Yo. A reissue of the album, included previously unreleased songs such as "I Like". The song became Hilson's first number one hit in Germany and certified platinum there. Unfortunately for Hilson, however, saw no success in receiving a Grammy. As a prominent guest vocalist in both the contemporary R&B; and hip hop genres, Hilson has been featured on over a dozen singles by other artists, including the number-one hit single "The Way I Are" with Timbaland.
She remained mostly behind the scenes until 2004, when she was featured on the single "Hey Now (Mean Muggin)" by the rapper Xzibit. Hilson made her performing debut at the 2004 MTV Europe Music Awards in which she performed the song live with Xzibit. In 2006 she signed as an artist to Timbaland's record label, Mosley Music. In 2007 Hilson made several appearances on Timbaland's solo effort ''Shock Value'', including the singles "Scream" and "The Way I Are" which reached number three on the US ''Billboard'' Hot 100. Furthermore, she was featured on the track "Lost Girls" on Zone 4-labelmate Rich Boy's debut album and its second single "Good Things". Hilson was credited as a writer and backing vocalist on Britney Spears's album ''Blackout''. She made several appearances in music videos for singles such as "Love in This Club" by Usher and also in the music video for Ne-Yo's single, "Miss Independent".
"Energy" was released as the album's lead single on May 20, 2008. It reached a peak of number seventy-eight on the US ''Billboard'' Hot 100, number twenty-one on the Hot R&B;/Hip-Hop Songs chart, and achieved minor success in the UK. The song became a success in New Zealand, where it reached a peak of number two and gained a gold accreditation there. In October 2008 Hilson collaborated with fellow singer Chris Brown on a song titled "Superhuman", which reached the top twenty in Ireland and New Zealand. "Return the Favor" which features Timbaland was released as the album's second single. It peaked within the top twenty in the UK, Ireland, and Belgium. "Turnin Me On" which featured Lil Wayne became Hilson's first top twenty hit as a solo artist on the ''Billboard'' Hot 100, where it reached number fifteen on the chart. The song reached number two on the Hot R&B;/Hip-Hop Songs chart, becoming Hilson's first top five hit on the chart.
"Knock You Down", a collaboration with Kanye West and Ne-Yo, was released as the album's fourth single. The song has proven to be Hilson's most successful worldwide single to date. It peaked at number three on the ''Billboard'' Hot 100 for three non-consecutive weeks and topped the Hot R&B;/Hip-Hop Songs chart. It additionally appeared the in top ten of five other countries and certified platinum in New Zealand and gold in Australia. The song received a nomination for Best Rap/Sung Collaboration at the 52nd Grammy Awards. A reissue of the album, included previously unreleased songs such as "I Like". The song was used for the German film ''Zweiohrküken'' and became Hilson's first number one hit in Germany which certified platinum there. Meanwhile Hilson continued appearing on single releases by several artists throughout 2009 including Plies' single "Medicine", Fabolous' "Everything, Everyday, Everywhere," Nas' "Hero" and Sean Paul's "Hold My Hand".
Her second studio album, ''No Boys Allowed,'' was released on December 21, 2010. Hilson explained that "''No Boys Allowed'' is a deeply personal project designed to bring women to their feet. The provocative title, is not what you may think. It's not about excluding men. It's more about women understanding that there comes a time in your life when you want a man. A real man. A grown up. Not a boy. And that's not a bad thing. I write from a female perspective, but I'm also telling men what women are really thinking and feeling about them." The album debuted at number 11 on the ''Billboard'' 200 with 102,000 copies sold. Though it sold 8,000 copies more than her debut album, ''In a Perfect World...'', it failed to match that album's debut chart position of number four.
"Breaking Point," produced by Timbaland was released as the album's lead single in the United States on September 7, 2010. It reached a peak of number forty-four on the US Hot R&B;/Hip-Hop Songs chart. "Pretty Girl Rock" was released as the second single on October 12, 2010. It has reached a current peak of number ten on the US Hot R&B;/Hip-Hop Songs chart and peaked at number twenty four on the US ''Billboard'' Hot 100. The music video for the song has received critical acclaim and praise for its homage to musical icons of the past such as Josephine Baker, Dorothy Dandridge, The Andrews Sisters, Diana Ross, Donna Summer, Janet Jackson and TLC. Hilson appears as each singer in a well-known scene from the era depicted. As of early 2011 she is preparing for a spring tour and is opening for TLC's 20th Anniversary celebration concert and beginning work on a third album featuring TLC, Blaque and more girl groups.
"One Night Stand " featuring Chris Brown, is the album's third single. In February 2011, Hilson told ''Rap-Up'' magazine that she was considering choosing "One Night Stand" as the next single from ''No Boys Allowed'', after an outpouring of fan support. She said, "My fans are really liking "One Night Stand" with Chris Brown ... I have a lot of favorites, but the fans are wanting "One Night Stand." It’s going to be my urban single. Not going to be, but if we go with it, we'll go with that." The song has appeared on the US Hot R&B;/Hip-Hop Songs chart at number sixty-eight. It has been announced that "Lose Control" featuring Nelly, will serve as the album's next single.
! Year | ! Type | ! Nominated work | ! Award | ! Result |
2007 | "The Way I Are" with Timbaland and D.O.E. | Monster Single of the Year | ||
Favorite Female R&B;/Soul Artist | ||||
Breakthrough Artist | ||||
Best New Artist | ||||
Best Female R&B; Artist | ||||
Viewer's Choice | ||||
Best Collaboration | ||||
rowspan="2" | ''In a Perfect World...'' | Best Album | ||
Best Female Act | ||||
Best International Act | ||||
Best R&B;/Soul Act | ||||
Best New Artist | ||||
"Turnin Me On" | Song of the Year | |||
Best Collaboration | ||||
Record of the Year | ||||
Best Rap/Sung Collaboration | ||||
Best New Artist | ||||
NAACP Image Awards | Outstanding New Artist | |||
Best Female R&B; Artist | ||||
"Pretty Girl Rock" | Video of the Year |
Category:1982 births Category:African American singers Category:American dance musicians Category:American female singers Category:American rhythm and blues singers Category:Emory University alumni Category:Interscope Records artists Category:Living people Category:Musicians from Georgia (U.S. state) Category:People from Atlanta, Georgia
ar:كيري هيلسون cs:Keri Hilson da:Keri Hilson de:Keri Hilson es:Keri Hilson eo:Keri Hilson fa:کری هیلسون fr:Keri Hilson ko:케리 힐슨 hsb:Keri Hilson hr:Keri Hilson it:Keri Hilson he:קרי הילסון sw:Keri Hilson lv:Keri Hilsone mk:Кери Хилсон nl:Keri Hilson ja:ケリー・ヒルソン no:Keri Hilson pl:Keri Hilson pt:Keri Hilson ksh:Keri Lynn Hilson ro:Keri Hilson ru:Хилсон, Кери simple:Keri Hilson sr:Keri Hilson fi:Keri Hilson sv:Keri Hilson th:เคอรี ฮิลสัน tr:Keri Hilson zh:凯莉·希尔森This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Gregory Isaacs |
---|---|
Background | solo_singer |
Birth name | Gregory Anthony Isaacs |
Alias | Cool RulerLonely Lover |
Born | July 15, 1951Kingston, Jamaica |
Died | October 25, 2010London, England, UK |
Genre | Reggae |
Occupation | Singer-songwriter |
Years active | 1968–2010 |
Website | }} |
International stardom seemed assured in 1978 when Isaacs signed to the Virgin Records offshoot Front Line Records, and appeared in the film ''Rockers'', in which he performed "Slavemaster". The ''Cool Ruler'' (which became one of his nicknames) and ''Soon Forward'' albums, however, failed to sell as well as expected, although they are now considered among his best work. In 1981, he made his first appearance at the Reggae Sunsplash festival (returning annually until 1991), and he moved on to the Charisma Records offshoot Pre, who released his ''The Lonely Lover'' (another nickname that stuck) and ''More Gregory'' albums along with a string of increasingly successful singles including "Tune In", "Permanent Lover", "Wailing Rudy" and "Tribute to Waddy". He signed to Island Records and released the record that finally saw him break through to a wider audience, "Night Nurse", the title track from his first album for the label (''Night Nurse'' (1982)). Although "Night Nurse" was not a chart hit in either the UK or US, it was hugely popular in clubs and received heavy radio play, and the album reached #32 in the UK. This success for Isaacs coincided with drug problems with cocaine which saw him serve a six-month prison sentence in Kingston in 1982 for possession of unlicensed firearms. Isaacs claimed that he had the weapons only for protection, but it emerged that this was his 27th arrest and that Isaacs had become involved in drug dealing and had become addicted to crack cocaine. He celebrated his release from prison with his second album for Island, ''Out Deh!'' (1983). Isaacs was featured in the 1982 documentary ''Land of Look Behind''.
When his contract with Island ended, Isaacs returned in 1984 with the "Kool Ruler Come Again" single, and began a period of prolific recording, working with producers including Prince Jammy, Hugh "Redman" James, Bobby Digital, Tad Dawkins and Steely & Clevie, maintaining a consistent standard despite the volume of work produced. Isaacs then built a strong relationship with Gussie Clarke of the Music Works label. They began with Isaacs' 1985 album ''Private Beach Party'', and had a massive hit with "Rumours" in 1988, which was followed by further popular singles including "Mind Yu Dis", "Rough Neck", "Too Good To Be True" and "Report to Me". The association with Clarke continued into the early 1990s, teaming up with singers including Freddie McGregor, Ninjaman and JC Lodge. He dueted with Beres Hammond on the 1993 Philip "Fatis" Burrell-produced "One Good Turn", Burrell also producing Isaacs' 1994 album ''Midnight Confidential''.
In the 1990s the African Museum label continued to release all of Isaacs' music, and that of artists he produced. In 1997 Simply Red covered "Night Nurse" and had a hit with it. Isaacs continued to record and perform live in the 2000s. In 2005 Lady Saw produced another version of "Night Nurse" with her toasting over the original lyrics.
Isaacs' drug addiction had a major impact on his voice, with most of his teeth falling out as a result. Isaacs said of his addiction in 2007: "Drugs are a debasing weapon. It was the greatest college ever, but the most expensive school fee ever paid – the Cocaine High School. I learnt everything, and now I've put it on the side."
He also performed at the ICC Cricket World Cup 2007 Inauguration at Jamaica.
In 2007 he collaborated with the Spanish rap group Flowklorikos / Rafael Lechowski album Donde Duele Inspira.
In 2008, after some 40 years as a recording artist, Isaacs released a new studio album ''Brand New Me,'' which was nominated for the Grammy Awards for 2010. The album received positive reviews from critics, such as this review from Reggae Vibes: "Gregory is back, and how! 'Brand New Me' is a very suitable album title for the cool ruler's new album. He is back in a different style, more or less like we were used to from this great 'lovers & roots' artist" This was followed in 2009 by the album ''My Kind Of Lady''.
In 2010, Gregory Isaacs put out the last of his albums to be released while he was still living; ''Isaacs Meets Isaac,'' with Zimbabwean reggae singer, King Isaac. In November 2010, ''Isaacs Meets Isaac'' was nominated for Best Reggae Album for the 2011 Grammy Awards, giving Gregory Isaacs his fourth Grammy Nomination, and Zimbabwe's King Isaac, his first.
Category:1951 births Category:2010 deaths Category:Lovers rock musicians Category:Jamaican reggae musicians Category:People from Kingston, Jamaica Category:Deaths from lung cancer Category:Cancer deaths in England Category:Trojan Records artists
ca:Gregory Isaacs cs:Gregory Isaacs de:Gregory Isaacs es:Gregory Isaacs fr:Gregory Isaacs it:Gregory Isaacs ht:Gregory Isaacs hu:Gregory Isaacs nl:Gregory Isaacs ja:グレゴリー・アイザックス no:Gregory Isaacs pl:Gregory Isaacs pt:Gregory Isaacs fi:Gregory Isaacs sv:Gregory IsaacsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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