While UFOs have been the subject of extensive investigation by various governments, and some scientists support the extraterrestrial hypothesis, few scientific papers about UFOs have been published in peer-reviewed journals. There has been some debate in the scientific community about whether any scientific investigation into UFO sightings is warranted.
The void left by the lack of institutional scientific study has given rise to independent researchers and groups, most notably MUFON (Mutual UFO Network) and CUFOS (Center for UFO Studies). The term "Ufology" is used to describe the collective efforts of those who study reports and associated evidence of unidentified flying objects. According to MUFON, as of 2011 the number of UFO reports to their worldwide offices has increased by 67% from the previous 3 years, which now average around 500 reported sightings per month.
UFOs have become a relevant theme in modern culture, and the social phenomena have been the subject of academic research in sociology and psychology.
The term foo fighters was used by American fighter pilots during World War II to refer to UFOs.
The first widely publicized U.S. sighting, reported by private pilot Kenneth Arnold in June 1947, gave rise to the popular terms "flying saucer" and "flying disc", of which the former is still sometimes used, even though Arnold said the most of the objects he saw were not totally circular and one was crescent-shaped (see Kenneth Arnold UFO sighting for details). In addition, the infamous Roswell UFO Incident occurred at about the same time, which only served to further fuel public interest in the topic.
The term "UFO" was first suggested in 1952 by Cpt. Edward J. Ruppelt, who headed Project Blue Book, then the USAF's official investigation of UFOs. Ruppelt felt that "flying saucer" did not reflect the diversity of the sightings. He suggested that UFO should be pronounced as a word – ''you-foe''. However it is now usually pronounced by forming each letter: ''U.F.O.'' His term was quickly adopted by the United States Air Force, which also briefly used "UFOB". The Air Force initially defined UFOs as those objects that remain unidentified after scrutiny by expert investigators, though today the term UFO is often used for any unexplained sighting regardless of whether it has been investigated.
Because the term UFO is ambiguous – referring either to any unidentified sighting, or in popular usage to alien spacecraft – and the public and media ridicule sometimes associated with the topic, some investigators now prefer to use other terms such as unidentified aerial phenomenon (or UAP).
The equivalent acronym for UFO in Spanish, Portuguese, French, and Italian is OVNI (''Objeto Volador No Identificado'', ''Objeto Voador Não Identificado'', ''Objet volant non identifié'' or ''Oggetto Volante Non Identificato'').
Shen Kuo (1031–1095), a Song Chinese government scholar-official and prolific polymath inventor and scholar, wrote a vivid passage in his ''Dream Pool Essays'' (1088) about an unidentified flying object. He recorded the testimony of eyewitnesses in 11th-century Anhui and Jiangsu (especially in the city of Yangzhou), who stated that a flying object with opening doors would shine a blinding light from its interior (from an object shaped like a pearl) that would cast shadows from trees for ten miles in radius, and was able to take off at tremendous speeds. On January 25, 1878, The ''Denison Daily News'' wrote that local farmer John Martin had reported seeing a large, dark, circular flying object resembling a balloon flying "at wonderful speed." Martin also said it appeared to be about the size of a saucer, the first known use of the word "saucer" in association with a UFO. On February 28, 1904, there was a sighting by three crew members on the ''USS Supply'' 300 miles west of San Francisco, reported by Lt. Frank Schofield, later to become Commander-in-Chief of the Pacific Battle Fleet. Schofield wrote of three bright red egg-shaped and circular objects flying in echelon formation that approached beneath the cloud layer, then changed course and "soared" above the clouds, departing directly away from the earth after two to three minutes. The largest had an apparent size of about six suns. 1916 and 1926: The three oldest known pilot UFO sightings, of 1305 cataloged by NARCAP. On January 31, 1916, a UK pilot near Rochford reported a row of lights, like lighted windows on a railway carriage, that rose and disappeared. In January 1926, a pilot reported six "flying manhole covers" between Wichita, Kansas and Colorado Springs, Colorado. In late September 1926, an airmail pilot over Nevada was forced to land by a huge, wingless cylindrical object. On August 5, 1926, while traveling in the Humboldt Mountains of Tibet's Kokonor region, Nicholas Roerich reported that members of his expedition saw "something big and shiny reflecting the sun, like a huge oval moving at great speed. Crossing our camp the thing changed in its direction from south to southwest. And we saw how it disappeared in the intense blue sky. We even had time to take our field glasses and saw quite distinctly an oval form with shiny surface, one side of which was brilliant from the sun.” Another description by Roerich was, "...A shiny body flying from north to south. Field glasses are at hand. It is a huge body. One side glows in the sun. It is oval in shape. Then it somehow turns in another direction and disappears in the southwest." In the Pacific and European theatres during World War II, "Foo-fighters" (metallic spheres, balls of light and other shapes that followed aircraft) were reported and on occasion photographed by Allied and Axis pilots. Some proposed Allied explanations at the time included St. Elmo's Fire, the planet Venus, hallucinations from oxygen deprivation, or German secret weapon.
Although there were other 1947 U.S. sightings of similar objects that preceded this, it was Arnold's sighting that first received significant media attention and captured the public's imagination. Arnold described what he saw as being "flat like a pie pan", "shaped like saucers and were so thin I could barely see them… ", "half-moon shaped, oval in front and convex in the rear. … they looked like a big flat disk" (see Arnold's drawing at right), and flew "like a saucer would if you skipped it across the water". (One of the objects, however, he would describe later as crescent-shaped, as shown in illustration at left.) Arnold’s descriptions were widely reported and within a few days gave rise to the terms flying saucer and flying disk. Arnold’s sighting was followed in the next few weeks by hundreds of other reported sightings, mostly in the U.S., but in other countries as well. After reports of the Arnold sighting hit the media, other cases began to be reported in increasing numbers. In one instance a United Airlines crew sighting of nine more disc-like objects over Idaho on the evening of July 4. At the time, this sighting was even more widely reported than Arnold’s and lent considerable credence to Arnold’s report.
American UFO researcher Ted Bloecher, in his comprehensive review of newspaper reports (including cases that preceded Arnold's), found a sudden surge upwards in sightings on July 4, peaking on July 6–8. Bloecher noted that for the next few days most American newspapers were filled with front-page stories of the new "flying saucers" or "flying discs". Speculation as to what the flying saucers were was rampant in the newspapers. Theories ranged from hallucinations, mass hysteria, optical illusions, hoaxes, reflections off airplanes, unusual atmospheric conditions, and weather balloons to byproducts of atomic testing or U.S./Russian secret weapons, to even more esoteric interdimensional or interplanetary visitors. Reports began to rapidly tail off after July 8, when officials began issuing press statements on the Roswell UFO incident, in which they explained debris found on the ground by a rancher as being that of a weather balloon.
Over several years in the 1960s, Bloecher (aided by physicist James E. McDonald) discovered 853 flying disc sightings that year from 140 newspapers from Canada, Washington D.C, and every U.S. state except Montana.
Among the best known government studies are the ghost rockets investigation by the Swedish military (1946–1947), Project Blue Book, previously Project Sign and Project Grudge, conducted by the United States Air Force from 1947 until 1969, the secret U.S. Army/Air Force Project Twinkle investigation into green fireballs (1948–1951), the secret USAF Project Blue Book Special Report #14 by the Battelle Memorial Institute, and Brazilian Air Force Operation Saucer (1977). France has had an ongoing investigation (GEPAN/SEPRA/GEIPAN) within its space agency CNES since 1977, as has Uruguay since 1989.
Air Force Regulation 200-2, issued in 1953 and 1954, defined an Unidentified Flying Object ("UFOB") as "any airborne object which by performance, aerodynamic characteristics, or unusual features, does not conform to any presently known aircraft or missile type, or which cannot be positively identified as a familiar object." The regulation also said UFOBs were to be investigated as a "possible threat to the security of the United States" and "to determine technical aspects involved." As to what the public was to be told, "it is permissible to inform news media representatives on UFOB's when the object is positively identified as a familiar object," but "For those objects which are not explainable, only the fact that ATIC [Air Technical Intelligence Center] will analyze the data is worthy of release, due to many unknowns involved."
Jacques Vallée, a scientist and prominent UFO researcher, has argued that most UFO research is scientifically deficient, including many government studies such as Project Blue Book, and that mythology and cultism are frequently associated with the phenomenon. Vallée states that self-styled scientists often fill the vacuum left by the lack of attention paid to the UFO phenomenon by official science, but also notes that several hundred professional scientists continue to study UFOs in private, what he terms the "invisible college". He also argues that much could be learned from rigorous scientific study, but that little such work has been done.
It has been claimed that all UFO cases are anecdotal and that all can be explained as prosaic natural phenomena. On the other hand, it has been argued that there is limited awareness among scientists of observational data, other than what is reported in the popular press.
No official government investigation has ever publicly concluded that UFOs are indisputably real, physical objects, extraterrestrial in origin, or of concern to national defense. These same negative conclusions also have been found in studies that were highly classified for many years, such as the UK's Flying Saucer Working Party, Project Condign, the US CIA-sponsored Robertson Panel, the US military investigation into the green fireballs from 1948 to 1951, and the Battelle Memorial Institute study for the USAF from 1952 to 1955 (Project Blue Book Special Report #14).
Some public government conclusions have indicated physical reality but stopped short of concluding extraterrestrial origins, though not dismissing the possibility. Examples are the Belgian military investigation into large triangles over their airspace in 1989–1991 and the recent 2009 Uruguay Air Force study conclusion (see below).
Some private studies have been neutral in their conclusions, but argued the inexplicable core cases called for continued scientific study. Examples are the Sturrock Panel study of 1998 and the 1970 AIAA review of the Condon Report.
The Interplanetary Phenomenon Unit (IPU), established by the US Army sometime in the 1940s, and about which little is known. In 1987, British UFO researcher Timothy Good received a letter confirming the existence of the IPU from the Army Director of Counter-intelligence, in which it was stated, "… the aforementioned Army unit was disestablished during the late 1950s and never reactivated. All records pertaining to this unit were surrendered to the U.S. Air Force Office of Special Investigations in conjunction with operation BLUEBOOK." The IPU records have never been released.
Thousands of documents released under FOIA also indicate that many U.S. intelligence agencies collected (and still collect) information on UFOs, including the Defense Intelligence Agency (DIA), FBI, CIA, National Security Agency (NSA), as well as military intelligence agencies of the Army and Navy, in addition to the Air Force.
The investigation of UFOs has also attracted many civilians, who in the U.S formed research groups such as National Investigations Committee On Aerial Phenomena (NICAP, active 1956–1980), Aerial Phenomena Research Organization (APRO, 1952–1988), Mutual UFO Network (MUFON, 1969–), and Center for UFO Studies (CUFOS, 1973–).
A further review by the intelligence and technical divisions of the Air Materiel Command at Wright Field reached the same conclusion, that "the phenomenon is something real and not visionary or fictitious," that there were objects in the shape of a disc, metallic in appearance, and as big as man-made aircraft. They were characterized by "extreme rates of climb [and] maneuverability," general lack of noise, absence of trail, occasional formation flying, and "evasive" behavior "when sighted or contacted by friendly aircraft and radar," suggesting a controlled craft. It was thus recommended in late September 1947 that an official Air Force investigation be set up to investigate the phenomenon. It was also recommended that other government agencies should assist in the investigation.
Another highly classified U.S. study was conducted by the CIA's Office of Scientific Investigation (OS/I) in the latter half of 1952 after being directed to do so by the National Security Council (NSC). They concluded UFOs were real physical objects of potential threat to national security. One OS/I memo to the CIA Director (DCI) in December read, "...the reports of incidents convince us that there is something going on that must have immediate attention... Sightings of unexplained objects at great altitudes and traveling at high speeds in the vicinity of major U.S. defense installations are of such a nature that they are not attributable to natural phenomena or any known types of aerial vehicles." The matter was considered so urgent, that OS/I drafted a memorandum from the DCI to the NSC proposing that the NSC establish an investigation of UFOs as a priority project throughout the intelligence and the defense research and development community. They also urged the DCI to establish an external research project of top-level scientists to study the problem of UFOs, now known as the Robertson Panel, to further analyze the matter. The OS/I investigation was called off after the Robertson Panel's negative conclusions in January 1953.
Controversy has surrounded the Condon report, both before and after it was released. It has been claimed that the report was "harshly criticized by numerous scientists, particularly at the powerful AIAA … [who] recommended moderate, but continuous scientific work on UFOs". In an address made to the AAAS, James E. McDonald stated that he believed science had failed to mount adequate studies of the problem, criticizing the Condon report and prior studies by the US Air Force for being scientifically deficient. He also questioned the basis for Condon's conclusions and argued that the reports of UFOs have been "laughed out of scientific court." J. Allen Hynek, an astronomer whose position as USAF consultant from 1948 made him perhaps the most knowledgeable scientist connected with the subject, sharply criticized the report of the Condon Committee and later wrote two nontechnical books that set forth the case for investigating seemingly baffling UFO reports.
Ruppelt recounted his experiences with Project Blue Book in his memoir, ''The Report on Unidentified Flying Objects'' (1956).
Early Canadian studies included Project Magnet (1950–1954) and Project Second Story (1952–1954), supported by the Defence Research Board. These studies were headed by Canadian Department of Transport radio engineer Wilbert B. Smith, who later publicly supported extraterrestrial origins.
In the Shag Harbour incident, a large object sequentially flashing lights was seen and heard to dive into the water by multiple witnesses. The Royal Canadian Mounted Police and many local residents also witnessed a light floating on the water immediately afterward, and a large patch of unusual yellow foam when a water search was initiated. Multiple government agencies were eventually involved in trying to identify the crashed object and searching for it. Canadian naval divers later purportedly found no wreckage. In official documents, the object was called a "UFO" because no conventional explanation for the crashed object was discovered. Around the same time, both the Canadian and US military were involved in another UFO-related search at Shelburne, Nova Scotia, approximately 30 miles from Shag Harbour.
French studies include GEPAN/SEPRA/GEIPAN (1977–), within the French space agency CNES, the longest ongoing government-sponsored investigation. About 14% of some 6000 cases studied remained unexplained. The official opinion of GEPAN/SEPRA/GEIPAN has been neutral or negative, but the three heads of the studies have gone on record in stating that UFOs were real physical flying machines beyond our knowledge or that the best explanation for the most inexplicable cases was an extraterrestrial one.
The French COMETA panel (1996–1999) was a private study undertaken mostly by aerospace scientists and engineers affiliated with CNES and high-level French Air Force military intelligence analysts, with ultimate distribution of their study intended for high government officials. The COMETA panel likewise concluded the best explanation for the inexplicable cases was the extraterrestrial hypothesis and went further in accusing the United States government of a massive cover-up.
Eight file collections on UFO sightings, dating from 1978 to 1987, were first released on May 14, 2008, to the UK National Archives by the Ministry of Defence. Although kept secret from the public for many years, most of the files have low levels of classification and none are classified Top Secret. 200 files are set to be made public by 2012. The files are correspondence from the public sent to government officials, such as the MoD and Margaret Thatcher. The MoD released the files under the Freedom of Information Act due to requests from researchers. These files include, but are not limited to, UFOs over Liverpool and the Waterloo Bridge in London.
On October 20, 2008 more UFO files were released. One case released detailed that in 1991 an Alitalia passenger aircraft was approaching Heathrow Airport when the pilots saw what they described as a "cruise missile" fly extremely close to the cockpit. The pilots believed that a collision was imminent. UFO expert David Clarke says that this is one of the most convincing cases for a UFO he has come across.
A secret study of UFOs was undertaken for the UK’s Ministry of Defence (MoD) between 1996 and 2000 and was code-named Project Condign. The resulting report, titled "Unidentified Aerial Phenomena in the UK Defence Region", was publicly released in 2006, but the identity and credentials of whomever constituted Project Condign remains classified. The report confirmed earlier findings that the main causes of UFO sightings are misidentification of man-made and natural objects. The report noted: "No artefacts of unknown or unexplained origin have been reported or handed to the UK authorities, despite thousands of UAP reports. There are no SIGINT, ELINT or radiation measurements and little useful video or still IMINT." It concluded: "There is no evidence that any UAP, seen in the UKADR [UK Air Defence Region], are incursions by air-objects of any intelligent (extraterrestrial or foreign) origin, or that they represent any hostile intent." A little-discussed conclusion of the report was that novel meteorological plasma phenomenon akin to Ball Lightning are responsible for "the majority, if not all" of otherwise inexplicable sightings, especially reports of Black Triangle UFOs.
In August 2009 The Black Vault internet archive announced the release by the British government of more than 4,000 pages of declassified records. The records include information on the Rendlesham Forest incident, crop circles, a UFO attack on a cemetery and even reports of alien abduction claims.
On December 1, 2009, the British Ministry of Defense (MoD) quietly closed down its UFO investigations unit. The unit's hotline and email address were suspended by the Ministry of Defense on that date. The MoD said there was no value in continuing to receive and investigate sightings in a release, stating ::''"... in over fifty years, no UFO report has revealed any evidence of a potential threat to the United Kingdom. The MoD has no specific capability for identifying the nature of such sightings. There is no Defence benefit in such investigation and it would be an inappropriate use of defence resources. Furthermore, responding to reported UFO sightings diverts MoD resources from tasks that are relevant to Defence."''
The Guardian reported that the MoD claimed the closure would save the Ministry around £50,000 a year. The MoD said that it would continue to release UFO files to the public through the National Archives.
Astronomer Clyde Tombaugh, who admitted to six UFO sightings, including three green fireballs, supported the Extraterrestrial hypothesis (ETH) for UFOs and stated he thought scientists who dismissed it without study were being "unscientific". Another astronomer was Lincoln LaPaz, who had headed the Air Force's investigation into the green fireballs and other UFO phenomena in New Mexico. LaPaz reported two personal sightings, one of a green fireball, the other of an anomalous disc-like object. (Both Tombaugh and LaPaz were part of Hynek's 1952 survey.) Hynek himself took two photos through the window of a commercial airliner of a disc-like object that seemed to pace his aircraft. Even later UFO debunker Donald Menzel filed a UFO report in 1949.
In 1980, a survey of 1800 members of various amateur astronomer associations by Gert Helb and Hynek for the Center for UFO Studies (CUFOS) found that 24 % responded "yes" to the question "Have you ever observed an object which resisted your most exhaustive efforts at identification?"
Studies show that after careful investigation, the majority of UFOs can be identified as ordinary objects or phenomena (see Identification studies of UFOs). The most commonly found identified sources of UFO reports are:
A 1952–1955 study by the Battelle Memorial Institute for the US Air Force included these categories as well as a "psychological" one. However, the scientific analysts were unable to come up with prosaic explanations for 21.5 % of the 3200 cases they examined and 33 % of what were considered the best cases remained unexplained, double the number of the worst cases. (See full statistical breakdown in Identification studies of UFOs). Of the 69 % identifieds, 38 % were deemed definitely explained while 31 % were thought to be "questionable." About 9 % of the cases were considered to have insufficient information to make a determination.
The official French government UFO investigation (GEPAN/SEPRA/GEIPAN), run within the French space agency CNES between 1977 and 2004, scientifically investigated about 6000 cases and found that 13.5 % defied any rational explanation, 46 % were deemed definitely or likely identifiable, while 41 % lacked sufficient information for classification.
An individual 1979 study by CUFOS researcher Allan Hendry found, as did other investigations, that only a small percentage of cases he investigated were hoaxes (<1 %) and that most sightings were actually honest misidentifications of prosaic phenomena. Hendry attributed most of these to inexperience or misperception. However, Hendry's figure for unidentified cases was considerably lower than many other UFO studies such as Project Blue Book or the Condon Report that have found rates of unidentified cases ranging from 6 % to 30 %. Hendry found that 88.6 % of the cases he studied had a clear prosaic explanation, and he discarded a further 2.8 % due to unreliable or contradictory witnesses or insufficient information. The remaining 8.6 % of reports could not definitively be explained by prosaic phenomena, although he felt that a further 7.1 % could possibly be explained, leaving only the very best 1.5 % without plausible explanation.
The extraterrestrial hypothesis (ETH) is defined by Edward U. Condon in the 1968 Condon Report as "The idea that some UFOs may be spacecraft sent to Earth from another civilization, or on a planet associated with a more distant star", further attributing the popularity of the idea to Donald Keyhoe's UFO book from 1950, though the idea clearly predated Keyhoe, appearing in newspapers and various government documents (see immediately below). This is probably the most popular theory among Ufologists. Some private or governmental studies, some secret, have concluded in favor of the ETH, or have had members who disagreed with official conclusions against the conclusion by committees and agencies to which they belonged. The UFO Hostility Hypothesis is inside the extraterrestrial hypothesis. It says that the extraterrestrial beings that travel in the UFOs, or most of them, are hostile. The hypothesis comes because of the Cattle Mutilations and the observations made by Wilhelm Reich amd Jerome Eden during their experiments with the Cloudbuster. The interdimensional hypothesis (IDH or IH) says that UFOs are objects crossing over from other dimensions or parallel universe, popularly proposed by Jacques Vallée, though also predating him.
A comprehensive scientific review of cases where physical evidence was available was carried out by the 1998 Sturrock UFO panel, with specific examples of many of the categories listed below.
Radar contact and tracking, sometimes from multiple sites. These have included military personnel and control tower operators, simultaneous visual sightings, and aircraft intercepts. One such recent example were the mass sightings of large, silent, low-flying black triangles in 1989 and 1990 over Belgium, tracked by NATO radar and jet interceptors, and investigated by Belgium's military (included photographic evidence). Another famous case from 1986 was the JAL 1628 case over Alaska investigated by the FAA.
''Ufology'' is a neologism describing the collective efforts of those who study UFO reports and associated evidence.
Some ufologists recommend that observations be classified according to the features of the phenomenon or object that are reported or recorded. Typical categories include:
Popular UFO classification systems include the Hynek system, created by J. Allen Hynek, and the Vallée system, created by Jacques Vallée.
Hynek's system involves dividing the sighted object by appearance, subdivided further into the type of "close encounter" (a term from which the film director Steven Spielberg derived the title of his UFO movie, "Close Encounters of the Third Kind").
Jacques Vallée's system classifies UFOs into five broad types, each with from three to five subtypes that vary according to type.
Responding to local beliefs that "extraterrestrial beings" in UFOs were responsible for crop circles appearing in Indonesia, the government and the National Aeronautics and Space Agency (Lapan) described them as "man-made". Thomas Djamaluddin, research professor of astronomy and astrophysics at Lapan stated: "We have come to agree that this 'thing' cannot be scientifically proven. A professor at the Indonesian National Aeronautics and Space Agency put UFOs in the category of pseudoscience."
In the U.S., an opinion poll conducted in 1997 suggested that 80 % of Americans believed the U.S. government was withholding such information. Various notables have also expressed such views. Some examples are astronauts Gordon Cooper and Edgar Mitchell, Senator Barry Goldwater, Vice Admiral Roscoe H. Hillenkoetter (the first CIA director), Lord Hill-Norton (former British Chief of Defense Staff and NATO head), the 1999 high-level French COMETA report by various French generals and aerospace experts, and Yves Sillard (former director of the French space agency CNES, new director of French UFO research organization GEIPAN).
It has also been suggested by a few paranormal authors that all or most human technology and culture is based on extraterrestrial contact. See also ancient astronauts.
UFOs constitute a widespread international cultural phenomenon of the last 60 years. Gallup polls rank UFOs near the top of lists for subjects of widespread recognition. In 1973, a survey found that 95 percent of the public reported having heard of UFOs, whereas only 92 percent had heard of U.S. President Gerald Ford in a 1977 poll taken just nine months after he left the White House. A 1996 Gallup poll reported that 71 percent of the United States population believed that the government was covering up information regarding UFOs. A 2002 Roper poll for the Sci Fi Channel found similar results, but with more people believing that UFOs are extraterrestrial craft. In that latest poll, 56 percent thought UFOs were real craft and 48 percent that aliens had visited the Earth. Again, about 70 percent felt the government was not sharing everything it knew about UFOs or extraterrestrial life. Another effect of the flying saucer type of UFO sightings has been Earth-made flying saucer craft in space fiction, for example the Earth spacecraft Starship C-57D in ''Forbidden Planet'', the Jupiter Two in ''Lost in Space'', and the saucer section of the USS ''Enterprise'' in ''Star Trek'', and many others.
Category:Article Feedback Pilot Category:Forteana Category:Mysteries
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Coordinates | 12°2′36″N77°1′42″N |
---|---|
name | Walt Disney |
birth name | Walter Elias Disney |
birth date | December 05, 1901 |
birth place | Hermosa, Chicago, Illinois, U.S. |
death date | December 15, 1966 |
death place | Burbank, California, U.S.
Interred: Forest Lawn Memorial Park, Glendale, California, U.S. |
occupation | Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions |
yearsactive | 1920–1966 |
spouse | Lillian Bounds (1925–1966) |
parents | Elias DisneyFlora Call Disney |
relations | Herbert Arthur Disney (brother)Raymond Arnold Disney (brother)Roy Oliver Disney (brother)Ruth Flora Disney (sister)Ronald William Miller (son-in-law)Robert Borgfeldt Brown (son-in-law)Roy Edward Disney (nephew) |
children | Diane Marie DisneySharon Mae Disney |
religion | Christian (Congregationalist) |
party | Republican |
signature | Walt Disney Signature 2.svg }} |
Disney is particularly noted as a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most well-known fictional characters including Mickey Mouse, for whom Disney himself provided the original voice. During his lifetime he received four honorary Academy Awards and won twenty-two Academy Awards from a total of fifty-nine nominations, including a record four in one year, giving him more awards and nominations than any other individual in history. Disney also won seven Emmy Awards and gave his name to the Disneyland and Walt Disney World Resort theme parks in the U.S., as well as the international resorts Tokyo Disney, Disneyland Paris, and Disneyland Hong Kong.
The year after his December 15, 1966 death from lung cancer in Burbank, California, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.
In 1878, Disney's father Elias had moved from Huron County, Ontario, Canada to the United States at first seeking gold in California before finally settling down to farm with his parents near Ellis, Kansas, until 1884. Elias worked for the Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890, hometown of his brother Robert who helped Elias financially for most of his early life. In 1906, when Walt was four, Elias and his family moved to a farm in Marceline, Missouri, where his brother Roy had recently purchased farmland. In Marceline, Disney developed his love for drawing with one of the family's neighbors, a retired doctor named "Doc" Sherwood, paying him to draw pictures of Sherwood's horse, Rupert. His interest in trains also developed in Marceline, a town that owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through it. Walt would put his ear to the tracks in anticipation of the coming train then try and spot his uncle, engineer Michael Martin, running the train.
The Disneys remained in Marceline for four years, before moving to Kansas City in 1911 where Walt and his younger sister Ruth attended the Benton Grammar School. At school he met Walter Pfeiffer who came from a family of theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Before long Walt was spending more time at the Pfeiffers' than at home. As well as attending Saturday courses at the Kansas City Art Institute, Walt often took Ruth to Electric Park, 15 blocks from their home, which Disney would later acknowledge as a major influence of his design of Disneyland).
After his rejection by the army, Walt and a friend decided to join the Red Cross. Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918.
Hoping to find work outside the Chicago O-Zell factory, in 1919 Walt moved back to Kansas City to begin his artistic career. After considering whether to become an actor or a newspaper artist, he decided on a career as a newspaper artist, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio where he created advertisements for newspapers, magazines, and movie theaters. At Pesmen-Rubin he met cartoonist Ubbe Iwerks and when their time at the studio expired, they decided to start their own commercial company together.
In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at the Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run their business alone. While working for the Kansas City Film Ad Company, where he made commercials based on cutout animations, Disney became interested in animation, and decided to become an animator. The owner of the Ad Company, A.V. Cauger, allowed him to borrow a camera from work to experiment with at home. After reading the Edwin G. Lutz book ''Animated Cartoons: How They Are Made, Their Origin and Development'', Disney considered cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business, and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee. Walt and Harman then secured a deal with local theater owner Frank L. Newman, arguably the most popular "showman" in the Kansas City area at the time, to screen their cartoons at his local theater, which they titled ''Laugh-O-Grams''.
The new series, ''Alice Comedies'', proved reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice with Lois Hardwick also briefly assuming the role. By the time the series ended in 1927, its focus was more on the animated characters and in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.
Disney went to New York in February 1928 to negotiate a higher fee per short and was shocked when Mintz told him that not only did he want to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng—but not Iwerks, who refused to leave Disney—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Walt. Disney declined Mintz's offer and as a result lost most of his animation staff whereupon he found himself on his own again.
It subsequently took his company 78 years to get back the rights to the Oswald character when in 2006 the Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal, through a trade for longtime ABC sports commentator Al Michaels.
After losing the rights to Oswald, Disney felt the need to develop a new character to replace him, which was based on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City. Ub Iwerks reworked the sketches made by Disney to make the character easier to animate although Mickey's voice and personality were provided by Disney himself until 1947. In the words of one Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." Besides Oswald and Mickey, a similar mouse-character is seen in the ''Alice Comedies'', which featured "Ike the Mouse". Moreover, the first Flip the Frog cartoon called Fiddlesticks showed a Mickey Mouse look-alike playing fiddle. The initial films were animated by Iwerks with his name prominently featured on the title cards. Originally named "Mortimer", the mouse was later re-christened "Mickey" by Lillian Disney who thought that the name Mortimer did not fit. Mortimer later became the name of Mickey's rival for Minnie – taller than his renowned adversary and speaking with a Brooklyn accent.
The first animated short to feature Mickey, ''Plane Crazy'' was a silent film like all of Disney's previous works. After failing to find a distributor for the short and its follow-up, ''The Gallopin' Gaucho'', Disney created a Mickey cartoon with sound entitled ''Steamboat Willie''. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. ''Steamboat Willie'' became an instant success, and ''Plane Crazy'', ''The Galloping Gaucho'', and all future Mickey cartoons were released with soundtracks. After the release of ''Steamboat Willie'', Disney successfully used sound in all of his subsequent cartoons, and Cinephone also became the new distributor for Disney's early sound cartoons. Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character and by 1930, despite their having sound, cartoons featuring Felix had faded from the screen after failing to gain attention. Mickey's popularity would subsequently skyrocket in the early 1930s.
Iwerks was soon lured by Powers into opening his own studio with an exclusive contract, while Stalling would also later leave Disney to join Iwerks. Iwerks launched his ''Flip the Frog'' series with the first voiced color cartoon ''Fiddlesticks'', filmed in two-strip Technicolor. Iwerks also created two other cartoon series, ''Willie Whopper'' and the ''Comicolor''. In 1936, Iwerks shut down his studio in order to work on various projects dealing with animation technology. He would return to Disney in 1940 and go on to pioneer a number of film processes and specialized animation technologies in the studio's research and development department.
By 1932, although Mickey Mouse had become a relatively popular cinema character, ''Silly Symphonies'' was not as successful. The same year also saw competition increase as Max Fleischer's flapper cartoon character, Betty Boop, gained popularity among theater audiences. Fleischer, considered Disney's main rival in the 1930s, was also the father of Richard Fleischer, whom Disney would later hire to direct his 1954 film ''20,000 Leagues Under the Sea''. Meanwhile, Columbia Pictures dropped the distribution of Disney cartoons to be replaced by United Artists. In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to reshoot the black and white ''Flowers and Trees'' in three-strip Technicolor. ''Flowers and Trees'' would go on to be a phenomenal success and would also win the first 1932 Academy Award for Best Short Subject: Cartoons. After the release of ''Flowers and Trees'', all subsequent ''Silly Symphony'' cartoons were in color while Disney was also able to negotiate a two-year deal with Technicolor, giving him the sole right to use their three-strip process, a period eventually extended to five years. Through ''Silly Symphonies'', Disney also created his most successful cartoon short of all time, ''The Three Little Pigs'' (1933). The cartoon ran in theaters for many months, featuring the hit song that became the anthem of the Great Depression, "Who's Afraid of the Big Bad Wolf".
Following the creation of two cartoon series, in 1934 Disney began planning a full-length feature. The following year, opinion polls showed that another cartoon series, ''Popeye the Sailor'', produced by Max Fleischer, was more popular than Mickey Mouse. Nevertheless, Disney was able to put Mickey back on top as well as increase his popularity by colorizing and partially redesigning the character to become what was considered his most appealing design to date. When the film industry learned of Disney's plans to produce an ''animated'' feature-length version of ''Snow White'', they were certain that the endeavor would destroy the Disney Studio and dubbed the project "Disney's Folly". Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature, employing Chouinard Art Institute professor Don Graham to start a training operation for the studio staff. Disney then used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the multiplane camera – a new technique first used by Disney in the 1937 ''Silly Symphonies'' short ''The Old Mill''.
All of this development and training was used to increase quality at the studio and to ensure that the feature film would match Disney's quality expectations. Entitled ''Snow White and the Seven Dwarfs'', the feature went into full production in 1934 and continued until mid-1937, when the studio ran out of money. To obtain the funding to complete ''Snow White'', Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who then gave the studio the money to finish the picture. The film premiered at the Carthay Circle Theater on December 21, 1937 and at its conclusion the audience gave ''Snow White and the Seven Dwarfs'' a standing ovation. ''Snow White'', the first animated feature in America made in Technicolor, was released in February 1938 under a new distribution deal with RKO Radio Pictures. RKO had been the distributor for Disney cartoons in 1936, after it closed down the Van Beuren Studios in exchange for distribution. The film became the most successful motion picture of 1938 and earned over $8 million on its initial release.
''Pinocchio'' and ''Fantasia'' followed ''Snow White and the Seven Dwarfs'' into the movie theaters in 1940, but both proved financial disappointments. The inexpensive ''Dumbo'' was then planned as an income generator, but during production most of the animation staff went on strike, permanently straining relations between Disney and his artists.
Shortly after the release of ''Dumbo'' in October 1941, the United States entered World War II. The U.S. Army contracted most of the Disney studio's facilities where the staff created training and instruction films for the military, home-front morale-boosting shorts such as ''Der Fuehrer's Face'' and the 1943 feature film ''Victory Through Air Power''. However, military films did not generate income, and the feature film ''Bambi'' underperformed on its release in April 1942. Disney successfully re-issued ''Snow White'' in 1944, establishing a seven-year re-release tradition for his features. In 1945, ''The Three Caballeros'' was the last animated feature released by the studio during the war.
In 1944, ''Encyclopædia Britannica'' publisher William Benton, entered into unsuccessful negotiations with Disney to make six to twelve educational films per annum. Disney was asked by the US Coordinator of Inter-American Affairs, Office of Inter-American Affairs (OIAA), to make an educational film about the Amazon Basin, which resulted in the 1944 animated short, ''The Amazon Awakens''.
By the late 1940s, the studio had recovered enough to continue production on the full-length features ''Alice in Wonderland'' and ''Peter Pan'', both of which had been shelved during the war years. Work also began on ''Cinderella'', which became Disney's most successful film since ''Snow White and the Seven Dwarfs''. In 1948 the studio also initiated a series of live-action nature films, titled ''True-Life Adventures'', with ''On Seal Island'' the first. Despite its resounding success with feature films, the studio's animation shorts were no longer as popular as they once were, with people paying more attention to Warner Bros. and their animation star Bugs Bunny. By 1942, Leon Schlesinger Productions, which produced the Warner Bros. cartoons, had become the country's most popular animation studio. However, while Bugs Bunny's popularity rose in the 1940s, so did Donald Duck's, a character who would replace Mickey Mouse as Disney's star character by 1949.
During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957.
Disney also accused the Screen Actors Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood.
As Disney explained one of his earliest plans to Herb Ryman, who created the first aerial drawing of Disneyland presented to the Bank of America during fund raising for the project, he said, "Herbie, I just want it to look like nothing else in the world. And it should be surrounded by a train." Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.
As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. Although he was spending less time supervising the production of the animated films, he was always present at story meetings.. During Disney's lifetime, the animation department created the successful ''Lady and the Tramp'' ( the first animated film in CinemaScope) in 1955, ''Sleeping Beauty'' ( the first animated film in Super Technirama 70mm) in 1959, ''One Hundred and One Dalmatians'' (the first animated feature film to use Xerox cels) in 1961, and ''The Sword in the Stone'' in 1963.
Production of short cartoons kept pace until 1956, when Disney shut down the responsible division although special shorts projects would continue for the remainder of the studio's duration on an irregular basis. These productions were all distributed by Disney's new subsidiary, Buena Vista Distribution, which had taken over all distribution duties for Disney films from RKO by 1955. Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based on a number of successful Disney characters and films.
After 1955, the ''Disneyland'' TV show was renamed ''Walt Disney Presents''. It switched from black-and-white to color in 1961 and changed its name to ''Walt Disney's Wonderful World of Color'', at the same time moving from ABC to NBC, and eventually evolving into its current form as ''The Wonderful World of Disney''. The series continued to air on NBC until 1981, when it was picked up by CBS. Since then, it has aired on ABC, NBC, the Hallmark Channel and the Cartoon Network via separate broadcast rights deals. During its run, the Disney series offered some recurring characters, such as the newspaper reporter and sleuth "Gallegher" played by Roger Mobley with a plot based on the writings of Richard Harding Davis.
Disney had already formed his own music publishing division in 1949 and in 1956, partly inspired by the huge success of the television theme song The Ballad of Davy Crockett, he created a company-owned record production and distribution entity called Disneyland Records.
After decades of pursuit, Disney finally acquired the rights to P.L. Travers' books about a magical nanny. ''Mary Poppins'', released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the Sherman Brothers. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and a new theme park project which was to be established on the East Coast.
Although the studio would probably have proved major competition for Hanna-Barbera, Disney decided not to enter the race and mimic Hanna-Barbera by producing Saturday morning TV cartoon series. With the expansion of Disney's empire and constant production of feature films, the financial burden involved in such a move would have proven too great.
Disney was cremated on December 17, 1966, and his ashes interred at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney continued out with the Florida project, insisting that the name be changed to Walt Disney World in honor of his brother.
The final productions in which Disney played an active role were the animated features ''The Jungle Book'' and ''Winnie the Pooh and the Blustery Day'', as well as the live-action musical comedy ''The Happiest Millionaire'', both released in 1967. Songwriter Robert B. Sherman recalled of the last time he saw Disney: }}
A long-standing urban legend maintains that Disney was cryogenically frozen, and his frozen corpse stored beneath the Pirates of the Caribbean ride at Disneyland. However, the first known cryogenic freezing of a human corpse did not occur until January 1967, more than a month after his death.
After giving his dedication for Walt Disney World, Roy asked Lillian Disney to join him. As the orchestra played "When You Wish Upon a Star", she stepped up to the podium accompanied by Mickey Mouse. He then said, "Lilly, you knew all of Walt's ideas and hopes as well as anybody; what would Walt think of it [Walt Disney World]?". "I think Walt would have approved," she replied. Roy died from a cerebral hemorrhage on December 20, 1971, the day he was due to open the Disneyland Christmas parade. During the second phase of the "Walt Disney World" theme park, EPCOT was translated by Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living world's fair, different from the actual functional city that Disney had envisioned. In 1992, Walt Disney Imagineering took the step closer to Disney's original ideas and dedicated Celebration, Florida, a town built by the Walt Disney Company adjacent to Walt Disney World, that hearkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. However, the company later changed this policy and Disney characters can now be found throughout the park, often dressed in costumes reflecting the different pavilions.
In an early admissions bulletin, Disney explained: }}
The Walt Disney Family Museum acknowledges that Disney did have "difficult relationships" with some Jewish individuals, and that ethnic stereotypes common to films of the 1930s were included in some early cartoons, such as ''Three Little Pigs''. However, the museum points out that Disney employed Jews throughout his career and was named "1955 Man Of The Year" by the B'nai B'rith chapter in Beverly Hills.
Walt Disney received the Congressional Gold Medal on May 24, 1968 (P.L. 90-316, 82 Stat. 130–131) and the Légion d'Honneur awarded by France in 1935. In 1935, Walt received a special medal from the League of Nations for creation of Mickey Mouse, held to be Mickey Mouse award. He also received the Presidential Medal of Freedom on September 14, 1964. On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Walt Disney into the California Hall of Fame located at The California Museum for History, Women, and the Arts.
A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyudmila Georgievna Karachkina, is named after him.
The Walt Disney Concert Hall in Los Angeles, California, opened in 2003, was named in his honor.
In 1993, HBO began development of a Walt Disney biopic directed by Frank Pierson and featuring Lawrence Turman but the project never materialized and was soon abandoned. However, ''Walt - The Man Behind the Myth'', a biographical documentary about Disney, was later made.
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