Name	Contemporary R&B;
Bgcolor	#0000E1
Color	white
Stylistic origins	Funk – Soul – Pop – R&B;
Cultural origins	Early 1980s North America; New York City, Los Angeles, Montreal, Atlanta, Chicago, Toronto, Houston
Instruments	Synthesizers – Keyboard – Drum machine
Popularity	Moderate since 1980s worldwide
Subgenres	Quiet storm
Fusiongenres	New jack swing – Hip hop soul – Neo soul – 2-step – Rhythm & grime – Crunk & B – Snap & B
Other topics	Musicians }}

Contemporary R&B; (also known as simply R&B;) is a music genre that combines elements of hip hop, soul, R&B; and funk.

Although the abbreviation “R&B;” originates from traditional rhythm and blues music, today the term ''R&B;'' is most often used to describe a style of African American music originating after the demise of disco in the 1980s. Some sources refer to the style as urban contemporary (the name of the radio format that plays hip hop and contemporary R&B;).

Contemporary R&B; has a polished record production style, drum machine-backed rhythms, an occasional saxophone-laced beat to give a jazz feel (mostly common in contemporary R&B; songs prior to the year 1993), and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend, and the use of hip hop or dance inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B; vocalists are often known for their use of melisma, popularized by vocalists such as Michael Jackson, Stevie Wonder, Whitney Houston and Mariah Carey.

History

1980s

As the disco era came to a close, a new generation of producers began adding synthesizers and slick drum machine beats to African American music. Michael Jackson and Prince were among the first post-disco black musicians to cross over to mainstream audiences. In its early years, mainstream R&B; was very pop-oriented. Notable 1980s R&B; musicians include Luther Vandross, the SOS Band, Mtume, Freddie Jackson, DeBarge, Loose Ends, and Stephanie Mills.

Tina Turner made a comeback during the second half of the 1980s, while Whitney Houston and Janet Jackson broke into the pop music charts with a series of hits. Richard J. Ripani wrote that Janet Jackson's third studio album ''Control'' (1986) was "important to the development of R&B; for a number of reasons", as she and her producers, Jimmy Jam and Terry Lewis, "crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility." Ripani wrote that "the success of ''Control'' led to the incorporation of stylistic traits of rap over the next few years, and Janet Jackson was to continue to be one of the leaders in that development." That same year, Teddy Riley began producing R&B; recordings that included hip hop influences. This combination of R&B; style and hip hop rhythms was termed ''new jack swing'', and was applied to artists such as Bobby Brown, Keith Sweat, Guy, Jodeci, and Bell Biv DeVoe.

1990s

In contrast to the works of Boyz II Men, Babyface and similar artists, other R&B; artists and groups from this same period began adding even more of a hip hop sound to their work, like the innovative group Jodeci. The synthesizer-heavy rhythm tracks of new jack swing was replaced by grittier East Coast hip hop-inspired backing tracks, resulting in a genre labeled ''hip hop soul'' by producer Sean Combs who also had mentored group Jodeci in the beginning and helped them with their unique look. The style became less popular by the end of the 1990s, but later experienced a resurgence.

During the mid 1990s, Michael Jackson, R Kelly, Janet Jackson, Mariah Carey, Aaliyah, TLC, SWV and Boyz II Men brought contemporary R&B; to the mainstream. Janet Jackson's self-titled fifth studio album ''janet.'' (1993), which came after her historic multi-million dollar contract with Virgin Records, sold over twenty million copies worldwide. Boyz II Men and Carey recorded several ''Billboard'' Hot 100 #1 hits, including "Fantasy", "One Sweet Day", a collaboration between both acts, which became the longest-running #1 hit in Hot 100 history. Carey, Boyz II Men and TLC released albums in 1994 and 1995—''Daydream'', ''II'' , and ''CrazySexyCool'' respectively — that sold over ten million copies, earning them diamond and also making them the best selling female R&B; group of all time.

In the late 1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by artists such as D'Angelo, Erykah Badu, Lauryn Hill, and Maxwell. Mariah Carey was well known to incorporate her pop, R&B; tunes with hip-hop and rap. Hill and Missy Elliott further blurred the line between R&B; and hip hop by recording both styles. Beginning in 1995, the Grammy Awards enacted the Grammy Award for Best R&B; Album, with ''II'' by Boyz II Men becoming the first recipient. The award was later received by TLC for ''CrazySexyCool'' in 1996, Tony Rich for ''Words'' in 1997, Erykah Badu for ''Baduizm'' in 1998 and Lauryn Hill for ''The Miseducation of Lauryn Hill'' in 1999. At the end of 1999, ''Billboard'' magazine ranked Valerie Shane Telequen and Janet Jackson as the first and second most successful artists of the 1990s.

2000s–2010s

By the 2000s, the cross-pollination between R&B; and hip hop had increased. Mainstream modern R&B; has a sound more based on rhythm than hip hop soul had, and lacks the hardcore and soulful urban "grinding" feel on which hip-hop soul relied. That rhythmic element descends from new jack swing. R&B; began to focus more on solo artists rather than groups as the 2000s progressed. Some of the most prominent R&B; musicians today include the following;

Beyoncé Knowles

Alicia Keys

Jamie Foxx

R. Kelly

Rihanna

Usher

Jennifer Hudson

Ne-Yo

Trey Songz

Keyshia Cole

Keri Hilson

Mary J. Blige

Drake

Mariah Carey

Chris Brown

D'angelo

Joss Stone

Including some of music of the above named singers, other recording artists today have combined traditional R&B; with elements with contemporary pop, pop rock, dance-pop, and electro-pop to create a lighter and more youthful sound.

Patrick Stump

Christina Aguilera

Nelly Furtado

JoJo

Anastacia

P!nk

Kelly Clarkson

Justin Timberlake

Jonny Craig

Jessie J

See also

List of R&B; musicians

Hot R&B;/Hip-Hop Songs

List of the biggest selling R&B;/Hip Hop albums of all time in the United States

References

Category:Rhythm and blues music genres Category:African American music

bg:Съвременен R&B; ca:R&B; Contemporani cs:Contemporary R&B; de:Contemporary R&B; es:R&B; contemporáneo eo:Nuntempa ritmenbluso fa:آر‌اند‌بی معاصر fr:R'n'B contemporain it:Contemporary R&B; mk:Современ Р&Б nl:Urbanpop pt:R&B; contemporâneo ru:Современный ритм-н-блюз th:อาร์แอนด์บีร่วมสมัย uk:Сучасний ритм-енд-блюз yo:Contemporary R&B;

name	Rhythm and blues
color	white
bgcolor	#0000E1
stylistic origins	JazzBlues (esp., jump, electric)Gospel
cultural origins	1940s–1950s, USA
instruments	Drum kit – Double bass – Saxophone – Horns – Piano – Organ – Electric guitar – Vocals – Background vocalists
popularity	Significant from 1940s to 1960s; iconic afterwards
derivatives	Funk – Ska – Soul – Rock and roll – Reggae - Disco later: Beat music - Power pop - Psychedelic rock - Garage rock - Pub rock (UK) - Mod revival
subgenres	Contemporary R&B; – Smooth jazz
fusiongenres	Rockabilly
local scenes	New Orleans R&B;
other topics	List of R&B; musicians, British Invasion, Mod (lifestyle) }}

Rhythm and blues, often abbreviated to R&B;, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular.

The term has subsequently had a number of shifts in meaning. In the early 1950s and beyond, the term ''rhythm and blues'' was frequently applied to blues records. Starting in the 1950s, after this style of music contributed to the development of rock and roll, the term "R&B;" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. By the 1970s, ''rhythm and blues'' was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B; developed, becoming known as contemporary R&B;.

Etymology

Jerry Wexler of ''Billboard'' magazine coined the term "rhythm and blues" in 1948 as a musical marketing term in the United States. It replaced the term "race music", which originally came from within the black community, but was deemed offensive in the postwar world. The term "rhythm and blues" was used by ''Billboard'' in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles".

Writer/producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has used the term "R&B;" as a synonym for jump blues. However, Allmusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of ''Nothing but the Blues'', writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st Century, the term R&B; continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians.

In the commercial rhythm and blues music typical of the 1950's through the 1970's, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. Bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure.

History

Precursors

The migration of African Americans to the urban industrial centers of Chicago, Detroit, New York, Los Angeles and elsewhere in the 1930s created a new market for jazz, blues, and related genres of music, often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the 1930s through the work of musicians such as The Harlem Hamfats, with their 1936 hit "Oh Red", as well as Leroy Carr, Cab Calloway, Count Basie, and T-Bone Walker. There was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone.

Late 1940s

In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&B; charts with three songs, and two of the top five songs were based on the boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz based music with a heavy, insistent beat". Jordan's cool music, along with that of Big Joe Turner, Roy Brown, Billy Wright, and Wynonie Harris, is now also referred to as jump blues. Also in 1948, Wynonie Harris' remake of Roy Brown's 1947 recording "Good Rockin' Tonight" hit the charts in the #2 spot, following band leader Sonny Thompson's "Long Gone" at #1.

In 1949, the term "Rhythm and Blues" replaced the Billboard category ''Harlem Hit Parade''. Also in that year, "The Huckle-Buck", recorded by band leader and saxophonist Paul Williams, was the #1 R&B; tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson, the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit "(The) Rock and Roll Waltz"), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck was a very nasty dance". Also in 1949, a new version of a 1920s blues song, "Ain't Nobody's Business" was a #4 hit for Jimmy Witherspoon, and Louis Jordan and the Tympany Five once again made the top 5 with "Saturday Night Fish Fry". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948).

Early to mid 1950s

Johnny Otis, who had signed with the Newark, New Jersey-based Savoy Records, produced many R&B; hits in 1951, including: "Double Crossing Blues", "Mistrustin' Blues" and "Cupid's Boogie", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include: "Gee Baby", "Mambo Boogie" and "All Nite Long". The Clovers, a vocal trio who sang a distinctive sounding combination of blues and gospel, had the #5 hit of the year with "Don't You Know I Love You" on Atlantic Records. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW-AM (850). Freed's show was sponsored by Fred Mintz, whose R&B; record store had a primarily African American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll".

In 1951, Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright. However, it wasn't until he prepared a demo in 1954, that caught the attention of Specialty Records, that the world would start to hear his new, uptempo, funky rhythm and blues that would catapult him to fame in 1955 and help define the sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with "Tutti Frutti" and "Long Tall Sally", which would influence performers such as James Brown, Elvis Presley, and Otis Redding.

Ruth Brown on the Atlantic label, placed hits in the top 5 every year from 1951 through 1954: "Teardrops from My Eyes", "Five, Ten, Fifteen Hours", "(Mama) He Treats Your Daughter Mean" and "What a Dream". Faye Adams's "Shake a Hand" made it to #2 in 1952. In 1953, the R&B; record-buying public made Willie Mae Thornton's original recording of Leiber and Stoller's "Hound Dog" the #3 hit that year. Ruth Brown was very prominent among female R&B; stars. Ruth Brown’s popularity most likely derived because of “her deeply rooted vocal delivery in African American tradition” That same year The Orioles, a doo-wop group, had the #4 hit of the year with "Crying in the Chapel".

Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with "Ain't That a Shame". Ray Charles came to national prominence in 1955 with "I Got a Woman". Big Bill Broonzy said of Charles' music: "He's mixing the blues with the spirituals... I know that's wrong."

In 1954 The Chords' "Sh-Boom" became the first hit to cross over from the R&B; chart to hit the top 10 early in the year. Late in the year, and into 1955, "Hearts of Stone" by The Charms made the top 20.

At Chess Records in the spring of 1955, Bo Diddley's debut record "Bo Diddley"/"I'm A Man" climbed to #2 on the R&B; charts and popularized Bo Diddley's own original rhythm and blues beat that would become a mainstay in rock and roll.

At the urging of Leonard Chess at Chess Records, Chuck Berry had reworked a country fiddle tune with a long history, entitled "Ida Red". The resulting "Maybellene" was not only a #3 hit on the R&B; charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed, who had moved to the much larger market of New York City, helped the record become popular with white teenagers. Freed had been given part of the writers' credit by Chess in return for his promotional activities; a common practice at the time.

Late 1950s

In 1956, an R&B; "Top Stars of '56" tour took place, with headliners Al Hibbler, Frankie Lymon and the Teenagers, and Carl Perkins, whose "Blue Suede Shoes" was very popular with R&B; music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr, Shirley & Lee, Della Reese, the Cleftones, and the Spaniels with Illinois Jacquet's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, SC, Annapolis, MD, Pittsburgh, PA, Syracuse, Rochester and Buffalo, NY, into Canada, and through the mid Western US ending in Texas. In Columbia the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt. There was a lot of rioting going on, just crazy, man! The music drove 'em insane." In Annapolis 70,000 to 50,000 people tried to attend a sold out performance with 8,000 seats. Roads were clogged for seven hours.

Film makers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, The Treniers, The Platters, The Flamingos, all made it onto the big screen.

Two Elvis Presley records made the R&B; top five in 1957: "Jailhouse Rock"/"Treat Me Nice" at #1, and "All Shook Up" at #5, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks. Nat King Cole, a former jazz pianist who had had #1 and #2 hits on the pop charts in the early 1950s ("Mona Lisa" at #2 in 1950 and "Too Young" at #1 in 1951), had a record in the top 5 in the R&B; charts in 1958, "Looking Back"/"Do I Like It".

In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke's Sar, and Berry Gordy's Motown Records. Brook Benton was at the top of the R&B; charts in 1959 and 1960 with one #1 and two #2 hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Cole, Sinatra and Tony Bennett. Lloyd Price, who in 1952 had a #1 hit with "Lawdy Miss Clawdy" regained predominance with a version of "Stagger Lee" at #1 and "Personality" at #5 for in 1959.

The white bandleader of the Bill Black Combo, Bill Black, who had helped start Elvis Presley's career, was popular with black listeners. Ninety percent of his record sales were from black people, and his "Smokey, Part 2" (1959) rose to the #1 position on black music charts. He was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records.

1960s and later

Sam Cooke's #5 hit "Chain Gang" is indicative of R&B; in 1960, as is Chubby Checker's #5 hit "The Twist". By the early 1960s, the music industry category previously known as rhythm and blues was being called soul music, and similar music by white artists was labeled blue eyed soul. Motown Records had its first million-selling single in 1960 with The Miracles' "Shop Around", and in 1961, Stax Records had its first hit with Carla Thomas' "Gee Whiz! (Look at His Eyes)". Stax's next major hit, the Mar-Keys' instrumental "Last Night" (also released in 1961) introduced the rawer Memphis soul sound for which Stax became known. In Jamaica, R&B; influenced the development of ska.

By the 1970s, the term ''rhythm and blues'' was being used as a blanket term for soul, funk, and disco. Around the same time, earlier R&B; was an influence on British pub rock and later, the mod revival. Now the term ''R&B;'' is almost always used instead of the full ''rhythm and blues'', and mainstream use of the term usually refers to contemporary R&B;, which is a newer version of soul and funk-influenced pop music that originated as disco faded from popularity.

British rhythm and blues

British rhythm and blues developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain during the Cold War, or merchant seamen visiting ports such as London, Liverpool, Newcastle on Tyne and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "beat groups". Initially developing out of the trad jazz, skiffle and folk club scenes, early artists tended to focus on major blues performers and standard forms, particularly Alexis Korner, who acted as a mentor to members of The Rolling Stones, The Yardbirds, Manfred Mann, the Graham Bond Organisation and The Kinks. Blues songs and influences continued to surface in the Rolling Stones' music in later years. Other London-based bands included the Yardbirds, the Kinks, Manfred Mann and the Pretty Things, beside more jazz-influenced acts like the Graham Bond Organisation, Georgie Fame and Zoot Money. As a result a number of bands emerged to fill this gap, including Small Faces, The Creation, and most successfully The Who. The Who's early promotional material tagged them as producing "maximum rhythm and blues", but by about 1966 they moved from attempting to emulate American R&B; to producing songs that reflected the Mod lifestyle. Many of these bands enjoyed national success in the UK, but found it difficult to break into the American market.

The British R&B; bands produced music which was very different in tone from that of African American artists, often with more emphasis on guitars and sometimes with greater energy. They have been criticised for exploiting the massive catalogue of African American music, but it has also been noted that they both popularised that music, bringing it to British, world and in some cases American audiences, and helping to build the reputation of existing and past rhythm and blues artists. Most of these bands rapidly moved on from recording and performing American standards to writing and recording their own music, often leaving their R&B; roots behind. Many helped pioneer psychedelic, and eventually progressive and hard rock, having a major influence of the nature and sound of rock music and meaning that rhythm and blues would be a major component of that sound.

See also

African American music

Music of the United States

Chitlin' Circuit

Rhythm and Blues Foundation

Urban contemporary gospel

List of number-one rhythm and blues hits (United States)

List of artists who reached number one on the Billboard R&B; chart

Museum of African American Music

References

Category:African American music Category:African-American culture Category:African American history ar:ريذم أند بلوز az:R&B; bn:রিদম এ্যান্ড ব্লুজ br:Rhythm and blues bg:Ритъм енд блус ca:Rhythm and blues cs:Rhythm and blues cy:Rhythm a blŵs da:Rhythm and blues de:Rhythm and Blues et:Rhythm and blues el:Rhythm and blues es:Rhythm and blues eo:Ritmenbluso fa:ریتم و بلوز hif:Rhythm and blues fr:Rhythm and blues fy:Rhythm and blues gl:Rhythm and blues ko:리듬 앤 블루스 hi:रिद्म एंड ब्लूज़ hr:Ritam i blues id:R&B; is:Ryþmablús it:Rhythm and blues he:רית'ם אנד בלוז ka:რიტმ ენდ ბლუზი sw:Rhythm na blues lv:R&B; lt:Ritmenbliuzas hu:Rhythm and blues mk:Ритам и Блуз ms:Rhythm and blues my:Rhythm and blues nl:Rhythm-and-blues ja:リズム・アンド・ブルース no:Rhythm and blues nn:Rhythm and blues pl:Rhythm and blues pt:Rhythm and blues ro:Muzică rhythm and blues ru:Ритм-н-блюз sah:R&B; sq:Rhythm and blues scn:Rhythm and blues simple:Rhythm and blues sk:Rhythm and blues sl:Ritem in blues sr:Ritam i bluz sh:Rhytm and blues fi:Rhythm and blues sv:Rhythm and blues tl:Rhythm and blues ta:ரிதம் அண்ட் புளூஸ் th:ริทึมแอนด์บลูส์ tr:Rhythm and Blues uk:Ритм-енд-блюз vi:Rhythm and blues yo:Orin Rhythm and blues bat-smg:Rėtmabliozos zh:节奏布鲁斯

name	David Guetta
landscape	yes
background	non_vocal_instrumentalist
born	November 07, 1967Paris, France
genre	House, electro house, hip house
occupation	DJ, record producer, songwriter
years active	1984-present
label	EMI Music France/Virgin, Positiva, Astralwerks
website	}}

David Guetta (, born Pierre David Guetta on 7 November 1967) is a French house music producer and DJ. Originally a DJ at nightclubs during the 1980s and 1990s, he co-founded Gum Productions and released his first album, ''Just a Little More Love'', in 2002. Later, he released ''Guetta Blaster'' (2004) and ''Pop Life'' (2007). His 2009 album ''One Love'' included the hit singles "When Love Takes Over" (featuring Kelly Rowland), "Gettin' Over You" (featuring Chris Willis, Fergie & LMFAO) and "Sexy Bitch" (featuring Akon), the last becoming a top five hit in the US and all three reaching #1 in the UK, as well as another internationally known single called "Memories" featuring Kid Cudi which became a top five hit in many countries.

Guetta has sold over three million albums and 15 million singles worldwide. He is currently one of the most sought-after music producers.

Biography

1984–2000: Early life and career

At age 17, Guetta began DJing at the Broad Club in Paris. He first played popular songs, and he discovered house music when he heard a Farley master Funk track on French radio in 1987. The next year, he began hosting his own club nights. In 1990, he released "Nation Rap", a hip-hop collaboration with French rapper Sidney Duteil.

In the mid 1990's Guetta played in clubs including Le Centrale, the Rex, Le Boy, and Folies Pigalle. Released in 1994 Guetta's second single, a collaboration with American house vocalist Robert Owens titled "Up & Away", was a minor club hit. In 1994, David Guetta became the manager of ''Le Palace'' nightclub and he continued to organise parties there and in other clubs, such as the "Scream" parties in ''Les Bains Douches''.

2001–2006: ''Just a Little More Love'' and ''Guetta Blaster''

In 2001, David Guetta along with Joachim Garraud founded Gum Productions, and in the same year Guetta's first hit single, "Just a Little More Love", featuring American singer Chris Willis was released. Willis was vacationing in France when he met Guetta. Guetta's debut album ''Just a Little More Love'' was released in 2002 on Virgin Records and sold over 300,000 copies. The follow-up singles, ("Love Don't Let Me Go", "People Come People Go" and "Give Me Something"), were released in 2002. Guetta released a compilation, ''Fuck Me I'm Famous'', in 2003, named after his party in Ibiza. It included "Just for One Day (Heroes)", a remix of David Bowie's song "Heroes". Later in his career, Guetta continued recording compilations under that title.

Guetta's second album, ''Guetta Blaster'', was released in 2004. It were released four singles: "Money" and "Stay" featuring Chris Willis and "The World Is Mine" and "In Love With Myself" featuring JD Davis. In 2006 "Love Don't Let Me Go" was released as a mash-up with the Tocadisco remix of "Walking Away" by The Egg. The mash-up single charted higher than the original release of the song.

2007–2008: ''Pop Life''

In 2007, Guetta's third album ''Pop Life'' was released. The album was successful in the UK and Ireland as well as in mainland Europe. According to EMI in 2010, the album has sold a total of 530,000 copies worldwide. The lead single "Love Is Gone" reached Number 1 on the American Dance Chart and charted on the ''Billboard'' Hot 100.

He played in many countries around the world to promote the album. He played in Mauritius in January 2008, accompanied by French rapper JoeyStarr. In the same year, he and his wife Cathy also planned a new event which took place in the Stade de France on 5 July 2008. The event was called "UNIGHTED", he performed with Tiësto, Carl Cox, Joachim Garraud and Martin Solveig in front of a crowd of 40,000.

In 2009, he was placed third in the "Top 100 DJs" poll by ''DJ Magazine'', and was elected "Best House DJ" by DJ Awards in 2008. Since April 2009, Guetta had his own radio show on the internet radio station RauteMusik on Saturday evening. The show was afterwards moved into Radio 538, being aired every Friday evening after ''Tiësto's Club Life''. Its name is ''DJ Mix''. Guetta performs a one-hour set of house music, presenting mainly new talents inside.

2009–2010: ''One Love'' and international breakthrough

David Guetta's fourth studio album, ''One Love'', was released in August 2009. Its first single "When Love Takes Over", which featured Kelly Rowland, peaked at #1 on the UK Singles Chart and topped many other countries worldwide. His second single from the album, "Sexy Bitch" featuring Akon, became his second #1 in the UK. "One Love" featuring Estelle, "Memories" featuring Kid Cudi and "Gettin' Over" featuring Chris Willis, Fergie and LMFAO followed. As of May 2011 the album had sold three million copies worldwide. Guetta's fourth studio album ''One Love'' was nominated as "Best Electronic/Dance Album" at the 52nd Grammy Awards. His song "When Love Takes Over" featuring American R&B; singer Kelly Rowland received two nominations; Best Dance Recording and Best Remixed Recording, Non-Classical, and won the latter. After conflicts over whether or not an album re-issue should go ahead, ''One More Love'' was released on 29 November 2010. First single, titled "Who's That Chick?" featuring Rihanna was released a few weeks prior.

On 16 June 2009, The Black Eyed Peas released the David Guetta-produced "I Gotta Feeling" as their second single from their fifth studio album, ''The E.N.D.''. It became a worldwide hit topping the charts in seventeen countries. It became the most downloaded song of all-time in the United States with almost 7.5 million downloads and in the United Kingdom selling more than 1 million copies. He was nominated twice for his work with The Black Eyed Peas at the 52nd Grammy Awards; in the category Record of the Year for "I Gotta Feeling" and Album of the Year for their album ''The E.N.D.''. In 2010, David Guetta co-wrote and produced Kelly Rowland's "Commander" from her third album ''Here I Am''. It peaked at number one on ''Billboard'''s Hot Dance Club Songs chart in the United States, and reached top ten positions in Belgium and the United Kingdom. Guetta has also co-produced "Forever and a Day", which was Kelly's next UK single from that album. Guetta also produced the singles "Acapella" and "Scream" for American singer-songwriter Kelis's fifth studio album, ''Flesh Tone'', released on 14 May 2010. "Acapella" was released as the lead single on 23 February 2010 and topped the dance charts in the United Kingdom and United States. On 28 June 2010 American rapper Flo Rida released the single "Club Can't Handle Me" featuring David Guetta. The song is included on the soundtrack album to the American 3D dance film ''Step Up 3D''.

2011–present: ''Nothing But the Beat''

Guetta's fifth studio album, ''Nothing But the Beat'' will be released on August 30, 2011. It will be released as a double-disc album; one disc being electronic and the other being vocal. The French DJ was inspired by rock bands such as Kings of Leon and Coldplay to add rock influences to his dance productions. "Where Them Girls At" featuring Nicki Minaj and Flo Rida, the first single off the album, was released worldwide on 2 May 2011. "Little Bad Girl", featuring Ludacris and Taio Cruz, was released as the second single on 28 June 2011.. Guetta later released "Titanium" featuring Sia. Soon after that, he released "Night Of Your Life" featuring Jennifer Hudson.

Personal life

His father was a restaurateur of Moroccan Jewish descent. He is married to Cathy Guetta and has two children, Tim Elvis Eric (born 2004) and Angie (born 2007).

Discography

''Just a Little More Love'' (2002)

''Guetta Blaster'' (2004)

''Pop Life'' (2007)

''One Love'' (2009)

''Nothing but the Beat'' (2011)

Awards and nominations

{| class=wikitable |- !Year !Award !Category !Nominated work !Result |- ||2006 |rowspan="3"|DJ Awards |Best House DJ | | |- |rowspan="4"|2007 |Best International DJ | | |- |Best Ibiza Night | | |- |World Music Awards |World's Best Selling DJ | | |- |TMF Awards |Best Dance Act | | |- |rowspan="2"|2008 |DJ Awards |Best House DJ | | |- |MTV Europe Music Awards |Best French Act | | |- |rowspan="2"|2009 |DJ Awards |Best House DJ | | |- |DJ Magazine |Top 100 DJs | |Third Place |- |rowspan="9"|2010 |rowspan="4"|Grammy Awards |Record of the Year |"I Gotta Feeling"(with The Black Eyed Peas) | |- |Best Dance Recording |rowspan="2"|"When Love Takes Over"(with Kelly Rowland) | |- |Best Remixed Recording, Non-Classical | |- |Best Electronic/Dance Album |''One Love'' | |- |rowspan="3"|World Music Awards |Best DJ | | |- |Best Producer | | |- |Best Selling French artist | | |- ||NRJ Music Awards | International Album of the Year |''One Love'' | |- |DJ Magazine |Top 100 DJs | |Second Place |- ||2011 ||Grammy Awards |Best Remixed Recording, Non-Classical |"|"Revolver"(with Madonna) | |}

References

External links

David Guetta official store

David Guetta information at Ultra Records

Review of 'Memories' on the Daily Music Guide

|title=David Guetta biography|publisher=Allmusic|author=David Jeffries|accessdate=2008-09-22}}

David Guetta in PACHA NEWS

David Guetta at Billboard.com

Review of 'Gettin Over you' on the Daily Music Guide

Category:1967 births Category:Astralwerks artists Category:Club DJs Category:Living people Category:French people of Moroccan descent Category:French dance musicians Category:French DJs Category:Musicians from Paris Category:World Music Awards winners Category:Grammy Award winners

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Name	Trey Songz
Background	solo_singer
Birth name	Tremaine Aldon Neverson
Alias
Born	November 28, 1984Petersburg, Virginia, United States
Instrument	Vocals, keyboards, sampler
Genre	R&B;, Hip-hop
Occupation	Singer–songwriter, record producer, actor
Years active	2004–present
Label	Atlantic, Songbook
Associated acts	Drake, Troy Taylor, Twista, Juvenile, Bun B, Rick Ross, Plies
Website	www.treysongz.com }}

Tremaine "Trey" Aldon Neverson (born November 28, 1984), better known by his stage name Trey Songz, is an American singer-songwriter, rapper, record producer and actor. His debut album, ''I Gotta Make It'', was released in 2005, while his second album, ''Trey Day'', was released in 2007. His third album, ''Ready'', was released in 2009 while his fourth studio album, ''Passion, Pain & Pleasure'', was released on September 14, 2010.

Life and career

1984–2004: Early life

Songz was born Tremaine Aldon Neverson on November 28, 1984, in Petersburg, Virginia. Raised as a military brat, Songz did not have aspirations to have a musical career as a child due to his shyness, saying "Singing wasn't a reality for me, until other people started noticing I sounded good." He recognized his vocal abilities at the age of 14 in 1998. Reluctant to sing, he began performing with encouragement by friends and family in high school. Record producer Troy Taylor discovered Songz during a talent show in 2000, which led him to signing a recording contract with Atlantic Records in 2002. After graduating from high school in 2002, Songz moved to New Jersey to begin recording his debut album, though recording didn't actually begin until 2003.

2004–2006: ''I Gotta Make It''

While recording his debut album in 2004, Songz released multiple mixtapes under the alias ''Prince of Virginia''. One of the mixtapes featured an "answer track" to R. Kelly's "Trapped in the Closet", entitled "Open the Closet". The song gave Trey some notoriety. His debut album, ''I Gotta Make It'' was released on July 26, 2005. It debuted at #20 on the ''Billboard'' 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US, but was never certified by the RIAA. Songz's debut single, ''Gotta Make It'', featuring Twista, was released in March 2005 and reached #87 on the ''Billboard'' Hot 100 and #21 on the Hot R&B;/Hip-Hop Songs. It garnered success in the R&B;/urban community but failed to make a mark in mainstream music. The album's second and final single, ''Gotta Go'', was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B;/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B;/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, ''The Day After''. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart, becoming a huge hit.

2007–2008: ''Trey Day''

In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed hitmakers Bryan-Michael Cox, Danja, Stargate (production team) and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, ''Trey Day'', was released on October 2, 2007. The album reached #11 on the ''Billboard'' 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts. His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B;/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film ''Step Up 2 the Streets'' soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B;/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B; Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B;/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B; Artist but didn't win the award.

2009–2010: ''Ready''

In late 2008, Trey began work on his third studio album with Bryan-Michael Cox, Sean Garrett, Stargate and Troy Taylor and aimed for the record to be more mature than his first two. Before releasing his third album, Songz released a mixtape titled ''Anticipation'' in June 2009 through his blog, which featured songs from his third album. Another mixtape from Trey was released in the summer of 2009, called ''Genesis''. ''Genesis'' was a collection of Trey Songz's first recordings when he was fifteen years old and was released to show his fans the dedication that he had to making a record when he was young. Trey released his third studio album, ''Ready'', on August 31, 2009. The album reached #3 on the ''Billboard'' 200, selling 131,000 copies in its first week. These are his best first week sales to date and the album was his first to reach the Top 10 on the Billboard 200. The album has since sold over 800,000 records in the US, earning a Gold certification from the RIAA in February 2010, becoming his first album to be certified by the RIAA. The lead single from the album, "I Need a Girl", was released in April 2009 and reached #5 on the Hot R&B;/Hip-Hop songs chart and #59 on the Hot 100, becoming an R&B;/urban hit but not a mainstream hit. A promotional single, "Successful", featuring rapper Drake, was released in June 2009 and reached #17 on the Hot 100, becoming Songz's third Top 20 hit. The single also served as the second and final single from Drake's EP, ''So Far Gone''. The second official single from his third album, "LOL Smiley Face", featuring Soulja Boy Tell 'Em and Gucci Mane, was released in August 2009 and reached #51 on the Hot 100 and #12 on the Hot R&B;/Hip-Hop Songs chart. The third single from the album, "I Invented Sex", featuring Drake, was released in October 2009 and reached #42 on the Hot 100 but #1 on the Hot R&B;/Hip-Hop Songs chart, becoming his first single to top that chart. Like the first two singles from the album, it achieved success in the R&B;/urban community but only some mainstream success. charted within the ''Billboard'' Hot 100, and topped the R&B; chart. The fourth single from the album, "Say Aah", featuring rapper Fabolous, was released in January 2010 and reached #9 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart. The single has become Trey's highest charting single on the Hot 100 and one of his most successful singles on the Hot R&B;/Hip-Hop Songs chart. The fifth and final single from the album, "Neighbors Know My Name", was released in February 2010 and reached #43 on the Hot 100 and #4 on the Hot R&B;/Hip-Hop Songs chart. A sixth single, "Yo Side of the Bed", was going to be released in June 2010, but its release was canceled due to unknown reasons. A music video, featuring singer Keri Hilson, was filmed and released, however. Songz was also the opening act for Jay-Z on his Jay-Z Fall Tour in late 2009. The album was nominated for Best Contemporary R&B; Album at the 52nd Grammy Awards in 2010, but lost to Beyoncé's ''I Am... Sasha Fierce''. On April 1, 2010, he recorded an episode of MTV Unplugged, which aired on April 26, 2010. A documentary-series about Trey, ''Trey Songz: My Moment'', began in June 2010 to positive reviews and high ratings. The 10-part series will end in August 2010 and follows Trey during his time as opening act on Jay-Z's Jay-Z Fall Tour in late 2009.

2010–2011: ''Passion, Pain & Pleasure''

Songz's fourth studio album, ''Passion, Pain & Pleasure'', was released on September 14, 2010. Trey began work on the album in early 2010 with Sean Garrett, Troy Taylor and Stargate and has stated that the album will be his most personal to date. The album was completed in July 2010. The album's lead single, "Bottoms Up", featuring female rapper Nicki Minaj, was released on July 27, 2010 and has reached number twenty-four on the Hot R&B;/Hip-Hop Songs chart and was shared enough on Facebook to appear as a trending video on ItsTrending. Its video was filmed on July 31, 2010 and is pending release. Trey also filmed the video for the album's second single, "Can't Be Friends", on August 1, 2010. "Can't Be Friends" was released as the album's second single in August 2010. Songz embarked on the ''Passion, Pain & Pleasure Tour'' on August 6, 2010 with singer Monica. The tour is his first headlining tour to date and consists of shows in venues that seat 3,000 to 5,000 people. Songz also contributed the song "Already Taken" to the ''Step Up 3D'' soundtrack, which was released on July 27, 2010. He filmed a video for the song, which was released in July 2010. The leading lady in the video is former girlfriend and professional dancer Helen Gedlu. Songz appeared at the 2010 MTV Video Music Awards on September 12, 2010. Songz performed at BET Awards 2011 which broadcasted on June 26, 2011.

In July 2011, he was cast in ''The Texas Chainsaw Massacre 3D'' as Ryan, the male lead role.

2011-Present: Chapter 5

On August 18th, 2011, It was announced Songz will be working on his fifth studio titled ''Chapter 5''. In a interview Trey said The album, which will act as the follow-up to ‘Passion, Pain, & Pleasure’, is said to be nearing completion. He also carried on to say "It’s my sixth year in the game so I’ve been here for a while now. You can expect the best me you’ve ever heard. I don’t have any release dates in mind right now but I’m just making music and enjoying myself in the studio and having fun. When I get to a place where I feel comfortable saying a date or all of that, people will definitely know. I have a few dream collaborations on that album that I want, but they say if you blow out your candle and make a wish you can’t tell people what you ask for or it won’t come true."

Discography

''I Gotta Make It'' (2005)

''Trey Day'' (2007)

''Ready'' (2009)

''Passion, Pain & Pleasure'' (2010)

''Chapter 5'' (TBA)

Filmography

{|class="wikitable" style="font-size: 95%;" !style="background:#B0C4DE;"|Year !style="background:#B0C4DE;"|Title !style="background:#B0C4DE;"|Role !style="background:#B0C4DE;"|Notes |- |2008 |''Queen of Media'' |DJ I.V. |film |- |2009 |''Lincoln Heights'' |Himself |Episode: "Relative Unknown" |- |2010 |''Preacher's Kid (film)'' |small role |- |2010 |''When I Was 17'' |Himself |Interview-like show, about what he did when he was 17 |- |2010 |''Trey Songz: My Moment'' |Himself |Interview-Documentary show, following him around on tour with Jay-Z. |}

Awards and nominations

{|class="wikitable" !Year !Award !Result |- |rowspan="3"|2008 |BET Award for Best Male R&B; Artist | |- |Grammy Award for Best Male R&B; Vocal Performance for "Can't Help but Wait" | |- |Ozone Award for Best R&B; Artist | |- |rowspan="1"|2009 |Soul Train Awards for Best Collaboration "Successful" | |- |rowspan="5"|2010 |Grammy Award for Best Contemporary R&B; Album for "Ready" | |- |BET Award for Best Male R&B; Artist | |- |BET Award for Best Collaboration for "Say Ahh" w/ Fabolous | |- |BET Award for Best Collaboration for "Successful" w/ Drake | |- |BET Award for Viewer's Choice for "Say Ahh" w/ Fabolous | |- |rowspan="2"|2011 |BET Award for Best Male R&B; Artist | |- |BET Award for Coca-Cola's Viewer's Choice for "Bottom's Up" | |}

References

External links

Official website

Category:1984 births Category:African American actors Category:African American musicians Category:African American singers Category:American actors Category:American rhythm and blues singers Category:American tenors Category:Atlantic Records artists Category:Living people Category:Military brats Category:People from Petersburg, Virginia Category:Musicians from Virginia

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