Carnival is a festival traditionally held in Roman Catholic and, to a lesser extent, Eastern Orthodox societies. Protestant areas usually do not have carnival celebrations or have modified traditions, such as the Danish Carnival or other Shrove Tuesday events. The Brazilian Carnaval is one of the best-known celebrations today, but many cities and regions worldwide celebrate with large, popular, and days-long events. The Carnival of Rio de Janeiro is the biggest carnival in the world, and the biggest popular party on the planet, according to The Guinness Book of World Records 2010. The Rio de Janeiro Carnival is also considered the world's most famous.
While it forms an integral part of the Christian calendar, particularly in Catholic regions, some carnival traditions may date back to pre-Christian times. The ancient Roman festivals of Saturnalia and Bacchanalia may possibly have been absorbed into the Italian Carnival. The Saturnalia, in turn, may be based on the Greek Dionysia and Oriental festivals. While medieval pageants and festivals such as Corpus Christi were church-sanctioned celebrations, carnival was also a manifestation of medieval folk culture. Many local carnival customs are based on local pre-Christian rituals, for example the elaborate rites involving masked figures in the Swabian-Alemannic carnival.
Some of the best-known traditions, including carnival parades and masquerade ball masquerading, were first recorded in medieval Italy. The carnival of Venice was for a long time the most famous carnival. From Italy, carnival traditions spread to the Catholic nations of Spain, Portugal, and France. From France, they spread to the Rhineland of Germany, and to New France in North America. From Spain and Portugal, they spread with Catholic colonization to the Caribbean and Latin America.
Other areas have developed their own traditions. In the United Kingdom, West Indian immigrants brought with them the traditions of Caribbean Carnival, however the Carnivals now celebrated at Notting Hill, London; Leeds, Yorkshire, and other places have become divorced from their cycle in the religious year, becoming purely secular events, that take place in the summer months.
On Saturday evening June 25th 2011, the main street of Solo in Central Java turned into a massive Runway as the 4th edition of Solo Batik Carnival was staged before enthusiastic spectators. Presenting “The Amazing Legend” as its main theme, the carnival left thousands thrilled as the parade passed by showing a large variety of the most extravagant batik fashions.
Crowds cramped the sidewalks along the 3,7 Km Slamet Riyadi Street long before the parade started. Anticipation rose further an hour before the carnival was due to commence, as crowds filled not only the sidewalks but spilled over to the main street. Officers in charge and the police were kept busy clearing the street and managing the highly enthusiastic multitude.
At exactly 19.30 Western Indonesia Time, the carnival began its fantastic parade starting from the Purwosari Street. Thundering applause and roaring oohs and aahs broke from the special viewing stages and the sidewalk of the Slamet Riyadi Street as the parade passed. The colorful batik fashions and attractive choreography simply hypnotized the viewers who seemed to be absorbed into the Javanese legends presented.
Through the various colors, motives and style, the carnival highlighted four of the most renowned Javanese folk-legends: the Andhe-andhe lumut, Ratu Kencana Wungu, Ratu Laut Selatan (The tale of the Queen of the South Seas), and the romantic tale of Roro Jongrang that led to the creation of the Prambanan Temple. The event was also highlighted by the appearance of four winners of the Miss Indonesia beauty pageant : Nadine Alexandra Dewi , Inda Adeliani , Alessandra K Usman , and Reisa Kartikasari.
The event was also attended by the Mayor of Solo, Joko Widodo , and vice Mayor Hadi Rudyatmo, who both followed the parade on foot from the start to the finish-line at the Solo City Hall, wearing distinguished costumes normally worn only by the nobility.
As a tradition that has flourished for many generations, the art of Batik is inseparable from Javanese culture. Symbolizing gracefulness and precision in its creation, the intricate fabric of Batik itself is the epitome of Javanese elegance, balance and philosophy.
And as the seat of Javanese culture and tradition, the city of Solo possesses some of the best examples of Batik Keraton or Royal Batik, an artistic tradition that has been passed down since the ancient Javanese kingdoms. Its close proximity to Yogyakarta and world heritage sites such as the Borobudur and Prambanan Temples has made Solo the perfect location to celebrate the everlasting Javanese creative tradition of Batik.
Source: detik.com, MediaIndonesia.com
The Carnival of Binche has a history dating back at least to the 16th century. Parades are held over the three days before Lent; the most important participants are the Gilles, who go out in traditional costumes on Shrove Tuesday and throw blood oranges to the crowd. In 2003, the Carnival of Binche was recognised as one of the Masterpieces of the Oral and Intangible Heritage of Humanity. The Carnival at Aalst, which is celebrated for the full week preceding Ash Wednesday, is expected to receive the same recognition in 2010.
Some Belgian cities hold carnivals later during Lent. One of the best-known is Stavelot, where the ''Carnaval de la Laetare'' takes place on Laetare Sunday, the fourth Sunday of Lent. The participants include the ''Blancs-Moussis'', who dress in white with long red noses, and parade through town attacking bystanders with confetti and dried pig bladders. The town of Halle also celebrates on Laetare Sunday.
Many other towns in Croatia's Kvarner region (and in other parts of the country) observe the Carnival period, often incorporating local traditions and celebrating local culture. Just before the end of Carnival, every Kvarner town burns a man-like doll called a "mesopust," who is blamed for all the strife of the previous year. Another famous tradition of "Karneval" are the Zvončari, or bell-ringers, who wear bells and large head regalia representing their areas of origin (for example, those from Halubje wear regalia in the shape of animal heads). The traditional Carnival food is fritule, a pastry. This festival can also be called Poklade.
Masks are central to the Carnival celebration, and worn to many of the festivities, including concerts and parties. Children and teachers are commonly allowed to wear masks to school for a day, and also wear masks at school dances or while trick-or-treating. There are also summer carnivals. One of the most famous is the Senj Summer Carnival - the first was 1968. and the tradition stayed. Many other towns in the surroundings also organise Summer Carnivals (Mali Lošinj, Pag, Novi Vinodolski, Fužine, etc.).
Three main parades take place during Carnival. The first is held on the first day, during which the "Carnival King" (either a person in costume or an effigy) rides through the city on his carriage. The second is held on the first Sunday of the festival and the participants are mainly children. The third and largest takes place on the last day of Carnival, and involves hundreds of people walking in costume along the town's longest avenue. The latter two parades are open to anyone who wishes to participate.
In Norway students having seen celebrations in Paris introduced carnival processions, masked balls and carnival balls to Christiana in the 1840s and 1850s. From 1863 the artist federation kunstnerforeningen held annual carnival balls in the old freemasons lodge, which inspired Johan Svendsens compositions "Norsk Kunstnerkarneval" and "Karneval in Paris". The following year Svendsens Festpolonaise was written for the opening procession of the carnival ball. Edvard Grieg also attended the carnival, and wrote "aus dem Karneval" (folkelivsbilleder Op.19). After the Rococco Hall at Grand Hotel opened in 1894. Annual balls in the carnival season were arranged until the hall was destroyed in a fire in 1957. Since 1988 the student organization Tårnseilerne have produced annual masquerade balls in Oslo in the historical renovated freemasons lodge in the carnival tradition, with masks, costumes and processions after attending an opera performance. The carnival season also includes Fastelavens søndag (with cream buns) and fastelavensris with decorated branches.
In German-speaking countries, two distinct varieties of Carnivals are held. The Rheinish Carnival is held in the west of Germany, mainly in the states of North Rhine-Westphalia, Baden-Württemberg, Rhineland Palatinate, and is famous for celebrations such as parades and costume balls. Cologne Carnival is the largest and most famous. On Carnival Thursday (called "Old Women Day" or "The Women's Day"), in commemoration of an 1824 revolt by washer-women, women storm city halls, cut men's ties, and are allowed to kiss any man who passes their way.
The "Swabian-Alemannic" carnival, known as Fastnacht, takes place in Baden and Swabia (Southwestern Germany), Switzerland, Alsace and Vorarlberg (Western Austria). It traditionally represents the time of year when the reign of the cold, grim winter spirits is over and these spirits are being hunted down and expelled.
Patras holds the largest annual carnival in Greece; the famous Patras Carnival is a 3-day spectacle replete with concerts, ''balles masqués'', parading troupes, floats, a treasure hunt and many events for children. The grand parade of masked troupes and floats is held at noon on ''Tyrine'' Sunday, and culminates in the ceremonial burning of the effigy of King Carnival at the Patras harbour.
In many other regions, festivities of smaller extent are organized, focused on the reenactment of traditional carnevalic customs; for example those held in Tyrnavos (Thessaly), Kozani (West Macedonia), Rethymno (Crete) and in Xanthi (East Macedonia and Thrace). Specifically Tyrnavos holds an annual Phallus festival, a traditional "phallkloric" event in which giant, gaudily painted effigies of phalluses made of papier maché are paraded, and which all women present are asked to touch, or kiss, their reward for doing so being a shot of the famous local tsipouro alcohol spirit. Also every year, to the very beginning (from 1 to 8 January), mostly in regions of the Western Macedonia, there are carnaval fiestas and festivals. The most known of them is the Kastorian Carnaval or "Ragoutsaria" (Gr. ''"Ραγκουτσάρια"'') [tags: Kastoria, KAstorian Carnaval, Ragoutsaria, Ραγκουτσαρια, Καστοριά]. It is taking place from 6 to 8 of January with a mass participation of the local population and thousands of visitors under the sounds of big brass bands, pipises, Macedonian and grand casa drums. It is an ancient celebration of natures' rebirth (fiestas for Dionysus (Dionysia) and Kronos (Saturnalia)), which ends the third day in a huge dance in the medieval square Ntoltso where all the bands are playing the same time and all the people are dancing too.
The carnival in Venice was first recorded in 1268. The subversive nature of the festival is reflected in Italy's many laws over the past several centuries attempting to restrict celebrations and the wearing of masks, a central feature of the carnival. Carnival celebrations in Venice were halted for many years after the city fell under Austrian control in 1798, but were revived in the late 20th century.
The month-long carnival of Viareggio is one of the most renowned in Europe, and is characterized mainly by its parade of floats and marks caricaturizing popular figures. In 2001, the town built a new "Carnival citadel" dedicated to carnival preparations and entertainment.
The carnival of Ivrea is famous for its ''Battle of the Oranges'' fought with citruses between the people by foot and the troops of the tyrant on the carts, to remember the wars that really happened during the Middle Ages.
In the most part of the Archdiocese of Milan the Carnival lasts four more days, ending on the Saturday after Ash Wednesday, because of the Ambrosian rite.
The Vevčani Carnival (Macedonian: Вевчански Kарневал, translated ''Vevchanski Karneval'') has been held for over 1,400 years, and takes place on 13 and 14 January (New Year's Eve and New Year's Day by the old calendar). During the carnival, the village becomes a live theatre where costumed actors improvise on the streets in roles such as the traditional "August the Stupid."
The Strumica Carnival (Macedonian: Струмички Карневал, translated ''Strumichki Karneval'') has been held since at least 1670, when the Turkish author Evlija Chelebija wrote while staying there, "I came into a town located in the foothills of a high hillock and what I saw that night was masked people running house–to–house, with laughter, scream and song." The carnival has taken place in an organized form since 1991; in 1994, Strumica became a member of FECC and in 1998 hosted the XVIII International Congress of Carnival Cities. The Strumica carnival opens on a Saturday night at a masked ball where the Prince and Princess are chosen; the main carnival night is on Tuesday, when masked participants (including groups from abroad) compete in various subjects. As of 2000, the Festival of Caricatures and Aphorisms has been held as part of Strumica's carnival celebrations.
Today the largest of the carnival celebrations takes place in and around the capital city of Valletta and Floriana; however, several more "spontaneous" carnivals take place in more remote areas. The Nadur Carnival is notable for its darker themes. In 2005, the Nadur Carnival hosted the largest-ever gathering of international Carnival organizers for the FECC's global summit.
Traditional dances include the ''parata'', which is a lighthearted re-enactment of the 1565 victory of the Knights over the Turks, and an 18th century court dance known as ''il-Maltija''. Food eaten at the carnival includes ''perlini'' (multi-coloured, sugar-coated almonds) and the ''prinjolata'', which is a towering assembly of sponge cake, biscuits, almonds and citrus fruits, topped with cream and pine nuts.
One variant of Dutch Carnival is known as the ''Rijnlandsche Carnival'', which can be seen in the province of Limburg. The province's capital of Maastricht holds a street carnival featuring elaborate costumes that resemble some South American and Venetian influences. Intentionally amateurish marching bands ('Zaate Hermeniekes' or 'Drunken Marching Bands') traditionally perform on the streets. In recent years samba bands have become more popular.
The oldest-known Dutch carnival festivities date from 1385 in 's-Hertogenbosch. They are depicted in several paintings by 15th-century painter Jheronimus Bosch. During the three days of the carnival, 's-Hertogenbosch changes its name to "Oeteldonk," which means "Frog Hill." This name changing tradition is common in and around North Brabant.
The traditional way to celebrate Carnival is the ''kulig'', a horse-drawn sleigh ride through the snow-covered countryside. In modern times, Carnival is increasingly seen as an excuse for intensive partying and night-clubbing, and has become more commercialized with stores offering Carnival-season sales.
Ironically, although Portugal introduced Christianity and the customs related to Catholic practice to Brazil, the country has begun to adopt some aspects of Brazilian-style Carnival celebrations, in particular those of Rio de Janeiro with sumptuous parades, samba and other Brazilian musical elements.
Carnaval is celebrated throughout Portugal, but each region puts its own unique take on the festival.
In Lazarim, a municipality of Lamego, celebrations follow the pagan tradition of the Roman Saturnalias. This rustic town celebrates Carnaval by burning colorful effigies and dressing in carefully crafted, home-made costumes. The region is celebrated for its wood craftsmanship and is most for the locals’ heavy, hand-made wooden masks worn during Carnaval. The masks of Lazarim are effigies of both men and women, but both roles are performed by men. They are distinguished by their clothes, which ridiculously characterize different attributes of both men and women.
The Lazarim Carnaval cycle encompasses two periods, the first starting on the fifth Sunday before Fat Sunday. Masked figures and people wearing large sculpted heads walk through the town. The locals also feast on a wide variety of meats, above all pork. The second cycle, held on Sundays preceding Ash Wednesday, incorporates the tradition of the Compadres and Comadres, with men and women displaying light-hearted authority over the other.
Over the course of the five weeks, men prepare large masked heads and women raise funds to pay for the mannequins that will be sacrificed in a public bonfire. This is one of the key events and is a Carnaval tradition unique to Portugal. During the bonfire, a girl reads the Compadre's will and a boy reads the Comadre’s will. The executors of the will are named, a donkey is symbolically distributed to both female and male “heirs,” and then the final reckoning in which the Entrudo, or Carnaval doll, is burned.
In Estarreja in the Central region of Portugal, the town’s first references to Carnaval are noted in the 14th Century, with “Flower Battles,” or richly decorated floats which paraded through Estarreja’s streets. In the beginning of the twentieth century these festivities ended with the death of its main promoters only to reappear again in the sixties to become one of the many important Carnaval festivals in Portugal.
In the Northern region of Podence children appear from Sunday to Tuesday with tin masks and colorful multilayered costumes made from red, green and yellow wool. And in the Central Portugal towns of Nelas and Canas de Senhorim, Carnaval is one of the most important tourist events in the region, attracting thousands of visitors yearly. Nelas and Canas de Senhorim are host to the four festive parades that promise visitors colorful and creative costumes: The Bairro da Igreja and the Cimo do Povo in Nelas and the do Paço and the do Rossio in Canas de Senhorim.
One of the most famous Carnaval events in Portugal is in the town Ovar near Porto. Organized in 1952 it is the largest festivity of the region drawing thousands of visitors. It is well known for its creative designs, which they display in the Carnaval Parade. Participants and their families work year-round to prepare their elaborate and humorous costumes, masks, decorations and floats. Its Carnaval parade features troupes with themed costumes and music, ranging from the traditional to modern pop culture.
In Lisbon, Portugal’s largest city, Carnaval is a more cosmopolitan affair. Parades, dances and festivities throughout the week feature famous stars from Portugal and Brazil. The Loures Carnaval is a highlight of Lisbon’s festivities which celebrates the country’s folk traditions, including the “enterro do bacalhau” or burial of the cod, which symbolizes the end of Carnaval and the festivities.
North of Lisbon is the famous Torres Vedras Carnaval, described as the “most Portuguese in Portugal.” Those looking for a less touristy Carnaval experience should visit this town where the locals are the stars. The celebration highlight is a parade of creatively decorated streetcars satirizing society and politics.
Other Central Portugal towns, such as Fatima and Leiria, offer colorful, family-friendly takes on Carnaval. In these towns everyone dresses up as if it were Halloween. Children and adults wear masks and enjoy the towns’ enthusiastic parades.
In the Algarve region along the southern coast of Portugal, several of the posh resorts towns offer their own traditional takes on the Carnaval parades. Besides the themed floats and cars, the Carnaval festivities include “samba” groups, bands, dances and plenty of music and liveliness. In the city of Loulé, the Carnaval parade annually attracts thousands of national and foreign tourists to the region.
The Islands of the Azores have their own take on the Carnaval festivities, but like on the mainland, many local clubs and Carnaval groups create colorful and creative costumes that take a jab at the political or cultural characters of the times.
On São Miguel Island, Carnaval has a sweet taste with street vendors selling fried dough, called a Malassada. The festival on the Azores biggest island starts off with a black tie grand ball, then and heats up with Latin music at the recently restored Coliseu Micaelense. There is a children’s parade in the streets of Ponta Delgada with children from each school district coming in costume. Then a massive Carnaval parade fills the streets into the wee hours ending in fireworks.
Some of the islands’ more unique aspects to Carnaval are the theatre performances and dances. In the "Danças de Entrudo" hundreds of people follow the dancers around the island. Throughout the show the dancers, who are guided by a “master,” act out dramas from everyday life. The “Dances de Carnaval” are allegorical and comedic tales acted out in the streets throughout the festival. The largest is in “Angra do Heroísmo,” with more than 30 Carnaval groups performing. During this festival, it is said there are more Portuguese-language theatrical performances occurring here than anywhere else in the world.
The Carnaval festivities end on Ash Wednesday, when locals sit down for the "Batatada" or potato feast, in which the main dish is salted cod with potatoes, eggs, mint, bread and wine. After, residents head into the streets for the burning of the “Carnaval clown,” signaling the end of the Carnaval.
On the Island of Madeira, Carnaval maintains its distinctive local roots as well. Funchal, the island’s capital, wakes up on the Friday morning before Ash Wednesday to the sound of brass bands and Carnaval parades throughout the downtown area. That night festivities continue with concerts and shows in the Praça do Município for five consecutive days. The Main Carnaval street parade takes place on Saturday evening with thousands of Samba dancers flooding the streets of Funchal. The traditional public street Carnaval takes place on Tuesday, where the island's population displays its ingenuity and imagination by creating daring caricatures for the parade.
Maslenitsa also includes masquerades, snowball fights, sledding, swinging on swings and sleigh rides. The mascot of the celebration is usually a brightly dressed straw effigy of ''Lady Maslenitsa'', formerly known as Kostroma. As the culmination of the celebration, on Sunday evening, ''Lady Maslenitsa'' is stripped of her finery, and put to the flames of a bonfire.
In Saint Petersburg the modern celebration of the festival is organized by the city to fall on a fixed date annually (at Sunday, closest to 27 May).
The Slovenian countryside displays a variety of disguised groups and individual characters among which the most popular and characteristic is the Kurent (plural: ''Kurenti''), a monstrous and demon-like, but fluffy figure. The most significant ethonological Carnival festival is traditionally held in annually in the town of Ptuj (see: Kurentovanje). The special feature of the event of Ptuj itself and its surrounding area are the Kurents themselves, magical creatures from the other world, who visit all major events throughout the country, members of parliament, the president and mayors, trying to banish the winter and announce the arrival of the spring, fertility, and new life with loud noise and dancing. The origin of the Kurent is a mystery, and not much is known of the times, beliefs, or purposes connected with its first appearance. The origin of the name itself is obscure.
Another town, equal in importance to Ptuj, where the carnival tradition is alive is Cerknica. The carnival is heralded by a figure called "Poganjič" carrying a whip. In the carnival procession, organised by the "Pust society", a monstrous witch named Uršula is driven from Mt. Slivnica, to be burned at the stake on Ash Wednesday. Unique to this region is a group of dormice, driven by the Devil, and a huge fire-breathing dragon. Cerkno and its surrounding area is known for the ''Laufarji'', carnival figures with artistically carved wooden masks.
The ''Mačkare'' from Dobrepolje used to represent a triple character: the beautiful, the ugly (among which the most important represented by an old man, an old woman, a hunchback, and a ''Korant''), and the noble (imitating the urban elite).
The major part of the population, especially the young and children, dress up in ordinary non-ethnic costumes, going to school, work, and organized events, where prizes are given for the best and most original costumes. Costumed children sometimes go from house to house asking for treats in an imitation of American Halloween.
In Cádiz the costumes worn are often related to recent news, such as the bird flu epidemic in 2006, during which many people were disguised as chickens. The feeling of this carnival is the sharp criticism, the funny play on words and the imagination in the costumes, more than the glamorous dressings. It is traditional to paint the face with lipstick as a humble substitute of a mask.
The most famous groups are the chirigotas, choirs and comparsas. The chirigotas are well known witty, satiric popular groups who sing about politics, new times and household topics, wearing the same costume, which they train for the whole year. The Choirs (''coros'') are wider groups that go on open carts through the streets singing with a little orchestra of guitars and lutes. Their characteristic composition is the "Carnival Tango", and they alternate comical and serious repertory. The comparsas are the serious counterpart of the chirigota in Cádiz, and the poetical lyrics and the criticism are their main ingredients. They have a more elaborated polyphony, being easily recognizable by the typical countertenor voice.
The Santa Cruz de Tenerife and Las Palmas de Gran Canaria is together with the Carnival of Cadiz, the most important festival for Spanish tourism and Spain's largest carnival. In 1980 it was declared a Festival Tourist International Interest, by the Secretariat of State for the Tourism. Every February, Santa Cruz de Tenerife, the capital of the largest of the Canary Islands, hosts the event, attracting around a million people. The celebrations could be declared by UNESCO as Heritage of Mankind in 2011. Carnival of Santa Cruz de Tenerife now aspires to become a World Heritage Site.
In 1980 it was declared a Festival Tourist International Interest, by the Secretariat of State for the Tourism and it is one of the most important carnivals of the World. The Carnival of Santa Cruz de Tenerife now aspires to become a World Heritage Site. This declaration by UNESCO will, occur, further promoting international had Santa Cruz de Tenerife, being the first Carnival of Spain to obtain this recognition, for its permanent in time and it would reach the five continents through UNESCO. In 1987 went to the "Carnival Chicharrero" Cuban singer Celia Cruz with orchestra Billo's Caracas Boys, attended by 250,000 people, was registered in the Guinness of Records as the largest gathering of people in an outdoor plaza to attend a concert, a record she holds today.
The Carnival of Las Palmas de Gran Canaria (Gran Canaria) has a Drag Queen's gala where a jury chooses a winner.
Carnaval de Solsona takes place in Solsona, Lleida in central Catalonia. It is one of the longest carnivals in Catalonia; free events in the streets, and concerts every night, run for more than a week. The carnival is known for a legend that explains some people hung a donkey at the tower bell, because the animal wanted to eat some grass which grew on the top of the tower. To remember this legend, every year people in Solsona hang a stuffed donkey at the tower that "pisses" above the excited people using a water pump. This event is the most important of Solsona's Carnival and takes place on Saturday night. For this reason, the inhabitants of Solsona are called "matarrucs" ("donkey killers"). Photo:
Another characteristic of the carnival is its giants. Crazy Giants will pursue and try to hit revellers with their articulated arms and legs. The Crazy Giants were created in 1978 by the giant-making master Manel Casserras i Boix. Photo:
"Comparses" groups organize free activities in the streets. They are groups of friends who create and personalize a uniformed suit which is worn every year during the festivities. Website: http://www.carnavalsolsona.com/
Sitges: This carnival is one of the most famous carnivals in Catalonia. Special food includes ''xatonades'' (a ''xató'' is a traditional local salad of Sitges) served with omelettes. Two important moments are the ''Rua de la Disbauxa'' (Debauchery Parade) on Sunday night and the ''Rua de l'Extermini'' (Extermination Parade) on Tuesday night. Around 40 floats with more than 2,500 participants parade in Sitges.
The carnival of Vilanova i la Geltrú is notable for ''Les Comparses'' (on Sunday), in which good-humoured rival groups throw boiled sweets (candies) at each other. Vinanova's and Sitge's carnival are rivals.
Tarragona has one of the most complete ritual sequences of the Catalan carnivals. The events start with the building of a huge barrel and end with its burning together with the effigies of the carnival King and Queen. On Saturday, the main parade takes place. There are masked groups, zoomorphic figures, music and percussion bands, and groups with fireworks (the devils, the dragon, the ox, the female dragon). Carnival groups stand out for their clothes full of elegance, showing brilliant examples of fabric crafts, at the Saturday and Sunday parades. About 5,000 people are members of the parade groups.
Carnival is an important cultural event on the Dutch Antilles islands of Aruba, Curaçao, Sint Maarten, Saba, Sint Eustatius (Statia), and Bonaire. Festivities include "jump-up" parades with beautifully colored costumes, floats, and live bands as well as beauty contests and other competitions. Carnival on these islands also includes a middle-of-the-night j'ouvert (juvé) parade that ends at sunrise with the burning of a straw King Momo, cleansing the island of sins and bad luck. On Statia he is called Prince Stupid.
Carnival has also been celebrated in Cuba since the 18th century. The costumes, dances and pageantry grew with each passing year, with the participants donning costumes from the cultural and ethnic variety on the island. After Fidel Castro's Communist Revolution, carnival's religious overture was suppressed. The events remained, albeit frowned upon by the state. Carnival celebrations have been in decline throughout Cuba since 1960.
For the entire two months life for many islanders is one big party with a major feature of crop over being the calypso competition. Calypso music, originating in Trinidad, uses syncopated rhythm and topical lyrics and gives its exponents a medium in which to satirise local politics and comment on the issues of the day, while taking nothing away from the general bacchanal. Calypso tents, also originating in Trinidad, feature their cadre of calypsonians who perform biting social commentaries on the happenings of the past year, political exposés or rousing exhortations to wuk dah waistline and roll dat bumper. There are craft markets, food tents and stalls, street parties and cavalcades every week supplemented by daily events at Tim’s on the Highway, the new home of the Barbados Cropover Festival.
Competition "tents" ring with the fierce battle of calypsonians for the coveted Calypso Monarch Award and the air is redolent with the exotic smells of Bajan cooking during the Bridgetown Market Street Fair. Rich with the spirit of local culture, the Cohobblopot Festival blends dance and drama and music with the crowning of the King and Queen of costume bands. Every evening the "Pic-o-de-Crop" Show is performed when finally the King of Calypso is crowned. The climax of the festival is Kadooment Day celebrated with a national holiday when costume bands fill the streets with pulsating Barbadian rhythms and fireworks that ignite the sky.
One of the main attractions are its masks, which are very elaborate and colorful. The elaborate costumes used on the parades are satires of the Devil and are called "Diablos Cojuelos" all around the country, they dance, and run to the rhythm of Merengue mixed with techno, hip-hop, and reggeaton during the celebration. Adding to this characters the celebration also show some allegorical characters representing Dominican traditions such as "Roba la Gallina",and "Califé".
One of the most international parades in the Dominican Republic is the one in San Pedro de Macoris that exhibits the "Guloyas", which are considered cultural heritage of the world. This parade consists of groups of people dressed in costumes dancing around the street of San Pedro de Macoris. The main attraction apart from the colorful costumes is the people running away from the "Diablos Cojuelos" which try to hit people with "Vejigas".
The many different genres of Haitian Music are fully represented with the different bands that blaze through the beton New styles with foreign influence emerge continuously mixing Haitian sounds with techno, hip-hop, reggae, zouk, Fand soukous to name a few. The 20 bands in the seven-hour parade play as the chars creep through the wild crowds until 4 am. The dancers before and after the floats, dance the ga gun, an aggressive dance that can be as competitive as it is celebrative. Everybody knows the songs; every line, every chant has the audience ecstatic, with the floats themselves bouncing in time to the music. Condoms, thrown from floats and from the stands, were blown up like balloons. And long lines of people dance elaborate dances, turning the sensuality of the music into movement.
Combined, the depth of the music and dance suggests Haiti's enormous cultural power as a reservoir of African and Creole culture, underscoring its importance as one of the major producers of art in the Caribbean. And in its intensity, its Carnival is clearly one of the more important events in the African diaspora in the Americas.
The annual Carnival steel pan competition known as the National Panorama competition is held in the weeks preceding Carnival with the finals held on the Saturday before the main event. Pan players compete in various categories such as "Conventional Steel band" or "Single Pan" by performing renditions of the current year's calypsos. Preliminary judging of this event for "Conventional Steel Bands" has been recently moved to the individual pan yards where steel bands practice their selections for the competition.
"Dimanche Gras" takes place on the Sunday night before Ash Wednesday. Here the Calypso Monarch is chosen (after competition) and prize money and a vehicle bestowed. Also the King and Queen of the bands are crowned, where each band to parade costumes for the next two days submits a king and queen, from which an overall winner is chosen. These usually involve huge, complex, beautiful costumes.
J'ouvert, or "Dirty Mas", takes place before dawn on the Monday (known as Carnival Monday) before Ash Wednesday. It means ""opening of the day" . Here revelers dress in old clothes and cover themselves in mud, oil paint and body paint. A common character to be seen at this time is "Jab-jabs" (devils, blue, black or red) complete with pitch fork, pointed horns and tails. Here also, a king and queen of the J'ouvert are chosen, based on their representation of current political/social events/issues.
Carnival Monday involves the parade of the mas bands, but on a casual or relaxed scale. Usually revelers wear only parts of their costumes, and the purpose of the day is more one of fun than display or competition. Also on Carnival Monday, Monday Night Mas is popular in most towns and especially the capital, where smaller bands participate in competition.
Carnival Tuesday is when the main events of the carnival take place. On this day full costume is worn complete with make up and body paints/adornments. Each band has their costume presentation based on a particular theme, and contain various sections (some consisting of thousands of revelers) which reflect these themes. Here the street parade and eventual crowning of the best bands take place. After following a route where various judging points are located, the mas bands eventually converge on the Queen's Park Savannah to pass "on the stage" to be judged once and for all. Also taking place on this day is the crowning of the Road March king or queen, where the singer of the most played song over the two days of the carnival is crowned winner, complete with prize money and usually a vehicle.
This parading and revelry goes on into the night of the Tuesday. Ash Wednesday itself, whilst not an official holiday, is marked by most by visiting the beaches that abound both Trinidad and Tobago. The most populated being Maracas beach and Manzanilla beach, where huge beach parties take place every Ash Wednesday. These provide a cool down from the previous five days of hectic partying, parades and competitions, and are usually attended by the whole family.
In the Nicaragua's capital city, Managua, it is only celebrated for 2 days. The ''carnival'' in Managua is named ''"Alegria por la vida"'' translated to ''"Joy for Life"'' and features a different theme each year.
There's also a Festival In Managua which is called " Santo Domingo de Guzman" which lasts ten days.
In some of the central to northern regions the popular Norteña and Mexican rodeo influences are very present, whereas in the coastal or southern regions, carnivals represent a more indigenous rendition. Each one will include many region-specific food dishes and drinks.
The Quebec Winter Carnival is the biggest winter-themed carnival in the world. It depends on good snowfalls and very cold weather, to keep snowy ski trails in good condition and the many ice sculptures intact. For this reason it does not coincide with the pre-Lent celebration but is fixed instead to the last days of January and first days of February.
In the Ottawa-Gatineau region, Winterlude takes place during the first 4 weeks of February.
Carnival celebrations, usually referred to as Mardi Gras, were first celebrated in the Gulf Coast area of the United States, but now occur in many other states. Customs originated in the onetime French colonial capitals of Mobile (now in Alabama), New Orleans (Louisiana) and Biloxi (Mississippi), all of which have been celebrated for many years with street parades and masked balls. Other major U.S. cities with celebrations include Miami, Florida, Tampa, Florida, St. Louis, Missouri, Pensacola, Florida, San Diego, California, Galveston, Texas and Orlando, Florida.
Carnival is celebrated in New York City in the Borough of Brooklyn. As in the UK, the timing of carnival has been separated from the Christian calendar and is celebrated on Labor Day Monday, in September. It is called the West Indian Day Parade or West Indian Day Carnival, and was founded by immigrants from Trinidad, one of the West Indian islands that has one of the largest Carnivals of the Caribbean region. In the mid twentieth century, West Indians moved the timing of the New York area Carnival from the beginning of Lent to the Labor Day weekend. The West Indian Day Carnival is one of the largest parades and street festivals in New York with usually over one million people participating or attending. The parade, which consists of steel bands, floats, elaborate carnival costumes and sound trucks proceeds down Brooklyn's Eastern Parkway in the Crown Heights neighborhood.
Major Mardi Gras celebrations are spreading to other parts of the United States, such as the Mississippi Valley region of St. Louis, Missouri, Orlando, Florida in Universal Studios, and in the Gaslamp Quarter of San Diego, California.
As carnival coincides with summer, in many parts of Argentina children play with water. The 19th century tradition of filling empty egg shells with water has evolved into water games that include the throwing of water balloons.
The Carnival in Brazil is a big part of the Brazilian Culture, and it is sometimes referred to by the Brazilians as the "Greatest Show on Earth".
Salvador has large Carnival celebrations, including the Axé, typical Bahia music. A truck with giant speakers and a platform where musicians play songs of local genres such as Axé music, Samba-reggae and Arrocha, is driven with the following crowd both dancing and singing. It was originally staged by two Salvador musicians, Dodo & Osmar, in the 1950s. Several cities in the state of Bahia still celebrate Carnaval this way, with as most popular the carnival of Porto Seguro.
Another important part of the Brazilian Carnival takes place in the Rio Carnival, with ''samba schools'' parading in the Sambadrome ("sambódromo" in Portuguese). It's the largest carnival event in this country, considered to be the largest of the kind in the world. Called "One of the biggest shows of the Earth", the festival attracts millions of tourists, both Brazilians and foreigners who come from everywhere to participate and enjoy the great show. ''Samba Schools'' are large, social entities with thousands of members and a theme for their song and parade each year. Tourists are allowed to participate, paying ($500–750) to buy a Samba costume and dance in the parade through the Sambadrome with one of the schools. The price paid is used to buy the tourist's own costume and also the costumes of the people who do not have the money to afford it. ''Blocos'' are generally small informal groups also with a definite theme in their samba, usually satirical of the current political situation. But there are also a lot, about 30 of them in Rio de Janeiro, that are very big in number of participants, gathering hundreds of thousands of people. There are more than 400 ''blocos '' in Rio de Janeiro. ''Bandas'' are samba musical bands, usually formed by enthusiasts in the same neighborhood.
In 2011, the carnival of Brazil, which is held 46 days before Easter, started on Friday with feasts and fanfare and samba parades on the streets of São Paulo and Rio de Janeiro. The most famous holiday event in Brazil, which occurs around Brazil and most of South America, known as Carnaval, is happening from March 4 to 8 this year. In Picture: Revellers parade for Rosas de Ouro samba school during Carnival in São Paulo March 5, 2011.
The Carnival, therefore, continued its evolution and re-interpretation in the small and at that time unimportant towns where celebrations did not offend the ruling elites. The result was the uninterrupted celebration of Carnival festivals in Barranquilla (see Barranquilla's Carnival) which has been recognized as one of the Masterpieces of the Oral and Intangible Heritage of Humanity. The Barranquilla Carnival attracts tens of thousands of people from Colombia and around the world, having become several parades done on Friday and Saturday nights beginning on the 11th of January and ending always with the four-day non-stop festival, which has now been made six days long, beginning on Wednesday, exactly one week prior to Ash Wednesday and ending on Tuesday at 12pm to initiate the next day with the season of Lent. In other villages along the lower Magdalena River in northern Colombia, and in Pasto, Nariño (see Blacks and Whites Carnival) in the south of the country. In modern times, there have been attempts to introduce Carnival in the capital, Bogotá, in the early 20th century, but it has always failed to gain the approval of authorities. The Bogotá Carnival has had to wait until the 21st century to be resurrected, this time by the authorities of the city.
A common feature of Ecuadorian Carnival is the ''diablitos'' (little devils) who play with water. As with snowball fights, the practice of throwing or dumping water on unsuspecting victims is especially revered by children and teenagers, and feared by some adults. Throwing water balloons, sometimes even eggs and flour both to friends and strangers passing by the street can be a lot of fun but can also raise the ire of unfamiliarised foreigners and even locals.
Although the government as well as school authorities forbid such games, it is still widely practiced throughout the country. Historians tell of a Bishop in 1867 who threatened the punishment of excommunication for the sin of playing Carnival games.
Different festivities are held in various regions of the country, where the locals wear disguises with colorful masks and dance to the rhythm of lively music. Usually, the celebrations begin with the election of the ''Taita Carnaval'' (Father Carnaval) who will head the festivities and lead the parades in each city.
The most famed carnival festivities are those in Guaranda (Bolivar province) and Ambato (Tungurahua province). In Ambato, the festivities are called Fiesta de las Flores y las Frutas (Festival of the Flowers and Fruits). Other cities have also revived the carnival traditions with colorful parades, such as in Azogues (Cañar Province). In Azogues and the Southern Andes in general, the ''Taita Carnaval'' is always an indigenous Cañari dressed for the celebrations. Recently also a celebration has gained prominence in the northern part of the Sierra in the Chota Valley in Imbabura which is a zone of a strong afro-Ecuadorian population and so the Carnival is celebrated with bomba del chota music.
Its duration is variable, determined by movable religious festivals: Carnival begins at Epiphany and ends on Ash Wednesday, and so typically lasts through most of January and February. During this period, from Friday evening until Monday morning the entire country throbs to the rhythm of the masked balls and street parades. Normal life slows almost to a stop.
Friday afternoons are the time for eating ''galette des rois'' (the cake of kings) and drinking champagne. The cake may be flavoured with frangipani, guava, or coconut.
On Sunday afternoons major parades are staged in the streets of Cayenne, Kourou, and Saint-Laurent du Maroni. Competing groups prepare for months. Dressed according to the agreed theme of the year, they strut along with carnival floats, drums, and brass bands.
Brazilian groups are also appreciated for their elaborate feathered and sequined costumes. However, they are not eligible for competition since the costumes do not change from one year to the next.
Certain mythical characters appear regularly in the parades:
A uniquely Creole tradition of this version of carnival is the so-called touloulous. These are women wearing highly decorative gowns, gloves, masks and headdresses which cover them completely so that they are not only unrecognisable, but the colour of their skin cannot even be determined. On Friday and Saturday nights of carnival, touloulou balls are held in so-called ''universities''; in reality, large dance halls that only open in carnival time. Touloulous get in free, and are even given condoms in the interest of the sexual health of the community. Men also attend the balls, but they have to pay admittance and they are not disguised. The touloulous pick their dance partners, who may not refuse the dance. Thus, the setup is designed to make it easy for a woman to create a temporary liaison with a man she fancies in total anonymity. Undisguised women are not welcome at the balls. By tradition, if one gets up to dance, the orchestra stops playing. Alcohol is served at bars – the disguised women also pick up men by whispering to them "touloulou thirsty", at which a round of drinks is expected, to be drunk through a straw so as not to unmask in the slightest.
In more modern times, Guyanais men have attempted to turn the tables by staging ''soirées tololo'', in which it's the men who, in disguise, seek partners from undisguised women bystanders.
The final four days of carnival have a rigid tradition of celebration, and no work is done at all.
''This text is based principally on text in The French wikipedia''
At a certain point the ''Mayordomo'' (governor of the feast) walks into the circle. The governor chooses a partner to go to the ''unsha'', where they attempt to cut down the ''unsha'' by striking the tree three times with a machete. The machete is passed from couple to couple as each strikes the tree three times. When the unsha finally falls, the crowd rushes to grab the prizes.
The person who successfully brings down the unsha becomes next year’s governor of the feast.
The Peruvian carnival incorporates elements of violence and reflects the lately trends of urban violence in the Peruvian society after the internal conflict in Peru. Traditionally, Peruvian Andean festivities were held on this period every year because it's the rainy season. It was already violent during the 19th century, but the government managed to regulate it and during the early 20th century it followed the normal trends of partying and parading, while in the second half of the 20th century it has acquired the violent characteristics that it has today, to the point of being banned, first from the streets in 1958 and altogether in 1959 by the Prado government. for violence during the games (the games themselves are not forbidden, but using violence during the games or coercing others to participate is).
At the end of the carnival season, in the inner Peruvian towns (and lately in the major cities too), it's customary to cut a tree, called "yunsa" in the mountains and "humisha" in the jungle.
During the forty days of celebration, popular theaters called ''tablados'' are built in many places throughout the cities, especially in Montevideo. Traditionally formed by men and now starting to be open to women, the different Carnival groups called mainly Murgas, Lubolos or Parodistas perform a kind of popular opera at the ''tablados'', singing and dancing songs that generally relate to social reality and political situation in the country. The
European archetypes (Pierrot, Harlequin and Columbina) merge with African ancestral elements (the Old Mother or ''Mama Vieja'', the Medicine Man or ''Gramillero'' and the Magician or ''Escobero'') in the local version of the festival. As a manifestation of Uruguayan culture and a growing tourist attraction, Uruguayan Carnival is currently receiving important governmental support.
Category:Carnivals Category:Parades Category:Christian festivals and holy days Category:Street culture Category:Haitian music
als:Fastnacht ar:كرنفال an:Carnaval ast:Antroxu ay:Anata bn:কার্নিভাল bar:Fasching bs:Karneval bg:Карнавал ca:Carnaval cs:Karneval cy:Carnifal da:Fastelavn de:Karneval, Fastnacht und Fasching el:Απόκριες es:Carnaval eo:Karnavalo eu:Inauteri fa:کارناوال fr:Carnaval fy:Karnaval gl:Entroido ko:사육제 hr:Poklade io:Karnavalo id:Karnaval it:Carnevale he:קרנבל jv:Karnaval csb:Zôpùstë la:Carnelevarium lv:Karnevāls lt:Karnavalas li:Vastelaovend in Nederlands Limburg hu:Karnevál mk:Карневал nl:Carnaval nds-nl:Karnevaal ja:謝肉祭 no:Karneval nn:Karneval nrm:Carnava pap:Carnaval pl:Karnawał pt:Carnaval ksh:Karneval ro:Carnaval qu:Karnawal ru:Карнавал scn:Carnaluvari simple:Carnival sk:Fašiangy sl:Pust sr:Карневал fi:Karnevaali sv:Karneval tl:Karnabal uk:Карнавал vi:Carnival wa:Mascaråde zh:狂歡節This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Natalie Merchant |
---|---|
background | solo_singer |
birth name | Natalie Anne Merchant |
born | October 26, 1963Jamestown, New York, USA |
instrument | Vocals, keyboard, piano |
occupation | Musician, Songwriter |
years active | 1981–present |
label | Elektra RecordsMyth America RecordsNonesuch/Elektra Records |
associated acts | 10,000 ManiacsMichael Stipe |
website | NatalieMerchant.com }} |
Natalie Anne Merchant (born October 26, 1963) is an American singer-songwriter and musician. She joined the alternative rock band 10,000 Maniacs in 1981 and left it to begin her solo career in 1993.
When Merchant was a child, her mother listened to music (Beatles, Al Green, Aretha Franklin) and encouraged her children to study music, but she wouldn't allow TV after Natalie was 12. "I was taken to the symphony a lot because my mother loved classical music. But I was dragged to see Styx when I was 12. We had to drive 100 miles to Buffalo, New York. Someone threw up next to me and people were smoking pot. It was terrifying. I remember Styx had a white piano which rose out of the stage. It was awe-inspiring and inspirational." "She [her mother] had show tunes, she had the soundtrack from ''West Side Story'' and ''South Pacific''. And then eventually... she'd always liked classical music and then she married a jazz musician, so that's the kind of music I was into. I never really had friends who sat around and listened to the stereo and said 'hey, listen to this one', so I'd never even heard of who Bob Dylan was until I was 18." During 1988–1989, Natalie claimed she still didn't have a TV: "I grew up in a house where no one watched the news on television and no one read the paper. I've been discovering these things as I get older, and the news has affected me more than it ever has before."
At 16, Merchant left high school and started working in a health food store. In 1981 she started singing for a band called Still Life, which was to become 10,000 Maniacs.
The third song on the album, "Beloved Wife", was featured as the first song in the trailer for the movie ''Message in a Bottle''.
Seeking creative control, Merchant chose to fund ''Tigerlily'' herself, refusing the advance from the record company. She also wanted to work with a core-group of young musicians who she felt would be enthusiastic about the music. The group would consist of guitarist Jennifer Turner, bassist Barrie Maguire, and former-Wallflower and eventual boyfriend to Merchant, Peter Yanowitz, who played drums on the album and who continued to do so with Merchant until their abrupt split in 2000.
''Tigerlily'' was a critical and commercial success, spawning her first top-ten hit in the single "Carnival", and achieving top-40 success with subsequent singles "Wonder" and "Jealousy". The album would go on to sell over 5 million copies, and continues to be Merchant’s most successful album to date. Merchant did extensive touring for the album and made numerous television appearances, including performances on ''SNL'', The Rock and Roll Hall of Fame, and all late-night talk shows. The media's immediate and critical impact on culture and cultural icons was of particular interest to Merchant. In "River", a song from Tigerlily, Merchant defends River Phoenix as she castigates the media for systematically dissecting the child actor after his death. Much of their emphasis was on Phoenix' suspected drug-using lifestyle. In "River," Merchant asks, "Why don't you let him be / Give his mother and father peace." Merchant's anger is later replaced with quiet reflection, asking, "It was such a nightmare raving, 'How could we save him from himself?'"
While ''Ophelia'' is not a concept record in the traditional sense, the album-cycle saw Merchant flexing her creative muscles in surprising ways. The name of the album and the title track are a literary reference to Shakespeare's Ophelia, who in the play ''Hamlet'' becomes mad and eventually commits suicide when Hamlet remains non-committal and lost in himself. Merchant's ''Ophelia'' describes a series of women throughout time—women who dared question the patriarchal status quo and who were often castigated for doing so—and is a cry for women's rights and for more understanding of female archetypes beyond the scope of the "mother" and the "whore", both of which severely limit women and attempt to turn them into little more than chattel. The portrayal of the women in the song is a tribute to the non-traditional, the "too smart for her own good" type of woman who is often misunderstood by society. As a lyric to the title song cries: "Your common sense, your best defense, was wasted and in vain!" A reflection of women driven mad by social limitations, Natalie's tribute described Ophelia as being at once a "novice carmelite," a "suffragette," a "circus queen," a "demigoddess" and a "mafia courtesan." The album sleeve saw Merchant pictured in colorful and ornate costumes as each of these different characters. As a companion to the album, she also released a film where she portrays each of these different characters, with voice-overs used for the "novice carmelite," the "sweetheart" and the "courtesan" as they are Spanish, German and Italian, respectively.
The first single off the album was a happy and uncharacteristically simple song called "Kind and Generous", which received massive airplay on VH1 and which solidified Merchant's role as a bona fide solo artist. That summer, Sarah McLachlan invited Merchant to co-headline the year's biggest music festival with her, Lilith Fair. The exposure from the tour helped the album reach Platinum status in just under a year, with subsequent singles "Break Your Heart" and "Life Is Sweet" receiving moderate airplay on adult contemporary stations. No video was filmed for the latter, however, with a clip from Merchant's appearance on VH1's ''Storytellers'' being used instead. She would also go on to appear on PBS' ''Sessions at West 54th'' and VH1's ''Hard Rock Live'' before the year's end. In 1998, Merchant also recorded George Gershwin's "But Not for Me" for the Red Hot Organization's compilation album ''Red Hot + Rhapsody'', a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.
The ''Ophelia'' tour ended in 1999 with the final few shows being performed and recorded on Broadway. The performance would be released as the album ''Natalie Merchant: Live in Concert'' with a companion video of the same name. The performance was notable in that it featured numerous covers including songs by David Bowie, Neil Young, and the Breton-Welsh singer-songwriter Katell Keineg.
Merchant's next studio album on the Elektra label was ''Motherland'', released in 2001. ''Motherland'' saw Merchant at her most experimental musically. ''Motherland'' achieved Gold on the Billboard charts after debuting at No. 30 on the Billboard 200 and No. 13 on the Top Internet Albums of 2001, respectively. Rolling Stone favored this album with 3½ stars, and also noticed a difference in Merchant's voice, which was more deep and gritty than her previous albums. Singles that were released from ''Motherland'' were Just Can't Last, Build a Levee and Tell Yourself.
Merchant embarked on a year and a half world tour to promote ''Motherland''. The first leg of the tour started in Minneapolis, Minnesota on October 17, 2001, trekking all over the United States, and then heading to Europe with some special acoustic shows in Europe. Merchant also participated in the Rock am Ring Festival and Rock im Park in 2002. In the summer of 2002, she was paired with Chris Isaak and both played at stadiums and arenas.
She has been a vegetarian since 1980, save for the duration of her pregnancy when she temporarily resumed eating meat. In 1997, she said:
"The '60s aesthetic has never really appealed to me, the tie-dyed Deadhead running barefoot through the forest on LSD. I don't think that's really me. But I've been a vegetarian for 17 years and I consider myself an environmentalist in as much as I can be, considering the job that I have. I prefer living in the countryside rather than the city; I find it more sane and sustaining for myself..."
Year !! Title !! Role !! Notes | |||
1990 | Time Capsule | Herself (Vocals, Piano, Organ) | |
1996 | One Fine Day| | Performer "One Fine Day" | Soundtrack |
1998 | Ophelia| | Performer | Short Film |
1999 | Bringing Out the Dead| | Performer/Writer: "These Are Days" | Soundtrack |
1999 | Natalie Merchant: Live in Concert| | Herself (Vocals, Piano) | Live Concert Video |
2002 | When in Rome| | Performer/Writer: "These Are Days" | Soundtrack |
2003 | Cheaper by the Dozen| | Performer/Writer: "These Are Days" | Soundtrack |
2004 | Purgatory House| | Performer/Writer: "My Skin" | Soundtrack |
2006 | Candida| | Performer/Writer: "Motherland" | Soundtrack |
2007 | Earthlings| | Composer | Documentary |
Year !! Title !! Role !! Notes | |||
1990 | MTV Unplugged | Herself (as 10,000 Maniacs) | |
1992 | Saturday Night Live| | Herself (as 10,000 Maniacs) | (NBC) Aired 31 October 1992; songs: Candy Everybody Wants and These Are Days |
1993 | MTV Unplugged| | Herself (as 10,000 Maniacs) | First artist to make 2nd appearance |
1993 | Rock & Roll Inaugural Ball| | Herself (as 10,000 Maniacs) | |
1993 | MTV VMAS| | Herself–Presenter | TV Special |
1995 | Concert for Rock & Roll Hall of Fame| | Herself–Performer | Sang "I Know How to Do It" |
1995 | Saturday Night Live| | Herself–Performer | (NBC) Host David Schwimmer |
1997 | Sessions at West 54th| | Herself–Performer | (PBS) "Planctus" with Philip Glass |
1998 | Saturday Night Live| | Herself–Performer | (NBC) Host Matthew Broderick |
1998 | Hard Rock Live| | Herself–Performer | VH1 |
1998 | VH1 Storytellers| | Herself–Performer | Later released as DVD |
1998 | Sessions at West 54th| | Herself–Performer | (NBC) Host David Byrne |
1999 | Man in the Sand| | Herself | Video Documentary |
1999 | Late Night with Conan O'Brien| | Musical Guest | (NBC) "Life Is Sweet" |
1999 | Lifetime's Intimate Portrait| | Herself | Biographical |
2000 | ABC 2000: The Millennium| | Herself–Performer | "Kind and Generous" |
2001 | Come Together: A Night for John Lennon's Words & Music| | Herself–Performer | "Nowhere Man" |
2001 | Up Close and Personal| | Herself–Performer | Oxygen |
2002 | Austin City Limits| | Herself–Performer | PBS |
2003 | Go Further| | Herself | Documentary |
2010 | Good Morning America| | Herself–Performer | ABC News |
Talk Shows !! Years | |
The Late Show with David Letterman: | 1995, 1995, 1996, 1998, 1999, 2001, 2001, 2004 |
The Rosie O'Donnell Show: | 1996, 1996, 1998, 1998, 1999, 1999, 2001, 2002 |
The Tonight Show with Jay Leno: | 1992, 1993, 2001, 2002, 2010 |
Category:1963 births Category:Living people Category:10,000 Maniacs members Category:American contraltos Category:American female singers Category:American pop pianists Category:American pop singers Category:American singer-songwriters Category:Female rock singers Category:Feminist artists Category:American musicians of Irish descent Category:American musicians of Italian descent Category:People from Jamestown, New York Category:American vegetarians Category:Elektra Records artists Category:Nonesuch Records artists Category:American people of Sicilian descent Category:American vibraphonists Category:Musicians from New York Category:American alternative rock musicians Category:American folk singers Category:Folk pianists Category:American rock pianists Category:People from Ridgefield, Connecticut
de:Natalie Merchant et:Natalie Merchant es:Natalie Merchant fa:ناتالی مرچنت fr:Natalie Merchant it:Natalie Merchant he:נטלי מרצ'נט nl:Natalie Merchant pt:Natalie Merchant fi:Natalie Merchant sv:Natalie MerchantThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Bikini Kill |
---|---|
background | group_or_band |
origin | Olympia, Washington |
genre | Punk rock, riot grrrl, indie rock |
years active | 1990–1998 |
label | Kill Rock Stars |
associated acts | The FrumpiesJulie RuinLe TigreStar Sign ScorpioSuture |
website | www.tigerbomb.netkillrockstars.com/bikinikill |
past members | Kathleen HannaKathi WilcoxTobi VailBilly Karren }} |
While occasionally collaborating with high-profile acts such as Nirvana and Joan Jett, Bikini Kill was well-known for shunning major labels and the mainstream rock press. After two full-length albums, several EPs and two compilations, the band disbanded in 1998.
After an independent demo cassette, ''Revolution Girl Style Now!'', Bikini Kill released the ''Bikini Kill'' EP on the indie label Kill Rock Stars. Produced by Ian MacKaye of Minor Threat and Fugazi, the album began to establish the band's audience. The band's debut album, ''Pussy Whipped'', was released in September 1993. Bikini Kill toured in London, England to begin working with Huggy Bear, releasing a joint recording together and touring the UK. The tour was the subject of a documentary film by Lucy Thane entitled ''It Changed My Life: Bikini Kill In The U.K.''. By the following year, Riot Grrrl was receiving constant attention in the media, and Bikini Kill were increasingly referred to as pioneers of the movement. Hanna called for a "media blackout" amongst Riot Grrrls, as they felt the band and the movement were being misrepresented by the media.
Upon their return to the United States, the band began working with Joan Jett of The Runaways, whose music Hanna described as an early example of the Riot Grrrl aesthetic. Jett produced the single "New Radio/Rebel Girl" for the band. The band's final album was ''Reject All American'' (1996). Shortly before breaking up in 1998, a collection of singles released only on vinyl between 1995 to 1996, titled ''Bikini Kill:The Singles''.
Vail, notorious for her numerous side projects and being in several bands at a time, later resurfaced in a band called Spider and the Webs, and she is now playing with the Old Haunts. Kathi Wilcox plays in the Casual Dots and Bill Karren is in GHOST MOM. Hanna first contributed to an LP as a member of The Fakes, and then turned to more dance-based New Wave music (with similar feminist lyrical themes) on her solo debut, ''Julie Ruin''. She then became a member of the political New Wave outfit Le Tigre.
NOFX has a song titled "Kill Rock Stars" on their album ''So Long and Thanks for All the Shoes,'' written as a response to Kathleen Hanna labeling the band as misogynists.
Bikini Kill's song "Rebel Girl" is number 445 in Blender's The 500 Greatest Songs Since You Were Born.
Category:Kill Rock Stars Category:American punk rock groups Category:Musical groups from Washington (state) Category:Riot grrrl Category:Third-wave feminism Category:Musical groups established in 1990 Category:Musical groups disestablished in 1998 Category:Musical quartets
ca:Bikini Kill cs:Bikini Kill de:Bikini Kill es:Bikini Kill fa:بیکینی کیل fr:Bikini Kill gl:Bikini Kill is:Bikini Kill it:Bikini Kill pl:Bikini Kill pt:Bikini Kill ru:Bikini Kill sv:Bikini Kill tr:Bikini Kill zh:比基尼杀戮This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Dimmu Borgir |
---|---|
landscape | Yes |
background | group_or_band |
origin | Oslo, Norway |
years active | 1993–present |
genre | Symphonic black metal, black metal |
label | ex-No Colours, ex-Spikefarm, ex-Cacophonous, ex-Century Media, recent-Nuclear Blast |
associated acts | Old Man's Child, Cradle of Filth, Ov Hell, Carpe Tenebrum, Brujeria, The Kovenant, Mayhem, Arcturus, Chrome Division, Code, Susperia, Dødheimsgard, Nile, Borknagar, Nachtmystium, Ragnarok, Angelcorpse, God Dethroned, Vesania, Vader, Infernal Method, Ved Buens Ende |
website | www.site.dimmu-borgir.com |
current members | ShagrathSilenozGalder |
past members | (see below) }} |
Dimmu Borgir () is a Norwegian black metal band from Oslo, Norway, formed in 1993. ''Dimmu borgir'' means "dark cities" or "dark castles/fortresses" in Icelandic, Faroese and Old Norse. The name is derived from a volcanic formation in Iceland, Dimmuborgir. The band has been through numerous line-up changes over the years; guitarist Silenoz and vocalist Shagrath are the only founding members remaining.
In 2005, the band did a complete re-recording of the ''Stormblåst'' album, featuring Hellhammer of Mayhem fame as the session drummer. The album also featured a DVD with a live performance from the 2004 Ozzfest tour.
In 2009, members ICS Vortex and Mustis independently announced their departure from Dimmu Borgir. Mustis released a statement claiming his disfavor with the band, stating that he was not properly credited for his writing contributions to the band's music, mentioning possibly taking legal action.
Dimmu Borgir soon after confirmed the pair's dismissal from the band, releasing a statement explaining why the two were fired. Shagrath, Silenoz, and Galder wrote, "Funny then, how the new album is halfway finished written already by the rest of us without any of these guys' input, still having all those elements we're known for."
On July 8, the band confirmed that they had tapped Swedish multi-instrumentalist Snowy Shaw (Therion, Dream Evil) to replace bassist/clean vocalist ICS Vortex on the band's upcoming album, "Abrahadabra", and world tour. On August 25 it was announced that Snowy Shaw has left Dimmu Borgir to rejoin Therion. On September 17, 2010 Dimmu Borgir released the song "Born Treacherous" from their upcoming album Abrahadabra on their official MySpace page. Then on September 24 the band announced they would stream Abrahadabra in its entirety until 7 p.m. EST that evening. The keyboards and bass are currently played by Gerlioz from Apoptygma Berzerk and Cyrus of Susperia respectively, and the clean vocals are sampled. On May 28, 2011 Dimmu Borgir gave a very special one-off show at the Oslo Spektrum with the Norwegian Radio Orchestra and Schola Cantorum choir. A live album and DVD of the show titled "Forces of the Northern Night" with an accompanying documentary is scheduled for release later this year.
;Full-length albums
Category:Norwegian black metal musical groups Category:Norwegian heavy metal musical groups Category:Norwegian symphonic black metal musical groups Category:Musical groups established in 1993 Category:Symphonic black metal musical groups Category:Spellemannprisen winners Category:Musical sextets *
ar:ديمو بورجير bn:ডিমু বরগীর bs:Dimmu Borgir br:Dimmu Borgir bg:Диму Боргир cs:Dimmu Borgir da:Dimmu Borgir de:Dimmu Borgir et:Dimmu Borgir el:Dimmu Borgir es:Dimmu Borgir fa:دیمو بورگیر fr:Dimmu Borgir gl:Dimmu Borgir hr:Dimmu Borgir is:Dimmu Borgir it:Dimmu Borgir he:דימו בורגיר ka:Dimmu Borgir la:Dimmu Borgir lb:Dimmu Borgir lt:Dimmu Borgir hu:Dimmu Borgir mk:Dimmu Borgir nl:Dimmu Borgir ja:ディム・ボガー no:Dimmu Borgir nn:Dimmu Borgir oc:Dimmu Borgir pl:Dimmu Borgir pt:Dimmu Borgir ro:Dimmu Borgir ru:Dimmu Borgir sq:Dimmu Borgir simple:Dimmu Borgir sk:Dimmu Borgir sl:Dimmu Borgir sr:Диму Боргир fi:Dimmu Borgir sv:Dimmu Borgir te:డిమ్ము బోర్గిర్ th:ดิมมูบอร์เกียร์ tr:Dimmu Borgir zh:霧都魔堡樂團
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