Name	Bob Dylan
Background	solo_singer
Birth name	Robert Allen Zimmerman
Alias	Elston Gunnn, Blind Boy Grunt, Bob Landy, Robert Milkwood Thomas, Tedham Porterhouse, Lucky/Boo Wilbury, Jack Frost, Sergei Petrov
Origin	Hibbing, Minnesota, U.S.
Birth date	May 24, 1941
Birth place	Duluth, Minnesota, U.S.
Instrument	Vocals, guitar, harmonica, piano, keyboard, bass
Genre	Rock, folk rock, folk, blues, country, gospel, alternative country, country rock
Occupation	Musician, songwriter, producer, visual artist, poet, writer, director, screenwriter
Years active	1959–present
Label	Columbia, Asylum
Associated acts	Traveling Wilburys, The Band, Joan Baez, Grateful Dead, Tom Petty and the Heartbreakers
Website	}}

Bob Dylan (), born Robert Allen Zimmerman, May 24, 1941, is an American singer-songwriter, musician, poet and painter. He has been a major figure in music for five decades and has had immense influence on popular music. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of his early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan proceeded to revolutionize perceptions of the limits of popular music in 1965 with the six-minute single "Like a Rolling Stone".

His lyrics incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the songs of Woody Guthrie, Robert Johnson, Hank Williams, and the performance styles of Buddy Holly and Little Richard, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the ''Never Ending Tour''. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.

Since 1994, Dylan has published three books of drawings and paintings, and his work has been exhibited in major art galleries. As a songwriter and musician, Dylan has received numerous awards over the years including Grammy, Golden Globe, and Academy Awards; he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame. In 2008, a road called the ''Bob Dylan Pathway'' was opened in the singer's honor in his birthplace of Duluth, Minnesota. The Pulitzer Prize jury in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."

Life and career

Origins and musical beginnings

Robert Allen Zimmerman (Hebrew name Shabtai Zisel ben Avraham) was born in St. Mary's Hospital on May 24, 1941, in Duluth, Minnesota, and raised in Hibbing, Minnesota, on the Mesabi Iron Range west of Lake Superior. His paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa in the Russian Empire (now Ukraine) to the United States following the anti-Semitic pogroms of 1905. His maternal grandparents, Benjamin and Lybba Edelstein, were Lithuanian Jews who arrived in the United States in 1902. In his autobiography ''Chronicles: Volume One'', Dylan writes that his paternal grandmother's maiden name was Kyrgyz and her family originated from Kars, Turkey.

Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of the area's small but close-knit Jewish community. Robert Zimmerman lived in Duluth until age six, when his father was stricken with polio and the family returned to his mother's home town, Hibbing, where Zimmerman spent the rest of his childhood. Robert Zimmerman spent much of his youth listening to the radio—first to blues and country stations broadcasting from Shreveport, Louisiana and, later, to early rock and roll. He formed several bands while he attended Hibbing High School. The Shadow Blasters was short-lived, but his next, The Golden Chords, lasted longer and played covers of popular songs. Their performance of Danny and the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone off. In his 1959 school yearbook, Robert Zimmerman listed as his ambition "To follow Little Richard." The same year, using the name Elston Gunnn (sic), he performed two dates with Bobby Vee, playing piano and providing handclaps.

Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota, where his early focus on rock and roll gave way to an interest in American folk music. In 1985, Dylan explained the attraction that folk music had exerted on him:

He soon began to perform at the 10 O'clock Scholar, a coffee house a few blocks from campus, and became actively involved in the local Dinkytown folk music circuit.

During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."

1960s

Relocation to New York and record deal

Dylan dropped out of college at the end of his freshman year. In January 1961, he travelled to New York City, hoping to perform there and visit his musical idol Woody Guthrie, who was seriously ill with Huntington's Disease in Greystone Park Psychiatric Hospital. Guthrie had been a revelation to Dylan and was the biggest influence on his early performances. Describing Guthrie's impact on him, Dylan later wrote: "The songs themselves had the infinite sweep of humanity in them ... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple." As well as visiting Guthrie in the hospital, Dylan befriended Guthrie's acolyte Ramblin' Jack Elliott. Much of Guthrie's repertoire was actually channeled through Elliott, and Dylan paid tribute to Elliott in ''Chronicles'' (2004).

From February 1961, Dylan played at various clubs around Greenwich Village. In September, he gained some public recognition when Robert Shelton wrote a positive review in ''The New York Times'' of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's eponymous third album, which brought his talents to the attention of the album's producer John Hammond. Hammond signed Dylan to Columbia Records in October. The performances on his first Columbia album, ''Bob Dylan'' (1962), consisted of familiar folk, blues and gospel material combined with two original compositions. The album made little impact, selling only 5,000 copies in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously. In March 1962, Dylan contributed harmonica and back-up vocals to the album ''Three Kings and the Queen'', accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. While working for Columbia, Dylan also recorded several songs under the pseudonym Blind Boy Grunt, for ''Broadside Magazine'', a folk music magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on the 1964 anthology album, ''The Blues Project'', issued by Elektra Records. Under the pseudonym Tedham Porterhouse, Dylan contributed harmonica to Ramblin' Jack Elliott's 1964 album ''Jack Elliott''.

Dylan made two important career moves in August 1962. He legally changed his name to Bob Dylan, and signed a management contract with Albert Grossman. Grossman remained Dylan's manager until 1970, and was notable both for his sometimes confrontational personality, and for the fiercely protective loyalty he displayed towards his principal client. Dylan subsequently said of Grossman, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming." Tensions between Grossman and John Hammond led to Hammond being replaced as the producer of Dylan's second album by the young African American jazz producer Tom Wilson.

From December 1962 to January 1963, Dylan made his first trip to the United Kingdom. He had been invited by TV director Philip Saville to appear in a drama, ''The Madhouse on Castle Street'', which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The recording of ''The Madhouse on Castle Street'' was wiped by the BBC in 1968. While in London, Dylan performed at several London folk clubs, including Les Cousins, The Pinder of Wakefield, and Bunjies. He also learned new songs from several UK performers, including Martin Carthy.

By the time Dylan's second album, ''The Freewheelin' Bob Dylan'', was released in May 1963, he had begun to make his name as both a singer and a songwriter. Many of the songs on this album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was a sardonic account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. His most famous song at this time, "Blowin' in the Wind", partially derived its melody from the traditional slave song "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded and became an international hit for Peter, Paul and Mary, setting a precedent for many other artists who had hits with Dylan's songs. "A Hard Rain's a-Gonna Fall" was based on the tune of the folk ballad "Lord Randall". With its veiled references to nuclear apocalypse, it gained even more resonance when the Cuban missile crisis developed only a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked an important new direction in modern songwriting, blending a stream-of-consciousness, imagist lyrical attack with a traditional folk form.

While Dylan's topical songs solidified his early reputation, ''Freewheelin''' also included a mixture of love songs and jokey, surreal talking blues. Humor was a large part of Dylan's persona, and the range of material on the album impressed many listeners, including The Beatles. George Harrison said, "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful."

The rough edge of Dylan's singing was unsettling to some early listeners but an attraction to others. Describing the impact that Dylan had on her and her husband, Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying." Many of his most famous early songs first reached the public through more immediately palatable versions by other performers, such as Joan Baez, who became Dylan's advocate, as well as his lover. Baez was influential in bringing Dylan to national and international prominence by recording several of his early songs and inviting him onstage during her own concerts.

Others who recorded and had hits with Dylan's songs in the early and mid-1960s included The Byrds; Sonny and Cher; The Hollies; Peter, Paul and Mary; The Association; Manfred Mann; and The Turtles. Most attempted to impart a pop feel and rhythm to the songs, while Dylan and Baez performed them mostly as sparse folk pieces. The cover versions became so ubiquitous that CBS started to promote him with the tag "Nobody Sings Dylan Like Dylan."

"Mixed Up Confusion", recorded during the ''Freewheelin''' sessions with a backing band, was released as a single and then quickly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records."

Protest and ''Another Side''

In May 1963, Dylan's political profile was raised when he walked out of ''The Ed Sullivan Show''. During rehearsals, Dylan had been informed by CBS Television's "head of program practices" that the song he was planning to perform, "Talkin' John Birch Paranoid Blues", was potentially libelous to the John Birch Society. Rather than comply with the censorship, Dylan refused to appear on the program.

By this time, Dylan and Baez were both prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963. Dylan's third album, ''The Times They Are a-Changin''', reflected a more politicized and cynical Dylan. The songs often took as their subject matter contemporary, real life stories, with "Only A Pawn In Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" address the despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".

By the end of 1963, Dylan felt both manipulated and constrained by the folk and protest movements. These tensions were publicly displayed when, accepting the "Tom Paine Award" from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy, an intoxicated Dylan brashly questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself (and of every man) in Kennedy's alleged assassin, Lee Harvey Oswald.

''Another Side of Bob Dylan'', recorded on a single June evening in 1964, had a lighter mood than its predecessor. The surreal, humorous Dylan reemerged on "I Shall Be Free #10" and "Motorpsycho Nightmare". "Spanish Harlem Incident" and "To Ramona" are romantic and passionate love songs, while "Black Crow Blues" and "I Don't Believe You (She Acts Like We Never Have Met)" suggest the rock and roll soon to dominate Dylan's music. "It Ain't Me Babe", on the surface a song about spurned love, has been described as a rejection of the role his reputation had thrust at him. His newest direction was signaled by two lengthy songs: the impressionistic "Chimes of Freedom," which sets elements of social commentary against a denser metaphorical landscape in a style later characterized by Allen Ginsberg as "chains of flashing images," and "My Back Pages," which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction.

In the latter half of 1964 and 1965, Dylan's appearance and musical style changed rapidly, as he made his move from leading contemporary songwriter of the folk scene to folk-rock pop-music star. His scruffy jeans and work shirts were replaced by a Carnaby Street wardrobe, sunglasses day or night, and pointy "Beatle boots". A London reporter wrote: "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of Leicester Square. He looks like an undernourished cockatoo." Dylan also began to spar in increasingly surreal ways with his interviewers. Appearing on the Les Crane TV show and asked about a movie he was planning to make, he told Crane it would be a cowboy horror movie. Asked if he played the cowboy, Dylan replied, "No, I play my mother."

Going electric

Dylan's April 1965 album ''Bringing It All Back Home'' was yet another stylistic leap, featuring his first recordings made with electric instruments. The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics have been described as both harkening back to the manic energy of Beat poetry and as a forerunner of rap and hip-hop. The song was provided with an early music video which opened D. A. Pennebaker's cinéma vérité presentation of Dylan's 1965 tour of England, ''Dont Look Back''. Instead of miming to the recording, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker has said the sequence was Dylan's idea, and it has been widely imitated in both music videos and advertisements.

The B side of ''Bringing It All Back Home'' consisted of four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" quickly became one of Dylan's best known songs when The Byrds recorded an electric version that reached number one in both the U.S. and the U.K. charts. "It's All Over Now Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were acclaimed as two of Dylan's most important compositions.

In the summer of 1965, as the headliner at the Newport Folk Festival, Dylan performed his first electric set since his high school days with a pickup group drawn mostly from the Paul Butterfield Blues Band, featuring Mike Bloomfield (guitar), Sam Lay (drums) and Jerome Arnold (bass), plus Al Kooper (organ) and Barry Goldberg (piano). Dylan had appeared at Newport in 1963 and 1964, but in 1965 Dylan, met with a mix of cheering and booing, left the stage after only three songs. One version of the legend has it that the boos were from the outraged folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were merely upset by poor sound quality and a surprisingly short set. This account is supported by Kooper and one of the directors of the festival, who reports his audio recording of the concert proves that the only boos were in reaction to the emcee's announcement that there was only enough time for a short set.

Nevertheless, Dylan's 1965 Newport performance provoked a hostile response from the folk music establishment. In the September issue of ''Sing Out!'', singer Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time... 'But what of Bobby Dylan?' scream the outraged teenagers... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, just four days after his controversial performance at Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics teemed with images of vengeance and paranoia, and it was widely interpreted as Dylan's put-down of former friends from the folk community—friends he had known in the clubs along West 4th Street.

''Highway 61 Revisited'' and ''Blonde on Blonde''

In July 1965, Dylan released the single "Like a Rolling Stone", which peaked at No.2 in the U.S. and at No.4 in the UK charts. At over six minutes, the song has been widely credited with altering attitudes about what a pop single could convey. Bruce Springsteen, in his speech during Dylan's inauguration into the Rock and Roll Hall of Fame said that on first hearing the single, "that snare shot sounded like somebody'd kicked open the door to your mind". In 2004, and again in 2011, ''Rolling Stone Magazine'' listed it as number one on its list of "The 500 Greatest Songs of All Time". The song also opened Dylan's next album, ''Highway 61 Revisited,'' titled after the road that led from Dylan's Minnesota to the musical hotbed of New Orleans. The songs were in the same vein as the hit single, flavored by Mike Bloomfield's blues guitar and Al Kooper's organ riffs. "Desolation Row" offers the sole acoustic exception, with Dylan making surreal allusions to a variety of figures in Western culture during this epic song, which was described by Andy Gill as "an 11-minute epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast of celebrated characters, some historical (Einstein, Nero), some biblical (Noah, Cain and Abel), some fictional (Ophelia, Romeo, Cinderella), some literary (T.S. Eliot and Ezra Pound), and some who fit into none of the above categories, notably Dr. Filth and his dubious nurse."

In support of the record, Dylan was booked for two U.S. concerts and set about assembling a band. Mike Bloomfield was unwilling to leave the Butterfield Band, so Dylan mixed Al Kooper and Harvey Brooks from his studio crew with bar-band stalwarts Robbie Robertson and Levon Helm, best known at the time for being part of Ronnie Hawkins's backing band The Hawks (later to become The Band). On August 28 at Forest Hills Tennis Stadium, the group was heckled by an audience still annoyed by Dylan's electric sound. The band's reception on September 3 at the Hollywood Bowl was more favorable.

While Dylan and the Hawks met increasingly receptive audiences on tour, their studio efforts floundered. Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966, and surrounded him with a cadre of top-notch session men. At Dylan's insistence, Robertson and Kooper came down from New York City to play on the sessions. The Nashville sessions produced the double-album ''Blonde on Blonde'' (1966), featuring what Dylan later called "that thin wild mercury sound". Al Kooper described the album as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan.

On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds. Some of Dylan's friends (including Ramblin' Jack Elliott) claim that, in conversation immediately after the event, Dylan denied that he was married. Journalist Nora Ephron first made the news public in the ''New York Post'' in February 1966 with the headline "Hush! Bob Dylan is wed."

Dylan undertook a world tour of Australia and Europe in the spring of 1966. Each show was split into two parts. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. In the second half, backed by the Hawks, he played high voltage electric music. This contrast provoked many fans, who jeered and slow handclapped. The tour culminated in a famously raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17, 1966. An official recording of this concert was finally released in 1998: ''The Bootleg Series Vol. 4: Bob Dylan Live 1966''. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "Judas!" to which Dylan responded, "I don't believe you ... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!" as they launched into the final song of the night—"Like a Rolling Stone."

During his 1966 tour, Dylan was frequently described as exhausted and acting "as if on a death trip". D. A. Pennebaker, the film maker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else." In a 1969 interview with Jann Wenner, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things... just to keep going, you know?" In 2011, BBC Radio 4 reported that, in an interview which Robert Shelton had taped in 1966, Dylan claimed that he had kicked a heroin habit in New York City: "I got very, very strung out for a while... I had about a $25-a-day habit and I kicked it." Some journalists questioned the validity of this confession, pointing out that Dylan had "been telling journalists wild lies about his past since the earliest days of his career."

Motorcycle accident and reclusion

After his European tour, Dylan returned to New York, but the pressures on him increased. ABC Television had paid an advance for a TV show they could screen. His publisher, Macmillan, was demanding a finished manuscript of the poem/novel ''Tarantula.'' Manager Albert Grossman had already scheduled an extensive concert tour for that summer and fall.

On July 29, 1966, Dylan crashed his 500cc Triumph Tiger 100 motorcycle on a road near his home in Woodstock, New York, throwing him to the ground. Though the extent of his injuries were never fully disclosed, Dylan said that he broke several vertebrae in his neck. Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized. Dylan's biographers have written that the crash offered Dylan the much-needed chance to escape from the pressures that had built up around him. Dylan confirmed this interpretation of the crash when he stated in his autobiography, "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race." In the wake of his accident, Dylan withdrew from the public and, apart from a few select appearances, did not tour again for eight years.

Once Dylan was well enough to resume creative work, he began editing film footage of his 1966 tour for ''Eat the Document'', a rarely exhibited follow-up to ''Dont Look Back''. A rough-cut was shown to ABC Television and was promptly rejected as incomprehensible to a mainstream audience. In 1967 he began recording music with the Hawks at his home and in the basement of the Hawks' nearby house, called "Big Pink". These songs, initially compiled as demos for other artists to record, provided hit singles for Julie Driscoll ("This Wheel's on Fire"), The Byrds ("You Ain't Goin' Nowhere", "Nothing Was Delivered"), and Manfred Mann ("Mighty Quinn"). Columbia belatedly released selections from them in 1975 as ''The Basement Tapes''. Over the years, more and more of the songs recorded by Dylan and his band in 1967 appeared on various bootleg recordings, culminating in a five-CD bootleg set titled ''The Genuine Basement Tapes'', containing 107 songs and alternate takes. In the coming months, the Hawks recorded the album ''Music from Big Pink'' using songs they first worked on in their basement in Woodstock, and renamed themselves The Band, thus beginning a long and successful recording and performing career of their own.

In October and November 1967, Dylan returned to Nashville. Back in the recording studio after a 19-month break, he was accompanied only by Charlie McCoy on bass, Kenny Buttrey on drums, and Pete Drake on steel guitar. The result was ''John Wesley Harding'', a quiet, contemplative record of shorter songs, set in a landscape that drew on both the American West and the Bible. The sparse structure and instrumentation, coupled with lyrics that took the Judeo-Christian tradition seriously, marked a departure not only from Dylan's own work but from the escalating psychedelic fervor of the 1960s musical culture. It included "All Along the Watchtower", with lyrics derived from the Book of Isaiah (21:5–9). The song was later recorded by Jimi Hendrix, whose version Dylan later acknowledged as definitive. Woody Guthrie died on October 3, 1967, and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20, 1968, where he was backed by The Band.

Dylan's next release, ''Nashville Skyline'' (1969), was virtually a mainstream country record featuring instrumental backing by Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay." Dylan and Cash also recorded a series of duets, including Dylan's "One Too Many Mornings," but they were not used on the album.

In May 1969, Dylan appeared on the first episode of Johnny Cash's new television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away" and "Living the Blues". Dylan next travelled to England to top the bill at the Isle of Wight rock festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival far closer to his home.

1970s

In the early 1970s, critics charged that Dylan's output was of varied and unpredictable quality. ''Rolling Stone'' magazine writer and Dylan loyalist Greil Marcus notoriously asked "What is this shit?" upon first listening to 1970's ''Self Portrait''. In general, ''Self Portrait'', a double LP including few original songs, was poorly received. Later that year, Dylan released ''New Morning'', which some considered a return to form. In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded both "I'd Have You Anytime" and Dylan's "If Not For You" for his 1970 solo triple album ''All Things Must Pass''. Dylan's surprise appearance at Harrison's 1971 ''Concert for Bangladesh'' attracted much media coverage, reflecting that Dylan's live appearances had become rare.

Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock Studios, a small studio in New York's Greenwich Village. These sessions resulted in one single, "Watching The River Flow", and a new recording of "When I Paint My Masterpiece". On November 4, 1971 Dylan recorded "George Jackson," which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin Prison that summer. Dylan contributed piano and hamony vocals to Steve Goodman's album, ''Somebody Else's Troubles'', under the pseudonym Robert Milkwood Thomas in September 1972.

In 1972, Dylan signed onto Sam Peckinpah's film ''Pat Garrett and Billy the Kid'', providing songs and backing music for the movie, and playing the role of "Alias," a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" has proven its durability as one of Dylan's most extensively covered songs.

Return to touring

Dylan began 1973 by signing with a new record label, David Geffen's Asylum Records, when his contract with Columbia Records expired. On his next album, ''Planet Waves'', he used The Band as backing group, while rehearsing for a major tour. The album included two versions of "Forever Young," which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental." Biographer Howard Sounes noted that Jakob Dylan believed the song was about him.

Columbia Records simultaneously released ''Dylan'', a haphazard collection of studio outtakes (almost exclusively cover songs), which was widely interpreted as a churlish response to Dylan's signing with a rival record label. In January 1974, Dylan returned to live touring after a break of seven years; backed by The Band, he embarked on a high-profile, coast-to-coast North American tour, playing 40 concerts. A live double album of the tour, ''Before the Flood'', was released on Asylum Records. Soon, Columbia Records sent word that they "will spare nothing to bring Dylan back into the fold". Dylan had second thoughts about Asylum, apparently miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had managed to sell only 700,000 copies of ''Planet Waves''. Dylan returned to Columbia Records, which subsequently reissued his two Asylum albums on their imprint.

After the tour, Dylan and his wife became publicly estranged. He filled a small red notebook with songs about relationships and ruptures, and quickly recorded a new album entitled ''Blood on the Tracks'' in September 1974. Dylan delayed the album's release, however, and re-recorded half of the songs at Sound 80 Studios in Minneapolis with production assistance from his brother David Zimmerman.

Released in early 1975, ''Blood on the Tracks'' received mixed reviews. In the ''NME'', Nick Kent described "the accompaniments [as] often so trashy they sound like mere practice takes." In ''Rolling Stone'', reviewer Jon Landau wrote that "the record has been made with typical shoddiness." However, over the years critics have come to see it as one of Dylan's greatest achievements, perhaps the only serious rival to his mid-60s trilogy of albums. In Salon.com, Bill Wyman wrote: "''Blood on the Tracks'' is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-'60s output and the self-consciously simple compositions of his post-accident years." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape."

That summer Dylan wrote a lengthy ballad championing the cause of boxer Rubin "Hurricane" Carter, who had been imprisoned for a triple murder committed in Paterson, New Jersey, in 1966. After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its 8:32 minute length, the song was released as a single, peaking at No.33 on the U.S. Billboard Chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue, named after the Shoshone medicine man, shaman, teacher, and activist Rolling Thunder. The tour was a varied evening of entertainment featuring about one hundred performers and supporters drawn from the resurgent Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and violinist Scarlet Rivera, whom Dylan discovered while she was walking down the street, her violin case hanging on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was simultaneously shooting. Sam Shepard was initially hired to write the film's screenplay, but ended up accompanying the tour as informal chronicler.

Running through late 1975 and again through early 1976, the tour encompassed the release of the album ''Desire'', with many of Dylan's new songs featuring an almost travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy. The spring 1976 half of the tour was documented by a TV concert special, ''Hard Rain'', and the LP ''Hard Rain''; no concert album from the better-received and better-known opening half of the tour was released until 2002's ''Live 1975''.

The fall 1975 tour with the Revue also provided the backdrop to Dylan's nearly four-hour film ''Renaldo and Clara'', a sprawling and improvised narrative, mixed with concert footage and reminiscences. Released in 1978, the movie received generally poor, sometimes scathing, reviews and had a very brief theatrical run. Later in that year, Dylan allowed a two-hour edit, dominated by the concert performances, to be more widely released.

In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison and Neil Young. Martin Scorsese's acclaimed cinematic chronicle of this show, ''The Last Waltz,'' was released in 1978 and included about half of Dylan's set. In 1976, Dylan also wrote and duetted on the song "Sign Language" for Eric Clapton's ''No Reason To Cry''.

In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. Concerts in Tokyo in February and March were recorded and released as the live double album, ''Bob Dylan At Budokan''. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in ''Rolling Stone'', writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." When Dylan brought the tour to the US in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the ''Los Angeles Times'' that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California."

In April and May 1978, Dylan went into the studio in Santa Monica, California, to record an album of new material with the same large band and backing vocalists: ''Street-Legal''. It was described by Michael Gray as, "after ''Blood On The Tracks'', arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it suffered from poor sound recording and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.

Born-again period

In the late 1970s, Dylan became a born-again Christian and released two albums of Christian gospel music. ''Slow Train Coming'' (1979) featured the guitar accompaniment of Mark Knopfler (of Dire Straits) and was produced by veteran R&B; producer, Jerry Wexler. Wexler recalled that when Dylan had tried to evangelize him during the recording, he replied: "Bob, you're dealing with a sixty-two-year old Jewish atheist. Let's just make an album." The album won Dylan a Grammy Award as "Best Male Vocalist" for the song "Gotta Serve Somebody". The second evangelical album, ''Saved'' (1980), received mixed reviews, and was described by Dylan critic Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, ''Slow Train Coming II'' and inferior." When touring from the fall of 1979 through the spring of 1980, Dylan would not play any of his older, secular works, and he delivered declarations of his faith from the stage, such as:

Dylan's embrace of Christianity was unpopular with some of his fans and fellow musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, while Dylan's Christian faith was obvious, Stephen Holden wrote in the ''New York Times'' that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."

1980s

In the fall of 1980 Dylan briefly resumed touring for a series of concerts billed as "A Musical Retrospective", where he restored several of his popular 1960s songs to the repertoire. ''Shot of Love'', recorded the next spring, featured Dylan's first secular compositions in more than two years, mixed with explicitly Christian songs; the song "Every Grain of Sand" reminded some critics of William Blake's verses.

In the 1980s the quality of Dylan's recorded work varied, from the well-regarded ''Infidels'' in 1983 to the panned ''Down in the Groove'' in 1988. Critics such as Michael Gray condemned Dylan's 1980s albums both for showing an extraordinary carelessness in the studio and for failing to release his best songs. The ''Infidels'' recording sessions, for example, produced several notable songs that Dylan left off the album. Most well regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were later released on ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991''.

Between July 1984 and March 1985, Dylan recorded his next studio album, ''Empire Burlesque''. Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker has said he felt he was hired to make Dylan's album sound "a little bit more contemporary".

Dylan sang on USA for Africa's famine relief fundraising single "We Are the World". On July 13, 1985, he appeared at the climax at the Live Aid concert at JFK Stadium, Philadelphia. Backed by Keith Richards and Ronnie Wood, Dylan performed a ragged version of "Hollis Brown", his ballad of rural poverty, and then said to the worldwide audience exceeding one billion people: "I hope that some of the money ... maybe they can just take a little bit of it, maybe ... one or two million, maybe ... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks." His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.

In April 1986, Dylan made a brief foray into the world of rap music when he added vocals to the opening verse of "Street Rock", a song featured on Kurtis Blow's album ''Kingdom Blow''. Dylan's next studio album, ''Knocked Out Loaded'', was released in July 1986 and contained three cover songs (by Little Junior Parker, Kris Kristofferson and the traditional gospel hymn "Precious Memories"), plus three collaborations with other writers (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan. One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating." It was the first Dylan album since ''Freewheelin''' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, 'Brownsville Girl', a work of genius.

In 1986 and 1987, Dylan toured extensively with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night. Dylan also toured with The Grateful Dead in 1987, resulting in a live album ''Dylan & The Dead''. This album received some very negative reviews: ''Allmusic'' said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." After performing with these musical permutations, Dylan initiated what came to be called The Never Ending Tour on June 7, 1988, performing with a tight back-up band featuring guitarist G. E. Smith. Dylan continued to tour with this small but constantly evolving band for the next 20 years.

In 1987, Dylan starred in Richard Marquand's movie ''Hearts of Fire'', in which he played Billy Parker, a washed-up-rock-star-turned-chicken farmer whose teenage lover (Fiona) leaves him for a jaded English synth-pop sensation (played by Rupert Everett). Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop. Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introductory speech declaring, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.

When Dylan released the album ''Down in the Groove'' in May 1988, it was even more unsuccessful in its sales than his previous studio album. Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys. Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in the fall of 1988 their multi-platinum ''Traveling Wilburys Vol. 1'' reached number three on the US album chart, featuring songs that were described as Dylan's most accessible compositions in years. Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, which they released with the unexpected title ''Traveling Wilburys Vol. 3''.

Dylan finished the decade on a critical high note with ''Oh Mercy'' produced by Daniel Lanois. Dylan critic Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film ''High Fidelity'', while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith.

1990s

Dylan's 1990s began with ''Under the Red Sky'' (1990), an about-face from the serious ''Oh Mercy''. The album contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo"; this was later explained as a nickname for the daughter of Dylan and Carolyn Dennis, Desiree Gabrielle Dennis-Dylan, who was four at that time. Sidemen on the album included George Harrison, Slash from Guns N' Roses, David Crosby, Bruce Hornsby, Stevie Ray Vaughan, and Elton John. Despite the stellar line-up, the record received bad reviews and sold poorly.

In 1991, Dylan was honored by the recording industry with a Grammy Lifetime Achievement Award from American actor Jack Nicholson. The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed his song "Masters of War". Dylan then made a short speech that startled some of the audience.

The next few years saw Dylan returning to his roots with two albums covering old folk and blues numbers: ''Good as I Been to You'' (1992) and ''World Gone Wrong'' (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", penned by a 19th century teacher and sung by Dylan with a haunting reverence. In November 1994 Dylan recorded two live shows for ''MTV Unplugged''. He claimed his wish to perform a set of traditional songs for the show was overruled by Sony executives who insisted on a greatest hits package. The album produced from it, ''MTV Unplugged'', included "John Brown", an unreleased 1963 song detailing the ravages of both war and jingoism.

With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension. Late that spring, before the album's release, Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by midsummer, and in early fall performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind".

September saw the release of the new Lanois-produced album, ''Time Out of Mind''. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.

In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."

2000s

Dylan commenced the new millennium by winning his first Oscar; his song "Things Have Changed", penned for the film ''Wonder Boys'', won an Academy Award in March 2001. The Oscar (by some reports a facsimile) tours with him, presiding over shows perched atop an amplifier.

''"Love and Theft"'' was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well-received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads.

In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project ''Gotta Serve Somebody: The Gospel Songs of Bob Dylan''. That year also saw the release of the film ''Masked & Anonymous'', which Dylan co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast which included Jeff Bridges, Penelope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.

In October 2004, Dylan published the first part of his autobiography, ''Chronicles: Volume One''. The book confounded expectations. Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-'60s when his fame was at its height. He also devoted chapters to the albums ''New Morning'' (1970) and ''Oh Mercy'' (1989). The book reached number two on ''The New York Times''' Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.

Martin Scorsese's acclaimed film biography ''No Direction Home'' was broadcast in September 2005. It was shown on September 26–27, 2005, on BBC Two in the UK and PBS in the US. The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The accompanying soundtrack featured unreleased songs from Dylan's early career.

Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by The Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".

''Modern Times'' (2006–08)

May 3, 2006, was the premiere of Dylan's DJ career, hosting a weekly radio program, ''Theme Time Radio Hour'', for XM Satellite Radio, with song selections revolving around a chosen theme. Dylan played classic and obscure records from the 1930s to the present day, including contemporary artists as diverse as Blur, Prince, L.L. Cool J and The Streets. The show was praised by fans and critics as "great radio," as Dylan told stories and made eclectic references with his sardonic humor, while achieving a thematic beauty with his musical choices. In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and the final record played was Woody Guthrie's "So Long, It's Been Good To Know Yuh". This has led to speculation that Dylan's radio series may have ended.

On August 29, 2006, Dylan released his ''Modern Times'' album. Despite some coarsening of Dylan's voice (a critic for ''The Guardian'' characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing ''Time Out of Mind'' and ''"Love and Theft"''. ''Modern Times'' entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's ''Desire''.

Nominated for three Grammy Awards, ''Modern Times'' won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". ''Modern Times'' was named Album of the Year, 2006, by ''Rolling Stone'' magazine, and by ''Uncut'' in the UK. On the same day that ''Modern Times'' was released the iTunes Music Store released ''Bob Dylan: The Collection'', a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.

In August 2007, the award-winning film biography of Dylan ''I'm Not There'', written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan". The movie uses six distinct characters to represent different aspects of Dylan's life, played by Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.

On October 1, 2007, Columbia Records released the triple CD retrospective album ''Dylan'', anthologising his entire career under the ''Dylan 07'' logo. As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way (And I'll Go Mine)," which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings.

The sophistication of the ''Dylan 07'' marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evidenced in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie. Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade. Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper Will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII. The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by Will.i.am doing a hip hop version of the song's third and final verse.

In October 2008, Columbia released Volume 8 of Dylan's ''Bootleg Series'', ''Tell Tale Signs: Rare And Unreleased 1989–2006'' as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from ''Oh Mercy'' to ''Modern Times'', as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The plethora of alternative takes and unreleased material suggested to ''Uncut'''s reviewer: "''Tell Tale Signs'' is awash with evidence of (Dylan's) staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible."

''Together Through Life'', ''Christmas in the Heart'' (2009)

Bob Dylan released his album ''Together Through Life'' on April 28, 2009. In a conversation with music journalist Bill Flanagan, published on Dylan's website, Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, ''My Own Love Song''; initially only intending to record a single track, "Life Is Hard," "the record sort of took its own direction". Nine of the ten songs on the album are credited as co-written by Bob Dylan and Robert Hunter.

The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in ''The Independent'' that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."

In its first week of release, the album reached number one in the Billboard 200 chart in the U.S., making Bob Dylan (67 years of age) the oldest artist to ever debut at number one on that chart.

On October 13, 2009, Dylan released a Christmas album, ''Christmas in the Heart'', comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus". Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme.

The album received generally favorable reviews. ''The New Yorker'' commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In ''USA Today'', Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere".

In an interview published by Street News Service, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."

2010s

On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, ''The Witmark Demos''. This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as "a kind of alternate early history of Dylan's songwriting process, 'writing five new songs before breakfast,' as he once famously quipped". The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating "universal acclaim". In the same week, Sony Legacy released ''Bob Dylan: The Original Mono Recordings'', a box set which for the first time presented Dylan's eight earliest albums, from ''Bob Dylan'' (1962) to ''John Wesley Harding'' (1967), in their original mono mix in the CD format, accompanied by new liner notes by Dylan critic Greil Marcus.

On April 12, 2011, Legacy Recordings released ''Bob Dylan in Concert – Brandeis University 1963'' . The recording was taped at Brandeis University on May 10, 1963, two weeks prior to the release of ''The Freewheelin' Bob Dylan''. The tape had been discovered in the archive of music writer Ralph J. Gleason, and had previously been available as a limited edition supplement to ''The Bootleg Series Vol. 9''. The recording carries liner notes by Dylan scholar Michael Gray. Gray writes, "(The) Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn't yet reached America, wasn't even on fans' radar.... It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."

The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organised symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians from Europe and the US to give papers on aspects of Dylan's work. Other events, including tribute bands, intellectual debates and simple singalongs, took place around the world, as reported in ''The Guardian'': "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed "Bobcats" will gather today to celebrate the 70th birthday of a giant of popular music."

In August 2011, Dylan's label, Egyptian Records, announced that an album of previously unheard Hank Williams songs, ''The Lost Notebooks of Hank Williams'', would be released in October. Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.

Never Ending Tour

The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and the first decade of the 21st century—a heavier schedule than most performers who started out in the 1960s. By the end of 2010, Dylan and his band had played more than 2300 shows, anchored by long-time bassist Tony Garnier, multi-instrumentalist Donnie Herron and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticised his vocal style as a "one-dimensional growl with which he chews up, mangles and spits out the greatest lyrics ever written so that they are effectively unrecognisable", and his lack of interest in bonding with his audience.

Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set-list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set-list existed.

Dylan responded to these allegations of censorship by posting a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."

In April 2011, Dylan performed concerts in Taiwan, China, Vietnam and Australia. Dylan's website has published details of Dylan's 2011 tour of Europe, Israel and the US from June to August, commencing in Cork, Ireland, and concluding in Bangor, Maine.

Artist

Over a decade after Random House had published ''Drawn Blank'' (1994), a book of Dylan's drawings, an exhibit of his art, ''The Drawn Blank Series'', opened in October 2007 at the Kunstsammlungen in Chemnitz, Germany. This first public exhibition of Dylan's paintings showcased more than 200 watercolors and gouaches made earlier in 2007 from the original drawings. The exhibition coincided with the publication of the book ''Bob Dylan: The Drawn Blank Series'', which includes 170 reproductions from the series.

From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, ''The Brazil Series''. In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. The Gagosian Gallery has announced an exhibition of Dylan's art, ''The Asia Series'', will take place at their Madison Avenue Gallery in September-October 2011.

Discography

Awards

Personal life

Family

Dylan married Sara Lownds on November 22, 1965. Their first child, Jesse Byron Dylan, was born on January 6, 1966, and they had three more children: Anna Lea, Samuel Isaac Abraham, and Jakob Luke (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961). Maria married musician Peter Himmelman, an Orthodox Jew, in 1988. In the 1990s, Dylan's son Jakob became well known as the lead singer of the band The Wallflowers. Jesse Dylan is a film director and a successful businessman. Bob and Sara Dylan were divorced on June 29, 1977.

In June 1986, Dylan married his longtime backup singer Carolyn Dennis (often professionally known as Carol Dennis). Their daughter, Desiree Gabrielle Dennis-Dylan, was born on January 31, 1986. The couple divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, ''Down the Highway: The Life Of Bob Dylan'' in 2001. Dylan now lives in Malibu, California, when not on the road.

Religious beliefs

Growing up in Hibbing, Minnesota, Dylan and his family were part of the area's small but close-knit Jewish community, and in May 1954 Dylan had his Bar Mitzvah. Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi Meir Kahane, founder of the New York-based Jewish Defense League. Time Magazine quoted Dylan saying about Kahane, "He's a really sincere guy. He's really put it all together." Subsequently, Dylan downplayed the extent of his contact with Kahane.

For a period during the late 1970s and early 1980s, Dylan was a public convert to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord."

By 1984, Dylan was deliberately distancing himself from the "born-again" label. He told Kurt Loder of ''Rolling Stone'' magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any Church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of ''Newsweek'':

In an interview published in ''The New York Times'' on September 28, 1997, journalist Jon Pareles reported that "Dylan says he now subscribes to no organized religion."

Dylan has been described, in the last 20 years, as a supporter of the Chabad Lubavitch movement and has privately participated in Jewish religious events, including the bar mitzvahs of his sons and attending Hadar Hatorah, a Chabad Lubavitch yeshiva. In September 1989 and September 1991, Dylan appeared on the Chabad telethon. Jewish news services have reported that Dylan has visited Chabad synagogues; on September 22, 2007 (Yom Kippur), he attended Congregation Beth Tefillah, in Atlanta, Georgia, where he was called to the Torah for the sixth aliyah.

Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has also made passing references to his religious faith—such as in a 2004 interview with ''60 Minutes'', when he told Ed Bradley that "the only person you have to think twice about lying to is either yourself or to God." He also explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see."

In a 2009 interview with Bill Flanagan promoting his Christmas LP, ''Christmas in the Heart'', Flanagan commented on the "heroic performance" Dylan gave of "O Little Town of Bethlehem" and that Dylan "delivered the song like a true believer". Dylan replied: "Well, I am a true believer."

Legacy

Bob Dylan is one of the most influential figures of the 20th century, musically and culturally. Dylan was included in the Time 100: The Most Important People of the Century where he was called "master poet, caustic social critic and intrepid, guiding spirit of the counterculture generation". Biographer Howard Sounes placed him among the most exalted company when he said, "There are giant figures in art who are sublimely good—Mozart, Picasso, Frank Lloyd Wright, Shakespeare, Dickens. Dylan ranks alongside these artists."

Initially modeling his writing style on the songs of Woody Guthrie, and lessons learned from the blues of Robert Johnson, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 60s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."

When Dylan made his move from acoustic music to a rock backing, the mix became more complex. For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-'60s trilogy of albums—''Bringing It All Back Home'', ''Highway 61 Revisited'' and ''Blonde on Blonde''. In Mike Marqusee's words: "Between late 1964 and the summer of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B;, rock'n'roll, gospel, British beat, symbolist, modernist and Beat poetry, surrealism and Dada, advertising jargon and social commentary, Fellini and ''Mad'' magazine, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console."

One legacy of Dylan's verbal sophistication was the increasing attention paid by literary critics to his lyrics. Professor Christopher Ricks published a 500-page analysis of Dylan's work, placing him in the context of Eliot, Keats and Tennyson, and claiming that Dylan was a poet worthy of the same close and painstaking analysis. Former British poet laureate, Andrew Motion, argued that Bob Dylan's lyrics should be studied in schools. Since 1996, academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature.

Dylan's voice was, in some ways, as startling as his lyrics. New York Times critic Robert Shelton described Dylan's early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like Dave Van Ronk's." David Bowie, in his tribute, "Song for Bob Dylan", described Dylan's singing as "a voice like sand and glue". Dylan's voice continued to develop as he began to work with rock'n'roll backing bands; critic Michael Gray described the sound of Dylan's vocal on his hit single, "Like a Rolling Stone", as "at once young and jeeringly cynical". As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal ''Oral Tradition'', "Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "Everything is Broken" (on the album ''Oh Mercy'') is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality."

Dylan's influence has been felt in several musical genres. As Edna Gundersen stated in ''USA Today'': "Dylan's musical DNA has informed nearly every simple twist of pop since 1962." Many musicians have testified to Dylan's influence, such as Joe Strummer, who praised Dylan as having "laid down the template for lyric, tune, seriousness, spirituality, depth of rock music." Other major musicians to have acknowledged Dylan's importance include John Lennon, Paul McCartney, Pete Townshend, Neil Young, Bruce Springsteen, David Bowie, Bryan Ferry, Nick Cave, Patti Smith, Syd Barrett, Cat Stevens,Joni Mitchell, and Tom Waits. More directly, both The Byrds and The Band, two 1960s contemporary groups with some measure of influence on popular music themselves, largely owed their initial success to Dylan: the Byrds with their hit of "Mr. Tambourine Man" and subsequent album; and the Band for their association with him on tour in 1966, on retreat in Woodstock, and on their debut album featuring three previously unreleased Dylan songs.

There have been dissenters. Because Dylan was widely credited with imbuing pop culture with a new seriousness, the critic Nik Cohn objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype." Similarly, Australian critic Jack Marx credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook." Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the ''Los Angeles Times'', in response to a suggestion that she and Dylan were similar since they had both changed their birthnames. Mitchell's comment led to discussions of Dylan's use of other people's material, both supporting and criticizing Dylan.

If Bob Dylan's legacy in the 1960s was seen as bringing intellectual ambition to popular music, now that he has reached the age of 70, he has been described as a figure who has greatly expanded the folk culture from which he initially emerged. As J. Hoberman wrote in ''The Village Voice'', "Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making."

Footnotes

References

External links

BobDylan.com – Official web site, including lyrics and touring schedule

Expecting Rain – Dylan news and events, updated daily

BobLinks – Comprehensive log of concerts and set lists

Bjorner's Still on the Road – Information on recording sessions and performances

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#REDIRECTBruno Mars

name	Rivers Cuomo
background	solo_singer
birth name	Rivers Cuomo
born	New York City, New York, United States
origin	Pomfret, Connecticut,United States
instrument	Vocals, guitar, drums, bass, piano, harmonica, clarinet
genre	Alternative rock, power pop, pop punk, indie rockProgressive metal (Prior to Weezer)
occupation	Singer, songwriter, guitarist
years active	1986–present
associated acts	Weezer, Avant Garde, Zoom, Homie, Goat Punishment, Sixty Wrong Sausages, Miranda Cosgrove, B.o.B, Simple Plan, All Time Low
website	Official website
notable instruments	Warmoth Fat StratGibson SGFender StratocasterGibson Explorer }}

Rivers Cuomo (; born June 13, 1970) is an American musician, best known as the lead singer, lead guitarist, and principal songwriter of the alternative rock band Weezer. Raised in an ashram in Connecticut, Cuomo became interested in music at a young age. He moved to Los Angeles at age 19, where he participated in a number of rock bands before founding Weezer in 1992. With Weezer, he has released eight studio albums.

In addition to fronting Weezer, Cuomo has also worked as a solo artist. In December 2007, he released his debut album, ''Alone: The Home Recordings of Rivers Cuomo'', which featured home demos that Cuomo recorded from 1992 to 2007. He released his second solo artist album, ''Alone II: The Home Recordings of Rivers Cuomo'', in November 2008. ''Alone III: The Pinkerton Years'' is scheduled for release in 2011.

Childhood and youth

Cuomo was born in a Manhattan hospital to parents of Italian and German/English descent, and raised on an ashram - run by the late yoga master Sri Swami Satchidananda in Pomfret, Connecticut. His mother, Beverly, was inspired to name her son "Rivers" because he was born between the East and Hudson rivers in Manhattan. Her appreciation of the sound of running water further reinforced her desire for this name. His father, Frank Cuomo, was a musician who played drums on the album ''Odyssey of Iska'' by jazz saxophonist Wayne Shorter.

During his early childhood Cuomo attended a private school on an ashram farm where his parents raised him and his brother Leaves. Cuomo's parents moved to nearby Storrs, Connecticut when the ashram (known as Yogaville) was relocated to a plot of land along the Blue Ridge Mountains in Virginia. Cuomo attended E.O. Smith High School in Storrs, Connecticut under the name Peter Kitts, but reverted back to his original name once he began attending Santa Monica College. Cuomo went on to attend Berklee College of Music and Harvard University, where he graduated Phi Beta Kappa. In high school, Cuomo played the role of Johnny Casino in the stage production of ''Grease''.

Music career

Weezer

After a series of musical projects in Los Angeles, Cuomo formed Weezer on February 14, 1992, with members from Sixty Wrong Sausages, including drummer Patrick Wilson. The original Weezer line-up included Cuomo on vocals and guitar, Wilson on drums, Matt Sharp on bass, and Jason Cropper who at first played exclusively on acoustic guitar. Weezer signed with DGC, a subsidiary of Geffen Records, on June 25, 1993. They began recording ''Weezer'' (also known as ''The Blue Album'') in August 1993 at Electric Lady Studios in New York with producer Ric Ocasek. "Weezer" was Rivers' childhood nickname, given to him by his father when he was a toddler, although it wasn't because he had asthma.

Throughout 2002 Cuomo frequently posted on Weezer message boards as 'Ace' to discuss music with fans. He once had a website called the 'Catalog of Riffs' ('COR') in which he shared old demos of songs as well as scans of many personal items (letters, schedules, records). Since 2003 he has kept a MySpace page in which he has posted many blog entries including his original admission essay and two subsequent readmission essays to Harvard. Additionally he uses his MySpace blog as a clearinghouse for clarifications, corrections, and addenda to interviews and press reports about him. (This has included responding to misinformation on his Wikipedia entry.)

Starting on the Foozer tour in late 2005, Cuomo would invite fans onto the stage to play "Undone – The Sweater Song" on acoustic guitar. After the performance, fans were allowed to keep the guitars they played. In 2008, coinciding with the release of Weezer's new album, ''The Red Album'', Weezer announced a "Hootenanny Tour" in which radio stations would audition fans to play songs live with Weezer. This "hootenanny" style performance was replicated for the band's "Troublemaker" video and on their 2008 Troublemaker Tour. On November 25, 2008, Cuomo invited a small group of guests to a jam session at Fingerprints Records in Long Beach, CA. This marked the release of ''Alone II: The Home Recordings of Rivers Cuomo''. Fans chose the songs and played the instruments while Cuomo sang.

Other projects

One of Cuomo's earliest music projects was a progressive metal band known as Avant Garde. Cuomo played under the name Peter Kitts, Kitts being the surname of his stepfather. The band played several shows in Connecticut. He moved with the band to Los Angeles in March 1989. In late 1989 Avant Garde changed its name to Zoom though the band dissolved in the late spring of 1990. Before Weezer, Cuomo worked as a roadie for King Size on their Guatemala tour. During a Weezer hiatus, Cuomo formed a musical project called Homie, consisting of what he called "goofball songs" or his "country band". An album was planned, but only one studio recording, a song titled "American Girls", has been released. Cuomo has contributed to recordings by various other musicians (Crazy Town, Cold, Mark Ronson). He also briefly managed the band AM Radio in 2002 and 2003.

In early 2004 he made a surprise appearance onstage with ex-Weezer bassist Matt Sharp at his California State University, Fullerton show to play two old Weezer favorites ("Say It Ain't So" and "Undone"), a rare Weezer demo that they worked on together ("Mrs. Young"), and a new song they wrote together, "Time Song." Also, Sharp announced that they might work on a collaborative record together. But later that year, Sharp announced on his website that although they had come up with "15 or 16 new song ideas, some good, some not so good" for their new album, their "special brand of dysfunctionality" may keep them from finishing the project.

Cuomo is a big fan of soccer. He can be seen playing in the "Photograph" video, and even planned his band's 2002 "World Cup Tour" around World Cup games. In 2006 he wrote a song titled "My Day Is Coming" in tribute to the U.S. men's soccer team, and followed it up for 2010 by writing "Represent", which he considers to be an "unofficial" anthem for the U.S. team. The latter song was released as a Weezer single on June 11, the day before Team USA's World Cup opener against England.

In March 2008, Cuomo started a video series on YouTube called "Let's Write a Sawng." Cuomo plans to write a song in collaboration with YouTube users' suggestions. Additionally, Cuomo has had cameos in a number of music videos. These include Crystal Method's "Murder" and the video for The Warlocks' "Cocaine Blues." Cuomo also makes a guest appearance on Sugar Ray's "Boardwalk", the first single on their latest album, ''Music for Cougars''. Cuomo featured on the song "Magic", on B.o.B's debut album ''B.o.B Presents: The Adventures of Bobby Ray'' which was released in April 2010. In a May interview with HitQuarters, producer-songwriter Lucas Secon confirmed that he had recently worked with Cuomo on both a Steve Aoki single and "some Weezer stuff."

Cuomo is currently in the process of recording a Japanese album with Scott Murphy of Allister. He also collaborated with Japanese singer Hitomi for her first indie album ''Spirit'', even making a duet with her. Cuomo is featured on the new Simple Plan song "Can't Keep My Hands Off You" and Miranda Cosgrove's song, "High Maintenance".

Personal life

On June 18, 2006, Cuomo married Kyoko Ito, whom he had known since March 1997. He proposed to her in Tokyo shortly before Christmas of 2005. The wedding was held at a secluded beach on Paradise Cove in Malibu and was attended by over a hundred people, including six of the seven members who played in Weezer (Mikey Welsh being the only no show) as well as notables Justin Fisher, Kevin Ridel and Rick Rubin. The couple have a daughter, Mia, who was born in May 2007.

Cuomo was born with his left leg 44 mm (1 in) shorter than his right leg. After the success of ''The Blue Album'', Cuomo underwent a procedure to correct the condition. This involved the surgical breaking of the bone in his leg, followed by several months of wearing a steel brace which required self-administered "stretching" of the leg four times daily; Cuomo likened the ordeal to "crucifying [his] leg." An x-ray of the leg is part of the album art for "The Good Life" single, and the experience inspired him to write the song. Cuomo can be seen wearing the brace on an episode of ''The Late Show with David Letterman'', which can be found on their DVD ''Video Capture Device''.

On December 6, 2009, Cuomo was in his tour bus driving to Boston from Toronto with his family and assistants when the bus hit an icy road in Glen, New York and crashed. He suffered cracked ribs and internal bleeding. Due to this accident, Weezer canceled the rest of the 2009 tour dates, planning to reschedule them the following year. The band made their return to the stage on January 20, 2010, performing at Florida State University in Tallahassee, Florida.

Cuomo is a vegetarian.

Other interests

Cuomo practices Vipassana meditation and is a student of S.N. Goenka. As of mid-2009 he also teaches children's meditation as taught by S.N. Goenka. Cuomo recently helped acquire music rights and provided financial support to a documentary titled ''The Dhamma Brothers'' about Vipassana meditation being instituted in an Alabama state prison.

His favorite soccer player is Landon Donovan. He supports the U.S. Men's National team, Los Angeles Galaxy and English side Sheffield Wednesday. In early 2008 he played in the Mia & Nomar Celebrity Soccer Challenge and scored a goal in the game. His video for "Lover in the Snow" off of his ''Alone'' album dealt with this game and his love of soccer. In August 2009, Cuomo also participated in the Athletes for Africa 5v5 Charity Soccer Tournament in Toronto, Canada alongside actor Michael Cera. During Weezer's performance at Leeds Festival 2010, Rivers would go to the side of the stage and play football (kicking the ball against a goal and/or a wall), at the beginning and end of the band's set.

In a 2001 ''Rolling Stone'' interview, he was asked of what kind of characters he played in ''Dungeons & Dragons''; he said he preferred elven or half-elven split-class fighter-thieves.

Image

Some of Cuomo's fashion trademarks include his horn-rimmed glasses and his lightning bolt guitar strap. He has sported a bowl cut, most notably in the music video for "Undone - The Sweater Song". Other notable fashion trends include sporting a life preserver-styled vest in early 2001, growing a thick beard in mid-2002 and a brief suit-and-tie phase in summer 2002. Cuomo has also been seen with a short moustache in the video for "Pork and Beans" and on the ''Red Album'' cover. Cuomo has said that he grew the moustache in honor of his daughter and that his father wore one just like his when Cuomo was born. During Weezer's hiatus between the albums ''Pinkerton'' and ''Weezer (Green Album)'', Cuomo had braces on his teeth. They were evidently removed before the release of the ''Green Album.''

Artistry

Cuomo has cited a wide variety of musical influences throughout the years, from artists as diverse as Kiss, Nirvana, Lou Barlow, Pixies, Sonic Youth, Stevie Ray Vaughan, Brian Wilson and Giacomo Puccini. He took it upon himself to become a student of rock and pop music when in the late 90s, Cuomo created "The Encyclopedia of Pop" for himself, a three-ring binder which broke down the mechanics of pop and rock songs featuring songs by Nirvana, Green Day and Oasis.

Cuomo has written and recorded over 800 tracks in his lifetime, either with Weezer, with earlier bands, or as self-recorded demos. Despite the large amount of unreleased material that has been made available by Cuomo on the internet, large chunks of his work remain unheard by fans. These include certain demos for ''The Blue Album'', various songs from the scrapped ''Songs from the Black Hole'' project, over a hundred songs he composed and demoed throughout 1999 (songs which he has described as ranging from "drone-y Romantic," "abrasive dissonance" and "riffy pop-rock") and well over a hundred songs that didn't make the cut for ''Make Believe''. Recently on Cuomo's MySpace he began satisfying fans' need to hear these unreleased demos "in the most legal way" he could by posting sheet music and lyrics for the ''Songs From the Black Hole'' tracks "She's Had A Girl", "Oh Jonas" and "Who You Callin' Bitch?" as well as the Blue Album-era demo "Getting Up and Leaving."

He almost never swears in any of his songs and often uses minced oaths such as "bee-yotch" instead of "bitch". He attributes this to The Beach Boys, saying "Weezer came up at a time when Jane's Addiction released ''Nothing's Shocking''—everyone was trying to be controversial. We looked back to rock & roll's pre-drug days—to the clean images of the Beach Boys—that felt, ironically, rebellious." The word "fucking" does appear on ''Raditude'''s "Can't Stop Partying", but it is used by guest rapper Lil Wayne, not by Cuomo. He also uses the word "Goddamn" in the first verse of "The Sweater Song", the third verse of "Across the Sea", the opening of "El Scorcho", and the bridge in "Falling for You".

He has been known to use experimentation to inspire his writing, for example, fasting for a day and then writing a song, as he did on "Hold Me." Cuomo has familiarity with a wide array of musical instruments: besides the guitar, he is also skilled at the piano, and bass guitar (he frequently demoed songs on his own, a la the 1995 Fort Apache Studios ''Pinkerton'' demos, and can be seen playing the bass in the Weezer DVD ''Video Capture Device''). Cuomo also plays clarinet (as heard on ''Alone'' and ''SFTBH'' track "Longtime Sunshine" and the .com-released demo "Clarinet Waltz"), drums (as heard on ''Alone'', in concerts during "Photograph", two songs on the red album and some tracks on ''Hurley''), trumpet (as heard on "Victory on the Hill" from "Alone II") and harmonica.

Instruments

He is known to perform with customised Warmoth Stratocasters. Throughout his career he has frequently played Warmoth stratocasters that are covered in stickers. Cuomo also notably played Gibson V's and Explorers onstage in late 2001 and throughout parts of 2002. He could also briefly be seen using an Explorer in the music video for "Beverly Hills". His guitar is adorned with a sticker of the Thai word Farang, meaning "a white foreigner." The sticker is found on the SG that he keeps in E flat tuning; a second SG, usually tuned to E, does not have this sticker. Some of his guitars have been known to be adorned with many stickers given to him by fans.

Discography

;With Weezer

''Weezer (The Blue Album)'' (1994)

''Pinkerton'' (1996)

''Weezer (The Green Album)'' (2001)

''Maladroit'' (2002)

''Make Believe'' (2005)

''Weezer (The Red Album)'' (2008)

''Raditude'' (2009)

''Hurley'' (2010)

;Solo albums

''Alone: The Home Recordings of Rivers Cuomo'' (2007)

''Alone II: The Home Recordings of Rivers Cuomo'' (2008)

''Not Alone – Rivers Cuomo and Friends: Live at Fingerprints'' (2009)

''Alone III: The Pinkerton Years (2011)

''ザ クマモトキッド'' (''The Kumamoto Kid'') (2011)

;Guest contributions Homie – "American Girls," from the ''Meet the Deedles'' soundtrack (1998): vocals, guitar, songwriting and melody The Rentals – "My Head is in the Sun," from ''Seven More Minutes'' (1999): co-written with Matt Sharp, but does not appear on the track itself Crazy Town – "Hurt You So Bad," from ''Darkhorse'' (2002): guitar solo Cold – "Stupid Girl," from ''Year of the Spider'' (2003): vocals, songwriting Mark Ronson – "I Suck," from ''Here Comes the Fuzz'' (2003): vocals, guitar, production The Relationship – "Hand to Hold" (2007): co-written with Brian Bell, a reworked version of the early ''Make Believe'' era outtake "Private Message"

Sugar Ray – "Love is the Answer" (2009): written by and featuring Cuomo

Adam Lambert - "Pick U Up" (2009): Co-Wrote

B.o.B - "Magic" from ''The Adventures of Bobby Ray'' (2010): vocals, Co-Wrote

Kevin Rudolf - "Must Be Dreamin'" from ''To the Sky'' (2010): vocals, Co-Wrote

Katy Perry - "Work It" (unreleased track) from ''Teenage Dream'' (2010): Co-Wrote

Miranda Cosgrove - "Hig Maintenance" from ''High Maintenance'' (2011): vocals, Co-Wrote

Simple Plan - "Can't Keep My Hands Off You" from ''Get Your Heart On!'' (2011): vocals

All Time Low - "I Feel Like Dancin'" from ''Dirty Work'' (2011): Co-Wrote

Hitomi - "Rollin' Wit Da Homies" from ''Spirit'' (2011): vocals, Co-Wrote

References

External links

Interview with The Harvard Crimson about his Harvard years

Rivers Cuomo Archived MySpace Postings

Rivers Cuomo on his creative career

Biographical article in Shambhala Sun Magazine

Category:Living people Category:1970 births Category:Weezer members Category:American vegetarians Category:American musicians of Italian descent Category:American musicians of German descent Category:American musicians of English descent Category:American male singers Category:American rock guitarists Category:American rock singers Category:American singer-songwriters Category:Berklee College of Music alumni Category:Musicians from Connecticut Category:Harvard University alumni

ca:Rivers Cuomo de:Rivers Cuomo es:Rivers Cuomo eo:Rivers Cuomo fr:Rivers Cuomo gl:Rivers Cuomo it:Rivers Cuomo nl:Rivers Cuomo ja:リヴァース・クオモ no:Rivers Cuomo nn:Rivers Cuomo pl:Rivers Cuomo pt:Rivers Cuomo simple:Rivers Cuomo sv:Rivers Cuomo zh:瑞弗斯·柯摩

Name	"Weird Al" Yankovic
Background	solo_singer
Birth name	Alfred Matthew Yankovic
Alias	"Weird Al" Yankovic
Birth date	October 23, 1959
Origin	Lynwood, California, U.S.
Instrument	Vocals, accordion, keyboards
Occupation	Record producer, satirist, parodist, singer-songwriter, musician, director, producer, actor
Years active	1976–present
Genre	Parody, comedy, polka
Religion	Christianity
Label	Capitol, Scotti Brothers, Volcano
Associated acts	Dr. Demento
Website	www.weirdal.com }}

Alfred Matthew "Weird Al" Yankovic (; born October 23, 1959) is an American singer-songwriter, music producer, accordionist, actor, comedian, writer, satirist, and parodist. Yankovic is known for his humorous songs that make light of popular culture and that often parody specific songs by contemporary musical acts. Since his first-aired comedy song in 1976, he had sold more than 12 million albums (as of 2007), recorded more than 150 parody and original songs, and has performed more than 1,000 live shows. His works have earned him three Grammy Awards among nine nominations, four gold records, and six platinum records in the United States. Yankovic's first top ten ''Billboard'' album (''Straight Outta Lynwood'') and single ("White & Nerdy") were both released in 2006, nearly three decades into his career.

Yankovic's success comes in part from his effective use of music video to further parody popular culture, the song's original artist, and the original music videos themselves, scene-for-scene in some cases. He directed later videos himself and went on to direct for other artists including Ben Folds, Hanson, Black Crowes, and The Presidents of the United States of America. In addition to recording his albums, Yankovic wrote and starred in the film, ''UHF'', and television show, ''The Weird Al Show''. He has also made guest appearances on many television shows, in addition to starring in ''Al TV'' specials on MTV.

Early life

The only child of Nick Louis Yankovic (June 4, 1917 – April 9, 2004) and Mary Elizabeth (February 7, 1923 – April 9, 2004), Alfred was born in Downey, California, and raised in the town of Lynwood. His father was born in Kansas City, Kansas of Serbian descent, and began living in California after serving during World War II; he believed "the key to success" was "doing for a living whatever makes you happy" and often reminded his son of this philosophy. Nick Yankovic married Mary Vivalda in 1949. Mary, who was of Italian and English descent, and had come to California from Kentucky, gave birth to Alfred ten years later.

Al's first accordion lesson, which sparked his career in music, was on the day before his sixth birthday. A door-to-door salesman traveling through Lynwood offered the Yankovic parents a choice of accordion or guitar lessons at a local music school. Yankovic claims the reason his parents chose accordion over guitar was "They figured there should be at least one more accordion-playing Yankovic in the world," referring to Frankie Yankovic, to whom he is not related directly. Also, Yankovic said, that "[his] parents chose the accordion because they were convinced it would revolutionize rock." He continued lessons at the school for three years before continuing to learn on his own. Yankovic's early accordion role models include Frankie Yankovic and Myron Floren (the accordionist on ''The Lawrence Welk Show''). In the 1970s, Yankovic was a big fan of Elton John and claims John's ''Goodbye Yellow Brick Road'' album "was partly how I learned to play rock 'n roll on the accordion." As for his influences in comedic and parody music, Yankovic lists artists including Tom Lehrer, Stan Freberg, Spike Jones, Allan Sherman, Shel Silverstein and Frank Zappa "and all the other wonderfully sick and twisted artists that he was exposed to through the ''Dr. Demento Radio Show''." Other sources of inspiration for his comedy come from ''Mad'' magazine, Monty Python, and the Zucker, Abrahams and Zucker parody movies.

Yankovic began kindergarten a year earlier than most children, and he skipped the second grade. "My classmates seemed to think I was some kind of rocket scientist so I was labeled a nerd early on," he recalls. As his unusual schooling left him two years younger than most of his classmates, Yankovic was not interested in sports or social events at school. He was a straight-A student throughout high school, which earned him the honor of becoming valedictorian of his senior class. Yankovic was active in his school's extracurricular programs, including the National Forensic League, a play based upon ''Rebel Without a Cause'', the yearbook (for which he wrote most of the captions), and the Volcano Worshippers club, "which did absolutely nothing. We started the club just to get an extra picture of ourselves in the yearbook."

Yankovic went on to California Polytechnic State University in San Luis Obispo where he earned a degree in architecture.

Career

Dr. Demento and early fame

Yankovic received his first exposure via southern California and syndicated comedy radio personality Dr. Demento's radio show, saying "If there hadn't been a Dr. Demento, I'd probably have a real job now." In 1976, Dr. Demento spoke at Yankovic's school where the then 16 year old Yankovic gave him a homemade tape of original and parody songs performed on the accordion in Yankovic's bedroom into a "cheesy little tape recorder". The tape's first song was "Belvedere Cruisin'", about his family's Plymouth Belvedere, was played on Demento's comedy radio show, launching Yankovic's career. Demento said "'Belvedere Cruising' might not have been the very best song I ever heard, but it had some clever lines [...] I put the tape on the air immediately.". Yankovic also played at local coffeehouses, saying:

During Yankovic's sophomore year as an architecture student at Cal Poly at San Luis Obispo, he became a disc jockey at the university's radio station, KCPR. Yankovic said he had been nicknamed ''Weird Al'' by fellow students and "took it on professionally" as his persona for the station. In 1978, he released his first recording (as Alfred Yankovic), "Take Me Down", on the LP, ''Slo Grown'', as a benefit for the Economic Opportunity Commission of San Luis Obispo County. The song mocked famous nearby landmarks such as the fountain toilets at the Madonna Inn.

In mid-1979, shortly before his senior year, "My Sharona" by The Knack was on the charts and Yankovic took his accordion into the restroom across the hall from the radio station (to take advantage of the echo chamber acoustics) and recorded a parody titled "My Bologna". He sent it to Dr. Demento, who played it to good response from listeners. Yankovic met The Knack after a show at his college and introduced himself as the author of "My Bologna". The Knack's lead singer, Doug Fieger, said he liked the song and suggested that Capitol Records vice president Rupert Perry release it as a single. "My Bologna" was released as a single with "School Cafeteria" as its B-side, and the label gave Yankovic a six-month recording contract. Yankovic, who was "only getting average grades" in his architecture degree, began to realize that he might make a career of comedic music.

On September 14, 1980, Yankovic was a guest on the ''Dr. Demento Show'', where he was to record a new parody live. The song was called "Another One Rides the Bus", a parody of Queen's hit, "Another One Bites the Dust". While practicing the song outside the sound booth, he met Jon "Bermuda" Schwartz, who told him he was a drummer and agreed to bang on Yankovic's accordion case to help Yankovic keep a steady beat during the song. They rehearsed the song just a few times before the show began. "Another One Rides the Bus" became so popular that Yankovic's first television appearance was a performance of the song on ''The Tomorrow Show'' (April 21, 1981) with Tom Snyder. On the show, Yankovic played his accordion, and again, Schwartz banged on the accordion case and provided comical sound effects.

Band and fame

1981 brought Yankovic on tour for the first time as part of Dr. Demento's stage show. His stage act in a Phoenix, Arizona, nightclub caught the eye of manager Jay Levey, who was "blown away". Levey asked Yankovic if he had considered creating a full band and doing his music as a career. Yankovic admitted that he had, so Levey held auditions. Steve Jay became Yankovic's bass player, and Jay's friend Jim West played guitar. Schwartz continued on drums. Yankovic's first show with his new band was on March 31, 1982. Several days later, Yankovic and his band were the opening act for Missing Persons.

Yankovic recorded "I Love Rocky Road", (a parody of "I Love Rock 'n' Roll" as recorded by Joan Jett and The Blackhearts) which was produced by Rick Derringer, in 1982. The song was a hit on Top 40 radio, leading to Yankovic's signing with Scotti Brothers Records. In 1983, Yankovic's first self-titled album was released on Scotti Bros. He released his second album ''"Weird Al" Yankovic in 3-D'' in 1984. The first single "Eat It", a parody of the Michael Jackson song "Beat It", became popular, thanks in part to the music video, a shot-for-shot parody of Jackson's "Beat It" music video, and what Yankovic described as his "uncanny resemblance" to Jackson. Peaking at number 12 on the Billboard Hot 100 on April 14, 1984, "Eat It" remained Yankovic's highest-charting single until "White & Nerdy" placed at number 9 in October 2006.

In 1985, Yankovic co-wrote and starred in a mockumentary of his own life entitled ''The Compleat Al'', which intertwined the facts of his life up to that point with fiction. The movie also featured some clips from Yankovic's trip to Japan and some clips from the ''Al TV'' specials. ''The Compleat Al'' was co-directed by Jay Levey, who would direct ''UHF'' four years later. Also released around the same time as ''The Compleat Al'' was ''The Authorized Al'', a biographical book based on the film. The book, resembling a scrapbook, included real and fictional humorous photographs and documents.

Yankovic and his band toured as the opening act for The Monkees in mid-1987 for their second reunion tour of North America. Yankovic claims to have enjoyed touring with The Monkees, despite the fact "the promoter gypped us out of a bunch of money."

Yankovic also appeared on the Wendy Carlos recording of Prokofiev's "Peter and the Wolf" as the narrator in 1988. The album also included a sequel of Camille Saint-Saëns's composition The Carnival of the Animals entitled the "Carnival of the Animals Part II", with Yankovic providing humorous poems for each of the featured creatures in the style of Ogden Nash, who had written humorous poems for the original. Rubén Valtierra joined the band on keyboards in 1991, allowing Yankovic to concentrate more on singing and increasing his use of the stage space during concerts.

A factual biographical booklet of Yankovic's life, written by Dr. Demento, was released with the 1994 box set compilation ''Permanent Record: Al in the Box''. The Dr. Demento Society, which issues yearly Christmas re-releases of material from Dr. Demento's Basement Tapes, often includes unreleased tracks from Yankovic's vaults, such as "Pacman", "It's Still Billy Joel To Me" or the live version of "School Cafeteria".

New look and career to present

On January 24, 1998, Yankovic had LASIK eye surgery to correct his extreme myopia. In the same period, he shaved off his moustache and grew out his hair, thus radically changing his signature look (he had previously shaved his mustache in 1983 for the video of "Ricky" to resemble Desi Arnaz and 1996 for the "Amish Paradise" video). Yankovic reasoned, "If Madonna's allowed to reinvent herself every 15 minutes, I figure I should be good for a change at least once every 20 years." He parodied the reaction to this "new look" in a commercial for his nonexistent ''MTV Unplugged'' special. The commercial featured Yankovic in the short-haired wig from the music video for Hanson's "River", claiming his new look was an attempt to "get back to the core of what I'm all about", that being "the music".

Three of his latest albums feature the longest songs Yankovic has ever released. The "Albuquerque" track from ''Running with Scissors'' is 11 minutes and 25 seconds; "Genius in France" from ''Poodle Hat'' runs for 8 minutes and 56 seconds; "Trapped in the Drive-Thru" from ''Straight Outta Lynwood'' is 10 minutes and 53 seconds long. Before 2007 (apart from a one-off performance of "Albuquerque" in Albuquerque, New Mexico), these "epic" songs were not performed live in their entirety due to their length and complexity. ''(See Live performances for details)''

Yankovic has also started to explore digital distribution of his songs. On October 7, 2008, Yankovic released to the iTunes Store "Whatever You Like", a parody of the T.I. song of the same title, which Yankovic said he had come up with two weeks before. Yankovic said that the benefit of digital distribution is that "I don't have to wait around while my songs get old and dated—I can get them out on the Internet almost immediately." In 2009, Yankovic released four more songs: "Craigslist" on June 16, "Skipper Dan" on July 14, "CNR" on August 4, and "Ringtone" on August 25. These five digitally released songs were packaged as a digital EP titled ''Internet Leaks'', with "Whatever You Like" retroactively included in the set.

In 2011, Yankovic completed his thirteenth studio album. This album, titled ''Alpocalypse'', is his first studio album since ''Straight Outta Lynwood'', and was released on June 21, 2011. The album contains the five songs from the previous ''Internet Leaks'' digital download release, a polka medley called "Polka Face", a song called "TMZ" for which Bill Plympton created an animated music video, and five other new songs.

Yankovic had reported an interest in parodying Lady Gaga's material, and on April 20 announced that he had written and recorded a parody of "Born This Way" entitled "Perform This Way", to be the lead single for his new album. However, upon first submitting it to Lady Gaga's manager for approval (which Yankovic does as a courtesy), he was not given permission to release it commercially. As he had previously done under similar circumstances (with his parody of James Blunt's "You're Beautiful"), Yankovic then released the song for free on the internet. Soon afterwards, Gaga's manager admitted that he had denied the parody of his own accord without forwarding the song to his client, and upon seeing it online, Lady Gaga granted permission for the parody. Yankovic has stated that all of his proceeds from the parody and its music video will be donated to the Human Rights Campaign, to support the human rights themes of the original song.

Yankovic was also a judge for the 10th annual Independent Music Awards to support independent artists' careers.

Personal life

Yankovic married Suzanne Krajewski in 2001; their daughter, Nina, was born in 2003. They also have a pet cockatiel named Bo Veaner and another dog named Bambu. They used to have a pet poodle, named Bela (pictured atop Yankovic's head on the cover of his album, ''Poodle Hat''). Yankovic identifies as Christian and has stated that a couple from his church appeared on the cover of ''Poodle Hat''.

Yankovic changed his diet to become a vegan in 1992, after a former girlfriend gave him the book ''Diet for a New America'' and he felt "it made [...] a very compelling argument for a strict vegetarian diet." When asked how he can "rationalize" performing at events such as the ''Great American Rib Cook-Off'' when he is a vegan, he replied "The same way I can rationalize playing at a college even though I’m not a student anymore."

In 2004, Yankovic's parents were found dead in their Fallbrook, California, home, apparently the victims of accidental carbon monoxide poisoning from their fireplace that had been recently lit. The flue was closed, which trapped the carbon monoxide gas inside the house, suffocating them. Several hours after his wife notified him of his parents' death, Yankovic went on with his concert in Mankato, Minnesota, saying that "since my music had helped many of my fans through tough times, maybe it would work for me as well" and that it would "at least ... give me a break from sobbing all the time." Although Yankovic played the concert as planned, a scheduled meet and greet following the concert was canceled.

Music career

While Yankovic's song parodies (such as "Eat It") have resulted in success on the Billboard charts (''see List of singles by "Weird Al" Yankovic''), he has actually recorded an equally large number of original humorous songs ("You Don't Love Me Anymore" and "One More Minute"). His work depends largely on the satirizing of popular culture, including television (''see The TV Album''), movies ("The Saga Begins"), food (''see The Food Album''), popular music ("Bohemian Polka", "Polkarama"), and sometimes issues in contemporary news ("Headline News"). Yankovic claims he has no intention of writing "serious" music. In his reasoning, "There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline."

Although many of Yankovic's songs are parodies of contemporary radio hits, it is rare that the song's primary topic lampoons the original artist as a person, or the song itself. Most Yankovic songs consist of the original song's music, with a separate, unrelated set of amusing lyrics. Yankovic considered that his first true satirical song was "Smells Like Nirvana", which references unintelligible lyrics in Nirvana's "Smells Like Teen Spirit" Other satirical songs include "Achy Breaky Song", which refers to the song "Achy Breaky Heart", "(This Song's Just) Six Words Long", which refers to the repetitious lyrics in "Got My Mind Set on You", the unreleased "It's Still Billy Joel to Me", and Perform This Way", set to Lady Gaga's "Born This Way".

Yankovic's humor normally lies more in creating unexpected incongruity between an artist's image and the topic of the song, contrasting the style of the song with its content (such as the songs "Amish Paradise", "White & Nerdy", and "You're Pitiful"), or in pointing out trends or works which have become pop culture clichés (such as "eBay" and "Don't Download This Song").

Yankovic is the sole writer for all his songs and, for "legal and personal reasons", does not accept parody submissions or ideas from fans. There exists, however, one exception to this rule in the case of "Like a Surgeon". Madonna was reportedly talking with a friend and happened to wonder aloud when Yankovic was going to turn her "Like a Virgin" into "Like a Surgeon". Madonna's friend was a mutual friend of Yankovic's manager, Jay Levey, and eventually Yankovic himself heard the story from Levey.

Unlike other parody artists such as Allan Sherman, Yankovic strives to keep the backing music in his parodies the same as the original. While Sherman reproduced them orchestrally, Yankovic and his band essentially play the original song with new lyrics. Instead of using instrumental versions of the original songs, Yankovic and his band transcribe the original song by ear and re-record the song for Yankovic's parody version.

In addition to his parodies, Yankovic also includes a medley of various songs on most albums, each one reinterpreted as a polka, with the choruses or memorable lines of various songs juxtaposed for humorous effect. Yankovic has been known to say that converting these songs to polka was "...the way God intended." Because the polkas have become a staple of Yankovic's albums, he has said he tries to include one on each album because "fans would be rioting in the streets, I think, if I didn't do a polka medley."

Some of Yankovic's original songs are "style parodies" for which he chooses a band's entire body of work to honor/parody, rather than any single hit by that band. Such bands include Rage Against the Machine with "I'll Sue Ya" (which features many aspects of the hit song "Killing in the Name"), Devo with "Dare to Be Stupid", Talking Heads with "Dog Eat Dog", Frank Zappa with "Genius in France", Nine Inch Nails with "Germs", and Queen with "Ringtone". Others are style parodies in the style of a genre of music, rather than a specific band (for example, country music with "Good Enough For Now" and charity records with "Don't Download This Song").

Yankovic has contributed original songs to several films ("This Is the Life" from ''Johnny Dangerously''; "Polkamon" from the movie ''Pokémon: The Movie 2000'', and a parody of the James Bond title sequence in ''Spy Hard''), in addition to his own film, ''UHF''. Other songs of his have appeared in films or television series as well, such as "Dare to Be Stupid" in ''The Transformers: The Movie''.

One of Yankovic's recurring jokes involves the number 27. It is mentioned in the lyrics of several songs, and seen on the covers for ''Running With Scissors'', ''Poodle Hat'' and ''Straight Outta Lynwood''. Yankovic had originally just pulled the number 27 as a random figure to use in filling out lyrics, but as his fans started to notice the reuse of the number after the first few times, Yankovic began to purposely drop references to 27 within his lyrics, videos, and album covers. Yankovic explains that "It's just a number I started using that people started attaching a lot of importance to." Other recurring jokes revolve around the names Bob (the ''Al TV'' interviews often mention the name), Frank (e.g. "Frank's 2000" TV"), and the surname "Finkelstein" (e.g. the music video for "I Lost on Jeopardy", or Fran Dreischer's character, Pamela Finkelstein, in UHF). Also, a hamster called Harvey the Wonder Hamster is a recurring character in ''The Weird Al Show'' and the ''Al TV'' specials, as well as the subject of an original song on ''Alapalooza''. Some other recurring jokes include Yankovic borrowing, or being owed, $5. In a number of ''Al TV'' interviews, he often asks if he can borrow $5, being turned down every time. This motif also occurs in "Why Does This Always Happen to Me?", in which his deceased friend owes him $5. Another recurring joke is his attraction to female nostrils or nostrils in general. This also appears in numerous ''Al TV'' interviews as well as in several of his songs ("Albuquerque" and "Wanna B Ur Lovr" to name a few.) Yankovic also asks his celebrity guests if they could "shave his back for a nickel." This also appears in the song "Albuquerque". Yankovic has also put two backmasking messages into his songs. The first, in "Nature Trail to Hell", said "Satan Eats Cheez Whiz"; the second, in "I Remember Larry", said "Wow, you must have an awful lot of free time on your hands."

Yankovic's career in novelty and comedy music has outlasted many of his "mainstream" parody targets, such as Toni Basil, MC Hammer, and Men Without Hats. While most novelty artists are one-hit wonders, Yankovic's continued success (including the top 10 single "White & Nerdy" and album ''Straight Outta Lynwood'' in 2006) has enabled him to escape the stigma often associated with novelty music.

Music videos

While Yankovic's musical parodies generally do not include references to the songs or the artists of the original songs, Yankovic's music videos will sometimes parody the original song's music video in whole or in part. Most notably, the video for "Smells Like Nirvana" uses an extremely similar set to Nirvana's "Smells Like Teen Spirit", including using several of the same actors. This video contended with "Smells like Teen Spirit" at the 1992 MTV Video Music Awards for Best Male Video. Other videos that draw directly from those of the original song include "Eat It", "Fat", "Money for Nothing/Beverly Hillbillies*", "Bedrock Anthem", "Headline News", "It's All about the Pentiums", "Amish Paradise", "Like a Surgeon", and "White & Nerdy". The video for "Dare to Be Stupid" is, as stated by Yankovic, a style parody in general of Devo videos.

Several videos have included appearances by notable celebrities in addition to Yankovic and his band. Dr. Demento appeared in several of Yankovic's earlier videos, such as "I Love Rocky Road" and "Ricky". Actor Dick Van Patten is featured in both "Smells Like Nirvana" and "Bedrock Anthem"; Drew Carey, Emo Philips and Phil LaMarr appeared in "It's All About the Pentiums"; Keegan-Michael Key, Jordan Peele, Donny Osmond, Judy Tenuta and Seth Green appeared in "White & Nerdy"; and Ruth Buzzi and Pat Boone appeared in "Gump". The video for "I Lost on Jeopardy" includes an appearance by Greg Kihn, the artist whose song, "Jeopardy", was being parodied, along with Don Pardo and Art Fleming, Jeopardy's original announcer and host, as themselves. Florence Henderson plays Al's Amish wife in "Amish Paradise".

While most videos that Yankovic creates are aired on music channels such as MTV and VH1, Yankovic has also worked with animation artists to create music videos for release with extended content albums. The DualDisc version of ''Straight Outta Lynwood'' features six videos set to songs from the release, including videos created by Bill Plympton and John Kricfalusi; one video, "Weasel Stomping Day" was created by the producers of the show ''Robot Chicken'', and aired as a segment of that program. As of fall 2010, Yankovic is again collaborating with Bill Plympton to create a video for a new song ("TMZ") which will appear on his upcoming album.

Reactions from original artists

Under the "fair use" provision of U.S. copyright law, affirmed by the United States Supreme Court, one does not need permission to record a parody. However, as a personal rule, and as a means of maintaining good relationships within the music community, Yankovic has always requested permission from the original artist before recording his parodies. He claims that only about two to three percent of the artists he approaches for parody permission deny his requests. Also, according to Stanford Libraries, fair use is unlikely to justify a parody song that parodies more than a few lines of song lyrics from an existing song. Most artists have had positive reactions to Yankovic's parodies. Several have considered it to be something of a badge of honor to have Yankovic ask permission to parody their song or style, since they felt that Yankovic would not choose to do so unless they were a success or had made some sort of cultural impact at the time. However, there are a few notable exceptions where people have not allowed parodies or have otherwise withdrawn permission.

Positive

Michael Jackson was a big fan of Yankovic, and Yankovic claimed that the artist "had always been very supportive" of his work. Jackson twice allowed him to parody his songs ("Beat It" and "Bad" became "Eat It" and "Fat", respectively). When he granted Yankovic permission to do "Fat", Jackson allowed him to use the same set built for his own "Badder" video from the ''Moonwalker'' video. Though Jackson allowed "Eat It" and "Fat", he requested that Yankovic not record a parody of "Black or White", entitled "Snack All Night", because he felt the message was too important. This refusal, coming shortly after the commercial failure of Yankovic's movie ''UHF'' in theaters, had initially set Yankovic back; however, Yankovic later recognized this as a critical time, as in searching for new parodies, he came across Nirvana and leading to a revitalization of his career with "Smells Like Nirvana". Yankovic has performed a concert-only parody "Snack All Night" in some of his live shows. Yankovic also has a cameo appearance, along with many other celebrities, in Jackson's music video for "Liberian Girl".

Dave Grohl of Nirvana said that the band felt they had "made it" after Yankovic recorded "Smells Like Nirvana", a parody of the grunge band's smash hit, "Smells Like Teen Spirit". On his ''Behind the Music'' special, Yankovic stated that when he called Nirvana frontman Kurt Cobain to ask if he could parody the song, Cobain gave him permission, then paused and asked, "Um... it's not gonna be about food, is it?" Yankovic responded with, "No, it'll be about how no one can understand your lyrics." According to members of Nirvana interviewed for ''Behind the Music'', when they saw the video of the song, they laughed hysterically. Additionally, Cobain described Yankovic as "a musical genius."

Mark Knopfler approved Yankovic's parody of the Dire Straits song "Money for Nothing" for use in the film ''UHF'' on the provision that Knopfler himself be allowed to play lead guitar on the parody which was later titled "Money for Nothing/Beverly Hillbillies*". Yankovic commented on the legal complications of the parody in the DVD audio commentary for ''UHF'', explaining "We had to name that song 'Money for Nothing 'slash' Beverly Hillbillies 'asterisk' because the lawyers told us that had to be the name. Those wacky lawyers! What ya gonna do?" The ''Permanent Record: Al in the Box'' booklet referred to the song's "compound fracture of a title." When a fan asked about the song's title, Yankovic shared his feelings on the title, replying "That incredibly stupid name is what the lawyers insisted that the parody be listed as. I'm not sure why, and I've obviously never been very happy about it."

The Presidents of the United States of America were so pleased with "Gump", Yankovic's parody of their song "Lump", that they ended the song with Yankovic's last line instead of their own ("And that's all I have to say about that") on the live recording of "Lump" featured on the compilation album ''Pure Frosting''. In 2008, Yankovic directed the music video for their song "Mixed Up S.O.B."

The song "The Saga Begins" (a parody of Don McLean's "American Pie") accurately states the entire plot of ''The Phantom Menace'', despite being written before the film's release. Yankovic got the plot details from rumor websites. He was slightly unsure about Anakin proposing to Amidala, so he attended a US$500 screening to confirm, and ended up making only very minor alterations to the lyrics. McLean was pleased with the parody, and even told Yankovic that the parody's lyrics sometimes enter his mind during live performances. Yankovic's parody not only replicates the music from the original Don McLean song, but it also replicates the multi-layered rhyming structure in the verses and chorus. Additionally, George Lucas loved the song and a Lucasfilm representative told Yankovic, "You should have seen the smile on his face."

Chamillionaire was also very pleased, even putting Yankovic's parody "White & Nerdy" (a parody of "Ridin'") on his official MySpace page before it was on Yankovic's own page. Chamillionaire stated in an interview, "He's actually rapping pretty good on it, it's crazy [...] I didn't know he could rap like that. It's really an honor when he does that. [...] Weird Al is not gonna do a parody of your song if you're not doing it big." In September 2007, Chamillionaire credited "White & Nerdy" for his recent Grammy win, stating "That parody was the reason I won the Grammy, because it made the record so big it was undeniable. It was so big overseas that people were telling me they had heard my version of Weird Al's song."

Yankovic was briefly denied permission to parody Lady Gaga's "Born This Way" for his song "Perform This Way" for release on his next album, but through his release of the song on YouTube and subsequent spread via Twitter, Lady Gaga and her staff asserted that her manager had made the decision without her input, and Gaga herself gave Yankovic permission to proceed with the parody's release. Gaga was considered "a huge Weird Al fan", and she stated that the parody was a "rite of passage" for her musical career and considered the song "very empowering".

Negative

One of Yankovic's most controversial parodies was 1996's "Amish Paradise", based on "Gangsta's Paradise" by hip-hop artist Coolio, which, in turn, was based on "Pastime Paradise" by Stevie Wonder. Reportedly, Coolio's label gave Yankovic the impression that Coolio had granted permission to record the parody, but Coolio maintains that he never did. While Coolio claimed he was upset, legal action never materialized, and Coolio accepted royalty payments for the song. After this controversy, Yankovic has always made sure to speak directly with the artist of every song he parodied. At the XM Satellite Radio booth at the 2006 Consumer Electronics Show Yankovic and Coolio made peace. On his website, Yankovic wrote of this event, "I don’t remember what we said to each other exactly, but it was all very friendly. I doubt I’ll be invited to Coolio’s next birthday party, but at least I can stop wearing that bulletproof vest to the mall."

In 2003, Yankovic was denied permission to make a video for "Couch Potato", his parody of Eminem's "Lose Yourself": {{Block quote|Last year, Eminem forced me to halt production on the video for my 'Lose Yourself' parody because he somehow thought that it would be harmful to his image or career.}} For the ''Poodle Hat'' ''Al TV'' special, Yankovic raised the question of artistic expression in a fake interview with Eminem. As Yankovic has always done for his ''Al TV'' specials, he edited the footage of a previous Eminem interview and inserted himself asking questions for comic effect.

Flea of the Red Hot Chili Peppers expressed disappointment of Yankovic's parody of "Under the Bridge" and "Give it Away" called "Bedrock Anthem", saying that while he "[likes] Weird Al and everything", he "didn't think it was very good".

Refused parodies

On numerous occasions, Prince has refused Yankovic permission to record parodies of his songs. Yankovic has stated in interviews that he has "approached him every few years [to] see if he's lightened up." Yankovic related one story where, prior to the American Music Awards where he and Prince were assigned to sit in the same row, Yankovic got a telegram from Prince's lawyers, demanding he not make eye contact with the artist.

Led Zeppelin guitarist Jimmy Page is a self-proclaimed Yankovic fan, but when Yankovic wished to create a polka medley of Led Zeppelin songs, Page refused. Yankovic was, however, allowed the very rare opportunity to re-record a sample of "Black Dog" for a segment of "Trapped in the Drive-Thru".

Paul McCartney, also a Yankovic fan, refused Yankovic permission to record a parody of Wings' "Live and Let Die", entitled "Chicken Pot Pie", because McCartney is a vegetarian and found the parody to be in bad taste.

In 2006, Yankovic gained James Blunt's permission to record a parody of "You're Beautiful". However, after Yankovic had recorded "You're Pitiful", Blunt's label, Atlantic Records, rescinded this permission, despite Blunt's personal approval of the song. The parody was pulled from Yankovic's ''Straight Outta Lynwood'' due to his label's unwillingness to "go to war" with Atlantic. Yankovic released the song as a free download on his MySpace profile, as well as his official website, and plays it in concert, since it was not Blunt himself objecting to the parody.

Live performances

Yankovic often describes his live concert performances as "a rock and comedy multimedia extravaganza" with an audience that "ranges from toddlers to geriatrics." Apart from Yankovic and his band performing his classic and contemporary hits, staples of Yankovic's live performances include a medley of parodies, many costume changes between songs, and a video screen on which various clips are played during the costume changes. A concert from Yankovic's 1999 tour for the ''Running with Scissors'' album ("Touring with Scissors") was released on VHS in 1999 and on DVD in 2000. Titled ''"Weird Al" Yankovic Live!'', the concert was recorded at the Marin County Civic Center in San Rafael, California, on October 2, 1999. For legal reasons, video clips (apart from those for Yankovic's own music videos) could not be shown for the home release, and unreleased parodies were removed from the parody medley for the performance.

2003 saw Yankovic on tour overseas for the first time. Before 2003, Yankovic and his band had toured only the United States and parts of Canada. Following the success of ''Poodle Hat'' in Australia, Yankovic performed eleven shows in Australia's major capital cities and regional areas in October of that year. Yankovic returned to Australia and toured New Zealand for the first time in 2007 to support the ''Straight Outta Lynwood'' album.

On September 8, 2007, Yankovic performed his 1,000th live show at Idaho Falls, Idaho. Yankovic is scheduled to tour in the summer of 2010. The initial plan was to tour after his 13th album will be released, but in a podcast in May 2010, Yankovic revealed that the album would not be released before or during the tour, but sometime after.

Yankovic performed his first ever European mini-tour, including an appearance at the All Tomorrow's Parties music festival in Minehead, England in December 2010. Yankovic was picked to perform by the Canadian band Godspeed You Black Emperor who curated the festival's lineup. Yankovic played three other dates in the UK around his festival appearance before performing a single date in the Netherlands.

Other work

''UHF''

In 1989, Yankovic starred in a full-length feature film, co-written by himself and manager Jay Levey, and filmed in Tulsa, Oklahoma called ''UHF''. A satire of the television and film industries, also starring Michael Richards, Fran Drescher, and Victoria Jackson, it brought floundering studio Orion their highest test scores since the movie ''RoboCop''. However, it was unsuccessful in theaters.

The film has since become a cult classic, with out-of-print copies of the VHS version selling for up to $100 on eBay until the release of the DVD in 2002. Yankovic occasionally shows clips from the film at his concerts (to which MGM, the film's current owner, initially objected in the form of a cease and desist letter). In an apparent attempt to make it more accessible to overseas audiences, where the term UHF is used less frequently to describe TV broadcasts, the film was titled ''The Vidiot From UHF'' in Australia and parts of Europe.

''UHF'' shows the creation of Yankovic's signature food—the Twinkie Wiener Sandwich. The snack consists of an overturned Twinkie split open as a makeshift bun, a hot dog, and Easy Cheese put together and dipped in milk before eating. Yankovic has stated that he has switched to using tofu hot dogs since becoming a vegetarian, but still enjoys the occasional Twinkie Wiener Sandwich.

Notable television appearances

Yankovic had a TV series called ''The Weird Al Show'', which aired from September 1997 to December 1997 on CBS. Though the show appeared to be geared at children, the humor was really more for his adult fans (as such, it is often compared to ''Pee-wee's Playhouse''). The entire series was released on DVD by Shout! Factory on August 15, 2006.

Yankovic has hosted ''Al TV'' on MTV and ''Al Music'' on MuchMusic many times, generally coinciding with the release of each new album. For ''Poodle Hat'', ''Al TV'' appeared on VH1 for the first time. A recurring segment of ''Al TV'' involves Yankovic manipulating interviews for comic effect. He inserts himself into a previously conducted interview with a musician, and then manipulates his questions, resulting in bizarre and comic responses from the celebrity.

VH1 produced a ''Behind the Music'' episode on Yankovic. His two commercial failures (his film ''UHF'' and his 1986 album ''Polka Party!'') were presented as having a larger impact on the direction of his career than they really had. Also, Coolio's later disapproval of "Amish Paradise" was played up as a large feud. Much was also made over his apparent lack of a love life, though he got married shortly after the program aired.

Yankovic has done voice-overs for a number of animated series. He appeared in a 2003 episode of ''The Simpsons'', singing "The Ballad of Homer & Marge" (a parody of John Mellencamp's "Jack and Diane") with his band. The episode, "Three Gays of the Condo", in which Marge hires Yankovic to sing the aforementioned song to Homer in an attempt to reconcile their marriage, later won an Emmy Award for "Outstanding Animated Program (For Programming Less Than One Hour)". Yankovic also had a cameo in a 2008 episode, entitled "That 90's Show", during which he records a parody of Homer's grunge hit "Shave Me" entitled "Brain Freeze" (Homer's song, "Shave Me", was itself a parody of Nirvana's "Rape Me") making Yankovic one of only a handful of celebrities to appear twice on the show playing themselves. He has had one notable appearance in the animated Adult Swim show ''Robot Chicken'' voicing a kid who becomes a giant robot. The episode also featured Al's music video, "Weasel Stomping Day". Yankovic is the voice for Squid Hat on the Cartoon Network show, ''The Grim Adventures of Billy & Mandy''. He is also the announcer of the cartoon's eponymous video game adaptation. Yankovic had a guest appearance voicing Wreck-Gar, a waste collection vehicle Transformer in the ''Transformers: Animated'' cartoon series; previously, Yankovic's "Dare to Be Stupid" song was featured in the 1986 animated film ''The Transformers: The Movie'', during the sequence in which the Wreck-Gar character was first introduced; as such, the song is referenced in the episode. He also plays local TV talent show host Uncle Muscles on several episodes of ''Tim and Eric Awesome Show, Great Job'' along with other appearances on the show. Weird Al has also supplied the voice of one-shot character 'Petroleum Joe' on ''The Brak Show''. He also voiced himself on a ''Back at the Barnyard'' episode.

An exhaustive list of television shows on which Yankovic has appeared is available on his official website.

Directing career

"Weird Al" Yankovic has directed many of his own music videos; he has directed all of his music videos from 1993’s "Bedrock Anthem" to 2006’s "White & Nerdy". He also directed the end sequence of 1986’s "Christmas at Ground Zero" (an original piece juxtaposing Christmas with nuclear warfare) from his ''Polka Party!'' album and the title sequence to ''Spy Hard'', for which he sang the title song. Yankovic wrote, directed and starred in the short 3-D movie attraction "Al's Brain: A 3-D Journey Through The Human Brain", which premiered at the Orange County Fair in Costa Mesa, California in 2009. The $2.5 million project sponsored by the Orange County Fair, including a brief cameo by Sir Paul McCartney that Yankovic directed during McCartney's tour at the 2009 Coachella Valley Music and Arts Festival. Fair CEO Steve Beazley, who supported the project, considers the project a success and is considering leasing the exhibit to other fairs; the second appearance of the exhibit will be at the Puyallup Fair in Washington.

In addition to his own, he has directed several videos for Hanson (the ''Titanic'' sequences in "River"), The Black Crowes ("Only a Fool"), Ben Folds ("Rockin' the Suburbs"), Jeff Foxworthy ("Redneck Stomp" and "Party All Night"), Blues Explosion ("Wail"), and The Presidents of the United States of America ("Mixed Up S.O.B"). He has cameo appearances in his videos for Blues Explosion, Hanson (as the interviewer), and Ben Folds (as the producer fixing Folds' "shitty tracks").

Cartoon Network feature film

On January 25, 2010, Yankovic announced that he signed a production deal with Warner Bros. and is set to write and direct a live-action feature film. Although Yankovic previously wrote the script for ''UHF'', this was to be the first movie Yankovic directed. Little is currently known about the movie. However, Yankovic did state that he would not be starring in the movie, as Cartoon Network wanted a younger protagonist. During an interview on the Comedy Death-Ray Radio, Yankovic revealed that though Cartoon Network "loved" his script, the network decided that they were no longer intending to produce feature films. Yankovic stated that he would instead shop the script around to other potential studios.

Writing

Yankovic wrote ''When I Grow Up'' (ISBN 0-06-192691-4), a children's book released on February 1, 2011 and published by HarperCollins. The book features 8-year-old Billy presenting to his class the wide variety of imaginative career possibilities that he is considering. Yankovic stated that the idea for the book was based on his own "circuitous" career path. The book allows Yankovic to apply the humorous writing style found in his music in another medium, allowing him to use puns and rhymes. Yankovic worked with Harper Collins' editor Anne Hoppe—the first time that Yankovic has had an editor—and found her help as a positive experience. The book is illustrated by Wes Hargis, who, according to Yankovic, has a "a childlike quality and a very fun quality and a very imaginative quality" that matched well with Yankovic's writing. The book reached the #4 position on the New York Times Best Seller list for Children's Picture Books for the week of February 20, 2011.

Other media

In 2008, Weird Al joined Michael J. Nelson as a guest on the RiffTrax treatment of ''Jurassic Park''.

On November 10, 2009, Weird Al was a guest "internet scientist" on Rocketboom's "Know Your Meme" video series, in the installment on the topic of Autotune, hosted by Jamie Wilkinson.

Eric Appel produced a Funny or Die movie trailer for "Weird: The Al Yankovic Story", a fictional biographical film that parodies other films based on musicians; Yankovic (played by Aaron Paul) is seen hiding his "weirdness" from his parents (Gary Cole and Mary Steenburgen), making it big using song parodies with the help of Dr. Demento (Patton Oswalt), falling in and out of love with Madonna (Olivia Wilde), and fading into alcoholism and being arrested, where his father finally admits he is "weird" as well. Yankovic himself plays a music producer in the short.

Weird Al joined the band Hanson in their music video for "Thinking Bout Somethin" in which he plays the tambourine.

Yankovic contributes backing vocals for the song "Time" on Ben Folds' album ''Songs for Silverman''.

Yankovic also appeared in the recent ''Halloween II'' as himself on a news channel.

Yankovic was also one of many celebrities who took part in the NOH8 Campaign against Proposition 8 banning same-sex marriage in California.

Yankovic was approached by a beer company to endorse their product. Yankovic had turned it down because he believed that "a lot of my fans were young and impressionable." Yankovic later posted on his Twitter account that he never regretted the decision.

Misattribution and imitators

Songs posted to file sharing networks are often misattributed to him due to their humorous subject matter. Often, his surname is misspelled (and thus mispronounced) as "Yankovich", among other variations. Much to the disdain of Yankovic, these misattributed files include songs that are racist, sexually explicit, or otherwise offensive. A young listener who had heard several of these offensive tracks by way of a file sharing service confronted Yankovic online, threatening a boycott due to his supposedly explicit lyrics. Quite a few of the songs, such as "Star Wars Cantina" by Mark Jonathan Davis (later of Richard Cheese and Lounge Against the Machine), "Star Wars Gangsta Rap", "Yoda Smokes Weed", "Chewbacca" and several more have a ''Star Wars'' motif. Some songs misattributed to him are not songs, but spoken skits, such as "Sesame Street on crack", which is also widely misattributed to Adam Sandler.

Yankovic cites these misattributions as "his only real beef with peer-to-peer file sharing sites": }}

A list of songs frequently misattributed to Yankovic can be found at The Not Al Page and a list of all commercially released songs recorded by Yankovic can be found on his website.

Fan-driven campaigns

The Weird Al Star Fund is a campaign started by Yankovic's fans to get him a star on the Hollywood Walk of Fame. Their mission is to "solicit, collect, and raise the necessary money, and to compile the information needed for the application to nominate "Weird Al" Yankovic for a star on the Hollywood Walk of Fame." Fans worldwide have sent donations to raise the US$15,000 needed for a nomination. In addition to the preferred method of cash donations, many methods were used to raise money for the cause, such as a live benefit show held April 11, 2006, and selling merchandise on the official website and eBay, including T-shirts, calendars, and cookbooks. On May 26, 2006, the campaign hit the then-$15,000 target, just five days before the May 31 deadline to submit the necessary paperwork. However, Yankovic was not included on the list of inductees for 2007. On February 9, 2007, the Hollywood Chamber Of Commerce raised the price to sponsor a new star to $25,000 and as such the Fund is accepting donations again. Yankovic's application was resubmitted for consideration in 2007, but he was not included among 2008's inductees.

Similar to the Weird Al Star Fund, a second fan-driven campaign called "Make the Rock Hall 'Weird'" has tried to enshrine him into Rock and Roll Hall of Fame in Cleveland, Ohio, for which he has been eligible since 2004. Previous attempts to raise awareness for the campaign and support Yankovic's nomination included a petition drive from 2006 to 2007, which raised over 9000 signatures; an art competition in 2005; additionally, a documentary film about the campaign is currently being developed. In addition to these efforts, an ongoing campaign is underway in which supporters of Yankovic's nomination are requested to send "sincere, thoughtful" letters to the Rock Hall Foundation's headquarters in New York. The Hall has not considered Yankovic for nomination since the campaign started in 2004. A 2009 ''Rolling Stone'' poll named Weird Al as the top artist that should be nominated for the Hall of Fame, followed by Rush and The Moody Blues in the top ten."

Discography

Studio albums

1984 1985 1986 1988 1989 1992 1993 1996 1999 2003 2006 2011

rowspan=2	Title	Releaseyear	Peak chart position
! style="width:3em;font-size:90%"	Billboard Comedy Album
''"Weird Al" Yankovic">"Weird Al" Yankovic (album)	"Weird Al" Yankovic''	1983	139
''"Weird Al" Yankovic in 3-D''	|	17
''Dare to Be Stupid''	|	50
''Polka Party!''	|	177
''Even Worse''	|	27
''UHF – Original Motion Picture Soundtrack and Other Stuff''	|	146
''Off the Deep End''	|	17
''Alapalooza''	|	46
''Bad Hair Day''	|	14
''Running with Scissors (album)	Running with Scissors''	|	16
''Poodle Hat''	|	17	11
''Straight Outta Lynwood''	|	10	1
''Alpocalypse''	|	9	1

Note: Billboard Comedy Album chart was first published in November, 2004.

EPs

Title	Release year
''Another One Rides the Bus (EP)	Another One Rides the Bus''	1981
''Selections from Straight Outta Lynwood''	2006
''Internet Leaks''	2009

Compilation albums

Title	Release year
''Greatest Hits (Weird Al)	Greatest Hits''	1988
''The Food Album''	1993
''Permanent Record: Al in the Box''	1994
''Greatest Hits (Volume II)">Greatest Hits Volume II ("Weird Al" Yankovic album)	Greatest Hits (Volume II)''	1994
''The TV Album''	1995
''The Essential "Weird Al" Yankovic''	2009

Awards and nominations

Grammy Awards

!Year	!Nominated work	!Award	!Result
	1984		"Eat It"	Grammy Award for Best Comedy Album	Best Comedy Recording
	Grammy Awards of 1986>1985		''Dare to Be Stupid''
	Grammy Awards of 1988>1987		''Polka Party!''
rowspan="3"		Fat (song)>Fat"	Grammy Award for Best Concept Music Video	Best Concept Music Video
	''Even Worse''	Grammy Award for Best Comedy Album	Best Comedy Recording
	Peter and the Wolf">Peter and the Wolf ("Weird Al" Yankovic & Wendy Carlos album)>Peter and the Wolf''	Grammy Award for Best Album for Children	Best Recording for Children
	Grammy Awards of 1993>1992		''Off the Deep End''
	46th Grammy Awards>2003		''Poodle Hat''
rowspan="2"
	52nd Grammy Awards>2009

Gold and platinum records

! Recording	! Gold	! Platinum	! DoublePlatinum
''"Weird Al" Yankovic''	U.S.
''"Weird Al" Yankovic in 3-D''	CanadaU.S.	U.S.
"Eat It"	AustraliaCanadaU.S.
''Dare to be Stupid''	U.S.	U.S.
''Even Worse''	CanadaU.S.	U.S.
''"Weird Al" Yankovic's Greatest Hits''	Canada
''Off the Deep End''	CanadaU.S.	CanadaU.S.
''The Food Album''	U.S.
''Alapalooza''	CanadaU.S.	Canada	Canada
''Greatest Hits Volume II''	Canada
''Bad Hair Day''	CanadaU.S.	CanadaU.S.
''Running With Scissors''	AustraliaCanadaU.S.	U.S.
''Straight Outta Lynwood''	U.S.
"White & Nerdy"	U.S.	U.S.

The "Eat It" single reached the #1 position on the Australian singles chart in 1984.

The "White & Nerdy" single was certified platinum for digital downloads and gold for ringtone downloads in the U.S.

Videography

The following is a comprehensive list of Yankovic's long form videos to date, with the United States release date.

Video title !! Release date
''The Compleat Al''	August 1985
	July 21, 1989
''The "Weird Al" Yankovic Video Library''	May 1992
''Alapalooza: The Videos''	December 1993
''"Weird Al" Yankovic: The Ultimate Collection''	1993
''Bad Hair Day: The Videos''	June 1996
''"Weird Al" Yankovic: The Videos''	January 1998
''"Weird Al" Yankovic Live!''	November 23, 1999
''"Weird Al" Yankovic: The Ultimate Video Collection''	November 3, 2003
''The Weird Al Show - The Complete Series''	August 15, 2006

Awards and nominations

{| |- |Grammy Award winners

"Fat" – Best Concept Music Video (1988)

|- |Grammy Award nominees

"Jurassic Park" – Best Music Video, Short Form (1994)

|- |Australian gold long form videos

''The Ultimate Video Collection''

|- |U.S. gold long form videos

''The "Weird Al" Yankovic Video Library''

''Alapalooza: The Videos''

''"Weird Al" Yankovic Live!''

''Bad Hair Day: The Videos''

|- |U.S. platinum long form videos

''The Ultimate Video Collection''

|}

Cameos and special appearances in film

1988: ''Tapeheads''

1988: ''The Naked Gun: From the Files of Police Squad!''

1991: ''The Naked Gun 2½: The Smell of Fear''

1994: ''Naked Gun 33⅓: The Final Insult''

1996: ''Spy Hard''

1997: ''Safety Patrol''

2000: ''Nothing Sacred''

2002: ''Desperation Boulevard''

2003: ''Haunted Lighthouse''

2008: ''Nerdcore Rising''

2009: ''Halloween II''

References

External links

Official website

"Weird Al" timeline from Exclaim!

Category:1959 births Category:Accordionists Category:American accordionists Category:American comedy musicians Category:American male singers Category:American members of the Churches of Christ Category:American music video directors Category:American novelty song performers Category:American musicians of English descent Category:American musicians of Italian descent Category:People of Yugoslav descent Category:American satirists Category:American singer-songwriters Category:American vegans Category:American vegetarians Category:American voice actors Category:California Polytechnic State University, San Luis Obispo alumni Category:Christian vegans Category:Grammy Award winners Category:Living people Category:Nerdcore hip hop artists Category:Parody musicians Category:People from Los Angeles, California Category:People from Lynwood, California Category:Polka musicians

ar:ويرد أل يانكوفيك ca:Weird Al Yankovic cs:Weird Al Yankovic da:"Weird Al" Yankovic de:Weird Al Yankovic es:"Weird Al" Yankovic eo:"Weird Al" Yankovic fr:Weird Al Yankovic ko:위어드 알 얀코빅 hr:"Weird Al" Yankovic id:"Weird Al" Yankovic is:„Weird Al“ Yankovic it:"Weird Al" Yankovic he:וירד אל ינקוביק la:Alfredus Yankovic lv:"Dīvainais Els" Jenkeviks hu:Alfred Matthew Yankovic nl:"Weird Al" Yankovic ja:アル・ヤンコビック no:«Weird Al» Yankovic pl:Weird Al Yankovic pt:"Weird Al" Yankovic ro:„Weird Al” Yankovic ru:«Странный Эл» Янкович simple:Weird Al Yankovic sl:»Weird Al« Yankovic sr:Weird Al Yankovic fi:”Weird Al” Yankovic sv:"Weird Al" Yankovic th:"เวียร์ด อัล" แยนคอวิค tr:"Weird Al" Yankovic uk:«Дивний Ел» Янковик zh:「怪人奧爾」揚科維奇

name	Jessie J
alt	f
background	solo_singer
birth name	Jessica Ellen Cornish
alias	Jessie J
birth date	March 27, 1988
birth place	Chadwell Heath, London, England
genre	R&B;, pop, hip hop, soul
years active	2006–present
label	Lava, Universal Republic, Island, Gut
website
notable instruments	}}

Jessica Ellen Cornish (born on 27 March 1988), better known by her stage name Jessie J, is an English singer-songwriter, currently signed to Island Records. She began her career as a songwriter for artists including Chris Brown and Miley Cyrus. Her debut single, "Do It Like a Dude", was released in November 2010 and peaked at number two on the UK Singles Charts. Follow-up single "Price Tag" reached number one in the United Kingdom, France, Ireland and New Zealand, and reached the top 10 in nineteen other countries. Her debut album, ''Who You Are'', was released in February 2011 and charted at number two on the UK Albums Chart. In February 2011 Jessie J won a BRIT Award, Critics' Choice. It was revealed in October 2011 that Jessie J will be a coach and a mentor on the television show, ''The Voice UK''.

Early life

Jessie J was born Jessica Ellen Cornish in Chadwell Heath, London and was educated at Mayfield High School in the London Borough of Redbridge. She attended Colin's Performing Arts School and as an eleven year old was cast in Andrew Lloyd Webber's West End production of ''Whistle Down the Wind''. Jessie has two sisters, who are five and seven years older than her, who were both head girls at school.

Unlike her academic sisters, Cornish has stated she was "never really that good at anything". She said, "At school they were like 'oh, you're a Cornish girl' and they kind of expected me to be the same as my sisters. Give me something to draw or an outfit to pick for someone, or hair, make-up, acting, write a song, I'm fine with it, but anything to do with sums – it was never my thing." She also said she never based her intelligence on her exam results. She also said she was always good at singing and it was her "thing".

At the age of 16 she began studying at the BRIT School and at 17 she joined a girl group named "Soul Deep". She graduated in the class of 2006 along with singers Adele and Leona Lewis. At 18 she suffered a stroke.

Music career

2006–2009: Career beginnings

Jessie J was signed to Gut Records, recording an album for the label, but the company went bankrupt before any material was released. She then found success as a songwriter, gaining a Sony ATV publishing contract. She was also the support act for Cyndi Lauper during Lauper's UK dates of her 2008 Bring Ya To The Brink tour (Lauper invited J to join her on stage for the performances of Girls Just Want To Have Fun). Jessie has also written lyrics for artists such as Chris Brown and Miley Cyrus, including "Party in the U.S.A.".

Jessie J was also part of a girl band, called 'Soul Deep', for two years, however she left due to thoughts that "it wasn't going anywhere". Despite people thinking that her first notoriety was through YouTube, Jessie was signed for four years before her first video was posted.

Jessie first came to the attention of Lava Records when her publisher at Sony/ATV, Rich Christina, sent Lava president Jason Flom a link to her MySpace page, which the record executive loved. After seeing an impressive U.S. showcase, Lava was, along with several other labels, keen to sign the artist but progress was hampered by her management's insistence on, what Flom called, a "crazy deal", and their refusal to let Jessie speak to any labels directly. Despite this, Senior Director of A&R; at Lava, Harinder Rana, made surreptitious efforts to meet Jessie on her own in winter of 2008. Later in the year a change in management to Sarah Stennett and Nadia Khan of Crown Music allowed record deal negotiations to take place. Jessie eventually signed with Lava as part of a joint venture with Universal Republic.

2010–present: ''Who You Are''

Jessie J began recording her debut studio album in 2006 and it was completed on 19 January 2011. She revealed that "Big White Room" would be on the album and was written from an experience she had when she was 11 years old, although she wrote the song at age 17, in hospital, where a ward mate, a little boy, died. Jessie J says the album's title track, "Who You Are", is one of her proudest creations, she said the song is a "positive role model for young people" and "I always say that I'm half-artist, half-therapist"

In late 2010 Jessie J released her first single, "Do It Like a Dude" which was co-written with George Astasio, Tj Normandin, Jason Pebworth, Jon Shave, Kyle Abrahams and Peter Ighile. Originally, she wrote the song with Rihanna in mind because "Rude Boy" was released at the time, partly inspiring the song. She then sent the song to her label, Island Records, before sending it to Rihanna's management. Island insisted the song become Jessie J's first single. She wishes to perform the song with Rihanna at one point. The single gained positive reception from critics. The single charted at number two on the UK Singles Charts. Her follow-up single "Price Tag" was released in late January 2011. This was written by Jessie J, Lukasz Gottwald, Claude Kelly, and Bobby Ray Simmons, Jr. and charted at number one in the top of the charts. "Price Tag" was released in the United States on 1 February 2011 and peaked at 23 on the ''Billboard'' Hot 100. "Price Tag" also charted at number-one in New Zealand and Ireland and is the most successful online video J has released. As of October 2011, the video has generated over 148 million views on Youtube and Vevo, making it the 22nd most viewed music video of all time. Her first American television appearance was as the musical guest on the 12 March 2011 episode of NBC's ''Saturday Night Live''.

On 25 February 2011 her debut album, ''Who You Are'', was released. The album first entered the charts on 6 March 2011 where it charted on the UK Album Charts at number two. The album charted into the top ten in a number of countries and number 11 in the United States.After the release she went on to release a third single from the album, "Nobody's Perfect". MTV reported that the single is, so far, only confirmed for release in the United Kingdom. The album's fourth single was "Who's Laughing Now". "Domino" was her second US single. The Dr. Luke-produced track was sent to mainstream radio on 6 September 2011. With the success of ''Who You Are'' in North America, Jessie was chosen to tour as the opening act for American pop artist Katy Perry's ''California Dreams Tour'' in 2011 but after she was unable to fully recover from her injuries during rehearsals she was forced to pull out under the doctor's orders.

Jessie J served as the house artist at the 2011 MTV Video Music Awards, performing several of her original songs along with covers around commercial breaks.

In early 2011 she suffered a panic attack on stage after she was forced to perform in the dark. "I did a gig recently and had a panic attack on stage," she told ''NOW''. "The night was called 'Black Out' and I had to perform in the dark. I asked them to turn on the lights and they didn't. I was onstage in pitch black and, because I couldn't see anything, I started to panic. It was awful." James Morrison's third studio album, ''The Awakening'' features a collaboration with Jessie J called "Up", the song was released as a single on 4 December 2011. On 4 October Jessie announced that she will be one of four coaches for new BBC program, ''The Voice UK''.Jessie J re-released "Who You Are" on 9 November 2011, featuring the regular tracks plus "Domino" and two new songs. "Domino" became her second top 30 hit in the U.S., following the success of "Price Tag". The song also peaked at number 1 in January 2012 in the UK, before it was even officially released there.

Personal life

On 12 June 2011 at the Capital Radio Summertime Ball, Jessie ruptured several tendons in her foot during rehearsals, and performed her set the following day while sitting on a gilded throne. For her appearance at Glastonbury Festival 2011 on 25 June 2011, she performed on the throne again, claiming her physician had told her not to perform with her broken foot which would take six weeks to heal. Jessie J was scheduled to play at several festivals throughout the summer, however it was reported on 1 July 2011 that she would not be able to attend T in the Park, T4 On The Beach, Wembley:Orange, iTunes Festival, Lovebox and Oxegen due to the injuries to her foot. Jessie J personally tweeted before surgery; "Keep making nervous jokes with the doctor and he keeps looking at me blankly. Which is making me laugh even more. It's getting serious. I just took my nose stud out." Tweeting after the surgery, she wrote: "Can't keep tweeting. Still very dizzy and being sick. But I'm OK, I got through it." Her record label released an official statement on 30 June 2011 that under strict orders from her doctor, she will not be able to perform for a number of weeks so she can heal and recuperate properly. She returned to the concert circuit in late August, including sets at the V Festival and The Big Chill. For the 2011 VMA's she was still in a cast and using the throne to keep off of it.

Jessie J confirmed on 2 August 2011 that she would be shaving her hair off for charity in 2012. Speaking via her official Twitter account she said: “It’s hair, It will grow back. Even if it takes 2 years, if it saves lives it’s worth it. Even if its 1 life that’s something.”

Jessie J is openly bisexual and stated in an interview on the "In Demand" radio show on March 3, 2011, "I've never denied it. Whoopie doo guys, yes, I've dated girls and I've dated boys – get over it."

Music and voice

Although she was first identified as a soul singer, she primarily records songs of contemporary R&B; and pop music with hip-hop influences.

Music critic Matthew Perpetua of Pitchfork Media compared Jessie J to her peers Adele and Amy Winehouse, but admitted she was missing something: "Whereas Adele and Winehouse also have powerhouse voices, they fit into clear aesthetic niches and invest their songs with depth and humanity. Jessie J doesn't have even a fraction of their restraint." Perpetua added: "Her idea of showcasing her gift is to shoot for a blaring melisma on "Mamma Knows Best" that makes Christina Aguilera seem as subtle as Joni Mitchell by comparison." Ailbhe Malone of the music magazine NME also recognized Cornish's "undeniably potent voice". However, she pointed out the possible "identity crisis" that might have been caused by Jessie's songwriter past: "This is an album of singles for other artists. There’s Rihanna Jessie (‘Do It...’), Perry Jessie (‘Abracadabra’), Pixie Jessie (‘Mamma Knows Best’), Ellie Jessie ('Big White Room')."

Caroline Sullivan of The Guardian shared her positive opinion about the singer, saying that "if any singer has the potential to be the British Katy Perry or Pink, with the accompanying millions of sales, it's her". Sullivan also complimented Cornish's attitude: "[Her songs] are delivered with a confidence that money can't buy." Entertainment Weekly's music critic Adam Markovitz said of Jessie: "The 23-year-old Brit has all the tools, from a monster voice to an ear for hooks — she co-wrote Miley Cyrus' Party in the U.S.A. — and a manic persona that's equal parts Katy Perry, Kristin Chenoweth, and Alice Cooper.

Discography

''Who You Are'' (2011)

Filmography

+Television	Year	! Title	! Role	Notes
2012	''The Voice UK''	Herself

Awards and nominations

References

External links

Category:1988 births Category:Living people Category:Bisexual musicians Category:Electronica musicians Category:English female singers Category:English mezzo-sopranos Category:English pop singers Category:English rhythm and blues singers Category:English singer-songwriters Category:English-language singers Category:LGBT musicians from the United Kingdom Category:LGBT people from the United Kingdom Category:People educated at the BRIT School Category:Singers from London Category:Stroke survivors Category:The Voice judges Category:People from Chadwell Heath

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