thumb|Cinnamon sticks or quills and ground cinnamon

Cinnamon ( ) is a spice obtained from the inner bark of several trees from the genus ''Cinnamomum'' that is used in both sweet and savoury foods. Cinnamon trees are native to South East Asia, and its origin was mysterious in Europe until the sixteenth century.

Nomenclature and taxonomy

The name ''cinnamon'' comes from Hebrew and Phoenician through the Greek ''kinnámōmon''.

In India, where it is cultivated in the hill ranges of Kerala, it is called "karuvapatta". In Indonesia, where it is cultivated in Java and Sumatra, it is called ''kayu manis'' ("sweet wood") and sometimes ''cassia vera'', the "real" cassia. In Sri Lanka, in the original Sinhala, cinnamon is known as ''kurundu (කුරුඳු),'' recorded in English in the 17th century as ''Korunda''. In Arabic it is called ''qerfa'' (قرفة). In Swahili it is called "mdalasini". In several European languages, the word for cinnamon comes from the Latin word ''cannella'', a diminutive of ''canna'', "cane". In Hindi it is called ''dal-chini''.

History

Cinnamon has been known from remote antiquity. It was imported to Egypt as early as 2000 BCE, but those who report that it had come from China confuse it with cassia.

The Hebrew Bible makes specific mention of the spice many times: first when Moses is commanded to use both sweet cinnamon (Hebrew קִנָּמוֹן, qinnāmôn) and cassia in the holy anointing oil; in Proverbs where the lover's bed is perfumed with myrrh, aloes, and cinnamon; and in Song of Solomon, a song describing the beauty of his beloved, cinnamon scents her garments like ''the smell of Lebanon''. Cinnamon was a component of the Ketoret which is used when referring to the consecrated incense described in the Hebrew Bible and Talmud. It was offered on the specialized incense altar in the time when the Tabernacle was located in the First and Second Jerusalem Temples. The ketoret was an important component of the Temple service in Jerusalem.

It was so highly prized among ancient nations that it was regarded as a gift fit for monarchs and even for a god: a fine inscription records the gift of cinnamon and cassia to the temple of Apollo at Miletus. Though its source was kept mysterious in the Mediterranean world for centuries by the middlemen who handled the spice trade, to protect their monopoly as suppliers, cinnamon is native to Sri Lanka. It is also alluded to by Herodotus and other classical writers. It was too expensive to be commonly used on funeral pyres in Rome, but the Emperor Nero is said to have burned a year's worth of the city's supply at the funeral for his wife Poppaea Sabina in A.D. 65.

Before the foundation of Cairo, Alexandria was the Mediterranean shipping port of cinnamon. Europeans who knew the Latin writers who were quoting Herodotus knew that cinnamon came up the Red Sea to the trading ports of Egypt, but whether from Ethiopia or not was less than clear. When the Sieur de Joinville accompanied his king to Egypt on crusade in 1248, he reported what he had been told—and believed—that cinnamon was fished up in nets at the source of the Nile out at the edge of the world. Through the Middle Ages, the source of cinnamon was a mystery to the Western world. Marco Polo avoided precision on this score. In Herodotus and other authors, Arabia was the source of cinnamon: giant Cinnamon birds collected the cinnamon sticks from an unknown land where the cinnamon trees grew and used them to construct their nests; the Arabs employed a trick to obtain the sticks. This story was current as late as 1310 in Byzantium, although in the first century, Pliny the Elder had written that the traders had made this up in order to charge more. The first mention of the spice growing in Sri Lanka was in Zakariya al-Qazwini's ''Athar al-bilad wa-akhbar al-‘ibad'' ("Monument of Places and History of God's Bondsmen") in about 1270. This was followed shortly thereafter by John of Montecorvino, in a letter of about 1292.

Indonesian rafts transported cinnamon (known in Indonesia as ''kayu manis''- literally "sweet wood") on a "cinnamon route" directly from the Moluccas to East Africa, where local traders then carried it north to the Roman market. See also Rhapta.

Arab traders brought the spice via overland trade routes to Alexandria in Egypt, where it was bought by Venetian traders from Italy who held a monopoly on the spice trade in Europe. The disruption of this trade by the rise of other Mediterranean powers, such as the Mamluk Sultans and the Ottoman Empire, was one of many factors that led Europeans to search more widely for other routes to Asia.

Portuguese traders finally landed in Ceylon (Sri Lanka) at the beginning of the sixteenth century and restructured the traditional production and management of cinnamon by the Sinhalese, who later held the monopoly for cinnamon in Ceylon. The Portuguese established a fort on the island in 1518 and protected their own monopoly for over a hundred years.

Dutch traders finally dislodged the Portuguese by allying with the inland Kingdom of Kandy. They established a trading post in 1638, took control of the factories by 1640, and expelled all remaining Portuguese by 1658. "The shores of the island are full of it", a Dutch captain reported, "and it is the best in all the Orient: when one is downwind of the island, one can still smell cinnamon eight leagues out to sea." (Braudel 1984, p. 215)

The Dutch East India Company continued to overhaul the methods of harvesting in the wild and eventually began to cultivate its own trees.

In 1767 Lord Brown of East India Company established Anjarakkandy Cinnamon Estate near Anjarakkandy in Cannanore (now Kannur) district of Kerala, and this estate became Asia's largest cinnamon estate.

The British took control of the island from the Dutch in 1796. However, the importance of the monopoly of Ceylon was already declining, as cultivation of the cinnamon tree spread to other areas, the more common cassia bark became more acceptable to consumers, and coffee, tea, sugar, and chocolate began to outstrip the popularity of traditional spices.

Cultivation

Cinnamon is harvested by growing the tree for two years then coppicing it. The next year, about a dozen shoots will form from the roots.

The branches harvested this way are processed by scraping off the outer bark, then beating the branch evenly with a hammer to loosen the inner bark. The inner bark is then prised out in long rolls. Only the thin () inner bark is used; the outer, woody portion is discarded, leaving metre-long cinnamon strips that curl into rolls ("quills") on drying. Once dry, the bark is cut into lengths for sale.

The bark must be processed immediately after harvesting while still wet. Once processed, the bark will dry completely in four to six hours, provided that it is in a well-ventilated and relatively warm environment. A less than ideal drying environment encourages the proliferation of pests in the bark, which may then require treatment by fumigation. Bark treated this way is not considered to be of the same premium quality as untreated bark.

Cinnamon has been cultivated from time immemorial in Sri Lanka, and the tree is also grown commercially at Kerala in southern India, Bangladesh, Java, Sumatra, the West Indies, Brazil, Vietnam, Madagascar, Zanzibar, and Egypt. Sri Lanka cinnamon has a very thin, smooth bark with a light-yellowish brown color and a highly fragrant aroma. In recent years in Sri Lanka, mechanical devices have been developed to ensure premium quality and worker safety and health, following considerable research by the Universities in that country led by the University of Ruhuna.

According to the ''International Herald Tribune'', in 2006 Sri Lanka produced 90% of the world's cinnamon, followed by China, India, and Vietnam. According to the FAO, Indonesia produces 40% of the world's Cassia genus of cinnamon.

The Sri Lankan grading system divides the cinnamon quills into four groups:

Alba, less than in diameter Continental, less than in diameter Mexican, less than in diameter Hamburg, less than in diameter

These groups are further divided into specific grades. For example, Mexican is divided into M00 000 special, M000000, and M0000, depending on quill diameter and number of quills per kg.

Any pieces of bark less than long are categorized as quillings. Featherings are the inner bark of twigs and twisted shoots. Chips are trimmings of quills, outer and inner bark that cannot be separated, or the bark of small twigs.

Species

A number of species are often sold as cinnamon:

''Cinnamomum verum'' ("True cinnamon", Sri Lanka cinnamon or Ceylon cinnamon)

''C. burmannii'' (Korintje or Indonesian cinnamon)

''C. loureiroi'' (Saigon cinnamon or Vietnamese cinnamon)

''C. aromaticum'' (Cassia or Chinese cinnamon)

There are several different cultivars of ''Cinnamomum verum'' based on the taste of bark:

Type 1 Sinhala: ''Pani Kurundu (පැණි කුරුඳු)'', ''Pat Kurundu (පත් කුරුඳු)'' or ''Mapat Kurundu (මාපත් කුරුඳු)''

Type 2 Sinhala: ''Naga Kurundu (නාග කුරුඳු)''

Type 3 Sinhala: ''Pani Miris Kurundu (පැණි මිරිස් කුරුඳු)''

Type 4 Sinhala: ''Weli Kurundu (වැලි කුරුඳු)''

Type 5 Sinhala: ''Sewala Kurundu (සෙවල කුරුඳු)''

Type 6 Sinhala: ''Kahata Kurundu (කහට කුරුඳු)''

Type 7 Sinhala: ''Pieris Kurundu (පීරිස් කුරුඳු)''

Ceylon cinnamon, using only the thin inner bark, has a finer, less dense, and more crumbly texture, and is considered to be less strong than cassia. Cassia has a much stronger (somewhat harsher) flavour than Ceylon cinnamon, is generally a medium to light reddish brown, hard and woody in texture, and thicker ( thick), as all of the layers of bark are used.

Due to the presence of a moderately toxic component called coumarin, European health agencies have recently warned against consuming large amounts of cassia. This is contained in much lower dosages in ''Cinnamomum burmannii'' due to its low essential oil content. Coumarin is known to cause liver and kidney damage in high concentrations. Ceylon cinnamon has negligible amounts of coumarin.

The barks, when whole, are easily distinguished, and their microscopic characteristics are also quite distinct. Ceylon cinnamon sticks (or quills) have many thin layers and can easily be made into powder using a coffee or spice grinder, whereas cassia sticks are much harder. Indonesian cinnamon is often sold in neat quills made up of one thick layer, capable of damaging a spice or coffee grinder. Saigon cinnamon and Chinese cinnamon are always sold as broken pieces of thick bark, as the bark is not supple enough to be rolled into quills. The powdered bark is harder to distinguish, but if it is treated with tincture of iodine (a test for starch), little effect is visible with pure Ceylon cinnamon, but when Chinese cinnamon is present, a deep-blue tint is produced.

Cinnamon is also sometimes confused with Malabathrum (''Cinnamomum tamala'').

Flavor, aroma and taste

Its flavor is due to an aromatic essential oil that makes up 0.5% to 1% of its composition. This oil is prepared by roughly pounding the bark, macerating it in seawater, and then quickly distilling the whole. It is of a golden-yellow color, with the characteristic odor of cinnamon and a very hot aromatic taste. The pungent taste and scent come from cinnamic aldehyde or cinnamaldehyde (about 60 % of the bark oil) and, by the absorption of oxygen as it ages, it darkens in color and develops resinous compounds. Other chemical components of the essential oil include ethyl cinnamate, eugenol (found mostly in the leaves), beta-caryophyllene, linalool, and methyl chavicol .

Uses

Cinnamon bark is widely used as a spice. It is principally employed in cookery as a condiment and flavoring material. It is used in the preparation of chocolate, especially in Mexico, which is the main importer of true cinnamon. It is also used in many desserts recipes, such as apple pie, donuts, and cinnamon buns as well as spicy candies, tea, hot cocoa, and liqueurs. True cinnamon, rather than cassia, is more suitable for use in sweet dishes. In the Middle East, it is often used in savory dishes of chicken and lamb. In the United States, cinnamon and sugar are often used to flavor cereals, bread-based dishes, and fruits, especially apples; a cinnamon-sugar mixture is even sold separately for such purposes. Cinnamon can also be used in pickling. Cinnamon bark is one of the few spices that can be consumed directly. Cinnamon powder has long been an important spice in Persian cuisine, used in a variety of thick soups, drinks, and sweets. It is often mixed with rosewater or other spices to make a cinnamon-based curry powder for stews or just sprinkled on sweet treats (most notably ''Shole-zard'', Persian شله زرد). It is also used in Sambar powder or BisiBelebath powder in Karnataka, which gives it a rich aroma and tastes unique.

Cinnamon has been proposed for use as an insect repellent, although it remains untested. Cinnamon leaf oil has been found to be very effective in killing mosquito larvae. The compounds cinnamaldehyde, cinnamyl acetate, eugenol, and anethole, that are contained in cinnamon leaf oil, were found to have the highest effectiveness against mosquito larvae.

Medicinal value

Research

Pharmacological experiments suggest that the cinnamon-derived dietary factor cinnamic aldehyde (cinnamaldehyde) activates the Nrf2-dependent antioxidant response in human epithelial colon cells and may therefore represent an experimental chemopreventive dietary factor targeting colorectal carcinogenesis. Recent research documents anti-melanoma activity of cinnamic aldehyde observed in cell culture and a mouse model of human melanoma.

A 2011 study isolated a substance (CEppt) in the cinnamon plant which inhibits development of Alzheimer in mice. CEppt, an extract of cinnamon bark, seems to treat a mouse model of Alzheimers disease

Notes

References

Braudel, Fernand (1984). ''The Perspective of the World'', Vol III of ''Civilization and Capitalism''.

Corn, Charles (1998). ''The Scents of Eden: A Narrative of the Spice Trade''. New York: Kodansha International.

"Cinnamon Extracts Boost Insulin Sensitivity" (2000). ''Agricultural Research'' magazine, July 2000.

Department of Export Agriculture, Sri Lanka

Weerasinghe K D N, Liyanage M D S, Silva M A T D; "Present and future trends of cinnamon industry in Sri Lanka", discussion paper, University of Ruhunu, Sri Lanka. (2006)

Weerasinghe K D N, "A way forward for poverty alleviation for socially deprived areas in the cinnamon industry", monograph, University of Ruhunu, Sri Lanka.

Pushpitha N P G, "The design and construction of appropriate cinnamon processing device", 2006, Thesis at University of Ruhunu, Sri Lanka

Wijesekera R O B, Ponnuchamy S, Jayewardene A L, "Cinnamon" (1975) monograph published by CISIR, Colombo, Sri Lanka

External links

Antifungal Properties of Cinnamon Essential oil

BBC News - In pictures: Sri Lanka's spice of life

A variety of information on Sri Lankan Cinnamon

Category:Antifungals Category:Cinnamomum Category:Medicinal plants Category:Spices

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The term black people is used in systems of racial classification for humans of a dark skinned phenotype, relative to other racial groups. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class, socio-economic status also plays a role so that relatively dark skinned people can be classified as white if they fulfill other social criteria of whiteness and relatively light skinned people can be classified as black if they fulfill the social criteria for blackness. As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as 'black'. But, particularly in the United States, the racial classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry and exhibit cultural traits associated with being "African-American". Therefore, the term 'black people' is not an indicator of skin color but of racial classification.

Some definitions of the term include only people of relatively recent Sub Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture (recent scientific study notes that human skin color diversity is highest in sub-Saharan African populations). Other definitions of the term "black people" extend to other populations characterized by dark skin, including some indigenous to Oceania and Southeast Asia.

Physiological traits

Dark skin

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein. This is significantly earlier than the speciation of ''Homo sapiens'' from ''Homo erectus'' some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin. Furthermore, dark skin prevents an essential B vitamin, folate, from being destroyed. Therefore, in the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. White Australians have some of the highest rates of skin cancer as evidence of this expectation. Conversely, as dark skin prevents sunlight from penetrating the skin it hinders the production of vitamin D₃. Hence when humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem and lighter skin colors started appearing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible which gives the characteristic pale pink color of white people. The loss of melanin in white people is now thought to have been caused by a mutation in just one letter out of 3.1 billion letters of DNA.

Hair

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of Eurasian populations, as was already noted by Herodotus, who described the peoples of Libya (the "western Ethiopians") as ''wooly-haired''.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as 'thick', 'bushy', or 'woolly'. For several reasons, possibly including its relatively flat cross section (among other factors), this hair type conveys a dry or matte appearance. It is also very coarse, and its unique shape renders it very prone to breakage when combed or brushed.

The specific characteristics of the natural afro-hair form are unique among all mammals. The texture likely predates the evolution of dark skin. It evolved when, as pre-human Australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Africa

North Africa

Sub-Saharan

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been part of the Mediterranean sphere. Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa". Some criticize the use of the term, because, having become in many quarters synonymous with ''Black Africa'', it can leave the mistaken impression that there are not indigenous Black populations in North Africa. Furthermore, the Sahara cuts across countries such as Mauritania, Mali, Niger, Chad, and South Sudan, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Owen 'Alik Shahadah argues that the term sub-Saharan Africa has racist overtones:

However, some Black Africans prefer to be culturally distinguished from those who live in the north of the continent.

Cultural ideas of a black race

South Africa

In South Africa during the apartheid era, the population was classified into four main racial groups: ''Black'', ''White'', ''Asian'' (mostly Indian), and ''Coloured''. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.

During the apartheid era, those classed as 'Coloured' were oppressed and discriminated against. However, they did have limited rights and overall had slightly better socioeconomic conditions than those classed as 'Black'.

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define 'Black' people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored 'Africans' over 'Coloureds'. Some South Africans categorized as 'African Black' openly state that 'Coloureds' did not suffer as much as they did during apartheid. The popular saying by 'Coloured' South Africans to illustrate their dilemma is:

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.

Other than by appearance, 'Coloureds' can usually be distinguished from 'Blacks' by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.

In the Middle East

Arab world

Black African and Near Eastern peoples have interacted since prehistoric times. Some historians estimate that as many as 14 million black slaves crossed the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE. The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful ''lingua franca'' for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery. As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie ''Sadat'', starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization, which in turn helped advance the formation of the African Union.

Because of the patriarchal nature of Arab society, Arab men had more use of black female slaves than black male slaves, more black women were enslaved than men, and, because the Qur'an was interpreted to permit sexual relations between a male master and his female slave outside of marriage, many mixed race children resulted. When an enslaved woman became pregnant with her Arab captor's child, she became “umm walad” or “mother of a child”, a status that granted her privileged rights. The child would have prospered from the wealth of the father and been given rights of inheritance. Because of patrilineality, the children were born free and sometimes even became successors to their ruling fathers, as was the case with Sultan Ahmad al-Mansur, (whose mother was a Fulani concubine), who ruled Morocco from 1578 to 1608. Such tolerance, however, was not extended to wholly black persons, even when technically "free," and the notion that to be black meant to be a slave became a common belief. The term "abd", (,) "slave," remains a common term for black people in the Middle East, often though not always derogatory.

Turkey

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey. Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.

Israel

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel, most of whom came during the 1980s and 1990s. In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of then converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million, most of whom live in the United States, the Caribbean and Latin America, including Brazil. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States

In the first 200 years that black people had been in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas they were forced to give up their ethnic affiliations for fear of uprisings. The result was the Africans had to intermingle with other Africans from different ethnic groups. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was now based on skin color and African ancestry rather than any one ethnic group.

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared its continued use would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions however elected to keep their historical names such as African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.

The term ''black'' was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech, Martin Luther King, Jr. uses the terms ''Negro'' 15 times and ''black'' 4 times. Each time he uses ''black'' it is in parallel construction with ''white'' (for example,, black men and white men). With the successes of the civil rights movement a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of ''Negro'', ''black'' was promoted as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud". In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African American and black have essentially a coequal status. There is still much controversy over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin. Others have argued that "Black" is a better term because "African" suggests foreignness, despite the long presence of Black people in the US. Still others believe the term black is inaccurate because African Americans have a variety of skin tones. Surveys show that the majority of Black Americans have no preference for whether "African American" or "Black" is employed to describe them, although they also show that there is a slight preference for "Black" in personal settings and "African American" in more formal settings. The appropriateness of the term "African American" is further confused, however, by increases in the number of immigrants from Africa, the Caribbean and Latin America. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native descendants of African slaves.

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African American, Afro American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.

A considerable portion of the U.S. population identified as ''black'' actually have some Native American or White ancestry. For instance, genetic studies of African American people show an ancestry that is on average 17–18% European.

One drop rule

Historically, the United States used a colloquial term, the ''one-drop rule'', to designate a black person as any person with any known African ancestry. Legally the definition varied from state to state. Thomas Jefferson had slaves who were legally white (less than 25% Black) and legally slaves (mother was a slave). Outside of the US, some other countries have adopted the practice, but the definition of who is black and the extent to which the one drop "rule" applies varies from country to country.

The one drop rule may have originated as a means of increasing the number of black slaves and been maintained as an attempt to keep the white race pure. One of the results of the one drop rule was uniting the African American community and preserving an African identity. Some of the most prominent civil rights activists were multiracial, and advocated equality for all.

Blackness

thumb|upright|right|Barack Obama, the first black president of the United States, was throughout his campaign criticized as being either "too black" or "not black enough".The concept of blackness in the United States has been described as the degree to which one associates themselves with mainstream African American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white" where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music, and possibly, from the perspective of a significant number of Black youth, academic achievement.

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president, because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same" Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide and his welfare reform which some claim led to the worst child poverty since the 1960s along with the fact that the number of black people in jail increased during his administration.

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant. Obama refers to himself interchangeably as black and African American.

Brazil

The topic of race in Brazil is a complex and diverse one. A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.

There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.

Statistics

+Demographics of Brazil
Year!! White !! Pardo!! Black
1835	24.4%	18.2%	51.4%
2000	53.7%	38.5%

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil. An estimated 80 million Brazilians, almost half the population, are at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white population has either African or Amerindian blood. According to the last census 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown)- a broad multiracial category.

A philosophy of whitening emerged in Brazil in the 19th century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermarriage. A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.

Race relations in Brazil

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil.

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.

In the US, black people earn 75% of what white people earn. In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns. Unlike in the US where African Americans were united in the civil rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Afro-Brazilians make up half the population there are very few black politicians. The city of Salvador, Bahia for instance is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.

Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its black and indigenous population. For example the telenovelas or soaps are said to be a hotbed of white, largely blonde and blue/green-eyed actors who resemble Scandinavians or other northern Europeans more than they resemble the typical whites of Brazil, who are mostly of Southern European descent.

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.

In Asia and Australasia

China

As of August, 2008, ''The Migration Information Source'' article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."

India and Southeast Asia

The Great Andamanese are one of five Afro Asian ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction. The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Zanj (Black African) slaves. In Pakistan, Zanj descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Aeta people of Luzon and the Ati of Panay in the Philippines.

Melanesia

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians.

In Europe

United Kingdom

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other". Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the ''Empire Windrush''. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency.

France

France is an ethnically diverse nation, with about 2.5 – 5 million black people.

Balkans

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community. As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black. The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.

Eastern Europe

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans. This extended beyond the Soviet Union to many countries of the Eastern bloc.

Debates on race

In Afrocentrism

A controversy over the skin color and ethnic origins of the ancient Egyptians was sparked as part of the Afrocentric debate. Afrocentrist scholars such as Cheikh Anta Diop contend that ancient Egypt was primarily a "black civilization". One source cited in support of their argument is Herodotus, who wrote around 450 B.C. that "Colchians, Ethiopians and Egyptians have thick lips, broad nose, woolly hair and they are burnt of skin." However, Classical scholar Frank Snowden, Jr. cautions against the reliance on accounts by ancient writers to describe the physical characteristics of other ancient peoples, as they held different connotations from those of modern-day terminology in the West. He also points out that other ancient writers clearly distinguished between Egyptians and Ethiopians.

Keita and Boyce confront this issue in a 1996 article entitled, "The Geographical Origins and Population Relationships of Early Ancient Egyptians". As anthropologists, they point out the danger in relying on ancient interpretation to reveal for us the biological make up of a population. In any case they contend, the relevant data indicates greater similarity between Egyptians and Ethiopians than the former group with the Ancient Greeks.

Ancient Egyptians are often portrayed in modern media as Caucasians. Afrocentrists, in particular, have been critical of this. According to Egyptologists, ancient Egypt was a multicultural society of Middle Eastern, Northeast African, and Saharan influences. Afrocentrists argue that anthropological and archaeological evidence shows that what they term an ''Africoid'' element was evident in ancient Egypt, which they argue was predominant in Abydos in the First dynasty of Egypt.

See also

African-American

African diaspora

African Jews

Afro-Europeans

Afro-Asian

Afro Asians (African Asians)

Afro-Latino

Afro-Trinbagonian

Black British

Black Canadians

Black Hispanic and Latino Americans

Black Indians

Black Jews

Black nationalism

Black Power

Black pride

Black separatism

Black supremacy

Creole peoples

List of topics related to the Black Diaspora

Mulatto

Negritos

Stereotypes of black people

Sub-Saharan Africa

''The Minds of Marginalized Black Men'' (book)

Footnotes

Category:Latin American caste system Category:Race

ca:Raça negra de:Schwarze et:Neegrid es:Negro (persona) eo:Nigrulo fr:Noir (humain) ko:흑인 la:Nigrita simple:Black people sv:Svart (hudfärg) uk:Негр ug:قارا تەنلىكلەر wuu:黑人 yi:שווארצע zh-yue:黑人 bat-smg:Negrā zh:黑人

name	Neil Young
landscape	yes
background	solo_singer
birth name	Neil Percival Young
alias	Bernard Shakey, Phil Perspective, Shakey Deal, Clyde Coil, Joe Yankee, Marc Lynch, Pinecone Young
birth date	November 12, 1945
birth place	Toronto, Ontario, Canada
origin	Winnipeg, Manitoba, Canada
genre	Rock, folk rock, country rock, experimental rock, hard rock, proto-grunge
occupation	Musician, songwriter, producer, director, screenwriter
instrument	Guitar, vocals, harmonica, piano, keyboards, banjo, ukelele
years active	1960–present
label	Reprise, Motown, Geffen
associated acts	The Squires, The Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse, The Stray Gators, The Stills-Young Band, The Ducks, Northern Lights, Pearl Jam, Booker T. Jones, Leon Russell, Elton John
url
notable instruments	"Old Black"Martin D-45"Hank" }}

Neil Percival Young, OC, OM (born November 12, 1945) is a Canadian singer-songwriter who is widely regarded as one of the most influential musicians of his generation. Young began performing as a solo artist in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield along with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash as a fourth member in 1969. He then forged a successful and acclaimed solo career, releasing his first album in 1968; his career has since spanned over 40 years and 34 studio albums, with a continual and uncompromising exploration of musical styles. The Rock and Roll Hall of Fame website describes Young as "one of rock and roll’s greatest songwriters and performers". He has been inducted into the Hall of Fame twice: first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997.

Young's work is characterized by his distinctive guitar work, deeply personal lyrics and signature falsetto/tenor singing voice. Although he accompanies himself on several different instruments, including piano and harmonica, his idiosyncratic electric and clawhammer acoustic guitar playing are the defining characteristics of a varyingly ragged and melodic sound. While Young has experimented with differing music styles, including swing and electronic music throughout a varied career, his best known work usually falls into two primary styles: acoustic folk and country rock, or amplified hard rock in collaboration with the band Crazy Horse. Young has also adopted elements from newer styles such as alternative rock and grunge. His influence on the latter caused some to dub him the "Godfather of Grunge".

Young has directed (or co-directed) a number of films using the pseudonym Bernard Shakey, including ''Journey Through the Past'' (1973), ''Rust Never Sleeps'' (1979), ''Human Highway'' (1982), ''Greendale'' (2003), and ''CSNY/Déjà Vu'' (2008). He is currently working on a documentary about electric car technology, tentatively titled ''Linc/Volt''. The project involves a 1959 Lincoln Continental converted to hybrid technology, which Young plans to drive to Washington, D.C. as an environmentalist example to lawmakers there.

Young is an outspoken advocate for environmental issues and the welfare of small farmers, having co-founded in 1985 the benefit concert Farm Aid. In 1986, Young helped found The Bridge School, an educational organization for children with severe verbal and physical disabilities, and its annual supporting Bridge School Benefit concerts, together with his wife Pegi Young (née Morton). Young has three children: sons Zeke (born during his relationship with actress Carrie Snodgress) and Ben, who were diagnosed with cerebral palsy, and daughter Amber Jean who, like Young himself, has epilepsy. Young lives on his ranch in La Honda, California. Although he has lived in northern California since the 1970s and sings as frequently about U.S. themes and subjects as he does about his native country, he retains Canadian citizenship, having no desire to relinquish it. On July 14, 2006, Young was awarded the Order of Manitoba, and on December 30, 2009, was made an Officer of the Order of Canada.

Life and career

Early years: 1945–1966

Neil Percival Young was born in Toronto General Hospital, Toronto, Ontario at 6:45 AM on 12 November 1945. His father, Scott Young (1918–2005), was a journalist, and sportswriter who would later rise to prominence in Canada for his work. His mother, Edna "Rassy" Young (1918–1990), was of American, French, and Irish ancestry. They married in 1940 in Winnipeg, Manitoba, with their first son, Robert 'Bob' Young, being born in 1942.

Shortly after Neil's birth in 1945, the family decided to move to the rural town of Omemee, Ontario, which Neil would later fondly describe as a "Sleepy little place." Omemee later established the Youngtown Museum in tribute to Young. Young was diagnosed with diabetes as a child, and also suffered from a bout of polio in 1951, in what was the last major outbreak of the disease in Ontario. This was in fact the same epidemic in which singer-songwriter Joni Mitchell, then aged nine, also contracted the virus.

Following his recovery, the Young family went on holiday to Florida in the United States in 1952, and upon returning to Canada soon decided to move away from Omemee and into the city of Toronto, before relocating to Pickering, which was just east of Toronto, and then again to north Toronto soon afterward. It was during this period that Young began to take an interest in popular music that he heard on the radio, and also began to rear chickens in order to sell their eggs.

When Neil was twelve, his father, who had been having a number of extra-marital affairs, left his mother, and she subsequently asked for, and received, a divorce some years later, in 1960. Due to the breakup of the family, Neil went to live with his mother, who moved back to Winnipeg, Manitoba, while his brother Bob stayed with his father in Toronto. During the mid-fifties, at around the age of ten or eleven, Young was drawn to a variety of musical genres including rock and roll, rockabilly, doo-wop, R&B;, country, and western pop. He would listen to pop music broadcast on the CHUM radio station via his transistor radio. Young has stated in interviews that growing up he idolized Elvis Presley and strived to be just like him, later referencing him in a number of his lyrics. Other early musical influences included Chuck Berry, Little Richard, Fats Domino, The Chantels, The Monotones, Ronnie Self, The Fleetwoods, Jerry Lee Lewis, Johnny Cash, and Gogi Grant. He first began to play music himself on a plastic ukulele, before, as he would later relate, going on to "a better ukulele to a banjo ukulele to a baritone ukulele – everything but a guitar."

Neil and his mother settled into the working class area of Fort Rouge, Winnipeg where the shy, dry-humoured youth enrolled at Earl Grey Junior High School. It was there that he formed his first band, The Jades, and met Ken Koblun, later to join him in The Squires. While attending Kelvin High School in Winnipeg, he played in several instrumental rock bands. Young's first stable band was called The Squires, with Ken Koblun, Jeff Wuckert and Bill Edmondson on drums, who had a local hit called "The Sultan." Young dropped out of high school and also played in Fort William (now part of the city of Thunder Bay, Ontario), where they recorded a series of demos produced by a local producer named Ray Dee, whom Young called "the original Briggs." While there, Young first encountered Stephen Stills. In the 2006 film ''Heart of Gold'', Young relates how he used to spend time as a teenager at Falcon Lake, Manitoba where he would endlessly plug coins into the jukebox to hear Ian Tyson's "Four Strong Winds".

After leaving the Squires, Neil worked folk clubs in Winnipeg, where he first met Joni Mitchell. Mitchell recalls Young as having been highly influenced by Bob Dylan at the time. Here he wrote some of his earliest and most enduring folk songs such as "Sugar Mountain", about lost youth. Mitchell wrote "The Circle Game" in response. Winnipeg band The Guess Who (Randy Bachman being their lead guitarist) had a Top 40 Canadian hit with Young's "Flying on the Ground is Wrong," which was Young's first major hit as a songwriter.

In 1965 Young toured Canada as a solo artist. In 1966, while in Toronto, he joined the Rick James-fronted Mynah Birds. The band managed to secure a record deal with the Motown label, but as their first album was being recorded, James was arrested for being AWOL from the Naval Reserve. After the Mynah Birds disbanded, Young and bass player Bruce Palmer relocated to Los Angeles. Young admitted in a 2009 interview that he was in the United States illegally until receiving a green card in 1970.

Buffalo Springfield (1966–1968)

Once they reached Los Angeles, Young and Palmer met up with Stephen Stills, Richie Furay, and Dewey Martin to form Buffalo Springfield. A mixture of folk, country, psychedelia, and rock lent a hard edge by the twin lead guitars of Stills and Young made Buffalo Springfield a critical success, and their first record ''Buffalo Springfield'' (1966) sold well after Stills' topical song "For What It's Worth" became a hit, aided by Young's melodic harmonics played on electric guitar.

Distrust of their management, as well as the arrest and deportation of Palmer, exacerbated the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, ''Buffalo Springfield Again'', was released in late 1967, but two of Young’s three contributions were solo tracks recorded apart from the rest of the group.

In many ways, these three songs – "Mr. Soul," "Expecting To Fly," and "Broken Arrow" – on ''Buffalo Springfield Again'' are harbingers of much of Young's later work in that, although they all share deeply personal, almost idiosyncratic lyrics, they also present three very different musical approaches to the arrangement of what is essentially an original folk song. "Mr Soul" is the only Young song of the three that all five members of the group performed together. In contrast, "Broken Arrow" was confessional folk-rock of a kind that would characterize much of the music that emerged from the singer-songwriter movement. Young’s experimental production intersperses each verse with snippets of sound from other sources, including opening the song with a sound bite of Dewey Martin singing "Mr. Soul" and closing it with the thumping of a heartbeat. "Expecting to Fly" was a lushly produced ballad similar to the baroque pop of the mid-1960s, featured a string arrangement that Young's co-producer for the track, Jack Nitzsche, would dub "symphonic pop."

In May 1968, the band split up for good, but in order to fulfill a contractual obligation, a final album ''Last Time Around'' was released, primarily from recordings made earlier that year. Young contributed the songs "On the Way Home" and "I Am a Child", singing lead on the latter. In 1997, the band was inducted into the Rock & Roll Hall of Fame; Young did not appear at the ceremony. The three surviving members; Furay, Stills and Young appeared together as Buffalo Springfield at Young's annual Bridge School Benefit on 23–24 October 2010 and are planning a reunion tour for late 2011.

Crazy Horse & CSNY (1968–1970)

:''Main articles: Crosby, Stills, Nash & Young and Crazy Horse'' After the breakup of Buffalo Springfield, Young signed a solo deal with Reprise Records, home of his colleague and friend Joni Mitchell, with whom he shared a manager, Elliot Roberts, who manages Young to this day. Young and Roberts immediately began work on Young's first solo record, ''Neil Young'' (November 1968), which received mixed reviews. In a 1970 interview, Young deprecated the album as being "overdubbed rather than played," and the quest for music that expresses the spontaneity of the moment has long been a feature of his career. Nevertheless, the album contains some songs that remain a staple of his live shows, most notably "The Loner".

For his next album, Young recruited three musicians from a band called The Rockets: Danny Whitten on guitar, Billy Talbot on bass guitar, and Ralph Molina on drums. These three took the name Crazy Horse (after the historical figure of the same name), and ''Everybody Knows This Is Nowhere'' (May 1969), is credited to "Neil Young with Crazy Horse." Recorded in just two weeks, the album opens with one of Young's most familiar songs, "Cinnamon Girl," and is dominated by two more, "Cowgirl in the Sand" and "Down by the River," that feature lengthy jams showcasing Young's idiosyncratic guitar soloing accompanied sympathetically by Crazy Horse. Young reportedly wrote all three songs on the same day, while nursing a high fever of in bed.

Shortly after the release of ''Everybody Knows This Is Nowhere'', Young reunited with Stephen Stills by joining Crosby, Stills, & Nash, who had already released one album as a trio. Young was originally offered a position as a sideman, but agreed to join only if he received full membership, and the group – winners of the 1969 "Best New Artist" Grammy Award – was renamed Crosby, Stills, Nash & Young. The quartet debuted in Chicago on August 16, 1969, and later performed at the famous Woodstock Festival, during which Young skipped the acoustic set and refused to be filmed during the electric set, even telling the cameramen: "One of you fuckin' guys comes near me and I'm gonna fuckin' hit you with my guitar". During the making of their first album, ''Déjà Vu'', the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills continued throughout their lifelong relationship to criticize Young, saying that he "wanted to play folk music in a rock band". Despite the tension, Young's tenure with CSN&Y; coincided with the band's most creative and successful period, and greatly contributed to his subsequent success as a solo artist.

"Ohio" was written following the Kent State massacre on May 4, 1970, and was a staple of anti-war rallies in the 1970s. The song was quickly recorded by CSNY and immediately released as a single, even though CSNY's "Teach Your Children" was still climbing the singles charts. In the late 1970s and for much of the 1980s, Young refrained from performing "Ohio" live, as he considered the song to be dated. In the wake of the 1989 Tiananmen Square massacre, Young revived the song in concert, often dedicating it to the Chinese students who were killed in the massacre. Crosby, Stills & Nash, as a trio, also returned the song to their live repertoire around the same time, even though Young had provided the lead vocals on the original recording.

Also that year, Young released his third solo album, ''After the Gold Rush'' (1970), which featured, among others, a young Nils Lofgren, Stephen Stills, and CSNY bassist Greg Reeves. Young also recorded some tracks with Crazy Horse, but dismissed them early in the sessions. Aided by his newfound fame with CSNY, the album was a commercial breakthrough for Young and contains some of his best known work. Notable tracks include the title track, with dream-like lyrics that run a gamut of subjects from drugs and interpersonal relationships to environmental concerns, as well as Young’s controversial and acerbic condemnation of racism in "Southern Man", which, along with a later song entitled "Alabama," later prompted Lynyrd Skynyrd to decry Young by name in the lyrics to "Sweet Home Alabama". Despite appearances to the contrary, the rivalry between Young and Skynyrd front man Ronnie Van Zant was a friendly one, with Van Zant famously photographed wearing a ''Tonight's the Night'' t-shirt on the cover of the band's 1977 album ''Street Survivors''.

Fourth solo album: ''Harvest'' (1971–1972)

With CSNY splitting up and Crazy Horse having signed their own record deal, Young began the year 1971 with a solo tour entitled "Journey Through the Past." Later, he recruited a new group of country-music session musicians (including Linda Ronstadt and James Taylor), whom he christened The Stray Gators, to record much of the new material which had been premiered on the preceding tour; the result was the album ''Harvest'' (1972). ''Harvest'' was a massive hit and "Heart of Gold" became a US number one single. It remains the only No. 1 hit in his long career.

Another notable song was "The Needle and the Damage Done", a somber lament on the pain caused by heroin addiction, inspired in part by the heavy heroin use of Crazy Horse member Danny Whitten, who eventually died of an overdose.

The album's success caught Young off guard, and his first instinct was to back away from stardom. In the handwritten liner notes to the ''Decade'' compilation, Young famously described "Heart of Gold" as the song that "put me in the middle of the road. Traveling there soon became a bore, so I headed for the ditch. A rougher ride but I saw more interesting people there."

On September 8, 1972, the actress Carrie Snodgress, with whom he had been living, gave birth to Neil Young's first child. The boy, Zeke, was later diagnosed with cerebral palsy. Young fell in love with Snodgress after seeing her in a movie, ''Diary of a Mad Housewife'', on television; Young wrote about this experience in the song "A Man Needs a Maid" (from the ''Harvest'' album), featuring the lyric "I fell in love with the actress/she was playing a part that I could understand."

The Ditch Trilogy (1972–1974)

Although a new tour had been planned to follow up on the success of ''Harvest'', it became apparent during rehearsals that Danny Whitten could not function due to drug abuse. On November 18, 1972, shortly after he was fired from the tour preparations, Whitten was found dead of an overdose. Young described the incident to ''Rolling Stone''’s Cameron Crowe in 1975: "[We] were rehearsing with him and he just couldn't cut it. He couldn't remember anything. He was too out of it. Too far gone. I had to tell him to go back to L.A. 'It's not happening, man. You're not together enough.' He just said, 'I've got nowhere else to go, man. How am I gonna tell my friends?' And he split. That night the coroner called me from L.A. and told me he'd OD'd. That blew my mind. I loved Danny. I felt responsible. And from there, I had to go right out on this huge tour of huge arenas. I was very nervous and ... insecure."

The album made in the aftermath of this incident, ''Time Fades Away'' (1973), has often been described by Young as "[his] least favorite record," and it is, in fact, one of only two of Young’s early recordings that has yet to be officially re-released on CD (the other being the soundtrack album ''Journey Through the Past''). The album was recorded live over a tour where Young struggled with his voice and called David Crosby and Graham Nash to help perform the music. The tour featured Linda Ronstadt as the opening act. ''Time Fades Away'' occupies a unique position in Young’s discography as the first of three albums known collectively as the "Ditch Trilogy".

In the second half of 1973, Young formed The Santa Monica Flyers, with Crazy Horse's rhythm section augmented by Nils Lofgren on guitar. Deeply affected by the drug-induced deaths of Whitten and roadie Bruce Berry, Young recorded ''Tonight's the Night''. The album's dark tone and rawness led Reprise to delay and Young had to pressure them for two years before they would release it. It received mixed reviews at the time, but is now regarded as a landmark album. In Young's own opinion, it was the closest he ever came to art.

While his record company delayed the release of ''Tonight's the Night,'' Young recorded ''On the Beach'' (1974), which dealt with themes such as the downside of fame and the Californian lifestyle. Like ''Time Fades Away'' and ''Tonight's the Night'', it sold poorly but eventually became a critical favorite, presenting some of Young's most original work. A review of the 2003 re-release on CD of ''On the Beach'' described the music as "mesmerizing, harrowing, lucid, and bleary".

Return to prominence (1975–1979)

After completing ''On the Beach'', Young reunited with ''Harvest'' producer Elliot Mazer to record another acoustic album, ''Homegrown''. Most of the songs were written after Young's breakup with Snodgress, and thus the tone of the album was somewhat dark. Though the album was entirely completed, Young decided to drop the album and release ''Tonight's the Night'' instead, at the suggestion of The Band bassist Rick Danko. Young further explained his move by saying: "It was a little too personal ... it scared me".

In 1976, Young performed with Bob Dylan, Joni Mitchell, and numerous other rock musicians in the high profile all-star concert ''The Last Waltz'', the final performance by The Band. The release of Martin Scorsese's movie of the concert was delayed while Scorsese unwillingly re-edited it to obscure the lump of cocaine that was clearly visible hanging from Young's nose during his performance of "Helpless."

''American Stars 'N Bars'' (1977) contained two songs originally recorded for ''Homegrown'' album, "Homegrown" and "Star of Bethlehem," as well as newer material, including the future concert staple "Like a Hurricane". Performers included Linda Ronstadt, Emmylou Harris and Young protégé Nicolette Larson along with Crazy Horse. Also in 1977, Young released ''Decade'': a personally selected career summary of material spanning every aspect of his various interests and affiliations, including a handful of unreleased songs. ''Comes a Time'' (1978) also featured Nicolette Larson and Crazy Horse and became Young's most commercially accessible album in quite some time, marked by a return to his folk roots. In 1978 much of the filming was done for Young's film ''Human Highway''. Over four years Young would spend $3,000,000 of his own money on production. This also marked the beginning of his brief collaboration with the band Devo.

Young next set out on the lengthy "Rust Never Sleeps" tour, in which each concert was divided into a solo acoustic set and an electric set with Crazy Horse. Much of the electric set was later seen as a response to punk rock's burgeoning popularity. "Hey Hey, My My (Into the Black)" compared the changing public perception of Johnny Rotten with that of the recently deceased Elvis Presley, who himself had once been disparaged as a dangerous influence only to later become an icon. Rotten, meanwhile, returned the favour by playing one of Young's records on a London radio show. The accompanying albums ''Rust Never Sleeps'' (new material, culled from live recordings, but featuring studio overdubs) and ''Live Rust'' (a mixture of old and new, and a genuine concert recording) captured the two sides of the concerts, with solo acoustic songs on side A, and fierce, uptempo, electric songs on side B. A movie version of the concerts, also called ''Rust Never Sleeps'' (1979), was directed by Young under the pseudonym Bernard Shakey. Young worked with rock artist Jim Evans to create the poster art for the film, using the "Star Wars" Jawas as a theme.

Young was suddenly relevant again, and the readers and critics of ''Rolling Stone'' voted him Artist of the Year for 1979 (along with The Who), selected ''Rust Never Sleeps'' as Album Of The Year, and voted him Male Vocalist of the Year as well. The Village Voice, meanwhile, honored Young as the Artist of the Decade.

Experimental years (1980s)

The 1980s were often difficult times for Young, both personally and professionally. At the start of the decade, distracted by domestic medical concerns relating to his second disabled son, Ben, Young had little time to spend on writing and recording. After providing the incidental music to a 1980 biopic of Hunter S. Thompson entitled ''Where the Buffalo Roam'', Young released ''Hawks & Doves'', a short record pieced together from sessions going back to 1974. Young did not tour in support of either album; in total, he played only one show, a set at the 1980 Bread and Roses Festival in Berkeley, between the end of his 1978 tour with Crazy Horse and the start of his tour with the Trans Band in mid-1982.

The 1982 album ''Trans'', which incorporated vocoders, synthesizers, and electronic beats, was Young's first for new label Geffen Records (distributed at the time by Warner Bros. Records, whose parent Warner Music Group owns most of Young's solo and band catalog) and represented a distinct stylistic departure. Young later revealed that an inspiration for the album was the theme of technology and communication with his son Ben, who has severe cerebral palsy and cannot speak. An extensive tour preceded the release of the album, and was documented by the video ''Neil Young in Berlin'', which saw release in 1986.

Young's next album, 1983's ''Everybody's Rockin''', included several rockabilly covers and clocked in at less than twenty-five minutes in length. Young was backed by the Shocking Pinks for the supporting U.S. tour. ''Trans'' had already drawn the ire of label head David Geffen for its lack of commercial appeal, and with ''Everybody's Rockin''' following only seven months later, Geffen Records sued Young for making music "unrepresentative" of himself. The album was also notable as the first for which Young made commercial music videos – Tim Pope directed the videos for "Wonderin'" and "Cry, Cry, Cry". Also premiered in 1983, though little seen, was the eclectic full-length comedy film ''Human Highway'', co-directed and co-written by Young, and starring Young, Dean Stockwell, Russ Tamblyn, Dennis Hopper and members of Devo.

1984 was the first year without a Neil Young album since the start of Young's musical career with Buffalo Springfield in 1966. Young's lack of productivity was largely due to the ongoing legal battle with Geffen, although he was also frustrated that the label had rejected his 1982 country album ''Old Ways''. It was also the year when Young's third child, his second with wife Pegi was born; his daughter Amber Jean, a child who was later diagnosed with inherited epilepsy. Young spent most of 1984 and all of 1985 touring for ''Old Ways'' with his country band, the International Harvesters. The album was finally released in an altered form midway through 1985. Young also appeared at that year's Live Aid concert in Philadelphia, collaborating with Crosby, Stills and Nash for the quartet's first performance for a paying audience in over ten years.

Young's last two albums for Geffen were more conventional in genre, although they incorporated production techniques like synthesizers and echoing drums that were previously uncommon in Young's music. Young recorded 1986's ''Landing on Water'' without Crazy Horse, but reunited with the band for the subsequent year-long tour and final Geffen album, ''Life'', which emerged in 1987. Young's album sales dwindled steadily throughout the eighties; today ''Life'' remains his all-time-least successful studio album, with an estimated four hundred thousand sales worldwide.

Switching back to his old label Reprise Records, Young continued to tour relentlessly, assembling a new blues band called The Bluenotes in mid-1987 (a legal dispute with musician Harold Melvin forced the eventual rechristening of the band as Ten Men Working midway through the tour). The addition of a brass section provided a new jazzier sound, and the title track of 1988's ''This Note's For You'' became Young's first hit single of the decade. Accompanied by a video that parodied corporate rock, the pretensions of advertising, and Michael Jackson, the song was initially unofficially banned by MTV for mentioning the brand names of some of their sponsors. Young wrote an open letter, "What does the M in MTV stand for: music or money?" Despite this, the video was eventually named best video of the year by the network in 1989. By comparison, the major music cable network of Young's home nation, Muchmusic, ran the video immediately.

Young reunited with Crosby, Stills and Nash to record the 1988 album ''American Dream'' and play two benefit concerts late in the year, but the group did not embark upon a full tour. The album was only the second-ever studio record for the quartet.

Re-return to prominence (1990s)

Young's 1989 single "Rockin' in the Free World", which hit #2 on the U.S. mainstream-rock charts, and accompanying album, ''Freedom'', rocketed him back into the popular consciousness after a decade of sometimes-difficult genre experiments. The album's lyrics were often overtly political; "Rockin' in the Free World" deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H.W. Bush.

The use of heavy feedback and distortion on several ''Freedom'' tracks was reminiscent of the ''Rust Never Sleeps'' album, and foreshadowed the imminent rise of grunge. The rising stars of the genre, including Nirvana's Kurt Cobain and Pearl Jam's Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called ''The Bridge: A Tribute to Neil Young'' was released in 1989, featuring covers by alternative and grunge acts including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies.

Young's 1990 album ''Ragged Glory'', recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy aesthetic. Young toured for the album with Orange County, California country-punk band Social Distortion and alternative rock pioneers Sonic Youth as support, much to the consternation of many of his old fans. ''Weld'', a two-disc live album documenting the tour, was released in 1991. Sonic Youth's influence was most evident on ''Arc'', a 35-minute collage of feedback and distortion spliced together at the suggestion of Sonic Youth's Thurston Moore and originally packaged with some versions of ''Weld''.

1992's ''Harvest Moon'' marked an abrupt return to the country and folk-rock stylings of ''Harvest'' and reunited him with some of the musicians from that album, including singers Linda Ronstadt and James Taylor. The title track was a minor hit and the record was well received by critics, winning the Juno Award for Album of the Year in 1994. Young also contributed to Randy Bachman's nostalgic 1992 tune "Prairie Town," and garnered a 1993 Academy Award nomination for his song "Philadelphia", from the soundtrack of the Jonathan Demme movie of the same name. An ''MTV Unplugged'' performance and album emerged in 1993. Later that year, Young collaborated with Booker T. and the M.G.s for a summer tour of Europe and North America. Some European shows ended with a rendition of "Rockin' in the Free World" played with Pearl Jam, foreshadowing their eventual full-scale collaboration two years later.

In 1994 Young again collaborated with Crazy Horse for ''Sleeps with Angels'', a record whose dark, sombre mood was influenced by Kurt Cobain's death earlier that year; the title track in particular dealt with Cobain's life and death, without mentioning him by name. Cobain had quoted Young's lyric "It's better to burn out than fade away" (a line from "My My, Hey Hey (Out of the Blue)") in his suicide note, causing Young to then on emphasize the line "'cause once you're gone you can't come back" when performing the song. Young had reportedly made repeated attempts to contact Cobain prior to his death. Still enamored with the grunge scene, Young reconnected with Pearl Jam in 1995 for the live-in-the-studio album ''Mirror Ball'' and a tour of Europe with the band and producer Brendan O'Brien backing Young. 1995 also marked Young's induction into the Rock and Roll Hall of Fame, where he was inducted by Eddie Vedder.

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Young's next collaborative partner was filmmaker Jim Jarmusch, who asked Young to compose a soundtrack to his 1995 black and white western film ''Dead Man''. Young's instrumental soundtrack was improvised while he watched the film alone in a studio. The death of longtime mentor, friend, and producer David Briggs in late 1995 prompted Young to reconnect with Crazy Horse the following year for the album and tour ''Broken Arrow''. A Jarmusch-directed concert film and live album of the tour, ''Year of the Horse'', emerged in 1997. From 1996–97 Young and Crazy Horse toured extensively throughout Europe and North America, including a stint as part of the H.O.R.D.E. Festival's sixth annual tour.

In 1998, Young renewed his collaboration with rock band Phish, sharing the stage at the annual Farm Aid concert and then at Young's Bridge School Benefit, where he joined headliners Phish for renditions of "Helpless" and "I Shall Be Released." Phish declined Young's later invitation to be his backing band on his 1999 North American tour.

The decade ended with the release in late 1999 of ''Looking Forward'', another reunion with Crosby, Stills and Nash. The subsequent tour of the United States and Canada with the reformed super quartet earned $42.1 million, making it the eighth largest grossing tour of 2000.

Renewed activism and brush with death (2000s)

Neil Young continued to release new material at a rapid pace through the first decade of the new millennium. The studio album ''Silver & Gold'' and live album ''Road Rock Vol. 1'' were released in 2000 and were both accompanied by live concert films. His 2001 single "Let's Roll" was a tribute to the victims of the September 11 attacks, and the effective action taken by the passengers and crew on Flight 93 in particular. At the "America: A Tribute to Heroes" benefit concert for the victims of the attacks, Young performed John Lennon's "Imagine" and accompanied Eddie Vedder and Mike McCready on the song "Long Road", a Pearl Jam song that was written with Young during the ''Mirrorball'' sessions. "Let's Roll" was included on 2002's ''Are You Passionate?'', an album mostly composed of mellow love songs dedicated to Young's wife, Pegi, backed by Booker T & the MGs.

In 2003, Young released ''Greendale'', a concept album recorded with Crazy Horse members Billy Talbot and Ralph Molina. The songs loosely revolved around the murder of a police officer in a small town in California and its effects on the town's inhabitants. Young, under the pseudonym "Bernard Shakey", directed an accompanying film of the same name, featuring actors lip-synching to the music from the album. Young toured extensively with the ''Greendale'' material throughout 2003 and 2004, first with a solo, acoustic version in Europe, then with a full-cast stage show in North America, Japan, and Australia. Young began using biodiesel on the 2004 Greendale tour, powering his trucks and tour buses with the fuel. "Our Greendale tour is now ozone friendly,” Young said. “I plan to continue to use this government approved and regulated fuel exclusively from now on to prove that it is possible to deliver the goods anywhere in North America without using foreign oil, while being environmentally responsible.” Young spent the latter portion of 2004 giving a series of intimate acoustic concerts in various cities with his wife, who is a trained vocalist and guitar player.

In March 2005, while working on the ''Prairie Wind'' album in Nashville, Young was diagnosed with a brain aneurysm. He was treated successfully with a minimally invasive neuroradiological procedure, performed in a New York hospital on March 29. Two days afterwards, Young passed out on a New York street from bleeding from the femoral artery, which surgeons had used to access the aneurysm. The complication forced Young to cancel his scheduled appearance at the Juno Awards telecast in Winnipeg, but within months he was back on stage, appearing at the close of the Live 8 concert in Barrie, Ontario on July 2. During the performance, he debuted a new song, a soft hymn called "When God Made Me". Young's brush with death influenced ''Prairie Wind'''s themes of retrospection and mortality. The album's live premiere in Nashville was immortalized by filmmaker Jonathan Demme in the 2006 film ''Neil Young: Heart of Gold''.

Young's renewed activism manifested itself in the 2006 album ''Living With War'', which was hastily recorded and released in less than a month. The album's overtly political songs rebuked U.S. President George W. Bush and the War in Iraq and included the provocatively titled "Let's Impeach the President". Crosby, Stills, Nash & Young reunited for the supporting "Freedom Of Speech Tour '06". ''CSNY Déjà Vu'', a concert film of the tour directed by Young was released in 2008, along with an accompanying live album.

While Young had never been a stranger to eco-friendly lyrics, themes of environmentalist spirituality and activism became increasingly prominent in his work throughout the 1990s and 2000s, especially on ''Greendale'' and ''Living With War''. The trend continued on 2007's ''Chrome Dreams II'', with lyrics exploring Young's personal eco-spirituality. Also in 2007, Young accepted an invitation to participate in ''Goin' Home: A Tribute to Fats Domino'', contributing his version of "Walking to New Orleans".

In 2008, Young revealed his latest project, the production of a hybrid-engine 1959 Lincoln called Lincvolt. A new album loosely based on the Lincvolt project, ''Fork in the Road'', was released on April 7, 2009. Unfortunately, the car caught fire in November, 2010, in a California warehouse, and along the way it burned an estimated $850,000 worth of Young's rock and roll memorabilia collection. Initial reports suggest the fire might have been triggered by an error in the vehicle's plug-in charging system. Young blamed the fire on human error and said he and his team were committed to rebuilding the car. "The wall charging system was not completely tested and had never been left unattended. A mistake was made. It was not the fault of the car," he said.

A Jonathan Demme concert film from a 2007 concert at the Tower Theater in Upper Darby, Pennsylvania, called the ''Neil Young Trunk Show'' premiered on March 21, 2009, at the South by Southwest (SXSW) Film Conference and Festival in Austin, Texas. It was featured at the Cannes Film Festival on May 17, 2009 and was released in the US on March 19, 2010 to critical acclaim.

Young's most recent album appearance was on the album ''Potato Hole'', released on April 21, 2009 by Memphis organ player Booker T. Jones, of Booker T. & the MG's fame. Young plays guitar on nine of the album's ten instrumental tracks, alongside Drive-By Truckers, who already had three guitar players, giving some songs on the album a total of five guitar tracks. Jones contributed guitars on a couple of tracks.

Young continues to tour extensively. In 2009, he headlined the Glastonbury Festival in Pilton, England, at Hard Rock Calling in London (where he was joined onstage by Paul McCartney for a rendition of "A Day in the Life") and, after years of unsuccessful booking attempts, the Isle of Wight Festival in addition to performances at the Big Day Out festival in New Zealand and Australia and the Primavera Sound Festival in Barcelona.

Young was also the victim of an Internet hoax death in early 2011 triggered by the death of an English football player of the same name.

New performances (2010s)

On January 22, 2010, Young performed "Long May You Run" on the final episode of ''The Tonight Show with Conan O'Brien''. On the same night, he and Dave Matthews performed the Hank Williams song "Alone and Forsaken", for the ''Hope for Haiti Now: A Global Benefit for Earthquake Relief'' charity telethon, in response to the 2010 Haiti earthquake. Young performed "Long May You Run" at the closing ceremony of the 2010 Olympic winter games in Vancouver, British Columbia, Canada. In May 2010, it was revealed Young had begun working on a new studio album produced by Daniel Lanois. This was announced by David Crosby, who said that the album "will be a very heartfelt record. I expect it will be a very special record." On May 18, 2010, Young embarked upon a North American solo tour to promote his then upcoming album, ''Le Noise'', playing a mix of older songs and new material. Although billed as a solo acoustic tour, Young also played some songs on electric guitars, including Old Black. Young is continuing his Twisted Road tour with a short East Coast venture during the Spring of 2011. Young also contributed vocals to the Elton John-Leon Russell album, "The Union", singing a beautiful second stanza in the track, "Gone to Shiloh", and providing backing vocals as well.

Young currently lives near La Honda, California on his Broken Arrow Ranch, named after one of his early Buffalo Springfield songs. The original 140-acre parcel was purchased in 1970 for $350,000 cash and has grown to thousands of acres.

Archives project

As far back as 1988, Young spoke in interviews of his efforts to compile his unreleased material and to remaster his existing catalog. The collection was eventually titled the Neil Young Archives Series. The first installment, entitled ''The Archives Vol. 1 1963–1972'', was originally planned for a 2007 release but was delayed, and released on June 2, 2009.

Three performances from the ''Performance Series'' of the archives were released individually before ''The Archives Vol. 1''. ''Live at the Fillmore East'', a selection of songs from a 1970 gig with Crazy Horse, was released in 2006. ''Live at Massey Hall 1971'', a solo acoustic set from Toronto's Massey Hall, saw release in 2007. ''Sugar Mountain - Live At Canterbury House 1968'', an early solo performance and, chronologically, the first disc in the performance series, emerged late in 2008.

In an interview in 2008, Neil Young discussed ''Toast'', an album originally recorded with Crazy Horse in San Francisco in 2000 but never released. The album will be part of the ''Special Edition Series'' of the Archives. No release date currently exists for ''Toast''. The album ''A Treasure,'' with live tracks from 1985 sessions with the International Harvesters, during a time when he was being sued by Geffen Records, was released in June 2011.

On July 14, 2009, Young's first four solo albums were reissued as remastered HDCD discs and digital downloads as discs 1–4 of the ''Original Release Series'' of the Archives.

Awards and recognitions

2011 Juno Awards Artist of the Year, Adult Alternative Album of the Year, and Allan Waters Humanitarian Award

2011 Grammy Awards Best Rock Song "Angry World" – Neil Young, songwriter

2010 Grammy Awards Best Art Direction On A Boxed/Special Limited Edition Package "Archives Volume One 1963-1973" – Neil Young, Gary Burden, Jenice Heo

Canadian Music Hall of Fame, 1982

Rock and Roll Hall of Fame He has been inducted into the Rock and Roll Hall of Fame twice. First in 1995 for his solo work, with an induction speech given by Eddie Vedder, and again in 1997 as a member of Buffalo Springfield.

As one of the original founders of Farm Aid, he remains an active member of the board of directors. For one weekend each October, in Mountain View, California, he and his wife host the Bridge School Concerts, which have been drawing international talent and sell-out crowds for nearly two decades with some of the biggest names in rock having performed at the event including Tom Petty and the Heartbreakers, Bruce Springsteen, David Bowie, The Who, Red Hot Chili Peppers, Trent Reznor of Nine Inch Nails, Tom Waits, Thom Yorke of Radiohead, Metallica, Pearl Jam, Sonic Youth, The Smashing Pumpkins, and Sir Paul McCartney and Dave Matthews. The concerts are a benefit for the Bridge School, which develops and uses advanced technologies to aid in the instruction of children with disabilities. Young's involvement stems at least partially from the fact that both of his sons have cerebral palsy and his daughter, like Young himself, has epilepsy.

Young was nominated for an Oscar in 1994 for his song "Philadelphia" from the film ''Philadelphia''. Bruce Springsteen won the award for his song "Streets of Philadelphia" from the same film. In his acceptance speech, Springsteen said that "the award really deserved to be shared by the other nominee's song." That same night, Tom Hanks accepted the Oscar for Best Actor and gave credit for his inspiration to the song "Philadelphia".

He was part owner of Lionel, LLC, a company that makes toy trains and model railroad accessories. In 2008 Lionel emerged from bankruptcy and his shares of the company were wiped out. At this time his status with Lionel is unknown, according to Lionel CEO Jerry Calabrese he is still a consultant for Lionel. He was instrumental in the design of the Lionel Legacy control system for model trains and it is believed he will continue to develop the system. Young has been named as co-inventor on seven U.S. Patents related to model trains.

Young has twice received honorary doctorates. He received an Honorary Doctorate of Music from Lakehead University in Thunder Bay, Ontario in 1992, and an Honorary Doctorate of Humane Letters from San Francisco State University in 2006. The latter honour was shared with his wife Pegi for their creation of the Bridge School. In 2006, Young was given Manitoba's highest civilian honour, when he was appointed to the Order of Manitoba. In 2009, he was then given Canada's highest civilian honour, when he was appointed to the Order of Canada.

''Rolling Stone'' magazine in 2000, ranked Young thirty-fourth in its list of the 100 greatest artists of all time, and in 2003, included five of his albums in its list of 500 greatest albums of all time. In 2000, Young was inducted into Canada's Walk of Fame. In 2006, ''Paste'' magazine compiled a "Greatest Living Songwriters" list; Young was ranked second behind Bob Dylan. (While Young and Dylan have occasionally played together in concert, they have never collaborated on a song together, or played on each others' records). He ranked thirty-ninth on ''VH1's 100 Greatest Artist of Hard Rock'' that same year. The Rock and Roll Hall of Fame explained that while Young has "avoided sticking to one style for very long, the unifying factors throughout Young’s peripatetic musical journey have been his unmistakable voice, his raw and expressive guitar playing, and his consummate songwriting skill."

Young's political outspokenness and social awareness influenced artists such as Blind Melon, Phish, Pearl Jam, and Nirvana. Young is referred to as "the Godfather of Grunge" because of the influence he had on Kurt Cobain and Eddie Vedder and the entire grunge movement. Eddie Vedder of Pearl Jam inducted Young into the Rock and Roll Hall of Fame in 1995, citing him as a huge influence. Young is cited as being a significant influence on experimental rock artists Sonic Youth, Jesse Marchant, and Thom Yorke of Radiohead. Yorke recounted of first hearing Young after sending a demo tape into a magazine when he was 16, who favourably compared his singing voice to Young's. Unaware of Young at that time, he bought ''After the Gold Rush'', and "immediately fell in love" with his work, calling it "extraordinary". Dave Matthews lists Neil Young as one of his favorite and most inspirational songwriters and covers his songs on occasion. The British Indie band The Bluetones named their number one debut album after the song "Expecting to Fly" (written by Young when still with Buffalo Springfield) and have covered the song while touring. Young also inspired Oasis singer-songwriter Noel Gallagher, with Gallagher covering "My My, Hey Hey (Into the Black)" on the live album ''Familiar to Millions''.

The Australian rock group Powderfinger named themselves after Young's song "Powderfinger" from Young's ''Rust Never Sleeps''. The members of the Constantines have occasionally played Neil Young tribute shows under the name Horsey Craze. While in Winnipeg on November 2, 2008 during the Canadian leg of his tour, Bob Dylan visited Young's former home in River Heights, where Young spent his teenage years. Dylan was interested in seeing the room where some of Young's first songs were composed.

Jason Bond, an East Carolina University biologist, discovered a new species of trapdoor spider in 2007 and named it ''Myrmekiaphila neilyoungi'' after Young, his favorite singer (a previous similar case was the dinosaur ''Masiakasaurus knopfleri'' named after the musician Mark Knopfler of Dire Straits).

In 2001, Young was awarded the Spirit of Liberty award from the civil liberties group People for the American Way. Young was honored as the MusiCares Person of the Year on January 29, 2010, two nights prior to the 52nd Annual Grammy Awards. In addition was also nominated for two Grammy Awards; Best Solo Rock Vocal Performance ("Fork In The Road") and Best Boxed or Special Limited Edition Package ["Neil Young Archives Vol. I (1963–1972)"]. Young won the latter Grammy Award. In 2010, Young was ranked #26 in Gibson.com’s Top 50 Guitarists of All Time.

Juno Awards

{|class="wikitable" |- ! Year ! Category ! Nominated work ! Result |- | rowspan=2 | 2011 || Artist of the Year || Neil Young || |- | Adult Alternative Album of the Year || ''Le Noise'' || |- | 2008 || Adult Alternative Album of the Year || ''Chrome Dreams II'' || |- | 2007 || Adult Alternative Album of the Year || ''Living With War'' || |- | rowspan=3 | 2006 || Adult Alternative Album of the Year || ''Prairie Wind'' || |- | Jack Richardson Producer of the Year || "The Painter" || |- | Songwriter of the Year || "The Painter", "When God Made Me", "Prairie Wind" || |- | rowspan=2 | 2001 || Best Male Artist || Neil Young || |- | Best Roots & Traditional Album – Solo || ''Silver & Gold'' || |- | 1997 || Male Vocalist of the Year || Neil Young || |- | rowspan=2 | 1996 || Best Rock Album || ''Mirror Ball'' || |- | Male Vocalist of the Year || Neil Young || |- | rowspan=3 | 1995 || Songwriter of the Year || Neil Young || |- | Male Vocalist of the Year || Neil Young || |- | Entertainer of the Year || Neil Young || |- | rowspan=2 | 1994 || Single of the Year || "Harvest Moon" || |- | Album of the Year || ''Harvest Moon'' || |- | rowspan=2 | 1993 || Songwriter of the Year || Neil Young || |- | Male Vocalist of the Year || Neil Young || |- | 1991 || Male Vocalist of the Year || Neil Young || |- | 1990 || Male Vocalist of the Year || Neil Young || |- | 1989 || Male Vocalist of the Year || Neil Young || |- | 1986 || Male Vocalist of the Year || Neil Young || |- | 1982 || Male Vocalist of the Year || Neil Young || |- | 1981 || Male Vocalist of the Year || Neil Young || |- | 1980 || Male Vocalist of the Year || Neil Young || |- | 1979 || Male Vocalist of the Year || Neil Young || |- | 1975 || Composer of the Year || Neil Young || |}

Instruments

Guitars

In 2003, ''Rolling Stone'' listed Young as eighty-third in its ranking of "The 100 Greatest Guitarists of All Time", describing him as a "restless experimenter...who transform[s] the most obvious music into something revelatory." Young is a collector of second-hand guitars, but in recording and performing, he frequently uses just a few instruments, as is explained by his longtime guitar technician Larry Cragg in the film ''Neil Young: Heart of Gold''. They include:

1953 Gibson Les Paul Goldtop. Nicknamed "Old Black", this is Young's primary electric guitar and is featured on ''Rust Never Sleeps'' and other albums. Old Black got its name from an amateur paintjob applied to the originally gold body of the instrument, sometime before Neil acquired the guitar in the late 1960s. In 1972, a mini humbucker pickup from a Gibson Firebird was installed in the lead/treble position. This pickup, severely microphonic, is considered a crucial component of Neil's sound. A Bigsby vibrato tailpiece was installed as early as 1969, and can be heard during the opening of "Cowgirl in the Sand" from ''Everybody Knows This Is Nowhere''.

Martin D-45. His primary steel-string acoustic guitar, used to write "Old Man" and many other songs. It was one of four instruments bought by Stephen Stills for himself and his band-mates in CSNY in order to celebrate their first full concert at the Greek Theater in 1969.

Martin D-28. Nicknamed "Hank" after its previous owner, Hank Williams. Hank Williams, Jr., had traded it for some shotguns; it went through a succession of other owners until it was located by Young's longtime friend Grant Boatwright. The guitar was purchased by Young from Tut Taylor. Young has toured with it for over 30 years. A story about the guitar and the song it inspired, "This Old Guitar," can be seen about 50 minutes into the film ''Neil Young: Heart of Gold''. It is Young's primary guitar for ''Prairie Wind''.

Vintage Martin D-18: Young used an old D-18 throughout his early days performing in coffee houses in Canada and on some early Buffalo Springfield work, before he received the D-45 from Stills. It can also be seen on unreleased footage from the Woodstock documentary, particularly on an exceptional acoustic duet of the Buffalo Springfield track "Mr. Soul" with Stills. The guitar has often been used to carry "dropped standard tuning" (DGCFAD) which Young often uses in concert. This allowed him to perform songs such as "Ambulance Blues" and "Don't let it Bring You Down" live without having to tune all 6 strings onstage.

Other notable (or odd) instruments played by Young include:

On CMT live he is shown playing with Phish in which he plays a Languedoc G2, Presumably that of Phish guitarist Trey Anastasio

Vagabond Travel Guitar, used for "Let's Impeach the President" on ''The Colbert Report''.

Taylor 855 12-string, used in the first half of ''Rust Never Sleeps''.

1927 Gibson Mastertone, a six-string banjo tuned like a guitar, used on many recordings and played by James Taylor on "Old Man."

Gretsch 6120 (Chet Atkins model). Before Young bought Old Black, this was his primary electric guitar during his Buffalo Springfield days.

Gretsch White Falcon. Young purchased a late 1950s model near the end of the Buffalo Springfield era; in 1969 he bought a stereo version of the same vintage guitar from Stephen Stills, and this instrument is featured prominently during Young's early '70s period, and can be heard on tracks like "Ohio," "Southern Man," "Alabama," "Words (Between the Lines of Age)," and "L.A.". It was Young's primary electric guitar during the ''Harvest'' era, since Young's deteriorating back condition (eventually fixed with surgery) made playing the much heavier Les Paul difficult. This particular White Falcon is the stereo 6137, in which the signal from the three bass strings is separated from the signal from the three treble strings. Young typically plays this guitar in this stereo mode, sending the separate signals to two different amps, a Fender Deluxe and either a Fender Tremolux or a low-powered Tweed Fender Twin. The separation of the signals is most prominently heard on the ''Harvest'' song "Words."

Gibson Flying V, on the ''Time Fades Away'' tour.

Fender Broadcaster, on the ''Tonight's the Night'' album and tour.

Reed organ

Young owns an Estey reed organ, serial number 167272, dating from 1885, which he frequently plays in concert and which was recently restored. The instrument and its restoration are documented in ''The Reed Society Quarterly'' (30.1: 6ff); a photograph of the instrument is on the cover.

Amplification

Young uses various vintage Fender Tweed Deluxe amplifiers. His preferred amplifier for electric guitar is the Fender Deluxe, specifically a Tweed-era model from 1959. He purchased his first vintage Deluxe in 1967 for $50 from the drummer of Crazy Horse, Ralph Molina, and has since acquired nearly 450 different examples, all from the same era, but he maintains that it's the original model that sounds superior and is crucial to his trademark sound. The Tweed Deluxe is almost always used in conjunction with a late-1950s Magnatone 280 (similar to the amp used by Lonnie Mack and Buddy Holly). The Magnatone and the Deluxe are paired together in a most unusual manner: the external speaker jack from the Deluxe sends the amped signal through a volume potentiometer and directly into the input of the Magnatone. The Magnatone is notable for its true pitch-bending vibrato capabilities, which can be heard as an electric piano amplifier on "See the Sky About to Rain". A notable and unique accessory to Young's Deluxe is the Whizzer, a device created specifically for Young, which physically changes the amplifier's settings to pre-set combinations. This device is connected to footswitches operable by Young onstage in the manner of an effects pedal.

Discography

:''See also the discographies for Buffalo Springfield and Crosby, Stills, Nash & Young''

See also

Music of Canada

Canadian rock

Notes

References

McKay, George (2009) "'Crippled with nerves": popular music and polio'. ''Popular Music'' 28:3, 341–365.

External links

Neil's Garage – Official website

Crosby, Stills, Nash and Young official website

Sugar Mountain – a compilation of set lists from Neil Young's concert performances

Youngtown Rock and Roll Museum – Omemee, Ontario

Review of Crazy Horse at the Fillmore 1970

"Neil Young: Don't be Denied", PBS, ''American Masters'', TV documentary, 2009

Category:1945 births Category:Living people Category:People from Toronto Category:Anti–Iraq War activists Category:Anti–Vietnam War activists Category:Buffalo Springfield members Category:Canadian activists Category:Canadian country guitarists Category:Canadian country rock musicians Category:Canadian country singers Category:Canadian film directors Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian male singers Category:Canadian Music Hall of Fame inductees Category:Canadian people of American descent Category:Canadian people of French descent Category:Canadian people of Irish descent Category:Canadian rock guitarists Category:Canadian rock singers Category:Canadian singer-songwriters Category:Canadian environmentalists Category:Canadian expatriate musicians in the United States Category:Crosby, Stills, Nash & Young members Category:Juno Award winners Category:Grammy Award winners Category:MusiCares Person of the Year Honorees Category:Lead guitarists Category:Musicians from Manitoba Category:Writers from Manitoba Category:Members of the Order of Manitoba Category:Crazy Horse (band) members Category:Musicians from Ontario Category:Writers from Ontario Category:Officers of the Order of Canada Category:People with epilepsy Category:People from Winnipeg Category:Rock and Roll Hall of Fame inductees

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