Griots today live in many parts of West Africa, including Mali, the Gambia, Guinea, Mauritania, Senegal and are present among the Mande peoples (Mandinka, Malinké, Bambara, etc.), Fulɓe (Fula), Hausa, Songhai, Tukulóor, Wolof, Serer, Mossi, Dagomba, Mauritanian Arabs and many other smaller groups. The word may derive from the French transliteration "guiriot" of the Portuguese word "criado," or masculine singular term for "servant."
In African languages, griots are referred to by a number of names: jeli in northern Mande areas, jali in southern Mande areas, guewel in Wolof, gawlo in Pulaar (Fula). Griots form an endogamous caste, meaning that most of them only marry fellow griots and that those who are not griots do not normally perform the same functions that they perform.
Each aristocratic family of griots accompanied a higher-ranked family of warrior-kings or emperors, which they called jatigi. In traditional culture, no griot can be without a jatigi, and no jatigi can be without a griot; the two are inseparable, and worthless without the other. However, the jatigi can accept a "loan" of his griot to another jatigi.
Most villages also had their own griot, who told tales of births, deaths, marriages, battles, hunts, affairs, and hundreds of other things.
In the late novels of the Ivorian writer Ahmadou Kourouma, Waiting for the Wild Beasts to Vote takes the form of a praise-song by the Sora, the Griot, Bingo to the president-Dictator of the fictitious République du Golfe. His final novel Allah is not Obliged also prominently features a griot character.
There are also references in the Alex Haley's book Roots of a griot who passed his family history through oral tradition. When Haley traces back his history, passing from his previous generation through the slave time, back to Africa, he thought there should be griots telling his history and the history of his ancestor, known in the family as "The African", who was captured in the bushes when he was seeking timber to make a talking drum. When he arrived in Africa to do research for his book, he believed he had actually found griots telling his history. Through them he learned the ancestor's identity, Kunta Kinte. Since he had first heard the story from his grandmother and later refreshed by his older cousin, he believed that they were griots in their own way until someone put the story to writing. He later learned that his cousin had died within the hour of his arrival at the village.
In fact, however, this story illustrates the problems and complexities of oral tradition, especially when approached without expert knowledge. In 1981, it was shown (Wright, 1981) that the story of Kunta Kinte had been manufactured by a well-wisher. Following the publication of Roots, the story was being told in multiple versions with differing embellishments, having entered the stock of general stories.
In Paule Marshall's Praisesong for the Widow, the protagonist Avatara (Avey) might take on some of the characteristics of a griot, especially in her commitment to passing on to her grandchildren her aunt's oral story of the Ibos at the Landing, in which Africans brought to the U.S. Sea Islands to be slaves promptly turned around and walked back to Africa over the water.
Griot is the name of an instrumental track on Jon Hassell and Brian Eno's ambient music album Possible Musics.
Innercity Griots is the second album by Los Angeles Hip Hop group Freestyle Fellowship, released in 1993 through 4th & B'way Records. The group, consisting of four emcees: Aceyalone, P.E.A.C.E., Mikah 9 and Self Jupiter, received worldwide acclaim with their second project. Released during the prominent gangsta era of West Coast hip hop, Innercity Griots, along with albums like The Pharcyde's Bizarre Ride II the Pharcyde and Del tha Funkee Homosapien's I Wish My Brother George Was Here, established an acclaimed era of alternative hip hop in California.
Malian novelist Massa Makan Diabaté was both a descendant and critic of the griot tradition. Though Diabaté argued on the one hand that griots "no longer exist" in the classic sense, he also saw this tradition as one that could be salvaged through written literature. His fiction and plays blend traditional Mandinka storytelling and idiom with Western literary forms.
Griot, meaning urban storyteller and teacher of history, is referenced by Professor A.L.I. in the first line of his 2010 single 'Guantanamo'.
Category:Gambian culture Category:Ghanaian culture Category:Guinean culture Category:Ivorian culture Category:Malian culture Category:Occupations in music Category:Nigerian culture Category:Oral literature Category:Writing occupations Category:Senegalese culture Category:West Africa
bm:Jèli bg:Гриот ca:Griot cs:Griot de:Griot es:Griot fr:Griot gl:Griot it:Griot nl:Griot ja:グリオ nds:Griot pt:Griot fi:Griotti tr:Griot uk:ГріотThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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