0:35
Rayonist self portrait
A Rayonism inspired video...
published: 26 May 2009
Author: harf2001
Rayonist self portrait
A Rayonism inspired video
74:09
Brian Eno - The Drop (Whole Album) (HQ)
The Drop is a 1997 album by Brian Eno. The album continues in the same style as much of hi...
published: 23 Feb 2012
Author: TheGodmonster1988
Brian Eno - The Drop (Whole Album) (HQ)
The Drop is a 1997 album by Brian Eno. The album continues in the same style as much of his work of the period exploring impressionistic, ambient instrumental soundscapes rather than more conventional songwriting. Track Listing: 1."Slip, Dip" 2."But If" 3."Belgian Drop" 4."Cornered" 5."Block Drop" 6."Out/Out" 7."Swanky" 8."Coasters" 9."Blissed" 10."MC Organ" 11."Boomcubist" 12."Hazard" 13."Rayonism" 14."Dutch Blur" 15."Back Clack" 16."Dear World" 17."Iced World"
7:30
Natalia Goncharova
Natalia Sergeevna Goncharova (1881 - 1962) was a Russian avant-garde artist (Cubo-Futurism...
published: 22 Sep 2010
Author: Erdrera Vendrell
Natalia Goncharova
Natalia Sergeevna Goncharova (1881 - 1962) was a Russian avant-garde artist (Cubo-Futurism), painter, costume designer, writer, illustrator, and set designer. Her great-aunt was Natalia Pushkina, wife of the poet Alexander Pushkin. Natalia Goncharova was born in Nagaevo village near Tula, Russia in 1881. She studied sculpture at the Moscow Academy of Art, but turned to painting in 1904. She was deeply inspired by the primitive aspects of Russian folk art and attempted to emulate it in her own work while incorporating elements of fauvism and cubism. Together with her husband Mikhail Larionov she first developed Rayonism. They were the main progenitors of the pre-Revolution Russian avant-garde organising the Donkey's Tail exhibition of 1912 and showing with the Der Blaue Reiter in Munich the same year. The Donkey's Tail was conceived as an intentional break from European art influence and the establishment of an independent Russian school of modern art. However, the influence of Russian Futurism is much in evidence in Goncharova's later paintings. Initially preoccupied with icon painting and the primitivism of ethnic Russian folk-art, Goncharova became famous in Russia for her Futurist work such as The Cyclist and her later Rayonnist works. As leaders of the Moscow Futurists, they organised provocative lecture evenings in the same vein as their Italian counterparts. Goncharova was also involved with graphic design - writing and illustrating a book in Futurist style <b>...</b>
5:09
Natalia Goncharova - Russian Painting
Natalia Goncharova was born in Nagaevo village near Tula, Russia in 1881. She studied scul...
published: 15 Dec 2009
Author: MdMViktorViktor
Natalia Goncharova - Russian Painting
Natalia Goncharova was born in Nagaevo village near Tula, Russia in 1881. She studied sculpture at the Moscow Academy of Art, but turned to painting in 1904. She was deeply inspired by the primitive aspects of Russian folk art and attempted to emulate it in her own work while incorporating elements of fauvism and cubism. Together with her husband Mikhail Larionov she first developed Rayonism. They were the main progenitors of the pre-Revolution Russian avant-garde organising the Donkey's Tail exhibition of 1912 and showing with the Der Blaue Reiter in Munich the same year.
5:23
brian eno baby's on fire
brian eno- baby's on fire...
published: 21 Oct 2009
Author: beachsided
brian eno baby's on fire
brian eno- baby's on fire
3:05
Brian Eno - By This River
Here we are Stuck by this river, You and I Underneath a sky that's ever falling down, ...
published: 15 Mar 2009
Author: WKaliberr
Brian Eno - By This River
Here we are Stuck by this river, You and I Underneath a sky that's ever falling down, down, down Ever falling down. Through the day As if on an ocean Waiting here, Always failing to remember why we came, came, came: I wonder why we came. You talk to me as if from a distance And I reply With impressions chosen from another time, time, time, From another time.
4:01
Brian Eno - Bottomliners
Brian Eno - Bottomliners...
published: 21 Mar 2009
Author: dreamsInMeteora
Brian Eno - Bottomliners
Brian Eno - Bottomliners
10:06
Brian Eno - River Journey
from his unreleased album "Textures" www.discogs.com many of the tracks on this ...
published: 17 Nov 2009
Author: Heliosphan15
Brian Eno - River Journey
from his unreleased album "Textures" www.discogs.com many of the tracks on this album were later released on other albums
7:52
Natalia Sergeevna Gontcharova - Rayonismo II
NATALIA SERGEEVNA GONTCHAROVA (Nagaevo, 1881 - París, 1962) Descedenciente de Alexa...
published: 17 Oct 2010
Author: Laika231
Natalia Sergeevna Gontcharova - Rayonismo II
NATALIA SERGEEVNA GONTCHAROVA (Nagaevo, 1881 - París, 1962) Descedenciente de Alexander Pushkin, hija de Sergei Goncharov, arquitecto, y de Ekaterina Illichna Beliaeva, pertenece a una familia culta y liberal y se cría en casa de su abuela paterna en el campo, hasta que a los 10 años, en 1892, a se desplaza a Moscú para proseguir estudios secundarios. En 1898 aprende escultura, dibujo, acuarela y pastel, y en 1900 conoce a Mikhail Larionov, que será su compañero de por vida, y con quien vivió muchos años sin que mediara matrimonio por medio, circunstancia que se mantuvo hasta 1955. En 1901 asiste a la universidad y aprende historia, botánica, zoología y medicina. En 1903 opta por la pintura: impresionismo, postimpresionismo frances y ruso. En 1906 participa en la sección rusa del Salón de Otoño, e inicia junto a Larionov su periodo primitivista sobre todo con el arte popular ruso. En 1910 expone en la Asociación de la Libre Estética de Moscú, donde dos de sus obras: " Dos desnudos" y "El dios de la fertilidad" son considerados pornográficos y confiscados por la policia zarista. En 1911 y 1912 en su época cubo-futurista participa con Larionov en exposiciones de La Jota de Diamantes y del Jinete Azul. Y en 1913 ambos impulsan y firman el Manifiesto Rayonista que se define por "manchas y rayos de color, que corresponden a las líneas de fuerza de los futuristas, se disponen en composiciones autosuficientes completamente independientes del motivo". En 1914 Diaghilev le encarga <b>...</b>