Garrison Keillor was born Gary Edward Keillor on August 7, 1942, in Anoka, a suburb of St. Paul, Minnesota, USA. He was one of six children in the family. His parents were of Scandinavian and Scottish ancestry. Keillor graduated from the University of Minnesota with a bachelor's degree in English in 1966. There he began his broadcasting career on the student-operated radio station, named Radio K. In 1969 he began writing for The New Yorker. On July 6, 1974 he started "A Prarie Home Companion" in a St. Paul college theatre before an audience of twelve people. In 1987, he moved to New York where, in 1989, he started "The American Radio Company", which after four seasons returned to the name "A Prarie Home Companion" in 1993, and is again based in Minnesota. From 1996-2001 Keillor authored an advice column, titled "Mr. Blue", on Salon.com. He resigned after having a heart surgery in 2001. Since June of 2005 Garrison Keillor has been a syndicated newspaper columnist at Salon.com. Garrison Keillor is a prolific author with over 100 of written or recorded works. He is also a storyteller, performance artist, radio host and comedian. He published eleven books, including three books for children. He is married to Jenny Lind Nilsson, a violinist in the Minnesota Opera Orchestra, with whom he has a daughter. He lives in St. Paul, Minnesota, with his wife and daughter, and owns a Manhattan apartment.
name | Garrison Keillor |
---|---|
birth name | Gary Edward Keillor |
birth date | August 07, 1942 |
birth place | Anoka, Minnesota |
medium | Radio, Print |
nationality | American |
active | 1969–present |
genre | Observational comedy, Satire |
subject | American culture (esp. the Midwest); American politics |
spouse | Mary Guntzel (1965–1976) Ulla Skaerved (1985–1990) Jenny Lind Nilsson (1995–present) |
notable work | Himself, Guy Noir, Lefty, Bob Burger, and Lake Wobegon narrator in ''A Prairie Home Companion'' |
footnotes | }} |
Gary Edward "Garrison" Keillor (born August 7, 1942) is an American author, storyteller, humorist, and radio personality. He is known as host of the Minnesota Public Radio show ''A Prairie Home Companion'' (also known as ''Garrison Keillor's Radio Show'' on United Kingdom's BBC Radio 4 Extra, as well as on RTÉ in Ireland, Australia's ABC, and Radio New Zealand National in New Zealand).
Keillor has been married three times:
Between his first and second marriages he was also romantically involved with Margaret Moos, who worked as a producer of ''A Prairie Home Companion''.
The Keillors maintain homes on the Upper West Side of New York City and in Saint Paul, Minnesota.
One of his brothers, the historian Steven Keillor, is also an author.
On September 7, 2009, Keillor was briefly hospitalized after suffering a minor stroke.
Keillor resigned from ''The Morning Program'' in February 1971 to protest what he considered an attempt to interfere with his musical programming. The show became ''A Prairie Home Companion'' when he returned in October.
Keillor has attributed the idea for the live Saturday night radio program to his 1973 assignment to write about the Grand Ole Opry for ''The New Yorker'', but he had already begun showcasing local musicians on the morning show, despite limited studio space for them, and in August 1973 ''The Minneapolis Tribune'' reported MER's plans for a Saturday night version of ''A Prairie Home Companion'' with live musicians.
''A Prairie Home Companion'' debuted as an old-style variety show before a live audience on July 6, 1974, featuring guest musicians and a cadre cast doing musical numbers and comic skits replete with elaborate live sound effects. The show was punctuated by spoof commercial spots from such fictitious sponsors as Jack's Auto Repair ("All tracks lead to Jack's where the bright shining lights show you the way to complete satisfaction") and Powdermilk Biscuits, which "give shy persons the strength to get up and do what needs to be done." Later imaginary sponsors have included Ralph's Pretty Good Grocery ("If you can't find it at Ralph's, you can probably get along without it"), Bertha's Kitty Boutique, the Ketchup Advisory Board (which touted "the natural mellowing agents of ketchup"), the American Duct Tape Council, and Bebop-A-Reebop Rhubarb Pie ("sweetening the sour taste of failure through the generations"). The show also contains parodic serial melodramas, such as ''The Adventures of Guy Noir, Private Eye'' and ''The Lives of the Cowboys.'' After the show's intermission, Keillor reads clever and often humorous greetings to friends and family at home submitted by members of the theater audience in exchange for an honorarium.
Also in the second half of the show, the broadcasts showcase a weekly monologue by Keillor entitled ''The News from Lake Wobegon.'' The town is based in part on Keillor's own hometown of Anoka, Minnesota, and in part on Freeport and other towns in Stearns County, where he lived in the early 1970s. Lake Wobegon is a quintessential but fictional Minnesotan small town "where all the women are strong, all the men are good-looking, and all the children are above average." ''A Prairie Home Companion'' ran until 1987, when Keillor decided to end it; he worked on other projects, including another live radio program, "The American Radio Company of the Air"—which had almost the same format as ''A Prairie Home Companion'''s—for several years. In 1993 he began producing ''A Prairie Home Companion'' again, in a format nearly identical to the original's, and has done so since. On ''A Prairie Home Companion,'' Keillor receives no billing or credit (except "written by Sarah Bellum," a joking reference to his own brain); his name is not mentioned unless a guest addresses him by his first name or the initials "G. K.," though some sketches feature Keillor as his alter ego, Carson Wyler.
''A Prairie Home Companion'' regularly goes on the road and is broadcast live from popular venues around the United States, often featuring local celebrities and skits incorporating local color. Keillor also sometimes gives broadcast performances of a similar nature that do not carry the "Prairie Home Companion" brand, as in his 2008 appearance at the Oregon Bach Festival. In March 2011, Keillor announced that he would be retiring from "A Prairie Home Companion" in 2013.
Keillor is also the host of ''The Writer's Almanac'' which, like ''A Prairie Home Companion,'' is produced and distributed by American Public Media. ''The Writer's Almanac'' is also available online and via daily e-mail installments by subscription.
He also authored an advice column at ''Salon.com'' under the name "Mr. Blue." Following a heart operation, he resigned on September 4, 2001, his last column being titled "Every dog has his day":
Illness offers the chance to think long thoughts about the future (praying that we yet have one, dear God), and so I have, and so this is the last column of Mr. Blue, under my authorship, for Salon. Over the years, Mr. Blue's strongest advice has come down on the side of freedom in our personal lives, freedom from crushing obligation and overwork and family expectations and the freedom to walk our own walk and be who we are. And some of the best letters have been addressed to younger readers trapped in jobs like steel suits, advising them to bust loose and go off and have an adventure. Some of the advisees have written back to inform Mr. Blue that the advice was taken and that the adventure changed their lives. This was gratifying.So now I am simply taking my own advice. Cut back on obligations: Promote a certain elegant looseness in life. Simple as that. Winter and spring, I almost capsized from work, and in the summer I had a week in St. Mary's Hospital to sit and think, and that's the result. Every dog has his day and I've had mine and given whatever advice was mine to give (and a little more). It was exhilarating to get the chance to be useful, which is always an issue for a writer (What good does fiction do?), and Mr. Blue was a way to be useful. Nothing human is beneath a writer's attention; the basic questions about how to attract a lover and what to do with one once you get one and how to deal with disappointment in marriage are the stuff that fiction is made from, so why not try to speak directly? And so I did. And now it's time to move on.
In 2004 Keillor published a collection of political essays, ''Homegrown Democrat,'' and in June 2005 he began a column called "The Old Scout", which ran at Salon.com and in syndicated newspapers. The column went on hiatus in April 2010 "so that he [could] finish a screenplay and start writing a novel".
Keillor wrote the screenplay for the 2006 movie ''A Prairie Home Companion,'' directed by Robert Altman. (Keillor also appears in the movie.)
In 2006, after a visit to a United Methodist Church in Highland Park, Texas, Keillor created a local controversy with his remarks about the event, including the rhetorical suggestion of a connection between event participants and supporters of torture and a statement creating an impression of political intimidation: "I walked in, was met by two burly security men ... and within 10 minutes was told by three people that this was the Bushes' church and that it would be better if I didn't talk about politics." The security detail is purportedly routine for the venue, and according to participants, Keillor did not interact with any audience members between his arrival and his lecture. Supposedly, before Keillor's remarks, participants in the event had considered the visit to have been cordial and warm.
In 2007, Keillor wrote a column that in part criticized "stereotypical" gay parents, who he said were "sardonic fellows with fussy hair who live in over-decorated apartments with a striped sofa and a small weird dog and who worship campy performers." In response to the strong reactions of many readers, Keillor said
I live in a small world -- the world of entertainment, musicians, writers -- in which gayness is as common as having brown eyes .... And in that small world, we talk openly and we kid each other a lot. But in the larger world, gayness is controversial ... and so gay people feel besieged to some degree and rightly so .... My column spoke as we would speak in my small world, and it was read by people in the larger world and thus the misunderstanding. And for that, I am sorry. Gay people who set out to be parents can be just as good parents as anybody else, and they know that, and so do I.
In 2008, Keillor created a controversy in St. Paul when he filed a lawsuit against his neighbors' plans to build an addition on their home, citing his need for "light and air" and a view of "open space and beyond". Keillor's home is significantly larger than others in his neighborhood and would still be significantly larger than his neighbors' with its planned addition. Keillor came to an undisclosed settlement with his neighbors shortly after the story became public.
One Boston radio critic likens Keillor and his "down comforter voice" to "a hypnotist intoning, 'You are getting sleepy now'," while noting that Keillor does play to listeners' intelligence. Keillor rarely reads his monologue from a script.
One of the audio bumpers which begins each hour of Dennis Miller's radio talk show features a short clip of Keillor introducing a broadcast of ''APHC'', followed immediately by snoring.
In the bonus DVD material for the album ''Venue Songs'' by band They Might Be Giants, John Hodgman delivers a fictitious newscast in which he explains that "The Artist Formerly Known as Public Radio Host Garrison Keillor" and his "legacy of Midwestern pledge-drive funk" inspired the band's first "venue song."
Pennsylvanian singer-songwriter Tom Flannery wrote a song in 2003 entitled "I Want a Job Like Garrison Keillor's."
! Title | ! Department | ! Volume/Part | ! Date | ! Page(s) | ! Subject(s) |
Notes and Comment | The Talk of the Town | 60/47 | 7 January 1985 | 17-18 | A friend's visit to San Francisco and Stinson Beach, California. |
Category:American advice columnists Category:American Episcopalians Category:American humorists Category:American Public Media Category:American public radio personalities Category:American radio actors Category:American radio personalities Category:American satirists Category:Grammy Award winners Category:National Radio Hall of Fame inductees Category:Members of the American Academy of Arts and Letters Category:Minnesota Public Radio Category:The New Yorker people Category:The New Yorker staff writers Category:Writers from Minnesota Category:People from Ramsey County, Minnesota Category:People from Saint Paul, Minnesota Category:American people of Scottish descent Category:University of Minnesota alumni Category:1942 births Category:Living people Category:National Humanities Medal recipients
de:Garrison Keillor fr:Garrison Keillor he:גאריסון קיילור no:Garrison Keillor fi:Garrison KeillorThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
show name | American Masters |
---|---|
format | Documentary |
creator | Susan Lacy |
country | United States |
language | English |
executive producer | Susan Lacy (1986-present) |
producer | Thirteen/WNET |
channel | PBS |
first aired | |
last aired | present |
website | http://www.pbs.org/wnet/americanmasters/ |
production website | }} |
''American Masters'' is a PBS television show which produces biographies on the artists, actors and writers of the United States who have left a profound impact on the nation's popular culture. It is produced by WNET in New York City. The show debuted on PBS in 1986.
Groups or organizations featured include: Actor's Studio, Algonquin Round Table, Group Theatre, Sweet Honey in the Rock, Women of Tin Pan Alley, Negro Ensemble Company, Juilliard School, the Beat Generation, Sun Records, Vaudeville, and Warner Bros. Pictures.
The first of the 15 first-season episodes was ''Private Conversations'', a "cinema-verite documentary by Christian Blackwood done in that trickiest of cinematic forms: a film about a film, in this instance the television version of ''Death of a Salesman'', directed by Volker Schlöndorff". It aired on June 23, 1986, as one of two episodes not specifically commissioned for the show's first season.
Susan Lacy, ''American Masters'' creator and executive producer, selected each subject, matched them to the specific film makers, and oversaw a first-season budget of $8 million. Before creating the series Lacy had been the senior programmer for ''Great Performances'' and one of the "architects" of ''American Playhouse'', having written the original proposal for the latter. At the time of the show's premiere, she was also the East Coast head of the Sundance Institute.
After the show's first two seasons, ''American Masters'' began producing most of its episodes; in those cases, it hires directors, arranges for funding, manages the budget, and supervises the editing; the show reserves the right to make the final cut on every film it produces. The ''American Masters'' production company occasionally plays a more limited role and co-produces some of its episodes, such as the 2005 documentary on Bob Dylan, ''No Direction Home'', and then in 2010 The Doors, ''When You're Strange''.
Category:Programs produced by Thirteen/WNET New York Category:Lists of American people Category:PBS network shows Category:American documentary television series Category:1986 television series debuts Category:1980s American television series Category:1990s American television series Category:2000s American television series Category:2010s American television series
fr:American MastersThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Erma Bombeck |
---|---|
birth name | Erma Fiste |
birth date | February 21, 1927 |
birth place | Bellbrook, Ohio |
death date | April 22, 1996 |
death place | San Francisco, California |
occupation | Novelist, columnist |
nationality | American |
citizenship | United States |
period | 1965 to 1996 |
spouse | Bill Bombeck |
children | Betsy, Andrew, Matthew |
portaldisp | }} |
From 1965 to 1996, Erma Bombeck wrote over 4,000 newspaper columns chronicling the ordinary life of a midwestern suburban housewife with broad, and sometimes eloquent humor. By the 1970s, her columns were read, twice weekly, by thirty million readers of the 900 newspapers of the U.S. and Canada.
Erma began elementary school one year earlier than usual for her age, in 1932, and became an excellent student and an avid reader. She particularly enjoyed the popular humor writers of the time. After Erma's father died in 1936, she moved, with her mother, into her grandmother's home. In 1938 her mother remarried, to Albert Harris (a moving van owner). Erma practiced tap dance and singing, and was hired by a local radio for a children's revue for eight years.
In 1942, Erma began to work at the ''Dayton Herald'' as a copygirl, sharing her full-time assignment with a girlfriend. In 1943, for her first journalistic work, Erma interviewed Shirley Temple, who visited Dayton, and the interview became a newspaper feature.
Erma completed high school in 1944. Then, to earn a college scholarship fund, she worked for a year as a typist and stenographer, for the ''Dayton Herald'' and several other companies, and did minor journalistic assignments (obituaries, etc.) for the ''Dayton Herald'' as well.
Using the money she earned, Erma enrolled in Ohio University at Athens in 1946. However, she failed most of her literary assignments and was rejected for the university newspaper. She left after one semester, when her funds ran out.
Erma later enrolled in the Roman Catholic University of Dayton. She lived in her family home and worked at Rike's Store, a department store, where she wrote humorous material for the company newsletter. In addition, she worked two part-time jobs - a termite control accountant at an advertising agency and as a public relations person at the local YMCA. While in college, her English professor, Fr. Tom Price, commented to Erma about her great prospects as a writer, and she began to write for the university publication, ''The Exponent''. Erma graduated in 1949, with a degree in English. She became a life-long active contact for the University — helping financially and participating personally — and became a lifetime trustee of the institution in 1987.
In 1949, Erma also converted to Catholicism, from the United Brethren church, and married Bill Bombeck, a former fellow student of the University of Dayton, who was a veteran of the World War II Korean front. His subsequent profession would be that of educator and school supervisor. Bombeck remained active in the Church the rest of her life.
Despite the former difficult diagnoses, Erma Bombeck gave birth to a son, Andrew, in 1955. The Bombeck family moved to Centerville, Ohio, into a tract housing development, and were neighbors to the young Phil Donahue. Away from her previous journalistic career, Bombeck initiated an intense period of homemaking, which lasted 10 years, and had her second son, Matthew, in 1958.
In 1965, the ''Dayton Journal Herald'' requested new humorous columns as well, and Bombeck agreed to write two weekly 450-word columns for $50. After three weeks, the articles went into national syndication through the Newsday Newspaper Syndicate, into 36 major U.S. newspapers, with three weekly columns under the title "At Wit's End".
Bombeck quickly became a popular humorist nationwide. Beginning in 1966, she began doing lectures for a $15,000 fee in the various cities where her columns appeared. In 1967, her newspaper columns were compiled and published by Doubleday, under the title of ''At Wit's End.'' And after a humorous appearance on Arthur Godfrey's radio, she became a regular radio guest on his show.
By 1978, 900 U.S. newspapers were publishing Bombeck's column.
For several years, Bombeck was occupied with multiple writing and TV projects. In 1978, she failed with the television pilot of ''The Grass is Always Greener'' on CBS. In 1980, then Bombeck wrote and produced her own show, the also unsuccessful ''Maggie'', for ABC. It aired for just four months (eight episodes) to poor reviews; nevertheless the show meant that Bombeck was becoming quickly overworked, returning from Los Angeles to Phoenix only during weekends. Bombeck was offered a second sitcom attempt but she declined.
Her remains are interred in the Woodland Cemetery, Dayton, Ohio, under a large rock from the Phoenix desert.
Category:1927 births Category:1996 deaths Category:American columnists Category:American humorists Category:Writers from Ohio Category:People from Dayton, Ohio Category:University of Dayton alumni Category:Burials at Woodland Cemetery, Dayton Category:Deaths from surgical complications Category:People from Phoenix, Arizona
cs:Erma Bombeck de:Erma Bombeck pt:Erma Bombeck tl:Erma BombeckThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Ernie Manouse |
---|---|
Birth date | September 01, 1969 |
Residence | Houston, TX |
Nationality | American |
Known for | InnerVIEWS with Ernie Manouse |
Employer | HoustonPBS |
Occupation | Television Host |
Website | ernieontv.com }} |
In 1996, Ernie moved to Houston, Texas and spent six years hosting and producing the daily magazine program ''WeekNight Edition'' which evolved into ''WeekDAY'' and became Houston’s most celebrated local television program, earning multiple Emmy and Houston Press Club awards. Manouse shared with Matthew Brawley the 2006 Katie Award for "Outstanding Interview/Talk Show" for the Southern region. In October 2002, Manouse helped to create and produce the local prime time magazine show The Connection, which he hosted for two years. In 2004, Manouse launched the syndicated series InnerVIEWS with Ernie Manouse. This award winning series is distributed nationally to PBS stations across the country, and airs in more than 100 cities in the U.S. and the Virgin Islands. The show features Manouse in unedited, one-on-one interviews with noted personalities such as Patti LuPone and Jamie Foxx. Manouse thoroughly researches his guests before interviewing them, and arranges an informal setting to encourage spontaneous discussion. Another area of broadcasting that Manouse has explored is late night talk, and on February 9, 2005, Manouse launched The After Party, combining arts coverage and light-hearted interviews reminiscent of Johnny Carson and Jack Parr. The show received positive reviews from both critics and audiences alike, garnering the coveted Emmy nomination for "Best Entertainment/Variety program" in its first season. The program ended its run on November 15, 2006 after over 50 episodes.
In 2006, Manouse produced and anchored A Conversation on RACE for HoustonPBS. He also produced the political Red, White & Blue and moderated the 2002 Houston Mayoral Debates, the 2008 Texas Supreme Court Judicial Debate, and the 2008 Texas US Senate Debate. In 2009, Manouse became the anchor and producer of Houston 8, a weekly current events discussion series. He also hosted the 2009 HoustonPBS Spelling Bee, the largest regional qualifying spelling bee for the national Scripps Spelling Bee.
After seven nominations for the Lone Star (Texas) regional chapter of the Emmy Awards, Manouse won three Emmys in 2009. He won for Best Information Series and Best On-Air Talent. He also won an Emmy for his work on the Houston Spelling Bee in the category of Best Event Coverage. Manouse is also a voice actor. He has done the English voiceovers for over a dozen Japanese anime videos produced by ADV Films including ''Gilgamesh'', ''Le Chevalier D'Eon'' and Cromartie High School.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
birthname | Gloria Jean Schoonover |
---|---|
birth date | April 14, 1926 |
birth place | Buffalo, New York, U.S. |
yearsactive | 1939–1962 |
occupation | Actress, singer |
spouse | (divorced) |
website | }} |
Gloria Jean (born April 14, 1926) is an American singer and actress who starred or co-starred in 26 feature films between 1939 and 1959. She also made radio, television, stage, and nightclub appearances.
Under contract to Universal, she was given the leading role in the 1939 feature ''The Under-Pup'', and became instantly popular with moviegoers. Universal's publicity department initially claimed the singer was 11 years old instead of 13; her actual age was not well known until recently.
For her next two vehicles, she co-starred with Bing Crosby in ''If I Had My Way'' and starred in the well-received ''A Little Bit of Heaven'' (which reunited her with many from the ''Under-Pup'' cast). Her best-known picture is her fourth, ''Never Give a Sucker an Even Break'', in which she co-starred with W. C. Fields.
With Deanna Durbin forging ahead in dramatic roles, Universal recognized the need for musical entertainment during wartime, and Gloria Jean appeared in a series of musicals during those years. She became one of Universal's most prolific performers; during the war years she made 14 feature films. Most were "hepcat" musicals, which were geared to the teenage crowd of that day, and Universal often used them to introduce new talent, including Donald O'Connor, Peggy Ryan, Mel Tormé, and Marshall Thompson. Her dramatic tour de force, as a blind girl being menaced by an escaped killer, was filmed as one of four vignettes for Julien Duvivier's ''Flesh and Fantasy''. Jean's performance was the best-received of the four. However, Universal removed the half-hour sequence and shelved it until 1944, when it was expanded into a feature-length melodrama, ''Destiny''. She co-starred with Olsen and Johnson in the big-budget ''Ghost Catchers'', and in her last two Universal features, released in 1945, she was teamed with singer-actor Kirby Grant.
When Gloria's Universal contract lapsed, she was convinced by her agent to not renew it, but instead to make personal appearances across America. The successful tour prompted a new tour of Europe. In England, her rendition of "The Lord's Prayer" (and the lyric "forgive us our debts") was taken by some critics as a pointed comment about America's lend-lease policy. Thus the European tour ended abruptly and Gloria returned to Hollywood.
She resumed her movie career as a freelance performer in United Artists, Columbia Pictures, and Allied Artists productions, the best-known being ''Copacabana'' with Groucho Marx. Some theatre and television work followed in the 1950s and 1960s; the forgettable 1955 movie ''Air Strike'' and the lightweight comedy ''The Madcaps'' (filmed in 1959, re-released 1964) survive. Her final movie was with Jerry Lewis in ''The Ladies Man'', but her scenes were cut from the final print, and she is barely noticeable among the extras. She retired from show business in 1963 and began a 30-year career with Redken Laboratories, a national cosmetics firm, where she worked until her retirement in 1993.
Gloria Jean's films are beginning to receive new exposure: ''If I Had My Way'' has been restored to its original length and issued on DVD, followed by the DVD release of ''Never Give a Sucker an Even Break''. (Latter-day documentaries about Fields include recent clips of Gloria Jean, reminiscing about working with him.) Universal Pictures has also struck new 35mm prints of ''Mister Big'' and ''Get Hep to Love'' for theatrical use. Her 1947 film ''Copacabana'' is widely available on home video.
Her authorized biography, ''Gloria Jean: A Little Bit of Heaven'', was published in 2005. A tribute website, GloriaJeanSings.com, followed, again with authorization.
Category:Actors from New York Category:Actors from Pennsylvania Category:American child actors Category:American female singers Category:American film actors Category:People from Buffalo, New York Category:People from Scranton, Pennsylvania Category:1926 births Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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