Coordinates | 53°49′27″N23°20′27″N |
---|---|
Name | Channel 4 |
Logosize | 150px |
Logofile | Channel 4 New Logo.svg |
Logoalt | Channel 4's logo is now cut out from a white background, and is shown in moving distortions that reveal programme-specific graphics underneath |
Launch | 2 November 1982 |
Picture format | 576i (SDTV 16:9)1080i (HDTV) |
Timeshift names | Channel 4+1 |
Share | 5.9%1.0% (+1) |
Share as of | June 2011 |
Share source | BARB |
Sister names | Film4,E4,More4,4Music,Kerrang!,Kiss,Magic,Q,Smash Hits!,The Box |
Owner | Channel Four Television Corporation |
Country | United Kingdom |
Web | channel4.com |
Terr serv 1 | Analogue |
Terr chan 1 | ''Normally tuned to 4''(excluding Wales) ''(To be phased out nationwide by 2012)'' |
Terr serv 2 | Freeview |
Terr chan 2 | Channel 4Channel 8 (Wales)Channel 13 (+1)Channel 52 (HD, excluding Wales)(Currently being rolled out) |
Sat serv 1 | Freesat |
Sat chan 1 | Channel 104Channel 120 (Wales)Channel 121 (+1)Channel 126 (HD) |
Sat serv 2 | Sky |
Sat chan 2 | Channel 104Channel 117 (Wales)Channel 135 (+1)Channel 135, 136 +1 (IRL)Channel 140 (HD) |
Sat serv 3 | Astra 2D| |
Sat chan 3 | 10714H 22000 5/610729V 22000 5/6| |
Sat serv 4 | Astra 2A| |
Sat chan 4 | 12480V 27500 2/3| |
Sat serv 5 | Eurobird 1| |
Sat chan 5 | 12606V 27500 3/4 (HD)| |
Cable serv 1 | Virgin Media |
Cable chan 1 | Channel 104Channel 143 (+1)Channel 142 (HD) |
Cable serv 2 | UPC Ireland |
Cable chan 2 | Channel 111| |
Cable serv 3 | Cablecom (Switzerland) |
Cable chan 3 | Channel 163 (CH-D) |
adsl serv 1 | TalkTalk TV |
adsl chan 1 | Channel 4 |
online serv 1 | 4oD |
online chan 1 | Main online service of Channel 4 }} |
The channel was established to provide a fourth television service to the United Kingdom in addition to the television licence-funded BBC's two services and the single commercial broadcasting network, ITV.
The preamble of the remit as per the Communications Act 2003 states that:
"The public service remit for Channel 4 is the provision of a broad range of high quality and diverse programming which, in particular:demonstrates innovation, experiment and creativity in the form and content of programmes; appeals to the tastes and interests of a culturally diverse society; makes a significant contribution to meeting the need for the licensed public service channels to include programmes of an educational nature and other programmes of educative value; and exhibits a distinctive character."
The remit also involves an obligation to provide programming for schools, and a substantial amount of programming produced outside of Greater London.
name | Channel Four Television Corporation |
---|---|
type | Private/Limited |
foundation | 2 November 1982 |
location city | London |
location country | United Kingdom |
area served | United Kingdom |
industry | Broadcasting |
products | Television and Radio |
homepage | www.channel4.com |
intl | }} |
Towards the end of the 1980s, the government began a radical process of re-organisation of the commercial broadcasting industry, which was written onto the statute books by means of the Broadcasting Act 1990. Significantly, this meant the abolition of the IBA, and hence the Channel Four Television Company. The result led to the creation of a corporation to own and operate the channel, which would have a greater deal of autonomy and would eventually go on to establish its other operations. The new corporation, which became operational in 1993, remained publicly owned and was regulated by the new Independent Television Commission (ITC), created under the same act. The ITC and its duties were later replaced by Ofcom, which like its predecessor is responsible for appointing the Corporation's board, in agreement with the Secretary of State for Culture, Media and Sport.
In terms of the station's remit and other duties, the creation of the corporation meant little change; the new corporation would have to manage its own advertising, rather than this being carried out on its behalf by the local ITV contractors (see Funding).
The result was that Channel 4 as seen by the rest of the United Kingdom would be replaced in Wales by ''Sianel Pedwar Cymru (S4C)'' (). Operated by a specially created Welsh Fourth Channel Authority, S4C would air programmes in Welsh as made by HTV, the BBC, or from independent companies. Initially limited frequency space meant that Channel 4 could not be broadcast alongside S4C, though some English Channel 4 programmes would be aired at less popular times on the Welsh variant, a practice that carried on up until the closure of S4C's analogue transmissions in 2010.
Since then, carriage on digital cable, satellite and digital terrestrial has introduced Channel 4 to Welsh homes where it is now universally available.
The notion of a second commercial broadcaster in the United Kingdom had been around since the inception of ITV in 1954 and its subsequent launch in 1955; the idea of an 'ITV2' was long expected and pushed for. Indeed television sets sold throughout the 1970s and early 1980s had a spare channel called 'ITV/IBA 2'. Throughout ITV's history and until Channel 4 finally became a reality, a perennial dialogue existed between the GPO, the government, the ITV companies and other interested parties, concerning the form such an expansion of commercial broadcasting would take. It was most likely politics which had the biggest impact in leading to a delay of almost three decades before the second commercial channel became a reality. With what can crudely be summed up as a clash of ideologies between an expansion of ITV's commercial ethos and a public service approach more akin to the BBC, it was ultimately something of a compromise that eventually led to the formation of Channel 4 as launched in 1982.
One clear benefit of the 'late arrival' of the channel was that its frequency allocations at each transmitter had already been arranged in the early 1960s, when the launch of an ITV2 was highly anticipated. This led to very good coverage across most of the country and few problems of interference with other UK-based transmissions; a stark contrast to the problems associated with Channel 5's launch 14 and a half years later.
Upon its launch, Channel 4 committed itself to providing an alternative to the existing channels, an agenda in part set out by its remit which required the provision of programming to minority groups.
In step with its remit, the channel became well received both by minority groups and the arts and cultural worlds during this period, especially under Isaacs, where the channel gained a reputation for programmes on the contemporary arts. The channel often did not receive mass audiences for much of this period, however, as might be expected for a station focusing on minority interest.
Channel 4 also began the funding of independent films, such as the Merchant-Ivory docudrama ''The Courtesans of Bombay'', during this time.
In 1992, Channel 4 also faced its first libel case by Jani Allan, a South African journalist, who objected to her representation in the documentary ''The Leader, His Driver and the Driver's Wife''.
In the early 2000s, Channel Four began broadcasting reality formats such as ''Big Brother'' and obtained the rights to broadcast mass appeal sporting events like cricket and horse racing. This new direction increased ratings and revenues.
In addition, the channel launched a number of new television channels through its new 4Ventures off-shoot, including Film4, At The Races, E4 and More4 (see Other services).
Partially in reaction to its new 'populist' direction, the Communications Act 2003 directed the channel to demonstrate innovation, experimentation and creativity, appeal to the tastes and interests of a culturally diverse society and to include programmes of an educational nature which exhibit a distinctive character.
Under the leadership of Freeview founder Andy Duncan, 2005 saw a change of direction for Channel 4's digital channels. Channel 4 made E4 'free to air' on Digital Terrestrial, and launched a new 'free to air' digital channel called More4. By October, Channel 4 had joined the Freeview consortium. By July 2006, Film4 had also become a 'free to air' and re-started broadcasting on Digital Terrestrial.
Venturing into radio broadcasting, 2005 saw Channel 4 purchase 51 per cent of shares in the now defunct Oneword radio station with UBC Media holding on to the remaining shares. New programmes such as the weekly, half-hour ''The Morning Report'' news programme were among some of the new content Channel 4 provided for the station, with the name 4Radio being used. As of early 2009, however, Channel 4's future involvement in radio remained uncertain.
On 2 November 2007, the station celebrated its twenty-fifth birthday. It showed the first episode of ''Countdown'', an anniversary ''Countdown'' special, as well as a special edition of The Big Fat Quiz and using the original multicoloured 1982-1996 blocks logo on presentation and idents using the Fourscore jingle throughout the day.
In November 2009, Channel 4 launched a week of 3D television, broadcasting selected programmes each night using stereoscopic ColorCode technology. The accompanying 3D glasses were distributed through Sainsbury's supermarkets.
On 28 March 2007, Channel 4 announced plans to launch a music channel "4Music" as a joint venture with British media company EMAP which would include carriage on the Freeview platform. On 15 August 2008, 4Music was launched across the UK. Recently, Channel 4 have announced interest in launching a high-definition version of Film4 on Freeview, to coincide with the launch of Channel 4 HD, however the fourth HD slot was given to Channel 5 instead. Channel 4 has since acquired a 50% stake in EMAP's TV business for a reported £28 million.
Due to its special status as a public service broadcaster with a specific remit, it is afforded free carriage on the terrestrial platforms, in contrast with other broadcasters such as ITV.
Channel 4 is also available overseas: parts of the European mainland have been able to receive terrestrial transmissions from the United Kingdom, and some overseas cable networks have carried the service.
Channel 4 Ulster has been available in large parts of Ireland, especially border counties which have been able to receive terrestrial transmissions from Northern Ireland. Channel 4 Ulster has been carried on Irish cable networks since the station went on the air in 1982. S4C has been available as a terrestrial transmission from Wales in southern counties such as Cork, Waterford, Wexford and Wicklow.
From 4 December 2006 Channel 4 was officially available to Sky viewers in Ireland; some programmes, mainly imports, are not aired on this channel variant, due to Channel 4 not owning the relevant broadcast rights within the country.
Channel 4 allowed Internet users in the United Kingdom to watch Channel 4 live on the Internet. However some programmes (mostly international imports) were not shown and this service no longer exists. Channel 4 is also provided by Virgin Mobile's DAB mobile TV service which has the same restrictions as the Internet live stream had.
Channel 4 also makes some of its programming available "on demand" via cable and the Internet (see 4oD).
Nowadays it pays for itself in much the same way as most privately run commercial stations, i.e. through the sale of on-air advertising, programme sponsorship, and the sale of any programme content and merchandising rights it owns, such as overseas sales and video sales. It also has the ability to subsidise the main network through any profits made on the corporation's other endeavours, which have in the past included subscription fees from stations such as E4 and Film4 (now no longer subscription services) and its 'video-on-demand' sales. In practice, however, these other activities are loss-making, and are subsidised by the main network. According to Channel 4's last published accounts, for 2005, the extent of this cross-subsidy was some £30 million.
The change in funding method came about by the Broadcasting Act 1990 when the new corporation was afforded the ability to fund itself. Originally this arrangement left a 'safety net' guaranteed minimum income should the revenue fall too low, funded by large insurance payments made to the ITV companies. Such a subsidy was never required, however, and these premiums were phased out by government in 1998. After the link with ITV was cut, the cross-promotion which had existed between ITV and Channel 4 also ended.
In 2007 due to severe funding difficulties, the channel sought government help and was granted a payment of £14 million over a six-year period. The money would have come from the television licence fee and would have been the first time that money from the licence fee had been given to any broadcaster other than the BBC. The plan was scrapped by The Secretary of State for Culture, Media and Sport, Andy Burnham, ahead of "broader decisions about the future framework of public service broadcasting". The broadcasting regulator Ofcom released their review in January 2009 in which they suggested that Channel 4 would preferably be funded by "partnerships, joint ventures or mergers".
Channel 4 is a "publisher-broadcaster", meaning that it commissions or "buys" all of its programming from companies independent of itself, and was the first broadcaster in the United Kingdom to do so on any significant scale. This had the consequence of starting an industry of production companies that did not have to rely on owning an ITV licence in order to see their programmes air, though since Channel 4, external commissioning has become regular practise on the numerous stations that have launched since, as well as on the BBC and in ITV (where a quota of 25% minimum of total output has been imposed since the 1990 Broadcasting Act came into force). Ironically, having been the first British broadcaster to completely commission its core product from third parties, and after 25 years in-house, Channel 4 will now become the last terrestrial broadcaster to outsource its transmission and playout operations (to Red Bee Media).
The requirement to obtain all content externally is stipulated in its licence. Additionally, Channel 4 also began a trend of owning the copyright and distribution rights of the programmes it aired, in a manner that is similar to the major Hollywood studios' ownership of television programs that they did not directly produce. Thus, although Channel 4 does not produce programmes, many are seen as belonging to it.
Channel 4 also pioneered the concept of ''stranded programming'', where seasons of programmes following a common theme would be aired and promoted together. Some would be very specific, and run for a fixed period of time; the ''4 Mation'' season, for example, showed innovative animation. Other, less specific strands, were (and still are) run regularly, such as ''T4'', a strand of programming aimed at teenagers, on weekend mornings (and weekdays during school/college holidays); ''Friday Night Comedy'', a slot where the channel would pioneer its style of comedy commissions, ''4Music'' (now a separate channel) and ''4Later'', an eclectic collection of offbeat programmes transmitted to a cult audience in the early hours of the morning.
In its earlier years, ''Red Triangle'' was the name given to the airing of certain risqué art-house films due to the use of a red triangle DOG in the upper right of the screen, dubbed as being pornographic by many of Channel 4's critics, whilst general broadcasting of films on the station for many years came under the banner of ''Film on Four'' prior to the launch of the ''FilmFour'' brand and station in the late 1990s.
Its critically acclaimed news service, ''Channel 4 News'', is supplied by ITN whilst its long-standing investigative documentary, ''Dispatches'', causes perennial media attention.
In March 2010 these additional services were reviewed by the government's Culture, Media and Sport select committee. The channel and its Chief Executive were criticised for breaking service commitments, a lack of transparency in accounting for digital channels, poor governance and failed investments
Following the sale of Quiz Call (a gaming channel operated by the then-owned subsidiary Ostrich Media) in 2006, a restructure of 4Ventures saw many of its activities re-integrated back into the main channel's operations (including day-to-day running of E4, Film4 and More4).
4Rights, was formed from an amalgamation of ''Channel 4 International'' and ''Channel 4 Consumer Products''. As part of the restructure, much of the 4Ventures management team either left the company - former chief executive (and Channel 4 commercial director) Rob Woodward, and managing director Anmar Kawash are now Chief Executive Officer and Chief Operating Officer respectively of STV Group plc - or transferred to other posts within Channel 4.
In 2007, the expanding, UK-based, independent distribution group Digital Rights Group (DRG) announced an intention to buy Channel 4 International (adding it to Zeal and ID Distribution among its other companies), following a review by Channel 4 of its commercial division. The deal was completed in November of the same year. The Consumer Products division has been retained by Channel 4 as part of a new, restructured, 4Rights division.
Channel 4 launched a subscription film channel, FilmFour, in November 1998. It was available on digital satellite television and digital cable. Companion services, such as FilmFour+1, FilmFour World and FilmFour Extreme were also available on some digital services. In 2003 Extreme and World were discontinued, and replaced with FilmFour Weekly. FilmFour Weekly closed in July 2006, when the main, newly named Film4 channel went free-to-view and became available on Digital Terrestrial. The switchover to digital terrestrial was heavily advertised. The adverts featured Lucy Liu, Christian Slater, Ewan McGregor, Dame Judi Dench, Gael García Bernal, Willem Dafoe, Mackenzie Crook, Rhys Ifans and Ray Winstone declaring "Film4 is now free" in various situations across London. It remains the only film channel available free on digital terrestrial television.
In 2002, Channel 4's film financing division (Film4 Productions) was seriously scaled back, due to massive losses, although total closure was averted. It had however had various successes, most notably ''Four Weddings and a Funeral'' and ''Trainspotting''. In 1994, BAFTA/LA (the Los Angeles branch of the British Academy of Film & Television Arts) presented a full-length film festival in Los Angeles in conjunction with the American Cinematheque (the US equivalent of Britain's National Film Theatre) that saluted the considerable contributions to British film of Channel 4's film division since its inception. The festival presented many of the most celebrated Channel 4 films, and also featured panel discussions about Channel 4's role between Channel 4 chief executive Michael Grade and US TV producer Norman Lear.
When Channel 4 had the rights to broadcast test match cricket in England, the downtime of the FilmFour channel was often used to broadcast uninterrupted coverage of a match when the main channel was committed elsewhere, usually to racing. At these times FilmFour was available unencrypted and free-to-air.
In 2005 it launched on Digital Terrestrial. E4 now has as much coverage as other services available on Cable, Satellite and Digital Terrestrial like ITV2 and BBC Three. It is a very successful channel with a ''first look'' or sneak peek, with the next episode of some series, such as ''Hollyoaks ''and ''Desperate Housewives'' appearing on E4 immediately after the show on Channel 4 has finished. Also they have "Second Chance Sunday" which allows you to see programmes you have missed during the week on a Sunday. New show ''Skins'' was a massive success for E4, peaking at the 2 million mark - one of the most viewed premières in digital TV history. There has, however, been some criticism that E4 (like many other digital channels), relies on seemingly endless repeats of a small selection of shows (notably ''Friends''), with further suggestion that it is often the same ''season'' of a particular show that is endlessly repeated.
During ''Big Brother'', E4 plays host to live coverage of the show, subject to a delay. Until 2005, programmes on the channel did not air until 14.00 GMT, but on 12 August 2005 the widely-advertised E4 Music airs from 06.00 until 10.00 GMT, with various music shows and videos being showcased. This however is rested during ''Big Brother''. Transmission of E4 Music has since declined and has been replaced with repeats of popular E4 shows. It has been declared that E4 Music has been moved permanently to the new 4Music channel. Since 2008, live coverage of Big Brother has been shortened during the day, until coming to a close in 2010.
E4 is widely available in Ireland in close to 70% of homes. It is carried on the NTL / Chorus cable networks and also on Sky. The channel operates a separate advertising opt-out in Ireland allowing advertisers to directly target Irish audiences. This has been a highly successful commercial operation and all airtime sales are handled on the channels behalf by Medialink in Dublin.
On Sundays, Channel 4's 4Music strand aired between 17:00 and midnight on The Hits. The first 'episode' was presented by the most successful female act of the century Sugababes, however 4Music Sundays were meant to feature live acts and also The Shockwaves Album Chart Show.
On 20 February 2008, it was announced that The Hits was to be rebranded as 4Music later in the year, and on 15 August 2008, Channel 4 replaced The Hits with 4Music. 4Music is available on Sky 360, Virgin 330 and Freeview 18. (See ''Box Television'')
4Music also has its own monthly music magazine show, The Crush. Which is hosted by Rick Edwards.
Channel 4 +1, E4 +1 and More4 +1 all carry a "+1" indication onscreen. There was some concern about how it would be indicated on Channel 4 +1 as Channel 4 does not carry its own on-screen graphic. Eventually, a "+1" symbol that is derived from the Channel 4 logo was unveiled. Neither Film4 nor Film4 +1 carry on-screen graphics.
The channel carries the same schedule as Channel 4, broadcasting programmes in HD when available. Initially this has been mostly American imports (such as ''Ugly Betty'' for example) and movies, however, original programming such as ''Hollyoaks'' and ''Skins'' have been broadcast in HD. Although the intention is to increase the amount of "home grown" material being broadcast in HD. It has been announced as the UK's first full-time high definition channel from a terrestrial broadcaster.
Previously, in the summer of 2006, Channel 4 ran a six month closed trial of HDTV, as part of the wider Freeview HD experiment via the Crystal Palace transmitter to London and parts of the home counties, including the use of ''Lost'' and ''Desperate Housewives'' as part of the experiment, as US broadcasters such as ABC already have an HDTV back catalogue.
Channel 4 was the leading member of the 4 Digital Group consortium, which includes EMAP, UTV and STV Group plc as partners (although STV's involvement will cease when Virgin Radio is floated as a separate company). In July 2007 The group was awarded the 12 year licence to operate the second national DAB radio licence after having defeated its only rival, National Grid Wireless, in the three-month bidding process.
The service would have operated ten radio stations, including Channel 4 Radio, E4 Radio, Sky News Radio (operated by BSkyB and Global Radio) and Radio Disney (in association with Disney). Many of the services, especially Channel 4 Radio and E4 Radio would have competed directly with national BBC Radio stations. Podcast and text services were also to have been provided. In October 2008 Channel 4 announced that it was abandoning its plans for digital radio stations.
The successful multiplex consortium was expected to launch in 2008 with a taste of Channel 4 Radio's audio output made available earlier, including a revival of the channel's The Tube music programme, and a very small amount of 4radio-branded content was heard on Oneword until its closure in January 2008.
Channel 4, as part of its review of public serving spending in 2008 decided to focus its expenditure on TV content and decided to stop its radio plans, resulting in the closure of 4 Digital Group.
4oD is a video on demand service from Channel 4. Launched in November 2006, 4oD stands for "4 on Demand". The service offers a variety of programmes recently shown on Channel 4, E4, More4 or from their archives. However some programmes and movies are not available due to rights issues.
Channel 4 originally licensed an ancillary teletext service to provide schedules, programme information and features. The original service was called 4-Tel and was provided in collaboration with Oracle. In 1993, with Oracle losing its franchise to Teletext Ltd, the running of 4-Tel was taken over by Intelfax, and in 2002 was renamed FourText.
In 2003, Channel 4 awarded Teletext Ltd a ten year contract to run the channel's ancillary teletext service, named Teletext on 4. The service is provided on both Channel 4 analogue and digital television services, Channel 4, E4 and More4. This has now been ceased and Teletext is no longer available on Channel 4, ITV and Channel 5.
Despite nearly all Channel 4 programmes being commissioned from independent production companies, the Channel 4 headquarters originally contained a studio and post-production facility, marketed as 124 Facilities. The studio was used for Channel 4 programmes (such as T4 continuity), and other channels' programmes such as Channel 5's football coverage. The studio was closed at the end of October 2007 and only the post-production operation remains, though it is now managed by Red Bee Media.
A few exceptions exist to this rule for programming and continuity: Ireland has a dedicated variant broadcast on Sky Ireland which omits programmes for which broadcast rights are not held in Ireland. For example, the series Glee is not available on Channel 4 on Sky in Ireland.
Some of Channel 4's schools' programming (1980s/early '90s) were regionalised due to differences in curricula between different regions.
Part of Channel 4's remit covers the commissioning of programmes from outside London. Channel 4 has a dedicated director of nations and regions, Stuart Cosgrove, who is based in a regional office in Glasgow. As his job title suggests, it is his responsibility to foster relations with independent producers based in areas of the United Kingdom (including Wales) outside of London.
Advertising on Channel 4 does contain regular variation: prior to 1993, when ITV was responsible for selling Channel 4's advertising, each regional ITV company would provide the content of advertising breaks, covering the same transmitter area as themselves, and these breaks were often unique to that area. After Channel 4 became responsible for its own advertising, it continued to offer advertisers the ability to target particular audiences and divided its coverage area into six parts coining the term 'LEMNUS' standing for "London, The East [and South] of England, The Midlands, The North of England, Ulster and Scotland.
At present, Wales does not have its own advertising region, instead its viewers receive the southern region on digital platforms intentionally broadcast to the area, or the neighbouring region where analogue transmissions spill over into Wales. Ireland (the Republic) shares its advertising region with Northern Ireland (referred to by Channel 4 as the 'Ulster Macro') with many advertisers selling products for Ireland here. E4 has an advertising variant for Ireland, although Northern Ireland receives the UK version of E4. The six regions are also carried on satellite, cable and Digital Terrestrial.
Channel 5 and GMTV use a similar model to Channel 4 for providing their own advertising regions, despite also having a single national output of programming.
Category:Peabody Award winners Category:Media companies based in London Category:Statutory corporations of the United Kingdom government Category:1982 establishments in the United Kingdom Category:Television channels and stations established in 1982
bn:চ্যানেল ৪ ca:Channel 4 cy:Channel 4 da:Channel 4 de:Channel 4 es:Channel 4 fr:Channel 4 ko:채널 4 is:Channel 4 it:Channel 4 he:ערוץ 4 ms:Channel 4 nl:Channel 4 ja:チャンネル4 no:Channel 4 pl:Channel 4 pt:Channel 4 simple:Channel 4 fi:Channel 4 sv:Channel 4 tr:Channel 4 (Britanya) zh:英國第四台This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
He was a highly decorated officer, being awarded the Weera Wickrama Vibhushanaya, Rana Wickrama Padakkama and the Rana Sura Padakkama at once, a first in the Sri Lankan military history. He was the youngest promoted as a commanding officer. As an officer instructor at the Sri Lanka Military Academy (SLMA) in Diyatalawa, he trained the first foreign cadets to attend SLMA and went on to become its commanding officer.
During 2002-2004 peace talks he took part in negotiations to open the A-9 Main Supply Route (MSR). With the resumption of hostilities he become the Brigade Commander of the Air Mobile Brigade and later took command of the 58 Division and was instrumental in the military capturing several former LTTE strongholds including the Mannar rice Bowl, Nachchikuda, Devils Point, Pooneryn, Kilinochchi, Elephant Pass, Vishvamadu and Puthukudirippu. After the end of the war he was appointed as Director of Operations of the Sri Lanka Army and promoted to the rank of Major General.
In 2010, he took up position as Deputy Permanent Representative to the United Nations as the only serving army officer to hold such a post.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 53°49′27″N23°20′27″N |
---|---|
name | Derren Victor Brown |
birth name | Derren Victor Brown |
birth date | February 27, 1971 |
birth place | Purley, London, England,United Kingdom |
occupation | Psychological illusionist, mentalist, artist, painter, writer, sceptic, television presenter |
years active | 1992-present |
nationality | British |
website | }} |
Though his performances of mind-reading and other feats of mentalism may appear to be the result of psychic or paranormal practices, he claims no such abilities and frequently denounces those who do. Brown states at the beginning of his ''Trick of the Mind'' programmes that he achieves his results using a combination of "magic, suggestion, psychology, misdirection and showmanship". Using his knowledge and skill, he appears to be able to predict and influence people's thoughts with subtle suggestion, manipulate the decision making process and read the subtle physical and psychological signs or body language that indicate what a person is thinking.
Andy Nyman was originally intended to front the programme but he wanted to concentrate on acting so Brown was recommended to the producers by comedian and close-up magician Jerry Sadowitz.
The episode raised considerable controversy. Mick Grierson, credited in the episode as "Zombie Game Designer", put up a website linking to various articles about the episode.
Episodes of ''Trick or Treat'' are not preceded by Brown's usual claim that no actors or stooges were used in the filming of the shows. Indeed, some participants (such as the ambulance crew in the last episode) are declared to be actors.
The second series of "Trick or Treat" began on 2 May 2008 at 22.00 on Channel 4. The third episode showed a slight change from the previous format, as actor David Tennant became the first celebrity to be used for the show. The two had met at a party where Tennant expressed interest in Brown's work. While writing the second season Brown "thought it would be fun if one of the participants was well known".
The last episode of the second series featured all volunteers of the series who had previously received a trick or treat. This episode highlighted the belief in superstition and the degree to which it can be applied.
# | Title | Original airdate |
The programme was initially condemned by senior British police officers, apparently fearful of copycat acts. In addition Jersey police stated that "There was no live ammunition involved and at no time was anyone at risk" and "There is absolutely no way that the States of Jersey police would allow anybody to put themselves at risk and shoot themselves dead." When asked about the possible use of blanks in the act Brown responded, "But the frustrating and kind of ironic part of it was that even if it had been a blank that wouldn’t have made it any less dangerous. You shoot a blank next to your head and it will still kill you.”
Brown himself defended the programme, saying, "It probably sounds odd. But as a magic-related performer, to have that even being asked: Was it real? Was it not real? That lifts it to a level that I'm very comfortable with. What's left is the fact that it was a terrific piece of television."
The show attempted to involve the television audience with interactive activities, the first being to identify one of the members of the suicide pact by looking at photographs. The 12 pictures were shown on screen in a set pattern, with half of them in colour and half black and white. The viewer was instructed to choose one of the colour images that they "feel a connection with". Brown then directed the viewers in a movement pattern between the photographs (for example, move left or right to one of the adjacent black and white photographs). The positioning and movement instructions were carefully planned to ensure that no matter which photograph was initially chosen the viewer would finish on the picture of "Jane". Ten of the students also chose Jane. During the following Ouija board scene, the "spirit" guided the students to spell the name ''Jane''.
Two of the students, along with the television viewers, were asked to write the name of a city. Both students chose London.
The final scene, the séance itself, saw the group "contact" Jane. One of the students spoke as if she were Jane, giving details of her life. A letter and short film confirmed the accuracy of the details.
Brown went on to explain some of the manipulations he had used, including the photograph positioning/instructions and the use of the ideomotor effect during the Ouija board scene. The suicide pact had not taken place and "Jane" was introduced to the students at the end of the show. In his book, ''Tricks of the Mind'', Brown reveals that, contrary to claims when the show was aired, ''Séance'' did not go out live. He said it was necessary to make people believe that it did at the time.
Channel 4 received 700 complaints, most before the episode was aired. Viewers who felt "something unusual" were invited to call a telephone number, and callers were told that the show was carefully planned, and that no paranormal activities were taking place. Brown also warned viewers about the impending Ouija board scene, advising those who objected for "religious reasons or otherwise" to stop watching the show.
Using a false name each time, he succeeded in convincing all of the "experts" that he had powers, and four openly endorsed him as a true practitioner. The fifth expert, the Christian evangelist Curt Nordhielm, whilst impressed by Brown's performance, asked to meet him again before giving an endorsement. The concept of the show was to highlight the power of suggestion with regard to beliefs and people's abilities, and failure to question them. Brown made it quite clear with each experiment that if any of the subjects accused him of trickery he would immediately come clean about the whole thing, a rule similar to one of the self-imposed rules of the perpetrators of the Project Alpha hoax. His conclusion was that people tend to hear only things that support their own ideas and ignore contradictory evidence; this is known in psychology as confirmation bias. During the section concerned with religious belief, he 'converted' people to Christian belief with a touch. Afterwards, he 'deprogrammed' them of any such belief.
During the show, Brown hypnotised the audience as a group and convinced them that for approximately half an hour after leaving the room they would have no memory of the events. Furthermore, the word "forget" was intermittently flashed very briefly on the backdrop throughout the performance. A variety of audience members were interviewed afterward; some of them couldn't recollect anything (but were nevertheless very impressed); brief clips of these interviews were shown. One of the most memorable stunts was getting a London taxi driver to choose a street in London and then choose and mentally drive a random route. This was achieved by drawing a line on a map of London made of stuck together A-Z pages. An envelope, which had been visible on-stage throughout the entire show, was then opened. This contained a card listing the page number and coordinate of the destination, an acetate with the route marked on it and a receipt for £8 (the estimated cost of the journey by the driver). He started at Buckingham Palace and ended up at Shepherd's Bush Green, the street where the secret performance took place.
The robbery involved holding up a security van and guard (played by an actor) using a realistic-looking toy pistol that Brown had given the subjects earlier, and stealing a case filled with real money. Four people were selected to carry out the robbery from an initial field of thirteen, with three of them actually carrying out the "robbery". The idea was that, after the conditioning they received, they would voluntarily rob the van of their own accord. There was no mention of the "crime" to the participants, and they were not (directly) instructed to do it. The "robbery" was carried out as a result of the conditioning they received and was their own choice, not because of instructions from any third party, including Brown.
Brown associated colour, music and phrases to build the participants into a highly motivated state, converging all of those psychological empowerment tools into a single set-up. The seminar subliminally anchored freedom, childhood, opportunity and romance into various criminal acts. After having previously been convinced to steal sweets from a shop based in Codicote High Street in Hertfordshire, they experienced the euphoria that could be gained from criminal acts.
This programme also contained a re-enactment of the Milgram experiment carried out by Stanley Milgram in the 1960s with the aim of selecting four of the most obedient of the group. Sixty-five percent of the subjects in this experiment were willing to administer lethal electric shocks to another person on the instruction of an authoritative figure (unbeknownst to the subjects, the electric shocks were not actually real). These were the same results as Milgram himself experienced.
The show was based around the idea that a system could be developed to "guarantee a winner" of horse races. Cameras followed a member of the public, Khadisha, as Brown anonymously sent her correct predictions of five races in a row, before encouraging her to place as much money as she could on the sixth race.
To demonstrate the system to the viewer, Brown tossed a coin showing ten heads in a row to prove it was not impossible, just highly improbable.
After Brown had placed a bet of £4,000 of Khadisha's money on a horse in the final race, he explained that "The System" did not really exist. He had started by contacting 7,776 people and split them into six groups, giving each group a different horse. As each race had taken place 5⁄6 of the people had lost and were dropped from the system. Brown had a different person backing each horse in each race, and one individual, Khadisha, won five times in a row. This was similar to the coin flipping earlier: rather than having a predictive technique, Brown had tossed a coin repeatedly until ten heads had come up in a row, taking over nine hours to produce the required film. Brown expressed the opinion that the principle behind "The System" (essentially confirmation bias or survivorship bias) is what is behind belief in spiritualism or homeopathic and alternative medicine.
After the selected horse in the final race lost, and Khadisha was convinced that she had lost all her borrowed money, Brown told Khadisha to look again at the betting slip in her hand. The ticket showed the winning horse's name, meaning Khadisha kept her stake and received winnings of £13,000. Brown claimed that he had decided to bet on a different horse when he got to the booth.
At the end of the show, a title card explained that "at each stage of the process, participants who did not make it to the next round were offered a complete refund of any bets they had placed."
During the program Galley is put through a series of challenges, including being the victim of an armed robbery, touching a live crocodile, illicitly entering a policeman's home, lying on a train track in a straitjacket strapped to the line whilst a train approached him (the first challenge when he knew he was awake and that Brown was involved in this). The show culminated in Galley travelling on a plane where the pilot had supposedly been incapacitated.
Galley, who had not been on a plane in 10 years and had a fear of flying, joined a flight travelling from Leeds to Jersey (where he has been told that a fake game-show presented by Brown was to be filmed). The plane flight crew, stewards and stewardesses were real, but the rest of the passengers were actors. During the flight the cabin crew announced that the captain had been taken ill and asked for a volunteer to land the plane. At the last minute Galley volunteered, whilst walking up to the front of the plane he was placed into a trance by Brown. After landing Galley was placed into a cockpit flight simulator and woken up. He was talked through how to land the plane by a person claiming to be ground control. Galley completed the challenge successfully and then emerged from the simulator, to meet Brown and all the actors involved in the programme plus his family and friends.
Brown responded to skepticism about the show on his blog, noting many aspects of the show's production that were edited from the televised version simply due to time constraints. He also confirms Donnie Darko, Fight Club, The Game and Watchmen as influences for the show. He went on to say, "this has been my favourite show to work on – most ambitious, most involved, most demanding and by far the most joyful. I consider it my fondest and best...."
As part of Channel 4's 3D season, Brown presented "Derren Brown's 3D Magic Spectacular". The show was not a new special from Brown, rather he was the presenter for a number of other magicians and clips that were shown. However, he did include one clip in which he found an object that had been hidden in the streets of Venice by a volunteer.
In January 2011, to celebrate 10 years since the his first television appearance, Channel 4 held a special Derren Brown Night. Along with re-showing The Heist (which won a recent poll of favourite specials) and one of his Enigma Live shows the channel screened a special documentary; ''Derren Brown: Behind The Mischief'', a personal and candid film about Brown. The documentary included the story of how he met his co-writer (who featured in Seance), his mother's feelings about his involvement in Russian Roulette, and an emotional visit back to his old school, university and Bristol bars where he first began his close-up magic. Celebrities contributors included Matt Lucas, Jo Whiley, Stephen Merchant and Simon Pegg.
A 90-minute edit of this show was broadcast on 29 December 2006 and 10 June 2007, on Channel 4, on 10 May 2008 and 17 Jan 2009 on E4 and once more on 17 June 2008 on Channel 4; a longer, unedited version was released on DVD in May 2008. The show won the Laurence Olivier Award for Best Entertainment Show 2006. The show was co-written and directed by his long time collaborator Andy Nyman. The title is a direct quote from William Shakespeare's ''Macbeth''; Act 4, scene 1, line 45.
The show toured again from February until April 2008 throughout the UK, and concluded with a West End run at the Garrick Theatre during May and early June. The West End run was a strictly limited season of 32 performances only. A performance from the last week of the tour at the Garrick Theatre was filmed for Channel 4 and aired on 13 January 2009.
''Absolute Magic'', subtitled ''A Model for Powerful Close-Up Performance'', is not so much about magical methodology as about how magicians can make their performances magical; it is written in a variety of styles: sometimes humorous, sometimes serious. He warns against an act that conveys the feeling of "Here are some tricks I've bought" and urges magicians to make their performances experiential and memorable by involving the audience. In some respects a lot of what he says is evocative of the content of Darwin Ortiz's ''Strong Magic'' but his book expresses it in the context of his experiences, performance style and theories of how performance should be. ''(Out of print)''
''Pure Effect'' is a more traditional book of trickery and technique and offers an insight into some of the methods that Brown employs, and offers a starting point for development for the reader's own use. ''(Out of print)''
''Tricks of the Mind'' is Brown's first book intended for the general public. It is a wide-ranging book in which Brown reveals some of the techniques he uses in his performances, delves into the structure and psychology of magic and discusses hypnosis. He also applies his insight to the paranormal industry, looking at the structure of beliefs and how psychology can explain why people become 'true believers'. He also offers autobiographical stories about his own experiences as a former Christian, and discusses his scepticism about religion, allegedly 'psychic' mediums and sundry other belief systems.
''Confessions of a Conjuror'' was published by Channel 4 Books in October 2010. (ISBN 978-1-905-02657-9)
''The Devil's Picturebook'' is a near 3 hour home-made video. The first half explains in detail some classic card routines from his earlier career as a conjurer, all of which rely on sleight of hand, misdirection and audience management. The second looks at psychological card routines and shows a distinct move towards mentalism, for which he is now known. It is an instructional video for aspiring magicians and not an entertainment piece. For this reason, it was available only to practitioners through a password-protected "magicians only" area of his website. The clue to the password tells you that the word itself begins with T and is a type of palming trick.
''International Magic Presents: The Derren Brown Lecture'' is an 80-minute lecture DVD of close-up mentalism and subsequent discussion of various aspects of Brown's performance. Again, this product is not intended for general consumption but is directed at magicians and mentalists only.
In 2007, Brown performed in the short film ''Medium Rare''.
In 2008, Brown made a guest acting appearance in BBC Four's ''Crooked House'' as Sir Roger Widdowson.
In 2008, Brown provided caricatures for "The QI "F" annual".
In 2009, a book, ''Portraits'', was released containing a selection of Brown's paintings and bizarre caricatures of celebrities.
In 2010, Brown appeared in a special Comedy Gala for Channel four and Great Ormond Street Hospital. He appeared with Kevin Bishop, who played his jealous annoying twin 'Darren'.
! Title | ! Release Date | ! Information |
''Derren Brown: Inside Your Mind'' | 6 October 2003 (re-released 16 April 2007) | Footage and some unused footage from Brown's ''Mind Control'' series. |
''Trick of the Mind: Series 1'' | 25 April 2005 | The first series of the Channel 4 show ''Trick of the Mind''. |
''Trick of the Mind: Series 2'' | 27 March 2006 | The second series of the Channel 4 show ''Trick of the Mind'' |
''Something Wicked This Way Comes'' | 5 May 2008 | A DVD release of the stage show with the same name, including segments not shown on Channel 4. |
''Derren Brown: The Specials'' | 3 November 2008 | A collection of four of Derren Brown's one-off television specials: The Heist, The System, Séance, and Russian Roulette. |
''Derren Brown: An Evening Of Wonders'' | 18 May 2009 | A DVD release of the stage show with the same name. |
''Derren Brown: Enigma'' | 17 January 2011 | A DVD release of the stage show with the same name. |
''Derren Brown: Live Collection'' | 17 January 2011 | A collection of three of Derren Brown's stage shows: Something Wicked This Way Comes, An Evening Of Wonders, and Enigma. |
Brown claims to never use actors or "stooges" in his work without informing the viewers. In ''Tricks of the Mind'', Brown writes that to use such a ploy is "artistically repugnant and simply unnecessary"; furthermore, he "would not want any participant to watch the TV show when it airs and see a different or radically re-edited version of what he understood to have happened".
Big Issue website described Brown as being "playfully mendacious". Although it has been said that Brown is banned from every casino in Britain, other sources report that casinos welcome the publicity from his visits.
In an interview with the Independent in 2007 Brown stated that he is gay.
In an interview with the Radio Times in 2011 Brown talked more about his sexuality, stating that he is blissfully happy in a relationship. He said, "I spent a lot of time thinking about me and working on what I wanted to be before I came into a relationship. In some ways, it’s bad because you come into relationship quite late without a lot of experience and you have a lot to learn. But that can also be exciting. Certainly, it’s lovely to have somebody love you and it’s lovely to love someone else."
Since 2004 Brown has been the patron of the registered charity the Parrot Zoo Trust at Friskney in eastern Lincolnshire near Boston, England.
Category:Article Feedback Pilot Category:1971 births Category:Alumni of the University of Bristol Category:Derren Brown Category:English atheists Category:English sceptics Category:Hypnotists Category:Gay writers Category:LGBT people from England Category:LGBT television personalities Category:Living people Category:Magician of the year Award winner Category:Mentalists Category:Old Whitgiftians Category:People from Purley, London
cs:Derren Brown cy:Derren Brown de:Derren Brown fr:Derren Brown lt:Derren Brown nl:Derren Brown no:Derren Brown pl:Derren Brown ro:Derren Brown ru:Браун, Деррен simple:Derren Brown fi:Derren Brown sv:Derren BrownThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
As of April 2009, MacAskill, who was brought up in Dunvegan on the Isle of Skye, had been practicing for more than 12 years. He gave up his job as a mechanic so he could ride full time. He now lives in Edinburgh. In June 2009, MacAskill appeared in the music video for Doves' single "Winter Hill". MacAskill also appeared in a TV-commercial for the new Volkswagen Golf Estate.
On 16 November 2010 MacAskill released a new video "Way back home" sponsored by Red Bull. The video showcases locations around Scotland including Edinburgh Castle, North Berwick, wartime bunkers on the island of Inchgarvie beneath the Forth Bridge and a hydro-electric power station in the Scottish Highlands.. In May 2011 Leica Cameras released a "Go Play" promo video featuring him doing tricks in the city of Cape Town. In August 9th of 2011 Cut Media released a video named "Industrial Revolutions". The video features MacAskill doing tricks in an abandoned Scottish iron works. It was created for Channel 4's documentary Concrete Circus.
Category:People from Skye and Lochalsh Category:Scottish cyclists Category:Living people Category:1985 births
de:Danny MacAskill fr:Danny MacAskill it:Danny MacAskill
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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