Coordinates | 53°31′″N18°13′″N |
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Native name | ''Empire Français'' |
Conventional long name | French Empire |
Common name | France |
Continent | Europe |
Country | France |
Government type | Constitutional Monarchy |
Event start | Louis-Napoleon is proclaim emperor |
Year start | 1852 |
Date start | 2 December |
Event end | Napoleon III is deposed |
Year end | 1870 |
Date end | 4 September |
Event1 | Battle of Sedan |
Date event1 | 1 September 1870 |
Event pre | French coup of 1851 |
Date pre | 2 December 1851 |
P1 | French Second Republic |
Flag p1 | Flag of France.svg |
S1 | French Third Republic |
Flag s1 | Flag of France.svg |
Symbol | Coat of arms of France |
Symbol type | Imperial Coat of arms |
Image coat | Imperial Coat of arms of France (1852–1870).svg |
Image map caption | The Second French Empire |
Capital | Paris |
National anthem | ''Partant pour la Syrie'' (unofficial)Departing for Syria |
Common languages | French |
Currency | French Franc |
Religion | Roman Catholicism |
Leader1 | Napoleon III |
Year leader1 | 1852–1870 |
Title leader | Emperor |
Deputy1 | ''Position vacant'' |
Year deputy1 | 1852–1869 |
Deputy2 | Émile Ollivier |
Year deputy2 | 1869–1870 |
Deputy3 | Charles Cousin-Montauban |
Year deputy3 | 1870 |
Title deputy | Cabinet Chief |
Legislature | Parliament |
House1 | Senate |
House2 | Corps législatif |
Today | }} |
The anti-parliamentary French Constitution of 1852 instituted by Napoleon III on January 14, 1852 was largely a repetition of that of the year 1848. All executive power was entrusted to the emperor, who, as head of state, was solely responsible to the people. The people of the Empire, lacking democratic rights, were to rely on the benevolence of the emperor rather than on the benevolence of politicians. He was to nominate the members of the council of state, whose duty it was to prepare the laws, and of the senate, a body permanently established as a constituent part of the empire. One innovation was made, namely, that the Legislative Body was elected by universal suffrage, but it had no right of initiative, all laws being proposed by the executive power. This new political change was rapidly followed by the same consequence as had attended that of Brumaire. On December 2, 1852, France, still under the effect of Napoleon's legacy, and the fear of anarchy, conferred almost unanimously by a plebiscite the supreme power, with the title of emperor, upon Napoleon III.
Napoleon III soon proved that social justice did not mean liberty. He acted in such a way that the principles of 1848 which he had preserved became a mere sham. He paralysed all those active national forces which create public spirit, such as parliament, universal suffrage, the press, education and associations. The Legislative Body was not allowed to elect its own president or to regulate its own procedure, or to propose a law or an amendment, or to vote on the budget in detail, or to make its deliberations public. Similarly, universal suffrage was supervised and controlled by means of official candidature, by forbidding free speech and action in electoral matters to the Opposition, and by a manipulation of the electoral districts in such a way as to overwhelm the Liberal vote in the mass of the rural population. The press was subjected to a system of ''cautionnements'' ("caution money", deposited as a guarantee of good behaviour) and ''avertissements'' (requests by the authorities to cease publication of certain articles), under sanction of suspension or suppression. Books were subject to censorship.
In order to counteract the opposition of individuals, a surveillance of suspects was instituted. Felice Orsini's attack on the emperor in 1858, though purely Italian in its motive, served as a pretext for increasing the severity of this ''régime'' by the law of general security (''sûreté générale'') which authorised the internment, exile or deportation of any suspect without trial. In the same way public instruction was strictly supervised, the teaching of philosophy was suppressed in the ''lycées'', and the disciplinary powers of the administration were increased.
For seven years France had no democratic life. The Empire governed by a series of plebiscites. Up to 1857 the Opposition did not exist; from then till 1860 it was reduced to five members: Darimon, Emile Ollivier, Hénon, Jules Favre and Ernest Picard. The royalists waited inactive after the new and unsuccessful attempt made at Frohsdorf in 1853, by a combination of the legitimists and Orleanists, to re-create a living monarchy out of the ruin of two royal families.
In 1859, Napoleon led France to war with Austria over Italy. France was victorious, and gained Savoy and Nice, but the unification of Italy outraged French Catholics, who had been the leading supporters of the Empire. A keen Catholic opposition sprang up, voiced in Louis Veuillot's paper the ''Univers'', and was not silenced even by the Syrian expedition (1860) in favour of the Catholic Maronites, who were being persecuted by the Druzes. On the other hand, the commercial treaty with the United Kingdom which was signed in January 1860, and which ratified the free trade policy of Richard Cobden and Michel Chevalier, had brought upon French industry the sudden shock of foreign competition. Thus both Catholics and protectionists discovered that authoritarian rule can be an excellent thing when it serves their ambitions or interests, but a bad one when exercised at their expense.
But Napoleon, in order to restore the prestige of the Empire before the newly-awakened hostility of public opinion, tried to gain from the Left the support which he had lost from the Right. After the return from Italy the general amnesty of August 16, 1859 had marked the evolution of the absolutist or authoritarian empire towards the liberal, and later parliamentary empire, which was to last for ten years.
The government majority already showed some signs of independence. The right of voting on the budget by sections, granted by the emperor in 1861, was a new weapon given to his adversaries. Everything conspired in their favour: the anxiety of those candid friends who were calling attention to the defective budget; the commercial crisis, aggravated by the American Civil War; and above all, the restless spirit of the emperor, who had annoyed his opponents in 1860 by insisting on an alliance with the United Kingdom in order forcibly to open the Chinese ports for trade, in 1863 by his ill-fated attempt of a military intervention in Mexico to set up a Latin empire in favour of the archduke Maximilian of Austria, and from 1861 to 1863 by embarking on colonising experiments in Cochinchina (southern Vietnam) and Annam (central Vietnam). Similar inconsistencies occurred in the emperor's European policies. The support which he had given to the Italian cause had aroused the eager hopes of other nations. The proclamation of the kingdom of Italy on February 18, 1861 after the rapid annexation of Tuscany and the kingdom of Naples had proved the danger of half-measures. But when a concession, however narrow, had been made to the liberty of one nation, it could hardly be refused to the no less legitimate aspirations of the rest.
In 1863 these "new rights" again clamoured loudly for recognition: in Poland, in Schleswig and Holstein, in Italy, now indeed united, but with neither frontiers nor capital, and in the Danubian principalities. In order to extricate himself from the Polish ''impasse'', the emperor again had recourse to his expedient — always fruitless because always inopportune — of a congress. He was again unsuccessful: England refused even to admit the principle of a congress, while Austria, Prussia and Russia gave their adhesion only on conditions which rendered it futile, i.e. they reserved the vital questions of Venetia and Poland.
It would have been difficult for the emperor to mistake the importance of this manifestation of French opinion, and in view of his international failures, impossible to repress it. The sacrifice of Persigny minister of the interior, who was responsible for the elections, the substitution for the ministers without portfolio of a sort of presidency of the council filled by Eugène Rouher, the "Vice-Emperor", and the nomination of Jean Victor Duruy, an anti-clerical, as minister of public instruction, in reply to those attacks of the Church which were to culminate in the Syllabus of 1864, all indicated a distinct ''rapprochement'' between the emperor and the Left.
But though the opposition represented by Thiers was rather constitutional than dynastic, there was another and irreconcilable opposition, that of the amnestied or voluntarily exiled republicans, of whom Victor Hugo was the eloquent mouthpiece. Thus those who had formerly constituted the governing classes were again showing signs of their ambition to govern. There appeared to be some risk that this movement among the bourgeoisie might spread to the people. As Antaeus recruited his strength by touching the earth, so Napoleon believed that he would consolidate his menaced power by again turning to the labouring masses, by whom that power had been established.
Assured of support, the emperor, through Rouher, a supporter of the absolutist ''régime'', refused all fresh claims on the part of the Liberals. He was aided by the cessation of the industrial crisis as the American Civil War came to an end, by the apparent closing of the Roman question by the convention of September 15, which guaranteed to the papal states the protection of Italy, and finally by the treaty of October 30, 1864, which temporarily put an end to the crisis of the Schleswig-Holstein question.
The emperor was abandoned by men and disappointed by events. He had hoped that, though by granting the freedom of the press and authorising meetings, he had conceded the right of speech, he would retain the right of action; but he had played into the hands of his enemies. Victor Hugo's ''Châtiments'', Rochefort's ''Lanterne'', the subscription for the monument to Baudin, the deputy killed at the barricades in 1851, followed by Léon Gambetta's speech against the Empire on the occasion of the trial of Delescluze, soon showed that the republican party was irreconcilable.
The Empire, taken by surprise, sought to curb both the middle classes and the labouring classes, and forced them both into revolutionary actions. There were multiple strikes. The elections of May 1869, which took place during these disturbances, inflicted upon the Empire a serious moral defeat. In spite of the revival by the government of the cry of the "red terror", Ollivier, the advocate of conciliation, was rejected by Paris, while 40 irreconcilables and 116 members of the Third Party were elected. Concessions had to be made to these, so by the ''senatus-consulte'' of September 8, 1869 a parliamentary monarchy was substituted for personal government. On January 2, 1870 Ollivier was placed at the head of the first homogeneous, united and responsible ministry.
This success, which should have consolidated the Empire, determined its downfall. It was thought that a diplomatic success would make the country forget liberty in favour of glory. It was in vain that after the parliamentary revolution of January 2, 1870, Comte Daru revived, through Lord Clarendon, Count Beust's plan of disarmament after the Battle of Königgratz. He met with a refusal from Prussia and from the imperial entourage. The Empress Eugénie was credited with the remark, "If there is no war, my son will never be emperor."
Category:States and territories established in 1852 Category:States and territories disestablished in 1870 France, Empire 2 France, Empire 2 Empire 2 France
ar:الإمبراطورية الفرنسية الثانية bg:Втора империя (Франция) ca:Segon Imperi Francès cs:Druhé Francouzské císařství da:Andet franske kejserrige de:Zweites Kaiserreich el:Δεύτερη Γαλλική Αυτοκρατορία es:Segundo Imperio francés eo:Dua Franca Imperio eu:Frantziako Bigarren Inperioa fa:امپراتوری دوم فرانسه fr:Second Empire gl:Segundo Imperio Francés ko:프랑스 제2제국 hr:Drugo Francusko Carstvo it:Secondo Impero francese he:הקיסרות השנייה ka:საფრანგეთის მეორე იმპერია lt:Antroji Prancūzijos imperija mr:दुसरे फ्रेंच साम्राज्य ms:Empayar Perancis Kedua nl:Tweede Franse Keizerrijk ja:フランス第二帝政 no:Det andre franske keiserdømme pnb:دوجی فرانسیسی سلطنت pl:II Cesarstwo Francuskie pt:Segundo Império Francês ro:Al Doilea Imperiu Francez ru:Вторая французская империя sl:Drugo francosko cesarstvo sr:Друго француско царство fi:Ranskan toinen keisarikunta sv:Andra kejsardömet th:จักรวรรดิฝรั่งเศสที่ 2 tr:İkinci Fransa İmparatorluğu ur:دوسری فرانسیسی سلطنت vec:Secondo Inpero fransexe vi:Đế chế thứ hai zh:法蘭西第二帝國This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
bn:ফরাসি সাম্রাজ্য br:Impalaeriezh c'hall de:Empire français el:Γαλλική Αυτοκρατορία es:Imperio Francés fr:Empire français he:האימפריה הצרפתית (פירושונים) nl:Franse Keizerrijk no:Det franske keiserdømme ru:Французская империя sr:Француско царство fi:Ranskan keisarikunta vi:Đế quốc Pháp zh:法兰西帝国
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
In Persia, the title "the Great" at first seems to be a colloquial version of the Old Persian title "Great King". This title was first used by the conqueror Cyrus II of Persia.
The Persian title was inherited by Alexander III of Macedon (336–323 BC) when he conquered the Persian Empire, and the epithet "Great" eventually became personally associated with him. The first reference (in a comedy by Plautus) assumes that everyone knew who "Alexander the Great" was; however, there is no earlier evidence that Alexander III of Macedon was called "''the Great''".
The early Seleucid kings, who succeeded Alexander in Persia, used "Great King" in local documents, but the title was most notably used for Antiochus the Great (223–187 BC).
Later rulers and commanders began to use the epithet "the Great" as a personal name, like the Roman general Pompey. Others received the surname retrospectively, like the Carthaginian Hanno and the Indian emperor Ashoka the Great. Once the surname gained currency, it was also used as an honorific surname for people without political careers, like the philosopher Albert the Great.
As there are no objective criteria for "greatness", the persistence of later generations in using the designation greatly varies. For example, Louis XIV of France was often referred to as "The Great" in his lifetime but is rarely called such nowadays, while Frederick II of Prussia is still called "The Great". A later Hohenzollern - Wilhelm I - was often called "The Great" in the time of his grandson Wilhelm II, but rarely later.
Category:Monarchs Great, List of people known as The Category:Greatest Nationals Category:Epithets
bs:Spisak osoba znanih kao Veliki id:Daftar tokoh dengan gelar yang Agung jv:Daftar pamimpin ingkang dipun paringi julukan Ingkang Agung la:Magnus lt:Sąrašas:Žmonės, vadinami Didžiaisiais ja:称号に大が付く人物の一覧 ru:Великий (прозвище) sl:Seznam ljudi z vzdevkom Veliki sv:Lista över personer kallade den store th:รายพระนามกษัตริย์ที่ได้รับสมัญญานามมหาราช vi:Đại đếThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 53°31′″N18°13′″N |
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name | Arthur Rimbaud |
birth name | Jean Nicolas Arthur Rimbaud |
birth date | October 20, 1854 |
birth place | Charleville, France |
death date | November 10, 1891 |
death place | Marseille, France |
occupation | Poet |
nationality | French |
movement | Symbolism, decadent movement |
influences | Charles Baudelaire, Victor Hugo, Paul Verlaine |
influenced | Bob Kaufman, J. Slauerhoff, Henry Miller, Allen Ginsberg, Dylan Thomas, William S. Burroughs, Jack Kerouac, Patti Smith, Bob Dylan, Jim Morrison, Richey Edwards |
Signature | Arthur Rimbaud-signature.jpg }} |
Captain Rimbaud and Vitalie married in February 1853; in the following November came the birth of their first child, Jean-Nicolas-Frederick. The next year, on 20 October 1854, Jean-Nicolas-Arthur was born. Three more children, Victorine-Pauline-Vitalie (who died a month after she was born), Jeanne-Rosalie-Vitalie and Frederique-Marie-Isabelle, followed. Arthur Rimbaud's infancy is said to have been prodigious; a common myth states that soon after his birth he had rolled onto the floor from a cushion where his nurse had put him only to begin crawling toward the door. In a more realistic retelling of his childhood, Mme Rimbaud recalled when after putting her second son in the care of a nurse in Gespunsart, supplying clean linen and a cradle for him, she returned to find the nurse's child sitting in the crib wearing the clothes meant for Arthur. Meanwhile, the dirty and naked child that was her own was happily playing in an old salt chest.
Soon after the birth of Isabelle, when Arthur was six years old, Captain Rimbaud left to join his regiment in Cambrai and never returned. He had become irritated by domesticity and the presence of the children while Madame Rimbaud was determined to rear and educate her family by herself. The young Arthur Rimbaud was therefore under the complete governance of his mother, a strict Catholic, who raised him and his older brother and younger sisters in a stern and religious household. After her husband's departure, Mme Rimbaud became known as "Widow Rimbaud".
As a boy, Arthur was small, brown-haired and pale with what a childhood friend called "eyes of pale blue irradiated with dark blue—the loveliest eyes I've seen". When he was eleven, Arthur had his First Communion; despite his intellectual and individualistic nature, he was an ardent Catholic like his mother. For this reason he was called "sale petit Cagot" ("snotty little prig") by his fellow schoolboys. He and his brother were sent to the Collège de Charleville for school that same year. Until this time, his reading was confined almost entirely to the Bible, but he also enjoyed fairy tales and stories of adventure such as the novels of James Fenimore Cooper and Gustave Aimard. He became a highly successful student and was head of his class in all subjects but sciences and mathematics. Many of his schoolmasters remarked upon the young student's ability to absorb great quantities of material. In 1869 he won eight first prizes in the school, including the prize for Religious Education, and in 1870 he won seven firsts.
When he had reached the third class, Mme Rimbaud, hoping for a brilliant scholastic future for her second son, hired a tutor, Father Ariste Lhéritier, for private lessons. Lhéritier succeeded in sparking the young scholar's love of Greek and Latin as well as French classical literature. He was also the first person to encourage the boy to write original verse in both French and Latin. Rimbaud's first poem to appear in print was "Les Étrennes des orphelins" ("The Orphans' New Year's Gift"), which was published in the 2 January 1870 issue of ''Revue pour tous''. Two weeks after his poem was printed, a new teacher named Georges Izambard arrived at the Collège de Charleville. Izambard became Rimbaud's literary mentor and soon a close accord formed between professor and student and Rimbaud for a short time saw Izambard as a kind of older brother figure. At the age of fifteen, Rimbaud was showing maturity as a poet; the first poem he showed Izambard, "Ophélie", would later be included in anthologies as one of Rimbaud's three or four best poems. When the Franco-Prussian War broke out, Izambard left Charleville and Rimbaud became despondent. He ran away to Paris with no money for his ticket and was subsequently arrested and imprisoned for a week. After returning home, Rimbaud ran away to escape his mother's wrath.
From late October 1870, Rimbaud's behaviour became outwardly provocative; he drank alcohol, spoke rudely, composed scatological poems, stole books from local shops, and abandoned his hitherto characteristically neat appearance by allowing his hair to grow long. At the same time he wrote to Izambard about his method for attaining poetical transcendence or visionary power through a "long, intimidating, immense and rational derangement of all the senses. The sufferings are enormous, but one must be strong, be born a poet, and I have recognized myself as a poet." It is rumoured that he briefly joined the Paris Commune of 1871, which he portrayed in his poem L'orgie parisienne (ou : Paris se repeuple), ("The Parisian Orgy" or "Paris Repopulates"). Another poem, Le cœur volé ("The Stolen Heart"), is often interpreted as a description of him being raped by drunken Communard soldiers, but this is unlikely since Rimbaud continued to support the Communards and wrote poems sympathetic to their aims.
Rimbaud and Verlaine began a short and torrid affair. Whereas Verlaine had likely engaged in prior homosexual experiences, it remains uncertain whether the relationship with Verlaine was Rimbaud's first. During their time together they led a wild, vagabond-like life spiced by absinthe and hashish. They scandalized the Parisian literary coterie on account of the outrageous behaviour of Rimbaud, the archetypical enfant terrible, who throughout this period continued to write strikingly visionary verse. The stormy relationship between Rimbaud and Verlaine eventually brought them to London in September 1872, a period about which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages). Rimbaud and Verlaine lived in considerable poverty, in Bloomsbury and in Camden Town, scraping a living mostly from teaching, in addition to an allowance from Verlaine's mother. Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free." The relationship between the two poets grew increasingly bitter.
By late June 1873, Verlaine grew frustrated with the relationship and returned to Paris, where he quickly began to mourn Rimbaud's absence. On 8 July, he telegraphed Rimbaud, instructing him to come to the Hotel Liège in Brussels; Rimbaud complied at once. The Brussels reunion went badly: they argued continuously and Verlaine took refuge in heavy drinking. On the morning of 10 July, Verlaine bought a revolver and ammunition. That afternoon, "in a drunken rage," Verlaine fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.
Rimbaud dismissed the wound as superficial, and did not initially seek to file charges against Verlaine. But shortly after the shooting, Verlaine (and his mother) accompanied Rimbaud to a Brussels railway station, where Verlaine "behaved as if he were insane." His bizarre behavior induced Rimbaud to "fear that he might give himself over to new excesses," so he turned and ran away. In his words, "it was then I [Rimbaud] begged a police officer to arrest him [Verlaine]." Verlaine was arrested for attempted murder and subjected to a humiliating medico-legal examination. He was also interrogated with regard to both his intimate correspondence with Rimbaud and his wife's accusations about the nature of his relationship with Rimbaud. Rimbaud eventually withdrew the complaint, but the judge nonetheless sentenced Verlaine to two years in prison.
Rimbaud returned home to Charleville and completed his prose work ''Une Saison en Enfer'' ("A Season in Hell")—still widely regarded as one of the pioneering examples of modern Symbolist writing—which made various allusions to his life with Verlaine, described as a ''drôle de ménage'' ("domestic farce") with his ''frère pitoyable'' ("pitiful brother") and ''vierge folle'' ("mad virgin") to whom he was ''l'époux infernal'' ("the infernal groom"). In 1874 he returned to London with the poet Germain Nouveau and put together his groundbreaking ''Illuminations''.
In May 1876 he enlisted as a soldier in the Dutch Colonial Army to travel free of charge to Java in the Dutch East Indies (now Indonesia) where he promptly deserted, returning to France by ship. At the official residence of the mayor of Salatiga, a small city 46 km south of Semarang, capital of Central Java Province, there is a marble plaque stating that Rimbaud was once settled at the city.
In December 1878, Rimbaud arrived in Larnaca, Cyprus, where he worked for a construction company as a foreman at a stone quarry. In May of the following year he had to leave Cyprus because of a fever, which on his return to France was diagnosed as typhoid.
In February 1891, Rimbaud developed what he initially thought was arthritis in his right knee. It failed to respond to treatment and became agonisingly painful, and by March the state of his health forced him to prepare to return to France for treatment. In Aden, Rimbaud consulted a British doctor who mistakenly diagnosed tubercular synovitis and recommended immediate amputation. Rimbaud delayed until 9 May to set his financial affairs in order before catching the boat back to France. On arrival, he was admitted to hospital—the Hôpital de la Conception, in Marseille—where his right leg was amputated on 27 May. The post-operative diagnosis was cancer.
After a short stay at his family home in Charleville, he attempted to travel back to Africa, but on the way his health deteriorated and he was readmitted to the same hospital in Marseille where the amputation had been performed, and spent some time there in great pain, attended by his sister Isabelle. Rimbaud died in Marseille on 10 November 1891, at the age of 37, and was interred in Charleville.
I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.
Rimbaud said much the same in his second letter, commonly called the ''Lettre du voyant'' ("Letter of the Seer"). Written May 15—before his first trip to Paris—to his friend Paul Demeny, the letter expounded his revolutionary theories about poetry and life, while also denouncing most poets that preceded him. Wishing for new poetic forms and ideas, he wrote:
I say that one must be a seer, make oneself a seer. The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is an unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed – and the great learned one! – among men. – For he arrives at the unknown! Because he has cultivated his own soul – which was rich to begin with – more than any other man! He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them! Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed!
Rimbaud expounded the same ideas in his poem, "Le bateau ivre" ("The Drunken Boat"). This hundred-line poem tells the tale of a boat that breaks free of human society when its handlers are killed by "Redskins" (''Peaux-Rouges''). At first thinking that it drifts where it pleases, it soon realizes that it is being guided by and to the "poem of the sea". It sees visions both magnificent ("the blue and yellow of singing phosphorescence", ''"l'éveil jaune et bleu des phosphores chanteurs"'',) and disgusting ("nets where a whole Leviathan was rotting" ''"nasses / Où pourrit dans les joncs tout un Léviathan''). It ends floating and washed clean, wishing only to sink and become one with the sea.
Archibald MacLeish has commented on this poem: "Anyone who doubts that poetry can say what prose cannot has only to read the so-called ''Lettres du Voyant'' and 'Bateau Ivre' together. What is pretentious and adolescent in the ''Lettres'' is true in the poem—''unanswerably'' true."
Rimbaud's poetry influenced the Symbolists, Dadaists and Surrealists, and later writers adopted not only some of his themes, but also his inventive use of form and language. French poet Paul Valéry stated that "all known literature is written in the language of ''common sense''—except Rimbaud's."
Rimbaud's poetry, as well as his life, made an indelible impression on 20th century writers, musicians and artists. Pablo Picasso, Dylan Thomas, Allen Ginsberg, Vladimir Nabokov, Bob Dylan, Patti Smith, Giannina Braschi, Léo Ferré and Jim Morrison have been influenced by his poetry and life. The 1995 biographical film ''Total Eclipse'' depicts Leonardo DiCaprio as Rimbaud and David Thewlis as Paul Verlaine.
Category:1854 births Category:1891 deaths Category:People from Charleville-Mézières Category:Deaths from bone cancer Category:French poets Category:French-language poets Category:Symbolist poets Category:Bisexual writers Category:LGBT writers from France Category:Psychedelic drug advocates Category:Poètes maudits Category:Cancer deaths in France Category:People of the Paris Commune Category:French shooting survivors
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Coordinates | 53°31′″N18°13′″N |
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name | Eugénie de Montijo |
full name | María Eugenia Ignacia Augustina de Palafox Portocarrero de Guzmán y Kirkpatrick |
title | Empress consort of the FrenchCountess of Teba and Marquise of Ardales |
reign | 30 January 1853 – 11 January 1871 |
spouse | Napoleon III of France |
issue | Napoléon Eugène, Prince Imperial |
house | House of Bonaparte |
titles | ''HIM'' The Empress of the French''HE'' The Countess of Teba''Doña'' María Eugenia de Palafox y Portocarrero |
father | Cipriano de Palafox y Portocarrero |
mother | María Manuela Enriqueta Kirkpatrick de Closbourn y de Grevigné |
birth date | May 05, 1826 |
birth place | Granada, Spain |
death date | July 11, 1920 |
death place | Madrid, Spain |
place of burial | Saint Michael's Abbey, Farnborough |
signature | Empress Eugénie Signature.jpg |
Doña María Eugenia Ignacia Augustina de Palafox-Portocarrero de Guzmán y Kirkpatrick, 16th Countess of Teba and 15th Marquise of Ardales; 5 May 1826 – 11 July 1920), known as Eugénie de Montijo (), was the last Empress consort of the French from 1853 to 1871 as the wife of Napoleon III, Emperor of the French.
Eugenia's older sister, María Francisca de Sales de Palafox Portocarrero y Kirkpatrick, also known as Paca (1825–1860), who inherited most of the family honours and was 12th Duchess of Peñaranda Grandee of Spain and 9th Countess of Montijo, title later ceded to her sister, married the Duke of Alba in 1849. Until her own marriage in 1853, Eugénie variously used the titles of Countess of Teba or Countess of Montijo, but some family titles were legally inherited by her elder sister, through which they passed to the House of Alba. After the death of her father Eugenia became the 9th Countess of Teba, and is named as such in the ''Almanach de Gotha'' (1901 edition). After Eugenia's demise all titles of the Montijo family came to the Fitz-Jameses (the Dukes of Alba and Berwick).
Eugénie de Montijo, as she became known in France, was educated in Paris, at the fashionable convent of the Sacré Cœur, where she received a Catholic education. When Prince Louis Napoléon became president of the Second Republic, she appeared with her mother at several balls given by the "prince-president" at the Elysée Palace; it was there that she met the future emperor, whom she wed on 30 January 1853, not long after he had been rebuffed in his attempts to marry first Princess Carola of Vasa (later Queen of Saxony), a granddaughter of the deposed King of Sweden Gustav IV Adolph, and then Queen Victoria's teenage niece, Princess Adelheid of Hohenlohe-Langenburg.
On 16 March 1856, the empress gave birth to an only son, Napoléon Eugène Louis Jean Joseph Bonaparte, styled ''Prince Impérial''.
When the empress wore the new cage crinolines in 1855, European fashion followed suit, and when she abandoned vast skirts at the end of the 1860s, at the encouragement of her legendary couturier, Charles Frederick Worth, the silhouette of women's dress followed her lead again. Eugénie's aristocratic elegance, splendour of dress and legendary jewels are well documented in innumerable paintings, especially by her favourite portraitist, Franz Winterhalter.
Her husband often consulted her on important questions, and she acted as Regent during his absences in 1859, 1865 and 1870. A Catholic and a conservative, Eugénie's influence countered any liberal tendencies in the emperor's policies. She was a staunch defender of papal temporal powers in Italy and of ultramontanism.
She was also largely blamed for the fiasco of the French intervention in Mexico and the eventual death of Emperor Maximilian I of Mexico. Critics claimed that she had encouraged French involvement as a means of keeping herself busy and to get over her husband's affairs.
When the Second French Empire was overthrown after France's defeat in the Franco-Prussian War (1870–1871), the empress and her husband took refuge in England, and settled at Chislehurst, Kent. After his death in 1873, and that of her son in 1879, she moved in 1885 to Farnborough, Hampshire, and to her villa "Cyrnos" (ancient Greek name of Corsica), that she had built at Cape Martin between Menton and Nice, where she lived in retirement, abstaining from all interference in French politics. Her house in Farnborough is now an independent Roman Catholic girls' school, Farnborough Hill.
After the deaths of her husband and son her health started to deteriorate. Her physician recommended she visit Bournemouth which was, in Victorian times, famed as a health spa resort. During her visit in 1896, a groundskeeper lit hundreds of little tea candles in the municipal Bournemouth Gardens to light her way to the sea at night. This event is still commemorated in the same gardens every September in an elaborate public display, set to music, of both static and floating lighted candles.
The former empress died in July 1920, aged 94, during a visit to her relatives, the Dukes of Alba in Madrid, in her native Spain, and she is interred in the Imperial Crypt at St Michael's Abbey, Farnborough, with her husband and her son, who had died in 1879 fighting in the Zulu War in South Africa. She left all her possessions to various relatives: her Spanish estates went to the grandsons of her sister, the Fitz-Jameses (Dukes of Berwick and Alba), the house in Farnborough with all collections to the heir of her son, Prince Victor Bonaparte, Villa Cyrnos to his sister, Princess Laetitia of Aosta. Liquid funds were divided into three parts and given to the above relatives, except the sum of 100 000 francs bequeathed to the Committee for Rebuilding the Cathedral of Reims.
Her deposed family's friendly association with the United Kingdom was commemorated in 1887 when she became the godmother of Victoria Eugenie of Battenberg (1887–1969), daughter of Princess Beatrice, who later became Queen consort of Alfonso XIII of Spain. This baptism was an early example of ecumenism as Victoria Eugenie who was born at Balmoral was baptised in the Church of Scotland. A century later, the second daughter of the present Duke of York, born in 1990, was named Princess Eugenie.
She was the 475th Dame of the Royal Order of Queen María Luisa of Spain and Dame Grand Cross of the Order of the British Empire.
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Category:1826 births Category:1920 deaths Category:People from Granada Category:People from Farnborough, Hampshire Eugenie de Montijo Eugenie de Montijo Eugenie de Montijo Eugenie de Montijo Eugenie de Montijo Category:French socialites Category:Spanish nobility Category:French people of the Franco-Prussian War Category:Burials at Saint Michael's Abbey, Farnborough Category:Recipients of the Golden Rose Category:Dames of the Order of Maria Luisa Category:Honorary Dames Grand Cross of the Order of the British Empire
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