non-profit name | The United Service Organizations |
---|---|
non-profit logo | |
non-profit type | Services |
founded date | 4 February 1941 |
location | Arlington, Virginia |
key people | Sloan D. GibsonPresident and CEO |
area served | 160 centers worldwide |
focus | Morale, welfare and recreational services to U.S. military personnel and their families |
revenue | Contributions |
num volunteers | 44,000 |
non-profit slogan | Until Every One Comes Home |
homepage | www.uso.org |
footnotes | }} |
The United Service Organizations Inc. (USO) is a private, nonprofit organization that provides morale and recreational services to members of the U.S. military, with programs in 140 centers worldwide. Since 1941, it has worked in partnership with the Department of Defense (DOD), and has provided support and entertainment to U.S. armed forces, relying heavily on private contributions and on funds, goods, and services from DOD. Although congressionally chartered, it is not a government agency.
During World War II, the USO became the G.I.'s "home away from home" and began a tradition of entertaining the troops that continues today. Involvement in the USO was one of the many ways in which the nation had come together to support the war effort, with nearly 1.5 million Americans having volunteered their services in some way. After it was disbanded in 1947, it was revived in 1950 for the Korean War, after which it also provided peacetime services. During the Vietnam War, USOs were sometimes located in combat zones.
The organization became particularly famous for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. Hollywood in general was eager to show its patriotism, and many famous celebrities joined the ranks of USO entertainers. They entertained in military bases both at home and overseas, often placing their own lives in danger by traveling or performing under hazardous conditions.
Today the USO has over 160 locations around the world in 11 countries (including the U.S.) and 23 states. In 2009, USO centers served 7.7 million visitors. In 2008, Sloan Gibson became the 22nd President and CEO. Brigadier General (Retired) John I. Pray, Jr., joined the USO in 2009 as Senior Vice President of Entertainment and Programs. In 2010, Rear Admiral Frank Thorp IV (USN, ret.) joined the organization as the Senior Vice President of Marketing and Communications.
The USO was founded in 1941 in response to a request from President Franklin D. Roosevelt to provide morale and recreation services to U.S. uniformed military personnel. Roosevelt was elected as its honorary chairman. This request brought together six civilian organizations: the Salvation Army, Young Men’s Christian Association (YMCA), Young Women’s Christian Association (YWCA), National Catholic Community Service, National Travelers Aid Association and the National Jewish Welfare Board. They were brought together under one umbrella to support U.S. troops. Roosevelt said he wanted "these private organizations to handle the on-leave recreation of the men in the armed forces." According to historian Emily Yellin, "The government was to build the buildings and the USO was to raise private funds to carry out its main mission: boosting the morale of the military."
The first national campaign chairman was Thomas Dewey, who raised $16 million in the first year. The second chairman was Prescott Bush, a future senator and father to one future president, and the grandfather to another. The USO was incorporated in New York February 4, with the first facility erected in DeRidder, Louisiana,1941. More USO centers and clubs opened around the world as a “Home Away from Home” for GIs. The USO club was a place to go for dances and social events, for movies and music, for a quiet place to talk or write a letter home, or for a free cup of coffee and an egg.
The USO also brought Hollywood celebrities and volunteer entertainers to perform for the troops. According to movie historian Steven Cohan, "most of all ... in taking home on the road, it equated the nation with showbiz. USO camp shows were designed in their export to remind soldiers of home." They did this, he noted, by "nurturing in troops a sense of patriotic identification with America through popular entertainment." An article in Look magazine at the time, stated, "For the little time the show lasts, the men are taken straight to the familiar Main Street that is the goal of every fighting American far away from home." Maxene Andrews wrote, "The entertainment brought home to the boys. Their home." Actor George Raft stated at the beginning of the war, "Now it's going to be up to us to send to the men here and abroad real, living entertainment, the songs, the dances, and the laughs they had back home."
USO promotional literature stated its goals:
:"The story of USO camp shows belongs to the American people, for it was their contribution that made it possible. It is an important part in the life of your sons, your brothers, your husbands, and your sweethearts."
After being formed in 1941 in response to World War II, "centers were established quickly... in churches, barns, railroad cars, museums, castles, beach clubs, and log cabins." Most centers offered recreational activities, such as holding dances and showing movies. And there were the well-known free coffee and doughnuts. Some USO bases provided a haven for spending a quiet moment alone or writing a letter home, while others offered spiritual guidance and made childcare available for military wives.
But the organization became mostly known for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. At its high point in 1944, the USO had more than 3,000 clubs, and curtains were rising on USO shows 700 times a day. From 1941 to 1947, the USO presented more than 400,000 performances, featuring entertainers such as Bing Crosby, Judy Garland, Bette Davis, Humphrey Bogart, Lauren Bacall, Frank Sinatra, Marlene Dietrich, Hattie McDaniel, Eubie Blake, Ann Sheridan, Laurel and Hardy, The Marx Brothers, Jack Benny, Larry Adler, Zero Mostel, James Cagney, James Stewart, Gary Cooper, Doraine and Ellis, Lena Horne, Danny Kaye, The Rockettes, Al Jolson, Fred Astaire, Curly Joe DeRita, The Andrews Sisters, Joe E. Brown, Joe E. Lewis, Ray Bolger, Lucille Ball, Glenn Miller, Martha Raye, Mickey Rooney, Betty Hutton, Dinah Shore, and most famously, Bob Hope.
The USO's fundraising efforts were not without controversy. An MGM film, Mr. Gardenia Jones, created to assist the USO in its fundraising campaign, was nearly withdrawn from theaters due to objections by the War Department. The objections were centered around scenes showing soldiers jumping with joy at the opportunity to shower in canteens and rest in overstuffed and comfortable USO chairs. The Army, noted the New York Times, "feels this is not good for morale as it implies that there are no showers or other comforts for soldiers in military camps." The film starred Ronald Reagan, who was then a captain in the Army.
Fundraising was also aided by private entertainment groups. Songwriter Irving Berlin took the entire 100-person, all-soldier cast of his Broadway production “This Is the Army,” on tour in Europe in 1942, raising nearly $10 million for the Army Emergency Relief Fund. The following year the show was made into a film by the same title, again starring Ronald Reagan. One of the highlights of the film was its introduction of Berlin's song, "God Bless America," considered one of the nation's most patriotic songs.
War correspondent Quentin Reynolds, in an article for Billboard magazine in 1943, wrote, "Entertainment, all phases of it -- radio, pictures and live -- should be treated as essential. You don't know what entertainment means to the guys who do the fighting until you've been up there with the men yourself. . . . You can quote me as saying that we should use entertainment as an essential industry so long as it's for the boys in service. Anybody who has been there would insist on it. . . . Hell, you should have seen how happy the G.I.'s were when they heard the ballplayers were coming over. And John Steinbeck, just back from a chore as war correspondent, . . . also applauded show business as part of the war effort and its importance as a morale builder."
;Looking back after the war According to historian Paul Holsinger, between 1941 and 1945, the USO did 293,738 performances in 208,178 separate visits. Estimates were that more than 161 million servicemen and women, in the U.S. and abroad, were entertained. The USO also did shows in military hospitals, eventually entertaining more than 3 million wounded soldiers and sailors in 192 different hospitals. There were 702 different USO troupes that toured the world, some spending up to six months per tour. In 1943, a United States Liberty ship named the SS ''U.S.O. was launched. She was scrapped in 1967.
Twenty-eight performers died in the course of their tours, from plane crashes, illness, or diseases contracted while on tour. In one such instance in 1943, a plane carrying a U.S.O. troupe crashed outside Lisbon, killing singer and actress Tamara Drasin, and severely injuring Broadway singer Jane Froman. Froman returned to Europe on crutches in 1945 to again entertain the troops. She later married the co-pilot who saved her life in that crash, and her true story was made into the 1952 film With a Song in My Heart, with Froman providing the actual singing voice. Others, such as Al Jolson, the first entertainer to go overseas in World War II, contracted malaria, resulting in the loss of his lung, cutting short his tour.
In 1942, about seven months after the war began, CBS went on the air with a weekly radio variety show called Stagedoor Canteen. The show remained on the air for the duration of the war and became one of the nation's most popular. In 1943, United Artists released a reality-style movie about the USO called Stage Door Canteen, and the following year Warner Brothers produced a similar movie, called Hollywood Canteen. In 1991, 20th Century Fox produced the film, For the Boys, which told the story of two USO performers, and starred Bette Midler and James Caan. It covered a 50-year timespan, from the USO's inception in 1941 through Operation Desert Storm, in 1991. Another movie was planned in 1950 but never made. Just 10 days after Al Jolson returned from entertaining troops in Korea, he agreed with RKO producers to star in a new movie, Stars and Stripes for Ever, about a U.S.O. troupe in the South Pacific during World War II. Unfortunately, he died a week later as a result of physical exhaustion from his tour.
By the war's end, Steven Cohan concludes that "the USO amounted to the biggest enterprise American show business has ever tackled. The audience was millions of American fighting men, the theatre's location: the world, the producer: USO camp shows"
African American women "scrambled to rally the community around the soldiers and create programs for them." By 1946, hostesses had served more than two thousand soldiers a day while also providing facilities for the wounded and convalescent who were on leave. They went to black businesses and fraternal organizations in order to find sponsorship for their USO group, and later expanded to fulfill the needs of soldiers during the Korean war. Moreover, they worked to merge black and white USOs into one desegregated unit. As black historian Megan Shockley noted, "Their work for the desegregation of USOs had begun during World War II, and it finally paid off."
Women were also key entertainers who performed at shows. Stars such as Marlene Dietrich, Judy Garland, Betty Grable and Rita Hayworth had traveled over a million miles. Yellin notes that on one tour, Hayworth visited six camps, gave thousands of autographs, and "came back from Texas with a full-fledged nervous breakdown from over-enthusiasm!" Opera singer Lily Pons, after she had performed a "serious" opera song to troops in Burma, "an applause erupted that stunned even the most seasoned performers." She later wrote in a letter, "Every woman back home wears a halo now, and those who represent her had better keep theirs on, too."
Author Joeie Dee pointed out that "for women entertainers, traveling with the USO made it possible to be patriots and adventurers as well as professionals." She adds, however, that the G.I.s in the USO audiences "tended to see these women in a different light - as reminders of and even substitutes for their girls back home, as a reward for fighting the war, as embodiments of what they were fighting for." Edward Skvarna remembers 1943, when he met Donna Reed at a U.S.O. canteen and asked her to dance. "I had never danced with a celebrity before, so I felt delighted, privileged even, to meet her. . . . But I really felt she was like a girl from back home." Jay Fultz, author of her biography, states that soldiers "often wrote to her as if to a sister or the girl next door, confiding moments of homesickness, loneliness, privation and anxiety."
Singer and dancer Ann Miller described performing for badly wounded soldiers. She did forty-eight shows for "broken soldiers," who were mostly lying on stretchers in the lobbies of hotels, watching as she entertained them. Yellin writes, "During her last show she collapsed and had to be taken home on an Army airplane." Afterwards, Miller described the experience:
:"We went from ward to ward to ward, singing and dancing and trying to boost the morale of these men. It was just hell. . . . I just fell apart and I think the shock of seeing those men with their arms and legs blown off - it was just frightening. But when you do it, you do it. You try to help them, try to sing and dance. You try to keep their spirits up. It's heartbreaking."
Many stars, both well-known and new, came to perform, including Bob Hope, Errol Flynn, Debbie Reynolds, Donald O'Connor, Piper Laurie, Jane Russell, Paul Douglas, Terry Moore, Marilyn Monroe, Danny Kaye, Rory Calhoun, Mickey Rooney, Jayne Mansfield, Al Jolson and many others. Jolson notably was the first to volunteer and traveled to Korea at his own expense (he was also the first to entertain troops during World War II.). Hispanic-American soldiers were entertained by artists such as Pérez Prado's Show featuring Evita Muñoz as his invited mambo dancer.
Veterans have recalled many of the USOs events, sometimes in vivid detail:
:"On that cold, overcast day, there were more than five thousand troops in the audience. They sat on the ground or up on the hillside. When everyone was settled, Danny Kaye opened the show by going to the microphone, looking at his large audience, and shouting, "Who's holding back the enemy?" The GIs roared with laughter. We were thrilled to have Kaye and his entertainers in our area. We especially liked the young women in the show. Danny was okay, with his stories and jokes, but after all, we knew what American men looked like."
Author Linda Granfield in describing the show, writes, "For two hours, the men could forget they were soldiers at war. After the show, they returned to the fighting in the hills. Some in that audience never made it back." By the end of the war, over 113,000 American USO volunteers were working at 294 centers at home and abroad." And 126 units had given 5,422 performances to servicemen in Korea and the wounded in Japan
In addition, the USO operated centers at major U.S. airports to provide a lounge and place to sleep for American servicemen between their flights. Vietnam historian James Westheider noted that the USO "tried to bring a little America to Vietnam." Volunteer American civilians, who did 18-month tours, staffed the clubs. According to Westheider, "The young women wore miniskirts - no slacks were allowed." Each club had a snack bar, gift shops, a barbershop, photo developing, overseas phone lines, and hot showers.
When providing entertainment, the USO did its best to attract known stars from back home to help relieve the stresses of war. Even Senator John Kerry recalled how important this kind of diversion would become. He remembered a "Bob Hope Follies" USO show, which included actress Ann Margret, Miss America, football star Rosey Grier, and others. According to Kerry biographer Douglas Brinkley, "When the Swift finally made it back to the My Tho River, the crew confronted the heartbreaking sight of a huge Navy landing craft ferrying the troops back. The USO show was over." Kerry later wrote, "The visions of Ann Margret and Miss America and all the other titillating personalities who would have made us feel so at home hung around us for a while until we saw three Chinook helicopters take off from the field and presumed that our dreams had gone with them."
But for GIs who saw the show, it was worth it: "We turned to watch Ann perform, and for about two minutes of American beauty, the war was forgotten. Everyone fully understood just what was really worth fighting for. . . . The show was fantastic, but the escape the Bob Hope tour provided us in expectation for days before, and after, helped us keep in touch with what we were there for -- God, Country, apple pie ... and Ann-Margret!"
The visits by the stars meant a lot to the men and women in Vietnam. "It was not just the entertainment; it meant that they were not forgotten that far away from home," writes Westheider. He adds that the tours made a "deep impression" on the stars as well. Singer and actress Connie Stevens remembered her 1969 tour with Bob Hope, when she decided to go despite the fact she had two children both under the age of two. Today, she claims that "veterans were still stopping her and thanking her for visiting Vietnam over 30 years later."
U.S. military personnel and their families visit USO centers more than five million times each year.
From June 8 to 11, 2009, T.V. personality Stephen Colbert traveled to Iraq to film his show The Colbert Report for four days in a USO sponsored event.
Other entertainers who have traveled to the middle east to perform include Craig Ferguson, Gary Sinise, Carrie Underwood, Drowning Pool, Toby Keith, Montgomery Gentry, Kellie Pickler, Carlos Mencia, O.A.R., Dave Attell, Trace Adkins, Louis C.K., Dane Cook, Lewis Black, Third Day, Colin Quinn, and Neil McCoy.
The USO is also providing services for the annual "Tribute to the Troops" special of World Wrestling Entertainment. They have aired WWE RAW from Afghanistan and Iraq every Christmas in the United States in a pre-taped show from the combat zone.
As a result of his non-stop entertainment to both the civilian population and the military, he received numerous other honors over the years: a C-17 Air Force plane was named The Spirit of Bob Hope; a naval vessel was named the USNS Bob Hope; and streets, schools, hospitals, and a golf tournament were also named in his honor. A Senate resolution declared him "a part of American folklore." The Guinness Book of Records called him the most honored entertainer ever. And during his 1993 televised birthday celebration, when he turned 90, General Colin Powell saluted Hope "for his tireless USO trouping", which was followed by onstage tributes from all branches of the armed forces. General William Westmoreland spoke about his loyalty to the GI throughout the gritty Vietnam years. And bandleader Les Brown, who was with him during many of his tours, mentioned that his band "had seen more of Hope's ass in the last forty years than any of Hope's immediate family."
War correspondent Quentin Reynolds wrote in 1943, "He and his troupe would do 300 miles in a jeep, and give four shows... One of the generals said Hope was a first rate military target since he was worth a division; that that's about 15,000 men. Presumably the Nazis appreciated Hope's value, since they thrice bombed towns while the comic was there."
During the Vietnam war years he gave a number of high-rating television specials and sensed that the media had given him a broad endorsement for continuing on his GI mercy missions. Soon after his Christmas show in Saigon in 1967, he learned that the Vietcong had planned a terrorist attack at his hotel against him and his entire troupe, missing him by ten minutes. He was later "mystified," writes Faith, "and ... increasingly intolerant of the pockets of dissent. Draft-card burnings on college campuses angered him..." "Can you imagine," Hope wrote in a magazine article, "... that people in America are burning their draft cards to show their opposition and that some of them are actually rooting for your defeat?" In the spring of 1973, Hope began writing his fifth book, The Last Christmas Show, which was dedicated to "the men and women of the armed forces and to those who also served by worrying and waiting." He signed over his royalties to the USO.
His final Christmas show was during Operation Desert Shield in 1990. The show was not easy, notes Faith. "There were so many restrictions. Hope's jokes were monitored by the State Department to avoid offending the Saudis... and the media was restricted from covering the shows... Because in Saudi Arabia national custom prescribes that women must be veiled in public, Ann Jillian, Marie Osmond, and the Pointer Sisters were left off Hope's Christmas Eve show."
In 2009, Stephen Colbert performing his last episode of week-long taping in Iraq for his The Colbert Report show, carried a golf club on stage and dedicated it to Bob Hope's service for the USO.
The following information is based on USO's audited financial statements for the year ended December 31, 2006:
! Source of Funds | U.S. $ |
In-kind contributions | |
Public appeals | |
USO center revenue | |
Corporate, foundation and individual giving | |
Investment income | |
Entertainment sponsorships | |
United Way, CFC and other federated | |
Rental and other income | |
Total Income |
! Expenses | U.S. $ |
Program expenses | |
Fund raising expenses | |
Administrative expenses | |
Total expenses |
Category:1941 establishments Category:Non-profit organizations Category:United States military support organizations
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