Court name
established	1789
country	United States
location	Washington, D.C.
coordinates
type	Presidential nomination with Senate confirmation
authority	U.S. Constitution
terms	Life tenure
positions	9, by statute
website	supremecourt.gov
chiefjudgetitle	Chief Justice of the United States
chiefjudgename	John G. Roberts
termstart	September 29, 2005 }}

The Supreme Court of the United States is the highest court in the United States. It has ultimate (but largely discretionary) appellate jurisdiction over all state and federal courts, and original jurisdiction over a small range of cases. The Court, which meets in the United States Supreme Court Building in Washington, D.C., consists of a chief justice and eight associate justices who are nominated by the President and confirmed by the Senate. Once appointed, justices have life tenure unless they are removed after impeachment.

History

Earliest beginnings to Marshall

Under Chief Justices Jay, Rutledge, and Ellsworth (1789–1801), the Court heard few cases; its first decision was ''West v. Barnes'' (1791), a case involving a procedural issue. The Court lacked a home of its own and had little prestige, a situation not helped by the highest-profile case of the era, ''Chisholm v. Georgia'', which was immediately repudiated by the Eleventh Amendment.

The Court's power and prestige waxed during the Marshall Court (1801–1835). Under Marshall, the Court established the principle of judicial review, including specifying itself as the supreme expositor of the Constitution (''Marbury v. Madison'') and made several important constitutional rulings giving shape and substance to the balance of power between the federal government and the states (prominently, ''Martin v. Hunter's Lessee'', ''McCulloch v. Maryland'' and ''Gibbons v. Ogden'').

The Marshall Court also ended the practice of each justice issuing his opinion ''seriatim'', a remnant of British tradition, and instead issuing a single majority opinion. Also during Marshall's tenure, although beyond the Court's control, the impeachment and acquittal of Justice Samuel Chase in 1804-1805 helped cement the principle of judicial independence.

From Taney to Taft

The Taney Court (1836–1864) made several important rulings, such as ''Sheldon v. Sill'', which held that while Congress may not limit the subjects the Supreme Court may hear, it may limit the jurisdiction of the lower federal courts to prevent ''them'' from hearing cases dealing with certain subjects. Nevertheless, it is primarily remembered for its ruling in ''Dred Scott v. Sandford'', which may have helped precipitate the Civil War. In the Reconstruction era, the Chase, Waite, and Fuller Courts (1864–1910) interpreted the new Civil War amendments to the Constitution and developed the doctrine of substantive due process (''Lochner v. New York''; ''Adair v. United States'').

Under the White and Taft Courts (1910–1930), the Court held that the Fourteenth Amendment had incorporated some guarantees of the Bill of Rights against the states (''Gitlow v. New York''), grappled with the new antitrust statutes (''Standard Oil Co. of New Jersey v. United States''), upheld the constitutionality of military conscription (''Arver v. United States'') and brought the substantive due process doctrine to its first apogee (''Adkins v. Children's Hospital'').

The New Deal era

During the Hughes, Stone, and Vinson Courts (1930–1953), the Court gained its own accommodation in 1935 and changed its interpretation of the Constitution, giving a broader reading to the powers of the federal government to facilitate President Franklin Roosevelt's New Deal (most prominently ''West Coast Hotel Co. v. Parrish, Wickard v. Filburn'', ''United States v. Darby'' and United States v. Butler''). During World War II, the Court continued to favor government power, upholding the internment of Japanese citizens (''Korematsu v. United States'') and the mandatory pledge of allegiance (''Minersville School District v. Gobitis''). Nevertheless, ''Gobitis'' was soon repudiated (''West Virginia State Board of Education v. Barnette''), and the ''Steel Seizure Case'' restricted the pro-government trend.

Warren and Burger

The Warren Court (1953–1969) dramatically expanded the force of Constitutional civil liberties. It held that segregation in public schools violates equal protection (''Brown v. Board of Education'', ''Bolling v. Sharpe'' and ''Green v. County School Bd.'') and that traditional legislative district boundaries violated the right to vote (''Reynolds v. Sims''). It created a general right to privacy (''Griswold v. Connecticut''), limited the role of religion in public school (most prominently ''Engel v. Vitale'' and ''Abington School District v. Schempp''), incorporated most guarantees of the Bill of Rights against the States—prominently ''Mapp v. Ohio'' (the exclusionary rule) and ''Gideon v. Wainwright'' (right to appointed counsel),—and required that criminal suspects be apprised of all these rights by police (''Miranda v. Arizona''); At the same time, however, the Court limited defamation suits by public figures (''New York Times v. Sullivan'') and supplied the government with an unbroken run of antitrust victories.

The Burger Court (1969–1986) expanded ''Griswold'''s right to privacy to strike down abortion laws (''Roe v. Wade''), but divided deeply on affirmative action (''Regents of the University of California v. Bakke'') and campaign finance regulation (''Buckley v. Valeo''), and dithered on the death penalty, ruling first that most applications were defective (''Furman v. Georgia''), then that the death penalty itself was ''not'' unconstitutional (''Gregg v. Georgia'').

Rehnquist and Roberts

The Rehnquist Court (1986–2005) was noted for its revival of judicial enforcement of federalism, emphasizing the limits of the Constitution's affirmative grants of power (''United States v. Lopez'') and the force of its restrictions on those powers (''Seminole Tribe v. Florida'', ''City of Boerne v. Flores''). It struck down single-sex state schools as a violation of equal protection (''United States v. Virginia''), laws against sodomy as violations of substantive due process (''Lawrence v. Texas''), and the line item veto (''Clinton v. New York''), but upheld school vouchers (''Zelman v. Simmons-Harris'') and reaffirmed ''Roe'''s restrictions on abortion laws (''Planned Parenthood v. Casey''). The Court's decision in ''Bush v. Gore'', which ended the electoral recount during the presidential election of 2000, became controversial.

The Roberts Court (2005–present) is regarded by some as more conservative than the Rehnquist Court. Some of its major rulings have concerned federal preemption (''Wyeth v. Levine''), civil procedure (''Bell-Iqbal''), abortion (''Gonzales v. Carhart''), and the Bill of Rights, prominently ''Citizens United v. Federal Election Commission'' (First Amendment), ''Heller-McDonald'' (Second Amendment), and ''Baze v. Rees'' (Eighth Amendment).

Composition

Size of the Court

Article III of the United States Constitution leaves it to Congress to fix the number of justices. The Judiciary Act of 1789 called for the appointment of six justices, and as the nation's boundaries grew, Congress added justices to correspond with the growing number of judicial circuits: seven in 1807, nine in 1837, and ten in 1863.

In 1866, at the behest of Chief Justice Chase, Congress passed an act providing that the next three justices to retire would not be replaced, which would thin the bench to seven justices by attrition. Consequently, one seat was removed in 1866 and a second in 1867. In 1869, however, the Circuit Judges Act returned the number of justices to nine, where it has since remained.

President Franklin D. Roosevelt attempted to expand the Court in 1937. His proposal envisioned appointment of one additional justice for each incumbent justice who reached the age of 70 years 6 months and refused retirement, up to a maximum of 15 justices. The proposal was ostensibly to ease the burden of the docket on elderly judges, but the actual purpose was widely understood as an effort to pack the Court with justices who would support Roosevelt's New Deal. The plan, usually called the "Court-packing Plan", failed in Congress and proved a fiasco for Roosevelt. Nevertheless, the Court's balance began to shift within months when Justice van Devanter retired and was replaced by Senator Hugo Black. By the end of 1941, Roosevelt had appointed seven justices and elevated Harlan Fiske Stone to Chief Justice.

Appointment and confirmation

The President of the United States appoints justices "by and with the advice and consent of the Senate." Most presidents nominate candidates who broadly share their ideological views, although a justice's decisions may end up being contrary to a president's expectations. Because the Constitution sets no qualifications for service as a justice, a president may nominate anyone to serve, subject to Senate confirmation.

In modern times, the confirmation process has attracted considerable attention from the press and advocacy groups, which lobby senators to confirm or to reject a nominee depending on whether their track record aligns with the group's views. The Senate Judiciary Committee conducts hearings and votes on whether the nomination should go to the full Senate with a positive, negative or neutral report. The committee's practice of personally interviewing nominees is relatively recent. The first nominee to appear before the committee was Harlan Fiske Stone in 1925, who sought to quell concerns about his links to Wall Street, and the modern practice of questioning began with John Marshall Harlan II in 1955. Once the committee reports out the nomination, the full Senate considers it. Rejections are relatively uncommon; the Senate has explicitly rejected twelve Supreme Court nominees, most recently Robert Bork in 1987.

Nevertheless, not every nominee has received a floor vote in the Senate. Although Senate rules do not necessarily allow a negative vote in committee to block a nomination, a nominee may be filibustered once debate has begun in the full Senate. No nomination for associate justice has ever been filibustered, but President Lyndon Johnson's nomination of sitting Associate Justice Abe Fortas to succeed Earl Warren as Chief Justice was successfully filibustered in 1968. A president may also withdraw a nominee's name before the actual confirmation vote occurs, typically because it is clear that the Senate will reject them, most recently Harriet Miers in 2006.

Once the Senate confirms a nomination, the president must prepare and sign a commission, to which the Seal of the Department of Justice must be affixed, before the new justice can take office. The seniority of an associate justice is based on the commissioning date, not the confirmation or swearing-in date.

Before 1981, the approval process of justices was usually rapid. From the Truman through Nixon administrations, justices were typically approved within one month. From the Reagan administration to the present, however, the process has taken much longer. Some believe this is because Congress sees justices as playing a more political role than in the past.

Recess appointments

When the Senate is in recess, a president may make temporary appointments to fill vacancies. Recess appointees hold office only until the end of the next Senate session (at most, less than two years). The Senate must confirm the nominee for them to continue serving; of the two chief justices and six associate justices who have received recess appointments, only Chief Justice John Rutledge was not subsequently confirmed.

No president since Dwight Eisenhower has made a recess appointment to the Court, and the practice has become rare and controversial even in lower federal courts. In 1960, after Eisenhower had made three such appointments, the Senate passed a "sense of the Senate" resolution that recess appointments to the Court should only be made in "unusual circumstances." Such resolutions are not legally binding but are an expression of Congress's views in the hope of guiding executive action.

Tenure

The Constitution provides that justices "shall hold their offices during good behavior" (unless appointed during a Senate recess). The term "good behavior" is well understood to mean justices may serve for the remainder of their lives, although they can voluntarily resign or retire. A justice can also be removed by Congressional impeachment and conviction. However, only one justice has been impeached by the House (Samuel Chase, in 1805) and he was acquitted in the Senate. Moves to impeach sitting justices have occurred more recently (for example, William O. Douglas was the subject of hearings twice, once in 1953 and again in 1970), but they have not reached a vote in the House. No mechanism presently exists for removing a justice who is permanently incapacitated by illness or injury, both unable to resign and unable to resume service.

Because justices have indefinite tenure, timing of vacancies can be unpredictable. Sometimes vacancies arise in quick succession, as in the early 1970s when Lewis Franklin Powell, Jr. and William Rehnquist were nominated to replace Hugo Black and John Marshall Harlan II, who retired within a week of each other. Sometimes a great length of time passes between nominations such as the eleven years between Stephen Breyer's nomination in 1994 and the nomination of John Roberts in 2005 to fill the seat of the Sandra Day O'Connor (though Roberts' nomination was withdrawn and resubmitted for the role of Chief Justice after Rehnquist died).

Despite the variability, all but four Presidents have been able to appoint at least one justice. President William Henry Harrison died a month after taking office, though his successor (John Tyler) made an appointment during that presidential term. President Zachary Taylor likewise died early in his presidential term, although his successor (Millard Fillmore) also made a Supreme Court nomination before the end of that term. President Andrew Johnson was denied the opportunity to appoint a justice by a contraction in the size of the Court (see Size of the Court above). President Jimmy Carter is the only President who completed at least one full term in office without making a nomination to the Court during his presidency.

Three presidents have appointed justices who collectively served more than 100 years: Franklin D. Roosevelt, Andrew Jackson and Abraham Lincoln.

Membership

Current justices

!Name	Born	! Appt. by	! Senate conf. vote	! Age at appt.	! First day /Length of service	Previous positions
		Chief Justice of the United States>Chief Justice)	(age )in Buffalo, New York		78–22	50		Circuit Judge, Court of Appeals for the D.C. Circuit (2003–2005); Private practice (1993–2003); Professor, Georgetown University Law Center (1992–2005); Principal Deputy Solicitor General (1989–1993); Private practice (1986–1989); Associate Counsel to the President (1982–1986); Special Assistant to the Attorney General (1981–1982)
		(age )in Trenton, New Jersey		98–0	50		United States Court of Appeals for the District of Columbia Circuit
		(age )in [[Sacramento, California		97–0	51		[[United States Court of Appeals for the Ninth Circuit
		(age )in [[Pin Point, Georgia		52–48	43		Circuit Judge, Court of Appeals for the D.C. Circuit (1990–1991); Chairman, Equal Employment Opportunity Commission (1982–1990); legislative assistant for Missouri Senator John Danforth (1979–1981); employed by Monsanto Company Inc. (1977–1979); Assistant Attorney General in Missouri under State Attorney General John Danforth (1974–1977)
		(age )in New York City		96–3	60		United States Court of Appeals for the District of Columbia Circuit
		(age )in San Francisco, California		87–9	56		[[United States Court of Appeals for the First Circuit
		(age )in [[Trenton, New Jersey		58–42	55		Circuit Judge, Court of Appeals for the Third Circuit (1990–2006); Professor, Seton Hall University School of Law (1999–2004); U.S. Attorney for the District of New Jersey (1987–1990); Deputy Assistant Attorney General (1985–1987); Assistant to the Solicitor General (1981–1985); Assistant U.S. Attorney for the District of New Jersey (1977–1981)
		(age )in New York City		68–31	55		United States Court of Appeals for the Second Circuit
		(age )in New York City			63–37	50		[[Solicitor General of the United States (2009–2010); Dean of Harvard Law School (2003–2009); Professor, Harvard Law School (2001–2003); Visiting Professor, Harvard Law School (1999–2001); Associate White House Counsel (1995–1999); Deputy Director of the Domestic Policy Council (1995–1999); Professor, University of Chicago Law School (1995); Associate Professor, University of Chicago Law School (1991–1995)

Court demographics

The Court currently has six male and three female justices. One justice is African American, one is Latino, and two are Italian-Americans; six justices are Roman Catholics, and three are Jews. The average age is , and every current justice has an Ivy League background.

In the 19th century, every justice was a Caucasian male, and concerns about diversity focused on geography, to represent all regions of the country, rather than ethnic, religious, or gender diversity. Thurgood Marshall became the first African American Justice in 1967, and Sandra Day O'Connor became the first female Justice in 1981. O'Connor, whose appointment fulfilled Ronald Reagan's campaign promise to place a woman on the Court, was later joined by Ruth Bader Ginsburg, appointed by Bill Clinton in 1993. Marshall was succeeded by Clarence Thomas, and in 2009, Ginsburg was joined by Sonia Sotomayor, the first Latino justice.

Most justices have been Protestants, including thirty-five Episcopalians, nineteen Presbyterians, ten Unitarians, five Methodists, and three Baptists. The first Catholic justice was Roger Taney in 1836, and 1916 saw the appointment of the first Jewish justice, Louis Brandeis. In recent years this situation has reversed: upon the retirement of Justice Stevens, the Court is without a Protestant for the first time in its history.

Retired justices

There are three living retired justices: John Paul Stevens, Sandra Day O'Connor, and David Souter. They may be designated to sit on panels of the United States Courts of Appeals, but never sit as members of the Supreme Court itself.

Seniority and seating

Many of the internal operations of the Court are organized by the seniority of the justices; the Chief Justice is considered the most senior member of the Court, regardless of the length of his or her service. The Associate Justices are then ranked by the length of their service.

During Court sessions, the justices sit according to seniority, with the Chief Justice in the center, and the Associate Justices on alternating sides, with the most senior Associate Justice on the Chief Justice's immediate right, and the most junior Associate Justice seated on the left farthest away from the Chief Justice. Therefore, the current court sits as follows from left to right when looking at the bench from the perspective of a lawyer arguing before the Court: Sotomayor, Breyer, Thomas, Scalia (most senior Associate Justice), Roberts (Chief Justice), Kennedy, Ginsburg, Alito, and Kagan. In the official yearly Court photograph, justices are arranged similarly, with the five most senior members sitting in the front row in the same order as they would sit during Court sessions (Thomas, Scalia, Roberts, Kennedy, Ginsburg), and the four most junior justices standing behind them, again in the same order as they would sit during Court sessions (Sotomayor, Breyer, Alito, Kagan).

In the justices' private conferences, the current practice is for them to speak and vote in order of seniority from the Chief Justice first to the most junior Associate Justice last. The most junior Associate Justice in these conferences is tasked with any menial labor the justices may require as they convene alone, such as answering the door of their conference room, serving coffee, and transmitting the orders of the Court to the court's clerk. Justice Joseph Story served the longest as the junior justice, from February 3, 1812, to September 1, 1823, for a total of 4,228 days. Justice Stephen Breyer follows close behind, with 4,199 days when Samuel Alito joined the court on January 31, 2006.

Salary

For the years 2009 and 2010, associate justices have been paid $213,900 and the chief justice $223,500. Article III, Section 1 of the U.S. Constitution prohibits Congress from reducing the pay for incumbent justices. Once a justice meets age and service requirements, the justice may retire and earn his or her final salary for life, plus cost of living increases.

Judicial leanings

While justices do not represent or receive official endorsements from political parties, as is accepted practice in the legislative and executive branches, jurists are informally categorized in legal and political circles as being judicial conservatives, moderates, or liberals. Such leanings, however, refer to legal outlook rather than a political or legislative one, because Supreme Court justices are not members of the executive or legislative branches.

As of the October 2010 term of the Court, the Court consists of five justices appointed by Republican Presidents, and four appointed by Democratic Presidents. It is popularly accepted that Chief Justice Roberts and Justices Scalia, Thomas, and Alito comprise the Court's conservative wing. Justices Ginsburg and Breyer are generally thought of as the Court's liberal wing; after one term on the Court, Justice Sotomayor is also seen as a member of the liberal wing, voting much as her predecessor, Justice Souter, might have voted. John McGinnis, a law professor at Northwestern University School of Law, stated that Sotomayor "appears to be a typical member of the liberal wing", but noted that experts have said justices do not come into their own until they have served five years or so, pointing to Souter's first year as an example; however, McGinnis also noted that Sotomayor has a longer judicial track record than Souter did. According to statistics compiled by SCOTUSblog, during the 2009 term Sotomayor agreed most often with Ginsburg and Breyer (90% of the time in full, in part, or in judgment, second only to the 92% agreement between Scalia and Thomas), and disagreed most often with Scalia and Alito (31% of the time). Justice Anthony Kennedy, generally considered a conservative who "occasionally vote[s] with the liberals", is often the swing vote that determines the outcome of close cases.

In an article in SCOTUSblog, Tom Goldstein argues that the popular view of the Supreme Court as sharply divided along ideological lines and each side pushing an agenda at every turn is "in significant part a caricature designed to fit certain preconceptions." He points out that in the 2009 term, almost half the cases were decided unanimously, and only about 20% decided by a 5-to-4 vote; barely one in ten cases involved the narrow liberal/conservative divide (fewer if the cases where Sotomayor recused herself are not included). He also points to several cases that seem to fly against the popular conception of the ideological lines of the Court. Goldstein argues that the large number of pro-criminal-defendant summary dismissals (usually cases where the justices decide that the lower courts significantly misapplied precedent and reverse the case without briefing or argument) are an illustration that the conservative justices have not been aggressively ideological. Likewise, Goldstein states that the critique that the liberal justices are more likely to invalidate acts of Congress, show inadequate deference to the political process, and be disrespectful of precedent, also lacks merit: Thomas has most often called for overruling prior precedent (even if long standing) that he views as having been wrongly decided, and during the 2009 term Scalia and Thomas voted most often to invalidate legislation.

According to statistics compiled by SCOTUSblog, the Court decided 86 cases in the October 2010 term, including 75 signed opinions, 5 summary reversals (where the Court reverses a lower court without arguments and without issuing an opinion on the case), four were decided with unsigned opinions, two cases affirmed by an equally divided Court, and two cases were dismissed as improvidently granted. Justice Kagan recused herself from 26 of those cases due to her prior role as United States Solicitor General. Of the 80 cases, 38 (about 48%, the highest percentage since the October 2005 term) were decided unanimously (9-0 or 8-0), and only 16 decisions were made by a 5-4 vote (about 20%, compared to 18% in the October 2009 term, and 29% in the October 2008 term). However, in the 5-4 decisions, the Court divided along the traditional ideological lines (with Ginsburg, Breyer, Sotomayor, and Kagan on one side, and Roberts, Scalia, Thomas, and Alito on the other, with Kennedy providing the "swing vote") in 14 of those 16 cases (87% of the time, the highest rate in the past 10 years). The conservative bloc, joined by Kennedy, formed the majority in 63% of the 5-4 decisions, the highest cohesion rate of that bloc in the Roberts court.

Politicization of the Court

Clerks hired by each of the justices of the Supreme Court are often given considerable leeway in the opinions they draft. "Supreme Court clerkship appeared to be a nonpartisan institution from the 1940s into the 1980s", according to a study published in 2009 by the law review of Vanderbilt University Law School. "As law has moved closer to mere politics, political affiliations have naturally and predictably become proxies for the different political agendas that have been pressed in and through the courts", former federal court of appeals judge J. Michael Luttig said. David J. Garrow, professor of history at the University of Cambridge, stated that the Court had thus begun to mirror the political branches of government. "We are getting a composition of the clerk workforce that is getting to be like the House of Representatives", Professor Garrow said. "Each side is putting forward only ideological purists."

According to the ''Vanderbilt Law Review'' study, this politicized hiring trend reinforces the impression that the Supreme Court is "a superlegislature responding to ideological arguments rather than a legal institution responding to concerns grounded in the rule of law."

Facilities

The Supreme Court first met on February 1, 1790, at the Merchants' Exchange Building in New York City. When Philadelphia became the capital, the Court met briefly in Independence Hall before settling in Old City Hall from 1791 until 1800. After the government moved to Washington, D.C., the Court occupied various spaces in the United States Capitol building until 1935, when it moved into its own purpose-built home. The four-story building was designed by Cass Gilbert in a classical style sympathetic to the surrounding buildings of the Capitol and Library of Congress, and is clad in marble. The building includes the courtroom, justices' chambers, an extensive law library, various meeting spaces, and auxiliary services including a gymnasium. The Supreme Court building is within the ambit of the Architect of the Capitol, but maintains its own police force separate from the Capitol Police.

Located across the street from the United States Capitol at One First Street NE and Maryland Avenue, the building is open to the public from 9 am to 4:30 pm weekdays but closed on weekends and holidays. Visitors may not tour the courtroom itself unaccompanied. There is a cafeteria, a gift shop, exhibits, and a half-hour informational film. When the Court is not in session, lectures about the courtroom are held hourly from 9:30 am to 3:30 pm and reservations are not necessary. When the Court is in session the public may attend oral arguments, which are held twice each morning (and sometimes afternoons) on Mondays, Tuesdays, and Wednesdays in two-week intervals from October through late April, with breaks during December and February. Visitors are seated on a first-come first-served basis. One estimate is there are about 250 seats available. The number of open seats varies from case to case; for important cases, some visitors arrive the day before and wait through the night. From mid-May until the end of June, the court releases orders and opinions beginning at 10 am, and these 15 to 30-minute sessions are open to the public on a similar basis. Supreme Court Police are available to answer questions.

Jurisdiction

Section 2 of Article Three of the United States Constitution outlines the jurisdiction of the federal courts of the United States:

The jurisdiction of the federal courts was further limited by the Eleventh Amendment to the United States Constitution, which forbade federal courts from hearing cases "commenced or prosecuted against [a State] by Citizens of another State, or by Citizens or Subjects of any Foreign State." However, states may waive this immunity, and Congress may abrogate the states' immunity in certain circumstances (see Sovereign immunity). In addition to constitutional constraints, Congress is authorized by Article III to regulate the court's appellate jurisdiction: for example, the federal courts may hear cases only if one or more of the following conditions are met: 1. diversity of citizenship (meaning, the parties are residents of two different states or countries, including foreign states), plus a controversy of at least $75,000. 2. If the case asks a federal question. 3. If the United States federal government (including the Post Office) is a party in the case.

Exercise of this power (for example, , as amended by the Detainee Treatment Act, provides that "No court, justice, or judge shall have jurisdiction to hear or consider an application for a writ of habeas corpus filed by or on behalf of an alien detained by the United States who has been determined by the United States to have been properly detained as an enemy combatant or is awaiting such determination.") can become controversial; see Jurisdiction stripping.

The Constitution specifies that the Supreme Court may exercise original jurisdiction in cases affecting ambassadors and other diplomats, and in cases in which a state is a party. In all other cases, however, the Court has only appellate jurisdiction. It considers cases based on its original jurisdiction very rarely; almost all cases are brought to the Supreme Court on appeal. In practice, the only original jurisdiction cases heard by the Court are disputes between two or more states.

The power of the Supreme Court to consider appeals from state courts, rather than just federal courts, was created by the Judiciary Act of 1789 and upheld early in the Court's history, by its rulings in ''Martin v. Hunter's Lessee'' (1816) and ''Cohens v. Virginia'' (1821). The Supreme Court is the only federal court that has jurisdiction over direct appeals from state court decisions, although there are several devices that permit so-called "collateral review" of state cases.

Since Article Three of the United States Constitution stipulates that federal courts may only entertain "cases" or "controversies", the Supreme Court avoids deciding cases that are moot and does not render advisory opinions, as the supreme courts of some states may do. For example, in ''DeFunis v. Odegaard'', , the Court dismissed a lawsuit challenging the constitutionality of a law school affirmative action policy because the plaintiff student had graduated since he began the lawsuit, and a decision from the Court on his claim would not be able to redress any injury he had suffered. The mootness exception is not absolute. If an issue is "capable of repetition yet evading review", the Court will address it even though the party before the Court would not himself be made whole by a favorable result. In ''Roe v. Wade'', , and other abortion cases, the Court addresses the merits of claims pressed by pregnant women seeking abortions even if they are no longer pregnant because it takes longer than the typical human gestation period to appeal a case through the lower courts to the Supreme Court.

Justices as Circuit Justices

The United States is divided into thirteen circuit courts of appeals, each of which is assigned a "Circuit Justice" from the Supreme Court. Although this concept has been in continuous existence throughout the history of the republic, its meaning has changed through time.

Under the Judiciary Act of 1789, each Justice was required to "ride circuit", or to travel within the assigned circuit and consider cases alongside local judges. This practice encountered opposition from many Justices, who cited the difficulty of travel. Moreover, several individuals opposed it because a Justice could not be expected to be impartial in an appeal if he had previously decided the same case while riding circuit. Circuit riding was abolished in 1891. Today, the duties of a "Circuit Justice" are generally limited to receiving and deciding requests for stays in cases coming from the circuit or circuits to which the Justice is assigned, and other clerical tasks such as addressing certain requests for extensions of time. A Circuit Justice may (but in practice almost never does) sit as a judge of that circuit. When he or she does so, a Circuit Justice has seniority over the Chief Judge of that circuit.

The Chief Justice is traditionally assigned to the District of Columbia Circuit, the Federal Circuit and the Fourth Circuit, which includes Maryland and Virginia, the states surrounding the District of Columbia. Each Associate Justice is assigned to one or two judicial circuits.

As of September 28, 2010, the allotment of the justices among the circuits is:

Circuit !! Justice
United States Court of Appeals for the District of Columbia Circuit	District of Columbia Circuit	Chief Justice Roberts
	Justice Breyer
United States Court of Appeals for the Second Circuit	Second Circuit	Justice Ginsburg
United States Court of Appeals for the Third Circuit	Third Circuit	Justice Alito
United States Court of Appeals for the Fourth Circuit	Fourth Circuit	Chief Justice Roberts
United States Court of Appeals for the Fifth Circuit	Fifth Circuit	Justice Scalia
United States Court of Appeals for the Sixth Circuit	Sixth Circuit	Justice Kagan
United States Court of Appeals for the Seventh Circuit	Seventh Circuit	Justice Kagan
United States Court of Appeals for the Eighth Circuit	Eighth Circuit	Justice Alito
United States Court of Appeals for the Ninth Circuit	Ninth Circuit	Justice Kennedy
United States Court of Appeals for the Tenth Circuit	Tenth Circuit	Justice Sotomayor
United States Court of Appeals for the Eleventh Circuit	Eleventh Circuit	Justice Thomas
United States Court of Appeals for the Federal Circuit	Federal Circuit	Chief Justice Roberts

The circuit assignments often reflect the geographic regions where the assigned Justices served as judges or practitioners before joining the Supreme Court. Five of the current Justices are assigned to circuits on which they once sat as circuit judges: Chief Justice Roberts (D.C. Circuit), Justice Breyer (First Circuit), Justice Alito (Third Circuit), and Justice Kennedy (Ninth Circuit). Furthermore, Justices Thomas and Ginsburg are assigned to the circuits that include their home states (the Eleventh and Second Circuits, respectively).

Process

A term of the Supreme Court commences on the first Monday of each October, and continues until June or early July of the following year. Each term consists of alternating periods of approximately two weeks known as "sittings" and "recesses." Justices hear cases and deliver rulings during sittings; they discuss cases and write opinions during recesses.

Case selection

Nearly all cases come before the court by way of petitions for writs of certiorari, commonly referred to as "cert". The Court may review any case in the federal courts of appeals "by writ of ''certiorari'' granted upon the petition of any party to any civil or criminal case". The Court may only review "final judgments rendered by the highest court of a state in which a decision could be had" if those judgments involve a question of federal statutory or constitutional law. The party that lost in the lower court is the ''petitioner'' and the party that prevailed is the ''respondent''. All case names before the Court are styled ''petitioner'' v. ''respondent'', regardless of which party initiated the lawsuit in the trial court. For example, criminal prosecutions are brought in the name of the state and against an individual, as in ''State of Arizona v. Ernesto Miranda''. If the defendant is convicted, and his conviction then is affirmed on appeal in the state supreme court, when he petitions for cert the name of the case becomes ''Miranda v. Arizona''.

There are situations where the Court has original jurisdiction, such as when two states have a dispute against each other, or when there is a dispute between the United States and a state. In such instances, a case is filed with the Supreme Court directly. Examples of such cases include ''United States v. Texas'', a case to determine whether a parcel of land belonged to the United States or to Texas, and ''Virginia v. Tennessee'', a case turning on whether an incorrectly drawn boundary between two states can be changed by a state court, and whether the setting of the correct boundary requires Congressional approval. Although it has not happened since 1794 in the case of Georgia v. Brailsford, parties in an action at law in which the Supreme Court has original jurisdiction may request that a jury determine issues of fact.

The common shorthand name for cases is typically the first party (the petitioner). For example, ''Brown v. Board of Education'' is referred to simply as ''Brown'', and ''Roe v. Wade'' as ''Roe''. The exception to this rule is when the name of a state, or the United States, or some government entity, is the first listed party. In that instance, the name of the second party is the shorthand name. For example, ''Iowa v. Tovar'' is referred to simply as ''Tovar'', and ''Gonzales v. Raich'' is referred to simply as ''Raich'', because the first party, Alberto Gonzales, was sued in his official capacity as the United States Attorney General.

A cert petition is voted on at a session of the court called a ''conference''. A conference is a private meeting of the nine Justices by themselves; the public and the Justices' clerks are excluded. If four Justices vote to grant the petition, the case proceeds to the briefing stage; otherwise, the case ends. Except in death penalty cases and other cases in which the Court orders briefing from the respondent, the respondent may, but is not required to, file a response to the cert petition.

The court grants a petition for cert only for "compelling reasons", spelled out in the court's Rule 10. Such reasons include:

Resolving a conflict in the interpretation of a federal law or a provision of the federal Constitution

Correcting an egregious departure from the accepted and usual course of judicial proceedings

Resolving an important question of federal law, or to expressly review a decision of a lower court that conflicts directly with a previous decision of the Court.

When a conflict of interpretations arises from differing interpretations of the same law or constitutional provision issued by different federal circuit courts of appeals, lawyers call this situation a "circuit split". If the court votes to deny a cert petition, as it does in the vast majority of such petitions that come before it, it does so typically without comment. A denial of a cert petition is not a judgment on the merits of a case, and the decision of the lower court stands as the final ruling in the case.

To manage the high volume of cert petitions received by the Court each year (of the more than 7,000 petitions the Court receives each year, it will usually request briefing and hear oral argument in 100 or fewer), the Court employs an internal case management tool known as the "cert pool." Currently, all justices except for Justice Alito participate in the cert pool.

Oral argument

When the Court grants a cert petition, the case is set for oral argument. At this point, both parties file briefs on the merits of the case, as distinct from reasons the parties may urge for granting or denying the cert petition. With the consent of the parties or approval of the Court, ''amici curiae'', or "friends of the court", may also file briefs. The Court holds two-week oral argument sessions each month from October through April. Each side has thirty minutes to present its argument, and during that time, the Justices may interrupt the advocate and ask questions. The petitioner gives the first presentation, and may reserve some time to rebut the respondent's arguments after the respondent has concluded. ''Amici curiae'' may also present oral argument on behalf of one party if that party agrees. The Court advises counsel to assume that the Justices are familiar with and have read the briefs filed in a case.

Decision

At the conclusion of oral argument, the case is submitted for decision. Cases are decided by majority vote of the Justices. It is the Court's practice to issue decisions in all cases argued in a particular Term by the end of that Term. Within that Term, however, the Court is under no obligation to release a decision within any set time after oral argument. At the conclusion of oral argument, the Justices retire to another conference at which the preliminary votes are tallied, and the most senior Justice in the majority assigns the initial draft of the Court's opinion to a Justice on his or her side. Drafts of the Court's opinion, as well as any concurring or dissenting opinions, circulate among the Justices until the Court is prepared to announce the judgment in a particular case.

It is possible that, through recusals or vacancies, the Court divides evenly on a case. If that occurs, then the decision of the court below is affirmed, but does not establish binding precedent. In effect, it results in a return to the ''status quo ante''. For a case to be heard, there must be a quorum of at least six justices. If a quorum is not available to hear a case and a majority of qualified justices believes that the case cannot be heard and determined in the next term, then the judgment of the court below is affirmed as if the Court had been evenly divided. For cases brought directly to the Supreme Court by direct appeal from a United States District Court, the Chief Justice may order the case remanded to the appropriate U.S. Court of Appeals for a final decision there.

Published opinions

The Court's opinions are published in three stages. First, a slip opinion is made available on the Court's web site and through other outlets. Next, several opinions are bound together in paperback form, called a preliminary print of ''United States Reports'', the official series of books in which the final version of the Court's opinions appears. About a year after the preliminary prints are issued, a final bound volume of ''U.S. Reports'' is issued. The individual volumes of ''U.S. Reports'' are numbered so that users may cite this set of reports—or a competing version published by another commercial legal publisher—to allow those who read their pleadings and other briefs to find the cases quickly and easily.

, there are 548 volumes of ''U.S. Reports''. Lawyers use an abbreviated format to cite cases, in the form vvv U.S. ppp (yyyy). The number before the "U.S." refers to the volume number, and the number after the U.S. refers to the page within that volume. The number in parentheses is the year in which the case was decided. For instance, the citation for ''Roe v. Wade'' is 410 U.S. 113 (1973) and it means the case was decided in 1973 and appears on page 113 of volume 410 of ''U.S. Reports''. For hot-from-the-press judgments, the volume and page numbers are replaced with "___".

Institutional powers and constraints

The Constitution does not explicitly grant the Supreme Court the power of judicial review; nevertheless, the power of this Court to overturn laws and executive actions it deems unlawful or unconstitutional is a well-established precedent. Many of the Founding Fathers accepted the notion of judicial review; in Federalist No. 78, Alexander Hamilton wrote: "A Constitution is, in fact, and must be regarded by the judges, as a fundamental law. It therefore belongs to them to ascertain its meaning, as well as the meaning of any particular act proceeding from the legislative body. If there should happen to be an irreconcilable variance between the two, that which has the superior obligation and validity ought, of course, to be preferred; or, in other words, the Constitution ought to be preferred to the statute." The Supreme Court first established its power to declare laws unconstitutional in ''Marbury v. Madison'' (1803), consummating the system of checks and balances. This power allows judges to have the last word on allocation of authority among the three branches of the federal government, which grants them the ability to set bounds to their own authority, as well as to their immunity from outside checks and balances.

The Supreme Court cannot directly enforce its rulings; instead, it relies on respect for the Constitution and for the law for adherence to its judgments. One notable instance of nonacquiescence came in 1832, when the state of Georgia ignored the Supreme Court's decision in ''Worcester v. Georgia''. President Andrew Jackson, who sided with the Georgia courts, is supposed to have remarked, "John Marshall has made his decision; now let him enforce it!"; however, this alleged quotation has been disputed. State militia in the South also resisted the desegregation of public schools after the 1954 judgment ''Brown v. Board of Education''. More recently, many feared that President Nixon would refuse to comply with the Court's order in ''United States v. Nixon'' (1974) to surrender the Watergate tapes. Nixon, however, ultimately complied with the Supreme Court's ruling.

Some argue that the Supreme Court is "the most separated and least checked of all branches of government." Justices are not required to stand for election by virtue of their tenure "during good behavior", and their pay may "not be diminished" while they hold their position (Section 1 of Article Three). Though subject to the process of impeachment, only one Justice has ever been impeached and no Supreme Court Justice has been removed from office. Supreme Court decisions have been purposefully overridden by constitutional amendment in only four instances: the Eleventh Amendment overturned ''Chisholm v. Georgia'' (1793); the Thirteenth and Fourteenth Amendments in effect overturned ''Dred Scott v. Sandford'' (1857); the Sixteenth Amendment reversed ''Pollock v. Farmers' Loan and Trust Co.'' (1895); and the Twenty-sixth Amendment overturned some portions of ''Oregon v. Mitchell'' (1970). However, when the Court rules on matters involving the interpretation of laws rather than of the Constitution, simple legislative action can reverse the decisions (for example, in 2009 Congress passed the Lilly Ledbetter act, superseding the limitations given in ''Ledbetter v. Goodyear Tire & Rubber Co.'' in 2007). Also, the Supreme Court is not immune from political and institutional restraints: lower federal courts and state courts sometimes resist doctrinal innovations, as do law enforcement officials.

In addition, the other two branches can restrain the Court through other mechanisms. Congress can increase the number of justices, giving the President power to influence future decisions by appointments (as in Roosevelt's Court Packing Plan discussed above). Congress can pass legislation that restricts the jurisdiction of the Supreme Court and other federal courts over certain topics and cases: this is suggested by language in Section 2 of Article Three, where the appellate jurisdiction is granted ''"with such Exceptions, and under such Regulations as the Congress shall make."'' The Court sanctioned such congressional action in the Reconstruction case ''ex parte McCardle'' (1869), though it rejected Congress' power to dictate how particular cases must be decided in ''United States v. Klein'' (1871).

On the other hand, through its power of judicial review, the Supreme Court has defined the scope and nature of the powers and separation between the legislative and executive branches of the federal government; for example, in ''United States v. Curtiss-Wright Export Corp.'' (1936), ''Dames & Moore v. Regan'' (1981), and notably in ''Goldwater v. Carter'' (1979), (where it effectively gave the Presidency the power to terminate ratified treaties without the consent of Congress or the Senate). The Court's decisions can also impose limitations on the scope of Executive authority, as in ''Humphrey's Executor v. United States'' (1935), the ''Steel Seizure Case'' (1952), and ''United States v. Nixon'' (1974).

Criticism

Some criticisms leveled at the Supreme Court are:

Judicial activism. The Supreme Court has been criticized for not keeping within Constitutional bounds by engaging in judicial activism, rather than merely interpreting law and exercising judicial restraint. Claims of judicial activism are not confined to any particular ideology. An often cited example of conservative judicial activism is the 1905 decision in ''Lochner v. New York'', which has been criticized by many prominent thinkers, including Robert Bork, Justice Antonin Scalia, and Chief Justice John Roberts. An often cited example of liberal judicial activism is Roe v. Wade (1973), which legalized abortion in part on the basis of the "right to privacy" expressed in the Fourteenth Amendment, a reasoning that some critics argued was circuitous. Legal scholars, justices, and presidential candidates have criticized the Roe decision. The progressive Brown v. Board of Education decision has been criticized by conservatives such as Patrick Buchanan and former presidential contender Barry Goldwater. Lincoln warned, referring to the Dred Scott decision, that if government policy became "irrevocably fixed by decisions of the Supreme Court...the people will have ceased to be their own rulers." Former justice Thurgood Marshall justified judicial activism with these words: "You do what you think is right and let the law catch up." During different historical periods, the Court has leaned in different directions. Critics from both sides complain that activist-judges abandon the Constitution and substitute their own views instead. Critics include writers such as Andrew Napolitano, Phyllis Schlafly, Mark R. Levin, and Mark I. Sutherland, as well as Pulitzer Prize-winning historian James MacGregor Burns. Past presidents from both parties have attacked judicial activism, including Franklin Roosevelt, Richard Nixon, and Ronald Reagan. Failed Supreme Court nominee Robert Bork wrote: "What judges have wrought is a coup d'état, – slow-moving and genteel, but a coup d'état nonetheless." Senator Al Franken quipped that when politicians talk about judicial activism, "their definition of an activist judge is one who votes differently than [the politician] would like." It has been argued that the Supreme Court is in some respects "certainly a legislative body."

Federal versus state power. There has been debate throughout American history about the boundary between federal and state power. While Framers such as James Madison and Alexander Hamilton argued in the Federalist Papers that their then-proposed Constitution would not infringe on the power of state governments, others argue that expansive federal power is good and consistent with the Framers' wishes. The Supreme Court has been criticized for giving the federal government too much power to interfere with state authority. One criticism is that it has allowed the federal government to misuse the Commerce Clause by upholding regulations and legislation which have little to do with interstate commerce, but that were enacted under the guise of regulating interstate commerce; and by voiding state legislation for allegedly interfering with interstate commerce. For example, the Commerce Clause was used to protect non-commercial cave bugs ''within'' a state. Chief Justice John Marshall asserted Congress's power over interstate commerce was "complete in itself, may be exercised to its utmost extent, and acknowledges no limitations, other than are prescribed in the Constitution." Justice Alito said congressional authority under the Commerce Clause is "quite broad." Modern day theorist Robert B. Reich suggests debate over the Commerce Clause continues today. Advocates of states' rights such as constitutional scholar Kevin Gutzman have also criticized the Court, saying it has misused the Fourteenth Amendment to undermine state authority. Justice Brandeis, in arguing for allowing the states to operate without federal interference, suggested that "states should be free to serve as ''laboratories'' of democracy." One critic wrote "the great majority of Supreme Court rulings of unconstitutionality involve state, not federal, law." However, others see the Fourteenth Amendment as a positive force that extends "protection of those rights and guarantees to the state level."

Judicial interference in political disputes. Some Court decisions have been criticized for injecting the Court into the political arena, and deciding questions that are the purview of the other two branches of government. The ''Bush v. Gore'' decision, in which the Supreme Court intervened in the 2000 presidential election and effectively chose George W. Bush over Al Gore, has been criticized extensively, particularly by liberals. Another example are Court decisions on apportionment and re-districting: in ''Baker v. Carr'', the court decided it could rule on apportionment questions; Justice Frankfurter in a "scathing dissent" argued against the court wading into so-called "political questions."

Failing to protect individual rights. Court decisions have been criticized for failing to protect individual rights: the Dred Scott (1857) decision upheld slavery; Plessy v Ferguson (1896) upheld segregation under the doctrine of ''separate but equal''; ''Kelo v. City of New London'' (2005) was criticized by prominent politicians, including New Jersey governor Jon Corzine, as undermining property rights. A student criticized a 1988 ruling that allowed school officials "to block publication of a student article in the high school newspaper." Some critics suggest the 2009 bench with a conservative majority has "become increasingly hostile to voters" by siding with Indiana's voter identification laws which tend to "disenfranchise large numbers of people without driver's licenses, especially poor and minority voters", according to one report. Senator Al Franken criticized the Court for "eroding individual rights." However, others argue that the Court is ''too protective'' of some individual rights, particularly those of people accused of crimes or in detention. For example, Chief Justice Warren Burger was an outspoken critic of the exclusionary rule, and Justice Scalia criticized the Court's decision in ''Boumediene v. Bush'' for being ''too protective'' of the rights of Guantanamo detainees, on the grounds that habeas corpus was "limited" to sovereign territory.

Supreme Court has too much power. This criticism is related to complaints about judicial activism. George Will wrote that the Court has an "increasingly central role in American governance." It was criticized for intervening in bankruptcy proceedings regarding ailing carmaker Chrysler Corporation in 2009. A reporter wrote that "Justice Ruth Bader Ginsburg's intervention in the Chrysler bankruptcy" left open the "possibility of further judicial review" but argued overall that the intervention was a proper use of Supreme Court power to check the executive branch. Warren E. Burger, before becoming Chief Justice, argued that since the Supreme Court has such "unreviewable power" it is likely to "self-indulge itself" and unlikely to "engage in dispassionate analysis". Larry Sabato wrote "excessive authority has accrued to the federal courts, especially the Supreme Court."

Courts are poor check on executive power. British constitutional scholar Adam Tomkins sees flaws in the American system of having courts (and specifically the Supreme Court) act as checks on the Executive and Legislative branches; he argues that because the courts must wait, sometimes for years, for cases to wend their way through the system, their ability to restrain the other two branches is severely weakened.

Not choosing enough cases to review. Senator Arlen Specter said the Court should "decide more cases." On the other hand, although Justice Scalia acknowledged in a 2009 interview that the number of cases that the Court hears now is smaller today than when he first joined the Supreme Court, he also stated that he has not changed his standards for deciding whether to review a case, nor does he believe his colleagues have changed their standards. He attributed the high volume of cases in the late 1980s, at least in part, to an earlier flurry of new federal legislation that was making its way through the courts.

Secret proceedings. The Court has been criticized for keeping its deliberations hidden from public view. Its inner workings are difficult for reporters to cover, like a closed "cartel", only revealing itself through "public events and printed releases, with nothing about its inner workings", according to a review of Jeffrey Toobin's expose ''The Nine: Inside the Secret World of the Supreme Court''. The reviewer writes: "few (reporters) dig deeply into court affairs. It all works very neatly; the only ones hurt are the American people, who know little about nine individuals with enormous power over their lives." Larry Sabato complains about the Court's "insularity." A Fairleigh Dickinson University poll conducted in 2010 found that 61% of American voters agreed that televising Court hearings would "be good for democracy", and 50% of voters stated they would watch Court proceedings if they were televised. In recent years, many justices have appeared on television, written books, and made public statements to journalists. In a 2009 interview on C-SPAN, journalists Joan Biskupic (of USA Today) and Lyle Denniston (of SCOTUSblog) argued that the Court is a "very open" institution, with only the justices' private conferences being inaccessible to others. In October 2010, the Court began the practice of posting on its website recordings and transcripts of oral arguments on the Friday after they take place.

Creating a culture of legal intimidation. Critic Philip K. Howard in ''The Death of Common Sense'' and ''Life Without Lawyers'' criticized the Court for promoting a culture in which "law is wielded as a weapon of intimidation rather than as an instrument of protection." It leads to "a nation paralyzed by fear, unwilling to assume responsibility, both overly reliant on authority and distrustful of it." Howard deplores a legal culture in which the "rights" of "whoever might disagree" have trumped common sense. Specifically, Howard criticized the Earl Warren court for too much "sympathy for the little man." He criticized the ''Conley v. Gibson'' decision for opening "the floodgates to abusive litigation."

Lifetime tenure. Critic Larry Sabato wrote: "The insularity of lifetime tenure, combined with the appointments of relatively young attorneys who give long service on the bench, produces senior judges representing the views of past generations better than views of the current day." Sanford Levinson has been critical of justices who stayed in office despite medical deterioration based on longevity. James MacGregor Burns stated lifelong tenure has "produced a critical time lag, with the Supreme Court institutionally almost always behind the times." Proposals to solve these problems include term limits for justices, as proposed by Levinson and Sabato as well as a mandatory retirement age proposed by Richard Epstein. However, others suggest lifetime tenure brings substantial benefits, such as impartiality and freedom from political pressure. Alexander Hamilton in ''Federalist 78'' wrote "nothing can contribute so much to its firmness and independence as permanency in office."

See also

Certiorari

Federal judicial appointment history

List of Justices of the Supreme Court of the United States

*by court composition

*by education

*by seat

*by time in office

List of United States Chief Justices by time in office

Lists of United States Supreme Court cases

List of law clerks of the Supreme Court of the United States

List of law schools by United States Supreme Court Justices trained

Oyez Project

Segal-Cover score

Supreme Court Historical Society

Supreme Court Litigation

Supreme Court Procedures

United States Reports

Unsuccessful nominations to the Supreme Court of the United States

Notes

References

''Encyclopedia of the Supreme Court of the United States'', 5 vols., Detroit [etc.] : Macmillan Reference USA, 2008

The Rules of the Supreme Court of the United States (2005 ed.) (PDF).

Biskupic, Joan and Elder Witt. (1997). ''Congressional Quarterly's Guide to the U.S. Supreme Court.'' Washington, D.C.: Congressional Quarterly. ISBN 1-56802-130-5

Harvard Law Review Assn., (2000). ''The Bluebook: A Uniform System of Citation'', 17th ed. [18th ed., 2005. 13-ISBN 978-600-01-4329-9]

Irons, Peter. (1999). ''A People's History of the Supreme Court''. New York: Viking Press. ISBN 0-670-87006-4.

Rehnquist, William. (1987). ''The Supreme Court.'' New York: Alfred A. Knopf. ISBN 0-375-40943-2.

Skifos, Catherine Hetos. (1976)."The Supreme Court Gets a Home", ''Supreme Court Historical Society 1976 Yearbook.'' [in 1990, re-named ''The Journal of Supreme Court History'' (ISSN 1059-4329)]

Warren, Charles. (1924). ''The Supreme Court in United States History.'' (3 volumes). Boston: Little, Brown and Co.

Woodward, Bob and Armstrong, Scott. ''The Brethren: Inside the Supreme Court'' (1979). ISBN 978-0-7432-7402-9.

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Further reading

Beard, Charles A. (1912). ''The Supreme Court and the Constitution.'' New York: Macmillan Company. Reprinted Dover Publications, 2006. ISBN 0-486-44779-0.

Cushman, Barry. (1998). ''Rethinking the New Deal Court''. Oxford University Press.

Garner, Bryan A. (2004). ''Black's Law Dictionary.'' Deluxe 8th ed. Thomson West. ISBN 0-314-15199-0.

Greenburg, Jan Crawford, Jan. (2007). ''Supreme Conflict: The Inside Story of the Struggle for Control for the United States Supreme Court.'' New York: Penguin Press. ISBN 978-1-59420-101-1.

McCloskey, Robert G. (2005). ''The American Supreme Court.'' 4th ed. Chicago: University of Chicago Press. ISBN 0-226-55682-4.

Toobin, Jeffrey. ''The Nine: Inside the Secret World of the Supreme Court.'' Doubleday, 2007. ISBN 0-385-51640-1.

Urofsky, Melvin and Finkelman, Paul. (2001). ''A March of Liberty: A Constitutional History of the United States''. 2 vols. New York: Oxford University Press. ISBN 0-19-512637-8 & ISBN 0-19-512635-1.

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External links

Supreme Court of the United States ''official website''

Supreme Court Collection from the Legal Information Institute

Supreme Court Opinions from FindLaw

U.S. Supreme Court Decisions (v. 1+) from ''Justia, Oyez and U.S. Court Forms''

Supreme Court Records and Briefs from ''Cornell Law Library''

Milestone Cases in Supreme Court History from ''InfoPlease''

Supreme Court Nominations, present-1789

''Scales of Justice: The History of Supreme Court Nominations'' – Radio program explores history of appointments and confirmations

Supreme Court Historical Society

Complete/Searchable 1991-2004 Opinions and Orders

The Supreme Court Database ''A research database with information about cases from 1953-2008''

The Oyez Project – audio recordings of oral arguments

U.S. Supreme Court collected news and commentary at ''The Washington Post''

United States United States, Supreme Court of the * Category:1789 establishments in the United States

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Name	Robbie Williams
Background	solo_singer
Birth name	Robert Peter Williams
Born	February 13, 1974Stoke-on-Trent, Staffordshire, England
Instrument	Vocals, guitar, bass guitar, synthesiser, drums, piano, violin, harmonica, marimba
Genre	Pop rock, soft rock, dance, britpop
Occupation	Singer-songwriter, musician, vocal coach, record producer, actor
Years active	1990–present
Label	Chrysalis/EMI (1990-2011)Universal/RCA (USA) (2011 – present)
Associated acts	Take That
Website	}}

Robert Peter "Robbie" Williams (born 13 February 1974) is an English singer-songwriter, vocal coach and occasional actor. He is a member of the pop group Take That. Williams rose to fame in the band's first run in the early- to mid-1990s. After many disagreements with the management and certain group members, Williams left the group in 1995 to launch his solo career. On 15 July 2010, it was announced he had rejoined Take That and that the group intended to release a new album in November 2010.

Williams has sold more than 57 million albums worldwide. He is the best-selling British solo artist in the United Kingdom and the best selling non-Latino artist in Latin America. Six of his albums are among the top 100 biggest-selling albums in the United Kingdom. He has also been honoured with seventeen BRIT Awards—more than any other artist—and seven ECHO Awards. In 2004, he was inducted into the UK Music Hall of Fame after being voted as the "Greatest Artist of the 1990s."

Life and career

1974–89: early life

Williams was born to Peter and Janet Williams in Stoke-on-Trent on 13 February 1974. His parents ran a pub called the Red Lion in the town of Burslem, before his father become the licensee at the Port Vale F.C. Social Club - this led to Williams' lifelong affinity for the team. Williams attended Mill Hill Primary School at Stoke-on-Trent then St Margaret Ward Roman Catholic School in Tunstall, and also attended dance school UKDDF in Tunstall. He participated in several school plays, and his biggest role was that of the Artful Dodger in a production of ''Oliver!''.

1990–95: Take That

In 1990, the sixteen year old Williams was the youngest member to join Take That. According to the documentary ''Take That: For the Record'', his mother read an advertisement seeking members for a new boy band and suggested that he try out for the group. He met fellow member Mark Owen on the day of his audition/interview with Nigel Martin-Smith. During the heights of the band's popularity, Williams was known as the extrovert and practical joker of the band. Although the majority of the band's material was written and performed by Gary Barlow, Williams did perform lead vocals on their first Top Ten hit "Could It Be Magic", "I Found Heaven", and "Everything Changes". However, he had conflicts with Martin-Smith over the restrictive rules for Take That members, and he began drinking more alcohol and dabbling in cocaine.

In July 1995, Williams's drug abuse had escalated to the point of his having a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards. According to the documentary ''For the Record'', he stated that he was unhappy with his musical ideas not being taken seriously by lead singer Barlow and Nigel Martin-Smith, because his desire to explore hip hop and rap conflicted with the band's usual ballads. Barlow explained in interviews that Williams had given up trying to offer creative input and merely did as he was told. As well as Williams's friction with the management of the band, Jason Orange had problems with his increasingly belligerent behaviour, his lack of interest in performing, and his frequent habit of missing the band's rehearsals.

Both Orange and Barlow confronted Martin-Smith about the internal conflict, because they did not want him dropping out while touring and before any possible future touring of America, which never took place. During one of the last rehearsals before the tour commenced, the group confronted Williams about his attitude and stated they wanted to do the tour without him. He agreed to quit the band and left; it would be the last time for twelve years that they were all together. Despite the departure of Williams, Take That completed their Nobody Else Tour as a four-piece band. They later disbanded on 13 February 1996, Williams's twenty-second birthday.

Shortly afterwards, Williams was photographed by the press partying with the members of Oasis at Glastonbury Festival. Following his departure, he became the subject of talk shows and newspapers as he acknowledged his plans to become a solo singer, and he was spotted partying with George Michael in France. However, a clause in his Take That contract prohibited him from releasing any material until after the group was officially dissolved, and he was later sued by Martin-Smith and forced to pay $200,000 in commission. After various legal battles over his right to a solo career, Williams was victorious in getting released from his contract with BMG. On 27 June 1996, Williams formally announced that he had signed with Chrysalis Records.

1996–98: ''Life Thru a Lens'' and ''I've Been Expecting You''

After leaving Take That, Williams launched his solo career starting things off in 1996 by covering George Michael's "Freedom", the single reached number two in the UK Singles Chart, twenty-six places higher than George Michael's original.

Recordings for Williams's first album began at London's Maison Rouge studios in March of that year. Shortly after his introduction to Guy Chambers, Williams released "Old Before I Die" which would be the first single taken from his début album. Co-written by Williams with Eric Bazilian and Desmond Child, the single was released in April 1997, hitting number two on the UK Charts; however, it was largely ignored on international charts. The second single, "Lazy Days", was released in mid-1997. Although Williams was going through drug rehabilitation on the advice of his friend Elton John, he was allowed to check out to shoot the video for the song, but promotion for the single was virtually non-existent, so whilst the single charted at number eight in the United Kingdom, it struggled to reach the top forty of any European chart.

His debut album, ''Life Thru a Lens'', was released in September 1997. The album launched with his first live solo gig at the Élysée Montmartre theatre in Paris, France. At first, the album was slow to take off, debuting at number eleven of the UK Album Charts. The third single of the album, "South of the Border", failed to make a significant impact on the UK Charts. When it was released in September 1997, it reached number fourteen.

After Williams met the record company's concerns about his future, he released what would be the fourth single taken from his album, not knowing it would become his biggest single in the United Kingdom so far, and one of his best-known and most successful songs to date. "Angels" became Williams' best-seller in the United Kingdom, being certified 2x Platinum by the BPI. The song, apart from becoming a hit around Europe and Latin America, caused sales of his album to skyrocket. The album remained inside the British top ten for forty weeks and spent 218 weeks there altogether, making it the 58th best selling album in UK History with sales of over 2.4 million. The album eventually managed to sell over three million copies in Europe alone.

Williams and Chambers started writing the second album in Jamaica in early 1998. The first single, "Millennium", was inspired by John Barry's, theme song for ''You Only Live Twice'', the James Bond movie. The song became Williams' first solo number one single in the United Kingdom when it was released in September of that year. The song went on to ship over 400,000 copies in the UK alone being certified Gold by the BPI in November 1998. It also became a top twenty hit in many European countries, as well becoming a hit in Latin America and Australia.

When the album ''I've Been Expecting You'' was released in late October 1998, it débuted at number one in the UK Albums Chart. The album received more attention outside the United Kingdom, leaving its mark in the European and Latin American markets with hits such as "No Regrets", a collaboration with The Pet Shop Boys' singer Neil Tennant and The Divine Comedy's Neil Hannon. The single "No Regrets" was released in November 1998, reaching number four in the UK Singles Chart, backed with the cover of Adam and the Ants, "Antmusic". The single eventually sold over 200,000 copies in the United Kingdom being certified Silver in October 2004, almost six years after its original release.

The third single "Strong" from the album debuted at number four in the United Kingdom and number nine in New Zealand, however peaked moderately at only number 68 in Germany, number 99 in France and number 55 in the Netherlands. The fourth single, "She's the One", a cover of a track from World Party's album, ''Egyptology'', became his second number one hit in the United Kingdom. The single was released as a double a-side with "It's Only Us", the official theme for FIFA 2000. The single became a massive success shipping over 400,000 copies in the UK alone being certified Gold by the BPI in early 2000. Williams finished the year with an extensive European Tour late in 1999.

The album ''I've Been Expecting You'' was a smash hit, selling almost 3 million copies in the United Kingdom alone: certified 10x Platinum by the BPI. In Europe alone, the album sold over 4 million copies.

1999–2001: ''Sing When You're Winning'' and ''Swing When You're Winning''

In 1999, Williams was signed to Capitol Records in the United States, which is a part of EMI. Williams embarked on a US promotional tour and when his first U.S. and Canadian single, "Millennium" was released, it hit number 72 on the ''Billboard'' Hot 100, the album ''The Ego Has Landed'' was released in July 1999 in the United States and Canada, not having the success that he enjoyed in Europe - the album peaked at number 63 in the U.S. ''Billboard'' Albums Chart and number 17 on the Canadian SoundScan album chart. Despite this, Williams enjoyed good video airplay and received a nomination for the MTV Video Music Awards for "Best Male Video" he did not win, but the exposure helped sales of the album.

Capitol Records, trying to make Williams a bigger star, released a second single from the album, the ballad "Angels". Williams shot a new video for it, and when it was released in fall of that year, the song became a somewhat bigger hit than "Millennium", peaking at number 53, but this was not enough for Williams, so he concentrated on the rest of the world where he was already an established act. The album went on to ship 500,000 copies in the United States, certified Gold by the RIAA in November of that year. The compilation was released worldwide (as a limited edition in Europe); the album was a success in New Zealand reaching number one on the official album charts.

In the middle of promotion and the tours in 1999, becoming an established worldwide pop star, Williams found time to start work on what would be his third studio album. This time he had finally found his inner confidence.

The first single taken from the album was "Rock DJ", a song inspired by Williams's UNICEF mentor, the late Ian Dury. The video showed Williams in an attempt to get noticed by a group of females, first stripping and then tearing chunks of skin and muscle from his body, and caused controversy in the United Kingdom and many other countries. The video was edited by Top of the Pops for its graphic content and many other channels followed suit. The song became an instant hit, making number one in the United Kingdom and becoming his third number one single as a solo artist exactly a year after his sell-out concert at the Slane Castle. The song also reached number one in New Zealand and hit the Top 10 placings in many countries including Germany, Switzerland, Austria, Norway, Italy and Australia. Despite this success, the song failed to break into the United States charts, but it did get some TV Airplay on channels such as MTV and VH1. The song went on to win several awards; among them, "Best Song of 2000" at the MTV Europe Music Awards, "Best Single of the Year" at the BRIT Awards and an MTV Video Music Award for Best Special Effects. It sold over 600,000 copies in the UK alone, being certified Platinum by the BPI.

When the album, ''Sing When You're Winning'' was released in August 2000, it topped the charts in many different countries all over the world including Germany, New Zealand and The Netherlands and secured top ten placings in Italy, Austria, Australia, Finland and Sweden, among many others. As for the UK, the album débuted at number one being certified 2x Platinum on its first week of release.

The album's second single, a collaboration with Australian singer Kylie Minogue, titled "Kids", was written when Minogue approached Williams to write material for what would be her first album under Parlophone – ''Light Years''. Williams decided to include the track on his album and release it as a single. It was an instant hit when it was released in October of that year, hitting number two in the United Kingdom and reaching top twenty placings in countries like Australia and New Zealand. Kids became one of the biggest hits of that year selling over 200,000 copies in the UK alone and was certified Silver.

Further singles, such as "Supreme" (which Williams also recorded in French), and "Better Man" became big hits reaching the top 10 in numerous countries around the world.

"Eternity", a track that was not featured on the album, was released in mid 2001 backed with "The Road to Mandalay" - the former was written by Williams. It became his fourth number one single in the United Kingdom, selling over 70,000 copies in its first week in the UK alone, and also hit the top 10 in many countries including Germany, Switzerland, Austria and Italy among others.

The album spent 91 weeks inside the UK Charts, going on to sell 2.4 million copies in the UK alone and was certified 8x Platinum by the BPI. It became the 51st Best Selling album in UK Music History and went on to sell over 4 million copies in Europe alone.

After the success of his third album, Williams wanted to take another musical direction. He took two weeks off from his tour to record what would be his fourth studio album, the big band album he had always dreamed of making. Born from his life-long love for Frank Sinatra combined with the success of the track "Have You Met Miss Jones?" that he recorded for the film ''Bridget Jones' Diary'' in early 2001 the album was recorded at the Capitol Studios in Los Angeles, California.

Williams took the chance to duet with his long-time friend Jonathan Wilkes, ''Little Voice'' star Jane Horrocks, ''Saturday Night Live'' star Jon Lovitz, Rupert Everett and the Academy Award winning actress Nicole Kidman. The first single released from the album was a duet with Kidman, on "Somethin' Stupid". Originally a hit for Frank and Nancy Sinatra, the song became Williams' fifth number one hit in the United Kingdom, selling almost 100,000 copies in its first week of release, as well as hitting the top 5 in Germany, Switzerland, Austria, Italy, The Netherlands, Belgium and New Zealand. It eventually went on to become one of the biggest hits of 2001, selling over 200,000 copies in the UK alone. After spending three weeks at the top of the charts in 2001, it was certified Silver in January 2002.

When the album ''Swing When You're Winning'' (in reference to his 2000 studio album ''Sing When You're Winning'') was released in late 2001, it became an instant hit in the United Kingdom (spending six consecutive weeks at number one), Ireland, New Zealand, Austria, Germany and Switzerland and it reached the top ten in the rest of the world, going on to sell over 2 million copies by the end of 2001 and over 7 million altogether. A second single was released from the album, a double a-side "Mr. Bojangles/I Will Talk and Hollywood Will Listen". It was, however, released only in Central and Eastern Europe. "Mack the Knife" was released as a radio single in Mexico.

The album spent 85 weeks inside the UK Charts, selling more than 2.1 million copies. It was certified 7x Platinum in the United Kingdom and ultimately became the 49th Best Selling Album in UK Music History. "Beyond the Sea" was put in the credits of the film ''Finding Nemo'' in 2003 and was also released on the film's soundtrack CD.

A DVD called ''Robbie Williams Live at the Albert Hall'' was released in December of that year. So far, it has become one of the best selling music DVDs in Europe, being certified 6x Platinum in the United Kingdom and 2x Platinum in Germany.

2002–05: ''Escapology'' and ''Intensive Care''

In 2002, Williams signed a record-breaking £80 million contract with EMI. The contract included a number of provisos, including the label ceding greater creative control to the artist and a commitment to breaking Williams into the US market. So far it is the biggest music deal in British history. The deal was brokered by Ingenious Media, a leading UK corporate finance advisory business.

Williams began working on what would be his fifth studio album, spending a year in the recording studio. The album heralded a new era for Williams. He had taken a more active role in the making of this album, giving an indication of his growing confidence in the studio. "One Fine Day", "Nan's Song", and "Come Undone" were the first songs that Williams wrote without the input of Guy Chambers. Most of the songs were recorded in Los Angeles.

The album's first single, "Feel", written by Williams and Chambers, was recorded as a demo. When they started working on the album and were trying to re-record the vocals, Williams felt unsatisfied with it, so he decided to include the demo version and then release it as the first single. When the single was released in late 2002, it became Williams' biggest international hit, going number one in countries like The Netherlands and Italy, as well as reaching the top ten in almost every single European country.

When Williams' fifth studio album, ''Escapology'', was released in late 2002, it hit number one in at least 10 countries around the world including the United Kingdom, Germany, Switzerland, Austria, Sweden, Finland, and Denmark. Elsewhere, it made the top ten. In the United States, however, it failed to make such an impact, reaching only number forty-three on the Billboard Albums Chart.

The album's second single, "Come Undone" became a top ten hit around the world. Due to its controversial video, it was heavily censored by MTV Networks Europe for depicting a debauched (but fully-clothed) Williams having three-way sex with two women. The video was about some young people having a party and it showed footage of fights, drug taking and alcohol abuse. It also showed unsettling images of insects and reptiles. The uncensored version of the video was released on DVD single in Europe and was also included on the Enhanced CD Single. BBC Radio 2 also banned the song for its explicit content. At that time, it was confirmed that Williams and Guy Chambers were to officially split up. The single version of "Come Undone" is not the same version as the one on the album, but instead is listed by producer Steve Power as being "from an original production by Guy Chambers/Steve Power".

The third single taken from the album was "Something Beautiful". The song was written in Barbados. It was first offered to Tom Jones, who declined, after which it was reworked for its inclusion on Williams' album. The single was released in mid-2003. While it had minor success compared to Williams' previous songs, it did manage to enter the top ten in the United Kingdom, New Zealand and Denmark. However it failed to make much of an impact in the music charts in other countries. The video featured a number of people from all over Europe vying to win the chance to perform as Robbie Williams at the end of the same video. The three winners had the chance to meet Williams. Three different versions of the video were released in different parts of the world, featuring the different winners. Williams started his world tour in the mid-2003, and he was about to do three live concerts in Knebworth. The Knebworth shows attracted a total of 375,000 fans.

''Escapology'' ended up selling almost 2 million copies by the end of 2003 in the United Kingdom. It was certified 6x Platinum by the BPI, becoming the 60th best selling album in UK music history. The album went on to sell over 5 million copies in Europe alone.

In October 2003, Williams released his first live album, ''Live at Knebworth'' which peaked at number two in the UK. The album reached the top position in Germany and Austria and became a top ten album throughout the rest of Europe, Australasia and Latin America. The live record ended up selling a little over 600,000 copies in the United Kingdom and was certified 2x Platinum by the BPI. It sold a total of 2 million units in Europe alone.

In October 2004, Williams released a retrospective of his career, and also, to reveal the new tracks he had been working on with the then-new collaborator, Stephen Duffy. "Radio", the compilation's first single was released in October 2004, which debuted at number one of the UK Singles Chart (becoming Williams' sixth number-one hit) selling 41,732 copies. The song was also a number one hit in Denmark, and it hit the top ten in The Netherlands, Italy, Austria and Norway.

When the compilation ''Greatest Hits'' was released two weeks later, it went on to sell 320,000 copies in its first week in the United Kingdom debuting at number one. The album also hit the top spot in other countries like Switzerland, Italy, Portugal, Austria, The Netherlands, Australia and New Zealand.

The album's second single, the ballad "Misunderstood", which was also the soundtrack of the film ''Bridget Jones: The Edge of Reason'' hit the top ten in Italy and Denmark in December of that year, making the album the best selling album of the year in the United Kingdom and becoming the 61st Best Selling Album in UK Music History, with sales over 2 million copies, becoming certified 6x Platinum by the BPI. It also became the best selling album of the year in Europe, being certified 5x Platinum, with over 5 million copies sold.

Eight years after the release of "Angels", in February 2005 the British public voted it as the "Best Single of the Past Twenty-Five Years" at the 2005 BRIT Awards.

After touring Latin America in late 2004 for the promotion of his ''Greatest Hits'' album, Williams started working on his sixth studio album. Recorded in his bedroom in the Hollywood Hills, the album was co-written by Stephen Duffy over the course of 24 months.

The track "Ghosts" was inspired by the Human League's "Louise", about a man who breaks off a relationship with his partner and realises he still has strong feelings for her.

The album's first single "Tripping", was released on 3 October 2005, it became an international success topping the charts in Germany, Austria, the Netherlands, Italy, Switzerland, Sweden, Norway and Spain.

The album ''Intensive Care'' was launched in Berlin, Germany on 9 October. It became a smash hit around the world, hitting number one in the United Kingdom, as well as topping the charts in Germany, Switzerland, Austria, Australia, Sweden, New Zealand, the Netherlands, Finland and many other countries.

In November 2005, Williams took home the MTV Europe Music Award for 'Best Male', but also, entered in ''The Guinness Book of World Records'' when he announced his World Tour for 2006, selling 1.6 million tickets in one single day. But after the success, Gary Barlow, Mark Owen, Jason Orange, and Howard Donald had agreed to reunite in Notting Hill, west London, for a preview screening of a documentary about Take That. The documentary screened on ITV1 on 16 November 2005. Unfortunately, according to a source quoted by The Sunday Mirror, "Robbie announced he wasn't coming. The rest of the band were gutted but felt the show had to go on."

By December, the second single from the album was released. The ballad "Advertising Space" reached the top ten in some European countries including the UK, Germany, Switzerland, Austria and Italy.

Williams kicked off his ''Close Encounters World Tour'' in South Africa in April 2006, when he finished his European leg of the tour. 2.5 million had seen the show, and after touring Latin America and Australia the numbers went up to 3 million.

After a long gap between singles, the third cut from the album was released in the mid-2006. "Sin Sin Sin" was the first song Williams and Duffy wrote together, the video of which was shot in Cape Town, South Africa right before the start of his tour. The track became Williams' first single not to make the UK Top 20, charting at only number 22, but managed to enter the top 20 in some countries including Germany, Switzerland, Austria, The Netherlands, Denmark and Italy.

By the end of the promotion of the album, it was announced that it had sold over five million copies in Europe alone, and was certified 5x Platinum by the IFPI. It was also certified 5x Platinum in the United Kingdom becoming, at the time, his lowest selling studio album in the country.

2006–09: ''Rudebox'' and ''Reality Killed the Video Star''

Williams's seventh studio album was announced in early 2006. It was to be a dance/electro album with collaborations with the Pet Shop Boys, William Orbit, Soul Mekanik, Joey Negro, Mark Ronson, Chris Grierson, The Orr Boys and more.

The first single, "Rudebox", was premièred on radio by Scott Mills on his show on BBC Radio 1. The event caused some controversy, as the record label's embargo date was broken, although the artist himself later backed the presenter for doing so. More controversy followed due to the first single's radical change of direction when compared to his older releases. British newspaper ''The Sun'' named the song "The Worst Song Ever". However, Victoria Newton stated that there were sure-fire hits on the album. The song was released in September that year reaching number four in the UK Singles Chart. It hit the number one spot in Germany, Switzerland and Italy.

Williams released his much anticipated dance/electro album, ''Rudebox'', on 23 October 2006. It received mixed reviews: Allmusic gave it a four star rating, the ''NME'' 8 out of 10, and Music Week and MOJO were equally positive, but it received much weaker reviews from some of the British press. Despite reaching the number one spot, sales were far below what was expected by his label, and overall sales in the UK were overtaken by his former band, Take That's ''Beautiful World''. The album has sold a little under 500,000 copies in the United Kingdom, becoming his lowest-selling album in the country, being certified 2x Platinum by the BPI. The album was received with a warmer reception by the public in other parts of the world where it hit number one including Germany, Switzerland, Austria, Finland and Italy.

The album sold 2x Platinum in Europe with sales of over 2 million making it the fastest platinum-selling album of 2006. The album finished at number eighteen in the list of 2006's best selling albums worldwide. Neil Tennant claimed the album had sold 4.5 million copies by early 2007.

The second single, "Lovelight", came out right before the release of the album, and was commercially released on 13 November. The single reached the top ten in the United Kingdom, The Netherlands, Finland, Denmark and Italy, but failed to reach the success of Williams' previous releases when the track showed no longevity in the charts.

The third single, "She's Madonna" included remixes from Kris Menace and Chris Lake and was released on European radio in late January to precede the commercial release which was scheduled for 5 March 2007. The track reached only number sixteen on the Singles Chart in the United Kingdom, but fared better in Continental Europe hitting the top ten in most countries. It rose to number one on the European Airplay Chart after spending four weeks at number two, a feat his former band, Take That, failed to achieve. It was confirmed that this single was not going to be released in Latin America or Australia, but did receive heavy airplay in the latter country. Despite this, the single was released as Digital Download in Mexico in four different formats. In August 2007, the single reached number 12 on the U.S. Billboard Hot Dance Club Play Chart.

"Bongo Bong and Je Ne T'Aime Plus", a collaboration with British singer Lily Allen, was released as the third single in Latin America and other European countries, hitting radio in January 2007, and as a Digital Download in February. To promote his album, Williams commissioned a series of short films. ''Goodbye to the Normals'' was directed by Jim Field Smith and features "Burslem Normals" by Robbie Williams.

On 4 October 2007, Williams made a return to the live stage after almost ten months, when he made a guest appearance at Mark Ronson's concert in Los Angeles. He performed The Charlatans' song "The Only One I Know", which features on Ronson's album ''Version''.

Rumours of a new studio album co-written with Guy Chambers had surfaced in early 2007, along with known commitments required by Williams to his EMI contract. British singer-songwriter Laura Critchley commented that she had sung vocals for three songs, and said that it would not be released until 2009.

On 16 January 2008 UK tabloid ''The Sun'' announced that Williams had been working on some songs with The Blockheads member Chaz Jankel. The article went on to state that the reunion with Chambers hadn't worked out and that the material that Williams is working on with Jankel will form the basis of his next studio album. However, although it had been confirmed on the Blockheads' official site that Jankel was writing with Williams, the rumour that Chambers was no longer working with him was not official. In late August 2008, Williams' friend Callum Blue commented that he was still working on the album. In February 2009, it was confirmed that Williams had written material with Guy Chambers and Mark Ronson. A spokesman said that Williams was planning to begin the recording sessions in March and that the new album would be released in late 2009. This will probably be the last Williams album released by EMI. On his official website, Williams confirmed that he is working with producer Trevor Horn on his new album; he described himself as "buzzing" and that the new album sounds "big. Very, very big". The new album will be titled ''Reality Killed the Video Star'', a reference to the song "Video Killed the Radio Star" by Horn's former band The Buggles. The album was released on 9 November 2009 in the United Kingdom. The new song "Bodies" saw its first play on 4 September 2009 during the Chris Moyles Show on BBC Radio 1, where Moyles described it as "a grower", with Williams later agreeing that it may take a few listens for people to like it.

On 11 October 2009 Williams published a 12-track compilation album, titled ''Songbook'', as a free CD for the newspaper ''The Mail on Sunday''. The CD is a one-off album of some of his biggest hits - including several rare live performances and images from his new album. The CD also included the 'completemyartist' software which gave access to more exclusive content and playlists online. That same evening, Williams made his "comeback" on ''The X Factor'' results show, performing his new single "Bodies" for the first time live. The appearance proved to be somewhat controversial as press and viewers alike questioned Williams' well-being following a bizarre and erratic performance. A spokesperson for Williams later issued a public statement declaring that Williams had not been taking drugs. On 12 December 2009 Williams appeared again on the show to duet with finalist Olly Murs. There were claims that Robbie missed his cue, and he was unaware of the long instrumental and therefore began too early. However, after laughing it off and picking up his place again from Olly Murs, he managed to complete the performance without any other negative incidents.

On 20 October 2009 Williams opened the BBC Electric Proms at the London RoundHouse. It was his first live concert for 3 years and was beamed across 200 cinemas around the world. Accompanied by a string section, horn section, full band and producer Trevor Horn, Williams performed several new tracks from ''Reality Killed the Video Star'' and several of his greatest hits. Among the musicians, the harpist in the band Lucinda Belle was spotted in this live show by BBC DJ Fearne Cotton, which directly led to her being signed by Universal Records with a five-record deal worth 1.25 million pounds.

''Reality Killed the Video Star'' was exclusively previewed in the UK on the Spotify music streaming service on 6 November 2009, three days before its official release on 9 November. In a high profile chart battle, Williams' album was pitted against X Factor 2008 runners-up JLS who released their debut album the same day. JLS beat Williams to the number one spot by 1500 sales - both were the two biggest-selling albums of the year so far in the UK - making ''Reality...'' Williams' first studio album not to reach no.1 in the UK. However it reached number 1 globally that week.

The album was also released in the United States (Williams' first album to be released there since 2002's ''Escapology''). However, the album peaked at #160 on the Billboard 200 album chart, and dropped out of the chart after only one week.

In late November 2009, Williams traveled to Australia to perform at the ARIA Music Awards of 2009.

2010–2011: ''In and Out of Consciousness'' and reunion with Take That

In June 2010, it was officially announced that Williams was ready to release his second greatest hits album, ''In and Out of Consciousness: The Greatest Hits 1990–2010'', to celebrate his 20 years as a performing artist. Williams new single, also included on the album, will be "Shame", which is written and sung by Williams and Gary Barlow, his Take That bandmate. The single was set to released on 4 October 2010, while the album was set for release on 11 October 2010 in both CD and DVD formats.

On 15 July 2010, Robbie Williams announced he was returning to Take That. A joint statement between Williams and the group said "The rumours are true... Take That: the original lineup, have written and recorded a new album, to be called, ''Progress'' for release later this year," read the band's statement. "Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November."

On 26 August 2010, it was announced Williams would become a guest vocal coach on the ninth series of German reality television show ''Popstars: Girls forever'' to teach candidates for a girl group. On 20 September 2010, Williams released his second book called "You Know Me" in collaboration with Chris Heath. The book features a collection of photographs of Williams from the past 20 years of his career and discussion of them by Williams as transcribed by Heath.

In October, Media Control named Robbie Williams the most successful album-artist of the millennium due to the fact that he had spent No. 1 on the German Albums Chart for 38 weeks since 2000. He also reached that chart's Top Ten 135 times.

On 15 and 16 July 2011, Take That were scheduled to perform two sold-out concerts in Copenhagen, Denmark as part of their Progress Tour. Unfortunately, the day after the first concert, Robbie announced that he had acquired a stomach infection and (despite treatment attempts) was unable to take part in the concert. Due to this, the entire event was cancelled, leaving thousands of fans in frustration. This was the first time Take That ever cancelled a concert. It was not rescheduled.

2011-present New album

Robbie Williams has announced that he has been working with Gary Barlow on a new solo album which will be released late 2011. It was also announced that the album will be produced by Barlow. Robbie confirmed on his official site that he will be doing a new duet. Rumors so far have included artists such as Adele and Adam Lambert

Other projects

Reunion of Take That

Williams announced in December 2008 that he was planning to relocate to the UK prior to releasing his eighth studio album in late-2009, and a possible reunion with Take That. Photos also showed Williams with his new tattoo of the Take That logo on his right arm, in tribute to his former bandmates. Williams bought a £7 million home in the village of Compton Bassett, Wiltshire.

On 27 March 2009, Williams stated he felt ready to re-join Take That. He said: "I'm in regular contact with them, even Gaz, and it's looking more likely by the week. The lads all seem up for it and some people think it's a done deal. I think it would be fun." Williams was eager to re-join the band on their The Circus Live tour, but these plans never materialised. In September 2009, Williams was reported to be working in New York with Take That, however these rumours were never confirmed.

While it was rumoured that Williams would reunite with Take That on 12 November 2009 for a Children In Need charity concert at The Royal Albert Hall, they merely greeted each other warmly on stage between performances. However, both did join with the other acts in the final song of the evening, with Robbie putting his arm around Gary Barlow and singing Hey Jude happily together. Williams subsequently implied in an interview that a proper reunion was still a distinct possibility. On 15 February 2010, tabloid newspaper ''The Sun'' printed an interview with Robbie, stating that he and Take That had been sighted going to an Los Angeles studio together.

It was announced on 15 July that Robbie Williams had rejoined Take That. In November 2010 the Take That album Progress was released, becoming the fastest selling album since 2000 and second fastest selling album in UK history. Williams explained that the long-standing friction between himself and Gary has been resolved, and how close they are now.

The band also announced the Progress Live 2011 tour which will travel across the UK in the Summer and finish with a record breaking 8 nights at Wembley Stadium in London. The tour will also visit some of the biggest venues across Europe after the tour of the UK. The tour was the fastest selling tour in UK history with ticket hotlines and websites crashing under the demand.

Reception in North America

Williams's first United States single, "Millennium", made it to #72 on the ''Billboard'' Hot 100 chart. Its highest position on American charts was #20 in Top 40 Mainstream. His second single, "Angels", was a success on the Hot Adult Contemporary Chart where it peaked at #10. It also hit #41 in the Hot 100, becoming his highest peaking track on the main American chart and the most commonly known Robbie Williams song in the United States (later covers by Jessica Simpson and David Archuleta would be released as singles). In 1999, Williams released a special, US only, compilation of his first two albums, titled ''The Ego Has Landed''. The album peaked at #63 and went Gold shipping over 500,000 copies in the US.

Later in 2000, "Rock DJ", a single taken from Williams's second US album ''Sing When You're Winning'', was released; it reached #24 in the Hot Dance Club Play Chart, but failed to chart on the Hot 100. The album peaked at #110 on the Billboard 200 and only stayed on the charts for four weeks.

Together with a promotional tour, EMI hoped that the release of ''Escapology'' would be the album to successfully break the American market. Williams performed the lead song "Feel" on such shows as ''Good Morning America'' and ''The Tonight Show with Jay Leno''. However, this single did not reach Hot 100 but peaked at #28 on the Adult Top 40. The album ''Escapology'' also failed to catch fire in America and peaked at #43 on the US Album Billboard Charts. ''Intensive Care'' and ''Rudebox'' were not released on an American label, but they were made available on iTunes. Williams's 2009 album, ''Reality Killed The Video Star'', was released in the US, but was also a commercial failure, peaking at #160 and remained on the chart for only one week.

Williams's single "Lovelight" was released in the United States by Virgin Records, debuting at #23 in the Billboard Hot Dance Club Play Chart on March 2008 and eventually peaking at #8 by May 2008. It was the third single from the British singer to hit the American dance chart. It was also his sixth single to reach American charts and his second highest-charting single in an American chart to date. Other singles from Rudebox were released in the United States: ''She's Madonna'', ''We're the Pet Shop Boys'' and ''We're the Pet Shop Boys (Close My Eyes)''. These songs peaked at #12, #5 and #7 respectively in the Hot Dance Club Play chart.

In Canada, Williams has enjoyed more success, with "Feel" reaching the top ten there. A few of his other songs have gained popularity there, notably "Angels", "Millennium", "Rock DJ", "Tripping" and "She's Madonna". Williams has received a Platinum certification for his ''The Ego Has Landed'' for sales of over 100,000 and Gold for ''Swing When You're Winning'' as well as for Escapology selling over 50,000 units of each.

Collaborations

One of his most famous collaborations was on the song "Kids", a duet with Australian pop star Kylie Minogue. The single peaked at number 2 on the UK singles charts in 2000. Williams also collaborated with Australian film star Nicole Kidman on a cover of Frank and Nancy Sinatra's "Somethin' Stupid". The single reached number 1 on the UK singles chart in 2001. His single "No Regrets" featured Neil Tennant, and Neil Hannon on backing vocals.

In 2002, Williams appeared on the track "My Culture" on the ''1 Giant Leap'' album, alongside rapper Maxi Jazz (which features lyrics from the hidden track "Hello Sir" from ''Life Thru a Lens''). Williams also features on a double CD titled ''Concrete'' which was released on the same day as ''Rudebox''. The CD features a concert recorded for the BBC featuring the Pet Shop Boys and Williams singing their classic hit "Jealousy". Their joint effort, "She's Madonna", was released as a single in March 2007. On 13 August 2007, a Dean Martin duets album was released, on which Williams sings "Please Don't Talk About Me When I'm Gone". Most recently it was announced that Williams has recorded what is going to be Mexican singer Thalía's first single from her upcoming English-language album. In 2010 he announced that he was to release "Shame", a duet with Take That lead singer songwriter Gary Barlow as the first single from his greatest hits collection ''In and Out of Consciousness: The Greatest Hits 1990–2010''.

Video game

Williams features in his own karaoke video game, "We Sing Robbie Williams." It will feature 25 tracks accompanied by all the original videos. The game is to be released by publisher Nordic Games, which struck a licensing deal with EMI. The game also features the single Shame featuring both Robbie Williams and Gary Barlow as an extra 26th playable track.

Achievements

It has been claimed that Williams has sold more albums in the UK than any other British solo artist in history and has won more BRIT Awards than any other artist to date. His album sales stands at over 57 million worldwide. Williams was entered in ''The Guinness Book of World Records'' when, after he announced his World Tour for 2006, 1.6 million tickets were sold in one single day.

He has been presented many awards, including seventeen BRIT and seven ECHO awards. In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.

He appears in the list of the all-time Top 100 biggest selling albums in the United Kingdom six times.

On 23 October 2009 it was announced that he would receive the Outstanding Contribution To British Music award at the 2010 BRIT Awards. Williams received his award on 16 February 2010 at the end of the ceremony and performed a live medley of his greatest hits including ''Let Me Entertain You'', ''No Regrets'', and ''Angels''.

On Friday 3 September 2010, on a show that included "The Wanted" and Alesha Dixon, he switched on the world famous Blackpool illuminations, stating that it was one of the greatest honours he'd ever achieved.

Personal life

Since 2006, Williams has spent most of his time in Los Angeles, California. Williams moved back to the UK in 2009 when he bought an £8.5 million mansion in Compton Bassett, Wiltshire, nearby to close friend Jonathan Wilkes who lives in Swindon. Williams sold the mansion a year later to move back to Los Angeles.

Williams has reportedly battled mental illness, obesity, self-esteem issues, alcoholism, and substance abuse throughout his life. He once discussed how his friend Elton John booked him into a clinic to cope with his drug use that emerged from the depression he was experiencing while still in Take That. He entered a rehabilitation centre in Tucson for his addiction to the prescription pills Xanax, Seroxat, Vicodin, and the energy drink Lucozade in February 2007 Williams used to smoke up to 60 cigarettes a day; he gave up in 2009 for his girlfriend Ayda Field.

Williams has a strong interest in UFOs and related paranormal phenomena, and has pursued this interest during his 2007–08 sabbatical. His interest in the subject led to him taking part in a documentary for BBC Radio 4 with Jon Ronson. The documentary followed them to a UFO convention in Nevada. During an interview with Joss Stone on ''The Jeremy Kyle Show'' in 2008, Williams revealed that while out of his head on dispirin he has seen UFOs three times. Williams said his first UFO sighting was when he was a child in Britain while he spotted his second in Beverly Hills, and added that the third sighting was just after he had written a song about alien contact.

Relationships

Since May 2006, Williams has been in a relationship with the Turkish American actress Ayda Field. They have reportedly been together for almost five years. Despite several break up stories in the press Williams and Field have been spotted together many times this year. On 29 January 2008 they were pictured on vacation together at Mammoth Ski Resort in California, accompanied by Max Beesley. She was featured in a UFO documentary that Williams did for BBC Radio 4 in April and took part in a field investigation he did in Trout Lake, Washington in August 2008.

On 8 November 2008, Williams was spotted with Field at football match at the Emirates Stadium home of Arsenal, where he was also seen with Gary Barlow accompanied by his two oldest children, and Williams's longtime friend Jonathan Wilkes. The couple has been living together in a mansion in Wiltshire since the beginning of 2009 according to ''The Sun''. In October 2009, Field appeared in the video of Williams comeback single Bodies. Williams has been referring to Field as his "wife" in recent interviews.

In November 2009, Williams announced to Jonathan Ross that he was 'in love' with Field. On 26 November 2009, Williams proposed to Ayda Field live on the Australian radio channel 2dayfm in an interview on the Kyle and Jackie O Show. However, it was later revealed by Williams' manager that it was "done as a joke following suggestions it was a stunt which was set up prior to the radio show." His spokesman confirmed: 'He did say it, but he did it in a jocular manner. They are not engaged.' A few days later Williams himself denied the engagement, using his official blog to say "Hey all. We are not engaged. Rob.". On 7 August 2010, Williams and Field married at his home in Los Angeles.

Sexuality

Williams won a libel case against MGN and Northern & Shell in December 2005 relating to articles which had reported he was a closet homosexual. In the libel action that resulted from this, Williams accepted substantial damages, and the publishers accepted that the stories were untrue. His counsel, Tom Shields QC, told the court, ''"Mr Williams is not, and has never been, homosexual."'' Gay rights campaigner Peter Tatchell called for any damages paid out from the libel case to be donated to gay charities, claiming Williams' legal actions had created the impression that it is "bad to be gay." Williams responded that he was not bothered about being labelled as a gay man, and he would have taken the same action had it been regarding a heterosexual relationship. In 2008, Williams's friend, actor Max Beesley, rejected claims that Williams was gay. Beesley said, ''"Some of the stuff written about him is enough to make me mad, the rumours about him being gay, for example. Not true. I've never met anybody less gay in my life!"''

Wealth

In 2009, the Sunday Times Rich List claimed he was worth over £130 million. In 2011 his wealth was estimated at £90 million.

Williams is a lifelong supporter of Port Vale, based in his home town of Stoke-on-Trent. In February 2006 he bought £240,000 worth of shares in the club, making him the majority shareholder. He also has a restaurant at Vale Park named in his honour.

Health

He revealed in 2011 he had been battling a lethargy caused by a type of Hormone imbalance called a Andropause for a number of years and thought at first it was a return of his depression.

Charity

Williams has set up a charity in his home town entitled ''Give It Sum'', with its goal being to "improve local conditions and strengthen community life by giving money to those who are disadvantaged." Williams, with the help of friend Jonathan Wilkes, organised a charity football match Soccer Aid to raise money for UNICEF UK. This match was played in May 2006 at Old Trafford, Manchester. The participants were a mixture of celebrities and professional football players. It was continued in September 2008 and again in June 2010. Williams has been the Patron of the children's charity the Donna Louise Trust based in his home town of Stoke-on-Trent, for the last 8 years. The charity offers respite and palliative care to terminally ill and life-limited children who are not expected to live past the age of 16.

Awards

Williams has won a large number of awards over the years, including more BRIT Awards than any other artist in music history (17), as well as seven Echo Awards in six consecutive years from 2001 until 2007 and 1 other Echo Award in 2010.

Discography

; Studio albums

''Life thru a Lens'' (1997)

''I've Been Expecting You'' (1998)

''Sing When You're Winning'' (2000)

''Swing When You're Winning'' (2001)

''Escapology'' (2002)

''Intensive Care'' (2005)

''Rudebox'' (2006)

''Reality Killed the Video Star'' (2009)

''TBA'' (2011/2012)

; Compilation albums

''The Ego Has Landed'' (1999)

''Greatest Hits'' (2004)

''The Best So Far'' (2006) (released only in Brazil)

''Songbook'' (2009) (released only in the UK with ''The Mail on Sunday'')

''In and Out of Consciousness: Greatest Hits 1990–2010'' (2010)

; Live albums

''Live at Knebworth'' (2003)

Tours

The Show Off Must Go On (October–November 1997)

The Ego Has Landed (May–June 1998)

One More for the Rogue Tour / For a Few Dollars More... Tour (1998–99)

Robbie Williams North American Tours (1999)

The Sermon on the Mount Tour (2000–01)

Weddings, Barmitzvahs & Stadiums Tour / Sing When You're Pacific Rimming Tour (2001)

Weekends of Mass Distraction Tour / Cock of Justice/Aussie Typo Tour (2003)

Close Encounters Tour (2006)

References

External links

180 years of Robbie's Farrell Family Tree

Category:1974 births Category:Living people Category:BRIT Award winners Category:Capitol Records artists Category:English dance musicians Category:English expatriates in the United States Category:English football chairmen and investors Category:English-language singers Category:English male singers Category:English pop singers Category:English singer-songwriters Category:Hollywood United players Category:Ivor Novello Award winners Category:Music from Stoke-on-Trent Category:People from Stoke-on-Trent Category:People self-identifying as substance abusers Category:Port Vale F.C. Category:Take That members Category:World Music Awards winners

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name	John Coltrane
background	non_vocal_instrumentalist
birth name	John William Coltrane
alias	"Trane"
born	September 23, 1926Hamlet, North Carolina, US
died	July 17, 1967Huntington, New York, US
genre	Jazz, avant-garde jazz, bebop, hard bop, post bop, modal jazz, free jazz
occupation	Saxophonist, composer, bandleader
instrument	Tenor saxophone, soprano saxophone, alto saxophone
years active	1946–1967
label	Prestige, Blue Note, Atlantic, Impulse!, Pablo
associated acts	Miles Davis Quintet, Thelonious Monk
website	johncoltrane.com }}

Name	Saint John William Coltrane
Birth date	September 23, 1926
birth place	Hamlet, North Carolina, US
Death date	July 17, 1967
death place	Huntington, New York, US
Venerated in	African Orthodox Church
Patronage	All Artists }}

John William Coltrane (also known as "Trane"; September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz. He was prolific, organizing at least fifty recording sessions as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk.

As his career progressed, Coltrane and his music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane, and their son Ravi Coltrane is also a saxophonist. Coltrane influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history. He received many posthumous awards and recognition, including canonization by the African Orthodox Church as Saint John William Coltrane. In 2007, Coltrane was awarded the Pulitzer Prize Special Citation for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."

Biography

Early life and career (1926–1954)

John Coltrane was born in Hamlet, North Carolina on September 23, 1926, and grew up in High Point, NC, attending William Penn High School (now Penn-Griffin School for the Arts). Beginning in December 1938 Coltrane's aunt, grandparents, and father all died within a few months of each other, leaving John to be raised by his mother and a close cousin. In June 1943 he moved to Philadelphia, Pennsylvania. He enlisted in the Navy in 1945, and played in the Navy jazz band once he was stationed in Hawaii. Coltrane returned to civilian life in 1946 and began jazz theory studies with Philadelphia guitarist and composer Dennis Sandole. Coltrane continued under Sandole's tutelage until the early 1950s. Originally an altoist, during this time Coltrane also began playing tenor saxophone with the Eddie Vinson Band. Coltrane later referred to this point in his life as a time when "a wider area of listening opened up for me. There were many things that people like Hawk, and Ben, and Tab Smith were doing in the '40s that I didn't understand, but that I felt emotionally."

An important moment in the progression of Coltrane's musical development occurred on June 5, 1945, when he saw Charlie Parker perform for the first time. In a ''DownBeat'' article in 1960 he recalled: "the first time I heard Bird play, it hit me right between the eyes." Parker became an early idol, and they played together on occasion in the late 1940s.

Contemporary correspondence shows that Coltrane was already known as "Trane" by this point, and that the music from some 1946 recording sessions had been played for Miles Davis—possibly impressing the latter.

There are recordings of Coltrane from as early as 1945. He was a member of groups led by Dizzy Gillespie, Earl Bostic and Johnny Hodges in the early- to mid-1950s.

Miles and Monk period (1955–1957)

Coltrane was freelancing in Philadelphia in the summer of 1955 while studying with guitarist Dennis Sandole when he received a call from trumpeter Miles Davis. Davis, whose success during the late forties had been followed by several years of decline in activity and reputation, due in part to his struggles with heroin, was again active, and was about to form a quintet. Coltrane was with this edition of the Davis band (known as the "First Great Quintet" to distinguish it from Davis's later group with Wayne Shorter) from October 1955 through April 1957 (with a few absences), a period during which Davis released several influential recordings which revealed the first signs of Coltrane's growing ability. This First Quintet, represented by two marathon recording sessions for Prestige in 1956 that resulted in the albums ''Cookin''', ''Relaxin''', ''Workin''', and ''Steamin''', disbanded in mid April due partly to Coltrane's heroin addiction.

During the later part of 1957 Coltrane worked with Thelonious Monk at New York’s Five Spot, a legendary jazz club, and played in Monk's quartet (July–December 1957), but owing to contractual conflicts took part in only one official studio recording session with this group. A private recording made by Juanita Naima Coltrane of a 1958 reunion of the group was issued by Blue Note Records in 1993 as ''Live at the Five Spot-Discovery!''. More significantly, a high-quality tape of a concert given by this quartet in November 1957 surfaced, and in 2005 Blue Note made it available on CD. Recorded by Voice of America, the performances confirm the group's reputation, and the resulting album, ''Thelonious Monk Quartet with John Coltrane at Carnegie Hall'', is widely acclaimed.

''Blue Train'', Coltrane's sole date as leader for Blue Note, featuring trumpeter Lee Morgan, bassist Paul Chambers, and trombonist Curtis Fuller, is often considered his best album from this period. Four of its five tracks are original Coltrane compositions, and the title track, "Moment's Notice," and "Lazy Bird", have become standards. Both tunes employed the first examples of his chord substitution cycles known as Coltrane changes.

Davis and Coltrane again

Coltrane rejoined Davis in January 1958. In October of that year, jazz critic Ira Gitler coined the term "sheets of sound" to describe the style Coltrane developed during his stint with Monk and was perfecting in Davis' group, now a sextet. His playing was compressed, with rapid runs cascading in hundreds of notes per minute. He stayed with Davis until April 1960, working with alto saxophonist Cannonball Adderley; pianists Red Garland, Bill Evans, and Wynton Kelly; bassist Paul Chambers; and drummers Philly Joe Jones and Jimmy Cobb. During this time he participated in the Davis sessions ''Milestones'' and ''Kind of Blue'', and the live recordings ''Miles & Monk at Newport'' and ''Jazz at the Plaza''. {| style="font-size:100%" align="right" border="0" color="black" width=130px | |} At the end of this period Coltrane recorded his first album for Atlantic Records, ''Giant Steps'', made up exclusively of his own compositions. The album's title track is generally considered to have the most complex and difficult chord progression of any widely-played jazz composition. ''Giant Steps'' utilizes Coltrane changes. His development of these altered chord progression cycles led to further experimentation with improvised melody and harmony that he would continue throughout his career.

First albums as leader

Coltrane formed his first group, a quartet, in 1960 for an appearance at the Jazz Gallery in New York City. After moving through different personnel including Steve Kuhn, Pete La Roca, and Billy Higgins, the lineup stabilized in the fall with pianist McCoy Tyner, bassist Steve Davis, and drummer Elvin Jones. Tyner, from Philadelphia, had been a friend of Coltrane's for some years and the two men long had an understanding that the pianist would join Coltrane when Tyner felt ready for the exposure of regularly working with him. Also recorded in the same sessions were the later released albums ''Coltrane's Sound'' and ''Coltrane Plays the Blues''.

Still with Atlantic Records, for whom he had recorded ''Giant Steps'', his first record with his new group was also his debut playing the soprano saxophone, the hugely successful ''My Favorite Things''. Around the end of his tenure with Davis, Coltrane had begun playing soprano saxophone, an unconventional move considering the instrument's near obsolescence in jazz at the time. His interest in the straight saxophone most likely arose from his admiration for Sidney Bechet and the work of his contemporary, Steve Lacy, even though Miles Davis claimed to have given Coltrane his first soprano saxophone. The new soprano sound was coupled with further exploration. For example, on the Gershwin tune "But Not for Me", Coltrane employs the kinds of restless harmonic movement (Coltrane changes) used on ''Giant Steps'' (movement in major thirds rather than conventional perfect fourths) over the A sections instead of a conventional turnaround progression. Several other tracks recorded in the session utilized this harmonic device, including "26–2," "Satellite," "Body and Soul", and "The Night Has a Thousand Eyes".

First years with Impulse Records (1960–1962)

In May 1961, Coltrane's contract with Atlantic was bought out by the newly formed Impulse! Records label. An advantage to Coltrane recording with Impulse! was that it would enable him to work again with engineer Rudy Van Gelder, who had taped both his and Davis's Prestige sessions, as well as ''Blue Train''. It was at Van Gelder's new studio in Englewood Cliffs, New Jersey that Coltrane would record most of his records for the label.

By early 1961, bassist Davis had been replaced by Reggie Workman while Eric Dolphy joined the group as a second horn around the same time. The quintet had a celebrated (and extensively recorded) residency in November 1961 at the Village Vanguard, which demonstrated Coltrane's new direction. It featured the most experimental music he'd played up to this point, influenced by Indian ragas, the recent developments in modal jazz, and the burgeoning free jazz movement. John Gilmore, a longtime saxophonist with musician Sun Ra, was particularly influential; after hearing a Gilmore performance, Coltrane is reported to have said "He's got it! Gilmore's got the concept!" The most celebrated of the Vanguard tunes, the 15-minute blues, "Chasin' the 'Trane", was strongly inspired by Gilmore's music.

During this period, critics were fiercely divided in their estimation of Coltrane, who had radically altered his style. Audiences, too, were perplexed; in France he was famously booed during his final tour with Davis. In 1961, ''Down Beat'' magazine indicted Coltrane, along with Eric Dolphy, as players of "Anti-Jazz" in an article that bewildered and upset the musicians. Coltrane admitted some of his early solos were based mostly on technical ideas. Furthermore, Dolphy's angular, voice-like playing earned him a reputation as a figurehead of the "New Thing" (also known as "Free Jazz" and "Avant-Garde") movement led by Ornette Coleman, which was also denigrated by some jazz musicians (including Miles Davis) and critics. But as Coltrane's style further developed, he was determined to make each performance "a whole expression of one's being".

Classic Quartet period (1962–1965)

In 1962, Dolphy departed and Jimmy Garrison replaced Workman as bassist. From then on, the "Classic Quartet", as it came to be known, with Tyner, Garrison, and Jones, produced searching, spiritually driven work. Coltrane was moving toward a more harmonically static style that allowed him to expand his improvisations rhythmically, melodically, and motivically. Harmonically complex music was still present, but on stage Coltrane heavily favored continually reworking his "standards": "Impressions", "My Favorite Things", and "I Want to Talk about You."

The criticism of the quintet with Dolphy may have had an impact on Coltrane. In contrast to the radicalism of Trane's 1961 recordings at the Village Vanguard, his studio albums in 1962 and 1963 (with the exception of ''Coltrane'', which featured a blistering version of Harold Arlen's "Out of This World") were much more conservative and accessible. He recorded an album of ballads and participated in collaborations with Duke Ellington on the album ''Duke Ellington and John Coltrane'' and with deep-voiced ballad singer Johnny Hartman on an eponymous co-credited album. The Impulse compilation ''Coltrane for Lovers'' is largely drawn from these three albums. The album ''Ballads'' is emblematic of Coltrane's versatility, as the quartet shed new light on old-fashioned standards such as "It's Easy to Remember". Despite a more polished approach in the studio, in concert the quartet continued to balance "standard" and its own more exploratory and challenging music, as can be seen on the ''Impressions'' album (two extended jams including the title track along with "Dear Old Stockholm", "After the Rain" and a blues), ''Coltrane at Newport'' (where he plays "My Favorite Things") and ''Live at Birdland'' both from 1963. Coltrane later said he enjoyed having a "balanced catalogue."

The Classic Quartet produced their most famous record, ''A Love Supreme'', in December 1964. It is reported that Coltrane, who struggled with repeated drug addiction, derived inspiration for "A Love Supreme" through a near overdose in 1957 which galvanized him to spirituality. A culmination of much of Coltrane's work up to this point, this four-part suite is an ode to his faith in and love for God. These spiritual concerns would characterize much of Coltrane's composing and playing from this point onwards, as can be seen from album titles such as ''Ascension'', ''Om'' and ''Meditations''. The fourth movement of ''A Love Supreme'', "Psalm", is, in fact, a musical setting for an original poem to God written by Coltrane, and printed in the album's liner notes. Coltrane plays almost exactly one note for each syllable of the poem, and bases his phrasing on the words. Despite its challenging musical content, the album was a commercial success by jazz standards, encapsulating both the internal and external energy of the quartet of Coltrane, Tyner, Jones and Garrison. Indeed the previous album ''Crescent'' recorded only a few months before already shows the adventurousness and rapport between these musicians. The album was composed at Coltrane's home in Dix Hills on Long Island.

The quartet only played ''A Love Supreme'' live once—in July 1965 at a concert in Antibes, France. By then, Coltrane's music had grown even more adventurous, and the performance provides an interesting contrast to the original.

Avant-garde jazz and the second quartet (1965–1967)

In his late period, Coltrane showed an increasing interest in avant-garde jazz, purveyed by Ornette Coleman, Albert Ayler, Sun Ra and others. In developing his late style, Coltrane was especially influenced by the dissonance of Ayler's trio with bassist Gary Peacock and drummer Sunny Murray, a rhythm section honed with Cecil Taylor as leader. Coltrane championed many younger free jazz musicians, (notably Archie Shepp), and under his influence Impulse! became a leading free jazz record label.

After ''A Love Supreme'' was recorded, Ayler's apocalyptic style became more prominent in Coltrane's music. A series of recordings with the Classic Quartet in the first half of 1965 show Coltrane's playing becoming increasingly abstract, with greater incorporation of devices like multiphonics, utilization of overtones, and playing in the altissimo register, as well as a mutated return to Coltrane's sheets of sound. In the studio, he all but abandoned his soprano to concentrate on the tenor saxophone. In addition, the quartet responded to the leader by playing with increasing freedom. The group's evolution can be traced through the recordings ''The John Coltrane Quartet Plays'', ''Living Space'', ''Transition'' (both June 1965), ''New Thing at Newport'' (July 1965), ''Sun Ship'' (August 1965), and ''First Meditations'' (September 1965).

In June 1965, he went into Van Gelder's studio with ten other musicians (including Shepp, Pharoah Sanders, Freddie Hubbard, Marion Brown, and John Tchicai) to record ''Ascension'', a 40-minute long piece that included adventurous solos by the young avant-garde musicians (as well as Coltrane), and was controversial primarily for the collective improvisation sections that separated the solos. After recording with the quartet over the next few months, Coltrane invited Pharoah Sanders to join the band in September 1965.

By any measure, Sanders was one of the most abrasive, virtuosic saxophonists then playing. While Coltrane used over-blowing frequently as an emotional exclamation-point, Sanders would opt to overblow his entire solo, resulting in a constant screaming and screeching in the altissimo range of the instrument. The more Coltrane played with Sanders, the more he gravitated to Sanders' unique sound.

Adding to the quartet

By late 1965, Coltrane was regularly augmenting his group with Sanders and other free jazz musicians. Rashied Ali joined the group as a second drummer. This was the end of the quartet; claiming he was unable to hear himself over the two drummers, Tyner left the band shortly after the recording of ''Meditations''. Jones left in early 1966, dissatisfied by sharing drumming duties with Ali. Both Tyner and Jones subsequently expressed displeasure in interviews, after Coltrane's death, with the music's new direction, while incorporating some of the free-jazz form's intensity into their own solo projects.

There are speculations that in 1965 Coltrane may have begun using LSD – informing the sublime, "cosmic" transcendence of his late period. After Jones's and Tyner's departures, Coltrane led a quintet with Pharoah Sanders on tenor saxophone, his second wife Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums. Coltrane and Sanders were described by Nat Hentoff as "speaking in tongues". When touring, the group was known for playing very lengthy versions of their repertoire, many stretching beyond 30 minutes and sometimes even being an hour long. Concert solos for band members regularly extended beyond fifteen minutes in duration.

Despite the radicalism of the horns, the rhythm section with Ali and Alice Coltrane had a more relaxed, random but meditative feel than with Jones and Tyner. The group can be heard on several live recordings from 1966, including ''Live at the Village Vanguard Again!'' and ''Live in Japan''. In 1967, Coltrane entered the studio several times; though pieces with Sanders have surfaced (the unusual "To Be", which features both men on flutes), most of the recordings were either with the quartet minus Sanders (''Expression'' and ''Stellar Regions'') or as a duo with Ali. The latter duo produced six performances which appear on the album ''Interstellar Space''.

Death and funeral

Coltrane died from liver cancer at Huntington Hospital on Long Island on July 17, 1967, at the age of 40. His funeral was held on Friday, July 21 at St. Peters Lutheran Church in New York City. The Albert Ayler Quartet and The Ornette Coleman Quartet respectively opened and closed the service. He is buried at Pinelawn Cemetery in Farmingdale, N.Y.

Biographer Lewis Porter has suggested, somewhat controversially, that the cause of Coltrane's illness was hepatitis, although he also attributed the disease to Coltrane's heroin use. In a 1968 interview Albert Ayler claimed that Coltrane was consulting a Hindu meditative healer for his illness instead of Western medicine, though Alice Coltrane later denied this.

His death surprised many in the musical community who were not aware of his condition. Miles Davis commented: "Coltrane's death shocked everyone, took everyone by surprise. I knew he hadn't looked too good... But I didn't know he was that sick—or even sick at all."

The Coltrane family reportedly remains in possession of much more as-yet-unreleased music, mostly mono reference tapes made for the saxophonist and, as with the 1995 release ''Stellar Regions'', master tapes that were checked out of the studio and never returned. The parent company of Impulse!, from 1965 to 1979 known as ABC Records, purged much of its unreleased material in the 1970s. Lewis Porter has stated that Alice Coltrane, who died in 2007, intended to release this music, but over a long period of time; her son Ravi Coltrane, responsible for reviewing the material, is also pursuing his own career.

Instruments

Coltrane played the clarinet and the alto horn in a community band before taking up the alto saxophone during high school. In 1947, when he joined King Kolax's band, Coltrane switched to tenor saxophone, the instrument he became known for playing primarily. Coltrane's preference for playing melody higher on the range of the tenor saxophone (as compared to Coleman Hawkins or Lester Young) is attributed to his start and training on the alto horn and clarinet; his "sound concept" (manipulated in ones vocal tracts- tongue, throat) of the tenor sax was set higher than the normal range of the instrument.

In the early 1960s, during his engagement with Atlantic Records, he increasingly played soprano saxophone as well. The cover of his album ''My Favorite Things'' features Coltrane playing soprano. Toward the end of his career, he experimented with flute in his live performances and studio recordings.

Religious beliefs

Coltrane was born and raised in a Christian home, and was influenced by religion and spirituality from childhood. His maternal grandfather, the Reverend William Blair, was a preacher at an African Methodist Episcopal Zion Church in High Point, North Carolina, and John's paternal grandfather, Reverend William H. Coltrane, was an A.M.E. Zion minister in Hamlet, North Carolina. John's parents met through church affiliation, and married in 1925. John was born in 1926. As a youth, John practiced music in the southern African-American church. In ''A Night in Tunisia: Imaginings of Africa in Jazz'', Norman Weinstein notes the parallel between Coltrane's music and his experience in the southern church.

In 1955, Coltrane married Juanita Naima Grubbs, a Muslim convert, (for whom he later wrote the piece "Naima"), and came into contact with Islam. Coltrane explored Hinduism, the Kabbalah, Jiddu Krishnamurti, African history, and the philosophical teachings of Plato and Aristotle. Coltrane also became interested in Zen Buddhism and, later in his career, visited Buddhist temples during his 1966 tour of Japan.

Since 1948, Coltrane had struggled with heroin addiction as well as alcoholism. In 1957, Coltrane had a religious experience which may have been what finally led him to overcome his addictions to alcohol and heroin. In the liner notes of ''A Love Supreme'' (released in 1965) Coltrane states "[d]uring the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music." In his 1965 album ''Meditations'', Coltrane wrote about uplifting people, "...To inspire them to realize more and more of their capacities for living meaningful lives. Because there certainly is meaning to life."

John and Naima Coltrane had no children together and were separated by the summer of 1963, and not long after that John met pianist Alice McLeod (who soon became Alice Coltrane). John and Alice moved in together and had two sons before he was "officially divorced from Naima in 1966, at which time John and Alice were immediately married." John Jr. was born in 1964, Ravi was born in 1965, and Oranyan (Oran) was born in 1967. According to Lavezzoli, "Alice brought happiness and stability to John's life, not only because they had children, but also because they shared many of the same spiritual beliefs, particularly a mutual interest in Indian philosophy. Alice also understood what it was like to be a professional musician".

Moustafa Bayoumi, an associate professor of English at Brooklyn College, City University of New York, argues that Coltrane's ''A Love Supreme'' (recorded in December 1964 and released in 1965) features Coltrane chanting, "Allah Supreme." However, in Lewis Porter's book ''John Coltrane: His Life and Music'' (2000), on page 242, he describes the lyrics this way: "Coltrane and another voice—probably himself overdubbed—chant the words 'a love supreme' in unison with the bass ostinato". In Peter Lavezzoli's book ''The Dawn of Indian Music in the West: Bhairavi'' (2006), on page 283, he says, "Certainly in his opening solo in "Acknowledgment," with his constant modulations of the same phrase in different keys, Coltrane assumes the role of the preacher. After stating the theme in every possible key, Coltrane concludes his solo and quietly begins to chant, "A love supreme … a love supreme," singing the same four notes played by Garrison on the bass. After chanting "A love supreme" sixteen times, Coltrane and the band shift from F minor down to E flat minor, and the chant slowly tapers off." Whatever the case may be, the liner notes to ''A Love Supreme'' appear to mention God in a Universalist sense, and do not advocate one religion over another. Further evidence of this universal view regarding spirituality can be found in the liner notes of ''Meditations'' (1965), in which Coltrane declares, "I believe in all religions."

Lavezzoli points out that "After ''A Love Supreme'', most of Coltrane's song and album titles had spiritual implications: ''Ascension'', ''Om'', ''Selflessness'', ''Meditations'', "Amen," "Ascent," "Attaining," "Dear Lord," "Prayer and Meditation Suite," and the opening movement of ''Meditations'', "The Father and the Son and the Holy Ghost," the most obvious Christian reference in any of Coltrane's work." Coltrane's collection of books included ''The Gospel of Sri Ramakrishna'', the Bhagavad Gita, Paramahansa Yogananda's ''Autobiography of a Yogi'', which, Lavezzoli points out, "recounts Yogananda's search for universal truth, a journey that Coltrane had also undertaken. Yogananda believed that both Eastern and Western spiritual paths were efficacious, and wrote of the similarities between Krishna and Christ. This openness to different traditions resonated with Coltrane, who studied the Qur'an, the Bible, Kabbalah, and astrology with equal sincerity."

In October 1965, Coltrane recorded ''Om'', referring to the sacred syllable in Hinduism, which symbolizes the infinite or the entire Universe. Coltrane described ''Om'' as the "first syllable, the primal word, the word of power". The 29-minute recording contains chants from the ''Bhagavad-Gita'', a Hindu holy book, as well as Coltrane and Pharoah Sanders chanting from a Buddhist text, ''The Tibetan Book of the Dead'', and reciting a passage describing the primal verbalization "om" as a cosmic/spiritual common denominator in all things.

Coltrane's spiritual journey was interwoven with his investigation into world music. He believed not only in a universal musical structure which transcended ethnic distinctions, but in being able to harness the mystical language of music itself. Coltrane's study of Indian music led him to believe that certain sounds and scales could "produce specific emotional meanings." According to Coltrane, the goal of a musician was to understand these forces, control them, and elicit a response from the audience. Coltrane said: "I would like to bring to people something like happiness. I would like to discover a method so that if I want it to rain, it will start right away to rain. If one of my friends is ill, I'd like to play a certain song and he will be cured; when he'd be broke, I'd bring out a different song and immediately he'd receive all the money he needed."

Legacy

The influence Coltrane has had on music spans many different genres and musicians. Coltrane's massive influence on jazz, both mainstream and avant-garde, began during his lifetime and continued to grow after his death. He is one of the most dominant influences on post-1960 jazz saxophonists and has inspired an entire generation of jazz musicians. In 1965, he was inducted into the ''Down Beat'' Jazz Hall of Fame. In 1972, ''A Love Supreme'' was certified gold by the RIAA for selling over half a million copies in Japan. This album, as well as ''My Favorite Things'', was certified gold in the United States in 2001. In 1982 Coltrane was awarded a posthumous Grammy for "Best Jazz Solo Performance" on the album ''Bye Bye Blackbird'', and in 1997, was awarded the Grammy Lifetime Achievement Award.

His widow, Alice Coltrane, after several decades of seclusion, briefly regained a public profile before her death in 2007. Coltrane's son, Ravi Coltrane, named after the great Indian sitarist Ravi Shankar, who was greatly admired by Coltrane, has followed in his father's footsteps and is a prominent contemporary saxophonist. A former home, the John Coltrane House in Philadelphia, was designated a National Historic Landmark in 1999. His last home, the John Coltrane Home in the Dix Hills neighborhood of Huntington, New York, where he resided from 1964 until his death in 1967, was added to the National Register of Historic Places on June 29, 2007.

His revolutionary use of multi-tonic systems in jazz has become a widespread composition and reharmonization technique known as "Coltrane changes".

In 2002, scholar Molefi Kete Asante listed John Coltrane on his list of 100 Greatest African Americans.

Coltrane's tenor (Selmer Mark VI, serial number 125571, dated 1965) and soprano (Selmer Mark VI, serial number 99626, dated 1962) saxophones were auctioned on February 20, 2005 to raise money for the John Coltrane Foundation. The soprano raised $70,800 but the tenor remained unsold.

Sainthood

The African Orthodox Church canonized Coltrane in 1982. However, the Saint John Coltrane African Orthodox Church, San Francisco, which is fondly known as the "Coltrane church", is the only African Orthodox church which incorporates Coltrane's music and his lyrics as prayers in its liturgy. A documentary on Coltrane, featuring this San Francisco branch of the church and presented by Alan Yentob, was produced for the BBC in 2004. Samuel G. Freedman writes in his ''New York Times'' article "Sunday Religion Inspired By Saturday Nights", December 1, 2007,

... the Coltrane church is not a gimmick or a forced alloy of nightclub music and ethereal faith. Its message of deliverance through divine sound is actually quite consistent with Coltrane’s own experience and message.

In the same article, he comments on John Coltrane's place in the canon of American music.

In both implicit and explicit ways, Coltrane also functioned as a religious figure. Addicted to heroin in the 1950s, he quit cold turkey, and later explained that he had heard the voice of God during his anguishing withdrawal. In 1964, he recorded ''A Love Supreme'', an album of original praise music in a free-jazz mode... In 1966, an interviewer in Japan asked Coltrane what he hoped to be in five years, and Coltrane replied, "A saint."

John Coltrane is depicted as one of the ninety saints in the monumental Dancing Saints icon of St. Gregory of Nyssa Episcopal Church in San Francisco. The Dancing Saints icon is a painting rendered in the Byzantine iconographic style that wraps around the entire church rotunda. The icon was executed by iconographer Mark Dukes, an ordained deacon at the Saint John Coltrane African Orthodox Church, who has painted other icons of Coltrane for the Coltrane Church. Saint Barnabas Episcopal Church in Newark, New Jersey included Coltrane on their list of historical black saints and even made a "case for sainthood" for him in an article on their former website.

Discography

''Discography below lists albums conceived and approved by Coltrane as a leader during his lifetime. It does not include his many releases as a sideman, sessions assembled into albums by various record labels after Coltrane's contract expired, sessions with Coltrane as a sideman later reissued with his name featured more prominently, or posthumous compilations except for the one which he approved before his death. See main discography link above for full list.''

Prestige and Blue Note Records

''Coltrane'' (debut solo LP) (1957)

''Blue Train'' (1957)

''John Coltrane with the Red Garland Trio'' (1958)

''Soultrane'' (1958)

Atlantic Records

''Giant Steps'' (first album entirely of Coltrane compositions) (1960)

''Coltrane Jazz'' (first appearance by McCoy Tyner and Elvin Jones) (1961)

''My Favorite Things'' (1961)

''Olé Coltrane'' (features Eric Dolphy, compositions by Coltrane and Tyner) (1961)

Impulse! Records

''Africa/Brass'' (brass arranged by Tyner and Dolphy) (1961)

''Live! at the Village Vanguard'' (features Dolphy, first appearance by Jimmy Garrison) (1962)

''Coltrane'' (first album to solely feature the "classic quartet") (1962)

''Ballads'' (1963)

''John Coltrane and Johnny Hartman'' (1963)

''Impressions'' (1963)

''Duke Ellington & John Coltrane'' (1964)

''Live at Birdland'' (1964)

''Crescent'' (1964)

''A Love Supreme'' (1965)

''The John Coltrane Quartet Plays'' (1965)

''Ascension'' (1966)

''New Thing at Newport'' (live with Archie Shepp) (1966)

''Kulu Se Mama'' (1966)

''Meditations'' (quartet plus Pharoah Sanders and Rashied Ali) (1966)

''Expression'' (posthumous and final Coltrane-approved release; one track features Coltrane on flute) (1967)

References

Sources

External links

Official Website

Coltrane Church Website

1957 Carnegie Hall Performance in Transcription and Analysis

Infography about John Coltrane

"John Coltrane: Images of Trane", ''Jazz Times'', June 1997, Lee Tanner

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