A fable is a succinct fictional story, in prose or verse, that features animals, mythical creatures, plants, inanimate objects, or forces of nature which are anthropomorphized (given human qualities), and that illustrates a moral lesson (a "moral"), which may at the end be expressed explicitly in a pithy maxim.
A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech and other powers of humankind.
Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "''μύθος''" ("''mythos''") was rendered by the translators as "fable" in ''First'' and ''Second Timothy'', in ''Titus'' and in ''First Peter''.
Though in its original sense "fable" denotes a brief, succinct story that is meant to impart a moral lesson, in a pejorative sense, a "fable" may be a deliberately invented or falsified account of an event or circumstance. Similarly, a ''non''-authorial person who, wittingly or not, tells "tall tales," may be termed a "confabulator".
An author of fables is termed a "fabulist," and the word "fabulous," strictly speaking, "pertains to a fable or fables." In recent decades, however, "fabulous" has come frequently to be used in the quite different meaning of "excellent" or "outstanding".
Several parallel animal fables in Sumerian and Akkadian are among those that Erich Ebeling introduced to modern Western readers; there are comparable fables from Egypt's Middle Kingdom, and Hebrew fables such as the "king of trees" in Book of Judges 9:8-15 and "the thistle and the cedar tree" in ''II Kings'' 14:9.
The varying corpus denoted ''Aesopica'' or ''Aesop's Fables'' includes most of the best-known western fables, which are attributed to the legendary Aesop, supposed to have been a slave in ancient Greece around 550 BCE. When Babrius set down fables from the ''Aesopica'' in verse for a Hellenistic Prince "Alexander," he expressly stated at the head of Book II that this type of "myth" that Aesop had introduced to the "sons of the Hellenes" had been an invention of "Syrians" from the time of "Ninos" (personifying Nineveh to Greeks) and Belos ("ruler"). Epicharmus of Kos and Phormis are reported as having been among the first to invent comic fables. Many familiar fables of Aesop include "The Crow and the Pitcher", "The Tortoise and the Hare" and "The Lion and the Mouse". In ancient Greek and Roman education, the fable was the first of the ''progymnasmata''--training exercises in prose composition and public speaking—wherein students would be asked to learn fables, expand upon them, invent their own, and finally use them as persuasive examples in longer forensic or deliberative speeches. The need of instructors to teach, and students to learn, a wide range of fables as material for their declamations resulted in their being gathered together in collections, like those of Aesop.
Hundreds of fables were composed in ancient India during the first millennium BC, often as stories within frame stories. These included Vishnu Sarma's ''Panchatantra'', the ''Hitopadesha'', ''Vikram and The Vampire'', and Syntipas' ''Seven Wise Masters'', which were collections of fables that were later influential throughout the Old World. Ben E. Perry (compiler of the "Perry Index" of Aesop's fables)has argued controversially that some of the Buddhist ''Jataka tales'' and some of the fables in the ''Panchatantra'' may have been influenced by similar Greek and Near Eastern ones. Earlier Indian epics such as Vyasa's ''Mahabharata'' and Valmiki's ''Ramayana'' also contained fables within the main story, often as side stories or back-story. The most famous fables from the Middle East were the ''One Thousand and One Nights'', also known as the ''Arabian Nights''.
Fables had a further long tradition through the Middle Ages, and became part of European high literature. During the 17th century, the French fabulist Jean de La Fontaine (1621–1695) saw the soul of the fable in the moral — a rule of behavior. Starting with the Aesopian pattern, La Fontaine set out to satirize the court, the church, the rising bourgeoisie, indeed the entire human scene of his time. La Fontaine's model was subsequently emulated by England's John Gay (1685–1732); Poland's Ignacy Krasicki (1735–1801); Italy's Lorenzo Pignotti (1739–1812) and Giovanni Gherardo de Rossi (1754–1827); Serbia's Dositej Obradović (1742–1811); Spain's Félix María de Samaniego (1745–1801) and Tomás de Iriarte y Oropesa (1750–1791); France's Jean-Pierre Claris de Florian (1755–94); and Russia's Ivan Krylov (1769–1844).
In modern times, while the fable has been trivialized in children's books, it has also been fully adapted to modern adult literature. Felix Salten's ''Bambi'' (1923) is a ''Bildungsroman'' — a story of a protagonist's coming-of-age — cast in the form of a fable. James Thurber used the ancient fable style in his books ''Fables for Our Time'' (1940) and ''Further Fables for Our Time'' (1956), and in his stories "The Princess and the Tin Box" in ''The Beast in Me and Other Animals'' (1948) and "The Last Clock: A Fable for the Time, Such As It Is, of Man" in ''Lanterns and Lances'' (1961). Władysław Reymont's ''The Revolt'' (1922), a metaphor for the Bolshevik Revolution of 1917, described a revolt by animals that take over their farm in order to introduce "equality." George Orwell's ''Animal Farm'' (1945) similarly satirized Stalinist Communism in particular, and totalitarianism in general, in the guise of animal fable.
Fables Category:Literary devices Category:Persuasion techniques Category:Short story types
ar:حكاية رمزية ay:Yatichawini jawari az:Təmsil bs:Basna br:Fablenn bg:Басня ca:Faula cv:Юптару ceb:Pabula cs:Bajka da:Fabel de:Fabel et:Valm el:Παραμύθι es:Fábula eo:Fablo fa:حکایت fr:Fable ko:우화 hy:Առակ io:Fablo ia:Fabula it:Favola he:משל lv:Fabula lb:Fabel lt:Pasakėčia hu:Fabula mk:Басна nl:Fabel ja:寓話 no:Fabel nn:Fabel nrm:Fabl'ye nds:Fabel pl:Bajka pt:Fábula ro:Fabulă ru:Басня scn:Fàula simple:Fable sk:Bájka sl:Basen sr:Басна sh:Basna fi:Faabeli sv:Fabel tl:Pabula th:นิทาน tr:Fabl uk:Байка vi:Ngụ ngôn wa:Fåve di djåzantès biesses yi:משל zh:寓言This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Robert Miles |
---|---|
background | non_performing_personnel |
birth name | Roberto Concina |
alias | Robert Miles, Roberto Milani |
birth date | November 03, 1969 |
ethnicity | Italian |
genre | Electronica, alternative, dance, ambient, chill-out, nu jazz, pop |
occupation | Composer, record producer, musician, DJ |
years active | 1984–present |
label | S:alt Records [suitably:alternative] |
website | http://www.robert-miles.com |
notable instruments | }} |
Robert Miles (born Roberto Concina, November 3, 1969, Fleurier) is an Italian record producer, composer, musician and DJ in electronica and alternative music.
Miles became proficient at playing the piano during his youth in Friuli, Italy, in the small town of Fagagna, where his family moved when he was still a young boy, and has been in the music scene since 1984. He worked as DJ in some Italian clubs and private radio networks and in 1990, he used his savings to establish his own recording studio and a pirate radio station.
In 1994, Miles wrote a house/chill-out piece based on acoustic guitar chords and soft synthesizer effects, "Children", which was later developed into a dream trance track featuring a piano theme on top. The single picked up sales slowly, but within two weeks of its official release in 1995, it had sold more than 350,000 copies all over Europe and topped the charts in many countries. By 1997, "Children" had sold more than 5,000,000 copies worldwide. It earned Miles platinum records in many countries. Also, Robert Miles is the only Italian artist to have won a Brit Award (Best International Male Newcomer 1997).
Miles' next single was "Fable". Part of this song was used in the theatrical trailer for the U.S. movie ''Ever After'' starring Drew Barrymore and Dougray Scott. His debut album ''Dreamland'' was released on June 7, 1996 in Europe, and released in the United States about a month later, with a new track, "One and One". This new track became very popular (it reached number 1 in the Euro Chart during the Christmas period) and was later released as a single in Europe and the U.S.
In November 1997, Miles released another track, "Freedom", which was one of the key tracks on his second album ''23am'' featuring vocals provided by Kathy Sledge of Sister Sledge. Containing a different feel from the previously more club-oriented ''Dreamland'', ''23am'' incorporated more lyrics-driven songs than its predecessor while maintaining Miles' trademark piano sound from the first album.
Miles remained under the radar until June 11, 2001, when, after splitting from BMG/Deconstruction and his management he set up his own independent record label S:alt Records (with S:alt being short for suitably:alternative) and released his third album, ''Organik'', featuring the new single "Paths" with vocals provided by Nina Miranda of Smoke City. Guests on the album included Trilok Gurtu, Bill Laswell and Nitin Sawhney. Music from ''Organik'' was used on various movie soundtracks such as ''The Bourne Identity'', ''Derrida'', and ''City of Ghosts''. In 2002, an album containing mainly remixes of songs found on ''Organik'' was released. The album, appropriately entitled ''Organik Remixes'', contained remixes by the winners of the remixing contest held on Robert Miles' website, as well as remixes from well known artists such as The Future Sound of London, Riton, and Alexkid amongst others. The album also had one new track, "Bhairav", which featured the vocals of Amelia Cuni.
In 2004, Miles released ''Miles_Gurtu'', his fourth album which was a collaboration with percussionist Trilok Gurtu. Also guesting on the album were Nitin Sawhney, John Thorne, Mike Patto and Paul Falloon.
His fifth album entitled ''Th1rt3en'' was released worldwide on S:alt Records in February 2011, and featured guests such as Robert Fripp, Dave Okumu, John Thorne, Mike Patto and Davide Giovannini. For this album, Miles produced a blend of alternative and progressive rock with ambient and electronic soundscapes.
Robert Miles has sold more than 14,000,000 records and his music has been used in more than 250 movies, video games and adverts worldwide.
;Roberto Milani
Category:1969 births Category:Living people Category:People from Neuchâtel (city) Category:Electronic musicians Category:Trance musicians Category:Swiss DJs Category:Swiss artists Category:Swiss-Italian people Category:BRIT Award winners Category:Swiss people of Italian descent
ar:روبرت مايلز cs:Robert Miles da:Robert Miles de:Robert Miles (Musiker) es:Robert Miles fa:رابرت مایلز fr:Robert Miles it:Robert Miles ka:რობერტ მაილზი lt:Robert Miles nl:Robert Miles ja:ロバート・マイルズ pl:Robert Miles pt:Robert Miles ro:Robert Miles ru:Роберт Майлз sk:Robert Miles sl:Robert Miles fi:Robert Miles sv:Robert Miles tr:Robert Miles uk:Роберт МайлзThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.