Name	CBS Broadcasting Inc. (CBS)
Logo
Type	Broadcast radio network andtelevision network
Branding	"Only CBS"
Airdate	January 21, 1927 (as United Independent Broadcasters)
Country	United States
Available	National
Founder	(as CBS) William S. Paley
Slogan	''Only CBS''
Motto	America's Most Watched Network
Owner	Independent (1927–1995)Westinghouse Electric (renamed CBS Corp. in 1997) (1995–2000)Viacom (2000–2005)CBS Corporation (2006–present)
Key people	Leslie Moonves, Chairman of CBS,Nancy Tellem (President of CBS Network Television Entertainment)
Launch date	September 18, 1927 (radio)July 1, 1941 (television)
Picture format	480i (16:9 SDTV)720p/1080i (HDTV)
Former names	United Independent Broadcasters (1927)Columbia Phonographic Broadcasting System (1927–1928)Columbia Broadcasting System (1928–1995 in official usage)
Callsign meaning	Columbia Broadcasting System (former legal name)
Website	CBS.com
Footnotes	}}

CBS Broadcasting Inc. (CBS) is a major US commercial broadcasting television network, which started as a radio network. The name is derived from the initials of the network's former name, Columbia Broadcasting System. The network is sometimes referred to as the "Eye Network" in reference to the shape of the company's logo. It has also been called the "Tiffany Network", which alludes to the perceived high quality of CBS programming during the tenure of its founder William S. Paley (1901–90). It can also refer to some of CBS's first demonstrations of color television, which were held in a former Tiffany & Co. building in New York City in 1950, thus earning it the name "Color broadcasting system" back when such a feat was innovative.

The network has its origins in United Independent Broadcasters Inc., a collection of 16 radio stations that was bought by William S. Paley in 1928 and renamed the Columbia Broadcasting System. Under Paley's guidance, CBS would first become one of the largest radio networks in the United States and then one of the big three American broadcast television networks. In 1974, CBS dropped its full name and became known simply as ''CBS, Inc.'' The Westinghouse Electric Corporation acquired the network in 1995 and eventually adopted the name of the company it had bought to become ''CBS Corporation''. In 2000, CBS came under the control of Viacom, which coincidentally had begun as a spin-off of CBS in 1971. In late 2005, Viacom split itself and reestablished CBS Corporation with the CBS television network at its core. CBS Corporation is controlled by Sumner Redstone through National Amusements, its parent.

History

The radio years

The origins of CBS date back to January 21, 1927, with the creation of the "United Independent Broadcasters" network in Chicago by New York talent-agent Arthur Judson. The fledgling network soon needed additional investors though, and the Columbia Phonograph Company, manufacturers of Columbia Records, rescued it in April 1927; as a result, the network was renamed "Columbia Phonographic Broadcasting System". Columbia Phonographic went on the air on September 18, 1927, with a presentation by the Howard Barlow Orchestra from flagship station WOR in Newark, New Jersey, and fifteen affiliates.

Operational costs were steep, particularly the payments to AT&T; for use of its land lines, and by the end of 1927, Columbia Phonograph wanted out. In early 1928, Judson sold the network to brothers Isaac and Leon Levy, owners of the network's Philadelphia affiliate WCAU, and their partner Jerome Louchenheim. None of the three was interested in assuming day-to-day management of the network, so they installed wealthy 26-year-old William S. Paley, scion of a Philadelphia cigar family and in-law of the Levys, as president. With the record company out of the picture, Paley quickly streamlined the corporate name to "Columbia Broadcasting System." He believed in the power of radio advertising since his family's "La Palina" cigars had doubled their sales after young William convinced his elders to advertise on radio. By September 1928, Paley bought out the Louchenheim share of CBS and became its majority owner with 51% of the business.

Turnaround: Paley's first year

During Louchenheim's brief regime, Columbia paid $410,000 to A.H. Grebe's Atlantic Broadcasting Company for a small Brooklyn station, WABC, which would become the network's flagship station. WABC was quickly upgraded, and the signal relocated to a stronger frequency, 860 kHz. The physical plant was relocated also—to Steinway Hall on West 57th Street in Manhattan. It was where much of CBS's programming originated. Other owned-and-operated stations were KNX Los Angeles, KCBS San Francisco (originally KQW), WBBM Chicago, WCAU Philadelphia, WJSV Washington, D.C. (later WTOP, which moved to the FM dial in 2005; the AM facility today is WFED, also a secondary CBS affiliate), KMOX St. Louis, and WCCO Minneapolis. These remain the core affiliates of the CBS Radio Network today, with WCBS still the flagship, and all except WTOP and WFED (both Hubbard Broadcasting properties) owned by CBS Radio. By the turn of 1929, the network could boast to sponsors of having 47 affiliates.

Paley moved right away to put his network on a firmer financial footing. In the fall of 1928, he entered into talks with Adolph Zukor of Paramount Pictures who planned to move into radio in response to RCA's forays into motion pictures with the advent of talkies. The deal came to fruition in September 1929: Paramount got 49 percent of CBS in return for a block of its stock worth $3,800,000 at the time. The agreement specified that Paramount would buy that same stock back by March 1, 1932 for a flat $5,000,000, provided CBS had earned $2,000,000 during 1931 and 1932. For a brief time there was talk that the network might be renamed "Paramount Radio", but it only lasted a month—the 1929 stock market crash sent all stock value tumbling. It galvanized Paley and his troops, though: they "had no alternative but to turn the network around and earn the $2,000,000 in two years.... This is the atmosphere in which the CBS of today was born." The near-bankrupt movie studio sold its CBS shares back to CBS in 1932; Paramount was in trouble, CBS was not.

In the first year of Paley's watch, CBS's gross earnings more than tripled, going from $1,400,000 to $4,700,000. Much of the increase was a result of Paley's second upgrade to the CBS business plan—improved affiliate relations. There were two types of program at the time: ''sponsored'' and ''sustaining'', i.e., unsponsored. Rival NBC paid affiliates for every sponsored show they carried and charged them for every sustaining show they ran. It was onerous for small and medium stations, and resulted in both unhappy affiliates and limited carriage of sustaining programs. Paley had a different idea, designed to get CBS programs emanating from as many radio sets as possible: he would ''give'' the sustaining programs away for free, provided the station would run every sponsored show, and accept CBS's check for doing so. CBS soon had more affiliates than either NBC Red or NBC Blue.

Paley was a man who valued style and taste, and in 1929, once he had his affiliates happy and his company's creditworthiness on the mend, he relocated his concern to sleek, new 485 Madison Avenue, the "heart of the advertising community, right where Paley wanted his company to be" and where CBS would stay until its move to Black Rock in 1965. When his new landlords expressed skepticism about the network and its fly-by-night reputation, Paley overcame their qualms by purchasing a lease for $1,500,000.

1930s: CBS takes on the Red and the Blue

Since NBC was the broadcast arm of radio set manufacturer RCA, its chief David Sarnoff approached his decisions as both a broadcaster and as a hardware executive; NBC's affiliates had the latest RCA equipment, and were often the best-established stations, or were on "clear channel" frequencies. Yet Sarnoff's affiliates were mistrustful of him. Paley had no such split loyalties: his—and his affiliates'—success rose and fell with the quality of CBS programming.

Paley had an innate, pitch-perfect, sense of entertainment, "a gift of the gods, an ear totally pure," wrote David Halberstam. "[H]e knew what was good and would sell, what was bad and would sell, and what was good and would not sell, and he never confused one with another." As the 1930s loomed, Paley set about building the CBS talent stable. The network became the home of many popular musical and comedy stars, among them Jack Benny, ("Your Canada Dry Humorist"), Al Jolson, George Burns & Gracie Allen, and Kate Smith, whom Paley personally selected for his family's ''La Palina Hour'' because she was not the type of woman to provoke jealousy in American wives. When, on a mid-ocean voyage, Paley heard a phonograph record of a young unknown crooner, he rushed to the ship's radio room and "cabled" New York to sign Bing Crosby immediately to a contract for a daily radio show.

While the CBS prime-time lineup featured music, comedy and variety shows, the daytime schedule was a direct conduit into American homes—and into the hearts and minds of American women; for many, it was the bulk of their adult human contact during the course of the day. CBS time salesmen recognized early on that this intimate connection could be a bonanza for advertisers of female-interest products. Starting in 1930, astrologer Evangeline Adams would consult the heavens on behalf of listeners who sent in their birthdays, a description of their problems—and a box-top from sponsor Forhan's toothpaste. The low-key murmuring of smooth-voiced Tony Wons, backed by a tender violin, "made him a soul mate to millions of women" on behalf of the R. J. Reynolds tobacco company, whose cellophane-wrapped Camel cigarettes were "as fresh as the dew that dawn spills on a field of clover." The most popular radio-friend of all was M. Sayle Taylor, ''The Voice Of Experience'', though his name was never uttered on air. Women mailed descriptions of the most intimate of relationship problems to The Voice in the tens of thousands per week; sponsors Musterole ointment and Haley's M–O laxative enjoyed sales increases of several hundred percent in just the first month on ''The Voice Of Experience''. As the decade progressed, a new genre joined the daytime lineup: serial dramas—soap operas, so named for the products that sponsored them, by way of the ad agencies that actually produced them. Although the form, usually in quarter-hour episodes, proliferated widely in the middle and late 1930s, they all had the same basic premise: that characters "fell into two categories: 1) those in trouble and 2) those who helped people in trouble. The helping-hand figures were usually older." At CBS, ''Just Plain Bill'' brought human insight and Anacin pain reliever into households; ''Your Family and Mine'' came courtesy of Sealtest Dairy products; ''Bachelor's Children'' first hawked Old Dutch Cleanser, then Wonder Bread; ''Aunt Jenny's Real Life Stories'' was sponsored by Spry Vegetable Shortening. ''Our Gal Sunday'' (Anacin again), ''The Romance of Helen Trent'' (Angélus cosmetics), ''Big Sister'' (Rinso laundry soap) and many others filled the daytime ether. Thanks to its daytime and primetime schedules, CBS prospered in the 1930s. In 1935, gross sales were $19,300,000, yielding a profit of $2,270,000. By 1937, the network took in $28,700,000 and had 114 affiliates, almost all of which cleared 100% of network-fed programming, thus keeping ratings, and revenue, high. In 1938, CBS even acquired the American Record Corporation, parent of its onetime investor Columbia Records.

In 1938, NBC and CBS each opened studios in Hollywood to attract movieland's top talent to their networks – NBC at Radio City on Sunset and Vine, CBS two blocks away at Columbia Square.

CBS launches an independent news division

The extraordinary potential of radio news showed itself in 1930, when CBS suddenly found itself with a live telephone connection to a prisoner called "The Deacon" who described, from the inside and in real time, a riot and conflagration at the Ohio State Penitentiary; for CBS, it was "a shocking journalistic coup." Yet as late as 1934, there was still no regularly scheduled newscast on network radio: "Most sponsors did not want network news programming; those that did were inclined to expect veto rights over it." There had been a longstanding wariness between radio and the newspapers as well; the papers had rightly concluded that the upstart radio business would compete with them on two counts—advertising dollars and news coverage. By 1933, they fought back, many no longer publishing radio schedules for readers' convenience, or allowing "their" news to be read on the air for radio's profit. Radio, in turn, pushed back when urban department stores, newspapers' largest advertisers and themselves owners of many radio stations, threatened to withhold their ads from print. A short-lived attempted truce in 1933 even saw the papers proposing that radio be forbidden from running news before 9:30 am, and then only after 9:00 pm—and that no news story could air until it was twelve hours old. It was in this climate that Paley set out to "enhance the prestige of CBS, to make it seem in the public mind the more advanced, dignified and socially aware network." He did it through sustaining programming like the New York Philharmonic, the thoughtful drama of Norman Corwin—and an in-house news division to gather and present news, free of fickle suppliers like newspapers and wire services. In the fall of 1934, CBS launched its independent news division, shaped in its first years by Paley's vice-president, former ''The New York Times'' man Ed Klauber, and news director Paul White. Since there was no blueprint or precedent for real-time news coverage, early efforts of the new division used the short-wave link-up CBS had been using for five years to bring live feeds of European events to its American air.

A key early hire was Edward R. Murrow in 1935; his first corporate title was Director of Talks. He was mentored in microphone technique by Robert Trout, the lone full-timer of the News Division, and quickly found himself in a growing rivalry with boss White. Murrow was glad to "leave the hothouse atmosphere of the New York office behind" when he was dispatched to London as CBS's European Director in 1937, a time when the growing Hitler menace underscored the need for a robust European Bureau. Halberstam described Murrow in London as "the right man in the right place in the right era." Murrow began assembling the staff of broadcast journalists—including William L. Shirer, Charles Collingwood and Eric Sevareid—who would become known as "Murrow's Boys". They were "in [Murrow's] own image, sartorially impeccable, literate, often liberal, and prima donnas all." They covered history in the making, and sometimes made it themselves: on March 12, 1938, Hitler boldly annexed nearby Austria and Murrow and Boys quickly assembled coverage with Shirer in London, Edgar Ansel Mowrer in Paris, Pierre Huss in Berlin, Frank Gervasi in Rome and Trout in New York. The ''News Round-Up'' format was born and is still ubiquitous today in broadcast news.

Murrow's nightly reports from the rooftops during the dark days of the London Blitz galvanized American listeners: even before Pearl Harbor, the conflict became "the story of the survival of Western civilization, the most heroic of all possible wars and stories. He was indeed reporting on the survival of the English-speaking peoples." With his "manly, tormented voice," Murrow contained and mastered the panic and danger he felt, thereby communicating it all the more effectively to his audience. Using his trademark self-reference "This reporter", he did not so much report news as interpret it, combining simplicity of expression with subtlety of nuance. Murrow himself said he tried "to describe things in terms that make sense to the truck driver without insulting the intelligence of the professor." When he returned home for a visit late in 1941, Paley threw an "extraordinarily elaborate reception" for him at the Waldorf-Astoria. Of course, its goal was more than just honoring CBS's latest "star"—it was an announcement to the world that Mr. Paley's network was finally more than just a pipeline carrying other people's programming: it was now a cultural force in its own right.

Once the war was over and Murrow returned for good, it was as "a superstar with prestige and freedom and respect within his profession and within his company." He possessed enormous capital within that company, and as the unknown form of television news loomed large, he would spend it freely, first in radio news, then in television, taking on Senator Joseph McCarthy first, then eventually William S. Paley himself, and with a foe that formidable, even the vast Murrow account would soon run dry.

Panic: ''The War of the Worlds'' radio broadcast

On October 30, 1938, CBS gained a taste of infamy when Orson Welles and the ''Mercury Theatre on the Air'' broadcast a radio adaptation of H. G. Wells's ''The War of the Worlds''. Its unique format, a contemporary version of the story in the form of ''faux'' news broadcasts, had many CBS listeners panicked into believing invaders from Mars were actually devastating Grover's Mill, New Jersey, despite three disclaimers during the broadcast that it was a work of fiction. The flood of publicity after the broadcast had two effects: an FCC ban on ''faux'' news bulletins within dramatic programming, and sponsorship for ''Mercury Theatre on the Air''—the former sustaining program became ''The Campbell Playhouse'' to sell soup. Welles, for his part, summarized the episode as "the ''Mercury Theater's'' own radio version of dressing up in a sheet and jumping out of a bush and saying 'Boo!'"

CBS recruits Edmund A. Chester

Before the onset of World War II, CBS recruited Edmund A. Chester from his position as Bureau Chief for Latin America at Associated Press to serve as Director of Latin American Relations and Director of Short Wave Broadcasts for the CBS radio network (1940). In this capacity, Mr. Chester coordinated the development of the Network of the Americas (La Cadena de las Americas) with the Department of State, the Office for Inter-American Affairs (as chaired by Nelson Rockefeller) and Voice of America. This network provided vital news and cultural programming throughout South America and Central America during the crucial World War II era and fostered diplomatic relations between the United States of America and the less developed nations of the continent. It featured such popular radio broadcasts as ''Viva América'' which showcased leading musical talent from both North and South America accompanied by the CBS Pan American Orchestra under the musical direction of Alfredo Antonini. The post war era also marked the beginning of CBS's dominance in the field of radio as well.

1940s: Zenith of network radio

As 1939 wound down, Bill Paley announced that 1940 would "be the greatest year in the history of radio in the United States." He was right—times ten: the decade of the 1940s would indeed be the apogee of network radio by every gauge. Nearly 100% of 1939's advertisers renewed their contracts for 1940; manufacturers of farm tractors made radios standard equipment on their machines. Wartime rationing of paper limited the size of newspapers—and hence advertisers—and when papers turned them away, they migrated to radio sponsorship. A 1942 act of Congress made advertising expenses a tax benefit and that sent even automobile and tire manufacturers—who had no products to sell since they had been converted to war production—scurrying to sponsor symphony orchestras and serious drama on radio. In 1940, only one-third of radio programs were sponsored, while two-thirds were sustaining; by mid-decade, the statistics had swapped—now two out of three shows had cash-paying sponsors and only one-third were sustaining.

The CBS of the 1940s was vastly different from that of the early days; many of the old guard veterans had died, retired or moved on. No change was greater than that in Paley himself: he had become difficult to work for, and had "gradually shifted from leader to despot." He spent much of his time seeking social connections and in cultural pursuits; his "hope was that CBS could somehow learn to run itself." His brief to an interior designer remodeling his townhouse included a requirement for closets that would accommodate three hundred suits, one hundred shirts and had special racks for a hundred neckties.

As Paley grew more remote, he installed a series of buffer executives who sequentially assumed more and more power at CBS: first Ed Klauber, then Paul Kesten, and finally Frank Stanton. Second only to Paley as the author of CBS's style and ambitions in its first half-century, Stanton was "a magnificent mandarin who functioned as company superintendent, spokesman, and image-maker." He had come to the network in 1933 after sending copies of his PhD thesis "A Critique Of Present Methods and a New Plan for Studying Radio Listening Behavior" to CBS top brass and they responded with a job. He scored an early hit with his study "Memory for Advertising Copy Presented Visually vs. Orally" which CBS salesmen used to great effect bringing in new sponsors. In 1946 Paley named Stanton President of CBS and promoted himself to Chairman. Stanton's colorful, but impeccable, wardrobe—slate-blue pinstripe suit, ecru shirt, robin's egg blue necktie with splashes of saffron—made him, in the mind of one sardonic CBS vice-president, "the greatest argument we have for color television."

Despite the influx of advertisers and their cash, or perhaps because of them, the 1940s were not without bumps for the radio networks. The biggest challenge came in the form of the FCC's ''chain broadcasting investigation''—the "monopoly probe", as it was often called. Though started in 1938, it only gathered steam in 1940 under new-broom chairman James L. Fly. By the time the smoke had cleared in 1943, NBC found itself shorn of its Blue network, which became ABC. CBS was also hit, though not as severely: Paley's brilliant 1928 affiliate contract which had given CBS first claim on local stations' air during sponsored time—the ''network option''—came under attack as being restrictive to local programming. The final compromise permitted the network option for three out of four hours during certain dayparts, but the new regulations had virtually no practical effect, since most all stations accepted the network feed, especially the sponsored hours that earned them money. Fly's panel also forbade networks from owning artists' representation bureaus, so CBS sold its bureau to Music Corporation of America and it became Management Corporation of America.

On the air, the war had an impact on most every show. Variety shows wove patriotism through their comedy and music segments; dramas and soaps had characters join the service and go off to fight. Even before hostilities commenced in Europe, one of the most played songs on radio was Irving Berlin's "God Bless America", popularized by CBS's own Kate Smith. Although an Office of Censorship sprang up within days of Pearl Harbor, censorship would be totally voluntary. A few shows submitted scripts for review; most did not. The guidelines that the Office did issue banned weather reports, including announcement of sports rainouts, news about troop, ship or plane movements, war production and live man-on-the-street interviews. The ban on ad-libbing caused quizzes, game shows and amateur hours to wither for the duration.

Surprising was "the granite permanence" of the shows at the top of the ratings. The vaudevillians and musicians who were huge after the war were the same stars who had been huge in the 30s: Benny, Crosby, Burns and Allen, Edgar Bergen all had been on the radio almost as long as there had ''been'' network radio. A notable exception to this was relative newcomer Arthur Godfrey who, as late as 1942, was still doing a local morning show in Washington, D.C. Godfrey, who had been a cemetery-lot salesman and a cab driver, pioneered the style of talking directly to the listener as an ''individual'', with a singular "you" rather than phrases like "Now, folks..." or "Yes, friends...". His combined shows contributed as much as 12% of ''all'' CBS revenues; by 1948, he was pulling down a half-million dollars a year.

In 1947, Paley, still the undisputed "head talent scout" of CBS, led a much-publicized "talent raid" on NBC. One day, while Freeman Gosden and Charles Correll were hard at work at NBC writing their venerable Amos and Andy show, a knock came on the door; it was Paley himself, with an astonishing offer: "Whatever you are getting now I will give you twice as much." Capturing NBC's cornerstone show was ''coup'' enough, but Paley repeated in 1948 with longtime NBCers Edgar Bergen and Charlie McCarthy and Red Skelton, as well as former CBS defectors Jack Benny, radio's top-rated comedian, and Burns and Allen. Paley achieved this rout with a legal agreement reminiscent of his 1928 contract that caused some NBC station affiliates to jump ship and join CBS: CBS would buy the stars' names as a property, in exchange for a large lump sum and a salary. The plan relied on the vastly different tax rates between income and capital gains, so not only would the stars enjoy more than twice their income after taxes, but CBS would preclude any NBC counterattack because CBS owned the performers' names. As a result of this sortie, Paley got in 1949 something he had sought for twenty years: CBS finally beat NBC in the ratings.

But it wasn't just to one-up rival Sarnoff that Paley led his talent raid; he, and all of radio, had their eye on the coming force that threw a shadow over radio throughout the 1940s—television.

1950s: Prime time radio gives way to television

In the spring of 1940, CBS staff engineer Peter Goldmark devised a system for color television that CBS management hoped would leapfrog the network over NBC and its existing black-and-white RCA system. The CBS system "gave brilliant and stable colors," while NBC's was "crude and unstable but 'compatible.'" Ultimately, the FCC rejected the CBS system because it was incompatible with RCA's; that, and the fact that CBS had moved to secure many UHF, not VHF, TV licenses, left CBS flatfooted in the early television age. In 1946, only 6,000 TV sets were in operation, all in greater New York; by 1949, the number was 3,000,000, and by 1951, 12,000,000. Sixty-four American cities had TV stations, though most of them only had one.

Radio continued to be the backbone of the company, at least in the ''early'' 1950s, but it was "a strange, twilight period." NBC's venerable Fred Allen saw his ratings plummet when he was pitted against upstart ABC's game show ''Stop The Music!''; within weeks, he was dropped by longtime sponsor Ford Motor Company and was shortly gone from the scene. Radio powerhouse Bob Hope's ratings plunged from 23.8 in 1949 to 5.4 in 1953. By 1952, "death seemed imminent for network radio" in its familiar form; most telling of all, the big sponsors were eager for the switch.

Gradually, as the television network took shape, radio stars began to migrate to the new medium. Many programs ran on both media while making the transition. The radio soap opera ''The Guiding Light'' moved to television in 1952 and ran another fifty-seven years; Burns & Allen, back "home" from NBC, made the move in 1950; Lucille Ball a year later; ''Our Miss Brooks'' in 1952 (though it continued simultaneously on radio for its full television life). The high-rated Jack Benny Program ended its radio run in 1955, and Edgar Bergen's Sunday-night show went off the air in 1957. When CBS announced in 1956 that its radio operations had lost money, while the television network had made money, it was clear where the future lay. When the soap opera Ma Perkins went off the air November 25, 1960 only eight, relatively minor series remained. Prime time radio ended on September 30, 1962, when ''Yours Truly, Johnny Dollar'' and ''Suspense'' aired for the final time.

CBS's radio programming after 1972

The retirement of Arthur Godfrey in April 1972 marked the end of the longform program on CBS radio; programming thereafter consisted of hourly news summaries and news features, known in the 1970s as ''Dimension'', and commentaries, including the ''Spectrum'' series that evolved into the "Point/Counterpoint" feature on the television network's ''60 Minutes'' and ''First Line Report'', a news and analysis feature delivered by CBS correspondents. The network also continued to offer traditional radio programming through its nightly ''CBS Radio Mystery Theater'', the lone holdout of old-style programming, from 1974 through 1982. The CBS Radio Network continues to this day, offering hourly newscasts, including its centerpiece ''CBS World News Roundup'' in the morning and evening, and news-related features ''The Osgood File'' and ''Harry Smith Reporting''. It is the last of the Big Four radio networks to be an autonomous company; ABC was broken up in 2007 while Mutual and NBC were bought by Westwood One in the 1980s (Westwood One and CBS were under common ownership from 1993 to 2007).

The television years: expansion and growth

CBS's first television broadcasts were experimental, often only for one hour a day, and reaching a limited area in and around New York City (over station W2XAB channel 2, later called WCBW and finally WCBS-TV). To catch up with rival RCA, CBS bought Hytron Laboratories in 1939, and immediately moved into set production and color broadcasting. Though there were many competing patents and systems, RCA dictated the content of the FCC's technical standards, and grabbed the spotlight from CBS, DuMont and others by introducing television to the general public at the 1939 New York World's Fair. The FCC began licensing commercial television stations on July 1, 1941; the first license went to RCA and NBC's WNBT (now WNBC); the second license, issued that same day, was to WCBW, (now WCBS). CBS-Hytron offered a practical color system in 1941, but it was not compatible with the black-and-white standards set down by RCA. In time, and after considerable dithering, the FCC rejected CBS's technology in favor of that by RCA.

During the World War II years, commercial television broadcasting was reduced dramatically. Toward the end of the war, commercial television began to ramp up again, with an increased level of programming evident in the 1945–1947 period on the three New York television stations which operated in those years (the local stations of NBC, CBS and DuMont) But as RCA and DuMont raced to establish networks and offer upgraded programming, CBS lagged, advocating an industry-wide shift and re-start to UHF for their incompatible (with black and white) color system. Only in 1950, when NBC was dominant in television and black and white transmission was widespread, did CBS begin to buy or build their own stations (outside of New York) in Los Angeles, Chicago and other major cities. Up to that point, CBS programming was seen on such stations as KTTV Channel 11 in Los Angeles, which CBS—as a bit of insurance and to guarantee program clearance in Los Angeles—quickly purchased a 50% interest in, partnering with the Los Angeles Times newspaper. CBS then sold their interest in KTTV (which today is the West Coast flagship of the Fox network) and purchased outright Los Angeles pioneer station KTSL (Channel 2) in 1950, renaming it KNXT (after CBS's existing Los Angeles radio property, KNX), later to become KCBS-TV. The "talent raid" on NBC of the mid-forties had brought over established radio stars; they now became stars of CBS television as well. One reluctant CBS star refused to bring her radio show, "My Favorite Husband", to television unless the network would re-cast the show with her real-life husband in the lead. Paley and network president Frank Stanton had so little faith in the future of Lucille Ball's series, re-dubbed ''I Love Lucy'', that they granted her wish and allowed the husband, Desi Arnaz, to take financial control of the production. This was the making of the Ball-Arnaz Desilu empire, and became the template for series production to this day.

In the late 1940s, CBS offered the first live television coverage of the proceedings of the United Nations General Assembly (1949). This journalistic tour-de-force was under the direction of Edmund A. Chester, who was appointed to the post of Director for News, Special Events and Sports at CBS Television in 1948.

As television came to the forefront of American entertainment and information, CBS dominated television as it once had radio. In 1953, the CBS television network would make its first profit, and would maintain dominance on television between the years 1955 and 1976 as well By the late 1950s, the network often controlled seven or eight of the slots on the "top ten" ratings list with well-respected shows like ''Route 66''. This success would continue for many years, with CBS bumped from first place only by the rise of ABC in the mid-1970s. Perhaps because of its status as the top-rated network, during the late 1960s and early 1970s CBS felt freer to gamble with controversial properties like the ''Smothers Brothers Comedy Hour'' and ''All in the Family'' and its many spinoffs during this period.

One of CBS's most popular shows at that time was ''M*A*S*H'', a dramedy based on the hit Robert Altman film. It ran from 1972–1983, and was set, like the film, during the Korean War in a Mobile Army Surgical Hospital. The final episode aired on February 28, 1983 and was 2½ hours long. It was viewed by nearly 106 million Americans (77% of viewership that night) which established it as the most watched episode in United States television history, a record which stood until the broadcast of Super Bowl XLIV in 2010, also on CBS.

Color telecasts (1953–1965)

Although CBS-TV was the first with a working color television system, they lost out to RCA in 1953, due in part because the CBS color system was incompatible with existing black-and-white sets. Although RCA, then-parent company of NBC, made its color system available to CBS, the network was not interested in boosting RCA's profits and televised only a few specials in color for the rest of the decade. The specials included the ''Ford Star Jubilee'' programs (which included the first telecast ever of MGM's 1939 film classic ''The Wizard of Oz''). Other specials were also shown: the 1957 telecast of Rodgers and Hammerstein's ''Cinderella'', Cole Porter's musical version of ''Aladdin'', and ''Playhouse 90'''s only color broadcast, the 1958 production of ''The Nutcracker'', featuring choreography by George Balanchine. This telecast was based on the famous production staged annually since 1954 in New York, and performed by the New York City Ballet. CBS would later show two other versions of the ballet, a semi-forgotten one-hour German-American version hosted by Eddie Albert ,shown annually for three years beginning in 1965, and the well-loved Baryshnikov production from 1977 to 1981. (This production later moved to PBS.)

Beginning in 1959, ''The Wizard of Oz'', now telecast by CBS as a family special in its own right (after the cancellation of ''Ford Star Jubilee''), became an annual tradition on color TV. However, it was the success of NBC's 1955 telecast of the musical ''Peter Pan'', starring Mary Martin, the most watched television special of its time, that inspired CBS to telecast ''The Wizard of Oz'', ''Cinderella'' and ''Aladdin''.

1960–1967

From 1960 to 1965, CBS-TV limited its color transmissions to only a few specials such as ''The Wizard of Oz'', and only then if the sponsor would pay for it. Red Skelton was the first CBS host to telecast his weekly programs in color, using a converted movie studio, in the early 1960s; he tried unsuccessfully to persuade the network to use his facility for other programs, then was forced to sell it. Color was being pushed hard by rival NBC. Even ABC had several color programs, beginning in the fall of 1962, but those were limited because of the network's financial and technical situations. One famous CBS-TV special made during this era was the Charles Collingwood-hosted tour of the White House with First Lady Jackie Kennedy. It was, however, shown in black-and-white. Beginning in 1963, at least one CBS show, ''The Lucy Show'', began filming in color at its star and producer Lucille Ball's insistence; she realized that color episodes would command more money when they were eventually sold into syndication, but even it was broadcast in black and white through the end of the 1964–65 season. This would all change by the mid-1960s, when market pressure forced CBS-TV to add color programs to the regular schedule for the 1965–66 season and complete the changeover during the 1966–67 season. By the fall of 1967, nearly all of CBS's TV programs were in color, as were NBC's and ABC's. A notable exception was ''Twentieth Century'', which consisted mostly of newsreel archival footage, though even this program used at least some color footage by the late 1960s.

In 1965, CBS telecast a new color version of Rodgers and Hammerstein's ''Cinderella''. This version, starring Lesley Ann Warren and Stuart Damon in the roles formerly played by Julie Andrews and Jon Cypher, was shot on videotape rather than being telecast live, and would become an annual tradition for the next nine years.

In 1967, NBC outbid CBS for the rights to the annual telecast of ''The Wizard of Oz'' and the film moved to NBC. However, the network quickly realized their mistake in allowing what was then one of its prime ratings winners to be acquired by another network, and by 1976, the film was back on CBS, where it remained through the end of 1997. CBS showed it twice in 1991, in March and again the night before Thanksgiving. Thereafter, it was shown the night before Thanksgiving.

1971–86: The "Rural purge" and success in the 1970s

By the end of the 1960s, CBS was broadcasting virtually all of its schedule in color, but many of its shows (including ''The Beverly Hillbillies'', ''Mayberry R.F.D.'', ''Petticoat Junction'', ''Hee Haw'' and ''Green Acres'') were appealing more to older and more rural audiences and less to the young, urban and more affluent audiences that advertisers sought to target. Fred Silverman (who would later head ABC, then NBC) made the decision to cancel most of those otherwise hit shows by mid-1971 in what became colloquially referred to as the "Rural Purge", with ''Green Acres'' star Pat Buttram remarking that the network cancelled "anything with a tree in it."

While the "rural" shows got the axe, new hits, like ''The Mary Tyler Moore Show'', ''All in the Family'', ''M*A*S*H'', ''The Bob Newhart Show'', ''Cannon'', ''Barnaby Jones'', ''Kojak'' and ''The Sonny & Cher Comedy Hour'' took their place and kept CBS at the top of the ratings through the early '70s. The majority of these hits were overseen by then East Coast vice president Alan Wagner. Also, ''60 Minutes'' moved to 7 pm ET on Sundays in 1976 and became an unexpected hit.

Silverman also first developed his strategy of spinning new shows off an established hit while at CBS, with ''Rhoda'' and ''Phyllis'' spun from ''The Mary Tyler Moore Show'', ''Maude'' and ''The Jeffersons'' spun from ''All in the Family'' and ''Good Times'' from ''Maude''.

After Silverman's departure, CBS dropped behind ABC in the 1976–77 season, but still rated strongly, based on its earlier hits and some new ones: ''One Day at a Time'', ''Alice'', ''WKRP in Cincinnati'', ''The Dukes of Hazzard'' (suspiciously "rural") and, the biggest hit of the early '80s, ''Dallas''.

By 1982, ABC had run out of steam, NBC was in dire straits with many failed programming efforts greenlighted by Silverman during his 1978 to 1981 tenure there, and CBS once more nosed ahead, courtesy of ''Dallas'' (and its spin-off ''Knots Landing''), ''Falcon Crest'', ''Magnum, P.I.'', ''Simon & Simon'' and ''60 Minutes''. CBS also broadcast the popular NCAA Men's Division I Basketball Tournament every March beginning in 1982 (taking over for NBC). There were a few new hits – ''Kate & Allie'', ''Newhart'', ''Cagney & Lacey'', ''Scarecrow and Mrs. King'', ''Murder, She Wrote'' – but the resurgence was short-lived. CBS had gone deeply into debt as a result of the failed effort by Ted Turner to take control over CBS. The battle was headed by CBS chairman Thomas Wyman. CBS sold its St. Louis station KMOX-TV and allowed the purchase of a large portion of its shares (under 25 percent) by Loew’s Inc. chairman Lawrence Tisch. Consequently, collaboration between Paley and Tisch led to the slow dismissal of Wyman, Tisch becoming chief operating officer, and Paley returning as chairman.

1986–2002: Tiffany Network in distress

In 1984, ''The Cosby Show'' and ''Miami Vice'' debuted on NBC and grabbed high ratings immediately, bringing that network back to first place by the 1985–1986 season along with other huge hits ''Family Ties'', ''The Golden Girls'', ''LA Law'', and ''227''. ABC had in turn also rebounded with hits like ''Dynasty'', ''Who's the Boss?'', ''Hotel'', and ''Growing Pains''. By the 1988–1989 season, CBS had fallen to third place behind both ABC and NBC, and had some major rebuilding to do.

Ironically, some of the groundwork had been laid as the network fell in the ratings, with hits ''Simon & Simon'', ''Falcon Crest'', ''Murder, She Wrote'', ''Kate & Allie'' and ''Newhart'' still on the schedule from the most recent resurgence, and future hits ''Designing Women'', ''Murphy Brown'', ''Jake and the Fatman'', and ''48 Hours'' having recently debuted. Plus, CBS was still getting decent ratings from ''60 Minutes'', ''Dallas'' and ''Knots Landing''. But the ratings for ''Dallas'' were a far cry from what they were in the early 1980s. During the early 1990s, the network would bolster its sports lineup by adding Major League Baseball telecasts and the Winter Olympics.

Under network president Jeff Sagansky, the network was able to get strong ratings from new shows ''Diagnosis: Murder'', ''Touched by an Angel'', ''Dr. Quinn, Medicine Woman'', ''Walker, Texas Ranger'', and a resurgent ''Jake and the Fatman'' during this period, and CBS was able to reclaim the first place crown briefly, in the 1992–1993 season, though its demographics skewed older than ABC, NBC or even Fox, with its relatively limited presence at that time. In 1993, the network made a breakthrough in establishing a successful late night talk show franchise to compete with NBC's ''Tonight Show'' when it signed David Letterman away from NBC after the ''Late Night'' host was passed over as Johnny Carson's successor on ''Tonight'' in favor of Jay Leno. However, CBS' would soon suffer a major blow in a move that would change American television forever.

In 1993, the fledgling Fox network outbid CBS for the rights to air the National Football League, resulting in several stations switching to Fox. The loss of the NFL, along with an ill-fated effort to court younger viewers, led to a drop in CBS' ratings. The network also dropped its MLB coverage (after losing approximately US$500 million over a four year span) in 1993 and NBC, which already aired the Summer Olympics, took over coverage of the Winter Olympics beginning with the 2002 Games.

Still, CBS was able to produce some hits, such as ''Cosby'', ''The Nanny'', and ''Everybody Loves Raymond'', and would regain the NFL (taking over the American Football Conference package from NBC) in 1998.

2002–present: Return to top spot, rivalry with Fox

Another turning point for CBS came in the summer of 2000 when it debuted the summer reality shows ''Survivor'', and ''Big Brother'' which became surprise summer hits for the network. In January 2001, CBS debuted the second season of the show after its airing of the Super Bowl and scheduled it Thursdays at 8 pm ET, and moved the police procedural ''CSI'' (which had debuted that fall Fridays at 9 pm ET) to Thursdays at 9 pm ET and was both able to chip away at and eventually beat NBC's Thursday night lineup, and attract younger viewers to the network.

CBS has had additional successes with police procedurals ''Cold Case'', ''Without a Trace'', ''Criminal Minds'', ''NCIS'', and ''The Mentalist'', along with ''CSI'' spinoffs ''CSI: Miami'' and ''CSI: NY'', and sitcoms ''Everybody Loves Raymond'', ''The King of Queens'', ''Mike & Molly'', ''Two and a Half Men'', ''How I Met Your Mother'', ''The Big Bang Theory'' and ''The New Adventures of Old Christine''.

During the 2007–08 season, Fox ranked as the top-rated network, primarily due to its reliance on ''American Idol''. However, according to Nielsen, CBS ended up as the top-rated network for the 2008–2009 and 2009–2010 seasons. The two tend to nearly equal one another in the 18–34, 18–49, and 25–54 demographics, although Fox typically wins these by the narrowest of margins.

The conglomerate

During the 1960s, CBS began an effort to diversify, and looked for suitable investments. In 1965, it acquired electric guitar maker Fender from Leo Fender, who agreed to sell his company due to health problems. The purchase also included that of Rhodes electric pianos, which had already been acquired by Fender. This and other acquisitions led to a restructuring of the corporation into various operating groups and divisions; the quality of the products coming out of these acquired companies was extremely lower, hence the term "pre-CBS" (meaning higher, sought after quality) and "CBS" (mass produced lower quality).

In other diversification attempts, CBS would buy (and later sell) sports teams (especially the New York Yankees baseball club), book and magazine publishers (Fawcett Publications including Woman's Day, and Holt, Rinehart and Winston), map-makers, toy manufacturers (Gabriel Toys, Child Guidance, Wonder Products), and other properties.

As William Paley aged, he tried to find the one person who could follow in his footsteps. However, numerous successors-in-waiting came and went. By the mid-1980s, the investor Laurence Tisch had begun to acquire substantial holdings in CBS. Eventually he gained Paley's confidence, and with his support took control of CBS in 1986.

Tisch's sole interest was turning profits. When CBS faltered, under-performing units were given the axe. Among the first properties to go was the Columbia Records group, which had been part of the company since 1938. Tisch also shut down in 1986 the CBS Technology Center in Stamford, which had started in New York City in the 1930s as CBS Laboratories and evolved to be the company's technology Research and development unit.

Columbia Records

Columbia Records was a record label owned by CBS since 1938. In 1962, CBS launched CBS Records to market Columbia recordings outside North America. In 1966, CBS Records was made a separate subsidiary of Columbia Broadcasting System, Inc. CBS sold the CBS Records Group to the Japanese conglomerate Sony in 1988 initiating the Japanese buying spree of US companies (MCA, Pebble Beach Co., Rockefeller Center, Empire State Building, et al.) that continued into the 1990s. The record label company was re-christened Sony Music Entertainment in 1991, as Sony had a short term license on the CBS name.

Sony purchased from EMI its rights to the Columbia Records name outside the US, Canada, Spain and Japan. Sony now uses Columbia Records as a label name in all countries except Japan, where Sony Records remains their flagship label. Sony acquired the Spanish rights when Sony Music merged with Bertelsmann subsidiary BMG in 2004 as Sony BMG, co-owned by Sony and Bertelsmann. Sony bought out BMG's share in 2008.

CBS Corporation revived CBS Records in 2006.

Publishing

CBS entered the publishing business in 1967 by acquiring Holt, Rinehart & Winston, who published trade books, textbooks, and the magazine ''Field & Stream''. The next year, CBS added the medical publisher Saunders to Holt, Rinehart & Winston. In 1971, CBS acquired Bond/Parkhurst, the publisher of ''Road & Track'' and ''Cycle World''.

CBS greatly expanded its magazine business by purchasing Fawcett Publications in 1974, bringing in such magazines as ''Woman's Day''. It acquired the majority of the Ziff Davis publications in 1984.

CBS sold its book publishing businesses in 1985. The educational publishing division, which retained the name Holt, Rinehart & Winston, was sold to Harcourt Brace Jovanovich; the trade book division, renamed Henry Holt and Company, was sold to the West German publisher Holtzbrinck.

CBS exited the magazine business by selling the unit to its executive Peter Diamandis. Diamandis sold the magazines to Hachette Filipacchi Médias in 1988, forming Hachette Filipacchi Media U.S.

CBS Musical Instruments division

Forming the CBS Musical Instruments division, the company also acquired Steinway pianos, Gemeinhardt flutes, Lyon & Healy harps, Rodgers (institutional) organs, Gulbransen home organs, Electro-Music Inc. (Leslie speakers), and Rogers Drums. The last musical purchase was the 1981 acquisition of the assets of then-bankrupt ARP Instruments, developer of electronic synthesizers.

Between 1965 and 1985 the quality of Fender guitars and amplifiers declined significantly. Encouraged by outraged Fender fans, CBS Musical Instruments division executives executed a leveraged buyout in 1985 and created FMIC, the Fender Musical Instrument Corporation. At the same time, CBS divested itself of Rodgers, along with Steinway and Gemeinhardt, all of which were purchased by Steinway Musical Properties. The other musical instruments properties were also liquidated.

Film production

CBS made a brief, unsuccessful move into film production in the late 1960s, creating Cinema Center Films. This profit-free unit was shut down in 1972; today the distribution rights to the Cinema Center library rest with Paramount Pictures for home video (via CBS Home Entertainment) and theatrical release, and with CBS Paramount Television for TV distribution (most other ancillary rights remain with CBS). It released such films as ''The Reivers'' (1969), starring Steve McQueen, and the musical ''Scrooge'' (1970), starring Albert Finney.

Yet ten years later, in 1982, CBS took another try at Hollywood, in a joint venture with Columbia Pictures and HBO called TriStar Pictures. Despite releasing such box office successes as ''The Natural'', ''Places in the Heart'', and ''Rambo: First Blood Part II'', CBS felt the studio was not making a profit and in 1985, sold its stake in TriStar to The Coca-Cola Company, Columbia Pictures' owner at the time.

In 2007, CBS Corp. announced its desire to get back into the feature film business slowly launching CBS Films and hiring key executives in the Spring of 2008 to startup the new venture. The name CBS Films was actually used once before in 1953 when the name was briefly used for CBS's distributor of off-network and first-run syndicated programming to local TV stations in the United States and abroad.

Home video

CBS entered into the home video market, when joined with MGM to form MGM/CBS Home Video in 1978, but the joint venture was broken by 1982. CBS joined another studio: 20th Century Fox, to form CBS/Fox Video. CBS's duty was to release some of the movies by TriStar Pictures under the CBS/Fox Video label.

Gabriel Toys

CBS entered the video game market briefly, through its acquisition of Gabriel Toys (renamed CBS Toys), publishing several arcade adaptations and original titles under the name "CBS Electronics", for the Atari 2600, and other consoles and computers, also producing one of the first karaoke recording/players. CBS Electronics also distributed all Coleco-related video game products in Canada, including the ColecoVision. CBS later sold Gabriel Toys to View-Master, which eventually ended up as part of Mattel.

Venture to the UK

On September 14, 2009, it was revealed that the international arm of CBS, CBS Studios International, struck a joint venture deal with Chellomedia to launch six CBS-branded channels in the UK during 2009. The new channels would replace Zone Romantica, Zone Thriller, Zone Horror and Zone Reality, plus timeshift services Zone Horror +1 and Zone Reality +1. On October 1, 2009, it was announced that CBS Reality, CBS Reality +1, CBS Drama and CBS Action would launch on November 16, 2009 replacing Zone Reality, Zone Reality +1, Zone Romantica and Zone Thriller respectively. On April 5, 2010, Zone Horror and Zone Horror +1 were rebranded as Horror Channel and Horror Channel +1.

New owners

By the early 1990s, profits had fallen as a result of competition from cable companies, video rentals, and the high cost of programming. About 20 former CBS affiliates switched to the rapidly rising Fox Television Network in the mid 1990s, while many television markets across the country (e.g. KDFX in Palm Springs, California and KECY in Yuma, Arizona reportedly the first to do so in August 1994) lost their CBS affiliate for awhile. CBS ratings were acceptable, but the network struggled with an image of stodginess. Laurence Tisch lost interest and sought a new buyer.

Westinghouse Electric Corporation

In 1995, Westinghouse Electric Corporation acquired CBS for $5.4 billion. As one of the major broadcasting group owners of commercial radio and television stations (as Group W) since 1920, Westinghouse sought to transition from a station operator into a major media company with its purchase of CBS. This was followed in 1997 with the $4.9-billion purchase of Infinity Broadcasting Corporation, owner of more than 150 radio stations. Also that year, Westinghouse began the CBS Cable division by acquiring two existing cable channels (Gaylord's The Nashville Network and Country Music Television) and starting a new one (CBS Eye on People, which was later sold to Discovery Communications).

Following the Infinity purchase, operation and sales responsibilities for the CBS Radio Network was handed to Infinity, which turned management over to Westwood One, a company Infinity managed. WWO is a major radio program syndicator that had previously purchased the Mutual Broadcasting System, NBC's radio networks and the rights to use the "NBC Radio Networks" name. For a time, CBS Radio, NBC Radio Networks and CNN's radio news services were all under the WWO umbrella.

, Westwood One continues to distribute CBS radio programming, but as a self-managed company that put itself up for sale and found a buyer for a significant amount of its stock.

CBS also owned CBS Telenoticias, a Spanish-language news network.

In that same year of 1997, Westinghouse changed its name to CBS Corporation, and corporate headquarters were moved from Pittsburgh to New York. And to underline the change in emphasis, all non-entertainment assets were put up for sale. Another 90 radio stations were added to Infinity's portfolio in 1998 with the acquisition of American Radio Systems Corporation for $2.6 billion.

In 1999, CBS paid $2.5 billion to acquire King World Productions, a television syndication company whose programs include ''The Oprah Winfrey Show'', ''Jeopardy!'' and ''Wheel of Fortune''. By the end of 1999, all pre-CBS elements of Westinghouse's industrial past (beyond retaining rights to the name for brand licensing purposes) were gone.

Viacom

By the 1990s, CBS had become a broadcasting giant, but in 1999 entertainment conglomerate Viacom, a company created years earlier to syndicate old CBS series, announced it was taking over CBS in a deal valued at $37 billion. Following completion of this effort in 2000, Viacom was ranked as the second-largest entertainment company in the world.

CBS Corporation and CBS Studios

Having assembled all the elements of a communications empire, Viacom found that the promised synergy was not there, and at the end of 2005 it split itself in two. CBS became the center of a new company, CBS Corporation, which included the broadcasting elements, Paramount Television's production operations (renamed CBS Television Studios), UPN (which later merged with Time Warner's The WB into The CW), Viacom Outdoor advertising (renamed CBS Outdoor), Showtime, Simon & Schuster, and Paramount Parks, which the company sold in May 2006. It is the legal successor to the old Viacom.

The second company, keeping the Viacom name, kept Paramount Pictures, assorted MTV Networks, BET, and, until May 2007, Famous Music, which was sold to Sony/ATV Music Publishing.

As a result of the aforementioned Viacom/CBS corporate split, as well as other acquisitions over recent years, CBS (under the moniker CBS Studios) owns a massive television library spanning over six decades; these include not only CBS in-house productions and network programs, but also programs aired originally on competing networks. Shows in this library include ''I Love Lucy'', ''The Twilight Zone'', ''The Honeymooners'', ''Hawaii Five-O'', ''Gunsmoke'', ''The Fugitive'', ''Little House on the Prairie'' (US TV rights only), ''Star Trek'', ''The Brady Bunch'', ''Cheers'', ''The Young Indiana Jones Chronicles'', ''Evening Shade'', ''Duckman'' and ''CSI: Crime Scene Investigation'' and its spin-offs, among others.

Both CBS Corporation and the new Viacom are still owned by Sumner Redstone's company, National Amusements. As such, Paramount Home Entertainment continues to handle DVD distribution for the CBS library.

Coverage and availability

ACNielsen estimated in 2003 that CBS can be seen in 96.98% of all American households, reaching 103,421,270 homes in the United States. CBS has 204 VHF and UHF affiliated stations in the U.S. and U.S. possessions. CBS is also carried on cable television across Canada, via its affiliates, as well as in Bermuda, via local affiliate ZBM-TV.

Logos and slogans

CBS unveiled its Eye Device logo on October 17, 1951. Before that, from the 1940s through 1951, CBS Television used an oval spotlight on the block letters C-B-S. The Eye device was conceived by William Golden based on a Pennsylvania Dutch hex sign as well as a Shaker drawing. (While commonly attributed to Golden, there is speculation that at least some design work on the symbol may have been done by another CBS staff designer, Georg Olden, one of the first African-Americans to attract some attention in the postwar graphic design field.) The Eye device made its broadcasting debut on October 20, 1951. The following season, as Golden prepared a new "ident", CBS President Frank Stanton insisted on keeping the Eye device and using it as much as possible. (Golden died unexpectedly in 1959, and was replaced by one of his top assistants, Lou Dorfsman, who would go on to oversee all print and on-air graphics for CBS for the next thirty years.)

An example of CBS Television Network's imaging (and the distinction between the television and radio networks) may be seen in a video of ''The Jack Benny Program'' from 1953; the video appears to be converted from kinescope, and "unscoped" or unedited. One sees the program very nearly as one would have seen it live on CBS. Don Wilson is the program announcer, but also voices a promo for ''Private Secretary'', which starred Ann Sothern and alternated weekly with Jack Benny on the CBS schedule. Benny continued to appear on CBS radio and television at that time, and Wilson makes a promo announcement at the end of the broadcast for Benny's radio program on the CBS Radio Network. The program closes with the "CBS Television Network" ID slide (the "CBS eye" over a field of clouds with the words "CBS Television Network" superimposed over the eye). There is, however, no voiceover accompanying the ID slide. It is unclear whether it was simply absent from the recording or never originally broadcast.

The CBS eye is now an American icon. While the symbol's settings have changed, the Eye device itself has not been redesigned in its entire history. In the network's new graphic identity created by Trollbäck + Company in 2006, the eye is being placed in a "trademark" position on show titles, days of the week and descriptive words, an approach highly respecting the value of the eye. The eye logo has frequently been copied or borrowed by television networks around the world, notable examples being the Austrian Broadcasting System (ORF) which used to use a red version of the eye logo, Associated TeleVision in the United Kingdom, Frecuencia Latina in Peru, Nippon Television in Japan and Rede Bandeirantes in Brazil. The logo is alternately known as the ''Eyemark'', which was also the name of CBS's domestic and international syndication divisions in the mid-to-late 1990s before the King World acquisition and Viacom merger.

1980s

Through the years, CBS has developed several notable image campaigns, and several of the network's most well-known slogans date from the 1980s. 1981's "Reach for the Stars" used a space-themed campaign to capitalize on both CBS's stellar improvement in the ratings and the historic launch of the space shuttle Columbia. 1982s "Great Moments" juxtaposed scenes from classic CBS programming such as ''I Love Lucy'' with scenes from the network's then-current classics such as ''Dallas'' and ''M*A*S*H''. From 1983 through 1986, CBS (by now firmly atop the ratings) featured a campaign based on the slogan "We've Got the Touch". Vocals for the campaign's jingle were contributed by Richie Havens (1983–84 and 1984–85), Aaron Neville (1984–85) and Kenny Rogers (1985–86). The 1986–87 programming season ushered in the "Share the Spirit of CBS" campaign, the network's first to use full-out computer graphics and DVE effects. Unlike most network campaign promos, the full length version of Share the Spirit not only showed a brief clip preview of each new fall series, but also utilized the CGI effects to map out the entire fall schedule by night. The success of that campaign led to the 1987–88 "CBSpirit" campaign. Most CBSpirit promos utilized a procession of show clips once again. However, the new graphic motif was a swirling (or "swishing") blue line, that was used to represent "the spirit". The full length promo, like the previous year, had a special portion that identified new fall shows, but the mapped-out fall schedule shot was abandoned.

For the 1988–89 season, CBS unveiled its new image campaign, officially known as "Television You Can Feel" but more commonly identified as "You Can Feel It On CBS". The goal was to convey a more sensual, new-age image through distinguished, advanced-looking computer graphics and soothing music, backgrounding images and clips of emotionally powerful scenes and characters. However, it was this season in which CBS began its ratings free fall, the deepest in the network's history. CBS ended the decade with "Get Ready for CBS". The 1989–90 version was a very ambitious campaign that attempted to elevate CBS out of last place (among the major networks); the motif was network stars interacting with each other in a remote studio set, getting ready for photo and TV shoots, as well as for the new season on CBS. The high-energy promo song and the campaign's practices saw many variations across the country as every CBS affiliate participated in it, as per a network mandate. Also, for the first time in history, CBS became the first broadcast network to team with a national retailer to encourage viewership, with the CBS/Kmart Get Ready Giveaway.

1990s

For the 1990–91 season, the campaign featured a new jingle—The Temptations offered an altered version of their hit "Get Ready". The early 1990s featured less-than-memorable campaigns, with simplified taglines such as "This is CBS" (1992) and "You're On CBS" (1995). Eventually, the advertising department gained momentum again late in the decade with ''Welcome Home to a CBS Night '' (1996–1997), simplified to ''Welcome Home'' (1997–1999) and succeeded by the spin-off campaign ''The Address is CBS'' (1999–2000).

2000s

Throughout the first decade of the 21st century, CBS's ratings resurgence was backed by their "It's All Here" campaign, and their strategy led, in 2005, to the proclamation that they were "America's Most Watched Network". Their most recent campaign, beginning in 2006, proclaims "We Are CBS" with the voice of Don LaFontaine. , the network has shifted to a campaign entitled "Only CBS" in which the network proclaims several unique qualities it has. In 2011, CBS returned to the usage of "America's Most Watched Network".

Promos

Especially during the 1960s, the three major networks, NBC, CBS and ABC, would show elaborate promos during the summer months of their upcoming fall schedule of that year. In 1961, CBS took the unusual step of airing a program entitled ''CBS Fall Preview Special: Seven Wonderful Nights'', using, not the usual television voiceovers, but stars of several CBS shows to promote the upcoming shows, stars such as Ed Sullivan (''The Ed Sullivan Show''), Rod Serling (''The Twilight Zone''), and Raymond Burr and Barbara Hale (''Perry Mason''). The stars would appear and show previews of the entire lineup for one specific day of the week.

Programming

As of fall 2010, CBS operates on an 87½-hour regular network programming schedule. It provides 22 hours of prime time programming to affiliated stations: 8–11 p.m. Monday to Saturday (all times ET/PT) and 7–11 p.m. on Sundays. Programming is also provided 10 am–3 p.m. weekdays (game shows ''The Price Is Right'' and ''Let's Make a Deal'', soaps ''The Young and the Restless'' and ''The Bold and the Beautiful'', and talk show ''The Talk''); 7–9 a.m. weekdays and Saturdays (''The Early Show''); ''CBS News Sunday Morning'', nightly editions of the ''CBS Evening News'', the Sunday political talk show ''Face the Nation'', a 2½-hour early morning news program ''Up to the Minute'' and ''CBS Morning News''; the late night talk shows ''Late Show with David Letterman'' and ''The Late Late Show with Craig Ferguson''; and a three-hour Saturday morning live-action/animation block under the name ''Cookie Jar TV''.

In addition, sports programming routinely appears on the weekends, although with a somewhat unpredictable schedule (mostly between noon and 7:00 pm ET).

Daytime

CBS's daytime schedule is the home of the popular long-running game show ''The Price Is Right''. ''The Price is Right'', which began production in 1972, is notable as the longest continuously running daytime game show on network television. After being hosted by Bob Barker for 35 years, the show has been hosted by actor/comedian Drew Carey since 2007. The network is also home to a new version of the classic game show ''Let's Make a Deal'', hosted by singer/comedian Wayne Brady. As of 2011, CBS is the only network still producing daytime game shows.

CBS introduced a new talk show titled ''The Talk'' on October 18, 2010. The show is similar to ABC's ''The View'' with a panel of hosts including Julie Chen, Sara Gilbert, Sharon Osbourne, Holly Robinson Peete and Leah Remini. The show addresses motherhood and other contemporary issues in a candid environment.

, CBS Daytime airs two daytime soap operas each weekday: the hourlong series ''The Young and the Restless'' and the half-hour series ''The Bold and the Beautiful''. CBS has generally aired the most soap operas of the Big Three networks (it aired 3½ hours of soap operas from 1982 to 2009, more than NBC and as many or more than ABC in that time frame), though as of 2011 it is behind ABC, which is still airing three hours of soaps; CBS will surpass ABC in 2012 when it cancels two of its three remaining soap operas.

Notable daytime soaps that once aired on CBS include ''As the World Turns'' (1956–2010), ''Guiding Light'' (1952–2009), which began on radio in 1937, ''Love of Life'' (1951–80), ''Search for Tomorrow'' (1951–82), which later moved to NBC, ''The Secret Storm'' (1954–1974), ''The Edge of Night'' (1956–75), which later moved to ABC, and ''Capitol'' (1982–87).

Notable daytime game shows that once aired on CBS include ''Match Game'' (1973–79), ''Tattletales'' (1974–78 and 1982–84), ''The $10/25,000 Pyramid'' (1973–74 and 1982–88), ''Press Your Luck'' (1983–86), ''Card Sharks'' (1986–89), ''Family Feud'' (1988–93), and ''Wheel of Fortune'' (1989–1991). CBS games that also aired in prime time include ''Beat the Clock'' (1950–58 and 1979–80), ''To Tell the Truth'' (1956–68) and ''Password'' (1961–67, and a 2008 prime time revival). Two long-running primetime-only games were the panel shows ''What's My Line?'' (1950–67) and ''I've Got a Secret'' (1952–68, 1976).

Children's programming

CBS broadcast the live action series ''Captain Kangaroo'' on weekday mornings from 1955 through 1982, and on Saturdays through 1984. From 1971 through 1986, the CBS News department produced one-minute ''In the News'' segments broadcast between other Saturday morning programs. Otherwise, in regards to children's programming, CBS has aired mostly animated series for kids, such as reruns of ''Mighty Mouse'' cartoons (from the 1950's to the 1980's) reruns of ''Bugs Bunny'' cartoons, the original version of ''Scooby-Doo'', ''Jim Henson's Muppet Babies'', ''Garfield and Friends'' and ''Teenage Mutant Ninja Turtles''. In 1997, CBS began broadcasting ''Wheel 2000'', and was broadcasting it simultaneously with GSN.

In September 1998, CBS began contracting out to other companies to provide programming and material for their Saturday morning schedule. The first of these special blocks was ''CBS Kidshow'', which featured programming from Canada's Nelvana studio. It aired on CBS Saturday mornings from 1998 to 2000, with shows like ''Anatole'', ''Mythic Warriors,'' ''Rescue Heroes'', and ''Flying Rhino Junior High''. Its tagline was, ''"The CBS Kids Show: Get in the Act."''

In 2000, CBS's deal with Nelvana ended. They then began a deal with Nickelodeon (owned by CBS's former parent company Viacom, which at one time was a subsidiary of CBS) to air its Nick Jr. programming under the banner ''Nick Jr. on CBS''. From 2002 to 2004, Nick's non-preschool series aired on it as well, under the name ''Nick on CBS''.

In 2006, after the Viacom-CBS split (as described above), CBS decided to discontinue the Nick Jr. lineup in favor of a lineup of programs produced by DIC Entertainment and later, the Cookie Jar Group, as part of a three-year deal which includes distribution of selected Formula One auto races on tape delay. ''KOL Secret Slumber Party on CBS'' premiered in September of that year; in the inaugural line-up, two of the programs were new shows, one aired in syndication in 2005 and three were pre-2006 shows. In mid-2007, KOL withdrew sponsorship from CBS's Saturday Morning Block and the name was changed to ''KEWLopolis on CBS''. Complimenting CBS's 2007 line-up was ''Care Bears'', ''Strawberry Shortcake'', and ''Sushi Pack''. On February 24, 2009, it was announced that CBS renewed its contract with Cookie Jar for another three seasons, through 2012. On September 19, 2009, KEWLopolis has been changed into ''Cookie Jar TV''.

Animated primetime holiday specials

CBS was the original broadcast network for the animated primetime holiday specials based on the comic strip ''Peanuts'', beginning with ''A Charlie Brown Christmas'' in 1965. Over thirty holiday Peanuts specials (each for a specific holiday such as Halloween) were broadcast on CBS from that time until 2000, when ABC acquired the broadcast rights. CBS also aired several primetime animated specials based on the work of ''Dr. Seuss'' (Theodor Geisel), beginning with ''How the Grinch Stole Christmas'' in 1966, as well as several specials based on the comic strip ''Garfield'' over the course of the 1980s (which led to Garfield getting his own Saturday morning cartoon on the network, ''Garfield and Friends'', from 1988 to 1995). ''Rudolph the Red-Nosed Reindeer'', produced in stop motion by the Rankin/Bass studio, has been another annual holiday staple of CBS since 1972, but that special originated on NBC in 1964. As of 2011, ''Rudolph'' and ''Frosty the Snowman'' are the only two pre-1990 animated specials remaining on CBS; ''Charlie Brown'' and ''The Grinch'' moved to ABC, while cable network ABC Family owns the ''Garfield'' specials.

All of these animated specials, from 1973 until 1990, began with a fondly remembered opening animated logo which showed the words "A CBS Special Presentation" in colorful lettering. The word "SPECIAL", repeated in multiple colors, slowly zoomed out from the frame in a spinning counterclockwise motion against a black background, and rapidly zoomed back into frame as a single word, in white, at the end; the logo was accompanied by a jazzy yet majestic up-tempo fanfare (believed to be incidental music from the CBS crime drama ''Hawaii Five-O'') with dramatic horns and percussion (this appeared at the beginning of all CBS specials of the period (such as the Miss USA pageants and the annual Kennedy Center Honors presentation), not just animated ones). (This opening logo was presumably designed by, or under the supervision of, longtime CBS creative director Lou Dorfsman, who oversaw print and on-air graphics for CBS for nearly thirty years, replacing William Golden, who died in 1959.)

Classical music specials

CBS was also responsible for telecasting the series of ''Young People's Concerts'' conducted by Leonard Bernstein. Telecast every few months between 1958 and 1972, first in black-and-white and then switching to color in 1966, these programs introduced millions of children to classical music through the eloquent commentaries by Maestro Bernstein. They were nominated for several Emmy Awards, and were among the first programs ever broadcast from Lincoln Center for the Performing Arts.

Over the years, CBS has broadcast three different productions of Tchaikovsky's famous ballet ''The Nutcracker'' – two live telecasts of the George Balanchine New York City Ballet production in 1957 and '58 respectively, a little-known German-American filmed production in 1965 (which was subsequently repeated three times and starred Edward Villella, Patricia McBride, and Melissa Hayden), and beginning in 1977, the Baryshnikov staging of the ballet, starring the Russian dancer along with Gelsey Kirkland – a version that would become a television classic, and remains so today. This production later moved to PBS.

In April 1986, CBS presented a slightly abbreviated version of ''Horowitz in Moscow'', a live piano recital by Vladimir Horowitz, arguably the greatest pianist of the 20th century. It marked Horowitz's return to Russia after more than sixty years. The program was shown as an episode of the series ''CBS News Sunday Morning'' (9:00 am in the U.S. is 4:00 pm in Russia). It was so successful that CBS repeated it a mere two months later by popular demand, this time on videotape, rather than live. In later years, the program was shown as a stand-alone special on PBS, and the current DVD of it omits the Charles Kuralt commentary, but includes additional selections not heard on the CBS telecast.

In 1986, CBS telecast ''Carnegie Hall: The Grand Reopening'' in primetime, in what was now a rare move for a commercial network station, since most primetime classical music specials were now relegated to PBS and A&E;. The program was a concert commemorating the re-opening of Carnegie Hall after its complete renovation. It featured, along with luminaries such as Leonard Bernstein, popular music artists such as Frank Sinatra.

International broadcasts

CBS programs are shown outside the US. For instance, CBS News is shown for a few hours a day on satellite channel Orbit News in Europe, Africa and the Middle East. ''The CBS Evening News'' is shown in the UK, Ireland, Australia, New Zealand and Italy on Sky News, despite the fact that Sky is part of News Corporation (owners of Fox News Channel).

In the UK, CBS took over 6 of Chello Zone's channels in 2009. These were the first channels branded CBS outside the US. The channels are called CBS Action, CBS Drama, and CBS Reality, while CBS Reality has a timeshifted (+1) channel as well. Other channels as part of the deal are The Horror Channel and its timeshifted channel.

In Australia, Network Ten has an output deal with CBS Paramount giving them rights to carry the programs ''Jericho'', ''Dr. Phil'', ''Late Show with David Letterman'', ''NCIS'' and ''Numb3rs'' as well access to stories from ''60 Minutes'' (the rights of which have been sold to the Nine Network which broadcasts their own ''60 Minutes'').

In Bermuda, there is a CBS affiliate owned by the state-run Bermuda Broadcasting Company using the callsign ZBM.

In Canada, CBS, like all major American TV networks, is carried in the basic program package of all cable and satellite providers. The broadcast is shown almost exactly the same in Canada as in the United States. However, CBS's programming on Canadian cable and satellite systems are subject to the practice of "simsubbing", in which a signal of a Canadian station is placed over CBS's signal, if the programming at that time is the same. As well, many Canadians live close enough to a major American city to pick up the over the air broadcast signal of an American CBS affiliate with an antenna.

In Hong Kong, ''The CBS Evening News'' is aired live in the early morning and the local networks have an agreement to rebroadcast sections 12 hours later to fill up the local news programs when they have insufficient content to report.

''The CBS Evening News'' is seen in the Philippines via satellite on Q-TV (a sister network of broadcaster GMA Network) while ''The Early Show'' is shown in that country on the Lifestyle Network. Studio 23 and Maxx, channels owned by broadcaster ABS-CBN in the Philippines show ''The Late Show with David Letterman''.

In India CBS is affiliated with a set of CBS-branded channels, including Prime Big CBS and Love Big CBS.

Controversy

In 1995, CBS refused to air a segment of ''60 Minutes'' that would have featured an interview with a former president of research and development for Brown & Williamson, the nation's third largest tobacco company. The controversy raised questions about the legal roles in decision making and whether journalistic standards should be compromised despite legal pressures and threats. The decision nevertheless sent shock waves throughout the television industry, the journalism community, and the country. This incident was the basis for the 1999 film by Michael Mann, ''The Insider''.

In 2001, Bernard Goldberg, who was a reporter with CBS for 28 years, had his book, ''Bias: A CBS Insider Exposes How the Media Distort the News'', published. This book heavily criticized the media, and some CBS reporters and news anchors in particular, such as Dan Rather. Goldberg accused CBS of having a liberal bias in most of their news.

In 2004, the FCC imposed a record $550,000 fine on CBS for its broadcast of a Super Bowl half-time show (produced by then sister-unit MTV) in which singer Janet Jackson's breast was briefly exposed. It was the largest fine ever for a violation of federal decency laws. Following the incident CBS apologized to its viewers and denied foreknowledge of the event, which was broadcast live on TV. In 2008, a Philadelphia federal court annulled the fine imposed on CBS, labelling it "arbitrary and capricious".

CBS aired a controversial episode of ''60 Minutes'', which questioned U.S. President George W. Bush's service in the National Guard. Following allegations of forgery, CBS News admitted that documents used in the story had not been properly authenticated. The following January, CBS fired four people connected to the preparation of the news-segment. Former network news anchor Dan Rather filed a $70 million lawsuit against CBS in 2007, contending the story, and his termination, were mishandled. Parts of the suit were dismissed in 2008, the suit was dismissed, and his motion to appeal was denied in 2010.

In 2006, CBS announced it would air only three of its NFL games per week in high definition. The move created some outrage among fans, with some accusing the network of being "cheap."

In 2007, retired Army Major Gen. John Batiste, consultant to CBS News, appeared in a political ad for VoteVets.org critical of President Bush and the war in Iraq. Two days later, CBS stated that appearing in the ad violated Batiste's contract with them and the agreement was terminated.

See also

CBS Cable, the company's early (and abortive) foray into cable broadcasting.

CBS Daytime

CBS Interactive

CBS Kidshow

CBS Mobile

CBS News

CBS Radio

CBS Radio Network

CBS Sports

CBS Studio Center

CBS Television City

CBS Television Distribution

CBS Television Stations

CBS Productions

Cookie Jar TV

The CW Television Network

History of CBS

List of assets owned by CBS

List of CBS affiliates, arranged by market

List of CBS affiliates, arranged by state

List of programs broadcast by CBS

List of shows previously aired by CBS

Westmoreland v. CBS

Notes

References

Further reading

External links

CBS Eye-dentity Logo Guidelines website

Category:Article Feedback Pilot Category:1927 establishments in the United States Category:American television networks CBS television network Category:Companies established in 1927 Category:New York Yankees owners Category:Orphan initialisms Category:Peabody Award winners Category:CBS Corporation subsidiaries

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name	David Letterman
pseudonym	Earl Hofert
birth date	April 12, 1947
birth place	Indianapolis, Indiana, U.S.
medium	Stand-up, talk show
nationality	American
genre	Observational comedy, surreal humor, deadpan
subject	Self-deprecation, everyday life
influences	Steve Allen, Johnny Carson, Jack Paar, Paul Dixon
influenced
website	CBS.com/latenight/lateshow
active	1974–present
domesticpartner	Regina Lasko (1986-2009)
spouse	Michelle Cook (1969–1977)Regina Lasko (2009–present)
Religion	Lutheran
notable work	Host of ''Late Night with David Letterman'' (NBC)Host of ''Late Show with David Letterman'' (CBS)
signature	David Letterman Autograph.svg

}} David Michael Letterman (born April 12, 1947) is an American television host and comedian. He hosts the late night television talk show, ''Late Show with David Letterman'', broadcast on CBS. Letterman has been a fixture on late night television since the 1982 debut of ''Late Night with David Letterman'' on NBC. Letterman recently surpassed friend and mentor Johnny Carson for having the longest late-night hosting career in the United States.

Letterman is also a television and film producer. His company Worldwide Pants produces his show as well as its network follow-up ''The Late Late Show with Craig Ferguson''. Worldwide Pants has also produced several prime-time comedies, the most successful of which was ''Everybody Loves Raymond'', currently in syndication.

In 1996, David Letterman was ranked #45 on TV Guide's 50 Greatest TV Stars of All Time.

Early life and career

Letterman was born in Indianapolis, Indiana. His father, Harry Joseph Letterman (April 1915 – February 1973), was a florist of British descent; his mother Dorothy Letterman (''née'' Hofert, now Dorothy Mengering), a Presbyterian church secretary of German descent, is an occasional figure on the show, usually at holidays and birthdays.

Letterman lived on the north side of Indianapolis (Broad Ripple area), not far from Speedway, IN, and the Indianapolis Motor Speedway, and he enjoyed collecting model cars, including racers. In 2000, he told an interviewer for ''Esquire'' that, while growing up, he admired his father's ability to tell jokes and be the life of the party. Harry Joseph Letterman survived a heart attack at age 36, when David was a young boy. The fear of losing his father was constantly with Letterman as he grew up. The elder Letterman died of a second heart attack at age 57.

Letterman attended his hometown's Broad Ripple High School at the same time as Marilyn Tucker Quayle (wife of the former Vice President) and worked as a stock boy at the local Atlas supermarket. According to the ''Ball State Daily News'', he originally had wanted to attend Indiana University, but his grades weren't good enough, so he decided to attend Ball State University, in Muncie, Indiana. He is a member of the Sigma Chi Fraternity, and he graduated from what was then the Department of Radio and Television, in 1969. A self-described average student, Letterman endowed a scholarship for what he called "C students" at Ball State.

Though he registered for the draft and passed his physical after graduating from college, he was not drafted for service in Vietnam due to receiving a draft lottery number of 352 (out of 365).

Letterman began his broadcasting career as an announcer and newscaster at the college's student-run radio station—WBST—a 10-watt campus station which now is part of Indiana Public Radio. He was fired for treating classical music with irreverence.

Letterman then became involved with the founding of another campus station—WAGO-AM 570 (now WWHI, 91.3).

Letterman credits Paul Dixon—host of the ''Paul Dixon Show'', a Cincinnati-based talk show also shown in Indianapolis while Letterman was growing up—for inspiring his choice of career: :"I was just out of college [in 1969], and I really didn't know what I wanted to do. And then all of a sudden I saw him doing it [on TV]. And I thought: That's really what I want to do!"

Weatherman

Letterman began his career as a radio talk show host on WNTS (AM), and on Indianapolis television station WLWI (now called WTHR) as a local anchor and weatherman. He received some attention for his unpredictable on-air behavior, which included congratulating a tropical storm for being upgraded to a hurricane and predicting hail stones "the size of canned hams." He would also occasionally report the weather and the day's very high and low temps for fictitious cities ("Eight inches of snow in Bingree and surrounding areas.") while on another occasion saying that a state border had been erased. ("From space you can see the border between Indiana and Ohio has been erased. I'm not in favor of this.") He also starred in a local kiddie show, made wisecracks as host of a late night TV show called "Freeze-Dried Movies" (he once acted out a scene from "Godzilla" using plastic dinosaurs), and hosted a talk show that aired early on Saturday mornings called "Clover Power," in which he interviewed 4-H members about their projects.

In 1971, Letterman appeared as a pit road reporter for ABC Sports' tape-delayed coverage of the Indianapolis 500. David is initially introduced as Chris Economaki in his job as a corner reporter. He interviews Mario Andretti who has just crashed out of the race and asks him a question about traffic on the course.

Move to Los Angeles

In 1975, encouraged by his then-wife Michelle and several of his Sigma Chi fraternity brothers, Letterman moved to Los Angeles, California, with hope of becoming a comedy writer. He started off by writing material for comedian Jimmie Walker. He also began performing stand-up comedy at The Comedy Store, a proving ground for unknown comics.

Letterman appeared in the summer of 1977 on the short-lived ''Starland Vocal Band Show''. He has since joked about how fortunate he was that nobody would ever see his performance on the program (due to its low ratings).

Letterman had a stint as a cast member on Mary Tyler Moore's variety show, ''Mary''; a guest appearance on ''Mork & Mindy'' (as a parody of EST leader Werner Erhard); and appearances on game shows such as ''The $20,000 Pyramid'', ''The Gong Show'', ''Password Plus'' and ''Liar's Club''. He also hosted a 1977 pilot for a game show entitled ''The Riddlers'' that was never picked up. He was also screen tested for the lead role in ''Airplane!'', a role that eventually went to Robert Hays.

His dry, sarcastic humor caught the attention of scouts for ''The Tonight Show Starring Johnny Carson'', and Letterman was soon a regular guest on the show. Letterman became a favorite of Carson's and was a regular guest host for the show beginning in 1978. Letterman credits Carson as the person who influenced his career the most.

NBC

Morning show

On June 23, 1980, Letterman was given his own morning comedy show on NBC, ''The David Letterman Show''. It was originally 90 minutes long, but was shortened to 60 minutes in August 1980. The show was a critical success, winning two Emmy Awards, but was a ratings disappointment and was canceled in October 1980.

''Late Night with David Letterman''

NBC kept Letterman under contract to try him in a different time slot. ''Late Night with David Letterman'' debuted February 1, 1982; the first guest on the first show was Bill Murray. Murray also guested on January 31, 2012 - 30 years later. The show ran Monday through Thursday at 12:30 a.m. Eastern Time, immediately following ''The Tonight Show Starring Johnny Carson'' (a Friday night broadcast was added in June 1987. It was seen as being edgy and unpredictable, and soon developed a cult following (particularly among college students). Letterman's reputation as an acerbic interviewer was borne out in verbal sparring matches with Cher (who even called him an asshole on the show), Shirley MacLaine, Charles Grodin, and Madonna. The show also featured comedy segments and running characters, in a style heavily influenced by the 1950s and '60s programs of Steve Allen. Although Ernie Kovacs is often cited as an influence on the show, Letterman has denied this.

The show often featured quirky, genre-mocking regular features, including "Stupid Pet Tricks", dropping various objects off the roof of a five-story building, demonstrations of unorthodox clothing (such as suits made of Alka-Seltzer, Velcro and suet), a recurring Top 10 list, the Monkey-Cam (and the Audience Cam), and a facetious letter-answering segment. The Top 10 list, several "Film[s] by My Dog Bob" in which a camera was mounted on Letterman's own dog (often with comic results), Stupid Human Tricks, Small Town News, and Stupid Pet Tricks (which had its origins on Letterman's morning show) all eventually moved with Letterman to CBS.

Other memorable moments included Letterman using a bullhorn to interrupt a live interview on ''The Today Show'', announcing that he was the NBC president while not wearing any pants; interrupting Al Roker on WNBC-TV's broadcast of ''Live at Five'' by walking into their studio (which occupied the same floor of 30 Rockefeller Plaza as Letterman's studio); and staging "elevator races", complete with commentary by NBC Sports' Bob Costas. In one infamous appearance, in 1982, Andy Kaufman (who was already wearing a neck brace) appeared to be slapped and knocked to the ground by professional wrestler Jerry Lawler (though Lawler and Kaufman's friend Bob Zmuda later revealed that the event was staged.) In another memorable exchange, sex expert Dr. Ruth Westheimer included cucumbers in a list of handy sex objects that women could find at home. The following night, guest Ted Koppel asked Letterman "May I insert something here?" and Dave responded "OK, as long as it's not a cucumber."

''Late Show with David Letterman''

In 1992, Johnny Carson retired, and many fans believed that Letterman would become host of ''The Tonight Show''. When NBC instead gave the job to Jay Leno, Letterman departed NBC to host his own late-night show on CBS, opposite ''The Tonight Show'' at 11:30 p.m., called the ''Late Show with David Letterman''. The new show debuted on August 30, 1993 and was taped at the historic Ed Sullivan Theater, where Ed Sullivan taped his eponymous variety series from 1948 to 1971. For Letterman's arrival, CBS spent $8 million in renovations. In addition to that cost, CBS also signed Letterman to a lucrative three-year, $14 million/year contract, doubling his ''Late Night'' salary. The total cost for everything (renovations, negotiation right paid to NBC, signing Letterman, announcer Bill Wendell, Shaffer, the writers and the band) was over $140 million.

But while the expectation was that Letterman would retain his unique style and sense of humor with the move, ''Late Show'' was not an exact replica of his old NBC program. Recognizing the more formal mood (and wider audience) of his new time slot and studio, Letterman eschewed his trademark blazer with khaki pants and white sneakers wardrobe combination in favor of expensive shoes, tailored suits and light-colored socks. The monologue was lengthened and Paul Shaffer and the "World's Most Dangerous Band" followed Letterman to CBS, but they added a brass section and were rebranded the "CBS Orchestra" as a short monologue and a small band were mandated by Carson while Letterman occupied the 12:30 slot. Additionally, because of intellectual property disagreements, Letterman was unable to import many of his ''Late Night'' segments verbatim, but he sidestepped this problem by simply renaming them (the "Top Ten List" became the "Late Show Top Ten", "Viewer Mail" became the "CBS Mailbag", etc.)

Popularity

The main competitor of ''The Late Show'' is NBC's ''The Tonight Show'', which was hosted by Jay Leno for nearly 16 years, but from June 1, 2009, to January 22, 2010, was hosted by Conan O'Brien. In 1993 and 1994, ''The Late Show'' consistently gained higher ratings than ''Tonight''. But in 1995, ratings dipped and Leno's show consistently beat Letterman's in the ratings from the time that Hugh Grant came on Leno's show after Grant's arrest for soliciting a prostitute. ; Leno typically attracted about 5 million nightly viewers between 1999 and 2009. ''The Late Show'' lost nearly half its audience during its competition with Leno, attracting 7.1 million viewers nightly in its 1993–94 season and about 3.8 million per night as of Leno's departure in 2009. In the final months of his first stint as host of ''The Tonight Show'', Leno beat Letterman in the ratings by a 1.3 million viewer margin (5.2 million to 3.9 million), and ''Nightline'' and ''The Late Show'' were virtually tied. Once O'Brien took over ''Tonight'', however, Letterman closed the gap in the ratings. O'Brien initially drove the median age of ''Tonight Show'' viewers from 55 to 45, with most older viewers opting to watch ''The Late Show'' instead.

Following Leno's return to ''The Tonight Show'', however, Leno has regained his lead.

Letterman's shows have garnered both critical and industry praise, receiving 67 Emmy Award nominations, winning 12 times in his first 20 years in late night television. From 1993–2009, Letterman ranked higher than Leno in the annual Harris Poll of ''Nation's Favorite TV Personality'' 12 times. For example, in 2003 and 2004 Letterman ranked second in that poll, behind only Oprah Winfrey, a year that Leno was ranked fifth. Leno was higher than Letterman on that poll three times during the same period, in 1998, 2007, and 2008.

Hosting the Academy Awards

On March 27, 1995, Letterman acted as the host for the 67th Academy Awards ceremony. Critics blasted Letterman for what they deemed a poor hosting of the Oscars, noting that his irreverent style undermined the traditional importance and glamor of the event. In a joke about their unusual names (inspired by a similar joke by Woody Allen), he started off by introducing Uma Thurman to Oprah Winfrey, and then both of them to Keanu Reeves: "Oprah...Uma. Uma...Oprah," "Have you kids met Keanu?" This and many of his other jokes fell flat. Although Letterman attracted the highest ratings to the annual telecast since 1983, many felt that the bad publicity garnered by Letterman's hosting caused a decline in the ''Late Show'''s ratings.

Letterman recycled the apparent debacle into a long-running gag. On his first show after the Oscars, he joked, "Looking back, I had no idea that thing was being televised." He lampooned his stint two years later, during Billy Crystal's opening Oscar skit, which also parodied the plane-crashing scenes from that year's chief nominated film, ''The English Patient''.

For years afterward, Letterman recounted his hosting the Oscars, although the Academy of Motion Picture Arts and Sciences continued to hold Letterman in high regard and they had invited him to host the Oscars again. On September 7, 2010, he made an appearance on the premiere of the 14th season of ''The View'', and confirmed that he had been considered for hosting again.

Heart surgery hiatus

On January 14, 2000, a routine check-up revealed that an artery in Letterman's heart was severely obstructed. He was rushed to emergency surgery for a quintuple bypass.

During the initial weeks of his recovery, reruns of the ''Late Show'' were shown and introduced by friends of Letterman including Drew Barrymore, including Dr. O. Wayne Isom and physician Louis Aronne, who frequently appears on the show. In a show of emotion, Letterman was nearly in tears as he thanked the health care team with the words "These are the people who saved my life!" The episode earned an Emmy nomination. For a number of episodes, Letterman continued to crack jokes about his bypass, including saying, "Bypass surgery: it's when doctors surgically create new blood flow to your heart. A bypass is what happened to me when I didn't get ''The Tonight Show!'' It's a whole different thing." In a later running gag he lobbied his home state of Indiana to rename the freeway circling Indianapolis (I-465) "The David Letterman Bypass." He also featured a montage of faux news coverage of his bypass surgery, which included a clip of Dave's heart for sale on the Home Shopping Network. Letterman became friends with his doctors and nurses. In 2008, a ''Rolling Stone'' interview stated "he hosted a doctor and nurse who'd helped perform the emergency quintuple-bypass heart surgery that saved his life in 2000. 'These are people who were complete strangers when they opened my chest,' he says. 'And now, eight years later, they're among my best friends.' "

Additionally, Letterman invited the band Foo Fighters to play "Everlong", introducing them as "my favorite band, playing my favorite song." During a later Foo Fighters appearance, Letterman said that Foo Fighters had been in the middle of a South American tour which they canceled to come play on his comeback episode.

Letterman again handed over the reins of the show to several guest hosts (including Bill Cosby, Brad Garrett, Elvis Costello, John McEnroe, Vince Vaughn, Will Ferrell, Bonnie Hunt, Luke Wilson and bandleader Paul Shaffer) in February 2003, when he was diagnosed with a severe case of shingles. Later that year, Letterman made regular use of guest hosts—including Tom Arnold and Kelsey Grammer—for new shows broadcast on Fridays. In March 2007, Adam Sandler—who had been scheduled to be the lead guest—served as a guest host while Letterman was ill with a stomach virus.

Re-signing with CBS

In March 2002, as Letterman's contract with CBS neared expiration, ABC offered him the time slot for long-running news program ''Nightline'' with Ted Koppel. Letterman was interested as he believed he could never match Leno's ratings at CBS due to Letterman's complaint of weaker lead-ins from the network's late local news programs, but was reluctant to replace Koppel. Letterman addressed his decision to re-sign on the air, stating that he was content at CBS and that he had great respect for Koppel.

On December 4, 2006, CBS revealed that Letterman signed a new contract to host ''The Late Show with David Letterman'' through the fall of 2010. "I'm thrilled to be continuing on at CBS," said Letterman. "At my age you really don't want to have to learn a new commute." Letterman further joked about the subject by pulling up his right pants leg, revealing a tattoo, presumably temporary, of the ABC logo.

"Thirteen years ago, David Letterman put CBS late night on the map and in the process became one of the defining icons of our network," said Leslie Moonves, president and CEO of CBS Corporation. "His presence on our air is an ongoing source of pride, and the creativity and imagination that the ''Late Show'' puts forth every night is an ongoing display of the highest quality entertainment. We are truly honored that one of the most revered and talented entertainers of our time will continue to call CBS 'home.'"

According to a 2007 article in ''Forbes'' magazine, Letterman earned $40 million a year. A 2009 article in ''The New York Times'', however, said his salary was estimated at $32 million per year. In June 2009, Letterman's Worldwide Pants and CBS reached agreement to continue the ''Late Show'' until at least August 2012. The previous contract had been set to expire in 2010, and the two-year extension is shorter than the typical three-year contract period negotiated in the past. Worldwide Pants agreed to lower its fee for the show, though it had remained a "solid moneymaker for CBS" under the previous contract.

On the February 3, 2011, edition of the ''Late Show'', during an interview with Howard Stern, Letterman said he would continue to do his talk show for "maybe two years, I think."

2007–2008 writers' strike

The Late Show went off air for eight weeks during the months of November and December because of the Writers Guild of America strike. Letterman's production company—Worldwide Pants—was the first company to make an individual agreement with the WGA, thus allowing his show to come back on air on January 2, 2008. On his first episode since being off air, he surprised the viewing audience with his newly grown beard, which signified solidarity with the strike. His beard was shaved off during the show on January 7, 2008.

Letterman and Carson

NBC's decision to select Jay Leno and not Letterman to succeed Johnny Carson as host of ''The Tonight Show'' was an embarrassment to Carson, who had all but promised the succession to Letterman. Letterman maintained a close relationship with Carson through his break with NBC. Three years after he left for CBS, HBO produced a made-for-television movie called ''The Late Shift'', based on a book by ''New York Times'' reporter Bill Carter, chronicling the battle between Letterman and Leno for the coveted ''Tonight Show'' hosting spot. Letterman would mock the film for months afterward, specifically on how the actor playing him, John Michael Higgins, did not resemble him in the least. ("They took a guy who looked nothing like me and with make-up and special camera angles, turned him into a guy who looked nothing like me, with red hair.")

Carson later made a few cameo appearances as a guest on Letterman's show. Carson's final television appearance came May 13, 1994, on a ''Late Show'' episode taped in Los Angeles, when he made a surprise appearance during a 'Top 10 list' segment. The audience went wild as Letterman stood up and proudly invited Carson to sit at his desk. The applause was so protracted that Carson was unable to say anything, and he finally returned backstage as the applause continued (it was later explained that Carson had laryngitis, though Carson can be heard talking to Letterman during his appearance).

In early 2005, it was revealed that Carson still kept up with current events and late-night TV right up to his death that year, and that he occasionally sent jokes to Letterman, who used these jokes in his monologue; according to CBS senior vice president Peter Lassally (a onetime producer for both men), Carson got "a big kick out of it." Letterman would do a characteristic Johnny Carson golf swing after delivering one of Carson's jokes. In a tribute to Carson, all of the opening monologue jokes during the first show following Carson's death were written by Carson.

Lassally also claimed that Carson had always believed Letterman, not Leno, to be his "rightful successor." Letterman also frequently employs some of Carson's trademark bits on his show, including "Carnac the Magnificent" (with Paul Shaffer as Carnac), "Stump the Band" and the "Week in Review."

Letterman and Oprah Winfrey

On September 10, 2007, Letterman made his first appearance on ''The Oprah Winfrey Show'' at Madison Square Garden in New York City. He shared pictures of his son and live-in girlfriend. The so-called feud between Letterman and Winfrey apparently ended in 2005 when Winfrey appeared on CBS's ''Late Show with David Letterman'' on December 2, in an event Letterman jokingly referred to as "the Super Bowl of Love". Winfrey had previously appeared on Letterman's show when he was hosting NBC's ''Late Night'' on May 2, 1989.

Winfrey and Letterman also appeared together in a Late Show promo that aired during CBS's coverage of Super Bowl XLI in February 2007, with the two sitting next to each other on the couch watching the game. Since the game was played between the Indianapolis Colts and Chicago Bears, the Indianapolis-born Letterman wears a Peyton Manning jersey, while Winfrey—who tapes her show in Chicago—is in a Brian Urlacher jersey. Three years later, during CBS's coverage of Super Bowl XLIV, the two appeared again, this time with Winfrey sitting on a couch between Letterman and Jay Leno. The appearance was Letterman's idea: Leno flew to New York City in an NBC corporate jet, sneaking into the Ed Sullivan Theater during the ''Late Show'''s February 4 taping wearing a disguise, meeting Winfrey and Letterman at a living room set created in the theater's balcony where they taped their promo.

Response to Internet death threat

On August 17, 2011, it was reported that a Muslim militant had posted a death threat against Letterman on a website frequented by Al-Qaeda supporters, calling on American Muslims to kill Letterman for making a joke about the death of an Al-Qaeda leader killed in a drone strike in Pakistan in June 2011. In his show on August 22, Letterman joked about the threat, saying "State Department authorities are looking into this. They're not taking this lightly. They’re looking into it. They're questioning, they're interrogating, there's an electronic trail — but everybody knows it's Leno."

Appearances in other media

Letterman appeared in issue 239 of the Marvel comic book ''The Avengers'', in which the title characters are guests on ''Late Night''. A parody of Letterman, named "David Endochrine," is gassed to death along with his bandleader named "Paul" and their audience in Frank Miller's ''The Dark Knight Returns''.

Letterman appeared in the pilot episode of the short-lived 1986 series "Coach Toast", and he appears with a bag over his head as a guest on Bonnie Hunt's ca. 1993 sitcom ''The Building''. He also appears in The Simpsons, as himself in a couch gag when The Simpsons find themselves (and the couch) in "Late Night with David Letterman." He had a cameo in the feature film ''Cabin Boy'', with Chris Elliott, who worked as a writer on Letterman's show. In this and other appearances, Letterman is listed in the credits as "Earl Hofert", the name of Letterman's maternal grandfather. He also appeared as himself in the Howard Stern biopic Private Parts as well as the 1999 Andy Kaufman biopic ''Man on the Moon'', in a few episodes of Garry Shandling's 1990s TV series ''The Larry Sanders Show'' and in "The Abstinence", a 1996 episode of the sitcom ''Seinfeld''. Letterman also made an uncredited appearance in the first episode of the third season of the sitcom The Nanny.

Letterman provided vocals for the Warren Zevon song "Hit Somebody" from ''My Ride's Here'', and provided the voice for Butt-head's father in the 1996 animated film ''Beavis and Butt-head Do America''.

In 2010, a documentary ''Dying to Do Letterman'' was released directed by Joke Fincioen and Biagio Messina featuring Steve Mazan, a stand up comic, who has cancer and wants to appear on the Letterman Show. The film won Best Documentary and Jury Awards at the Cinequest Film Festival. Steve Mazan published a same-titled book (full title, ''Dying to Do Letterman: Turning Someday into Today'' about his own saga.

Other projects

Worldwide Pants

Letterman started his own production company—Worldwide Pants Incorporated—which produced his show and several others, including ''Everybody Loves Raymond'', ''The Late Late Show'', and several critically acclaimed, but short-lived television series for Bonnie Hunt. Worldwide Pants also produced the dramedy program ''Ed'', which aired on NBC from 2000–2004. It was Letterman's first association with NBC since he left the network in 1993. During ''Ed's'' run, the star, Tom Cavanagh, appeared as a guest on ''The Late Show'' several times.

In 2005, Worldwide Pants produced its first feature film, ''Strangers with Candy'', which was a prequel to the Comedy Central TV series of the same title. In 2007, Worldwide Pants produced the ABC comedy series, ''Knights of Prosperity''.

Worldwide Pants made significant news in December 2007 when it was announced that Letterman's company had independently negotiated its own contract with the Writers Guild of America, East, thus allowing Letterman, Craig Ferguson, and their writers to return to work, while the union continued its strike against production companies, networks and studios who had not reached an agreement.

Record company

In late April 2010, several music industry websites reported that Letterman started a record label named Clear Entertainment/C.E. Music and signed his first artist, Runner Runner. Lucy Walsh announced on her MySpace page that she has been signed by Letterman and Clear Entertainment/C.E. Music and is working on her album.

Rahal Letterman Racing

Rahal Letterman Racing (RLR) is an auto racing team that currently races in the American Le Mans Series, and part-time in the Indy Racing League. It is co-owned by 1986 Indianapolis 500 winner Bobby Rahal and Letterman himself, and is based in Hilliard, Ohio. The team won the 2004 Indianapolis 500 with driver Buddy Rice. Letterman was a pit reporter for ABC in the 1971 Indianapolis 500.

American Foundation for Courtesy and Grooming

American Foundation for Courtesy and Grooming is Letterman's private foundation. Through it, Letterman has donated millions of dollars to charities and other non-profits in Indiana and Montana, celebrity-affiliated organizations such as Paul Newman's Hole in the Wall Gang Camp, universities such as Ball State, and other organizations such as the American Cancer Society, Salvation Army, and Doctors Without Borders.

Personal life

Marriages and long-term relationships

In 1969, Letterman married Michelle Cook; the marriage ended by divorce in 1977. He also had a long-term relationship with former head writer and producer on ''Late Night'', Merrill Markoe. Markoe was the mind behind several ''Late Night'' staples, such as "Stupid Pet/Human Tricks".

Letterman has a son, Harry Joseph Letterman (born on November 3, 2003), with Regina Lasko. Harry is named after Letterman's father. In 2005, police discovered a plot to kidnap Harry Letterman and ransom him for $5 million. Kelly Frank, a house painter who had worked for Letterman, was charged in the conspiracy.

Letterman and Lasko, who had been together since 1986, wed on March 19, 2009, during a quiet courthouse civil ceremony in Choteau, Montana, where he purchased a ranch in 1999. Letterman announced the marriage during the taping of his March 23 show, shortly after congratulating Bruce Willis for getting married the previous week. Letterman told the audience he nearly missed the ceremony because his truck became stuck in mud two miles from their house. The family resides in North Salem, New York, on a estate.

Stalking incidents

Beginning in May 1988, Letterman was stalked by Margaret Mary Ray, a woman suffering from schizophrenia. She once stole his Porsche, repeatedly broke into his house, and camped out on his tennis court. Her exploits drew national attention, and Letterman occasionally joked about her behavior in his show, although never mentioning her name. After she committed suicide in 1998, Letterman told the ''New York Times'' that he had had great compassion for her, and publicly expressed sympathy.

Extortion attempt and revelation of affairs

On his October 1, 2009, show, Letterman announced that he had been the victim of an extortion attempt by someone threatening to reveal that he had had sex with several of his female employees, confirming the relationships. He stated that three weeks earlier (on September 9, 2009) someone had left a package in his car with material he said he would write into a screenplay and a book if Letterman did not pay him $2 million. Letterman said that he contacted the Manhattan District Attorney's office, ultimately cooperating with them to conduct a sting operation involving giving the man a phony check. Subsequently, Robert J. "Joe" Halderman, a producer of the CBS true crime journalism series ''48 Hours'', was arrested after trying to deposit the check. He was indicted by a Manhattan grand jury and pleaded not guilty to a charge of attempted grand larceny on October 2, 2009. Eventually, on March 9, 2010, he pleaded guilty to this same felony and served a 6-month jail sentence, followed by probation and community service.

A central figure in the case and one of the women Letterman had had a sexual relationship with was his longtime personal assistant Stephanie Birkitt who often appeared with him in his show. She had also worked for ''48 Hours''. Until a month prior to the revelations she had shared a residence with Halderman, who allegedly had copied her personal diary and used it, along with private emails, in the blackmail package.

On October 3, 2009, a former CBS employee, Holly Hester, announced that she and Letterman had engaged in a year-long "secret" affair in the early 1990s while she was his intern and a student at New York University.

In the days following the initial announcement of the affairs and the arrest, several prominent women, including Kathie Lee Gifford, co-host of NBC's ''Today Show'', and NBC news anchor Ann Curry questioned whether Letterman's affairs with subordinates created an unfair working environment. A spokesman for Worldwide Pants said that the company's sexual harassment policy did not prohibit sexual relationships between managers and employees. According to business news reporter Eve Tahmincioglu, "CBS suppliers are supposed to follow the company's business conduct policies" and the CBS 2008 Business Conduct Statement states that "If a consenting romantic or sexual relationship between a supervisor and a direct or indirect subordinate should develop, CBS requires the supervisor to disclose this information to his or her Company's Human Resources Department..."

On October 5, 2009, Letterman devoted a segment of his show to a public apology to his wife and staff. Three days later, Worldwide Pants announced that Birkitt had been placed on a "paid leave of absence" from the ''Late Show''. On October 15, CBS News announced that the company's Chief Investigative Correspondent, Armen Keteyian, had been assigned to conduct an "in-depth investigation" into Halderman's blackmail of Letterman.

Awards and honors

Awards

In his capacities as either a writer, producer, performer, or as part of a writing team, Letterman is among the most nominated people in Emmy Award history with 52 nominations, winning two Daytime Emmys and five Primetime Emmys since 1981. His nomination record is second only to producer Jac Venza, who holds the record for the most Emmy nominations for an individual (57). Letterman has been nominated every year since 1984, when he first appeared on late night television as the host of ''Late Night with David Letterman.'' Additionally, he has won four American Comedy Awards. Letterman was the first recipient of the Johnny Carson Award for Comedic Excellence at The Comedy Awards in 2011.

David Letterman Communication and Media Building

On September 7, 2007, Letterman visited his alma mater, Ball State University in Muncie, Indiana, for the dedication of a communications facility named in his honor for his dedication to the university throughout his career as a comedian. The $21 million, David Letterman Communication and Media Building opened for the 2007 fall semester. It features state-of-the-art recording equipment and facilities. Thousands of Ball State students, faculty, and local residents welcomed Letterman back to Indiana. Letterman's emotional speech touched on his struggles as a college student and his late father, and also included the "top ten good things about having your name on a building", finishing with, "if reasonable people can put my name on a $21 million building, anything is possible."

At the same time, Letterman also received a Sagamore of the Wabash award given by Indiana Governor Mitch Daniels, which recognizes distinguished service to the state of Indiana.

References

External links

David Letterman's Feb. 24, 1978 appearance on ''90 Minutes Live''

Official ''Late Show'' biography

1999 article on Letterman from Salon.com

Tape of Letterman announcing affairs/extortion attempt on Late Show

Category:1947 births Category:Living people Category:American entertainment industry businesspeople Category:American television talk show hosts Category:Ball State University alumni Category:Daytime Emmy Award winners Category:Emmy Award winners Category:Indianapolis, Indiana television anchors Category:Indy Racing League owners Category:People from Indianapolis, Indiana Category:Weather presenters

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Name	Hillary Rodham Clinton
Office	67th United States Secretary of State
President	Barack Obama
Deputy	James SteinbergWilliam Burns
Term start	January 21, 2009
Predecessor	Condoleezza Rice
Jr/sr2	United States Senator
State2	New York
Term start2	January 3, 2001
Term end2	January 21, 2009
Preceded2	Daniel Patrick Moynihan
Succeeded2	Kirsten Gillibrand
Office3	First Lady of the United States
Term start3	January 20, 1993
Term end3	January 20, 2001
Preceded3	Barbara Bush
Succeeded3	Laura Bush
Office4	First Lady of Arkansas
Term start4	January 11, 1983
Term end4	December 12, 1992
Predecessor4	Gay Daniels White
Successor4	Betty Tucker
Term start5	January 9, 1979
Term end5	January 19, 1981
Predecessor5	Barbara Pryor
Successor5	Gay Daniels White
Birth date	October 26, 1947
Birth place	Chicago, Illinois, U.S.
Party	Democratic Party
Relations	Hugh E. Rodham (father, deceased)Dorothy Howell Rodham (mother)Hugh Rodham (brother)Tony Rodham (brother)
Spouse	Bill Clinton
Children	Chelsea
Residence	Chappaqua, New York, United States
Alma mater	Wellesley College (B.A.)Yale Law School (J.D.)
Profession	Lawyer
Religion	Methodist
Signature	Hillary Rodham Clinton Signature.svg
Website	Official website }}

Hillary Diane Rodham Clinton (; born October 26, 1947) is the 67th United States Secretary of State, serving in the administration of President Barack Obama. She was a United States Senator for New York from 2001 to 2009. As the wife of the 42nd President of the United States, Bill Clinton, she was the First Lady of the United States from 1993 to 2001. In the 2008 election, Clinton was a leading candidate for the Democratic presidential nomination.

A native of Illinois, Hillary Rodham first attracted national attention in 1969 for her remarks as the first student commencement speaker at Wellesley College. She embarked on a career in law after graduating from Yale Law School in 1973. Following a stint as a Congressional legal counsel, she moved to Arkansas in 1974 and married Bill Clinton in 1975. Rodham cofounded the Arkansas Advocates for Children and Families in 1977 and became the first female chair of the Legal Services Corporation in 1978. Named the first female partner at Rose Law Firm in 1979, she was twice listed as one of the 100 most influential lawyers in America. First Lady of Arkansas from 1979 to 1981 and 1983 to 1992 with husband Bill as Governor, she successfully led a task force to reform Arkansas's education system. She sat on the board of directors of Wal-Mart and several other corporations.

In 1994 as First Lady of the United States, her major initiative, the Clinton health care plan, failed to gain approval from the U.S. Congress. However, in 1997 and 1999, Clinton played a role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Her years as First Lady drew a polarized response from the American public. The only First Lady to have been subpoenaed, she testified before a federal grand jury in 1996 due to the Whitewater controversy, but was never charged with wrongdoing in this or several other investigations during her husband's administration. The state of her marriage was the subject of considerable speculation following the Lewinsky scandal in 1998.

After moving to the state of New York, Clinton was elected as a U.S. Senator in 2000. That election marked the first time an American First Lady had run for public office; Clinton was also the first female senator to represent the state. In the Senate, she initially supported the Bush administration on some foreign policy issues, including a vote for the Iraq War Resolution. She subsequently opposed the administration on its conduct of the war in Iraq and on most domestic issues. Senator Clinton was reelected by a wide margin in 2006. In the 2008 presidential nomination race, Hillary Clinton won more primaries and delegates than any other female candidate in American history, but narrowly lost to Illinois Senator Barack Obama.

As Secretary of State, Clinton became the first former First Lady to serve in a president's cabinet. She has put into place institutional changes seeking to maximize departmental effectiveness and promote the empowerment of women worldwide, and has set records for most-traveled secretary for time in office. She has been at the forefront of the U.S. response to the 2011 Middle East protests, including advocating for the military intervention in Libya.

Early life and education

Early life

Hillary Diane Rodham was born at Edgewater Hospital in Chicago, Illinois. She was raised in a United Methodist family, first in Chicago and then, from the age of three, in suburban Park Ridge, Illinois. Her father, Hugh Ellsworth Rodham, was the son of Welsh and English immigrants; he managed a successful small business in the textile industry. Her mother, Dorothy Emma Howell, is a homemaker of English, Scottish, French, French Canadian, and Welsh descent. She has two younger brothers, Hugh and Tony.

As a child, Hillary Rodham was a teacher's favorite at her public schools in Park Ridge. She participated in swimming, baseball, and other sports. She also earned numerous awards as a Brownie and Girl Scout. She attended Maine East High School, where she participated in student council, the school newspaper, and was selected for National Honor Society. For her senior year, she was redistricted to Maine South High School, where she was a National Merit Finalist and graduated in the top five percent of her class of 1965. Her mother wanted her to have an independent, professional career, and her father, otherwise a traditionalist, held the modern notion that his daughter's abilities and opportunities should not be limited by gender.

Raised in a politically conservative household, at age thirteen Rodham helped canvass South Side Chicago following the very close 1960 U.S. presidential election, where she found evidence of electoral fraud against Republican candidate Richard Nixon. She then volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anticommunist), who introduced her to Goldwater's classic ''The Conscience of a Conservative'', and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and met civil rights leader Martin Luther King, Jr., in Chicago in 1962.

College

In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her freshman year, she served as president of the Wellesley Young Republicans; with this Rockefeller Republican-oriented group, she supported the elections of John Lindsay and Edward Brooke. She later stepped down from this position, as her views changed regarding the American Civil Rights Movement and the Vietnam War. In a letter to her youth minister at this time, she described herself as "a mind conservative and a heart liberal." In contrast to the 1960s current that advocated radical actions against the political system, she sought to work for change within it. In her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. Following the assassination of Martin Luther King, Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In early 1968, she was elected president of the Wellesley College Government Association and served through early 1969; she was instrumental in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first woman President of the United States. So she could better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican Representative Charles Goodell to help Governor Nelson Rockefeller’s late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami. However, she was upset by how Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and left the Republican Party for good.

Returning to Wellesley for her final year, Rodham wrote her senior thesis about the tactics of radical community organizer Saul Alinsky under Professor Schechter (years later while she was First Lady, access to the thesis was restricted at the request of the White House and it became the subject of some speculation). In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. Following pressure from some fellow students, she became the first student in Wellesley College history to deliver its commencement address. Her speech received a standing ovation lasting seven minutes. She was featured in an article published in ''Life'' magazine, due to the response to a part of her speech that criticized Senator Edward Brooke, who had spoken before her at the commencement. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions).

Law school

Rodham then entered Yale Law School, where she served on the editorial board of the ''Yale Review of Law and Social Action''. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, ''Beyond the Best Interests of the Child'' (1973). She also took on cases of child abuse at Yale-New Haven Hospital and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched migrant workers' problems in housing, sanitation, health and education. Edelman later became a significant mentor. She was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey, with Rodham later crediting Wexler with providing her first job in politics.

In the late spring of 1971, she began dating Bill Clinton, also a law student at Yale. That summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well-known for its support of constitutional rights, civil liberties, and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans, in order to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. Clinton first proposed marriage to her following graduation, but she declined. She began a year of postgraduate study on children and medicine at the Yale Child Study Center. Her first scholarly article, "Children Under the Law", was published in the ''Harvard Educational Review'' in late 1973. Discussing the new children's rights movement, it stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but that instead courts should presume competence except when there is evidence otherwise, on a case-by-case basis. The article became frequently cited in the field.

Marriage and family, law career and First Lady of Arkansas

From the East Coast to Arkansas

During her postgraduate study, Rodham served as staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. During 1974, she was a member of the impeachment inquiry staff in Washington, D.C., advising the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for impeachment. The committee's work culminated in the resignation of President Richard Nixon in August 1974.

By then, Rodham was viewed as someone with a bright political future; Democratic political organizer and consultant Betsey Wright had moved from Texas to Washington the previous year to help guide her career; Wright thought Rodham had the potential to become a future senator or president. Meanwhile, Clinton had repeatedly asked her to marry him, and she continued to demur. However, after failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Bill Clinton to Arkansas, rather than staying in Washington where career prospects were brighter. Clinton was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, she moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville, where Bill Clinton also was. She gave classes in criminal law, where she was considered a rigorous teacher and tough grader, and was the first director of the school's legal aid clinic. She still harbored doubts about marriage, concerned that her separate identity would be lost and that her accomplishments would be viewed in the light of someone else's.

Early Arkansas years

Hillary Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975, and Hillary finally agreed to marry. Their wedding took place on October 11, 1975, in a Methodist ceremony in their living room. She announced she was keeping the name Hillary Rodham, to keep their professional lives separate and avoid apparent conflicts of interest and because "it showed that I was still me," although her decision upset their mothers. Bill Clinton had lost the congressional race in 1974, but in November 1976 was elected Arkansas Attorney General, and so the couple moved to the state capital of Little Rock. There, in February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while also working ''pro bono'' in child advocacy; she rarely performed litigation work in court.

Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades", while conservatives said her theories would usurp traditional parental authority, allow children to file frivolous lawsuits against their parents, and argued that her work was legal "crit" theory run amok.

In 1977, Rodham cofounded the Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation, and she served in that capacity from 1978 until the end of 1981. From mid-1978 to mid-1980, she served as the chair of that board, the first woman to do so. During her time as chair, funding for the Corporation was expanded from $90 million to $300 million; subsequently she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization.

Following her husband's November 1978 election as Governor of Arkansas, Rodham became First Lady of Arkansas in January 1979, her title for twelve years (1979–1981, 1983–1992). Clinton appointed her chair of the Rural Health Advisory Committee the same year, where she successfully secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees.

In 1979, Rodham became the first woman to be made a full partner of Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham made a spectacular profit from trading cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. The couple also began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal at this time.

On February 27, 1980, Rodham gave birth to a daughter, Chelsea, her only child. In November 1980, Bill Clinton was defeated in his bid for reelection.

Later Arkansas years

Bill Clinton returned to the governor's office two years later by winning the election of 1982. During her husband's campaign, Rodham began to use the name Hillary Clinton, or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. As First Lady of Arkansas, Hillary Clinton was named chair of the Arkansas Educational Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association, to establish mandatory teacher testing and state standards for curriculum and classroom size. In 1985, she also introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984.

Clinton continued to practice law with the Rose Law Firm while she was First Lady of Arkansas. She earned less than the other partners, as she billed fewer hours, but still made more than $200,000 in her final year there. She seldom did trial work, but the firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent the firm and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial reelection campaign accused the Clintons of conflict of interest, because Rose Law did state business; the Clintons deflected the charge by saying that state fees were walled off by the firm before her profits were calculated.

From 1982 to 1988, Clinton was on board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she chaired the American Bar Association's Commission on Women in the Profession, which addressed gender bias in the law profession and induced the association to adopt measures to combat it. She was twice named by the ''National Law Journal'' as one of the 100 most influential lawyers in America: in 1988 and in 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary considered running, but private polls were unfavorable and, in the end, he ran and was reelected for the final time.

Clinton served on the boards of the Arkansas Children's Hospital Legal Services (1988–1992) and the Children's Defense Fund (as chair, 1986–1992). In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–1992), Wal-Mart Stores (1986–1992) and Lafarge (1990–1992). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to the board. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices, was largely unsuccessful in a campaign for more women to be added to the company's management, and was silent about the company's famously anti-labor union practices.

Bill Clinton presidential campaign of 1992

Hillary Clinton received sustained national attention for the first time when her husband became a candidate for the Democratic presidential nomination of 1992. Before the New Hampshire primary, tabloid publications printed claims that Bill Clinton had had an extramarital affair with Arkansas lounge singer Gennifer Flowers. In response, the Clintons appeared together on ''60 Minutes'', where Bill Clinton denied the affair but acknowledged "causing pain in my marriage." This joint appearance was credited with rescuing his campaign. During the campaign, Hillary Clinton made culturally disparaging remarks about Tammy Wynette and her outlook on marriage, and about women staying home and baking cookies and having teas, that were ill-considered by her own admission. Bill Clinton said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 ''The American Spectator'' article "The Lady Macbeth of Little Rock", Hillary Clinton's own past ideological and ethical record came under conservative attack. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth.

First Lady of the United States

Role as First Lady

When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the First Lady of the United States, and announced that she would be using that form of her name. She was the first First Lady to hold a postgraduate degree and to have her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual First Lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration, and her choices filled at least eleven top-level positions and dozens more lower-level ones. She is regarded as the most openly empowered presidential wife in American history, save for Eleanor Roosevelt.

Some critics called it inappropriate for the First Lady to play a central role in matters of public policy. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors and that voters were well aware that she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents", or sometimes the Arkansas label "Billary". The pressures of conflicting ideas about the role of a First Lady were enough to send Clinton into "imaginary discussions" with the also-politically-active Eleanor Roosevelt. from the time she came to Washington, she also found refuge in a prayer group of The Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy, and ''Tikkun'' editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul" and that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium." Other segments of the public focused on her appearance, which had evolved over time from inattention to fashion during her days in Arkansas, to a popular site in the early days of the World Wide Web devoted to showing her many different, and frequently analyzed, hairstyles as First Lady, to an appearance on the cover of ''Vogue'' magazine in 1998.

Health care and other policy initiatives

[[File:HillaryGallup1992-1996.PNG|thumb|300px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 1992–1996 ]] In January 1993, Bill Clinton appointed Hillary Clinton to head the Task Force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. She privately urged that passage of health care reform be given higher priority than the North American Free Trade Agreement (NAFTA) (which she was also unenthusiastic about the merits of). The recommendation of the task force became known as the Clinton health care plan, a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare"; some protesters against it became vitriolic, and during a July 1994 bus tour to rally support for the plan, she was forced to wear a bulletproof vest at times.

The plan did not receive enough support for a floor vote in either the House or the Senate, although Democrats controlled both chambers, and the proposal was abandoned in September 1994. Clinton later acknowledged in her book, ''Living History'', that her political inexperience partly contributed to the defeat, but mentioned that many other factors were also responsible. The First Lady's approval ratings, which had generally been in the high-50s percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections, which saw a net Republican gain of fifty-three seats in the House election and seven in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Hillary Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others.

Along with Senators Ted Kennedy and Orrin Hatch, she was a force behind the passage of the State Children's Health Insurance Program in 1997, a federal effort that provided state support for children whose parents could not provide them with health coverage, and conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood illnesses and encouraged older women to seek a mammogram to detect breast cancer, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. The First Lady worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as First Lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady, Clinton hosted numerous White House conferences, including ones on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000) and the first-ever White House Conference on Philanthropy (1999).

Clinton traveled to 79 countries during this time, breaking the mark for most-traveled First Lady held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a soft power role in U.S. diplomacy. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department and without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited and a gained better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued very forcefully against practices that abused women around the world and in the People's Republic of China itself, declaring "that it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. She was one of the most prominent international figures during the late 1990s to speak out against the treatment of Afghan women by the Islamist fundamentalist Taliban. She helped create Vital Voices, an international initiative sponsored by the United States to promote the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process.

Whitewater and other investigations

The Whitewater controversy was the focus of media attention from the publication of a ''New York Times'' report during the 1992 presidential campaign, and throughout her time as First Lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal, operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators that her husband had appointed; she claimed she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. The records were found in the First Lady's White House book room after a two-year search, and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation about how they surfaced and where they had been; Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. After the discovery of the records, on January 26, 1996, Clinton made history by becoming the first First Lady to be subpoenaed to testify before a Federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing.

Other investigations took place during Hillary Clinton's time as First Lady. Scrutiny of the May 1993 firings of the White House Travel Office employees, an affair that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo caused the investigation to focus more on whether Hillary Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false, or knew that her actions would lead to firings, to prosecute her. Following deputy White House counsel Vince Foster's July 1993 suicide, allegations were made that Hillary Clinton had ordered the removal of potentially damaging files (related to Whitewater or other matters) from Foster's office on the night of his death. Independent Counsel Kenneth Starr investigated this, and by 1999, Starr was reported to be holding the investigation open, despite his staff having told him there was no case to be made. When Starr's successor Robert Ray issued his final Whitewater reports in 2000, no claims were made against Hillary Clinton regarding this.

In March 1994 newspaper reports revealed her spectacular profits from cattle futures trading in 1978–1979; allegations were made in the press of conflict of interest and disguised bribery, and several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the Travelgate investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Hillary Clinton had requested these files and that she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Hillary Clinton had any role or showed any misconduct in the matter.

Lewinsky scandal

[[File:HillaryGallup1997-2000.PNG|thumb|330px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 1997–2000 ]] In 1998, the Clintons' relationship became the subject of much speculation when investigations revealed that the President had had extramarital sexual activities with White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of Bill Clinton. When the allegations against her husband were first made public, Hillary Clinton stated that they were the result of a "vast right-wing conspiracy", characterizing the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Clinton political enemies rather than any wrongdoing by her husband. She later said that she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage, but privately was reported to be furious at him and was unsure if she wanted to stay in the marriage.

There was a variety of public reactions to Hillary Clinton after this: some women admired her strength and poise in private matters made public, some sympathized with her as a victim of her husband's insensitive behavior, others criticized her as being an enabler to her husband's indiscretions, while still others accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. Her public approval ratings in the wake of the revelations shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing and fully alive person I have ever met."

Traditional duties

Clinton initiated and was Founding Chair of the Save America's Treasures program, a national effort that matched federal funds to private donations to preserve and restore historic items and sites, including the flag that inspired "The Star-Spangled Banner" and the First Ladies Historic Site in Canton, Ohio. She was head of the White House Millennium Council, and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first Sculpture Garden there, which displayed large contemporary American works of art loaned from museums in the Jacqueline Kennedy Garden.

In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, the redecoration of the Treaty Room into the presidential study along 19th century lines, and the redecoration of the Map Room to how it looked during World War II. Clinton hosted many large-scale events at the White House, such as a Saint Patrick's Day reception, a state dinner for visiting Chinese dignitaries, a contemporary music concert that raised funds for music education in public schools, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000.

Senate election of 2000

The long-serving United States Senator from New York, Daniel Patrick Moynihan, announced his retirement in November 1998. Several prominent Democratic figures, including Representative Charles B. Rangel of New York, urged Clinton to run for Moynihan's open seat in the United States Senate election of 2000. Once she decided to run, the Clintons purchased a home in Chappaqua, New York, north of New York City, in September 1999. She became the first First Lady of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani, the Mayor of New York City, as her Republican opponent in the election. However, Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and having developments in his personal life become very public, and Clinton instead faced Rick Lazio, a Republican member of the United States House of Representatives representing New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, as she had never resided in New York nor participated in the state's politics before this race. Clinton began her campaign by visiting every county in the state, in a "listening tour" of small-group settings. During the campaign, she devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care.

The contest drew national attention. Lazio blundered during a September debate by seeming to invade Clinton's personal space trying to get her to sign a fundraising agreement. The campaigns of Clinton and Lazio, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as United States Senator on January 3, 2001.

United States Senator

First term

Upon entering the Senate, Clinton maintained a low public profile and built relationships with senators from both parties. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast.

Clinton has served on five Senate committees: Committee on Budget (2001–2002), Committee on Armed Services (since 2003), Committee on Environment and Public Works (since 2001), Committee on Health, Education, Labor and Pensions (since 2001) and Special Committee on Aging. She is also a Commissioner of the Commission on Security and Cooperation in Europe (since 2001).

Following the September 11, 2001, attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Charles Schumer, she was instrumental in quickly securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she worked to address some of the civil liberties concerns with it, before voting in favor of a compromise renewed act in March 2006 that gained large majority support.

Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized United States President George W. Bush to use military force against Iraq, should such action be required to enforce a United Nations Security Council Resolution after pursuing with diplomatic efforts.

After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier, and that parts of the country were functioning well. Noting that war deployments were draining regular and reserve forces, she cointroduced legislation to increase the size of the regular United States Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves." Her stance caused frustration among those in the Democratic Party who favored immediate withdrawal. Clinton supported retaining and improving health benefits for veterans, and lobbied against the closure of several military bases. [[File:HillaryGallup2001-2009.gif|thumb|300px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 2001–2009 ]] Senator Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Clinton voted against the 2005 confirmation of John G. Roberts as Chief Justice of the United States and the 2006 confirmation of Samuel Alito to the United States Supreme Court.

In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game ''Grand Theft Auto: San Andreas''. Along with Senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage.

Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003, and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging.

Reelection campaign of 2006

In November 2004, Clinton announced that she would seek a second Senate term. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. Clinton's eventual opponents in the general election were Republican candidate John Spencer, a former mayor of Yonkers, along with several third-party candidates. She won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Clinton spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections did. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign.

Second term

Clinton opposed the Iraq War troop surge of 2007. In March 2007, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by President Bush. In May 2007, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. Clinton responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief."

In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. In May and June 2007, regarding the high-profile, hotly debated comprehensive immigration reform bill known as the Secure Borders, Economic Opportunity and Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture.

As the financial crisis of 2007–2008 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of United States financial system, voting in favor of the $700 billion Emergency Economic Stabilization Act of 2008, saying that it represented the interests of the American people. It passed the Senate 74–25.

Presidential campaign of 2008

Clinton had been preparing for a potential candidacy for United States President since at least early 2003. On January 20, 2007, Clinton announced via her web site the formation of a presidential exploratory committee for the United States presidential election of 2008; she stated, "I'm in, and I'm in to win." No woman had ever been nominated by a major party for President of the United States. In April 2007, the Clintons liquidated a blind trust, that had been established when Bill Clinton became president in 1993, to avoid the possibility of ethical conflicts or political embarrassments in the trust as Hillary Clinton undertook her presidential race. Later disclosure statements revealed that the couple's worth was now upwards of $50 million, and that they had earned over $100 million since 2000, with most of it coming from Bill Clinton's books, speaking engagements, and other activities.

Clinton led candidates competing for the Democratic nomination in opinion polls for the election throughout the first half of 2007. Most polls placed Senator Barack Obama of Illinois and former Senator John Edwards of North Carolina as Clinton's closest competitors. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. By September 2007, polling in the first six states holding Democratic primaries or caucuses showed that Clinton was leading in all of them, with the races being closest in Iowa and South Carolina. By the following month, national polls showed Clinton far ahead of Democratic competitors. At the end of October, Clinton suffered a rare poor debate performance against Obama, Edwards, and her other opponents. Obama's message of "change" began to resonate with the Democratic electorate better than Clinton's message of "experience". The race tightened considerably, especially in the early caucus and primary states of Iowa, New Hampshire, and South Carolina, with Clinton losing her lead in some polls by December.

In the first vote of 2008, she placed third in the January 3 Iowa Democratic caucus to Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. However, Clinton gained a surprise win there on January 8, defeating Obama narrowly. Explanations for her New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election.

The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King, Jr., and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary Clinton and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26 South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February 5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former President "needs to stop."

On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules.

The Clinton campaign had counted on winning the nomination by Super Tuesday, and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising, Clinton began loaning her campaign money. There was continuous turmoil within the campaign staff and she made several top-level personnel changes. Obama won the next eleven February caucuses and primaries across the country, often by large margins, and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, had been a key issue. Throughout the campaign, Obama dominated caucuses, which the Clinton campaign largely ignored organizing for. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Some Democratic party leaders expressed concern that the drawn-out campaign between the two could damage the winner in the general election contest against Republican presumptive nominee John McCain, especially if an eventual triumph for Clinton was won via party-appointed superdelegates. On April 22, she won the Pennsylvania primary, and kept her campaign alive. However, on May 6, a narrower-than-expected win in the Indiana primary coupled with a large loss in the North Carolina primary ended any realistic chance she had of winning the nomination. She vowed to stay on through the remaining primaries, but stopped attacks against Obama; as one advisor stated, "She could accept losing. She could not accept quitting." She won some of the remaining contests, and indeed, over the last three months of the campaign she won more delegates, states, and votes than Obama, but it was not enough to overcome Obama's lead.

Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama, declaring, "The way to continue our fight now to accomplish the goals for which we stand is to take our energy, our passion, our strength and do all we can to help elect Barack Obama." By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process, with both breaking the previous record. Clinton also eclipsed, by a very large margin, Congresswoman Shirley Chisholm's 1972 mark for most primaries and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in Fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself.

Secretary of State

Nomination and confirmation

In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as U.S. Secretary of State in his administration, and on November 21, reports indicated that she had accepted the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for Secretary of State. Clinton said she was reluctant to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and in order to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the Clinton Presidential Center and Clinton Global Initiative.

The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the Committee voted 16–1 to approve Clinton. By this time, Clinton's public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of Secretary of State and resigned from the Senate that same day. She became the first former First Lady to serve in the United States Cabinet.

Tenure

Clinton spent her initial days as Secretary of State telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. She pushed for a larger international affairs budget; the Obama administration's proposed 2010 budget contained a 7 percent increase for the State Department and other international programs. In March 2009, Clinton prevailed over Vice President Joe Biden on an internal debate to send an additional 20,000 troops to the war in Afghanistan. An elbow fracture and subsequent painful recuperation caused Clinton to miss two foreign trips in June 2009.

Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department’s diplomatic missions abroad; it is modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. (The first such review was issued in late 2010 and called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world.) In September, Clinton unveiled the Global Hunger and Food Security Initiative at the annual meeting of her husband's Clinton Global Initiative. The new initiative seeks to battle hunger worldwide as a strategic part of U.S. foreign policy, rather than just react to food shortage emergencies as they occur, and emphasizes the role of women farmers. In October, on a trip to Switzerland, Clinton’s intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts, and tribal elders, in an attempt to repair the Pakistani image of the U.S.

In a major speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it, and it garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. By mid-2010, Clinton and Obama had forged a good working relationship; she was a team player within the administration and a defender of it to the outside, and was careful that neither she nor her husband would upstage him. She met with him weekly, but did not have the close, daily relationship that some of her predecessors had had with their presidents. In July 2010, Secretary Clinton visited Korea, Vietnam, Pakistan and Afghanistan, all the while preparing for the July 31 wedding of daughter Chelsea amid much media attention. In late November 2010, Clinton led the U.S. damage control effort after WikiLeaks released confidential State Department cables containing blunt statements and assessments by U.S. and foreign diplomats. A few of the cables released by WikiLeaks concerned Clinton directly: they revealed that directions to members of the foreign service, written by the CIA, had gone out in 2009 under her (systematically attached) name to gather biometric and other personal details on foreign diplomats, including officials of the United Nations and U.S. allies.

The 2011 Egyptian protests posed the biggest foreign policy crisis for the administration yet. Clinton was in the forefront of U.S. public response to it, quickly evolving from an early assessment that the government of Hosni Mubarak was "stable" to a stance that there needed to be an "orderly transition [to] a democratic participatory government" to a condemnation of violence against the protesters. Obama also came to rely upon Clinton's advice, organization, and personal connections in the behind-the-scenes response to developments. As protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the 2011 Libyan uprising took place, Clinton's shift in favor of military intervention was a key turning point in overcoming internal administration opposition and gaining the backing for, and U.N. approval of, the 2011 military intervention in Libya. Following the successful May 2011 U.S. mission to kill Osama bin Laden, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader.

In the Mideast turmoil, Clinton saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. By now Clinton had set the record for most-traveled Secretary of State for a comparable period of time, logging and visiting 79 countries. Throughout her term, Clinton had indicated she had no interest in running for president again or in holding any other office. In March 2011, she expanded upon that by saying she was not interested in serving a second term as Secretary of State should Obama be re-elected in 2012.

Political positions

In a Gallup poll conducted during May 2005, 54 percent of respondents considered Clinton a liberal, 30 percent considered her a moderate, and 9 percent considered her a conservative.

Several organizations attempted to measure Clinton's place on the political spectrum scientifically using her Senate votes. ''National Journal'''s 2004 study of roll-call votes assigned Clinton a rating of 30 in the political spectrum, relative to the then-current Senate, with a rating of 1 being most liberal and 100 being most conservative. ''National Journal'''s subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University, Simon Jackman and Doug Rivers of Stanford University found her to be likely the sixth-to-eighth-most liberal Senator. ''The Almanac of American Politics'', edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social, and Foreign; averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Average = 75 liberal, 20 conservative.

Interest groups also gave Clinton scores based on how well her Senate votes aligned with the positions of the group. Through 2008, she had an average lifetime 90 percent "Liberal Quotient" from Americans for Democratic Action and a lifetime 8 percent rating from the American Conservative Union.

Writings and recordings

As First Lady of the United States, Clinton published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000, distributed by Creators Syndicate. It focused on her experiences and those of women, children and families she met during her travels around the world.

In 1996, Clinton presented a vision for the children of America in the book ''It Takes a Village: And Other Lessons Children Teach Us''. The book made the New York Times Best Seller list and Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.

Other books released by Clinton when she was First Lady include ''Dear Socks, Dear Buddy: Kids' Letters to the First Pets'' (1998) and ''An Invitation to the White House: At Home with History'' (2000). In 2001, she wrote an afterword to the children's book ''Beatrice's Goat''.

In 2003, Clinton released a 562-page autobiography, ''Living History''. In anticipation of high sales, publisher Simon & Schuster paid Clinton a near-record advance of $8 million. The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album.

Cultural and political image

Hillary Clinton has frequently been featured in the media and popular culture from a wide spectrum of perspectives. In 1995, ''New York Times'' writer Todd Purdum labeled Clinton "the First Lady as Rorschach test", an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." Clinton has often been described in the popular media as a polarizing figure, with some arguing otherwise. James Madison University political science professor Valerie Sulfaro's 2007 study used the American National Election Studies' "feeling thermometer" polls, which measure the degree of opinion about a political figure, to find that such polls during Clinton's First Lady years confirm the "conventional wisdom that Hillary Clinton is a polarizing figure", with the added insight that "affect towards Mrs. Clinton as first lady tended to be very positive or very negative, with a fairly constant one fourth of respondents feeling ambivalent or neutral." University of California, San Diego political science professor Gary Jacobson's 2006 study of partisan polarization found that in a state-by-state survey of job approval ratings of the state's senators, Clinton had the fourth-largest partisan difference of any senator, with a 50 percentage point difference in approval between New York's Democrats and Republicans.

Northern Illinois University political science professor Barbara Burrell's 2000 study found that Clinton's Gallup poll favorability numbers broke sharply along partisan lines throughout her time as First Lady, with 70 to 90 percent of Democrats typically viewing her favorably while 20 to 40 percent of Republicans did not. University of Wisconsin–Madison political science professor Charles Franklin analyzed her record of favorable versus unfavorable ratings in public opinion polls, and found that there was more variation in them during her First Lady years than her Senate years. The Senate years showed favorable ratings around 50 percent and unfavorable ratings in the mid-40 percent range; Franklin noted that, "This sharp split is, of course, one of the more widely remarked aspects of Sen. Clinton's public image." McGill University professor of history Gil Troy titled his 2006 biography of her ''Hillary Rodham Clinton: Polarizing First Lady'', and wrote that after the 1992 campaign, Clinton "was a polarizing figure, with 42 percent [of the public] saying she came closer to their values and lifestyle than previous first ladies and 41 percent disagreeing." Troy further wrote that Hillary Clinton "has been uniquely controversial and contradictory since she first appeared on the national radar screen in 1992" and that she "has alternately fascinated, bedeviled, bewitched, and appalled Americans."

Burrell's study found women consistently rating Clinton more favorably than men by about ten percentage points during her First Lady years. Jacobson's study found a positive correlation across all senators between being women and receiving a partisan-polarized response. Colorado State University communication studies professor Karrin Vasby Anderson describes the First Lady position as a "site" for American womanhood, one ready made for the symbolic negotiation of female identity. In particular, Anderson states there has been a cultural bias towards traditional first ladies and a cultural prohibition against modern first ladies; by the time of Clinton, the First Lady position had become a site of heterogeneity and paradox. Burrell, as well as biographers Jeff Gerth and Don Van Natta, Jr., note that Clinton achieved her highest approval ratings as First Lady late in 1998, not for professional or political achievements of her own, but for being seen as the victim of her husband's very public infidelity. University of Pennsylvania communications professor Kathleen Hall Jamieson saw Hillary Clinton as an exemplar of the double bind, who though able to live in a "both-and" world of both career and family, nevertheless "became a surrogate on whom we projected our attitudes about attributes once thought incompatible", leading to her being placed in a variety of no-win situations. Quinnipiac University media studies professor Lisa Burns found press accounts frequently framing Clinton both as an exemplar of the modern professional working mother and as a political interloper interested in usurping power for herself. University of Indianapolis English professor Charlotte Templin found political cartoonists using a variety of stereotypes such as gender reversal, radical feminist as emasculator, and the wife the husband wants to get rid of to portray Hillary Clinton as violating gender norms.

Over fifty books and scholarly works have been written about Hillary Clinton, from many different perspectives. A 2006 survey by ''The New York Observer'' found "a virtual cottage industry" of "anti-Clinton literature", put out by Regnery Publishing and other conservative imprints, with titles such as ''Madame Hillary: The Dark Road to the White House'', ''Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House'', and ''Can She Be Stopped? : Hillary Clinton Will Be the Next President of the United States Unless ....'' Books praising Clinton did not sell nearly as well (other than the memoirs written by her and her husband). When she ran for Senate in 2000, a number of fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Van Natta, Jr., found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich.

Going into the early stages of her presidential campaign for 2008, a ''Time'' magazine cover showed a large picture of her, with two checkboxes labeled "Love Her", "Hate Her", while ''Mother Jones'' titled its profile of her "Harpy, Hero, Heretic: Hillary". Democratic netroots activists consistently rated Clinton very low in polls of their desired candidates, while some conservative figures such as Bruce Bartlett and Christopher Ruddy were declaring a Hillary Clinton presidency not so bad after all and an October 2007 cover of ''The American Conservative'' magazine was titled "The Waning Power of Hillary Hate". By December 2007, communications professor Jamieson observed that there was a large amount of misogyny present about Clinton on the Internet, up to and including Facebook and other sites devoted to depictions reducing Clinton to sexual humiliation. She noted that, in response to widespread comments on Clinton's laugh, that "We know that there's language to condemn female speech that doesn't exist for male speech. We call women's speech shrill and strident. And Hillary Clinton's laugh was being described as a cackle." Use of the "bitch" epithet, which taken place against Clinton going back to her First Lady days and was seen by Karrin Vasby Anderson as a tool of containment against women in American politics, flourished during the campaign, especially on the Internet but via conventional media as well. Following Clinton's "choked up moment" and related incidents before the January 2008 New Hampshire primary, both ''The New York Times'' and ''Newsweek'' found that discussion of gender's role in the campaign had moved into the national political discourse. ''Newsweek'' editor Jon Meacham summed the relationship between Clinton and the American public by saying that the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics."

Once she became Secretary of State, Clinton's image seemed to dramatically improve among the American public and become one of a respected world figure. She gained consistently high approval ratings (by 2011, the highest of her career except for during the Lewinsky scandal), and her favorable-unfavorable ratings during 2010 were easily the highest of any active, nationally prominent American political figure. She continued to do well in Gallup's most admired man and woman poll; in 2010 she was named the most admired woman by Americans for the ninth straight time and the fifteenth overall.

Awards and honors

Clinton has received many awards and honors during her career from American and international organizations for her activities concerning health, women, and children.

Electoral history

Notes

References

Bibliography

Further reading

External links

Official Biography of First Lady Clinton

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name	Katie Couric
birthname	Katherine Anne Couric
birth date	January 07, 1957
birth place	Arlington, Virginia, U.S.
marital status	Widow
education	University of Virginia
occupation	Television journalist
years active	1979–present
spouse	Jay Monahan (1989–1998; his death)
children	Elinor Tully "Ellie" MonahanCaroline Couric Monahan
salary	$14,000,000
credits	''The Today Show'' ''Dateline NBC'' ''CBS Evening News'' ''60 Minutes'' ''Katie (2012)'' }}

Katherine Anne "Katie" Couric (born January 7, 1957) is an American journalist and author. She currently serves as Special Correspondent for ABC News, contributing to ''ABC World News'', ''Nightline'', ''20/20'', ''Good Morning America'', '' This Week'' and primetime news specials. Starting in Fall 2012, she will host ''Katie,'' a daytime talk show on ABC. She has anchored the ''CBS Evening News,'' reported for ''60 Minutes'', and hosted ''Today''. She was the first solo female anchor of a weekday evening news program on one of the three traditional U.S. broadcast networks. Couric's first book, ''The Best Advice I Ever Got: Lessons from Extraordinary'' was a ''New York Times'' best-seller.

Early life and career

Couric was born in Arlington, Virginia, the daughter of Elinor Tullie (née Hene), a homemaker and part-time writer, and the late John Martin Couric Jr., a public relations executive and news editor at ''The Atlanta Journal-Constitution'' and the United Press in Washington, D.C. Her mother was Jewish, but Couric was raised Episcopalian. Couric's maternal grandparents, Bert Hene and Clara L. Froshin, were the children of Jewish immigrants from Germany. In a report for ''Today'', she traced her paternal ancestry back to a French orphan who immigrated to the U.S. in the nineteenth century and became a broker in the cotton business.

Couric attended Arlington Public Schools: Jamestown Elementary, Williamsburg Middle School, and Yorktown High School and was a cheerleader. As a high school student, she was an intern at Washington, D.C. all-news radio station WAVA. She enrolled at her father's alma mater, the University of Virginia, in 1975 and was a Delta Delta Delta sorority sister. Couric served in several positions at UVA's award-winning daily newspaper, ''The Cavalier Daily''. During her third year at UVA, Couric was chosen to live as Head Resident of The Lawn, the heart of Thomas Jefferson's Academical Village. She graduated in 1979 with a bachelor's degree in English with a focus on American Studies.

Television career

Couric's first job was at the ABC News 1979 bureau in Washington, D.C., later joining CNN as an assignment editor. Between 1984 and 1986, she worked as a general-assignment reporter for WTVJ in Miami, Florida. During the following two years, she reported for WRC-TV, the NBC owned-and-operated station in Washington, D.C., work which earned her an Associated Press award and an Emmy.

NBC

Couric joined ''NBC News'' in 1989 as Deputy Pentagon Correspondent. From 1989 to 1991, Couric was an anchor substitute and filled in for Bryant Gumbel as host of ''Today'', Jane Pauley, and Deborah Norville as co-anchor of ''Today'', Garrick Utley, Mary Alice Williams, and Maria Shriver as co-host of Sunday ''Today'', and John Palmer, Norville, and Faith Daniels as anchor of the former NBC News program ''NBC News at Sunrise''. She also subbed for Daniels, Norville, and John Palmer as the news anchor on ''Today''.

''Today'' (1991–2006)

In 1989, Couric joined ''Today'' as national political correspondent, becoming a substitute co-host in February 1991 when Norville had a baby. Norville did not return and Couric became permanent co-anchor on April 5, 1991. In 1994, she became co-anchor of ''Now with Tom Brokaw and Katie Couric''—an evening time weekly TV newsmagazine with Tom Brokaw—which was later canceled and folded into part of ''Dateline NBC'', where her reports appeared regularly and she was named contributing anchor. She remained at ''Today'' for fifteen years with co-host ''Matt Lauer'' and NBC News until May 31, 2006, when she announced that she would be going to CBS to anchor the CBS Evening News, becoming the first solo female anchor of the "big three" weekday nightly news broadcasts.

While at NBC, Katie Couric occasionally filled in for Tom Brokaw on ''NBC Nightly News''. From 1989-1993, Couric also filled in for Maria Shriver on the Sunday Edition of ''NBC Nightly News'' and for Garrick Utley on the Saturday Edition of ''NBC Nightly News.

Couric hosted or worked on a number of news specials, like ''Everybody's Business: America's Children'' in 1995. Similar entertainment specials were ''Legend to Legend Night: A Celebrity Cavalcade'' in 1993, and ''Harry Potter: Behind the Magic'' in 2001. Couric has also co-hosted the opening ceremonies of the Olympic Games. She has broadcast with Bob Costas, beginning with the 2000 Summer Olympics. She did not co-host the 2006 Winter Olympics opening ceremony in Turin, Italy because of a scheduling conflict with a live taping of ''Today''. Brian Williams co-hosted with Bob Costas instead.

Couric has interviewed many international political figures and celebrities during her career, including Presidents Gerald R. Ford, Jimmy Carter, George H. W. Bush, Bill Clinton and George W. Bush, and First Lady Barbara Bush. John F. Kennedy Jr. gave Couric his first and last interviews. Couric has won multiple television reporting awards through her career, including the prestigious Peabody Award for her series ''Confronting Colon Cancer''. Couric has also interviewed former British Prime Minister Tony Blair, Senator Hillary Clinton (her first television interview), Harry Potter author J.K. Rowling, and Laura Bush.

On May 28, 2008, Couric made a return visit to ''Today'' since leaving almost two years to the very day back on May 31, 2006. She made this appearance alongside her evening counterparts, NBC Nightly News' Brian Williams & ABC World News' Charles Gibson, to promote an organization called ''Stand Up to Cancer'' and raise cancer awareness on all three major television networks; ABC, CBS & NBC. Couric, Gibson and Williams made appearances together on all three major network morning shows, first on CBS's ''Early Show'', then on NBC's ''Today'' and finally on ABC's ''Good Morning America''.

CBS

''CBS Evening News'' (2006–2011)

Couric announced on April 5, 2006 that she would be leaving ''Today''. CBS officially confirmed later the same day that Couric would become the new anchor and managing editor of ''CBS Evening News'' with her first broadcast set for September 5, 2006. Couric would also contribute to ''60 Minutes'' and anchor prime time news specials for CBS. Couric would remain the highest-paid news anchor at $15 million per year.

Couric made her first broadcast as anchor and managing editor of the ''CBS Evening News with Katie Couric'' on September 5, 2006. The program featured a new set, new graphics, and a new theme composed by prolific movie score composer James Horner. The program also featured a voice-over from Walter Cronkite. It was the first evening newscast to be simulcast live on the internet and local radio stations.

CBS had heavily hyped Couric's arrival at the network, hoping to revive the evening news format, but there were suggestions that it had backfired. Although there was much interest during her first week as anchor, ''CBS Evening News'' has remained a distant third in viewership, behind ''ABC World News'' and ''NBC Nightly News''. While Couric improved over Bob Schieffer, ABC's Charles Gibson has since been widening World News' lead over Evening News.

The ''CBS Evening News with Katie Couric'' has won the 2008 and 2009 Edward R. Murrow Award for best newscast. On March 29, 2009, Couric was awarded with the Emmy Governor's Award for her broadcasting career.

She has interviewed countless presidents, cabinet members, celebrities, and business executives around the world, including President Barack Obama, Secretary of State Hillary Rodham Clinton, Former President George W. Bush, Former Secretary of State Condoleezza Rice, John Edwards just after their announcement that Mrs. Edwards' cancer had returned, Israeli Foreign Prime Minister Tzipi Livni, Norah Jones and Michael J. Fox.

Couric led CBS News' coverage of the 2006 midterm elections, the 2008 Presidential election and conventions, and 2010 midterm elections. Couric was the first network anchor on the ground in Port au Prince after the 2010 Haiti Earthquake. After the BP oil spill Couric anchored from the Gulf Coast weekly and brought much attention to the disaster. She reported from Cairo's Tahrir Square during the Egyptian Revolution in 2011. In April 2011, she led CBS News' coverage from London for the Wedding of Prince William, Duke of Cambridge, and Catherine Middleton.

Couric was the only solo female evening news anchor in the United States, until December 21, 2009, when she was joined by Diane Sawyer, who succeeded the retiring Charles Gibson for ''ABC World News''. Couric and Sawyer were previous rivals as the hosts of ''Today'' and ''Good Morning America'', respectively.

On April 26, 2011, Couric confirmed in an interview with ''People'' magazine that she would be leaving her anchor post at ''CBS Evening News'' when her contract expired on June 4, 2011. Katie Couric made her final broadcast in the ''CBS Evening News'' chair on Thursday, May 19, 2011.

''60 Minutes'' (2006–2011)

Couric was a ''60 Minutes'' correspondent and contributed six to eight stories a year for the program. Her most famous segment was the first interview with airline pilot Chesley Sullenberger. She also interviewed Valerie Plame, Robert Gates, and Michelle Rhee for the program.

The Palin interviews (2008)

The Sarah Palin interviews with Katie Couric were a series of interviews Couric conducted with 2008 U.S. Republican vice presidential nominee Sarah Palin. They were recorded and broadcast on television in several programs before the 2008 U.S. presidential election. Couric received the Walter Cronkite Award for Journalism Excellence for the interview. Steve Schmidt, McCain's senior campaign strategist and advisor, later reflected on the interview, saying "I think it was the most consequential interview from a negative perspective that a candidate for national office has gone through."

CBS Reports (2009–2011)

Couric was the lead reporter for two CBS Reports series, which aired across all CBS News platforms. The first series, "CBS Reports: Children of the Recession," highlighted the pain suffered by the youngest of the Great Recession's victims. The series won the Columbia School of Journalism's Alfred DuPont Award for Excellence in Journalism. The second series, which aired in early 2010, was "CBS Reports: Where America Stands'.' which featured veteran CBS News correspondents reporting on major issues facing the United States in the decade ahead with research by the CBS News Polling Unit.

''@katiecouric'' (2009–2011)

Couric hosted a weekly, one-hour interview program on CBSNews.com. The launch of the webshow signaled that Couric would stay at CBS until her contracted expired in 2011.

Her first guest was Fox News Channel host Glenn Beck. Subsequent interviews have included former Vice President Al Gore, actor Hugh Jackman, recording artist Shakira, First Lady Michelle Obama, and New York Times columnist Thomas Friedman, teen singer Justin Bieber, actress Jane Lynch, talk show host Ellen DeGeneres, actor Daniel Radcliffe, Bill Gates, former White House Chief of Staff Rahm Emmanuel, New Orleans Saints Quarterback Drew Brees, and author Malcolm Gladwell.

ABC

''Katie'' (2012-)

On June 6, 2011, ABC announced that Couric will begin hosting a daytime talk show for its Disney-ABC Domestic Television arm that would debut in September 2012, replacing the now-defunct ''The Oprah Winfrey Show'' on ABC owned-and-operated stations. Couric would also contribute to ABC News programming.

On August 22, 2011, it was announced that Katie Couric's talk show will be called ''Katie''. It was also announced that the airing of the first episode of ''Katie'' will be on September 6, 2012.

Public image

Couric has been called "America's Sweetheart" largely due to her co-anchor role for 15 years on ''The Today Show''. On May 12, 2003, Couric guest-hosted ''The Tonight Show with Jay Leno'' as part of a swap campaign, and had 45 percent more viewers than on other nights. She has been the only guest host used by Jay Leno on either The Tonight Show with Jay Leno or his short lived The Jay Leno Show. Leno filled in for her on "The Today Show" that same day. CNN and the ''New York Daily News'' noted that instead of using Jay Leno's regular solid desk, "workers cut away the front of her desk to expose her legs while she interviewed ''American Idol'' judge Simon Cowell and ''Austin Powers'' star Mike Myers".

Other work

In a media crossover to animated film, she was the voice of news-reporter "Katie Current" in the U.S. version of the film ''Shark Tale''. She also made a cameo appearance as a prison guard at Georgia State Prison in ''Austin Powers in Goldmember''. She guest-starred as herself on the CBS sitcom ''Murphy Brown'' in 1992 and in the NBC sitcom ''Will & Grace'' in late 2002. On May 12, 2003, she traded places for a day with ''Tonight Show'' host Jay Leno. Couric also co-hosted NBC's live coverage of Macy's Thanksgiving Day Parade from 1991 until 2005. Katie Couric delivered the graduation speech at Princeton University on June 1, 2009. She also works with Carmen Marc Valvo to help publicize the deadliness, yet preventability, of colorectal cancer. On May 16, 2010, Katie Couric received an honorary doctor of science degree for her efforts in raising awareness of colorectal cancer and for her commitment to advancing medical research from Case Western Reserve University, and later gave the university's 2010 convocation keynote address. In 2011, she gave the university commencement speech at Boston University and was awarded another doctoral degree, Doctor of Humane Letters. She gave her speech amongst much fan-fare from the BU community, and her speech was not only touching but also inspirational and funny. She has also hosted a Sesame Street special, "When Families Grieve." The special, which aired on PBS on April 14, 2010, dealt with the issues that children go through when a parent dies. On February 6, 2011, Couric guest-starred on the post-Super Bowl episode of ''Glee'', playing herself interviewing Sue Sylvester after the cheer-leading team lost the championship. Sue sarcastically referred to Couric as "Diane Sawyer" during the segment.

On April 12, 2011, Couric's first book titled ''The Best Advice I Ever Got: Lessons from Extraordinary Lives'' was published by Random House. The book is a collection of essays compiled over the past year by Couric; contributors include New York City Mayor Michael Bloomberg, Queen Rania of Jordan, and former Today show colleague Matt Lauer. In an interview with The New York Times, Couric said that a 2010 convocation keynote address she gave (refer to preceding paragraph) inspired her to come up with the book. To this end, all profits of the book will be donated to Scholarship America.

Couric is also heavily featured in The Gregory Brothers' series ''Auto-Tune The News''. They mention this is due to her "outstanding" suitability for auto-tuning.

She is currently a member of the Council on Foreign Relations.

Personal life

Couric married Jay Monahan in 1989. She gave birth to her first daughter, Elinor Tully "Ellie" Monahan, on July 23, 1991; her second daughter, Caroline "Carrie" Couric Monahan, was born on January 5, 1996. Jay Monahan died of colon cancer in 1998 at the age of 42; as a result, Couric is a spokeswoman for colon cancer awareness. She underwent a colonoscopy on-air in March 2000, and, according to a study published by Archives of Internal Medicine (July 14, 2003), inspired many others to get checked as well:

Katie Couric's televised colon cancer awareness campaign was temporarily associated with an increase in colonoscopy use in 2 different data sets. This illustrates the possibility that a well-known individual can draw attention and support to worthwhile causes.

She also was very active in the National Hockey League's Hockey Fights Cancer campaign, appearing in some public service announcements and doing voice-overs for several others. Couric is currently a UNICEF Goodwill Ambassador for the United States.

On October 7, 2005, Couric broadcast her own mammogram on the ''Today'' show, in the hopes of recreating the "Couric Effect" around the issue of breast cancer. October is National Breast Cancer Awareness Month.

Her sister Emily Couric, a Virginia Democratic state senator, died of pancreatic cancer at the age of 54 on October 18, 2001. Couric gave a eulogy at the funeral. She pointed out that it irritated Emily when people asked her if she was Katie Couric's sister. She told the mourners "I just want you to know I will always be proud to say 'I am Emily Couric's sister'." Couric has two other siblings, Clara Couric Bachelor and John M. Couric Jr.

Couric was the honored guest at the 2004 Multiple Myeloma Research Foundation fall gala. As the Guest of Honor for the inaugural American Cancer Society Discovery Ball, Couric was recognized for her leadership in increasing cancer awareness and screening.

In 2011, Couric became the Honorary National Chair of the National Parkinson Foundation's Moving Day campaign, a grassroots campaign to spotlight Parkinson's disease awareness on a national level. Couric's father died in 2011 at age 90 from complications due to Parkinson's disease.

Sources

\ NBC News 4/26/11

References

External links

Katie Couric's ''Huffington Post'' Blog Page

Katie Couric at FameGame.com

Katie Couric Debuts On CBS

Katie Couric's CBS News Bio

Katie Couric on The Colbert Report from March 22, 2007

When Families Grieve ''Sesame Street'' special hosted by Katie Couric

Membership Roster at the Council on Foreign Relations

Category:1957 births Category:Living people Category:People from Arlington County, Virginia Category:American Presbyterians Category:American television news anchors Category:Daytime Emmy Award winners Category:Peabody Award winners Category:University of Virginia alumni Category:Yorktown High School (Virginia) alumni Category:60 Minutes correspondents Category:NBC News Category:American television reporters and correspondents Category:American women journalists Category:American people of French descent Category:American people of German-Jewish descent

de:Katie Couric et:Katie Couric es:Katie Couric fa:کیتی کوریک fr:Katie Couric id:Katie Couric it:Katie Couric he:קייטי קוריק ja:ケイティ・クーリック no:Katie Couric pl:Katie Couric pt:Katie Couric ru:Курик, Кэти simple:Katie Couric sv:Katie Couric tr:Katie Couric zh:凱蒂·庫瑞克

Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and was signed with Streamline Records by the end of 2007. During her employment as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the The Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro". The album's success allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her 2011 album ''Born This Way'' topped the charts of most major markets and generated more international chart-topping singles, including "Born This Way", "Judas" and "The Edge of Glory". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best selling worldwide. Her achievements include four ''Guinness World Records'', five Grammy Awards and 13 MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by ''Forbes'' magazine and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York, NY to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate. Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows.

When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After becoming one of twenty students to gain early admission, she eventually lived in an NYU dorm on 11th Street by the age of 17. CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer for MTV's ''Boiling Points'', a prank reality television show. But Gaga felt more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said.

2005–07: Career beginnings

Gaga withdrew from CAP21 at 19, in the second semester of her sophomore year, deciding to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers. Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' (both 2005) at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a musician, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls. At Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player."

As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album and also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. Her response: "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles in order to work extensively with her record label to complete her debut album and set up her own creative team Haus of Gaga, modeled on Andy Warhol's Factory. ''The Fame'' was first released on August 19, 2008 to slow radio play. Gaga supported it by performing around Europe and in small gay clubs around the US in addition to being billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour. A sleeper hit, lead single "Just Dance" had preceded the album's release by four months but only hit the summit of the international charts in January 2009, provoking the instant success of the album, earning her first Grammy Award nomination (for Best Dance Recording) and becoming one of the best-selling singles worldwide. Gaga achieved a greater unexpected success when "Poker Face", another sleeper hit, reached number one in most major music markets worldwide in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year.

''The Fame'' itself was nominated for Album of the Year while winning Best Dance/Electronica Album at the same ceremony. Contemporary critics lauded the album, describing it as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, noting its combination of genres "from Def Leppard drums and hand claps to metal drums on urban tracks", the inspiration drawn from 1980s synthpop and incorporation of dance music with clear hooks. ''The Fame'' went to number one in Austria, Canada, Germany, Ireland, Switzerland and the UK and appeared in the top five in Australia, the US and 15 other countries. It also stayed atop the Dance/Electronic Albums chart for 106 non-consecutive weeks and, since its release, has sold over 12 million copies worldwide. The album's success spawned many 2009 honors including ''Billboard'' magazine's Rising Star award and the accumulation of 3 of 9 MTV Video Music Awards nominations, winning Best New Artist with the video for her single "Paparazzi" gaining Best Art Direction and Best Special Effects. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the globe, she wrote ''The Fame Monster'', an EP of eight songs released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video. The second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number one single; its accompanying music video, although controversial, receiving positive reception from contemporary critics who praised her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. At the 2010 MTV Video Music Awards, Gaga won 8 of her 13 nominations, including Video of the Year for "Bad Romance" (with "Telephone" also nominated), which made her the first female artist to be nominated twice for the award. In addition, ''The Fame Monster'' garnered a total of six nominations at the 53rd Grammy Awards – equating to the amount of Grammy nominations her debut received – winning Best Pop Vocal Album and earning her a second-consecutive nomination for Album of the Year.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray. Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony. Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage."

Nevertheless, she realized a collaboration with consumer electronic company Beats by Dr. Dre to create a pair of in-ear jewel-encrusted headphones titled Heartbeats. "They are designed to be the first ever fashion accessories that double as the absolute best sonically sounding headphones in the world," she commented. Gaga also partnered with Polaroid in January 2010 as their Creative Director. Excited about "blending the iconic history of Polaroid and instant film with the digital era," Gaga unveiled the first trio of new products called Grey Label: a pair of picture-taking sunglasses, a paperback-sized mobile printing unit and an updated version of the traditional Polaroid camera at the the 2011 Consumer Electronics Show. But her collaboration with past producer Rob Fusari led to her production team, Mermaid Music LLC, being sued in March 2010 when he claimed that he was entitled to a 20% share of the company's earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, but five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga was tested borderline positive for lupus, but claimed not to be affected by the symptoms. The revelations caused considerable dismay among fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga released her second studio album and third major release, ''Born This Way'', on May 23, 2011. Described as a marriage of electronic music with metal, rock 'n' roll, pop and anthemic style melodies with sledge-hammering dance beats and referred to as an album "about what what keeps us up at night and what makes us afraid," Gaga characterized it as "something so much deeper than a wig or lipstick or a fucking meat dress" and, upon hearing it, Akon remarked that she is taking music to the "next level." Upon release, the album received generally positive reviews from music critics, who praised its range of different styles and her vocals. ''Born This Way'' sold 1.108 million copies in its first week in the US, debuted atop the ''Billboard'' 200, and topped the charts in more than 20 other countries. In addition to exceeding 8 million copies in worldwide sales, ''Born This Way'' received 3 Grammy Award nominations, including her third consecutive for Album of the Year.

In the months prior to its unveiling, Gaga released the singles "Born This Way", "Judas" and "The Edge of Glory" alongside promotional single "Hair". The eponymous lead single, first sung live at the 53rd Grammy Awards in a performance that saw Gaga emerge from an egg-like vessel, deals with self-acceptance regardless of race or sexual orientation. The single debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts. It sold more than 3 million digital copies in the US by October 2011, becoming her eighth consecutive single to exceed sales of 2 million and, with worldwide sales of 8.2 million copies by November 2011, one of her five best-selling singles worldwide. Critics noted artistic and cultural references and praised the concept of the song's accompanying music video, in which Gaga gives birth to a new race amidst surrealistic images. The video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references but received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" also peaked within the top ten in several major musical markets while "The Edge of Glory", first a commercial success in digital outlets, was later released as a single to critical appreciation accompanied by a video which notably stripped down from her usually "extravagant" efforts. She released "You and I" and "Marry the Night" as the following singles from ''Born This Way''. Although their "crazy and ambitious" videos were praised for their audacity, both songs failed to match the similar international success that its predececors achieved.

Gaga continued her musical endeavors by pairing with veteran artists like Tony Bennett to record a jazz version of "The Lady Is a Tramp". She also recorded a duet with Cher on a "massive" and "beautiful" track, which Gaga "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." Gaga also lent her vocals to an original duet with Elton John for the animated feature film ''Gnomeo & Juliet''. The song, "Hello, Hello", was released without Gaga's vocals but the duet version features in the film. She also continued her live appearances throughout 2011, performing a one-of-a-kind concert at the Sydney Town Hall on July 13 in promotion of ''Born This Way'' and at the celebration of former US president Bill Clinton's 65th birthday, wearing a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changing the lyrics to "You and I" specifically for the performance. Televised appearances comprised her own Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving'' which was critically lauded, attained 5.749 million American viewers, and spawned the release of her fourth extended play ''A Very Gaga Holiday''. Her second performance on ''Saturday Night Live'' saw her singing a selection of ''Born This Way'' songs alongside appearing in number of sketches with Justin Timberlake and Andy Samberg.

As she enters 2012, songs for a new album are "beginning to flourish" as she works with producer Fernando Garibay while the accompanying tour for ''Born This Way'' materializes. The Born This Way Ball Tour will kick off on April 27, 2012 at the Olympic Stadium in Seoul, South Korea.

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream." Gaga made her runway debut at Thierry Mugler's Paris fashion show in March 2011 where she wore items from Nicola Formichetti's debut women's wear collection. In June of the same year, she won the Council of Fashion Designers of America Award for Fashion Icon. She has since devoted her time as a fashion columnist for ''V'' magazine, where she has written about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme.

Musical style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Music videos and performances

With constant costume changes, backup dancers, and plenty of provoctative visuals, Gaga's music videos are often described as short films. "Being provocative is not just about getting people's attention. It's about saying something that really affects people in a real way, in a positive way," she professes. Exploring bondage and sadomasochism in addition to highlighting prevalent feminist themes, "the three central themes that shape Lady Gaga's music videos are sex, violence, and power." "Vaudevillian and carnal, Lady Gaga has got the knack of sending rape-like fantasies—in songs and videos that double as catch club hits—to the top of the charts," wrote one critic. "Whether it is physical violence or sexual exploitation, these videos offer vivid depictions of male power over women's bodies," wrote another. While she labels herself "a little bit of a feminist" (she rejects man-hating feminism) and asserts that she is "sexually empowering women," Gaga strives to empower young women to stand up for what they believe in. She also attempts to liberate her fans so they can feel "less alone." "She not only reiterates her assertion of total originality," professed pop critic Ann Powers, "but also finesses it until it's both a philosophical stance about how constructing a persona from pop-cultural sources can be an expression of a person's truth—a la those drag queens Gaga sincerely admires—and a bit of a feminist act." In summation of her videos, ''Rolling Stone'' used the rhetoric: "does anyone look to a Lady Gaga video for restraint?"

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme during The Monster Ball Tour, in which she wore a revealing leather corset and was "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards: performing in drag as her male alter ego, Jo Calderone, and delivering a lovesick monologue before a performance of her song "You and I". Some have defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," Chris Rock said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" As Gaga's choreographer and creative director, Laurieann Gibson provided material for her shows and videos for four years. However, the pair parted in November 2011; Gaga replacing her with Gibson's assistant Richard Jackson. Gaga admits to being a perfectionist when it comes to her elaborate shows. "I'm very bossy. I can scream my head off if I see one light fixture out. I'm very detailed – every minute of the show has got to be perfect."

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga." When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.

Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way." When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.

While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication. Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities. For natural disasters, Gaga has helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS, focusing on educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

As a humanitarian, she has launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University. She also jumped into the debate surrounding SB 1070, Arizona's recently-enacted anti-immigration law, after premiering her ''Born This Way'' song "Americano" on the Guadalajara stop of The Monster Ball Tour in Mexico, telling the local press that she could not "stand by many of the unjust immigration laws" in the US. A devoted advocate for the LGBT community, Gaga is also an outspoken activist for LGBT rights worldwide.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a meat dress to the ceremony which was supplemented by boots, a purse and a hat that were all fabricated from the flesh of a dead animal. Partly awarded in recognition of the dress, Vogue.com UK named her one of the Best Dressed people of 2010 while ''Time'' magazine's named the dress the Fashion Statement of 2010, it received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. She denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community, adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones."

She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

The Born This Way Ball Tour (2012–13)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

Category:1986 births Category:American contraltos Category:American dance musicians Category:American electronic musicians Category:American female pop singers Category:American musicians of Italian descent Category:American performance artists Category:American pop singer-songwriters Category:American Roman Catholics Category:Androgyny Category:Bisexual musicians Category:Brit Award winners Category:Echo winners Category:English-language singers Category:Feminist musicians Category:Grammy Award winners Category:Interscope Records artists Category:Keytarists Category:LGBT Christians Category:LGBT musicians from the United States Category:LGBT rights activists from the United States Category:LGBT rights activists Category:Living people Category:People from Manhattan Category:Pseudonymous musicians Category:Singers from New York City Category:Sony/ATV Music Publishing artists Category:Synthpop musicians Category:Tisch School of the Arts alumni Category:Wonky Pop acts

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