name	Bill Monroe
background	solo_singer
birth name	William Smith Monroe
alias	Bill Monroe |"The Father of Bluegrass Music"
birth date	September 13, 1911
death date	September 09, 1996
origin	Rosine, Kentucky, USA
instrument	Mandolin
genre	bluegrass, bluegrass gospel
occupation	Bluegrass artist
years active	1930s–1996
label	|
associated acts	|
website	|
current members	Country Music Hall of Fame International Bluegrass Music Hall of Honor Rock and Roll Hall of Fame |
past members	Grand Ole Opry (1939 – 1996) The Monroe Brothers Blue Grass Boys |
notable instruments	Mandolin '''Gibson F5 }}

William Smith Monroe (September 13, 1911 – September 9, 1996) was an American musician who created the style of music known as bluegrass, which takes its name from his band, the "Blue Grass Boys," named for Monroe's home state of Kentucky. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. He is often referred to as The Father of Bluegrass.

Early life

Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. He recalled that his brothers insisted he remove four of the mandolin's eight strings so he would not play too loudly.

Monroe's mother died when he was ten, followed by his father six years later. As his brothers and sisters had moved away, after bouncing among uncles and aunts, Monroe settled in with his, now disabled, uncle Pendleton Vandiver, often accompanying him when Vandiver played the fiddle at dances. This experience inspired one of Monroe's most famous compositions, "Uncle Pen," recorded in 1950 and released on the 1972 album, "Bill Monroe's Uncle Pen." On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Uncle Pen has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones." Also significant in Monroe's musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues.

Professional career

In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie. Together with a friend Larry Moore, they formed a musical group, the Monroe Brothers, to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations— first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give In Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.

After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. In October 1939, he successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.

While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.

The "Original Bluegrass Band" and Monroe's heyday as a star

A key development occurred in Monroe's music with the addition of North Carolina banjo prodigy Earl Scruggs to the Blue Grass Boys in December 1945. Scruggs played the instrument with a distinctive three-finger picking style that immediately caused a sensation among Opry audiences. Scruggs joined a highly accomplished group that included singer/guitarist Lester Flatt, fiddler Chubby Wise, and bassist Howard Watts, who often performed under the name "Cedric Rainwater." In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band," as Monroe's music finally included all the elements that characterize the genre, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. By this point, Monroe had acquired the 1923 Gibson F5 model "Lloyd Loar" mandolin which became his trademark instrument for the remainder of his career.

The 28 songs recorded by this version of the Blue Grass Boys for Columbia Records in 1946 and 1947 soon became classics of the genre, including "Toy Heart," "Blue Grass Breakdown," "Molly and Tenbrooks", "Wicked Path of Sin," "My Rose of Old Kentucky," "Little Cabin Home on the Hill," and Monroe's most famous song, "Blue Moon of Kentucky". The last-named was recorded by Elvis Presley in 1954, appearing as the B-side of his first single for Sun Records. Monroe gave his blessing to Presley's rock-and-roll cover of the song, originally a slow ballad in waltz time, and in fact re-recorded it himself with a faster arrangement after Presley's version became a hit. Several gospel-themed numbers are credited to the "Blue Grass Quartet," which featured four-part vocal arrangements accompanied solely by mandolin and guitar — Monroe's usual practice when performing "sacred" songs.

Both Flatt and Scruggs left Monroe's band in early 1948, soon forming their own group, the Foggy Mountain Boys, which met with notable commercial success in the 1950s and 1960s with such hits as "Foggy Mountain Breakdown", "Cabin on the Hill," and "The Ballad of Jed Clampett". In 1949, after signing with Decca Records, Monroe quickly regrouped, entering the "golden age" of his career with what many consider the classic "high lonesome" version of the Blue Grass Boys, featuring the lead vocals and rhythm guitar of Jimmy Martin, the banjo of Rudy Lyle (replacing Earl Scruggs), and fiddlers such as Merle "Red" Taylor, Charlie Cline, Bobby Hicks and Vassar Clements. This band recorded a number of bluegrass classics, including "My Little Georgia Rose," "On and On," "Memories of Mother and Dad," and "Uncle Pen," as well as instrumentals such as "Roanoke", "Big Mon", "Stoney Lonesone", "Get Up John" and the mandolin feature "Raw Hide." Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when the Stanley Brothers had temporarily disbanded.

On January 16, 1953 Monroe was critically injured in a two-car wreck. He and "Bluegrass Boys" bass player, Bessie Lee Mauldin, were returning home from a fox hunt north of Nashville. On highway 31-W, near White House, their car was struck by a drunken driver. Monroe, who had suffered injuries to his back, left arm and nose, was rushed to General Hospital in Nashville. It took him almost four months to recover and resume touring. In the meantime Charlie Cline and Jimmy Martin kept the band together.

By the late 1950s, however, Monroe's commercial fortunes had begun to slip. The rise of rock-and-roll and the development of the "Nashville sound" in mainstream country music both represented threats to the viability of bluegrass. While still a mainstay on the Grand Ole Opry, Monroe found diminishing success on the singles charts, and struggled to keep his band together in the face of declining demand for live performances.

The folk revival

Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.

The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.

Later years

Even after the folk revival faded in the mid-1960s, it left a loyal audience for bluegrass music. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances.

In 1967 Monroe himself founded an annual bluegrass festival at Bean Blossom in southern Indiana, a park he had purchased in 1951, which routinely attracted a crowd of thousands; a double LP from the festival featuring Monroe, Jimmy Martin, Lester Flatt, and Jim and Jesse was released in 1973. The annual ''Bill Monroe Bean Blossom Bluegrass Festival'' is now the world's oldest continuously running annual bluegrass festival.

Monroe's compositions during his later period were largely instrumentals, including "Jerusalem Ridge", "Old Dangerfield", and "My Last Days on Earth"; he settled into a new role as a musical patriarch who continued to influence younger generations of musicians. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. A 1989 live album celebrated his 50th year on the Grand Ole Opry. Monroe also kept a hectic touring schedule. On April 7, 1990, Monroe performed for Farm Aid IV in Indianapolis, Indiana along with Willie Nelson, John Mellencamp, Neil Young and with many other artists.

Death

Monroe suffered a stroke in April 1996, effectively ending his touring and playing career. He died on September 9, 1996, only four days before his 85th birthday. Emmylou Harris said of Monroe after his death:

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Awards and legacy

Bill Monroe was made an honorary Kentucky colonel in 1966. He was inducted into the Country Music Hall of Fame in 1970, the Nashville Songwriters Hall of Fame in 1971, and the Rock and Roll Hall of Fame (as an "early influence") in 1997. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. As the "father of bluegrass," he was also an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. His well-known song "Blue Moon of Kentucky" has been covered not only by bluegrass but also rock and country artists, most notably Elvis Presley, Paul McCartney, and Patsy Cline. In 2003, CMT had Bill Monroe ranked #16 on ''CMT 40 Greatest Men of Country Music''. Artists that claimed to be influenced by or to be playing the bluegrass genre were often bullied by Bill Monroe. He always considered himself the father and caretaker of bluegrass. He would often say of new bands that did not perform to his standards, "That ain't no part of nothin'." Even those who question the scope of bluegrass refer to Monroe as a "musical giant" and recognize that "there would be no bluegrass without Bill Monroe."

Artists influenced by Monroe

More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. Monroe tended to recruit promising young musicians who served an apprenticeship with him before becoming accomplished artists in their own right. Some of Monroe's band members who went on to greater prominence include singer/guitarists Clyde Moody, Lester Flatt, Jack Cook, Mac Wiseman, Jimmy Martin, Carter Stanley, Del McCoury, Peter Rowan, Roland White, Roland Dunn and Doug Green; banjo players Earl Scruggs, Don Reno, Sonny Osborne, and Bill Keith; and fiddlers Tommy Magness, Chubby Wise, Vassar Clements, Byron Berline, Kenny Baker, Bobby Hicks, Gordon Terry, and Glen Duncan. Monroe also regularly performed with flat-picking guitar virtuoso Doc Watson.

Modern bluegrass singer and mandolin player Ricky Skaggs was influenced by Monroe. Skaggs was only six years old when he first got to perform on stage with Monroe and his band. He stated, "I think Bill Monroe's importance to American music is as important as someone like Robert Johnson was to blues, or Louis Armstrong. He was so influential: I think he's probably the only musician that had a whole style of music named after his band".

Pseudonyms used by Monroe as a composer

Joe Ahr; Rupert Jones; Wilbur Jones; Albert Price; James B. Smith; James W. Smith

Discography

References

Bibliography

Rumble, John (1998). "Bill Monroe". In ''The Encyclopedia of Country Music''. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 350–2.

Smith, Richard D. (2000). ''Can't You Hear Me Callin': The Life of Bill Monroe, Father of Bluegrass.'' Little, Brown and Company. ISBN 0-316-80381-2.

Rosenberg, Neil V., and Charles K. Wolfe (2007). ''The Music of Bill Monroe.'' University of Illinois Press. ISBN 0-252-03121-0.

External links

Country Music Hall of Fame profile

International Bluegrass Music Hall of Honor profile

Nashville Songwriters Hall of Fame profile

Recording of "Wayfaring Stranger" from the 1993 Florida Folk Festival (available for public use from the State Archives of Florida)

Bill Monroe: Father of Bluegrass Music (documentary video)

Category:1911 births Category:1996 deaths Category:People from Ohio County, Kentucky Category:American country musicians Category:American country singers Category:American bluegrass musicians Category:American country singer-songwriters Category:Country Music Hall of Fame inductees Category:Deaths from stroke Category:Grand Ole Opry members Category:Grammy Lifetime Achievement Award winners Category:International Bluegrass Music Hall of Honor inductees Category:Musicians from Kentucky Category:National Heritage Fellowship winners Category:Peabody Award winners Category:Rock and Roll Hall of Fame inductees Category:United States National Medal of Arts recipients Category:American bluegrass mandolinists

cs:Bill Monroe da:Bill Monroe de:Bill Monroe et:Bill Monroe es:Bill Monroe fr:Bill Monroe it:Bill Monroe nl:Bill Monroe ja:ビル・モンロー pl:Bill Monroe sv:Bill Monroe uk:Біл Монро

name	Johnny Cash
background	solo_singer
birth name	J. R. Cash
birth date	February 20, 1932
birth place	Kingsland, Arkansas, United States
death date	September 12, 2003
death place	Nashville, Tennessee, United States
instrument	Vocals, guitar, harmonica, mandolin
genre	Country, rock and roll, folk, gospel, blues, rockabilly
occupation	Singer-songwriter, musician, actor
years active	1955–2003
label	Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
associated acts	The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins
website
notable instruments	Martin Acoustic Guitars }}

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), A.K.A. "The Man In Black", was an American singer-songwriter, actor, and author, who has been called one of the most influential musicians of the 20th century. Although he is primarily remembered as a country music artist, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame. Late in his career, Cash covered songs by several rock artists.

Cash was known for his deep, distinctive bass-baritone voice; for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness, coupled with an increasingly somber and humble demeanor; for providing free concerts inside prison walls; and for his dark performance clothing, which earned him the nickname "The Man in Black". He traditionally started his concerts by saying, "Hello, I'm Johnny Cash." and usually following it up with his standard "Folsom Prison Blues."

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption. His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".

Cash, a troubled but devout Christian, has been characterized as a "lens through which to view American contradictions and challenges." A Biblical scholar, he penned a Christian novel titled ''Man in White'', and he made a spoken word recording of the entire New King James Version of the New Testament. Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man. Accordingly, Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".

Personal life

Early life

Johnny Cash was born in Kingsland, Arkansas, the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee) and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee). Cash was named J. R. Cash because his parents couldn't think of a name, but the initials "J. R." When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he started to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy. His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. J.R. was working in cotton fields beginning at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack. In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15. Cash often spoke of the horrible guilt he felt over this incident. According to ''Cash: The Autobiography'', his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called ''My Mother's Hymn Book''. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.

Cash enlisted in the United States Air Force on July 7, 1950. After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians." He was the first radio operator to pick up the news of the death of Joseph Stalin. After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas. On August 7, 1954, one month after his discharge, he married his first wife, Vivian Liberto, in San Antonio.

Marriages and family

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters. On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario, marrying on March 1, 1968 in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in ''I Walked the Line: My Life with Johnny'', stating that Cash gave Carter the credit for monetary reasons.

Heritage

Cash found out that his heritage was a British Isles mix. For example, he learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland. After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife; Cash Loch and other locations in Fife bear the name of his family.

Cash found that he also had English and Scotch-Irish ancestry. Though he learned that he did not have Native American Indian ancestry, his empathy and compassion for Native American Indians were unabated; these feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, ''Bitter Tears: Ballads of the American Indian''. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.

Friends

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.

Career

Early career

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment. Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title ''Million Dollar Quartet''.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived ''Rainbow Quest.''

He also acted in a 1961 film entitled ''Five Minutes to Live'', later re-released as ''Door-to-door Maniac''. He also wrote and sang the opening theme.

Outlaw image

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at ''The Johnny Cash Show'', Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burned several hundred acres in Los Padres National Forest in California. When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it." The fire destroyed , burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($}} today). Cash eventually settled the case and paid $82,001. He said he was the only person ever sued by the government for starting a forest fire.

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence. Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live ''At San Quentin'' prison album.)

In the mid 1960s, Cash released a number of concept albums, including ''Ballads Of the True West'' (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and ''Bitter Tears'' (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario, Canada on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up". He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).

Folsom Prison Blues

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison. These performances led to a pair of highly successful live albums, ''Johnny Cash at Folsom Prison'' (1968) and ''Johnny Cash at San Quentin'' (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album ''På Österåker'' ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"

From 1969 to 1971, Cash starred in his own television show, ''The Johnny Cash Show'', on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more contemporary performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film ''Little Fauss and Big Halsey'', which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, ''The Ballad of Little Fauss and Big Halsey'', was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album ''Nashville Skyline'' and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from ''The Johnny Cash Show'' was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime", and on behalf of those who have been betrayed by age or drugs. "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color. To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled ''Man in Black'', was published in 1975 and sold 1.3 million copies. A second, ''Cash: The Autobiography'', appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, ''The Gospel Road'', which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of ''Columbo'' (Swan Song). He also appeared with his wife on an episode of ''Little House on the Prairie'' entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series ''North and South''.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends. He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.

When invited to perform at the White House for the first time in 1970, Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason. However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.

Highwaymen

thumb|200px|From left to right Kris Kristofferson, Johnny Cash, Waylon Jennings, Willie Nelson, who formed the country music [[Supergroup (music)|supergroup, The Highwaymen]] In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age forty-eight, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in ''The Pride of Jesse Hallam'', winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the ''Muppet Show''. In 1983, he appeared as a heroic sheriff in ''Murder in Coweta County'', based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody. "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album ''Class of '55''. Also in 1986, Cash published his only novel, ''Man in White'', a book about Saul and his conversion to become the Apostle Paul. He also recorded ''Johnny Cash Reads The Complete New Testament'' in 1990.

American Recordings

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album ''I Scream Sunday''. In 1993, he sang "The Wanderer" on U2's album ''Zooropa''. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded ''American Recordings'' (1994) in his living room, accompanied only by his Martin dreadnought guitar – one of many Cash played throughout his career. The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album ''Red Hot + Country'' produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series ''Dr. Quinn, Medicine Woman'' starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in ''The Simpsons'' episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released ''Unchained'', which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography ''Man in Black'', he wrote ''Cash: The Autobiography'' in 1997.

Last years and death

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums ''American III: Solitary Man'' (2000) and ''American IV: The Man Comes Around'' (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from ''American IV'', is now generally recognized as "his epitaph," and received particular critical and popular acclaim. June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003 concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003 while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death. He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

His stepdaughter, Rosie Nix Adams and another passenger were found dead on a bus in Montgomery County, Tennessee, on October 24, 2003. It was speculated that the deaths may have been caused by carbon monoxide from the lanterns in the bus. Adams was 45 when she died. She was buried in the Hendersonville Memory Gardens, near her mother and stepfather.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.

In June 2005, his lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. The home was destroyed by fire on April 10, 2007.

One of Cash's final collaborations with producer Rick Rubin, entitled ''American V: A Hundred Highways'', was released posthumously on July 4, 2006. The album debuted in the No.1 position on the ''Billboard'' Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled ''American VI: Ain't No Grave''.

Legacy

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; ''Kindred Spirits'' contains works from established artists, while ''Dressed in Black'' contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled ''Unearthed'' was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a ''Best of Cash on American'' retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica. The Johnny Cash Memorial Fund was founded.

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, ''Rolling Stone Magazine'' ranked Cash No.31 on their list of the ''100 Greatest Artists of All Time''.

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled ''Tough All Over''. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker has been using Cash's song "Aint No Grave" (from ''American VI: Ain't No Grave'') as his entrance theme since February 21, 2011. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from ''American V: A Hundred Highways'') as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from ''American IV: The Man Comes Around''), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

Along with the television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

Portrayals

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, ''I Still Miss Someone.''

In November of 2005, ''Walk the Line'', an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 ''Ring of Fire'', a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, ''Million Dollar Quartet'', a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography

: ''See Johnny Cash discography, and Johnny Cash Sun Records discography.''

Awards and honors

: ''For detailed lists of music awards, see List of Johnny Cash awards.''

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame. He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts. He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.

Further reading

Graeme Thomson ''The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings'' Jawbone Press ISBN 978-1906002367

Sources

Notes

References

D'Ambrosio, Antonino (2009). ''A Heartbeat and A Guitar: Johnny Cash and the Making of Bitter Tears''. With Original Art by Shepard Fairey and Photos by Jim Marshall. Perseus Books/Nation Books ISBN 9781568584072

Millier, Bill. (retrieved September 7, 2004). Johnny Cash Awards. JohnnyCash.com.

Streissguth, Michael. ''Johnny Cash at Folsom Prison: The Making of a Masterpiece'', Da Capo Press (2004). ISBN 0-306-81338-6.

Urbanski, Dave. ''The Man Comes Around: The Spiritual Journey of Johnny Cash''. New York: Relevant Books. ISBN 0-9729276-7-0.

Turner, Steve. ''The Man Called Cash: The Life, Love, and Faith of an American Legend''. Nashville, W Publishing Group, 2004. (The Authorized Biography).

Published works

Cash, Johnny. ''Man in Black: His Own Story in His Own Words''. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.

Cash, Johnny, with Patrick Carr. ''Cash: The Autobiography''. New York: Harper Collins, 1997. ISBN 0-06-101357-9.

Cash, Johnny, with June Carter Cash. ''Love'' liner notes. New York: Sony, 2000.

Cash, Johnny, ''The Man in White'', 1986.

External links

Johnny Cash Official Label Website

Johnny Cash Radio Webcast

Johnny Cash World - buy songs, albums, movies, books with Johnny Cash

Official Johnny Cash Lost Highway Artist Page

at the Country Music Hall of Fame

at the Rock and Roll Hall of Fame

at the Rockabilly Hall of Fame

at the Hit Parade Hall of Fame

Larry King's November 26, 2002 interview With Johnny Cash on CNN

Johnny Cash: Best Photos – slideshow by ''Life magazine''

Category:1932 births Category:2003 deaths Category:People from Cleveland County, Arkansas Category:Actors from Arkansas Category:American autobiographers Category:American composers Category:American country guitarists Category:American country singers Category:American country songwriters Category:American folk guitarists Category:American folk singers Category:American bass-baritones Category:American performers of Christian music Category:American Protestants Category:Country musicians from Arkansas Category:Burials in Tennessee Category:Charly Records artists Category:Columbia Records artists Category:Country Music Hall of Fame inductees Category:Deaths from diabetes Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Grand Ole Opry members Category:Kennedy Center honorees Category:Musicians from Arkansas Category:People from Sumner County, Tennessee Category:People with Parkinson's disease Category:Rockabilly Hall of Fame inductees Category:Rock and Roll Hall of Fame inductees Category:American people of Scottish descent Category:American people of English descent Category:American people of Scotch-Irish descent Category:The Highwaymen (country supergroup) members Category:Sun Records artists Category:United States Air Force airmen Category:United States National Medal of Arts recipients Category:People self-identifying as substance abusers Category:Grammy Legend Award Category:Million Dollar Quartet members

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name	Ralph Stanley |
background	solo_singer |
birth name	Ralph Edmund Stanley |
alias	"Dr. Ralph Stanley"|
born	February 25, 1927 |
death date	|
origin	Big Spraddle Creek, Virginia, USA |
instrument	Banjo |
genre	Bluegrass, old-time music
occupation	Bluegrass musician |
years active	1946–present |
label	Columbia RecordsRebel Records |
associated acts	Clinch Mountain BoysStanley Brothers |
website	|
current members	Dr. Ralph StanleyJack Cooke (deceased)James SheltonSteve SparkmanRalph Stanley IIDewey BrownNathan StanleyE.C. French |
past members	Sammy AdkinsJunior BlankenshipRoy Lee CentersCurly Ray ClineMelvin GoinsRickey LeeJames PriceTroy "Renfro" ProffitJohn RigsbyGeorge ShufflerCharlie SizemoreLarry SparksRicky SkaggsKeith Whitley |
notable instruments	Banjo | }}

Ralph Stanley (born February 25, 1927), also known as Dr. Ralph Stanley, is an American bluegrass artist, known for his distinctive singing and banjo playing.

Biography

Ralph Edmond Stanley was born, grew up, and lives today in rural southwestern Virginia—"in a little town called McClure at a place called Big Spraddle, just up the holler" from where he moved in 1936 and has lived ever since in Dickenson County. The son of Lee and Lucy Stanley, Ralph did not grow up around a lot of music in his home. As he says, his "daddy didn't play an instrument, but sometimes he would sing church music. And I'd hear him sing songs like 'Man of Constant Sorrow,' 'Pretty Polly' and 'Omie Wise.'"

He learned to play the banjo, clawhammer style, from his mother:

He graduated from high school on May 2, 1945 and was inducted into the Army on May 16, serving "little more than a year." He immediately began performing when he got home:

Clinch Mountain Boys

After initially considering a course in "veterinary," he decided to throw in with his older guitar-playing brother, Carter, and form the Clinch Mountain Boys, in 1946. Drawing heavily on the musical traditions of the area, which included the unique minor-key singing style of the Primitive Baptist Universalist church and the sweet down-home family harmonies of the Carter Family, the Stanleys began playing on local radio stations. They first performed at Norton, Virginia's WNVA, but didn't stay long there, moving on instead to Bristol, Virginia and WCYB to start the show ''Farm and Fun Time'' where they stayed "off and on for 12 years."

Initially covering "a lot of Bill Monroe music", they soon "found out that didn't pay off—we needed something of our own. So we started writing songs in 1947, 1948. I guess I wrote 20 or so banjo tunes, but Carter was a better writer than me." When Columbia Records signed the Stanley Brothers, Bill Monroe left in protest and joined Decca. Later, the Stanleys split up and Carter went to sing for the "Father of Bluegrass." Asked how Monroe could be mad at the Stanley Brothers at one point and then hire Carter for his band, Ralph explained: "He knew Carter would make him a good singer. . . Bill Monroe loved our music and loved our singing."

The Stanley Brothers joined King Records in the late '50s, a record company so eclectic it included James Brown at the time. In fact he and his band were in the studio when the brothers recorded "Finger Poppin' Time." "James and his band were poppin' their fingers on that" according to Ralph. It was at King Records that they "went to a more 'Stanley style,' the sound that people most know today."

Ralph and Carter performed as The Stanley Brothers with their band, the Clinch Mountain Boys from 1946 to 1966.

Solo

After Carter died of complications of cirrhosis in 1966, after failing for "a year or so," Ralph faced a hard decision on whether to continue performing on his own. "I was worried, I didn't know if I could do it by myself. But boy, I got letters, 3,000 of 'em, and phone calls . . . I went to Syd Nathan at King and asked him if he wanted me to go on, and he said, 'Hell yes! You might be better than both of them.'" He decided to go it alone, eventually reviving the Clinch Mountain Boys. Larry Sparks, Roy Lee Centers, and Charlie Sizemore were among those with whom he played in the revived band. He encountered Ricky Skaggs and Keith Whitley arriving late to his own show: "They were about 16 or 17, and they were holding the crowd 'til we got there. . . They sounded just exactly like (the Stanley Brothers)." Seeing their potential, he hired them "to give 'em a chance", even though that meant a seven-member band. Eventually, his son Ralph Stanley II, took over as lead singer and rhythm guitarist for the Clinch Mountain Boys.

Political career

Around 1970, he ran for Clerk of Court and Commissioner of Revenue in Dickenson County only to state this:

''O Brother, Where Art Thou?''

Stanley's work was featured in the 2000 film ''O Brother, Where Art Thou?'', in which he sings the Appalachian dirge "O Death." The soundtrack's producer was T-Bone Burnett. Stanley said the following about working with Burnett:

With that song, Stanley won a 2002 Grammy Award in the category of Best Male Country Vocal Performance. "That put the icing on the cake for me," he says. "It put me in a different category."

Today

Known in the world of bluegrass music by the popular title, "Dr. Ralph Stanley" (after being awarded an honorary Doctorate of Music from Lincoln Memorial University in Harrogate, Tennessee in 1976), Stanley was inducted into the International Bluegrass Music Hall of Honor in 1992 and in 2000, and became the first person to be inducted into the Grand Ole Opry in the third millennium.

He joined producers Randall Franks and Alan Autry for the In the Heat of the Night (TV Series) cast CD “Christmas Time’s A Comin’” performing "Christmas Time's A Comin'" with the cast on the CD released on Sonlite and MGM/UA for one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.

He is featured in the Josh Turner hit song "Me and God," released in 2006. In 2006 he was awarded the National Medal of Arts. On November 10, 2007, Stanley and the Clinch Mountain Boys performed at a rally for presidential candidate John Edwards in Des Moines, Iowa, just prior to the Democratic Party's annual Jefferson-Jackson Day Dinner. Between renditions of "Man of Constant Sorrow" and "Orange Blossom Special," Stanley told the crowd that he had cast his first vote for Harry S. Truman in 1948 and would cast his next for John Edwards in 2008—but after Edwards fell by the wayside, Stanley endorsed Barack Obama on September 9, 2008. In October 2008, the Obama campaign aired a radio ad in Virginia featuring Stanley.

Stanley maintains an extensive touring schedule.

Country singer Dwight Yoakam has stated that Ralph Stanley is one of his "musical heroes."

Stanley's autobiography, ''Man of Constant Sorrow'', coauthored with the music journalist Eddie Dean, was released by Gotham Books on October 15, 2009.

Musical style

Ralph created a unique style of banjo playing, sometimes called "Stanley Style". It evolved from Scruggs style, which is a three finger technique. "Stanley style" is distinguished by incredibly fast "forward rolls," led by the index finger, sometimes in the higher registers utilizing a capo. In "Stanley Style", the rolls of the banjo are continuous, while being picked fairly close the bridge on the banjo, giving the tone of the instrument a very crisp, articulate snap to the strings as the player would strike them.

Selected discography

Title	Details	Peak chart positions
		! width="40"	! width="40"	! width="40"	! width="40"
''Clinch Mountain Gospel''		* Release date: May 15, 2001	* Label: Rebel Records	—	—	—	—
''Ralph Stanley''		* Release date: June 11, 2002	* Label: Columbia Records/DMZ	3	22	163	5
''Poor Rambler''		* Release date: June 17, 2003	King Records (United States)>King Records	—	—	—	—
! scope="row"		* Release date: June 7, 2005	* Label: Rebel Records	6	—	—	—
''A Distant Land to Roam''		* Release date: May 30, 2006	* Label: Columbia Records/DMZ	4	—	—	—
''Mountain Preacher's Child''		* Release date: April 3, 2007	* Label: Rebel Records	9	—	—	—
''A Mother's Prayer''		* Release date: April 19, 2011	* Label: Rebel Records	6	—	—	—

Other contributions

''Lifted: Songs of the Spirit'' (2002, Sony/Hear Music) - "Listen to the Shepherd"

Honors, awards, distinctions

He's known in the world of bluegrass music by the popular title, "Dr. Ralph Stanley" after being awarded an honorary Doctorate of Music from Lincoln Memorial University in Harrogate, Tennessee, in 1976.

He was inducted into the International Bluegrass Music Hall of Honor in 1992 and in 2000.

He became the first person to be inducted into the Grand Ole Opry in the third millennium.

His work was featured in the 2000 film ''O Brother, Where Art Thou?'', in which he sings the Appalachian dirge "O Death."

*That song won him a 2002 Grammy Award in the category of Best Male Country Vocal Performance.

The Virginia Press Association made him their Distinguished Virginian of the Year in 2004.

The Ralph Stanley Museum and Traditional Mountain Music Center opened in Clintwood, Virginia in 2004.

He was awarded the National Medal of Arts in 2006, the nation's highest honor for artistic excellence.

The Virginia legislature designated him the Outstanding Virginian of 2008.

He was awarded the Key to the City of Garner, North Carolina on November 15, 2008

He was named a Library of Congress Living Legend in April 2000

See also

The Stanley Brothers

George Shuffler

Dickenson County, Virginia

Bluegrass music

Old-time music

Banjo

International Bluegrass Music Hall of Honor

Grand Ole Opry

''O Brother, Where Art Thou?''

Grammy Awards

National Medal of Arts

References

"Old-Time Man" interview June 2008 ''Virginia Living'' pp 55–57.

Notes

External links

American legends: Ralph Stanley - The Guardian

http://www.slipcue.com/music/country/countryartists/stanley.html

http://www.drralphstanley.com/index.shtml

Ralph Stanley Museum & Traditional Mountain Music Center

Ralph Stanley Interview

[ Allmusic with audio]

A capella performance of 'Me and God'

http://www.ralphstanley.net/

Ralph Stanley plays the Tiny Desk for NPR Music

The Ralph Stanley "Twine"

Category:1927 births Category:Living people Category:American country musicians Category:American country singers Category:American male singers Category:American banjoists Category:American bluegrass musicians Category:International Bluegrass Music Hall of Honor inductees Category:National Heritage Fellowship winners Category:United States National Medal of Arts recipients Category:Grammy Award winners Category:People from Dickenson County, Virginia Category:Grand Ole Opry members Category:Rebel Records artists Category:Baptists from the United States Category:American Christian Universalists Category:20th-century Christian Universalists Category:21st-century Christian Universalists Category:Baptist Universalists

da:Ralph Stanley sv:Ralph Stanley

The following is a list of significant men and women known for being the father, mother, or considered the founders mostly in Western socities in a field, listed by category. In most non-science fields, the title of being the "father" is debatable.

Church

Games

Subject	Father/Mother	Reason
Miniature wargaming	H.G. Wells
	Shigeru Miyamoto	Creator of many successful Nintendo franchises
PlayStation	Ken Kutaragi
Role-playing game	Gary Gygax	Creator of ''Dungeons & Dragons''
Stealth game	Hideo Kojima
Video game	Ralph H. Baer	Inventor of the video game console
Wargaming	Charles S. Roberts

Humanities

Military

Subject	Father/Mother	Reason
Aerial warfare	Oswald Boelcke	The first to formalize rules of air fighting, which he presented as the Dicta Boelcke, also credited as being the first pilot to shoot down an aircraft.
Atomic bomb	Robert OppenheimerLeó SzilárdEnrico Fermi
Blitzkrieg	Heinz Guderian
	Edward Teller
Atomic submarine and "nuclear navy"	Hyman G. Rickover
Fourth Generation Warfare	William S. Lind
	Jean-Baptiste Colbert	Built on the fleet of France inherited from Cardinal Richelieu.
Naval Special Warfare	Phil H. Bucklew	US Naval Officer and First Commanding Officer of Navy SEAL Team One
Naval tactical studies	Paul Hoste	Jesuit Professor of Mathematics at the Royal College of the Marine in Toulon; wrote ''L'Art des Armées Navales'' (1697)
Luftwaffe and Luftstreitkräfte	Oswald Boelcke
The Soviet Union's Hydrogen Bomb	Andrei Sakharov
	William C. Lee	First commander of the parachute school at Fort Benning, Georgia.
	Kazimierz Pułaski	Brigadier-general and commander of the cavalry of the Continental Army (1770s).
United States Navy
Subject	Father/Mother	! Reason
[[American Football">John Barry (naval officer)

Nations

Natural and social sciences

Sports

Subject	Father/Mother	! Reason
[[American Football	Walter Camp
		Godfather, created the New York Cosmos soccer team and imported a number of well known international footballers to the team in an attempt to bring interest to soccer in the US.
Angling	Izaak Walton	author of ''The Compleat Angler''
Association football	Ebenezer Cobb Morley
	Charles William Miller
Baseball
Basketball	James Naismith
	Scot Breithaupt
	Eugen Sandow
Harold Zinkin	Called so by Arnold Schwarzenegger during a press statement on his passing in 2004. Inventor of the modern exercise machines.
	James Figg
James J. Corbett
	Jim Downing	Built a racecar a season before it became the basis of a new lightweight prototype class in .
Canadian rodeo		coined the rodeo term ''Stampede'' and was world's first rodeo producer/rodeo stock contractor/rodeo champion in 1902
	Wally Parks
Don Garlits	Considered to be one of the innovators of drag racing safety.
Eddie Hill	Regarded as the Forefather of Drag Racing.
	Kunimitsu Takahashi
Modern figure skating	Jackson Haines
The Football Association	Ebenezer Cobb Morley	Founder
rowspan="2"	James Richardson Spensley
William Garbutt	Laying the foundations of skilled coaching in Italian football
Freestyle BMX	Bob Haro
Freestyle Motocross	Mike Metzger	Godfather
Funny Car	Dick Landy
	Frank Chirkinian	Personally responsible for much of the production conventions of modern golf broadcasting.
rowspan="2"		Credited for introducing baseball in Japan
Hiroshi Hiraoka	Credited for establishing the first baseball team
Jogging	Jim Fixx	Founding father
Karting	Art Ingels	Developed the world's first kart (1956)
Lacrosse	William George Beers	Codified the sport
Mixed martial arts	Bruce Lee	Called so by Dana White, president of the Ultimate Fighting Championship. For his experimentation into other styles and invention of Jeet Kune Do.
American motocross	Edison Dye	Introduced motorcross to American riders
NASCAR	Bill France, Sr.	Foundation of the sanctioning body for stock car racing
Road racing in the United States	Cameron Argetsinger
Rugby union	A. G. Guillemard	William Webb Ellis			(William Webb Ellis)"WHO WITH A FINE DISREGARD FOR THE RULES OF FOOTBALL AS PLAYED IN HIS TIME FIRST TOOK THE BALL IN HIS ARMS AND RAN WITH IT THUS ORIGINATING THE DISTINCTIVE FEATURE OF THE RUGBY GAME"
	Italo Santelli
Florida Skateboarding	Bruce Walker
East Coast Skateboarding	Vinny Raffa
	Skip Engblom
Tony Hawk
Snowboard	Jake Burton
Supercross	Mike Goodwin	Organized the first supercross race
Modern surfing	Duke Kahanamoku

Technology

Fields

Subject	Father/Mother	Reason
Aerodynamics (modern)	Sir George Cayley	Founding father of modern Aerodynamics. The first to identify the four aerodynamic forces of flight—weight, Lift (force)
[[Architecture	Imhotep	Built the first pyramid
Astronautics	Konstantin Tsiolkovsky	Robert H. GoddardHermann Oberth
Aviation		Book: ''Prodromo alla Arte Maestra'' (1670). First to describe the geometry and physics of a flying vessel.
	Thomas Tompion
Clinical trials	James Lind	Conducted the first Scientific control
[[Computing	Charles Babbage	Inventor of the Analytical Engine which was never constructed in his lifetime.
Cybernetics	Norbert Wiener
	William F. Moran	Founder of the American Bladesmith Society
	Bob Loveless	Founder of the Knifemakers' Guild
Photography

Inventions

Subject	Father/Mother	Reason
Air conditioning	Willis Carrier
Chronograph
Compact Disc
Compiler	Grace Hopper
	Konrad Zuse	Invented world's first functional program-controlled computer.
Alan Turing	Was a secret code breaker during WWII and invented the Turing machine (1936).
John von Neumann	Became "intrigued" with Turing's universal machine and later emphasised the importance of the stored-program concept for electronic computing (1945), including the possibility of allowing the machine to modify its own program in useful ways while running.
	Invented the digital computer in the 1930s
Computer Program	Ada Lovelace	Recognized by historians as the writer of the world's first computer program which was for the Charles Babbage Analytical Engine, but was never complete within either her or his lifetime.
Ekranoplan	Rostislav Alexeev
Helicopter	Igor Sikorsky	Invented the first successful helicopter, upon which further designs were based.
Internet	Vint CerfBob Kahn
Instant noodle	Momofuku Ando	Inventor of the instant noodle, also founder of Nissin Foods to produce and market them.
Japanese television	Kenjiro Takayanagi
Jet engine	Frank Whittle
Karaoke	Daisuke Inoue	Inventor of the machine as a means of allowing people to sing without the need of a live back-up.
Laser	Charles Hard Townes
Lightning prediction system	Alexander Stepanovich Popov	The first lightning prediction system, the Lightning detector, was invented in 1894 by Alexander Stepanovich Popov.
Marine chronometer	John Harrison
Microprocessor	Marcian Hoff Masatoshi Shima
Mobile phone		He is the main brainchild of hand-held phone and with the help of Motorola team he developed the first handset in 1973 weighing in at two kilos.
	Vinod Dham	The original Pentium (P5) was developed by a team of engineers, including John H. Crawford, chief architect of the original 386, and Donald Alpert, who managed the architectural team. Dror Avnon managed the design of the FPU. Dham was general manager of the P5 group. Some media sources have called him the "father of the Pentium".
	Chuck Peddle	Developed the 6502 microprocessor, the KIM-1 and the Commodore PET
Programmable logic controller	Dick Morley
Radio	Alexander Stepanovich Popov Lee De Forest Guglielmo Marconi Jagdish Chandra Bose Nikola Tesla
Radio (Radio broadcasting)	Reginald Fessenden David Sarnoff	Fessenden is credited as the first to broadcast radio signals on Christmas Eve, 1906. Sarnoff proposed a chain of radio stations to Marconi's associates in 1915.
Radio (FM radio)	Edwin H. Armstrong	Obtained the first Federal Communications Commission (FCC) license to operate an FM station in Alpine, New Jersey at approximately 50 megahertz (1939)
Radiotelephony	Reginald Fessenden
SGML	Charles Goldfarb
Telephone	Antonio Meucci	Alexander Graham Bell	See Invention of the telephone
Television	Philo T. Farnsworth			Vladimir Zworykin			John Logie Baird	Co-Inventors of the Electronic Television. Farnsworth invented the Image dissector while Zworykin created the Iconoscope, both fully electronic forms of television. Logie Baird invented the world's first working television system, also the first electronic color television system.
Tokamak	Lev Artsimovich
	Fazlur Khan	Invented the tube structural system and first employed it in his designs for the DeWitt-Chestnut Apartments, John Hancock Center and Sears Tower.
World Wide Web	Tim Berners-Lee
Visual Basic	Alan Cooper
XML	Jon Bosak

Towns and cities

Subject	Father/Mother	! Reason
Lan Kwai Fong	Allan Zeman	Noted for turning a small square of streets in
Subject	Father/Mother	! Reason
	[[Henry Ford">Central, Hong Kong

Transport

Subject	Father/Mother	! Reason
	[[Henry Ford	Noted for introducing a simple and affordable car for the ordinary American masses.
American Interstate Highway System	Dwight D. Eisenhower
	Gene Berg
Hot rod	Ed Winfield
	RJ DeVera	Influential for popularising the import car scene in the mid-1990s.
Kustom Kulture
Monster truck
Mountain bike	Gary Fisher
Rotary engine	Felix Wankel
	Cyrus Avery
Tailfin	Harley Earl
Traffic safety	William Phelps Eno
	Frank W. Cyr

See also

List of inventors

Father of medicare

Founders of statistics

References

Father or mother of something Father or mother of something, List of people known as

ar:آباء العلوم fa:فهرست افراد دارای لقب پدر یا مادر در یک زمینه

name	Doc Watson
background	solo_singer
birth name	Arthel Lane Watson
alias	Doc Watson
born	March 03, 1923Deep Gap, North Carolina US
instrument	Vocals, guitar, banjo, harmonica
genre	Blues, bluegrass, country, folk, Gospel
occupation	Musician, Singer-Songwriter
label	Folkways, Vanguard, United Artists, Flying Fish, Sugar Hill
website	}}

Arthel Lane "Doc" Watson (born March 3, 1923) is an American guitar player, songwriter and singer of bluegrass, folk, country, blues and gospel music. He has won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson's flatpicking skills and knowledge of traditional American music are highly regarded. He performed with his son Merle for over 15 years until Merle's death in 1985, in an accident on the family farm.

Biography

Watson was born in Deep Gap, North Carolina. According to Doc on his three CD biographical recording ''Legacy'', he got the nickname "Doc" during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname to go by. A fan in the crowd shouted "Call him Doc!" presumably in reference to the Sherlock Holmes sidekick Doctor Watson. The name stuck ever since.

An eye infection caused Doc Watson to lose his vision before his first birthday. Despite this, he was taught by his parents to work hard and care for himself. He attended North Carolina's school for the visually impaired, The Governor Morehead School, in Raleigh, North Carolina.

In a 1988 interview with Terry Gross on Fresh Air, Doc explains how he got his first guitar. His father told him that if he chopped down all the small, dead, chestnut trees along the edge of their field he could sell the wood to the tannery. He and his brother did the work and with the money they earned Doc bought a $10 Stella from Sears Roebuck and his brother bought a new suit of clothes. Later in that same interview, Watson explained that his first high quality guitar was a Martin D-18.

The first song Doc ever learned to play was "When Roses Bloom in Dixieland". Doc proved to be a natural and within months he was performing on local street corners playing Delmore, Louvin and Monroe Brothers' duets alongside his brother Linny. By the time he reached his adult years Doc had become a proficient acoustic and electric guitar player.

In 1947, Doc married Rosa Lee Carlton, the daughter of popular fiddle player Gaither Carlton. Doc and Rosa Lee had two children—Eddy Merle (named after country music legends Eddy Arnold and Merle Travis) in 1949 and Nancy Ellen in 1951.

In 1953, Doc joined the Johnson City, Tennessee-based Jack Williams' country and western swing band on electric guitar. The band seldom had a fiddle player, but were often asked to play for square dances. Following the example of country guitarists Grady Martin and Hank Garland, Doc taught himself to play fiddle tunes on his Les Paul electric guitar. He later transferred the technique to acoustic guitar, and playing fiddle tunes became part of his signature sound. During his time with Jack Williams, Doc also supported his family as a piano tuner.

In 1960 as the American folk music revival grew, Doc took the advice of folk musicologist Ralph Rinzler and began playing acoustic guitar and banjo exclusively. That move ignited Doc's career when he played on his first recording, ''Old Time Music at Clarence Ashley's''. He also began to tour as a solo performer and appeared at universities and clubs like the Ash Grove in Los Angeles. Watson would eventually get his big break and rave reviews for his performance at the renowned Newport Folk Festival in 1963. He recorded his first solo album in 1964 and began performing with his son Merle the same year. The pair would tour and record together until 1985 when Merle was killed in a tractor accident.

After the folk revival waned during the late 1960s, Doc's career was sustained by his performance of "Tennessee Stud" on the 1972 live album recording ''Will the Circle Be Unbroken''. As popular as ever, Doc and Merle began playing as a trio, with T. Michael Coleman on bass, in 1974. The trio toured the globe during the late seventies and early eighties, recorded nearly fifteen albums between 1973 and 1985, and brought Doc and Merle’s unique blend of acoustic music to millions of new fans.

Doc plays guitar in both flatpicking and fingerpicking style, but is best known for his flatpick work. His guitar playing skills, combined with his authenticity as a mountain musician, made him a highly influential figure during the folk music revival. He pioneered a fast and flashy bluegrass lead guitar style including fiddle tunes and crosspicking techniques which were adopted and extended by Clarence White, Tony Rice and many others. Watson is also an accomplished banjo player and in the past has accompanied himself on harmonica as well. Known also for his distinctive and rich baritone voice, he has over the years developed a vast repertoire of mountain ballads which he learned via the oral tradition of his home area in Deep Gap, North Carolina. His affable manner, humble nature and delightful wit have endeared him to his fans nearly as much as his musical talent has.

Doc played a Martin model D-18 guitar on his earliest recordings. In 1968 he began a relationship with Gallagher Guitars when he started playing their G-50 model. His first Gallagher, which Doc refers to as "Old Hoss", is on display at the Country Music Hall of Fame in Nashville, Tennessee. In 1974, Gallagher created a customized G-50 line to meet Doc's preferred specifications, which bears the Doc Watson name. In 1991, Gallagher customized a personal cutaway guitar for Doc that he plays to this day and refers to as "Donald" in honor of Gallagher guitar's second generation proprietor and builder, Don Gallagher.

In 1986 he received the North Carolina Award and in 1994 he received a North Carolina Folk Heritage Award. Also in 1994, Watson teamed up with Randy Scruggs and Earl Scruggs to contribute "Keep on the Sunny Side" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

In 2000 he was inducted into the International Bluegrass Music Hall of Honor. In 1997, Doc received the National Medal of Arts from U.S. president Bill Clinton.

In recent years, Watson has scaled back his touring schedule. As of 2007, he is generally joined onstage by his grandson (Merle's son) Richard, as well as longtime musical partners David Holt or Jack Lawrence. Recently, on June 19, he was accompanied by Australian guitar legend Tommy Emmanuel at the Bass Performance Hall. He also performed, accompanied by Holt and his grandson, Richard, at Hardly Strictly Bluegrass in 2009, as he had done in several previous years.

He is host to the annual MerleFest music festival held every April at Wilkes Community College in Wilkesboro, North Carolina. The festival features a vast array of acoustic style music focusing on the folk, bluegrass, blues and old-time music genres. It is named in honor of Merle Watson and is one of the most popular acoustic music festivals in the world, drawing over 70,000 music fans each year.

In 2010, Blooming Twig Books published "Blind But Now I See" by Dr. Kent Gustavson, the first comprehensive biography of the seminal flatpicking guitarist.

Discography

Grammy awards

1973 Best Ethnic Or Traditional Recording (Including Traditional Blues): Doc Watson for ''Then And Now''

1974 Best Ethnic Or Traditional Recording: Merle Watson & Doc Watson for ''Two Days In November''

1979 Best Country Instrumental Performance: Doc Watson & Merle Watson for ''Big Sandy/Leather Britches''

1986 Best Traditional Folk Recording: Doc Watson for ''Riding The Midnight Train''

1990 Best Traditional Folk Recording: Doc Watson for ''On Praying Ground''

2002 Best Traditional Folk Album: Doc Watson & David Holt for ''Legacy''

2004 Lifetime Achievement Award

2006 Best Country Instrumental Performance: Bryan Sutton & Doc Watson for ''Whiskey Before Breakfast'' track from ''Not Too Far From The Tree'' by Bryan Sutton

References

External links

Doc's Guitar : A site dedicated to the guitar and music of Doc Watson

Podcast of Doc Watson and Jack Lawrence performing live at the 1996 Florida Folk Festival from the Florida Folklife Collection (made available for public use by the State Archives of Florida)

Live 1977 recording of "The Cuckoo Bird" by Doc and Merle Watson from the Florida Folklife Collection (made available for public use by the State Archives of Florida)

Live 1996 recording of "Shady Grove" by Doc and Jack Lawrence from the Florida Folklife Collection (made available for public use by the State Archives of Florida)

MerleFest

* MerleFest official website

* "Doc's orders: No heavy metal at MerleFest" 2007 article in the Hook weekly

National Public Radio

* Guitarist Arthel 'Doc' Watson Interview on NPR's Fresh Air

* ''Morning Edition's'' Bob Edwards interview Doc Watson from 1985

* ''Morning Edition's'' Bob Edwards interview Doc Watson from 1989

Prairie Home Companion

* Doc Watson & Taj Mahal August 9, 1986 (db.etree.org)

* October 23, 1999

* February 14, 2004

Article on Doc Watson and other western NC guitar players

Category:1923 births Category:American banjoists Category:American bluegrass guitarists Category:American bluegrass musicians Category:American blues guitarists Category:American blues singer-songwriters Category:American buskers Category:American country guitarists Category:American country singer-songwriters Category:American folk guitarists Category:American folk singers Category:American guitarists Category:Appalachian culture Category:Blind bluesmen Category:Blind musicians Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:International Bluegrass Music Hall of Honor inductees Category:Living people Category:Musicians from North Carolina Category:National Heritage Fellowship winners Category:Old-time music Category:People from Watauga County, North Carolina Category:United States National Medal of Arts recipients Category:Vanguard Records artists

da:Doc Watson de:Doc Watson fa:داک واتسن fr:Doc Watson nl:Doc Watson ja:ドク・ワトソン pt:Doc Watson fi:Doc Watson