An audiobook or audio book is a recording of a text being read. It is not necessarily an exact audio version of a book or magazine.

Spoken audio has been available in schools and public libraries and to a lesser extent in music shops since the 1930s. Many spoken word albums were made prior to the age of videocassettes, DVD's, and compact discs, often of plays rather than books. It was not until the 1980s that the medium began to attract book retailers, and then book retailers started displaying audiobooks on bookshelves rather than in separate displays.

History

United States

In 1931, Congress established the talking-book program, which was intended to help blind adults who couldn’t read print. This program was called "Books for the Adult Blind Project." The American Foundation for the Blind developed the first talking books in 1932. One year later the first reproduction machine began the process of mass publishing. In 1933 anthropologist J.P. Harrington drove the length of North America to record oral histories of Native American tribes on aluminum discs using a car battery-powered turntable. Audiobooks preserve the oral tradition of storytelling that J.P. Harrington pursued many years ago. By 1935, after Congress approved free mailings of audio books to blind citizens, the Books for the Adult Blind Project was in full operation. In 1992 the National Library Service for the Blind and Physically Challenged (NLS) network circulated millions of recorded books to more than 700,000 Physically challenged listeners. All NLS recordings were created by professionals.

Though spoken recordings were popular in 33-1/3 vinyl record format for schools and libraries into the early 1970s, the beginning of the trade acceptance of this medium can be traced to the introduction of the audio cassette and, most importantly, to the prevalence of these cassette players as standard equipment (rather than as options which older drivers did not choose) in imported (Japanese) automobiles, which became very popular during the 1979 energy crisis. Thereafter, consumers and authors slowly accepted the medium. Into the early 1980s there were still many authors who refused to have their books created as audiobooks, so a good many of the audiobooks were original productions not based upon printed books.

With the development of portable cassette recorders, audiotapes had become very popular and by the late 1960s libraries became a source of free audiobooks, primarily on vinyl records but also on cassettes. Instructional and educational recordings came first, followed by self-help tapes and then by literature. In 1975, Olympic gold medalist, Duvall Hecht founded Books on Tape, Inc. as a direct to consumer mail order rental service for unabridged audiobooks and expanded their services selling their products to libraries and audiobooks gaining popularity with commuters and travelers. By the middle of 1980s the audio publishing business grew to several billion dollars a year in retail value.

Caedmon was the first to work with integrated production teams and professional actors, while Nightingale Conant featured business and self-help authors reading their own works first on vinyl records and then on cassettes.

The Audio Publishers Association was established in 1986 by six competitive companies who joined together to promote the consumer awareness of spoken word audio. In 1996 the Audio Publishers Association established the Audie Awards for audio books, which is equivalent to the Oscar for the talking books industry. The nominees are announced each year in January. The winners are announced at a gala banquet in the spring, usually in conjunction with BookExpo America.

While most music fans rapidly accepted CDs, audiobook listeners were slower. One reason may have been that a cassette tape by nature retains its position when the player is turned off, but many early CD players did not retain the playing position of CDs when turned off. Also, it was not until cassette players were replaced by CD players in most automobiles that this format eventually took hold.

With the advent of the Internet, broadband technologies, new compressed audio formats and portable media players, the popularity of audiobooks has increased significantly. This growth was reflected with the advent of audiobook download subscription services.

Production

Producing an audiobook consists of a narrator sitting in a recording booth reading the text, while a studio engineer and a director record and direct the performance. If a mistake is made the recording is stopped and the narrator reads it again.

Narrators are usually paid on a finished recorded hour basis, meaning if it took 20 hours to produce a 5 hour book, the narrator is paid for 5 hours, thus providing an incentive not to make mistakes. Depending on the narrator they are paid per finished hour to (). The overall cost to produce an audiobook is at the minimum to many tens of thousands, depending on the length of the book and the narrator ().

Formats

Audiobooks are distributed on CDs, cassette tapes, downloadable digital formats (e.g., MP3 (.mp3), Windows Media Audio (.wma), Advanced Audio Coding (.aac)) and preloaded digital in which the audio content is preloaded and sold together with a hardware device.

In 2005 cassette-tape sales were 16% of the audiobook market, with CD sales accounting for 74% of the market and downloadable audio books accounting for approximately 9%. In the United States, a sales survey (performed by the Audio Publishers' Association in the summer of 2006 for the year 2005) estimated the industry to be worth 871 million US dollars.

A small number of books are recorded for radio broadcast, (radio programs serializing books), usually in abridged form and sometimes serialized, notably by the BBC. The advent of the Internet has introduced powerful means of delivery for audiobooks; many titles are now available on-line (for download on to computers, tablets, and phones, or one may listen to website audio streams without having to download anything).

Audiobooks may come as fully dramatized versions of the printed book, sometimes calling upon a complete cast, music, and sound effects. A dramatized audio adaptation of a book is effectively an audio drama.

Sometimes audiobook format is available simultaneously with book publication.

Distribution and popularity

Recent technology has encouraged the proliferation of free audiobooks that take works from the public domain and enlist volunteers to read them. Audiobooks also can be created with text to speech computer software, although the quality of synthesized speech may suffer by comparison to recordings by a human voice. On the other hand, computer-voiced reading enables the proliferation of more works faster through automation, than if read by humans.

Audiobooks in the private domain are also distributed online by for-profit companies. Until recently, major audiobook publishers required that their works be protected by Digital Rights Management (DRM), when sold as downloads, but this is no longer the case. Companies such as Apple Inc. have licensed their proprietary FairPlay DRM system (for DRM protection of iPod files in the .aa file format) to only one company. Because of the long-standing major publishers' insistence on DRM, this effectively created a monopoly in the sale of the works of major publishers to iPod users, who make up the majority of the portable audio market. However, with the release of new sites such as We Read 4 You, which releases all of its content as DRM-free .mp3 files, there may be a slow conversion by other companies, such as Apple and Amazon to a DRM-free format.

Audiobooks on cassette or CD are typically more expensive than hardcovers because of the added expense of recording and the lack of the economy of scale in high "print" runs that are available in the publishing of printed books. Downloadable audiobooks tend to cost slightly less than hardcovers but more than their paperback equivalents. Market penetration of audiobooks is substantially lower than for their printed counterparts despite the high market penetration of the hardware (MP3 and WMA players) and despite the massive market penetration achieved by audio music products.

However, there are certain economies of scale that favor downloadable audiobooks. Downloadable audiobooks do not carry mass production costs, do not require storage of a large inventory, do not require physical packaging or transportation and even if "returned" do not require a cost of physical return or destruction/disposal. If such economies were passed on to customers, unit profit margins would be reduced but sales volumes would increase. It is not known what effect this would have on book sales in other formats.

Use

Audiobooks have been used to teach children to read and to increase reading comprehension. They are also useful for the blind. The National Library of Congress in the U.S. and the CNIB Library in Canada provide free audiobook library services to the visually impaired; requested books are mailed out (at no cost) to clients. Founded in 1996, Assistive Media of Ann Arbor, Michigan was the first organization to produce and deliver spoken-word recordings of written journalistic and literary works via the Internet to serve people with visual impairments.

About forty percent of all audiobook consumption occurs through public libraries, with the remainder served primarily through retail book stores. Library download programs are currently experiencing rapid growth (more than 5,000 public libraries offer free downloadable audio books). Libraries are also popular places to check out audio books in the CD format. According to the National Endowment for the Arts' recent study, "Reading at Risk", audio book listening is one of very few "types" of reading that is increasing general literacy.

Listening practices

Audio books are considered a valuable learning tool because of their format. Unlike traditional books or a video program, one can learn from an audiobook while doing other tasks, although it should be noted that this can detract from the primary task, assuming the learning is not the main activity. Such multitasking is feasible when doing mechanical tasks that do not require much thought and have only little or no chance of an emergency arising. Such tasks include doing the laundry and exercising indoors, among others. The most popular general use of audiobooks by adults is when driving an automobile or traveling with public transport, as an alternative to radio. Many people listen as well just to relax or as they drift off into sleep.

Common practices include:

Replaying: Depending upon one's degree of attention and interest, it is often necessary to listen to segments of an audio book more than once to allow the material to be understood and retained satisfactorily. Replaying may be done immediately or after extended periods of time.

Learning: People may listen to an audio book (usually an unabridged one) while following along in an actual book. This helps them to learn words that they may not learn correctly if they were only to read the book. This can also be a very effective way to learn a new language.

Audiobook charities in the UK

Listening Books is an audiobook charity in the UK providing an internet streaming and postal service to anyone who has a disability or illness which makes it difficult to hold a book, turn its pages, or read in the usual way. They have audiobooks for both leisure and learning and a library of over 4,000 titles which are recorded in their own digital studios or commercially sourced.

The Royal National Institute of Blind People (RNIB) is a UK charity which offers a Talking Books library service. The audio books are provided in DAISY format and delivered to the reader's house by post. There are over 18,000 audio books available to borrow, paid for by annual subscription. RNIB subsidises the Talking Books service by around £4 million a year.

See also

Simply Audiobooks

Children's gramophone records

Educational software

LibriVox

Playaway

Radio drama

Recording for the Blind & Dyslexic

Text-to-speech

Wikibooks

Wikisource

Books for the Blind

National Audio Theatre Festival, a national audio arts organization and workshop, which includes training for aspiring audiobook artists/producers.

References

Category:Accessible information Category:Blindness equipment

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Coordinates

56°09′″N40°25′″N

{{infobox writer | name

H. P. Lovecraft | image Lovecraft1934.jpg | imagesize | caption H. P. Lovecraft, circa 1934. | pseudonym Lewis Theobold, Humphrey Littlewit, Ward Phillips, Edward Softly | birth_name Howard Phillips Lovecraft | birth_date August 20, 1890 | birth_place Providence, Rhode Island, United States | death_date March 15, 1937 | death_place Providence, Rhode Island, United States | resting_place Swan Point Cemetery, Providence | occupation Novelist, Short story writer, Poet | nationality United States | ethnicity English | alma_mater Hope High School, Providence | period 1917-1936 | genre Horror, science fiction, fantasy, weird fiction, Gothic fiction | movement Cosmicism | notableworks "The Call of Cthulhu", ''The Shadow Out of Time'', ''At the Mountains of Madness'' | spouseSonia Greene (1883-1972) | influences Edgar Allan Poe, Nathaniel Hawthorne, Gertrude Barrows Bennett, Robert W. Chambers, Lord Dunsany, Algernon Blackwood, Arthur Machen, A. Merritt, Oswald Spengler, Friedrich Nietzsche, William Hope Hodgson, Augustan literature | influenced Stephen King, Clive Barker, Ray Bradbury, August Derleth, Robert Bloch, Fritz Leiber, Jorge Luis Borges, Peter Straub, Clark Ashton Smith, Michel Houellebecq, Graham Harman, Rikki Ducornet, Robert E. Howard, Ramsey Campbell, Alan Moore, Gene Wolfe, China Mieville, George R. R. Martin, Guillermo del Toro, John Carpenter, Stuart Gordon, Neil Gaiman, Brian Lumley, Caitlin R. Kiernan, S.T. Joshi | signature Lovecraft signature.svg }}

Howard Phillips "H. P." Lovecraft (August 20, 1890 – March 15, 1937) was an American author of horror, fantasy and science fiction, especially the subgenre known as weird fiction.

Lovecraft's guiding literary principle was what he termed "cosmicism" or "cosmic horror", the idea that life is incomprehensible to human minds and that the universe is fundamentally inimical to the interests of humankind. Lovecraft is best known for his Cthulhu Mythos, as well as the ''Necronomicon'', a fictional grimoire of magical rites and forbidden lore. His works often challenged the values of the Enlightenment, Romanticism, Humanism and Christianity.

Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now regarded as one of the most influential horror writers of the 20th century. According to Joyce Carol Oates, Lovecraft — as with Edgar Allan Poe in the 19th century — has exerted "an incalculable influence on succeeding generations of writers of horror fiction". Stephen King called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale." King has even made it clear in his semi-autobiographical non-fiction book ''Danse Macabre'' that Lovecraft was responsible for his own fascination with horror and the macabre, and was the single largest figure to influence his fiction writing.

Lovecraft's themes and ideas have had a profound effect on culture and literature in general.

Life and career

Early life

Lovecraft was born on August 20, 1890, at 9:00 a.m. in his family home at 194 (later 454) Angell Street in Providence, Rhode Island. (The house was torn down in 1961.) He was the only child of Winfield Scott Lovecraft, a traveling salesman of jewelry and precious metals, and Sarah Susan Phillips Lovecraft, who could trace her ancestry in America back to the Massachusetts Bay Colony in 1631. His parents married, the first marriage for both, when they were in their thirties, unusually late in life given the time period. In 1893, when Lovecraft was three, his father became acutely psychotic in a Chicago hotel room while on a business trip. The elder Lovecraft was taken back to Providence and placed in Butler Hospital, where he remained until his death in 1898. Lovecraft maintained throughout his life that his father had died in a condition of paralysis brought on by "nervous exhaustion" due to over-work, but it is now almost certain that the actual cause was general paresis of the insane. It is unknown whether the younger Lovecraft was ever aware of the actual nature of his father's illness or its cause (syphilis), although his mother likely was, possibly having even received tincture of arsenic as "preventive medication". After his father's hospitalization, Lovecraft was raised by his mother, his two aunts (Lillian Delora Phillips and Annie Emeline Phillips), and his maternal grandfather, Whipple Van Buren Phillips, an American businessman. All five resided together in the family home. Lovecraft was a prodigy, reciting poetry at the age of three and writing complete poems by six. His grandfather encouraged his reading, providing him with classics such as ''The Arabian Nights'', ''Bulfinch's Age of Fable'', and children's versions of The ''Iliad'' and The ''Odyssey''. His grandfather also stirred the boy's interest in the weird by telling him his own original tales of Gothic horror. His mother, on the other hand, worried that these stories would upset him.

Lovecraft was frequently ill as a child, at least some of which was certainly psychosomatic, although he attributed his various ailments to physical causes only. Early speculation that he may have been congenitally disabled by syphilis passed on from father to mother to fetus has been ruled out . Due to his sickly condition and his undisciplined, argumentative nature, he barely attended school until he was eight years old, and then was withdrawn after a year. He read voraciously during this period and became especially enamored of chemistry and astronomy. He produced several hectographed publications with a limited circulation beginning in 1899 with ''The Scientific Gazette''. Four years later, he returned to public school at Hope High School (Rhode Island). Beginning in his early life, Lovecraft is believed to have suffered from night terrors, a rare parasomnia disorder; he believed himself to be assaulted at night by horrific "night gaunts." Much of his later work is thought to have been directly inspired by these terrors. (Indeed, Night Gaunts became the subject of a poem he wrote of the same name, in which they were personified as devil-like creatures without faces.)

His grandfather's death in 1904 greatly affected Lovecraft's life. Mismanagement of his grandfather's estate left his family in such a poor financial situation they were forced to move into much smaller accommodations at 598 (now a duplex at 598-600) Angell Street. Lovecraft was so deeply affected by the loss of his home and birthplace that he contemplated suicide for a time. In 1908, prior to his high school graduation, he himself claimed to have suffered what he later described as a "nervous breakdown", and consequently never received his high school diploma (although he maintained for most of his life that he did graduate). S. T. Joshi suggests in his biography of Lovecraft that a primary cause for this breakdown was his difficulty in higher mathematics, a subject he needed to master to become a professional astronomer. This failure to complete his education (he wished to study at Brown University) was a source of disappointment and shame even late into his life.

Lovecraft wrote some fiction as a youth but, from 1908 until 1913, his output was primarily poetry. During that time, he lived a hermit's existence, having almost no contact with anyone but his mother. This changed when he wrote a letter to ''The Argosy'', a pulp magazine, complaining about the insipidness of the love stories of one of the publication's popular writers. The ensuing debate in the magazine's letters column caught the eye of Edward F. Daas, President of the United Amateur Press Association (UAPA), who invited Lovecraft to join them in 1914. The UAPA reinvigorated Lovecraft and incited him to contribute many poems and essays. In 1917, at the prodding of correspondents, he returned to fiction with more polished stories, such as "The Tomb" and "Dagon". The latter was his first professionally-published work, appearing in W. Paul Cook's ''The Vagrant'' (November, 1919) and ''Weird Tales'' in 1923. Around that time, he began to build up a huge network of correspondents. His lengthy and frequent missives would make him one of the great letter writers of the century. Among his correspondents were Robert Bloch (''Psycho''), Clark Ashton Smith, and Robert E. Howard (''Conan the Barbarian'' series).

In 1919, after suffering from hysteria and depression for a long period of time, Lovecraft's mother was committed to Butler Hospital just like her husband before her. Nevertheless, she wrote frequent letters to Lovecraft, and they remained very close until her death on May 24, 1921, the result of complications from gall bladder surgery. Lovecraft was devastated by the loss.

Marriage and New York

A few weeks after his mother's death, Lovecraft attended an amateur journalist convention in Boston, Massachusetts, where he met Sonia Greene. Born in 1883, she was of Ukrainian-Jewish ancestry and seven years older than Lovecraft. They married in 1924, and the couple moved to Brooklyn and moved into her apartment. Lovecraft's aunts may have been unhappy with this arrangement, as they were not fond of Lovecraft being married to a tradeswoman (Greene owned a hat shop). Initially, Lovecraft was enthralled by New York, but soon the couple were facing financial difficulties. Greene lost her hat shop and suffered poor health. Lovecraft could not find work to support them both, so his wife moved to Cleveland for employment. Lovecraft lived by himself in the Red Hook neighborhood of Brooklyn and came to dislike New York life intensely. Indeed, this daunting reality of failure to secure ''any'' work in the midst of a large immigrant population—especially irreconcilable with his opinion of himself as a privileged Anglo-Saxon—has been theorized as galvanizing his racism to the point of fear, a sentiment he sublimated in the short story "The Horror at Red Hook".

A few years later, Lovecraft and his wife, still living separately, agreed to an amicable divorce, which was never fully completed. He returned to Providence to live with his aunts during their remaining years.

Return to Providence

Back in Providence, Lovecraft lived in a "spacious brown Victorian wooden house" at 10 Barnes Street until 1933. The same address is given as the home of Dr. Willett in Lovecraft's ''The Case of Charles Dexter Ward''. The period after his return to Providence — the last decade of his life — was Lovecraft's most prolific. In that time he produced almost all of his best-known short stories for the leading pulp publications of the day (primarily ''Weird Tales''), as well as longer efforts, such as ''The Case of Charles Dexter Ward'' and ''At the Mountains of Madness''. He frequently revised work for other authors and did a large amount of ghost-writing, including "The Mound", "Winged Death", and "Under the Pyramids" (also known as "Imprisoned With the Pharaohs") (for Harry Houdini) and "The Diary of Alonzo Typer".

Lovecraft considered himself a "New Deal Democrat", and was an ardent supporter of Franklin Delano Roosevelt. His political views can be considered as "moderately socialist."

Despite his best writing efforts, however, he grew ever poorer. He was forced to move to smaller and meaner lodgings with his surviving aunt. He was also deeply affected by Robert E. Howard's suicide. In 1936, Lovecraft was diagnosed with cancer of the small intestine, and he also suffered from Bright's disease and malnutrition. He lived in constant pain until his death on March 15, 1937, in Providence. In accordance with his lifelong scientific curiosity, he kept a diary of his illness until close to the moment of his death.

Lovecraft was listed along with his parents on the Phillips family monument. That was not enough for his fans, so in 1977 a group of them raised the money to buy him a headstone of his own in Swan Point cemetery, on which they had inscribed Lovecraft's name, the dates of his birth and death, and the phrase "I AM PROVIDENCE", a line from one of his personal letters.

Background of Lovecraft's work

H. P. Lovecraft's name is synonymous with horror fiction; his writing, particularly the "Cthulhu Mythos", has influenced fiction authors worldwide, and Lovecraftian elements may be found in novels, movies, music, video games, comic books, and cartoons. Many modern horror writers, including Stephen King, Bentley Little, Joe R. Lansdale, Alan Moore, Junji Ito, F. Paul Wilson, Brian Lumley, and Neil Gaiman, have cited Lovecraft as one of their primary influences.

Lovecraft himself, though, was relatively unknown during his own time. While his stories appeared in the pages of prominent pulp magazines such as ''Weird Tales'' (eliciting letters of outrage as often as letters of praise from regular readers of the magazines), not many people knew his name. He did, however, correspond regularly with other contemporary writers, such as Clark Ashton Smith and August Derleth, people who became good friends of his, even though they never met in person. This group of writers became known as the "Lovecraft Circle", since they all freely borrowed elements of Lovecraft's stories – the mysterious books with disturbing names, the pantheon of ancient alien entities, such as Cthulhu and Azathoth, and eldritch places, such as the New England town of Arkham and its Miskatonic University – for use in their own works (with Lovecraft's blessing and encouragement).

After Lovecraft's death, the Lovecraft Circle carried on. August Derleth in particular added to and expanded on Lovecraft's vision. However, Derleth's contributions have been controversial to say the least; while Lovecraft never considered his pantheon of alien gods more than a mere plot device, Derleth created an entire cosmology, complete with a war between the 'good' "Elder Gods" and the 'evil' "Outer Gods" (such as Cthulhu and his ilk), which the 'good' Gods were supposed to have won, locking Cthulhu and others up beneath the earth, in the ocean etc.. Derleth's Cthulhu Mythos stories went on to associate different gods with the traditional four elements of fire, air, earth and water - an artificial constraint which required justifcatory contortions on Derleth's part since Lovecraft himself never envisioned such a scheme.

Lovecraft's fiction has been grouped into three categories by some critics. While Lovecraft did not refer to these categories himself, he did once write, "There are my 'Poe' pieces and my 'Dunsany pieces' – but alas – where are any Lovecraft pieces?"

Macabre stories (approximately 1905–1920)

Dream Cycle stories (approximately 1920–1927)

Cthulhu Mythos/Lovecraft Mythos stories (approximately 1925–1935)

Some critics see little difference between the Dream Cycle and the Mythos, often pointing to common usage in both cycles of the recurring ''Necronomicon'' and subsequent "gods". A frequently-given explanation is that the Dream Cycle belongs more to the genre of fantasy, while the Mythos verges on science fiction . Also, many of the supernatural elements of the Dream Cycle take place in its own sphere or mythological dimension, separated from our own level of existence. The Mythos, on the other hand, is placed within the same reality and cosmos as the humans live in.

Much of Lovecraft's work was directly inspired by his night terrors, such as his youthful nightmares of winged faceless creatures he dubbed "Night-Gaunts", and it is perhaps this direct insight into the unconscious and its symbolism that helps to account for their continuing resonance and popularity.

Lovecraft was enraptured from an early age with the works of Edgar Allan Poe, who heavily influenced his earliest macabre stories such as "The Tomb" and especially "The Outsider". Poe's writing style is known for its creepy atmosphere, psychological realism and gradual buildup of terror.

Lovecraft's discovery of the stories of Lord Dunsany with their pantheon of mighty gods existing in dreamlike outer realms, moved his writing in a new direction, resulting in a series of imitative fantasies in a 'Dreamlands' setting.

Another inspiration came from a totally different kind of source; the scientific progress at the time in such diverse areas as biology, astronomy, geology, and physics, all contributed to make Lovecraft see the human race seem even more insignificant, powerless, and doomed in a materialistic and mechanical universe. Lovecraft's materialist views led his fiction to espouse his philosophical views; his fiction therefore consists of a stance or worldview which may be termed cosmicism. Lovecraft was a keen amateur astronomer from his youth, often visiting the Ladd Observatory in Providence, and penning numerous astronomical articles for local newspapers. His astronomical telescope is now housed in the rooms of the August Derleth Society.

The influence of Arthur Machen, with his carefully constructed tales concerning the survival of ancient evil into modern times in an otherwise realistic world and his beliefs in hidden mysteries which lay behind reality, that added the last ingredient and finally helped inspire Lovecraft to find his own voice from 1923 onwards.

This took on a dark tone with the creation of what is today often called the Cthulhu Mythos, a pantheon of alien extra-dimensional deities and horrors which predate humanity, and which are hinted at in aeon-old myths and legends. The term "Cthulhu Mythos" was coined by Lovecraft's correspondent and fellow author, August Derleth, after Lovecraft's death; Lovecraft jocularly referred to his artificial mythology as "Yog-Sothothery".

His stories created one of the most influential plot devices in all of horror: the ''Necronomicon'', the secret grimoire written by the mad Arab Abdul Alhazred. The resonance and strength of the Mythos concept have led some to incorrectly conclude that Lovecraft had based it on pre-existing myths or occult beliefs. Faux editions of the ''Necronomicon'' have also been published over the years, and several magical systems have been devised based on the Cthuhu Mythos, especially within the Chaos magic community.

Themes

Several themes recur in Lovecraft's stories:

Forbidden knowledge

The central theme in most of Lovecraft's works is that of forbidden knowledge. Some critics argue that this theme is a reflection of Lovecraft's contempt of the world around him, causing him to search inwardly for knowledge and inspiration. In Lovecraft's works the search for forbidden knowledge drives many of the main characters. In most of his works this knowledge proves Promethean in nature either filling the seeker with regret from what they have learned, destroying them psychically, or completely destroying the person who holds the knowledge.

Non-human influences on humanity

The beings of Lovecraft's mythos often have human (or mostly human) servants; Cthulhu, for instance, is worshiped under various names by cults amongst both the Eskimos of Greenland and voodoo circles of Louisiana, and in many other parts of the world.

These worshipers served a useful narrative purpose for Lovecraft. Many beings of the Mythos were too powerful to be defeated by human opponents, and so horrific that direct knowledge of them meant insanity for the victim. When dealing with such beings, Lovecraft needed a way to provide exposition and build tension without bringing the story to a premature end. Human followers gave him a way to reveal information about their "gods" in a diluted form, and also made it possible for his protagonists to win paltry victories. Lovecraft, like his contemporaries, envisioned "savages" as closer to the Earth, only in Lovecraft's case, this meant, so to speak, closer to Cthulhu.

Inherited guilt

Another recurring theme in Lovecraft's stories is the idea that descendants in a bloodline can never escape the stain of crimes committed by their forebears, at least if the crimes are atrocious enough. Descendants may be very far removed, both in place and in time (and, indeed, in culpability), from the act itself, and yet, from however remote the past, blood will out ("The Rats in the Walls", "The Lurking Fear", "Arthur Jermyn", "The Alchemist", "The Shadow Over Innsmouth", "The Doom that Came to Sarnath" and "The Case of Charles Dexter Ward").

Fate

Often in Lovecraft's works the protagonist is not in control of his own actions, or finds it impossible to change course. Many of his characters would be free from danger if they simply managed to run away; however, this possibility either never arises or is somehow curtailed by some outside force, such as in "The Colour Out of Space" and "The Dreams in the Witch House". Often his characters are subject to a compulsive influence from powerful malevolent or indifferent beings. As with the inevitability of one's ancestry, eventually even running away, or death itself, provides no safety ("The Thing on the Doorstep", "The Outsider", ''The Case of Charles Dexter Ward'', etc.). In some cases, this doom is manifest in the entirety of humanity, and no escape is possible ("The Shadow Out of Time").

Civilization under threat

Lovecraft was familiar with the work of the German conservative-revolutionary theorist Oswald Spengler, whose pessimistic thesis of the decadence of the modern West formed a crucial element in Lovecraft's overall anti-modern worldview. Spenglerian imagery of cyclical decay is present in particular in ''At the Mountains of Madness''. S. T. Joshi, in ''H.P. Lovecraft: The Decline of the West'', places Spengler at the center of his discussion of Lovecraft's political and philosophical ideas.

Lovecraft wrote to Clark Ashton Smith in 1927: "It is my belief, and was so long before Spengler put his seal of scholarly proof on it, that our mechanical and industrial age is one of frank decadence" (see China Miéville's introduction to "At the Mountains of Madness", Modern Library Classics, 2005). Lovecraft was also acquainted with the writings of another German philosopher of decadence: Friedrich Nietzsche.

Lovecraft frequently dealt with the idea of civilization struggling against dark, primitive barbarism. In some stories this struggle is at an individual level; many of his protagonists are cultured, highly-educated men who are gradually corrupted by some obscure and feared influence.

In such stories, the "curse" is often a hereditary one, either because of interbreeding with non-humans (e.g., "Facts Concerning the Late Arthur Jermyn and His Family" (1920), "The Shadow over Innsmouth" (1931)) or through direct magical influence (''The Case of Charles Dexter Ward''). Physical and mental degradation often come together; this theme of 'tainted blood' may represent concerns relating to Lovecraft's own family history, particularly the death of his father due to what Lovecraft must have suspected to be a syphilitic disorder.

In other tales, an entire society is threatened by barbarism. Sometimes the barbarism comes as an external threat, with a civilized race destroyed in war (e.g., "Polaris"). Sometimes, an isolated pocket of humanity falls into decadence and atavism of its own accord (e.g., "The Lurking Fear"). But most often, such stories involve a civilized culture being gradually undermined by a malevolent underclass influenced by inhuman forces.

There is a lack of analysis as to whether England's gradual loss of prominence and related conflicts (Boer War, India, World War I) had an influence on Lovecraft's worldview. It is likely that the "roaring twenties" left Lovecraft disillusioned as he was still obscure and struggling with the basic necessities of daily life, combined with seeing non-European immigrants in New York City.

Race, ethnicity, and class

Racism is the most controversial aspect of Lovecraft’s works which “does not endear Lovecraft to the modern reader” and comes across through many ugly remarks against the various non-Anglo-Saxon races and cultures within his work. Lovecraft did not seem to hold all White people in high regard, but rather he held English people and people of English descent above all others. While his racist perspective is undeniable, some critics argue that it does not necessarily detract from his ability to create compelling philosophical worlds which have inspired many artists and readers. In his writings and personal life he argued for a strong color line for the purpose of preserving race and culture. These arguments occurred either through direct statements against different races in his work and personal correspondence, or allegorically in his work using non-human races. Reading Lovecraft's work, his racial attitude was seen as more cultural than biological, showing sympathy to others who assimilated into the western culture and even marrying a Jew whom he viewed as "well assimilated". While Lovecraft's racial attitude has been seen as directly influenced by the time, a reflection of the New England society he grew up in, this racism appeared stronger than the popular viewpoints held at that time. Some researchers note that his views failed to change in the face of increased scientific and social change of that time which invalidated many of his strongly held views.

According to L. Sprague de Camp's ''Lovecraft: a Biography'', Lovecraft began to adjust his views toward the end of his life as he began to travel more and came into contact with people of diverse ethnic backgrounds. As a man who based his life's work around the unknown, as he became more aware of different things, the topics he chose to write about altered as well, as a matter of course.

Risks of a scientific era

At the turn of the 20th century, man's increased reliance upon science was both opening new worlds and solidifying the manners by which he could understand them. Lovecraft portrays this potential for a growing gap of man's understanding of the universe as a potential for horror. Most notably in "The Colour Out of Space", the inability of science to comprehend a contaminated meteorite leads to horror.

In a letter to James F. Morton in 1923, Lovecraft specifically points to Einstein's theory on relativity as throwing the world into chaos and making the cosmos a jest. And in a 1929 letter to Woodburn Harris, he speculates that technological comforts risk the collapse of science. Indeed, at a time when men viewed science as limitless and powerful, Lovecraft imagined alternative potential and fearful outcomes. In "The Call of Cthulhu", Lovecraft's characters encounter architecture which is "abnormal, non-Euclidian, and loathsomely redolent of spheres and dimensions apart from ours". Non-Euclidean geometry is the mathematical language and background of Einstein's general theory of relativity, and Lovecraft references it repeatedly in exploring alien archeology.

Religion

Misotheism is a recurrent theme in Lovecraft fiction. Many of Lovecraft's works are directly or indirectly adversarial to the belief in a loving, protective God; Lovecraft's works are ruled by several distinct pantheons of deities who are either indifferent or actively hostile to humanity. Several, particularly those of the Cthulhu Mythos, indulge upon alternate human origins in contrast to those found in Genesis and creation stories of other religions. Protagonist characters are often educated men who favor the claims of the physical sciences over those of scripture. ''Herbert West–Reanimator'', reflects on the atheism common within academic circles. Also in Through the Gates of the Silver Key the character Randolph Carter attempts after losing access to dreams to seek solace in religion, specifically Congregationalism, but does not find it and ultimately loses faith.

Lovecraft himself adopted the stance of atheism early in his life. In 1932 he wrote in a letter to Robert E. Howard: "All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist [sic]. They are the most preposterous and unjustified of all the guesses which can be made about the universe, and I am not enough of a hair-splitter to pretend that I don't regard them as arrant and negligible moonshine. In theory I am an agnostic, but pending the appearance of radical evidence I must be classed, practically and provisionally, as an atheist."

Influences on Lovecraft

Some of Lovecraft's work was inspired by nightmares of his own. As he studied many scientific advances of biology, astronomy, geology, and physics, Lovecraft was more and more confounded and fueled his skepticism on humanity. His interest started from his childhood days when his grandfather would tell him Gothic horror stories. Arthur Machen’s tales of the survival of evil of ancient times in combination with Lovecraft’s own perspective in the mysteries, contributed to Lovecraft’s personal writing style. Lovecraft was also influenced by authors such as Gertrude Barrows Bennett (who, writing as Francis Stevens, impressed Lovecraft enough that he publicly praised her stories[19] and eventually "emulated Bennett's earlier style and themes"[20]), Oswald Spengler, Robert W. Chambers (writer of ''The King in Yellow'', of whom Lovecraft wrote in a letter to Clark Ashton Smith: "Chambers is like Rupert Hughes and a few other fallen Titans — equipped with the right brains and education but wholly out of the habit of using them"), Lord Dunsany (''The Gods of Pegāna'' and other Dunsany works), and Lovecraft's friend Robert E. Howard. The biggest influence was Edgar Allan Poe. Lovecraft had many similarities with Poe; they both lost their fathers at a young age, loved poetry, and used archaisms (a language pertaining to an earlier generation) in their writing. They both went against the contemporary styles and created their own worlds of fantasy.

Lovecraft considered himself a man best suited to the early 18th century. His writing style, especially in his many letters, owes much to Augustan British writers of the Enlightenment like Joseph Addison and Jonathan Swift. Lovecraft even went so far as to write using the antiquated grammatical peculiarities of that literary era, as evidenced by his penchant for closing his personal letters with "yr mst hmble & obt srvnt" and similar. While Lovecraft's fiction radically inverted the Enlightenment belief in mankind being able to comprehend the universe, his personal outlook as revealed in his letters shows Lovecraft largely agreeing with rationalist contemporaries like Bertrand Russell.

He also cited Algernon Blackwood as an influence, quoting ''The Centaur'' in the head paragraph of ''The Call of Cthulhu''. He also declares Blackwood's "The Willows" to be the single best piece of weird fiction ever written.

Among the books found in his library (as evidenced in ''Lovecraft's Library'' by S. T. Joshi) was "The Seven Who Were Hanged" by Leonid Andreyev and "A Strange Manuscript Found in a Copper Cylinder" by James De Mille.

Lovecraft's style has often been criticised by unsympathetic critics, yet scholars such as S. T. Joshi have shown that Lovecraft consciously utilised a variety of literary devices to form a unique style of his own - these include conscious archaism, prose-poetic techniques combined with essay-form techniques, alliteration, anaphora, crescendo, transferred epithet, metaphor, symbolism and colloquialism.

Lovecraft's influence on culture

Beyond direct adaptation, Lovecraft and his stories have had a profound impact on popular culture and have been praised by many modern writers. Some influence was direct, as he was a friend, inspiration, and correspondent to many of his contemporaries, such as August Derleth, Robert E. Howard, Robert Bloch and Fritz Leiber. Many later figures were influenced by Lovecraft's works, including author and artist Clive Barker, prolific horror writer Stephen King, comics writers Alan Moore, Neil Gaiman and Mike Mignola, film directors John Carpenter, Stuart Gordon, and Guillermo Del Toro, horror manga artist Junji Ito, and artist H. R. Giger. H. P. Lovecraft's writing, particularly his so-called "Cthulhu Mythos", has influenced fiction authors worldwide, and Lovecraftian elements can be seen in novels, films, comic books (e.g. the use of Arkham Insane Asylum in The Batman comic book series), music, games, and even cartoons.

Argentine writer Jorge Luis Borges wrote his short story "There Are More Things" in memory of Lovecraft. Contemporary French writer Michel Houellebecq wrote a literary biography of Lovecraft called ''H. P. Lovecraft: Against the World, Against Life''. Prolific American writer Joyce Carol Oates wrote an introduction for a collection of Lovecraft stories. The Library of America published a volume of Lovecraft's work in 2005, essentially declaring him a canonical American writer. French philosophers Gilles Deleuze and Felix Guattari made reference to Lovecraft in A Thousand Plateaus and called the short story Through the Gates of the Silver Key one of his masterpieces.

He has also been a significant influence on speculative realism, a recent continental philosophy movement, with admirers from Graham Harman (who has connected the cognitive style of Husserl to Lovecraft and has developed what he describes as "weird realism") to Iranian writer Reza Negarestani.

In music, examples of Lovecraftian influence include the psychedelic rock band H. P. Lovecraft (who shortened their name to Lovecraft and then Love Craft in the 1970s) who released the ''H. P. Lovecraft'' and ''H. P. Lovecraft II'' albums in 1967 and 1968 respectively; the metal band Metallica who recorded a song inspired by "The Call of Cthulhu", a song based on ''The Shadow Over Innsmouth'' titled "The Thing That Should Not Be", an instrumental entitled "The Call of Ktulu", and a song based on Frank Belknap Long's "The Hounds of Tindalos", titled "All Nightmare Long"; Black Sabbath's "Behind the Wall of Sleep", which appeared on their 1970 debut album and is based on Lovecraft's short story "Beyond the Wall of Sleep"; The Darkest of the Hillside Thickets whose entire repertoire is Lovecraft-based; The Mountain Goats song called "Lovecraft in Brooklyn" on their 2008 album "Heretic Pride"; Black metal band Nehëmah has songs inspired by Lovecraft including "Creeping Chaos," "The Great Old Ones," "Dead But Dreaming in the Eternal Icy Waste," and "The Elder Gods Awakening" on their 2004 album "Requiem Tenebrae"; Melodic death metal band The Black Dahlia Murder also has produced several songs based on the Cthulhu Mythos, "Throne of Lunacy" and "Thy Horror Cosmic"; Progressive metal band Dream Theater's song "The Dark Eternal Night" is based on the story "Nyarlathotep" by Lovecraft; Mark E Smith, lead singer of The Fall, is a known fan of Lovecraft's work, and the song "Spectre Vs Rector", a ghost story, contains the lyric "Yog Sothoth rape me lord"; and British outsider artist deathrock-horror-punk progenitors Rudimentary Peni make repeated references in their song titles, lyrics and artwork, including the album Cacophony, all 30 songs of which are inspired by the life and writings of Lovecraft.

The Lovecraftian world has also made its mark on gaming. Chaosium first made its mark as a publisher of games based on Lovecraft's Mythos. The role-playing game ''Call of Cthulhu'' has been in print for 30 years (currently in its sixth major edition) and has garnered consistent praise for the high quality of its campaign and adventure supplements. Two collectible card games are ''Mythos'' and ''Call of Cthulhu, the Living Card Game''. In the ''Yu-Gi-Oh! Trading Card Game'' an archetype, the ''Arcana Force'', are based on his works. The board game Arkham Horror is in its fourth edition and a steady stream of expansions 22 years since its initial release. Several computer horror adventure games are influenced heavily by Lovecraft such as ''Call of Cthulhu: Dark Corners of the Earth'', ''Alone in the Dark'', ''Chzo Mythos'', ''Eternal Darkness: Sanity's Requiem'', ''Sherlock Holmes: The Awakened'', ''Amnesia: The Dark Descent'', Dead Space, "Splatterhouse" "Darkness Within: In Pursuit of Loath Nolder", "Darkness Within 2: The Dark Lineage", and the ''Penumbra'' series. Blizzard's World of Warcraft has several references to Lovecraft, such as the boss C'thun and the boss Yogg-Saron. All of these bosses in Warcraft are labeled "Old Gods". The first-person shooter ''Quake'' also references Lovecraft - even having a boss called the Shub-Niggurath. Also, whilst not always Lovecraft based at their essence, references to his work are common in other games such as ''Fallout 3'', ''Sam & Max: The Devil's Playhouse'', and ''Blood''.

Lovecraft as a character in fiction

Aside from his thinly-veiled appearance in Robert Bloch's "The Shambler from the Stars", Lovecraft continues to be used as a character in supernatural fiction. Examples include:

Bradbury, Ray: In an early version of the story "The Exiles", published in ''The Magazine of Fantasy & Science Fiction'' Volume 1 No. 2 (Winter-Spring 1950), and later to become part of Bradbury's ''Martian Chronicles'', Bradbury uses Lovecraft as a character, making a brief (600-word) appearance, eating ice cream in front of a fire and complaining about how cold he is. The passage was excised from all subsequent versions of the story.

Lupoff, Richard A.: ''Lovecraft's Book'' (1985)

Barbour, David and Richard Raleigh. ''Shadows Bend'' (2000)

Cannon, Peter. ''The Lovecraft Chronicles'' (2004)

In the 2005 Playstation 2 game ''Shadow Hearts: From the New World'', Lovecraft is a Non-Player Character.

In the sixth season episode "Let It Bleed" of the television series ''Supernatural'' (2010), a fictionalized version of Lovecraft and an equally fictitious unpublished manuscript by him are central to the plot.

Longfellow, Ki. ''Houdini Heart'' (2011)

In the animated series ''Scooby-Doo! Mystery Incorporated'', parodies of Lovecraft and of his creature Cthulhu Mythos appear in the episode "The Shrieking Madness".

Survey of the work

For most of the 20th century, the definitive editions (specifically ''At the Mountains of Madness and Other Novels'', ''Dagon and Other Macabre Tales'', ''The Dunwich Horror and Others'', and ''The Horror in the Museum and Other Revisions'') of his prose fiction were published by Arkham House, a publisher originally started with the intent of publishing the work of Lovecraft, but which has since published a considerable amount of other literature as well. Penguin Classics has at present issued three volumes of Lovecraft's works: ''The Call of Cthulhu and Other Weird Stories'', ''The Thing on the Doorstep and Other Weird Stories'', and most recently ''The Dreams in the Witch House and Other Weird Stories''. They collect the standard texts as edited by S. T. Joshi, most of which were available in the Arkham House editions, with the exception of the restored text of "The Shadow Out of Time" from ''The Dreams in the Witch House'', which had been previously released by small-press publisher Hippocampus Press. In 2005 the prestigious Library of America canonized Lovecraft with a volume of his stories edited by Peter Straub, and Random House's Modern Library line have issued the "definitive edition" of Lovecraft's ''At the Mountains of Madness'' (also including "Supernatural Horror in Literature").

Lovecraft's poetry is collected in ''The Ancient Track: The Complete Poetical Works of H. P. Lovecraft'' (Night Shade Books, 2001), while much of his juvenilia, various essays on philosophical, political and literary topics, antiquarian travelogues, and other things, can be found in ''Miscellaneous Writings'' (Arkham House, 1989). Lovecraft's essay "Supernatural Horror in Literature", first published in 1927, is a historical survey of horror literature available with endnotes as ''The Annotated Supernatural Horror in Literature''.

Letters

Although Lovecraft is known mostly for his works of weird fiction, the bulk of his writing consists of voluminous letters about a variety of topics, from weird fiction and art criticism to politics and history.

He sometimes dated his letters 200 years before the current date, which would have put the writing back in U.S. colonial times, before the American Revolution (a war which offended his Anglophilia). He explained that he thought that the 18th and 20th centuries were the "best"; the former being a period of noble grace, and the latter a century of science.

Lovecraft was not a very active letter-writer in youth. In 1931 he admitted: "In youth I scarcely did any letter-writing — thanking anybody for a present was so much of an ordeal that I would rather have written a two hundred fifty-line pastoral or a twenty-page treatise on the rings of Saturn." (SL 3.369–70). The initial interest in letters stemmed from his correspondence with his cousin Phillips Gamwell but even more important was his involvement in the amateur journalism movement, which was initially responsible for the enormous number of letters Lovecraft produced.

Despite his light letter-writing in youth, in later life his correspondence was so voluminous that it has been estimated that he may have written around 30,000 letters to various correspondents, a figure which places him second only to Voltaire as an epistolarian. Lovecraft's later correspondence is primarily to fellow weird fiction writers, rather than to the amateur journalist friends of his earlier years.

Lovecraft clearly states that his contact to numerous different people through letter-writing was one of the main factors in broadening his view of the world: "I found myself opened up to dozens of points of view which would otherwise never have occurred to me. My understanding and sympathies were enlarged, and many of my social, political, and economic views were modified as a consequence of increased knowledge." (SL 4.389).

Today there are five publishing houses that have released letters from Lovecraft, most prominently Arkham House with its five-volume edition ''Selected Letters.'' (Those volumes, however, severely abridge the letters they contain). Other publishers are Hippocampus Press (''Letters to Alfred Galpin'' ''et al.''), Night Shade Books (''Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei'' ''et al.''.), Necronomicon Press (''Letters to Samuel Loveman and Vincent Starrett'' et al.), and University of Tampa Press (''O Fortunate Floridian: H. P. Lovecraft's Letters to R. H. Barlow''). S.T. Joshi is supervising an ongoing series of volumes collecting Lovecraft's unabrdged letters to particular correspondents.

Ohio University Press also published "Lord of a Visible World — An Autobiography in Letters" in 2000 which presents his letters according to themes, such as adolescence and travel. It was edited by S. T. Joshi and David E. Schultz.

Copyright

There is controversy over the copyright status of many of Lovecraft's works, especially his later works. Lovecraft had specified that the young R. H. Barlow would serve as executor of his literary estate, but these instructions had not been incorporated into his will. Nevertheless his surviving aunt carried out his expressed wishes, and Barlow was given charge of the massive and complex literary estate upon Lovecraft's death.

Barlow deposited the bulk of the papers, including the voluminous correspondence, with the John Hay Library, and attempted to organize and maintain Lovecraft's other writing. August Derleth, an older and more established writer than Barlow, vied for control of the literary estate. One result of these conflicts was the legal confusion over who owned what copyrights.

All works published before 1923 are public domain in the U.S. However, there is some disagreement over who exactly owns or owned the copyrights and whether the copyrights apply to the majority of Lovecraft's works published post-1923.

Questions center over whether copyrights for Lovecraft's works were ever renewed under the terms of the United States Copyright Act of 1976 for works created prior to January 1, 1978. The problem comes from the fact that before the Copyright Act of 1976 the number of years a work was copyrighted in the U.S. was based on ''publication'' rather than life of the author plus a certain number of years and that it was good for only 28 years. After that point, a new copyright had to be filed, and any work that did not have its copyright renewed fell back into the public domain. The Copyright Act of 1976 retroactively extended this renewal period for all works to a period of 47 years and the Sonny Bono Copyright Term Extension Act of 1998 added another 20 years to that, for a total of 95 years from publication. If the works were renewed, the copyrights would still be valid in the United States.

The European Union Directive on harmonising the term of copyright protection of 1993 extended the copyrights to 70 years after the author's death. So, all works of Lovecraft published during his lifetime, became public domain in all 27 European Union countries on 1 January 2008. In those Berne Convention countries who have implemented only the minimum copyright period, copyright expires 50 years after the author's death.

Lovecraft protégés and part owners of Arkham House, August Derleth and Donald Wandrei, often claimed copyrights over Lovecraft's works. On October 9, 1947, Derleth purchased all rights to ''Weird Tales''. However, since April 1926 at the latest, Lovecraft had reserved all second printing rights to stories published in ''Weird Tales''. Hence, ''Weird Tales'' may only have owned the rights to at most six of Lovecraft's tales. Again, even if Derleth did obtain the copyrights to Lovecraft's tales, no evidence as yet has been found that the copyrights were renewed.

S. T. Joshi concludes in his biography, ''H. P. Lovecraft: A Life'', that Derleth's claims are "almost certainly fictitious" and that most of Lovecraft's works published in the amateur press are most likely now in the public domain. The copyright for Lovecraft's works would have been inherited by the only surviving heir of his 1912 will: Lovecraft's aunt, Annie Gamwell. Gamwell herself perished in 1941 and the copyrights then passed to her remaining descendants, Ethel Phillips Morrish and Edna Lewis. Morrish and Lewis then signed a document, sometimes referred to as the Morrish-Lewis gift, permitting Arkham House to republish Lovecraft's works but retaining the copyrights for themselves. Searches of the Library of Congress have failed to find any evidence that these copyrights were then renewed after the 28-year period and, hence, it is likely that these works are now in the public domain.

Chaosium, publishers of the Call of Cthulhu role-playing game, have a trademark on the phrase "The Call of Cthulhu" for use in game products. Another RPG publisher, TSR, Inc., original publisher of Advanced Dungeons & Dragons, included in one of that game's earlier supplements, ''Deities & Demigods'' (originally published in 1980 and later renamed to "Legends & Lore"), a section on the Cthulhu Mythos; TSR, Inc. later agreed to remove this section at Chaosium's request.

Regardless of the legal disagreements surrounding Lovecraft's works, Lovecraft himself was extremely generous with his own works and actively encouraged others to borrow ideas from his stories, particularly with regard to his Cthulhu mythos. He actively encouraged other writers to reference his creations, such as the ''Necronomicon'', Cthulhu and Yog-Sothoth. After his death, many writers have contributed stories and enriched the shared mythology of the Cthulhu Mythos, as well as making numerous references to his work. (See Cthulhu Mythos in popular culture.)

Locations featured in Lovecraft stories

Lovecraft drew extensively from his native New England for settings in his fiction. Numerous real historical locations are mentioned, and several fictional New England locations make frequent appearances. (See Lovecraft Country.)

Historical locations

Pascoag, Rhode Island in The Horror at Red Hook

Chepachet, Rhode Island in The Horror at Red Hook

Gainesville, Florida in The Statement of Randolph Carter

Binger in Caddo County, Oklahoma (''The Mound'')

Copp's Hill, Boston, Massachusetts

Red Line (MBTA)

Pawtuxet (now Cranston, Rhode Island)

Newburyport, Massachusetts

Ipswich, Massachusetts

Dunedin, New Zealand

Bolton, Massachusetts

Salem, Massachusetts

Brattleboro, Vermont

Albany, New York

Many locations within his hometown of Providence, Rhode Island, including the (then purportedly haunted) Halsey House, Prospect Terrace and Brown University's John Hay Library and John Carter Brown Library.

Danvers State Hospital, in Danvers, Massachusetts, which is largely believed to have served as inspiration for the infamous Arkham sanatorium from "The Thing on the Doorstep".

Catskill Mountains, New York

New York City, New York

Kilderry, Ireland

New Orleans, Louisiana, in The Call of Cthulhu, including a mention of Tulane University.

Newport, Rhode Island

Fictional locations

Miskatonic University in the fictional Arkham, Massachusetts

Dunwich, Massachusetts

Innsmouth, Massachusetts

Kingsport, Massachusetts

Aylesbury, Massachusetts

Martin's Beach

The Miskatonic River

The fictional Central University Library at the real University of Buenos Aires, Buenos Aires, Argentina. According to Lovecraft there is a copy of the Necronomicon here, but the University of Buenos Aires never had a central library.

Bibliography

Further reading

''The Strange Sound of Cthulhu: Music Inspired by the Writings of H. P. Lovecraft'' (ISBN 978-1-84728-776-2), written by Gary Hill.

''Lovecraft: Disturbing the Universe'' (ISBN 0-8131-1728-3), by Donald R. Burleson, PhD, a longtime scholar on Lovecraft and acquaintance of S. T. Joshi, is probably the only book analyzing Lovecraft's literature from a deconstructionist standpoint. University Press of Kentucky, November 1990.

''The Gentleman From Angell Street: Memories of H. P. Lovecraft'' ( ISBN 978-0-9701699-1-4), written by Muriel and C. M. Eddy, Jr. is a collection of personal remembrances and anecdotes from two of Lovecraft's closest friends in Providence. The Eddys were fellow writers, and Mr. Eddy was a frequent contributor to ''Weird Tales.''

''Lovecraft: A Look Behind the Cthulhu Mythos'' (ISBN 0-586-04166-4), written by Lin Carter in 1972, is a survey of Lovecraft's work (along with that of other members of the Lovecraft Circle) with considerable information on his life.

''The Rise and Fall of the Cthulhu Mythos'' by S. T. Joshi (Mythos Books, 2008) is the first full-length critical study since Lin Carter's to examine the development of Lovecraft's Mythos and its outworking in the oeuvres of various modern writers.

The first full-length biography was ''Lovecraft: a Biography'' (ISBN 0-345-25115-6), written by L. Sprague de Camp; published in 1975, it is now out of print.

Frank Belknap Long's ''Howard Phillips Lovecraft: Dreamer on the Nightside'' (Arkham House, 1975, ISBN 0-87054-068-8) presents a more personal look at Lovecraft's life, combining reminiscence, biography and literary criticism. Long was a friend and correspondent of Lovecraft, as well as a fellow fantasist who wrote a number of Lovecraft-influenced Cthulhu Mythos stories (including ''The Hounds of Tindalos'').

A newer, more extensive biography is H. P. Lovecraft: A Life (ISBN 0-940884-88-7) written by Lovecraft scholar S. T. Joshi. An alternative is Joshi's abridged ''A Dreamer & A Visionary: H. P. Lovecraft in His Time'' (ISBN 0-85323-946-0). An unabridged reprint in two volumes of Joshi's biography, newly retitled ''I Am Providence:", was published in 2010 by Hippocampus Press.

An English translation of Michel Houellebecq's ''H. P. Lovecraft: Against the World, Against Life'' (ISBN 1-932416-18-8) was published by Believer Books in 2005.

Other significant Lovecraft-related works are ''An H. P. Lovecraft Encyclopedia'' by Joshi and David S. Schulz; ''Lovecraft's Library: A Catalogue'' (a meticulous listing of many of the books in Lovecraft's now scattered library), by Joshi; ''Lovecraft at Last,'' an account by Willis Conover of his teenage correspondence with Lovecraft; Joshi's ''A Subtler Magick: The Writings and Philosophy of H. P. Lovecraft''.

Andrew Migliore and John Strysik's ''Lurker in the Lobby: The Guide to the Cinema of H. P. Lovecraft'' and Charles P. Mitchell's ''The Complete H. P. Lovecraft Filmography'' both discuss films containing Lovecraftian elements.

Lovecraft's prose fiction has been published numerous times. The corrected texts were released by Arkham House in the 1980s, and many other collections of his stories have appeared, including Ballantine Books editions and three popular Del Rey editions. The three collections published by Penguin, ''The Call of Cthulhu and Other Weird Stories'', ''The Thing on the Doorstep and Other Weird Stories'', and ''The Dreams in the Witch House and Other Weird Stories'', incorporate the modifications made in the corrected texts as well as the annotations provided by Joshi.

Lovecraft's ghost-written works are compiled in ''The Horror in the Museum and Other Revisions'', edited again by Joshi.

Some of Lovecraft's writings are annotated with footnotes or endnotes. In addition to the Penguin editions mentioned above and ''The Annotated Supernatural Horror in Literature'', Joshi has produced ''The Annotated H. P. Lovecraft'' as well as ''More Annotated H. P. Lovecraft'', both of which are footnoted extensively.

''An Epicure in the Terrible'' (Fairleigh Dickinson University Press, 1991), edited by David E. Schultz and S. T. Joshi is an anthology of 13 essays on Lovecraft (excluding Joshi's lengthy introduction)on the centennial of Lovecraft's birth. The essays are arranged into 3 sections; Biographical, Thematic Studies and Comparative and Genre Studies. The authors include S. T. Joshi, Kenneth W. Faig, Jr, Jason C. Eckhardt, Will Murray, Donald R. Burleson, Peter Cannon, Stefan Dziemianowicz, Steven J. Mariconda, David E. Schultz, Robert H. Waugh, Robert M. Price, R. Boerem, Norman R. Gatford and Barton Levi St. Armand.

“H. P. Lovecraft: Alone in Space,” chapter 3 in ''Emperors of Dreams: Some Notes on Weird Poetry'' by S. T. Joshi (Sydney: P’rea Press, 2008: ISBN 978-0-9804625-3-1 (pbk) and ISBN 978-0-9804625-4-8 (hbk)), discusses some of Lovecraft's weird poetry.

''The Intersection of Fantasy and Native America: From H.P. Lovecraft to Leslie Marmon Silko'' edited by Amy H. Sturgis and David D. Oberhelman (Mythopoeic Press, 2009: ISBN 978-1887726122).

Poole, W. Scott. ''Monsters in America: Our Historical Obsession with the Hideous and the Haunting.'' Waco, Texas: Baylor University Press, 2011. ISBN 978-1-60258-314-6.

References

External links

The H.P. Lovecraft Archive

"H.P. Lovecraft" by S. T. Joshi

"The King of Weird", by Joyce Carol Oates at the New York Review of Books (1996)

Extract from ''H P Lovecraft: Against the World, Against Life'' by Michel Houellebecq

"H.P. Lovecraft's Afterlife" by John J. Miller of the ''Wall Street Journal''

Publishers Weekly'' July 12, 2010">"Terror Eternal: The enduring popularity of H.P. Lovecraft" by Stefan Dziemianowicz; ''Publishers Weekly'' July 12, 2010

List of works available at Project Gutenberg Australia

The H.P. Lovecraft Film Festival and CthulhuCon

The H.P. Lovecraft Historical Society

H.P. Lovecraft RPG forum

A Virtual Walking Tour of Lovecraft's Providence

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Coordinates	56°09′″N40°25′″N
name	Anne Rice
birth date	October 04, 1941
birth place	New Orleans, Louisiana, United States1
birth name	Howard Allen Frances O'Brien
occupation	Novelist, Author
genre	Gothic, Horror, Erotica, Christian fiction, Mystery, Romance, Fantasy
debut work	''Interview with the Vampire''
influences	Charles Dickens, Virginia Woolf, Ernest Hemingway, William Shakespeare, Bronte Sisters, Bram Stoker
website	http://www.annerice.com }}

Anne Rice (born Howard Allen Frances O'Brien; October 4, 1941) is a best-selling Southern American author of metaphysical gothic fiction, Christian literature and erotica from New Orleans, Louisiana. Her books have sold nearly 100 million copies, making her one of the most widely read authors in modern history. She was married to poet and painter Stan Rice for 41 years until his death from brain cancer in 2002.

Biography

Early life

Rice was born the second of four daughters of Irish Catholic parents, Howard O'Brien and Katherine "Kay" Allen O'Brien, in New Orleans. Rice's father worked for the U.S. Postal Service and authored the book, ''The Impulsive Imp'', which was published posthumously. Rice's older sister, the late Alice Borchardt, was a noted genre author. Her husband, Stan Rice was a highly regarded poet, and their son, Christopher Rice is a bestselling author.

Rice's early years were marked by coping with her mother's advancing alcoholism and poverty. She lived in the Irish Channel of New Orleans, which she describes as an Irish Catholic ghetto, in the rented home of her maternal grandmother, Alice Allen, known as "Mamma Allen," at 2301 St. Charles Avenue. Mamma Allen, a hard working Irish Catholic woman who worked as a domestic after she separated from her alcoholic husband, was an important early influence in Rice's life, keeping the family and household together while Rice's mother sank deeper into alcoholism. She died in 1949, but the O'Brien's remained in her home until 1956, when they moved to 2524 St. Charles Avenue, a former rectory, convent, and school owned by the parish, to be closer to the church and support for her mother's advanced alcoholism.

About her unusual given name, Rice said: "Well, my birth name is Howard Allen because apparently my mother thought it was a good idea to name me Howard. My father's name was Howard, she wanted to name me after Howard, and she thought it was a very interesting thing to do. She was a bit of a Bohemian, a bit of mad woman, a bit of a genius, and a great deal of a great teacher. And she had the idea that naming a woman Howard was going to give that woman an unusual advantage in the world." However, in Rice's official biography, ''Prism of the Night'', her father claimed to be the source of her birth name: "Thinking back to the days when his own name had been associated with girls, and perhaps in an effort to give it away, Howard named the little girl Howard Allen Frances O'Brien." Rice became "Anne" on her first day of school, when a nun asked her what her name was. She told the nun "Anne," which she considered a pretty name. Her mother, who was with her, let it go without correcting her, knowing how self-conscious her daughter was of her real name. From that day on, everyone she knew addressed her as "Anne." Rice was confirmed in the Catholic Church when she was twelve years old and became Howard Allen Frances Alphonsus Liguori O'Brien, adding the names of a saint and of an aunt, who was a nun. "I was honored to have my aunt's name, but it was my burden and joy as a child to have strange names."

Rice spent most of her childhood and teenage years in New Orleans, which forms the background against which most of her stories take place. Rice's mother died of alcoholism when she was fourteen years old. Soon after her mother's death, Rice's father placed her and two sisters in St. Joseph's Academy. Rice described St. Joseph's as "something out of Jane Eyre . . . a dilapidated, awful, medieval type of place. I really hated it and wanted to leave. I felt betrayed by my father."

In November, 1957, her father married Dorothy Van Bever, a divorced Baptist, and, in 1958, when Rice was 16, he moved the family to north Texas, purchasing their first home in Richardson. Rice met her future husband, Stan Rice, in a journalism class while they were both students at Richardson High School.

San Francisco and Berkeley

Rice graduated from Richardson High School in 1959, completed her freshman year at Texas Woman's University in Denton and transferred to North Texas State College for her sophomore year, but dropped out when she ran out of money and could not find a job. She decided to move to San Francisco, and got permission from her friend, Dennis Percy, to stay with his family until she found work as an insurance claims processor. She persuaded her college roommate from Texas Woman's University, Ginny Mathis, to join her, and they found an apartment in the Haight-Ashbury district. Mathis found a job at the same insurance company. Soon after, they began taking night courses at University of San Francisco, an all-male Jesuit school that allowed women to take night courses. Rice returned home for Easter vacation and rekindled her relationship with Stan Rice. After her return to San Francisco, Stan Rice came for a week-long visit when school was over in June. He returned to Texas, Rice moved back in with the Percys, and Mathis left San Francisco in August to enroll in a nursing program in Oklahoma. Rice continued living with the Percys and working at the insurance company. She received a special delivery letter from Stan Rice asking her to marry him. They married on October 14, 1961, in Denton, soon after she turned 20 years old, and he was just weeks from his nineteenth birthday.

The Rices moved back to San Francisco in 1962, experiencing the birth of the Hippie Revolution first hand as they lived in the soon to be fabled Haight-Ashbury district, Berkeley, and later the Castro District. "I'm a totally conservative person," she later told ''The New York Times'' (November 7, 1988). "In the middle of Haight-Ashbury in the 1960s, I was typing away while everybody was dropping acid and smoking grass. I was known as my own square." Rice attended San Francisco State University and obtained a B.A. in Political Science in 1964 and an M.A. in Creative Writing in 1972. Rice interrupted her graduate studies at SFSU to become a Ph.D. candidate at Berkeley, but became disenchanted with the emphasis on literary criticism and the language requirements. She returned to San Francisco State in 1970 to finish her master's degree in Creative Writing. Stan Rice became an instructor at San Francisco State shortly after receiving his M.A. in Creative Writing from SFSU, and later chaired the Creative Writing department before retiring in 1988. Rice's daughter Michele, nicknamed "Mouse", was born on September 21, 1966. In 1970, while Rice was in the graduate program, her daughter was diagnosed with acute granulocytic leukemia. Rice had a prophetic dream, months before her daughter became ill, that her daughter was dying from "something wrong with her blood." On August 5, 1972, Rice's daughter died of leukemia at Stanford Children's Hospital in Palo Alto.

In 1973, while she was still grieving the loss of her daughter, Rice took a previously written short story and turned it into her first bestselling novel, ''Interview with the Vampire''. Many believe that Rice created the child vampire, Claudia, in the novel to help her overcome the loss of her daughter. After completing the novel and following many rejections of it, Rice developed Obsessive–compulsive personality disorder (OCPD). Rice was obsessed with germs, thinking that she contaminated everything she touched, engaged in frequent and obsessive hand washing and obsessively checked locks on windows and doors. Of this period, Rice says, "What you see when you're in this state is every single flaw in our hygiene and you can't control it and you go crazy."

In August, 1974, after a year of therapy for her OCPD, Rice attended a writer's conference at Squaw Valley, conducted by Ray Nelson, where she met her literary agent, Phyllis Seidel. In October 1974, Seidel sold ''Interview with the Vampire'' to Alfred A. Knopf for a $12,000 advance of the hardcover rights. Most new authors were receiving $2000 advances. ''Interview with the Vampire'' was published in May, 1976. In 1977, the Rices traveled in Europe and Egypt for the first time.

Rice's son Christopher was born in Berkeley, California in 1978 and is a best selling author. In mid-1979, Rice, an admitted alcoholic, and her husband, Stan Rice, quit drinking so their son would not have the life that she had as a child.

Following ''Interview with the Vampire'', while living in California, Rice wrote two historical novels, ''Feast of All Saints'' and ''Cry to Heaven'', along with three erotic novels under the pseudonym A.N. Roquelaure (''The Claiming of Sleeping Beauty'', ''Beauty's Punishment'', and ''Beauty's Release'') and two more under the pseudonym of Anne Rampling (''Exit to Eden'' and ''Belinda''). Rice then returned to the vampire metaphor with her best selling novels ''The Vampire Lestat'' and ''Queen of the Damned''.

New Orleans

In July, 1988, following the success of ''The Vampire Lestat'' and with ''Queen of the Damned'' about to be published, the Rices purchased a second home in New Orleans. Stan Rice took a leave of absence from his teaching, and the Rices moved to New Orleans. Within months, they decided to make it their permanent home. In New Orleans, Rice felt whole again and wrote ''The Witching Hour'' as an expression of her joy of coming home. In New Orleans, Rice continued her popular ''Vampire Chronicles'' series, which now includes over a dozen novels, three novels in the ''Lives of the Mayfair Witches'' series, and ''Violin'', a tale of a ghostly haunting.

Return to Roman Catholicism

Rice returned to the Catholic Church in 1998 after decades of describing herself as an "atheist." On December 14, 1998, Rice went into a coma, nearly dying, and was diagnosed with Diabetes mellitus type 1. Rice is a brittle diabetic and insulin-dependent. In 2003, following the recommendation of her husband and shortly after his death, Rice underwent gastric bypass surgery and shed 103 pounds.

In 2004, Rice nearly died again from an intestinal blockage or bowel obstruction, a common complication of gastric bypass surgery. In 2005, Newsweek reported, "[Rice] came close to death last year, when she had surgery for an intestinal blockage, and also back in 1998, when she went into a sudden diabetic coma; that same year she returned to the Roman Catholic Church, which she'd left at 18." Her return did not come with a full embrace of the Church's stances on social issues; Rice remains a vocal supporter of equality for gay men and lesbians (including marriage rights), as well as abortion rights and birth control. Rice has written extensively on these matters. In October, 2005, while promoting her book, Christ the Lord: Out of Egypt, she announced in ''Newsweek'' that she would now use her life and talent of writing to glorify her belief in God, but did not renounce her earlier works.

In the Author's Note from ''Christ the Lord: Out of Egypt'', Rice states:

I had experienced an old fashioned, strict Roman Catholic childhood in the 1940s and 1950s… we attended daily Mass and communion in an enormous and magnificently decorated church … Stained glass windows, the Latin Mass, the detailed answers to complex questions on good and evil—these things were imprinted on my soul forever…

I left this church at age 18... I wanted to know what was happening, why so many seemingly good people didn’t believe in any organized religion yet cared passionately about their behavior and value of their lives… I broke with the church violently and totally... I wrote many novels that without my being aware of it reflected my quest for meaning in a world without God."

In her memoir ''Called Out of Darkness'', Rice also states:

In the moment of surrender, I let go of all the theological or social questions which had kept me from [God] for countless years. I simply let them go. There was the sense, profound and wordless, that if He knew everything I did not have to know everything, and that, in seeking to know everything, I’d been, all of my life, missing the entire point. No social paradox, no historic disaster, no hideous record of injustice or misery should keep me from Him. No question of Scriptural integrity, no torment over the fate of this or that atheist or gay friend, no worry for those condemned and ostracized by my church or any other church should stand between me and Him. The reason? It was magnificently simple: He knew how or why everything happened; He knew the disposition of every single soul. He wasn’t going to let anything happen by accident! Nobody was going to go to Hell by mistake."

Rice calls ''Christ the Lord: Out of Egypt'', published in 2005, the beginning of a series chronicling the life of Jesus. The second volume, ''Christ the Lord: The Road to Cana'', was published in March 2008. The third book [christ the lord: kingdom of heaven] in the series has been postponed.

Leaving New Orleans

On January 18, 2004, Rice announced her plans to leave New Orleans to her fans on her website. She cited living alone since the death of her husband and her son moving to California as the reasons for her move. On January 30, 2004, Rice put the largest of her three homes up for sale and moved to a gated community in ''Kenner, Louisiana''. Rice lived in the Garden District of New Orleans, also the home of multi-millionaire Rosemary and Stephen Ellis, Brad Pitt, Angelina Jolie, and Delta Burke. "Simplifying my life, not owning so much, that's the chief goal", said Rice. "I'll no longer be a citizen of New Orleans in the true sense." She sold her New York City condominium on January 20, 2005. In 2005, after completing ''Christ the Lord: Out of Egypt'', Rice left New Orleans. She left prior to the events of Hurricane Katrina in August 2005. None of her former New Orleans properties were flooded. However, she remains a vocal advocate for the city and related relief projects.

California Desert

After leaving New Orleans, Rice settled first in La Jolla, CA. Rice remained in La Jolla less than a year, stating in January 2006 that the weather was too cold. In November 2005, she described the weather in La Jolla as "like heaven." Rice purchased a six bedroom home in Rancho Mirage, California on 12/29/2005, allowing her to be closer to her son, who lives in Los Angeles. In Rancho Mirage, Rice wrote ''Christ the Lord: The Road to Cana'', ''Angel Time'' and ''Of Love and Evil'' (the first two books in her Songs of the Seraphim series), and her memoir ''Called Out of Darkness: A Spiritual Confession''.

On July 18, 2010, Rice auctioned her vast, museum-quality collection of antique dolls at Thierault's in Chicago. Beginning in the summer of 2010 and continuing through the spring of 2011, Rice began auctioning off her household possessions, collectibles featured in her many books, jewelry, and wardrobe on eBay. She sold a large portion of her library collection to Powell's Books.

Renunciation of organized religion

On July 29, 2010, Rice publicly renounced her dedication to her Roman Catholic faith, while remaining committed to Christ, on her Facebook page:

"For those who care, and I understand if you don’t: Today I quit being a Christian. I’m out. I remain committed to Christ as always but not to being “Christian” or to being part of Christianity. It’s simply impossible for me to “belong” to this quarrelsome, hostile, disputatious, and deservedly infamous group. For ten years, I’ve tried. I’ve failed. I’m an outsider. My conscience will allow nothing else."

A few hours later she added the following:

“In the name of Christ, I refuse to be anti-gay. I refuse to be anti-feminist. I refuse to be anti-artificial birth control. I refuse to be anti-Democrat. I refuse to be anti-secular humanism. I refuse to be anti-science. I refuse to be anti-life. In the name of Christ, I quit Christianity and being Christian. Amen.”

She reaffirmed her faith in Christ with a stance of non-adherence to organized Christianity an hour or so later:

"My faith in Christ is central to my life. My conversion from a pessimistic atheist lost in a world I didn't understand, to an optimistic believer in a universe created and sustained by a loving God is crucial to me. But following Christ does not mean following His followers. Christ is infinitely more important than Christianity and always will be, no matter what Christianity is, has been, or might become."

Subsequently, in an interview, Rice further clarified her statements:

"My commitment to Christ remains at the heart and center of my life. Transformation in Him is radical and ongoing. That I feel now that I am called to be an outsider for Him, to step away from the words, "Christian" and "Christianity" is something that my conscience demands of me. I feel that my faith in Him demands this of me. I know of no other way to express how I must remove myself from those things which seek to separate me from Him."

A media frenzy ensued with newspaper reporters, Internet bloggers, radio and t.v. commentators and news reporters around the world commenting about and interviewing Rice. In an August 7, 2010 interview with the ''Los Angeles Times'', Rice elaborated on her view regarding being a member of a Christian church: "I feel much more morally comfortable walking away from organized religion. I respect that there are all kinds of denominations and all kinds of churches, but it's the entire controversy, the entire conversation that I need to walk away from right now." In response to the question, "[H]ow do you follow Christ without a church?" Rice replied: "I think the basic ritual is simply prayer. It's talking to God, putting things in the hands of God, trusting that you're living in God's world and praying for God's guidance. And being absolutely faithful to the core principles of Jesus' teachings. I loved it.

Adaptations

Film

In 1994, Neil Jordan directed a motion picture adaptation of ''Interview with the Vampire'', from Rice's own screenplay. The movie starred Tom Cruise as Lestat, Brad Pitt as the guilt-ridden Louis and was a breakout role for young Kirsten Dunst as the deceitful child vampire Claudia.

A second film adaptation, ''Queen of the Damned,'' was released in February 2002. Starring Stuart Townsend as the vampire Lestat and singer Aaliyah as Akasha, Queen of the Vampires, the movie combined incidents from the second and third books in the series: ''The Vampire Lestat'' and ''The Queen of the Damned.'' Produced on a budget of $35 million, the film only recouped $30 million at the domestic(US) box office.

A 1994 film titled ''Exit to Eden,'' based loosely on the book Rice published as Anne Rampling, starred Rosie O'Donnell and Dan Aykroyd. The work was transformed from a love story into a police comedy, possibly due to the explicit S&M; themes of the book. The film was a box-office failure, and Rice publicly dissociated herself from it.

A film version of ''Christ the Lord: Out of Egypt'' was planned but later cancelled.

Television

In 1997, Rice wrote a television pilot entitled ''Rag and Bone'' starring Dean Cain and Robert Patrick, which featured many of the common themes of her work.

''The Feast of All Saints'' was made into a miniseries in 2001 by director Peter Medak.

Plans to adapt Rice's ''Lives of the Mayfair Witches'' trilogy into a twelve-hour miniseries to be aired on NBC were dropped after a change of studio head and subsequent loss of interest in the project.

Theatre

In 1997, a ballet adaptation of ''Interview with the Vampire'', premiered in Prague.

On April 25, 2006, the musical ''Lestat'', based on Rice's Vampire Chronicles books, opened at the Palace Theatre on Broadway after having its world premiere in San Francisco, California in December 2005. With music by Elton John and lyrics by Bernie Taupin, it was the inaugural production of the newly established Warner Brothers Theatre Ventures. Despite Rice's own overwhelming approval and praise, the show received mostly poor reviews by critics and disappointing attendance. ''Lestat'' closed a month later on May 28, 2006, after just 33 previews and 39 regular performances.

Comics

Anne Rice's books have been adapted over the years into comics. Below is a list of known adaptations and issue runs; along with publisher and year.

Anne Rice's ''The Mummy or Ramses the Damned'' #1-12 by Millennium Comics (1990)

Anne Rice's ''Interview with the vampire'' #1-12 by Innovation Comics (1992)

Anne Rice's ''Queen of the Damned'' #1-11 (#12 was never published) by Innovation Comics (1991)

Anne Rice's ''The Tale of the Body Thief'' #1-4 (#'s 5-12 were never published) by Sicilian Dragon (1999)

Anne Rice's ''The Vampire Companion'' #1-3 by Innovation Comics (1991)

Anne Rice's ''The Master of Rampling Gate'' (one shot) by Innovation Comics (1991)

Anne Rice's ''Vampire Lestat'' #1-14 by Innovation Comics (1990)

Anne Rice's ''The Witching Hour'' #1-5 by Millennium Publishing (1992)

Fan fiction

Rice has expressed an adamant stance against fan fiction based on her work (mostly those from ''Interview with the Vampire'' and its sequels in ''The Vampire Chronicles'' or other elements in her books), releasing a statement on April 7, 2000 that prohibited all such efforts and cited copyright issues. She subsequently requested that FanFiction.Net remove stories featuring her characters.

Bibliography

The Vampire Chronicles

''Interview with the Vampire'' (1976)

''The Vampire Lestat'' (1985)

''The Queen of the Damned'' (1988)

''The Tale of the Body Thief'' (1992)

''Memnoch the Devil'' (1995)

''The Vampire Armand'' (1998)

''Merrick'' (2000)

''Blood and Gold'' (2001)

''Blackwood Farm'' (2002)

''Blood Canticle'' (2003)

New Tales of the Vampires

''Pandora'' (1998)

''Vittorio the Vampire'' (1999)

The Lives of the Mayfair Witches

''The Witching Hour'' (1990)

''Lasher'' (1993)

''Taltos'' (1994)

Vampire/Mayfair crossover

In these novels the Mayfair Witches become part of the Vampire Chronicles world.

''Merrick'' (2000)

''Blackwood Farm'' (2002)

''Blood Canticle'' (2003)

The Life of Christ

''Christ the Lord: Out of Egypt'' (2005)

''Christ the Lord: The Road to Cana'' (2008)

''Christ the Lord: The Kingdom of Heaven'' (date not announced)

Songs of the Seraphim

''Angel Time'' (October 2009)

''Of Love and Evil'' (November 30, 2010)

Miscellaneous novels

''The Feast of All Saints'' (1979)

''Cry to Heaven'' (1982)

''The Mummy'' (1989)

''Servant of the Bones'' (1996)

''Violin'' (1997)

''Born for Atlantis'' (2012)

''The Wolf Gift'' (forthcoming, date TBA)

Short fiction

''October 4, 1948'' (1965)

''Nicholas and Jean'' (first ch. 1966)

''The Master of Rampling Gate'' (Vampire Short Story) (1982)

Non-fiction

''Called Out of Darkness: A Spiritual Confession'' (2008) (autobiographical)

Under the pseudonym Anne Rampling

''Exit to Eden'' (1985)

''Belinda'' (1986)

Under the pseudonym A.N. Roquelaure

''The Claiming of Sleeping Beauty'' (1983)

''Beauty's Punishment'' (1984)

''Beauty's Release'' (1985)

Biographies

''Prism of the Night'' by Katherine Ramsland. New York, Dutton, Penguin Group, 1991 ISBN 0-525-93370-0

See also

List of bestselling novels in the United States

List of best-selling fiction authors

Footnotes

External links

Anne Rice's official website

Anne Rice's spiritual journey site

Category:1941 births Category:Living people Category:American erotica writers Category:American fantasy writers Category:American horror writers Category:American novelists Category:BDSM writers Category:Former Roman Catholics Category:Erotic horror writers Category:Female authors who wrote under male or gender-neutral pseudonyms Category:American writers of Irish descent Category:LGBT rights activists from the United States Category:People from New Orleans, Louisiana Category:People from Rancho Mirage, California Category:University of North Texas alumni Category:San Francisco State University alumni Category:Writers from California Category:Writers from Louisiana Category:Dark fantasy writers

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Coordinates	56°09′″N40°25′″N
name	George Orwell
alt	A photo showing head and shoulders of a middle-aged Caucasian man with a slim mustache.
pseudonym	George Orwell
birth name	Eric Arthur Blair
birth date	June 25, 1903
birth place	Motihari, Bihar, British India
death date	January 21, 1950
death place	University College Hospital, London, England, United Kingdom
resting place	Sutton Courtenay, Oxfordshire, England, United Kingdom
occupation	Novelist, political writer and journalist
language	English
nationality	British
citizenship	British subject
alma mater	Eton College
period	6 October 1928 – 1 January 1950
genre	Dystopia, roman à clef, satire
subject	Anti-fascism and anti-communism, democratic socialism, literary criticism, news, polemic
notableworks	''Homage to Catalonia'' (1938)''Animal Farm'' (1945)''Nineteen Eighty-Four'' (1949)essays
spouse	Eileen O'Shaughnessy (1935–1945, her death)Sonia Brownell (1949–1950, his death)
children	Richard Horatio Orwell
relatives	Richard Walmesley Blair (father)Ida Mabel Blair (née Limouzin) (mother)Marjorie (sister)Avril (sister)
influences	James Burnham, Charles Dickens, Henry Fielding, Gustave Flaubert, Aldous Huxley, James Joyce, Arthur Koestler, Jack London, W. Somerset Maugham, Upton Sinclair, Jonathan Swift, Leo Tolstoy, Leon Trotsky, H.G. Wells, Tom Wintringham, Yevgeny Zamyatin, Émile Zola
influenced	Margaret Atwood, Ray Bradbury, Anthony Burgess, Albert Camus, Noam Chomsky, Cory Doctorow, Johann Hari, Christopher Hitchens, Peter Hitchens, John King, Ignazio Silone, Kurt Vonnegut, Thomas Pynchon, Andrew Sullivan
awards
signature	Orwell-Signature.svg|380px
signature alt	The signature of George Orwell, reading "Eric Blair / ('George Orwell')
website	}}

Eric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense opposition to totalitarianism, a passion for clarity in language, and a belief in democratic socialism.

Considered perhaps the twentieth century's best chronicler of English culture, Orwell wrote fiction, polemical journalism, literary criticism and poetry. He is best known for the dystopian novel ''Nineteen Eighty-Four'' (published in 1949) and the satirical novella ''Animal Farm'' (1945)—they have together sold more copies than any two books by any other twentieth-century author. His 1938 book ''Homage to Catalonia'', an account of his experiences as a volunteer on the Republican side during the Spanish Civil War, together with numerous essays on politics, literature, language, and culture, are widely acclaimed.

Orwell's influence on contemporary culture, popular and political, continues decades after his death. Several of his neologisms, along with the term "Orwellian"—now a byword for any authoritarian or manipulative social phenomenon opposed to a free society—have entered the vernacular.

Biography

Early life and education

Eric Arthur Blair was born on 25 June 1903, in Motihari, Bihar, in the Bengal Presidency of British India. His great-grandfather Charles Blair had been a wealthy country gentleman in Dorset who had married Lady Mary Fane, daughter of Thomas Fane, 8th Earl of Westmorland, and had income as an absentee landlord of slave plantations in Jamaica. His grandfather, Thomas Richard Arthur Blair, was a clergyman. Although the gentility was passed down the generations, the prosperity was not; Eric Blair described his family as "lower-upper-middle class". His father, Richard Walmesley Blair, worked in the Opium Department of the Indian Civil Service. His mother, Ida Mabel Blair (née Limouzin), grew up in Moulmein, Burma where her French father was involved in speculative ventures. Eric had two sisters: Marjorie, five years older, and Avril, five years younger. When Eric was one year old, his mother took him to England.

In 1904, Blair's mother settled at Henley-on-Thames. Eric was brought up in the company of his mother and sisters, and apart from a brief visit he did not see his father again until 1912. His mother's diary from 1905 indicates a lively round of social activity and artistic interests. The family moved to Shiplake before the First World War, and Eric became friendly with the Buddicom family, especially Jacintha Buddicom. When they first met, he was standing on his head in a field, and on being asked why, he said, "You are noticed more if you stand on your head than if you are right way up." Jacintha and Eric read and wrote poetry and dreamed of becoming famous writers. He told her that he might write a book in similar style to that of H. G. Wells's ''A Modern Utopia''. During this period, he enjoyed shooting, fishing, and birdwatching with Jacintha's brother and sister.

At the age of five, Eric Blair was sent as a day-boy to the convent school in Henley-on-Thames which Marjorie attended (a Roman Catholic convent run by French Ursulines, exiled from France after religious education was banned there in 1903). His mother wanted him to have a public school education, but his family was not wealthy enough to afford the fees, making it necessary for him to obtain a scholarship. Ida Blair's brother Charles Limouzin, who lived on the South Coast of England, was asked to find the best possible school to prepare Eric for public school entrance, and he recommended St Cyprian's School, Eastbourne, East Sussex. Limouzin, who was a proficient golfer, came into contact with the school and its headmaster at the Royal Eastbourne Golf Club where he won several competitions in 1903 and 1904. The headmaster undertook to help Blair to win the scholarship, and made a private financial arrangement which allowed Blair's parents to pay only half the normal fees. In September 1911 Eric, who knew nothing of the reduced-fee arrangement until his third year at the school, though he 'soon recognised that he was from a poorer home', arrived at St Cyprian's. Blair hated the school and many years later based his posthumously published essay ''Such, Such Were the Joys'' on his time there. At St. Cyprian's, Blair first met Cyril Connolly, who himself became a noted writer and who, as the editor of ''Horizon'', published many of Orwell's essays. As part of his school work, Blair wrote two poems that were published in the ''Henley and South Oxfordshire Standard'', He came second to Connolly in the Harrow History Prize, had his work praised by the school's external examiner, and earned scholarships to Wellington College and Eton College. He left St Cyprian's in December 1916.

After Blair spent a term at Wellington in 1917, a place became available for him as a King's Scholar at Eton which he took up, and he remained at Eton until 1921. His principal tutor was A. S. F. Gow, fellow of Trinity College, Cambridge who remained a source of advice later in his career. Blair was briefly taught French by Aldous Huxley who spent a short interlude teaching at Eton. Stephen Runciman, who was at Eton with Blair, noted that he and his contemporaries appreciated Huxley's use of words and phrases, but there is no evidence of contact between Orwell and Huxley at Eton outside the classroom. Cyril Connolly followed Blair to Eton, but because they were in separate years they did not associate with each other. Blair's academic performance reports suggest that he neglected his academic studies, but during his time at Eton, he worked with Roger Mynors to produce a college magazine and participated in the Eton Wall Game. His parents could not afford to send him to university without another scholarship, and they concluded from his poor results that he would not be able to obtain one. However, Runciman noted that he had a romantic idea about the East and it was decided that Blair should join the Indian Police Service. To do this, it was necessary to pass an entrance examination. His father had retired to Southwold, Suffolk by this time and Blair was enrolled at a "crammer" there called "Craighurst" where he brushed up on his classics, English and History. Blair passed the exam, coming seventh out of the twenty-six candidates who exceeded the set pass mark.

Policing in Burma

Blair's grandmother lived at Moulmein, and with family connections in the area, his choice of posting was Burma. In October 1922 he sailed on board S.S. Herefordshire via the Suez Canal and Ceylon to join the Indian Imperial Police in Burma. A month later, he arrived at Rangoon and made the journey to Mandalay, the site of the police training school. After a short posting at Maymyo, Burma's principal hill station, he was posted to the frontier outpost of Myaungmya in the Irrawaddy Delta at the beginning of 1924. His imperial policeman's life gave him considerable responsibilities for a young man, while his contemporaries were still at university in England. When he was posted farther east in the Delta to Twante as a sub-divisional officer, he was responsible for the security of some 200,000 people. At the end of 1924 he was promoted to Assistant District Superintendent and posted to Syriam, which was closer to Rangoon. Syriam was the site of the refinery of the Burmah Oil Company, " the surrounding land a barren waste, all vegetation killed off by the fumes of sulphur dioxide pouring out day and night from the stacks of the refinery." Its proximity to Rangoon however, a cosmopolitan seaport, had its rewards: Blair went into the city as often as he could," to browse in a bookshop; to eat well-cooked food; to get away from the boring routine of police life." In September 1925 he went to Insein, the home of Insein Prison the second largest jail in Burma. In Insein, he had "long talks on every conceivable subject" with a woman named Elisa Maria Langford-Rae (later the wife of Kazi Lhendup Dorjee), who noted his "sense of utter fairness in minutest details".

In April 1926 he moved to Moulmein, where his grandmother lived. At the end of that year, he went to Katha, in Upper Burma, where he contracted Dengue fever in 1927. He was entitled to a leave in England that year, and in view of his illness, was allowed to go home in July. While on leave in England in 1927, he reappraised his life and resigned from the Indian Imperial Police with the intention of becoming a writer. His Burma police experience yielded the novel ''Burmese Days'' (1934) and the essays "A Hanging" (1931) and "Shooting an Elephant" (1936). In Burma, Orwell had acquired a reputation as someone who didn't fit in – he spent much of his time alone, reading or pursuing non-''pukka'' activities such as attending the churches of the ethnic Karen group. He wrote later that he felt guilty for his role in the machine of empire and he "began to look more closely at his own country and saw that England also had its oppressed..." Physical marks left by Burma remained with Orwell throughout his life. "While in Burma, he acquired a moustache similar to those worn by officers of the British regiments stationed there. [He] also acquired some tattoos; on each knuckle he had a small untidy blue circle. Many Burmese living in rural areas still sport tattoos like this – they are believed to protect against bullets and snake bites."

London and Paris

In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer. Early in the autumn of 1927 he moved to London. Ruth Pitter, a family acquaintance, helped him find lodgings, and by the end of 1927 he had moved into rooms in Portobello Road;(a blue plaque commemorates his residence there.) Pitter's association with the move "would have lent it a reassuring respectability in Mrs Blair's eyes." Pitter had a sympathetic interest in Blair's writing, pointed out weaknesses in his poetry, and advised him to write about what he knew. In fact he decided to write of "certain aspects of the present that he set out to know" and "ventured into the East End of London – the first of the occasional sorties he would make to discover for himself the world of poverty and the down-and-outers who inhabit it. He had found a subject. These sorties, explorations, expeditions, tours or immersions were made intermittently over a period of five years."

Following the precedent of Jack London (and particularly ''The People of the Abyss''), a writer he admired, he started his exploratory expeditions slumming in the poorer parts of London. On his first outing he set out to Limehouse Causeway spending his first night in a common lodging house, possibly George Levy's 'kip'. For a while he "went native" in his own country, dressing like a tramp and making no concessions to middle class mores and expectations; he recorded his experiences of the low life for later use in "The Spike", his first published essay, and the latter half of his first book, ''Down and Out in Paris and London'' (1933). In the spring of 1928, he moved to Paris, where the comparatively low cost of living and bohemian lifestyle offered an attraction for many aspiring writers and lived in the Rue du Pot-de-Fer. His Aunt Nellie Limouzin also lived in Paris and gave him social and, if necessary, financial support. He worked on novels, but only ''Burmese Days'' survives from that activity. More successful as a journalist, he published articles in ''Monde'' (a political/literary journal edited by Henri Barbusse, not to be confused with ''Le Monde''), ''G. K.'s Weekly'' and ''Le Progrès Civique'' (founded by the left-wing coalition Le Cartel des Gauches). Three pieces appeared in successive weeks in ''Progrès Civique'', the first looked at unemployment, the next, a day in the life of a tramp, and the third, the beggars of London. "In one or another of its destructive forms, poverty was to become his obsessive subject – at the heart of almost everything he wrote until ''Homage to Catalonia''."

He fell seriously ill in March 1929 and was taken to the Hôpital Cochin, a free hospital maintained for the teaching of medical students (the basis of his essay ''How the Poor Die'', published in 1946), and shortly afterwards had all his money stolen from the lodging house. Whether through necessity or simply to collect material, he undertook menial jobs like dishwashing in a fashionable hotel on the rue de Rivoli, providing experiences to be used in ''Down and Out in Paris and London''. In August 1929 he sent a copy of "The Spike" to ''New Adelphi'' magazine in London. This was owned by John Middleton Murry who had released editorial control to Max Plowman and Sir Richard Rees. Plowman accepted the work for publication.

Southwold

In December 1929, after a year and three quarters in Paris, Blair returned to England and went directly to his parents' house in Southwold, which was to remain his base for the next five years. The family was well established in the local community, and his sister Avril was running a tea house in the town. He became acquainted with many local people including a local gym teacher, Brenda Salkield, the daughter of a clergyman. Although Salkield rejected his offer of marriage she was to remain a friend and regular correspondent about his work for many years. He also renewed friendships with older friends such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life. In the spring he had a short stay in Bramley, Leeds with his sister Marjorie and her husband Humphrey Dakin, who was as unappreciative of Blair as when they knew each other as children. Blair was undertaking some review work for ''Adelphi'' and acting as a private tutor to a disabled child at Southwold. He followed this up by tutoring a family of three boys one of whom, Richard Peters, later became a distinguished academic. "His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents' house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent." He went painting and bathing on the beach, and there he met Mabel and Francis Fierz who were later to influence his career. Over the next year he visited them in London often meeting their friend Max Plowman. Other homes available to him were those of Ruth Pitter and Richard Rees. These acted as places for him to "change" for his sporadic tramping expeditions where one of his jobs was to do domestic work at a lodgings for half a crown a day.

Meanwhile, Blair now contributed regularly to ''Adelphi'', with "A Hanging" appearing in August 1931. From August to September 1931 his explorations of the lower depths continued, and extended to following the East End tradition of working in the Kent hop fields (an activity which his lead character in ''A Clergyman's Daughter'' also engages in), and he kept a diary covering the entire experience. At the end of this, he ended up in the Tooley Street kip, but could not stand it for long and with a financial contribution from his parents moved to Windsor Street where he stayed until Christmas. "Hop Picking", by Eric Blair, appeared in the October 1931 issue of ''New Statesman'', where Cyril Connolly was on the staff. Mabel Fierz put him in contact with Leonard Moore who was to become his literary agent.

At this time Jonathan Cape rejected ''A Scullion's Diary'', the first version of ''Down and Out''. On the advice of Richard Rees he offered it to Faber & Faber, whose editorial director, T. S. Eliot, also rejected it. To conclude the year Blair attempted another exploratory venture of getting himself arrested so that he could spend Christmas in prison, but the relevant authorities did not cooperate and he returned home to Southwold after two days in a police cell.

Teaching

In April 1932 Blair took a job teaching at The Hawthorns High School, a prep school for boys in Hayes, West London. This was a small school that provided private schooling for children of local tradesmen and shopkeepers and comprised only 20 boys and one other master. While at the school he became friendly with the local curate and became involved with the local church. Mabel Fierz had pursued matters with Moore, and at the end of June 1932, Moore told Blair that Victor Gollancz was prepared to publish ''A Scullion's Diary'' for a £40 advance, for his recently founded publishing house, Victor Gollancz Ltd, which was an outlet for radical and socialist works.

At the end of the school summer term in 1932 Blair returned to Southwold, where his parents had been able to buy their own home as a result of a legacy. Blair and his sister Avril spent the summer holidays making the house habitable while he also worked on ''Burmese Days''. He was also spending time with Eleanor Jacques but her attachment to Dennis Collings remained an obstacle to his hopes of a more serious relationship. "Clink", an essay describing his failed attempt to get sent to prison, appeared in the August 1932 number of ''Adelphi''. He returned to teaching at Hayes and prepared for the publication of his work now known as ''Down and Out in Paris and London'' which he wished to publish under an assumed name in order to avoid potential embarrassment to his family for having been a tramp. In a letter to Moore (dated 15 November 1932) he left the choice of pseudonym to him and to Gollancz. Four days later, he wrote to Moore, suggesting the pseudonyms ''P. S. Burton'' (a name he used when tramping), ''Kenneth Miles'', ''George Orwell'', and ''H. Lewis Allways''. He finally adopted the ''nom de plume'' George Orwell because, as he told Eleanor Jacques, "It is a good round English name." ''Down and Out in Paris and London'' was published on 9 January 1933 when Blair was back at the school at Hayes. He had little free time and was still working on ''Burmese Days''. ''Down and Out'' was successful and it was published by Harper and Brothers in New York.

In the summer Blair finished at Hawthorns to take up a teaching job at Frays College, at Uxbridge, West London. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. On one of these expeditions he became soaked and caught a chill which developed into pneumonia. He was taken to Uxbridge Cottage Hospital where for a time his life was believed to be in danger. When he was discharged in January 1934, he returned to Southwold to convalesce and, supported by his parents, never returned to teaching.

He was disappointed when Gollancz turned down ''Burmese Days'', mainly on the grounds of potential libel actions but Harpers were prepared to publish it in the United States. Meanwhile back at home Blair started work on the novel ''A Clergyman's Daughter'' drawing upon his life as a teacher and on life in Southwold. Eleanor Jacques was now married and had gone to Singapore and Brenda Salkield had left for Ireland, so Blair was relatively lonely in Southwold — pottering on the allotments, walking alone and spending time with his father. Eventually in October, after sending ''A Clergyman's Daughter'' to Moore, he left for London to take a job that had been found for him by his Aunt Nellie Limouzin.

Hampstead

This job was as a part-time assistant in "Booklover's Corner", a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope who were friends of Nellie Limouzin in the Esperanto movement. The Westropes had an easy-going outlook and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was job sharing with Jon Kimche who also lived with the Westropes. Blair worked at the shop in the afternoons, having the mornings free to write and the evenings to socialise. These experiences provided background for the novel ''Keep the Aspidistra Flying'' (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the ''Adelphi'' writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party although at this time Blair was not seriously politically aligned. He was writing for the ''Adelphi'' and dealing with pre-publication issues with ''A Clergymans Daughter'' and ''Burmese Days''.

At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. ''A Clergyman's Daughter'' was published on the 11 March 1935. In the spring of 1935 Blair met his future wife Eileen O'Shaughnessy when his landlady, who was studying at the University of London, invited some of her fellow students. Around this time, Blair had started to write reviews for the ''New English Weekly''. In July, ''Burmese Days'' was published and following Connolly's review of it in the ''New Statesman'', the two re-established contact. In August Blair moved into a flat in Kentish Town, which he shared with Michael Sayer and Rayner Heppenstall. He was working on ''Keep the Aspidistra Flying'', and also tried to write a serial for the ''News Chronicle'', which was an unsuccessful venture. By October 1935 his flat-mates had moved out, and he was struggling to pay the rent on his own.

''The Road to Wigan Pier''

At this time, Victor Gollancz suggested Orwell spend a short time investigating social conditions in economically depressed northern England. Two years earlier J. B. Priestley had written of England north of the Trent and this had stimulated an interest in reportage. Furthermore the depression had introduced a number of working-class writers from the North of England to the reading public.

On 31 January 1936, Orwell set out by public transport and on foot via Coventry, Stafford, the Potteries and Macclesfield, reaching Manchester. Arriving after the banks had closed, he had to stay in a common lodging house. Next day he picked up a list of contact addresses sent by Richard Rees. One of these, trade union official Frank Meade, suggested Wigan, where Orwell spent February staying in dirty lodgings over a tripe shop. At Wigan, he gained entry to many houses to see how people lived, took systematic notes of housing conditions and wages earned, went down a coal mine, and spent days at the local public library consulting public health records and reports on working conditions in mines.

During this time he was distracted by dealing with libel and stylistic issues relating to ''Keep the Aspidistra Flying''. He made a quick visit to Liverpool and spent March in south Yorkshire, spending time in Sheffield and Barnsley. As well as visiting mines and observing social conditions, he attended meetings of the Communist Party and of Oswald Mosley where he saw the tactics of the Blackshirts. He punctuated his stay with visits to his sister at Headingley, during which he visited the Brontë Parsonage at Haworth. His investigations gave rise to ''The Road to Wigan Pier'', published by Gollancz for the Left Book Club in 1937. The first half of this work documents his social investigations of Lancashire and Yorkshire. It begins with an evocative description of working life in the coal mines. The second half is a long essay on his upbringing, and the development of his political conscience, which includes criticism of some of the groups on the left. Gollancz feared the second half would offend readers and inserted a mollifying preface to the book while Orwell was in Spain.

Orwell needed somewhere where he could concentrate on writing his book, and once again help was provided by Aunt Nellie who was living in a cottage at Wallington, Hertfordshire. It was a very small cottage called the "Stores" with almost no modern facilities in a tiny village. Orwell took over the tenancy and had moved in by 2 April 1936. He started work on the book by the end of April and, as well as writing, spent hours working on the garden and investigated the possibility of reopening the Stores as a village shop.

Orwell married Eileen O'Shaughnessy on 9 June 1936. Shortly afterwards, the political crisis began in Spain and Orwell followed developments there closely. At the end of the year, concerned by Francisco Franco's Falangist uprising, Orwell decided to go to Spain to take part in the Spanish Civil War on the Republican side. Under the erroneous impression that he needed papers to cross the frontier, on John Strachey's recommendation Orwell applied unsuccessfully to Harry Pollitt, leader of the British Communist Party, who suggested joining the International Brigade and advised him to get safe passage from the Spanish Embassy in Paris. Not wishing to commit himself until he'd seen the situation ''in situ'', Orwell instead used his Independent Labour Party contacts to get a letter of introduction to John McNair in Barcelona.

The Spanish Civil War and Catalonia

Orwell set out for Spain on about 23 December, dining with Henry Miller in Paris on the way. A few days later at Barcelona, he met John McNair of the Independent Labour Party (ILP) Office who quoted him: ''"I've come to fight against Fascism"''. Orwell stepped into a complex political situation in Catalonia. The Republican government was supported by a number of factions with conflicting aims, including the Workers' Party of Marxist Unification (POUM — Partido Obrero de Unificación Marxista), the anarcho-syndicalist Confederación Nacional del Trabajo and the Unified Socialist Party of Catalonia (a wing of the Spanish Communist Party, which was backed by Soviet arms and aid). The ILP was linked to the POUM and so Orwell joined the POUM.

After a time at the Lenin Barracks in Barcelona he was sent to the relatively quiet Aragon Front under Georges Kopp. By January 1937 he was at Alcubierre above sea level in the depth of winter. There was very little military action, and the lack of equipment and other deprivations made it uncomfortable. Orwell, with his Cadet Corps and police training was quickly made a corporal. On the arrival of a British ILP Contingent about three weeks later, Orwell and the other English militiaman, Williams, were sent with them to Monte Oscuro. The newly-arrived ILP contingent included Bob Smillie, Bob Edwards, Stafford Cottman and Jack Branthwaite. The unit was then sent on to Huesca.

Meanwhile, back in England, Eileen had been handling the issues relating to the publication of ''The Road to Wigan Pier'' before setting out for Spain herself, leaving Aunt Nellie Limouzin to look after The Stores. Eileen volunteered for a post in John McNair's office and with the help of Georges Kopp paid visits to her husband, bringing him English tea, chocolate and cigars. Orwell had to spend some days in hospital with a poisoned hand and had most of his possessions stolen by the staff. He returned to the front and saw some action in night attack on the Nationalist trenches where he chased an enemy soldier with a bayonet and bombed an enemy rifle position.

In April, Orwell returned to Barcelona. Wanting to be sent to the Madrid front, which meant he "must join the International Column", he approached a Communist friend attached to the Spanish Medical Aid and explained his case. "Although he did not think much of the Communists, Orwell was still ready to treat them as friends and allies. That would soon change." This was the time of the Barcelona May Days and Orwell was caught up in the factional fighting. He spent much of the time on a roof, with a stack of novels, but encountered Jon Kimche from his Hampstead days during the stay. The subsequent campaign of lies and distortion carried out by the Communist press, in which the POUM was accused of collaborating with the fascists, had a dramatic effect on Orwell. Instead of joining the International Brigades as he had intended, he decided to return to the Aragon Front. Once the May fighting was over, he was approached by a Communist friend who asked if he still intended transferring to the International Brigades. Orwell expressed surprise that they should still want him, because according to the Communist press he was a fascist. "No one who was in Barcelona then, or for months later, will forget the horrible atmosphere produced by fear, suspicion, hatred, censored newspapers, crammed jails, enormous food queues and prowling gangs of armed men."

After his return to the front, he was wounded in the throat by a sniper's bullet. Orwell was considerably taller than the Spanish fighters and had been warned against standing against the trench parapet. Unable to speak, and with blood pouring from his mouth, Orwell was carried on a stretcher to Siétamo, loaded on an ambulance and after a bumpy journey via Barbastro arrived at the hospital at Lleida. He recovered sufficiently to get up and on the 27 May 1937 was sent on to Tarragona and two days later to a POUM sanatorium in the suburbs of Barcelona. The bullet had missed his main artery by the barest margin and his voice was barely audible. He received electrotherapy treatment and was declared medically unfit for service.

By the middle of June the political situation in Barcelona had deteriorated and the POUM — painted by the pro-Soviet Communists as a Trotskyist organisation — was outlawed and under attack. The Communist line was that the POUM were 'objectively' Fascist, hindering the Republican cause. " A particularly nasty poster appeared, showing a head with a POUM mask being ripped off to reveal a Swastika-covered face beneath. " Members, including Kopp, were arrested and others were in hiding. Orwell and his wife were under threat and had to lie low, although they broke cover to try to help Kopp.

Finally with their passports in order, they escaped from Spain by train, diverting to Banyuls-sur-Mer for a short stay before returning to England. In the first week of July 1937 Orwell arrived back at Wallington; on 13 July 1937 a deposition was presented to the ''Tribunal for Espionage & High Treason'', Valencia, charging the Orwells with 'rabid Trotskyism', and being agents of the POUM. Orwell's experiences in the Spanish Civil War gave rise to ''Homage to Catalonia'' (1938).

Rest and recuperation

Orwell returned to England in June 1937, and stayed at the O'Shaughnessy home at Greenwich. He found his views on the Spanish Civil War out of favour. Kingsley Martin rejected two of his works and Gollancz was equally cautious. At the same time, the communist ''Daily Worker'' was running an attack on ''The Road to Wigan Pier'', misquoting Orwell as saying "the working classes smell"; a letter to Gollancz from Orwell threatening libel action brought a stop to this. Orwell was also able to find a more sympathetic publisher for his views in Frederic Warburg of Secker & Warburg. Orwell returned to Wallington, which he found in disarray after his absence. He acquired goats, a rooster he called "Henry Ford", and a poodle puppy he called "Marx" and settled down to animal husbandry and writing ''Homage to Catalonia''.

There were thoughts of going to India to work on the ''Pioneer'', a newspaper in Lucknow, but by March 1938 Orwell's health had deteriorated. He was admitted to Preston Hall Sanatorium at Aylesford, Kent, a British Legion hospital for ex-servicemen to which his brother-in-law Laurence O'Shaughnessy was attached. He was thought initially to be suffering from tuberculosis and stayed in the sanatorium until September. A stream of visitors came to see him including Common, Heppenstall, Plowman and Cyril Connolly. Connolly brought with him Stephen Spender, a cause of some embarrassment as Orwell had referred to Spender as a ''"pansy friend"'' some time earlier. ''Homage to Catalonia'' was published by Secker & Warburg and was a commercial flop. In the latter part of his stay at the clinic Orwell was able to go for walks in the countryside and study nature.

The novelist L.H. Myers secretly funded a trip to French Morocco for half a year for Orwell to avoid the English winter and recover his health. The Orwells set out in September 1938 via Gibraltar and Tangier to avoid Spanish Morocco and arrived at Marrakech. They rented a villa on the road to Casablanca and during that time Orwell wrote ''Coming Up for Air''. They arrived back in England on 30 March 1939 and ''Coming Up for Air'' was published in June. Orwell spent time in Wallington and Southwold working on a Dickens essay and it was in July 1939 that Orwell's father, Richard Blair, died.

World War II and ''Animal Farm''

On the outbreak of World War II, Orwell's wife Eileen started work in the Censorship Department in London, staying during the week with her family in Greenwich. Orwell also submitted his name to the Central Register for war effort but nothing transpired. He returned to Wallington, and in the autumn of 1939 he wrote material for ''Inside the Whale and Other Essays''. For the next year he was occupied writing reviews for plays, films and books for ''The Listener'', ''Time and Tide'' and ''New Adelphi''. At the beginning of 1940, the first edition of Connolly's ''Horizon'' appeared, and this provided a new outlet for Orwell's work as well as new literary contacts. In May the Orwells took lease of a flat in London at Dorset Chambers, Chagford Street, Marylebone. It was the time of the Dunkirk evacuation and the death in France of Eileen's brother Lawrence caused her considerable grief and long-term depression.

Orwell was declared "unfit for any kind of military service" by the Medical Board in June, but soon afterwards found an opportunity to become involved in war activities by joining the Home Guard. He shared Tom Wintringham's socialist vision for the Home Guard as a revolutionary People's Militia. Sergeant Orwell managed to recruit Frederic Warburg to his unit. During the Battle of Britain he used to spend weekends with Warburg and his new friend Zionist Tosco Fyvel at Twyford, Berkshire. At Wallington he worked on "England Your England" and in London wrote reviews for various periodicals. Visiting Eileen's family in Greenwich brought him face-to-face with the effects of the blitz on East London.

Early in 1941 he started writing for the American ''Partisan Review'' and contributed to Gollancz' anthology ''The Betrayal of the Left'', written in the light of the Molotov–Ribbentrop Pact (although Orwell referred to it as the Russo-German Pact and the Hitler-Stalin Pact ). He also applied unsuccessfully for a job at the Air Ministry. In the Home Guard his mishandling of a mortar put two of his unit in hospital. Meanwhile he was still writing reviews of books and plays and at this time met the novelist Anthony Powell. He also took part in a few radio broadcasts for the Eastern Service of the BBC. In March the Orwells moved to St John's Wood in a 7th floor flat at Langford Court, while at Wallington Orwell was "digging for victory" by planting potatoes.

In August 1941, Orwell finally obtained "war work" when he was taken on full time by the BBC's Eastern Service. He supervised cultural broadcasts to India to counter propaganda from Nazi Germany designed to undermine Imperial links. This was Orwell's first experience of the rigid conformity of life in an office. However it gave him an opportunity to create cultural programmes with contributions from T. S. Eliot, Dylan Thomas, E. M. Forster, Ahmed Ali, Mulk Raj Anand, and William Empson among others.

At the end of August he had a dinner with H. G. Wells which degenerated into a row because Wells had taken offence at observations Orwell made about him in a ''Horizon'' article. In October Orwell had a bout of bronchitis and the illness recurred frequently. David Astor was looking for a provocative contributor for ''The Observer'' and invited Orwell to write for him — the first article appearing in March 1942. In spring of 1942 Eileen changed jobs to work at the Ministry of Food and Orwell's mother and sister Avril took war work in London and came to stay with the Orwells. In the summer, they all moved to a basement at Mortimer Crescent in Kilburn.

At the BBC, Orwell introduced ''Voice'', a literary programme for his Indian broadcasts, and by now was leading an active social life with literary friends, particularly on the political left. Late in 1942, he started writing for the left-wing weekly ''Tribune'' directed by Labour MPs Aneurin Bevan and George Strauss. In March 1943 Orwell's mother died and around the same time he told Moore he was starting work on a new book, which would turn out to be ''Animal Farm''.

In September 1943, Orwell resigned from the BBC post that he had occupied for two years. His resignation followed a report confirming his fears that few Indians listened to the broadcasts, but he was also keen to concentrate on writing ''Animal Farm''. At this time he was also discharged from the Home Guard.

In November 1943, Orwell was appointed literary editor at ''Tribune'', where his assistant was his old friend Jon Kimche. On 24 December 1943, ''Tribune'' published, under the authorship of "John Freeman" – possibly in reference to the British politician – the short essay "Can Socialists Be Happy?", which has since been widely attributed to Orwell; see Bibliography of George Orwell. Orwell was on staff until early 1945, writing over 80 book reviews as well as the regular column "As I Please". He was still writing reviews for other magazines, and becoming a respected pundit among left-wing circles but also close friends with people on the right like Powell, Astor and Malcolm Muggeridge. By April 1944 ''Animal Farm'' was ready for publication. Gollancz refused to publish it, considering it an attack on the Soviet regime which was a crucial ally in the war. A similar fate was met from other publishers (including T. S. Eliot at Faber and Faber) until Jonathan Cape agreed to take it.

In May the Orwells had the opportunity to adopt a child, thanks to the contacts of Eileen's sister Gwen O'Shaughnassy, then a doctor in Newcastle upon Tyne. In June a V-1 flying bomb landed on Mortimer Crescent and the Orwells had to find somewhere else to live. Orwell had to scrabble around in the rubble for his collection of books, which he had finally managed to transfer from Wallington, carting them away in a wheelbarrow.

Another bombshell was Cape's reversal of his plan to publish ''Animal Farm''. The decision followed his personal visit to Peter Smollett, an official at the Ministry of Information. Smollett was later identified as a Soviet agent.

The Orwells spent some time in the North East dealing with matters in the adoption of a boy whom they named Richard Horatio. In October 1944 they had set up home in Islington in a flat on the 7th floor of a block. Baby Richard joined them there, and Eileen gave up work to look after her family. Secker and Warburg had agreed to publish ''Animal Farm'', planned for the following March, although it did not appear in print until August 1945. By February 1945 David Astor had invited Orwell to become a war correspondent for the ''Observer''. Orwell had been looking for the opportunity throughout the war, but his failed medical reports prevented him from being allowed anywhere near action. He went to Paris after the liberation of France and to Cologne once it had been occupied by the Allies.

It was while he was there that Eileen went into hospital for a hysterectomy and died under anaesthetic on 29 March 1945. She had not given Orwell much notice about this operation because of worries about the cost and because she expected to make a speedy recovery. Orwell returned home for a while and then went back to Europe. He returned finally to London to cover the 1945 UK General Election at the beginning of July. ''Animal Farm: A Fairy Story'' was published in Britain on 17 August 1945, and a year later in the U.S., on 26 August 1946.

Jura and ''Nineteen Eighty-Four''

''Animal Farm'' struck a particular resonance in the post-war climate and its worldwide success made Orwell a sought-after figure.

For the next four years Orwell mixed journalistic work — mainly for the ''Tribune'', the ''Observer'' and the ''Manchester Evening News'', though he also contributed to many small-circulation political and literary magazines — with writing his best-known work, ''Nineteen Eighty-Four'', which was published in 1949. In the year following Eileen's death he published around 130 articles and was active in various political lobbying campaigns. He employed a housekeeper, Susan Watson, to look after his adopted son at the Islington flat, which visitors now described as "bleak". In September he spent a fortnight on the island of Jura in the Inner Hebrides and saw it as a place to escape from the hassle of London literary life. David Astor was instrumental in arranging a place for Orwell on Jura. Astor's family owned Scottish estates in the area and a fellow Old Etonian Robert Fletcher had a property on the island. During the winter of 1945 to 1946 Orwell made several hopeless and unwelcome marriage proposals to younger women, including Celia Kirwan (who was later to become Arthur Koestler's sister-in-law), Ann Popham who happened to live in the same block of flats and Sonia Brownell, one of Connolly's coterie at the ''Horizon'' office. Orwell suffered a tubercular haemorrhage in February 1946 but disguised his illness. In 1945 or early 1946, while still living at Canonbury Square, Orwell wrote an article on "British Cookery", complete with recipes, commissioned by the British Council. Given the post-war shortages, both parties agreed not to publish it. His sister Marjorie died of kidney disease in May and shortly after, on 22 May 1946, Orwell set off to live on the Isle of Jura.

Barnhill was an abandoned farmhouse with outbuildings near the northern end of the island, situated at the end of a five-mile (8 km), heavily rutted track from Ardlussa, where the owners lived. Conditions at the farmhouse were primitive but the natural history and the challenge of improving the place appealed to Orwell. His sister Avril accompanied him there and young novelist Paul Potts made up the party. In July Susan Watson arrived with Orwell's son Richard. Tensions developed and Potts departed after one of his manuscripts was used to light the fire. Orwell meanwhile set to work on ''Nineteen Eighty-Four''. Later Susan Watson's boyfriend David Holbrook arrived. A fan of Orwell since schooldays, he found the reality very different, with Orwell hostile and disagreeable probably because of Holbrook's membership of the Communist Party. Susan Watson could no longer stand being with Avril and she and her boyfriend left.

Orwell returned to London in late 1946 and picked up his literary journalism again. Now a well-known writer, he was swamped with work. Apart from a visit to Jura in the new year he stayed in London for one of the coldest British winters on record and with such a national shortage of fuel that he burnt his furniture and his child's toys. The heavy smog in the days before the Clean Air Act 1956 did little to help his health about which he was reticent, keeping clear of medical attention. Meanwhile he had to cope with rival claims of publishers Gollancz and Warburg for publishing rights. About this time he co-edited a collection titled ''British Pamphleteers'' with Reginald Reynolds. In April 1947 he left London for good, ending the leases on the Islington flat and Wallington cottage. Back on Jura in gales and rainstorms he struggled to get on with ''Nineteen Eighty-Four'' but through the summer and autumn made good progress. During that time his sister's family visited, and Orwell led a disastrous boating expedition which nearly led to loss of life whilst trying to cross the notorious gulf of Corryvreckan and gave him a soaking which was not good for his health. In December a chest specialist was summoned from Glasgow who pronounced Orwell seriously ill and a week before Christmas 1947 he was in Hairmyres hospital in East Kilbride, then a small village in the countryside, on the outskirts of Glasgow. Tuberculosis was diagnosed and the request for permission to import streptomycin to treat Orwell went as far as Aneurin Bevan, now Minister of Health. By the end of July 1948 Orwell was able to return to Jura and by December he had finished the manuscript of ''Nineteen Eighty-Four''. In January 1949, in a very weak condition, he set off for a sanatorium in Gloucestershire, escorted by Richard Rees.

The sanatorium at Cranham consisted of a series of small wooden chalets or huts in a remote part of the Cotswolds near Stroud. Visitors were shocked by Orwell's appearance and concerned by the short-comings and ineffectiveness of the treatment. Friends were worried about his finances, but by now he was comparatively well-off and making arrangements with his accountants to reduce his tax bill. He was writing to many of his friends, including Jacintha Buddicom, who had "rediscovered" him, and in March 1949, was visited by Celia Kirwan. Kirwan had just started working for a Foreign Office unit, the Information Research Department, set up by the Labour government to publish anti-communist propaganda, and Orwell gave her a list of people he considered to be unsuitable as IRD authors because of their pro-communist leanings. Orwell's list, not published until 2003, consisted mainly of writers but also included actors and Labour MPs. Orwell received more streptomycin treatment and improved slightly. In June 1949 ''Nineteen Eighty-Four'' was published to immediate critical and popular acclaim.

Final months and death

Orwell courted Sonia Brownell a second time during the summer, and they announced their marriage in September, shortly before he was removed to University College Hospital in London. Sonia took charge of Orwell's affairs and attended diligently in the hospital, causing concern to some old friends such as Muggeridge. The wedding took place in the hospital room on 13 October 1949, with David Astor as best man. Orwell was in decline and visited by an assortment of visitors including Muggeridge, Connolly, Lucian Freud, Stephen Spender, Evelyn Waugh, Paul Potts, Anthony Powell and his Eton tutor Anthony Gow. Plans to go to the Swiss Alps were mooted; Orwell's health was in decline again by Christmas. Early on the morning of 21 January 1950, an artery burst in his lungs, killing him at age 46.

Orwell had requested to be buried in accordance with the Anglican rite in the graveyard of the closest church to wherever he happened to die. The graveyards in central London had no space, and fearing that he might have to be cremated, against his wishes, his widow appealed to his friends to see whether any of them knew of a church with space in its graveyard. David Astor lived in Sutton Courtenay, Oxfordshire and negotiated with the vicar for Orwell to be interred in All Saints' Churchyard there, although he had no connection with the village. His gravestone bore the simple epitaph: "Here lies Eric Arthur Blair, born 25 June 1903, died 21 January 1950"; no mention is made on the gravestone of his more famous pen-name.

Orwell's son, Richard Blair, was raised by an aunt after his father's death. He maintains a low public profile, though he has occasionally given interviews about the few memories he has of his father. Richard Blair worked for many years as an agricultural agent for the British government.

Literary career

During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: ''Down and Out in Paris and London'' (describing a period of poverty in these cities), ''The Road to Wigan Pier'' (describing the living conditions of the poor in northern England, and the class divide generally) and ''Homage to Catalonia''. According to Irving Howe, Orwell was "the best English essayist since Hazlitt, perhaps since Dr Johnson."

Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles ''Animal Farm'' and ''Nineteen Eighty-Four''. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. ''Nineteen Eighty-Four'' is often compared to ''Brave New World'' by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In 1984, ''Nineteen Eighty-Four'' and Ray Bradbury's ''Fahrenheit 451'' were honoured with the Prometheus Award for their contributions to dystopian literature. In 2011 he received it again for ''Animal Farm''.

''Coming Up for Air'', his last novel before World War II is the most 'English' of his novels; alarums of war mingle with images of idyllic Thames-side Edwardian childhood of protagonist George Bowling. The novel is pessimistic; industrialism and capitalism have killed the best of Old England, and there were great, new external threats. In homely terms, Bowling posits the totalitarian hypotheses of Borkenau, Orwell, Silone and Koestler: "Old Hitler's something different. So's Joe Stalin. They aren't like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it ... They're something quite new — something that's never been heard of before".

Literary influences

In an autobiographical piece that Orwell sent to the editors of ''Twentieth Century Authors'' in 1940, he wrote: "The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills." Elsewhere, Orwell strongly praised the works of Jack London, especially his book ''The Road''. Orwell's investigation of poverty in ''The Road to Wigan Pier'' strongly resembles that of Jack London's ''The People of the Abyss'', in which the American journalist disguises himself as an out-of-work sailor in order to investigate the lives of the poor in London. In his essay "Politics vs. Literature: An Examination of Gulliver's Travels" (1946) Orwell wrote: "If I had to make a list of six books which were to be preserved when all others were destroyed, I would certainly put ''Gulliver's Travels'' among them.".

Other writers admired by Orwell included: Ralph Waldo Emerson, G. K. Chesterton, George Gissing, Graham Greene, Herman Melville, Henry Miller, Tobias Smollett, Mark Twain, Joseph Conrad and Yevgeny Zamyatin. He was both an admirer and a critic of Rudyard Kipling, praising Kipling as a gifted writer and a "good bad poet" whose work is "spurious" and "morally insensitive and aesthetically disgusting," but undeniably seductive and able to speak to certain aspects of reality more effectively than more enlightened authors.

Orwell as literary critic

Throughout his life Orwell continually supported himself as a book reviewer, writing works so long and sophisticated they have had an influence on literary criticism. He wrote in the conclusion to his 1940 essay on Charles Dickens,

George Woodcock suggested that the last two sentences characterised Orwell as much as his subject.

Reactions to Orwell's works

Koestler mentioned Orwell's "uncompromising intellectual honesty [which] made him appear almost inhuman at times." Ben Wattenberg stated: "Orwell’s writing pierced intellectual hypocrisy wherever he found it." According to historian Piers Brendon, "Orwell was the saint of common decency who would in earlier days, said his BBC boss Rushbrook Williams, 'have been either canonised – or burnt at the stake'". However, Raymond Williams in Politics and Letters: Interviews with New Left Review describes Orwell as a "successful impersonation of a plain man who bumps into experience in an unmediated way and tells the truth about it." Christopher Norris declared that Orwell's "homespun empiricist outlook – his assumption that the truth was just there to be told in a straightforward common-sense way – now seems not merely naive but culpably self-deluding".

Orwell's work has taken a prominent place in the school literature curriculum in England, with ''Animal Farm'' a regular examination topic at the end of secondary education (GCSE), and ''Nineteen Eighty-Four'' a topic for subsequent examinations below university level (A Levels). Alan Brown noted that this brings to the forefront questions about the political content of teaching practices. Study aids, in particular with potted biographies, might be seen to help propagate the Orwell myth so that as an embodiment of human values he is presented as a "trustworthy guide", while examination questions sometimes suggest a "right ways of answering" in line with the myth.

Historian John Rodden stated: "John Podhoretz did claim that if Orwell were alive today, he’d be standing with the neo-conservatives and against the Left. And the question arises, to what extent can you even begin to predict the political positions of somebody who’s been dead three decades and more by that time?"

In ''Orwell's Victory'', Christopher Hitchens argues, "In answer to the accusation of inconsistency Orwell as a writer was forever taking his own temperature. In other words, here was someone who never stopped testing and adjusting his intelligence".

John Rodden points out the "undeniable conservative features in the Orwell physiognomy" and remarks on how "to some extent Orwell facilitated the kinds of uses and abuses by the Right that his name has been put to. In other ways there has been the politics of selective quotation." Rodden refers to the essay "Why I Write", in which Orwell refers to the Spanish Civil War as being his "watershed political experience", saying "The Spanish War and other events in 1936–37, turned the scale. Thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written directly or indirectly against totalitarianism and ''for'' Democratic Socialism as I understand it." (emphasis in original) Rodden goes on to explain how, during the McCarthy era, the introduction to the Signet edition of ''Animal Farm'', which sold more 20 million copies, makes use of "the politics of ellipsis":

If the book itself, ''Animal Farm'', had left any doubt of the matter, Orwell dispelled it in his essay ''Why I Write'': 'Every line of serious work that I’ve written since 1936 has been written directly or indirectly against Totalitarianism ... dot, dot, dot, dot,.' "For Democratic Socialism" is vaporised, just like Winston Smith did it at the Ministry of Truth, and that’s very much what happened beginning of the McCarthy era and just continued, Orwell being selectively quoted.

T.R. Fyvel wrote about Orwell: "His crucial experience ... was his struggle to turn himself into a writer, one which led through long periods of poverty, failure and humiliation, and about which he has written almost nothing directly. The sweat and agony was less in the slum-life than in the effort to turn the experience into literature."

In 1981, a Baptist minister in Jackson County, Florida challenged the novel ''Nineteen Eighty-Four'' suitability as proper reading for young Americans, arguing it contained pro-Communist, anti-Semitic, and sexually explicit material.

Influence on language and writing

In his essay ''Politics and the English Language'' (1946), Orwell wrote about the importance of honest and clear language and said that vague writing can be used as a powerful tool of political manipulation. In ''Nineteen Eighty-Four'' he described how the state controlled thought by controlling language, making certain ideas literally unthinkable. The adjective ''Orwellian'' refers to the frightening world of ''Nineteen Eighty-Four'', in which the state controls thought and misinformation is widespread. Several words and phrases from ''Nineteen Eighty-Four'' have entered popular language. ''Newspeak'' is a simplified and obfuscatory language designed to make independent thought impossible. ''Doublethink'' means holding two contradictory beliefs simultaneously. The ''Thought Police'' are those who suppress all dissenting opinion. ''Prolefeed'' is homogenised, manufactured superficial literature, film and music, used to control and indoctrinate the populace through docility. ''Big Brother'' is a supreme dictator who watches everyone.

From Orwell's novel ''Animal Farm'' comes the sentence, "All animals are equal, but some animals are more equal than others", describing theoretical equality in a grossly unequal society. Orwell may have been the first to use the term ''cold war'', in his essay, "You and the Atom Bomb", published in ''Tribune'', 19 October 1945. He wrote: "We may be heading not for general breakdown but for an epoch as horribly stable as the slave empires of antiquity. James Burnham's theory has been much discussed, but few people have yet considered its ideological implications;— this is, the kind of world-view, the kind of beliefs, and the social structure that would probably prevail in a State which was at once unconquerable and in a permanent state of 'cold war' with its neighbours."

In "Politics and the English Language", Orwell provides six rules for writers:

Personal life

Childhood

Jacintha Buddicom's account ''Eric & Us'' provides an insight into Blair's childhood. She quoted his sister Avril that "he was essentially an aloof, undemonstrative person" and said herself of his friendship with the Buddicoms "I do not think he needed any other friends beyond the schoolfriend he occasionally and appreciatively referred to as 'CC'". Cyril Connolly provides an account of Blair as a child in ''Enemies of Promise''. Years later, Blair mordantly recalled his prep school in the essay "Such, Such Were the Joys", claiming among other things that he "was made to study like a dog" to earn a scholarship, which he alleged was solely to enhance the school's prestige with parents. Jacintha Buddicom repudiated Orwell's schoolboy misery described in the essay, stating that "he was a specially happy child".

Connolly remarked of him as a schoolboy, "The remarkable thing about Orwell was that alone among the boys he was an intellectual and not a parrot for he thought for himself". At Eton, John Vaughan Wilkes, his former headmaster's son recalled, "...he was extremely argumentative — about anything — and criticising the masters and criticising the other boys.... We enjoyed arguing with him. He would generally win the arguments — or think he had anyhow." Roger Mynors concurs: "Endless arguments about all sorts of things, in which he was one of the great leaders. He was one of those boys who thought for himself...."

Blair liked to carry out practical jokes. Buddicom recalls him swinging from the luggage rack in a railway carriage like an orangutan to frighten a woman passenger out of the compartment. At Eton he played tricks on John Crace, his Master in College, among which was to enter a spoof advertisement in a College magazine implying pederasty. Gow, his tutor, said he "made himself as big a nuisance as he could" and "was a very unattractive boy". Later Blair was expelled from the crammer at Southwold for sending a dead rat as a birthday present to the town surveyor. In one of his ''As I Please'' essays he refers to a protracted joke when he answered an advertisement for a woman who claimed a cure for obesity.

Blair had an enduring interest in natural history which stemmed from his childhood. In letters from school he wrote about caterpillars and butterflies, and Buddicom recalls his keen interest in ornithology. He also enjoyed fishing and shooting rabbits, and conducting experiments as in cooking a hedgehog or shooting down a jackdaw from the Eton roof to dissect it. His zeal for scientific experiments extended to explosives — again Buddicom recalls a cook giving notice because of the noise. Later in Southwold his sister Avril recalled him blowing up the garden. When teaching he enthused his students with his nature-rambles both at Southwold and Hayes. His adult diaries are permeated with his observations on nature.

Relationships

Buddicom and Blair lost touch shortly after he went to Burma, and she became unsympathetic towards him. She wrote that it was because of the letters he wrote complaining about his life, but an addendum to ''Eric & Us'' by Venables reveals that he may have lost sympathy through an incident which was at best a clumsy seduction.

Mabel Fierz, who later became his confidante, said "He used to say the one thing he wished in this world was that he'd been attractive to women. He liked women and had many girlfriends I think in Burma. He had a girl in Southwold and another girl in London. He was rather a womaniser, yet he was afraid he wasn't attractive."

Brenda Salkield (Southwold) preferred friendship to any deeper relationship and maintained a correspondence with Blair for many years, particularly as a sounding board for his ideas. She wrote "He was a great letter writer. Endless letters, And I mean when he wrote you a letter he wrote pages." His correspondence with Eleanor Jacques (London) was more prosaic, dwelling on a closer relationship and referring to past rendezvous or planning future ones in London and Burnham Beeches.

When Orwell was in the sanitorium in Kent his wife's friend Lydia Jackson visited. He invited her for a walk and out of sight "an awkward situation arose." Jackson was to be the most critical of Orwell's marriage to Eileen O'Shaughnessy but their later correspondence hints a complicity. Eileen at the time was more concerned about Orwell's closeness to Brenda Salkield. Orwell was to have an affair with his secretary at ''Tribune'' which caused Eileen much distress, and others have been mooted. In a letter to Ann Popham he wrote: 'I was sometimes unfaithful to Eileen, and I also treated her badly, and I think she treated me badly, too, at times, but it was a real marriage, in the sense that we had been through awful struggles together and she understood all about my work, etc.', Similarly he suggested to Celia Kirwan that they had both been unfaithful. There are several testaments that it was a well-matched and happy marriage

Orwell was very lonely after Eileen's death, and desperate for a wife, both as companion for himself and as mother for Richard. He proposed marriage to four women, and eventually Sonia Brownell accepted.

Religious views

Orwell was a communicant member of the Church of England, he attended holy communion regularly, and allusions to Anglican life are made in his book ''A Clergyman's Daughter''. At the same time he found the church to be a "selfish...church of the landed gentry" with its establishment "out of touch" with the majority of its communicants and altogether a pernicious influence on public life. Yet, he was married according to the rites of the Church of England in both his first marriage at the church at Wallington, and in his second marriage on his deathbed in University College Hospital, and he left instructions that he was to receive an Anglican funeral. In their 1972 study, ''The Unknown Orwell'', the writers Peter Stansky and William Abrahams note that at Eton Blair displayed a "sceptical attitude" to Christian belief, and that: "Shaw's preface to his recently published ''Androcles and the Lion'' in which an account of the gospels is set forth, very different in tone from what one would be likely to hear from an Anglican clergyman" was "much more to Blair's own taste."

The ambiguity in his belief in religion mirrored the dichotomies between his public and private lives: Stephen Ingle wrote that it was as if the writer George Orwell "vaunted" his atheism while Eric Blair the individual retained "a deeply ingrained religiosity". Ingle later noted that Orwell did not accept the existence of an afterlife, believing in the finality of death while living and advocating a moral code based on Judeo-Christian beliefs.

Political views

Orwell liked to provoke argument by challenging the status quo, but he was also a traditionalist with a love of old English values. He criticised and satirised, from the inside, the various social milieus in which he found himself – provincial town life in ''A Clergyman's Daughter''; middle-class pretention in ''Keep the Aspidistra Flying''; preparatory schools in ''Such Such were the Joys''; colonialism in ''Burmese Days'', and some socialist groups in ''The Road to Wigan Pier''. In his ''Adelphi'' days he described himself as a "Tory-anarchist".

In 1928, Orwell began his career as a professional writer in Paris. His first article, ''Censorship in England'', was an attempt to account for the 'extraordinary and illogical' suppression of plays and novels on the grounds of public decency, then practised in Britain. His own explanation was that the rise of the 'puritan middle class', who had stricter morals than the aristocracy, tightened the rules of censorship in the 19th century. Orwell's first article to be published in his home country, ''A Farthing Newspaper'', was a critique of the new French daily, the ''Ami de Peuple''. This paper was sold much more cheaply than most others, and was intended for ordinary people to read. However, Orwell pointed out that its proprietor François Coty also owned the rightwing dailies ''Le Figaro'' and ''Le Gaulois'', which the ''Ami de Peuple'' was supposedly competing against. Orwell suggested that cheap newspapers were no more than a vehicle for advertising and anti-leftist propaganda, and predicted that like India, France might soon see 'free newspapers' which would drive many legitimate dailies out of business.

The Spanish Civil War played the most important part in defining Orwell's socialism. He wrote to Cyril Connolly from Barcelona on 8 June 1937: "I have seen wonderful things and at last really believe in Socialism, which I never did before". Having witnessed the success of the anarcho-syndicalist communities, for example in Anarchist Catalonia, and the subsequent brutal suppression of the anarcho-syndicalists, anti-Stalin communist parties and revolutionaries by the Soviet Union-backed Communists, Orwell returned from Catalonia a staunch anti-Stalinist and joined the Independent Labour Party, his card being issued on 13 June 1938. Although he was never a Trotskyist, he was strongly influenced by the Trotskyist and anarchist critiques of the Soviet regime, and by the anarchists' emphasis on individual freedom. In Part 2 of ''The Road to Wigan Pier'', published by the Left Book Club, Orwell stated: "a real Socialist is one who wishes – not merely conceives it as desirable, but actively wishes – to see tyranny overthrown". Orwell stated in "Why I Write" (1946): "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it." Orwell was a proponent of a federal socialist Europe, a position outlined in his 1947 essay "Toward European Unity", which first appeared in ''Partisan Review''. According to biographer John Newsinger,

the other crucial dimension to Orwell's socialism was his recognition that the Soviet Union was not socialist. Unlike many on the left, instead of abandoning socialism once he discovered the full horror of Stalinist rule in the Soviet Union, Orwell abandoned the Soviet Union and instead remained a socialist — indeed he became more committed to the socialist cause than ever."

In his 1938 essay "Why I joined the Independent Labour Party", published in the ILP-affiliated ''New Leader'', Orwell wrote:

For some years past I have managed to make the capitalist class pay me several pounds a week for writing books against capitalism. But I do not delude myself that this state of affairs is going to last forever ... the only régime which, in the long run, will dare to permit freedom of speech is a Socialist régime. If Fascism triumphs I am finished as a writer – that is to say, finished in my only effective capacity. That of itself would be a sufficient reason for joining a Socialist party.

Towards the end of the essay, he wrote: "I do not mean I have lost all faith in the Labour Party. My most earnest hope is that the Labour Party will win a clear majority in the next General Election."

Orwell was opposed to rearmament against Nazi Germany — but he changed his view after the Molotov-Ribbentrop Pact and the outbreak of the war. He left the ILP because of its opposition to the war and adopted a political position of "revolutionary patriotism". In December 1940 he wrote in ''Tribune'' (the Labour left's weekly): "We are in a strange period of history in which a revolutionary has to be a patriot and a patriot has to be a revolutionary." During the war, Orwell was highly critical of the popular idea that an Anglo-Soviet alliance would be the basis of a post-war world of peace and prosperity. In 1942, commenting on journalist E. H. Carr's pro-Soviet views, Orwell stated: "all the appeasers, e.g. Professor E. H. Carr, have switched their allegiance from Hitler to Stalin."

On anarchism, Orwell wrote in ''The Road to Wigan Pier'': "I worked out an anarchistic theory that all government is evil, that the punishment always does more harm than the crime and the people can be trusted to behave decently if you will only let them alone." He continued however and argued that "it is always necessary to protect peaceful people from violence. In any state of society where crime can be profitable you have got to have a harsh criminal law and administer it ruthlessly."

In his reply (dated 15 November 1943) to an invitation from the Duchess of Atholl to speak for the British League for European Freedom, he stated that he didn't agree with their objectives. He admitted that what they said was "more truthful than the lying propaganda found in most of the press" but added that he could not "associate himself with an essentially Conservative body" that claimed to "defend democracy in Europe" but had "nothing to say about British imperialism". His closing paragraph stated: "I belong to the Left and must work inside it, much as I hate Russian totalitarianism and its poisonous influence in this country."

Orwell joined the staff of ''Tribune'' as literary editor, and from then until his death, was a left-wing (though hardly orthodox) Labour-supporting democratic socialist. On 1 September 1944, about the Warsaw insurrection, Orwell expressed in ''Tribune'' his hostility against the influence of the alliance with the USSR over the allies: "Do remember that dishonesty and cowardice always have to be paid for. Do not imagine that for years on end you can make yourself the boot-licking propagandist of the sovietic regime, or any other regime, and then suddenly return to honesty and reason. Once a whore, always a whore." According to Newsinger, although Orwell "was always critical of the 1945–51 Labour government's moderation, his support for it began to pull him to the right politically. This did not lead him to embrace conservatism, imperialism or reaction, but to defend, albeit critically, Labour reformism." Between 1945 and 1947, with A. J. Ayer and Bertrand Russell, he contributed a series of articles and essays to ''Polemic'', a short-lived British "Magazine of Philosophy, Psychology, and Aesthetics" edited by the ex-Communist Humphrey Slater.

Writing in the spring of 1945 a long essay titled "Antisemitism in Britain", for the ''Contemporary Jewish Record'', Orwell stated that anti-Semitism was on the increase in Britain, and that it was "irrational and will not yield to arguments". He argued that it would be useful to discover why anti-Semites could "swallow such absurdities on one particular subject while remaining sane on others". He wrote: "For quite six years the English admirers of Hitler contrived not to learn of the existence of Dachau and Buchenwald. ... Many English people have heard almost nothing about the extermination of German and Polish Jews during the present war. Their own anti-Semitism has caused this vast crime to bounce off their consciousness." In ''Nineteen Eighty-Four'', written shortly after the war, Orwell portrayed the Party as enlisting anti-Semitic passions against their enemy, Goldstein.

Orwell publicly defended P.G. Wodehouse against charges of being a Nazi sympathiser, a defence based on Wodehouse's lack of interest in and ignorance of politics.

The British intelligence group Special Branch maintained a file on Orwell for more than 20 years of his life. The dossier, published by The National Archives, mentions that according to one investigator, Orwell had "advanced Communist views and several of his Indian friends say that they have often seen him at Communist meetings". MI5, the intelligence department of the Home Office, noted: "It is evident from his recent writings – 'The Lion and the Unicorn' – and his contribution to Gollancz's symposium ''The Betrayal of the Left'' that he does not hold with the Communist Party nor they with him."

Social interactions

Orwell was noted for very close and enduring friendships with a few friends, but these were generally people with a similar background or with a similar level of literary ability. Ungregarious, he was out of place in a crowd and his discomfort was exacerbated when he was outside his own class. Though representing himself as a spokesman for the common man, he often appeared out of place with real working people. His brother-in-law Humphrey Dakin, a "Hail fellow, well met" type, who took him to a local pub in Leeds, said that he was told by the landlord: "Don't bring that bugger in here again". Adrian Fierz commented "He wasn't interested in racing or greyhounds or pub crawling or shove ha'penny. He just did not have much in common with people who did not share his intellectual interests". Awkwardness attended many of his encounters with working-class representatives, as with Pollitt and McNair. but his courtesy and good manners were often commented on. Jack Common observed on meeting him for the first time, "Right away manners, and more than manners — breeding — showed through".

In his tramping days, he did domestic work for a time. His extreme politeness was recalled by a member of the family he worked for; she declared that the family referred to him as "Laurel" after the film comedian. With his gangling figure and awkwardness, Orwell's friends often saw him as a figure of fun. Geoffrey Gorer commented "He was awfully likely to knock things off tables, trip over things. I mean, he was a gangling, physically badly co-ordinated young man. I think his feelings that even the inanimate world was against him..." When he shared a flat with Heppenstall and Sayer, he was treated in a patronising manner by the younger men. At the BBC, in the 1940s, "everybody would pull his leg", and Spender described him as having real entertainment value "like, as I say, watching a Charlie Chaplin movie". A friend of Eileen's reminisced about her tolerance and humour, often at Orwell's expense.

One biography of Orwell accused him of having had an authoritarian streak. In Burma, he struck out at a Burmese boy who while "fooling around" with his friends had "accidentally bumped into him" at a station, with the result that Orwell "fell heavily" down some stairs. One of his former pupils recalled being beaten so hard he could not sit down for a week. When sharing a flat with Orwell, Heppenstall came home late one night in an advanced stage of loud inebriation. The upshot was that Heppenstall ended up with a bloody nose and was locked in a room. When he complained, Orwell hit him a crack across the legs with a shooting stick and Heppenstall then had to defend himself with a chair. Years later, after Orwell's death, Heppenstall wrote a dramatic account of the incident called "The Shooting Stick" and Mabel Fierz confirmed that Heppenstall came to her in a sorry state the following day.

However, Orwell got on well with young people. The pupil he beat considered him the best of teachers, and the young recruits in Barcelona tried to drink him under the table — though without success. His nephew recalled Uncle Eric laughing louder than anyone in the cinema at a Charlie Chaplin film.

In the wake of his most famous works, he attracted many uncritical hangers-on, but many others who sought him found him aloof and even dull. With his soft voice, he was sometimes shouted down or excluded from discussions. At this time, he was severely ill; it was wartime or the austerity period after it; during the war his wife suffered from depression; and after her death he was lonely and unhappy. In addition to that, he always lived frugally and seemed unable to care for himself properly. As a result of all this, people found his circumstances bleak. Some, like Michael Ayrton, called him "Gloomy George", but others developed the idea that he was a "secular saint".

Lifestyle

Orwell was a heavy smoker, rolling his own cigarettes from strong shag tobacco, in spite of his bronchial condition. He undermined his health with a penchant for the rugged life which often put him in cold and damp situations both in the long term as in Catalonia and Jura, and short term, for example in motorcycling in the rain and a shipwreck of his own creation. His love of strong tea was legendary — he had Fortnum & Mason's tea brought to him in Catalonia and in 1946 published "A Nice Cup of Tea" on how to make it. He appreciated English beer, taken regularly and moderately, despised drinkers of lager and wrote about an imagined, ideal pub in his 1946 newspaper article "The Moon Under Water". Not being particular about food, he enjoyed the wartime "Victory Pie" extolled canteen food at the BBC and once ate the cat's dinner by mistake. However he preferred traditional English dishes such as roast beef and kippers and reports of his Islington days refer to the cosy afternoon tea table.

His dress sense was unpredictable and usually casual. In Southwold he had the best cloth from the local tailor, but was equally happy in his tramping outfit. His attire in the Spanish Civil War, along with his size 12 boots was a source of amusement. David Astor described him as looking like a prep school master, while according to the Special Branch dossier, Orwell's tendency of clothing himself "in Bohemian fashion" revealed that the author was "a Communist".

Orwell's confusing approach to matters of social decorum—on the one hand expecting a working class guest to dress for dinner, and on the other hand slurping tea out of a saucer at the BBC canteen—helped stoke his reputation as an English eccentric.

Biographies

Orwell's will requested that no biography of him be written, and his wife Sonia Brownell repelled every attempt by those who tried to persuade her to let them write about him. Various recollections and interpretations were published in the 1950s and 1960s but Sonia saw the 1968 ''Collected Works'' as the record of his life. She did appoint Muggeridge as official biographer, but later biographers have seen this as deliberate spoiling as Muggeridge eventually gave up the work In 1973 American authors Stansky and Williams produced an unauthorised account of his early years which inevitably lacked Sonia Brownell's input. She then commissioned Bernard Crick, a left-wing professor of politics at the University of London to complete a biography and asked all Orwell's friends to co-operate. Crick collated a considerable amount of material in his work which was published in 1980, but his questioning of the literal truth of Orwell's first-person writings led to conflict with Sonia who tried unsuccessfully to suppress the book. Crick concentrated on the facts of Orwell's life rather than his character, and as a professor of politics presented primarily a political perspective on Orwell's life and work.

After Sonia Brownell's death many more works were produced in the 1980s with 1984 being a particularly fruitful year for Orwelliana. These included collections of reminiscences by Coppard and Crick and Stephen Wadhams.

In 1991 a biography was produced by Michael Shelden, an American Professor of Literature. Shelden was more concerned with the literary nature of Orwell’s work seeking explanations for Orwell's character and treating his first person writings as autobiographical. Shelden introduced several new pieces of information correcting some of the errors and omissions in Crick's earlier work. Shelden attributed to Orwell an obsessive belief in his failure and inadequacy.

Peter Davison's production of the ''Complete Works of George Orwell'', completed in 2000 put most of the Orwell Archive in the public domain. Jeffrey Meyers, a prolific American biographer, was first to take advantage of this and produced a work that was more willing to investigate the darker side of Orwell and question the saintly image. ''Why Orwell Matters'' was published by Christopher Hitchens in 2002.

In 2003, the centenary of Orwell's birth resulted in the two most up-to-date biographies by Gordon Bowker and D. J. Taylor, both academics and writers in the United Kingdom. Taylor notes the stage management which surrounds much of Orwell's behaviour, and Bowker highlights the essential sense of decency which he considers to have been Orwell's main driver.

Bibliography

;Novels

''Burmese Days'' (1934)

''A Clergyman's Daughter'' (1935)

''Keep the Aspidistra Flying'' (1936)

''Coming Up for Air'' (1939)

''Animal Farm'' (1945)

''Nineteen Eighty-Four'' (1949)

;Books based on personal experiences While the substance of many of Orwell's novels, particularly ''Burmese Days'', is drawn from his personal experiences, the following are works presented as narrative documentaries, rather than being fictionalised.

''Down and Out in Paris and London'' (1933)

''The Road to Wigan Pier'' (1937)

''Homage to Catalonia'' (1938)

See also

Fable

Notes

Further reading

Anderson, Paul (ed). ''Orwell in Tribune: 'As I Please' and Other Writings''. Methuen/Politico's 2006. ISBN 1-84275-155-7

Bounds, Philip. ''Orwell and Marxism: The Political and Cultural Thinking of George Orwell''. I.B. Tauris. 2009. ISBN 1845118073

Bowker, Gordon. ''George Orwell''. Little Brown. 2003. ISBN 0-316-86115-4

Buddicom, Jacintha. ''Eric & Us''. Finlay Publisher. 2006. ISBN 0-9553708-0-9

Caute, David. ''Dr. Orwell and Mr. Blair'', Weidenfeld & Nicolson. ISBN 0-297-81438-9

Crick, Bernard. ''George Orwell: A Life''. Penguin. 1982. ISBN 0-14-005856-7

Flynn, Nigel. ''George Orwell''. The Rourke Corporation, Inc. 1990. ISBN 0-86593-018-X

Hitchens, Christopher. ''Why Orwell Matters''. Basic Books. 2003. ISBN 0-465-03049-1

Hollis, Christopher. ''A Study of George Orwell: The Man and His Works''. Chicago: Henry Regnery Co. 1956.

Larkin, Emma. ''Secret Histories: Finding George Orwell in a Burmese Teashop''. Penguin. 2005. ISBN 1-59420-052-1

Lee, Robert A, ''Orwell's Fiction''. University of Notre Dame Press, 1969. LC 74-75151

Leif, Ruth Ann, ''Homage to Oceania. The Prophetic Vision of George Orwell''. Ohio State U.P. [1969]

Meyers, Jeffery. ''Orwell: Wintry Conscience of a Generation''. W.W.Norton. 2000. ISBN 0-393-32263-7

Newsinger, John. ''Orwell's Politics''. Macmillan. 1999. ISBN 0-333-68287-4

Rodden, John (ed.) ''The Cambridge Companion to George Orwell''. Cambridge. 2007. ISBN 978-0-521-67507-9

Shelden, Michael. ''Orwell: The Authorized Biography''. HarperCollins. 1991. ISBN 0-06-016709-2

Smith, D. & Mosher, M. ''Orwell for Beginners''. 1984. London: Writers and Readers Publishing Cooperative.

Taylor, D. J. ''Orwell: The Life''. Henry Holt and Company. 2003. ISBN 0-8050-7473-2

West, W. J. ''The Larger Evils''. Edinburgh: Canongate Press. 1992. ISBN 0-86241-382-6 (Nineteen Eighty-Four – The truth behind the satire.)

West, W. J. (ed.) ''George Orwell: The Lost Writings''. New York: Arbor House. 1984. ISBN 0-87795-745-2

Williams, Raymond, ''Orwell'', Fontana/Collins, 1971

Wood, James "A Fine Rage." The New Yorker. 2009. 85(9):54.

Woodcock, George. ''The Crystal Spirit''. Little Brown. 1966. ISBN 1-55164-268-9

External links

George Orwell – Penguin Books official website for George Orwell

George Orwell archive at the Marxists Internet Archive

The Orwell Diaries: a daily extract from Orwell's diary from the same date seventy years before

Blair, Eric Arthur (George Orwell) (1903–1950) at the Oxford Dictionary of National Biography

George Orwell at the BBC

Works by George Orwell (public domain in Canada)

George Orwell articles at Byliner

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Coordinates	56°09′″N40°25′″N
Name	Robert Kiyosaki
Birth date	April 08, 1947
Birth place	Hilo, Hawaii, United States
Occupation	Investor, Entrepreneur, Author, Motivational Speaker
Spouse	Kim Kiyosaki
Website	}}

Robert Toru Kiyosaki, born April 8, 1947) is an American investor, businessman, self-help author and motivational speaker. Kiyosaki is best known for his ''Rich Dad Poor Dad'' series of motivational books and other material published under the Rich Dad brand. He has written 15 books which have combined sales of over 26 million copies. Although beginning as a self-publisher, he was subsequently published by Warner Books, a division of Hachette Book Group USA. His new books appear under the Rich Dad Press imprint. Three of his books, ''Rich Dad Poor Dad'', ''Rich Dad's CASHFLOW Quadrant'', and ''Rich Dad's Guide to Investing'', have been on the top 10 best-seller lists simultaneously on ''The Wall Street Journal'', ''USA Today'' and the ''New York Times''. ''Rich Kid Smart Kid'' was published in 2001, with the intent to help parents teach their children financial concepts. He has created three "Cashflow" board and software games for adults and children and has a series of "Rich Dad" CDs and disks.

Personal life

A fourth-generation Japanese American, Kiyosaki was born and raised in Hawaii. He is the son of the late educator Ralph H. Kiyosaki (1919–1991). After graduating from Hilo High School, he attended the U.S. Merchant Marine Academy in New York, graduating with the class of 1969 as a deck officer. He later served in the Marine Corps as a helicopter gunship pilot during the Vietnam War, where he was awarded the Air Medal.

Kiyosaki left the Marine Corps in 1975 and got a job selling copy machines for the Xerox Corporation. In 1977, Kiyosaki started a company that brought to market the first nylon and Velcro "surfer" wallets. The company was moderately successful at first but eventually went bankrupt. In the early 1980s, Kiyosaki started a business that licensed T-shirts for Heavy metal rock bands. In 1997, he launched Cashflow Technologies, Inc. which owns and operates the ''Rich Dad'' and ''Cashflow'' brands.

Family

He is married to Kim Kiyosaki. He has one sister, Emi Kiyosaki, a Tibetan Buddhist nun known by the name Ven. Tenzin Kacho. He has co-authored one book with her.

Teachings

A large part of Kiyosaki's teachings focus on generating passive income by means of investment opportunities, such as real estate and businesses, with the ultimate goal of being able to support oneself by such investments alone. In tandem with this, Kiyosaki defines "assets" as things that generate cash inflow, such as rental properties or businesses—and "liabilities" as things that use cash, such as houses, cars, and so on. Kiyosaki also argues that financial leverage is critically important in becoming rich.

Kiyosaki stresses financial literacy as the means to obtaining wealth. He says that life skills are often best learned through experience and that there are important lessons not taught in school. He says that formal education is primarily for those seeking to be employees or self-employed individuals, and that this is an "Industrial Age idea." And according to Kiyosaki, in order to obtain financial freedom, one must be either a business owner or an investor, generating passive income.

Kiyosaki often refers to "The CASHFLOW Quadrant," a conceptual tool which he developed to categorize the four major ways income is earned. Depicted in a diagram, this concept entails four groupings, split with two crossed lines (one vertical and one horizontal). In each of the four groups there is a letter representing a way in which an individual may earn income. The letters are as follows.

E: Employee — Working for someone else.

S: Self-employed or Small business owner — Where a person owns his own job and is his own boss.

B: Business owner — A person owns a business to make money; typically where the owner's physical presence is not required.

I: Investor — Investing money in order to receive a larger income in the future.

Books

Kiyosaki is best known for his book ''Rich Dad, Poor Dad''. Kiyosaki followed with ''Rich Dad's CASHFLOW Quadrant'' and ''Rich Dad's Guide to Investing''. He has now had at least a dozen books published, including:

''Cashflow Quadrant: Rich Dad's Guide to Financial Freedom (2000)''

''Rich Dad's Guide to Investing: What the Rich Invest in, That the Poor and the Middle Class Do Not!'' (2000)

''Rich Kid, Smart Kid'' (2001)

''Rich Dad's Prophecy'' (2002)

''Rich Dad's Retire Young, Retire Rich'' (2002)

''Rich Dad's Guide to Becoming Rich...Without Cutting Up Your Credit Cards'' (2003)

''Rich Dad's Who Took My Money: Why Slow Investors Lose and Fast Money Wins!'' (2004)

''Rich Dad's Who Took My Money?: Why Slow Investors Lose and Fast Money Wins!'' (2004)

''The Business School'' (2005)

''Before You Quit Your Job'' (2005)

''Why We Want You To Be Rich'' (2007, with Donald Trump)

''Rich Dad's Increase Your Financial IQ: Get Smarter with Your Money'' (2008)

''Conspiracy Of The Rich'' (2009)

''The Real Book of Real Estate: Real Experts. Real Stories. Real Life.'' (2009)

''Unfair Advantage: The Power of Financial Education'' (2011)

''Midas Touch'' (2011, with Donald Trump)

Games

Kiyosaki stresses the value of games, particularly ''Monopoly'', as tools for learning basic financial strategies such as "trade four green houses for one red hotel." Kiyosaki has created several games to reinforce the information in his book

Appearances

Several local stations of the Public Broadcasting Service (PBS), including WTTW of Chicago, KAET of Phoenix, KOCE of Orange County, California, WLIW of the New York/New Jersey area, and WGBH of Boston, have featured Kiyosaki during fund-raising drives. During this television special, ''Rich Dad's Guide to Wealth with Robert Kiyosaki'', he provides viewers with financial education, as opposed to academic or professional education.

Kiyosaki has been seen giving financial advice on various network television news channels.

This speech was the subject of a CNN story.

Financial advice

Mutual funds

Kiyosaki wrote in one column that investors in any mutual fund with a 2.5% annual fee would, over a long time period, surrender 80% of the earnings to the fund. Kiyosaki expanded on his criticism of mutual funds in another column by stating they are for "losers." Despite the fact that most mutual funds actually charged less than 1.1%. He has drawn much criticism for comparing investing in mutual funds to playing the lottery, and for discouraging 401(k) investing, contrary to the advice of most professional financial advisers. In contrast to these statements, Kiyosaki wrote in his book ''Prophecy'' that while mutual funds are not great investments, they remain one of the few acceptable investment vehicles available to those who will not educate themselves financially.

Kiyosaki's criticisms are supported by the founder of the mutual fund Vanguard, John C. Bogle. In a ''Frontline'' episode titled "401(k)s: The New Retirement Plan, For Better or Worse", Bogle stated that management fees and trading costs gobble up approximately 2.5% of an investor's annual returns and approximately 80% of an investor's long term gains. He says management costs reduce the value of a $1,000 investment over 65 years from approximately $140,000 at 8% compounded annually to a mere $30,000 at 5.5% compounded annually. Bogle's solution is to utilize index funds, which charge as little as 0.09%, to substantially reduce or eliminate management fees.

Criticism and controversy

Kiyosaki's books and teachings have been criticized for focusing on anecdotes and containing little in the way of concrete advice on how readers should proceed. Kiyosaki responds that his material is meant to be more of a motivational tool to get readers thinking about money rather than a step-by-step guide to wealth. He also says the books are supposed to be "interesting" to people, which precludes involving a lot of technical material.

ABC ran a 20/20 segment on May 19, 2006 in which Kiyosaki was to advise three entrepreneurs on how to make money. They were given $1000 and 20 days to try to make the most money possible. One earned a return of 24%, the second earned a return of 54% and gave it all to charity, and the third lost 100% because she invested in machines that could not be delivered in 20 days. The contestants alleged that Kiyosaki never gave concrete advice. "All he [Kiyosaki] does is, I guess, is open your mind to the possibility. He doesn't tell you how to do it." Kiyosaki responded that failure is important to learning. At the end, 20/20 asks, "Does anyone really need 18 books to learn to fail?"

The Wall Street Journal criticized ''Why We Want You To Be Rich'' by Kiyosaki and Trump as did Kiplinger's Personal Finance.

There are also those who claim that some of the things he teaches are incorrect, and based on false claims including those working for Robert Kiyosaki.

The Canadian Broadcasting Corporation consumer affairs program Marketplace ran an investigative piece on Kiyosaki's questionable business practices on Jan 29, 2010. It includes interviews with Kiyosaki.

Partial bibliography

''If You Want to Be Rich & Happy: Don't Go to School? : Ensuring Lifetime Security for Yourself and Your Children'' (1992). ISBN 0-944031-38-2.

''Rich Dad Poor Dad - What the Rich Teach Their Kids About Money - That the Poor and Middle Class Do Not!'' (first published in 1997) Warner Business Books. ISBN 0-446-67745-0.

''CASHFLOW Quadrant: Rich Dad's Guide to Financial Freedom'' (2000). ISBN 0-446-67747-7.

''Rich Dad's Guide to Investing: What the Rich Invest in, That the Poor and the Middle Class Do Not!'' (2000). ISBN 0-446-67746-9.

''The Business School for People Who Like Helping People'' (March, 2001). ISBN 9-992-26742-9 - endorses multi-level marketing

''Rich Dad's Rich Kid, Smart Kid: Giving Your Children a Financial Headstart'' (2001). ISBN 0-446-67748-5.

''Rich Dad's Retire Young, Retire Rich'' (2002). ISBN 0-446-67843-0.

''Rich Dad's Prophecy: Why the Biggest Stock Market Crash in History Is Still Coming… and How You Can Prepare Yourself and Profit from It!'' (October, 2002). Warner Books, Incorporated. ISBN 0-641-62241-4.

''Rich Dad's The Business School: For People Who Like Helping People'' (2003) ISBN 9-796-86729-X.

''You Can Choose to be Rich'' (2003) 12-CD Audio series with three books.

''Rich Dad's Who Took My Money?: Why Slow Investors Lose and Fast Money Wins!'' (May 1, 2004)ISBN 0-446-69182-8.

''Rich Dad, Poor Dad for Teens: The Secrets About Money--That You Don't Learn in School!'' (2004) ISBN 0-446-69321-9.

''Rich Dad's Before You Quit Your Job : 10 Real-Life Lessons Every Entrepreneur Should Know About Building a Multimillion-Dollar Business'' (2005). ISBN 0-446-69637-4.

''Rich Dad's Escape from the Rat Race - Comic for children'' (2005)

''Rich Dad's Increase Your Financial IQ: Get Smarter with Your Money'' (2008). ISBN 0-446-50936-1.

''Rich Dad's Conspiracy of the Rich: The 8 New Rules of Money'' (September 21, 2009). ISBN 0446559806 (free online edition)

''The Real Book of Real Estate: Real Experts. Real Stories. Real Life.'' (May, 2010). ISBN 1-458-77250-0.

''Midas Touch'' (November, 2011), by Donald J. Trump & Robert T. Kiyosaki. ISBN 1-612-68095-X.

Notes

References

External links

''Hawaii Business Magazine'' June 2002 cover story on Kiyosaki

Why the Rich Get Richer Robert Kiyosaki's regular column at Yahoo! Finance

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