In Ken Burns' Unforgivable Blackness, Crouch says that his father was a "criminal" and that he once met the boxer Jack Johnson.
Since the early 1980s, Crouch has become critical of the more progressive forms of jazz and has been associated with the opinions of Albert Murray. Crouch was fired from JazzTimes following his controversial article "Putting the White Man in Charge" in which he stated, "...white musicians who can play are too frequently elevated far beyond their abilities in order to allow white writers to make themselves feel more comfortable about being in the role of evaluating an art from which they feel substantially alienated."
Crouch is also a fierce critic of gangsta rap music, noting it promotes violence, criminal lifestyles and degrading attitudes toward women. With this viewpoint, he has defended Bill Cosby's "Pound Cake Speech" and praised a women's group at Spelman College for speaking out against rap music.
In 2004 Crouch was invited to a panel of judges for the PEN/Newman's Own Award, a $25,000 award designed to protect speech as it applies to the written word.
His syndicated column for the New York Daily News frequently challenges prominent members of the African American community. Crouch has criticised, among others, author Alex Haley, the author of The Autobiography of Malcolm X and Roots: The Saga of an American Family ; community leader Al Sharpton ; filmmaker Spike Lee , scholar Cornel West playwright Amiri Baraka , as well as Tupac Shakur, in reference to whom he wrote "What dredged-up scum you are willing to pay for is what scum you get, on or off stage."
In 2005, he was selected as one of the inaugural fellows by the Fletcher Foundation, which awards annual fellowships to people working on issues of race and civil rights. The fellowship program is directed by Professor Henry Louis Gates, Jr. of Harvard University.
When Marsalis served as "Senior Creative Consultant" for Ken Burns' 2001 documentary Jazz, Crouch served on the film's advisory board and appears extensively. Some jazz critics and aficianados cited the participation of Marsalis and Crouch specifically as reasons for what they believed to be an undue focus on traditional and straight-ahead jazz. in the film.
After Jazz Crouch appearanced in other Burns films including the DVD for the 2002 remastered version of The Civil War as well as the 2004 documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson.
Title |
Considering Genius: Writings on Jazz |
The Artificial White Man: Essays on Authenticity |
Kansas City Lightning: The Life and Times of Young Charlie Parker |
The All-American Skin Game, or, The Decoy of Race: The Long and the Short of It, 1990-1994 |
Notes of a Hanging Judge: Essays and Reviews, 1979-1989 |
Reconsidering the Souls of Black Folk with Playthell G. Benjamin |
Always in Pursuit: Fresh American Perspectives |
In Defence of Taboos |
One Shot Harris: The Photographs of Charles "Teenie" Harris |
Title |
Don't the Moon Look Lonesome? |
Ain't No Ambulances For No Nigguhs Tonight |
Category:1945 births Category:Living people Category:African American writers Category:American columnists Category:American music critics Category:American music journalists Category:American novelists Category:People from New York City Category:People from Los Angeles, California Category:Jazz writers Category:MacArthur Fellows
de:Stanley Crouch fr:Stanley Crouch sv:Stanley CrouchThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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