Malik Kafur (''fl.'' 1296 - 1316),or "Chand Ram" as his name was originally ,was a eunuch slave who became a head general in the army of Alauddin Khilji, ruler of the Delhi sultanate from 1296 to 1316 AD. He was originally seized by Alauddin's army after the army conquered the city of Khambhat. Alauddin Khilji fell in love with the effeminate beauty of Malik Kafur, castrated and converted him to Islam. Kafur was also called "Thousand Dinar Kafur"or Hazar Dinari, probably the amount paid by sultan for his possession. Kafur rose quickly in the army. He was made ''malik naib'', the senior commander of the army. In 1294 he led the sultan's army against the capital city of the Yadava kingdom, Devagiri. He led further invasions southward into the Kakatiya dynasty, winning immense riches for the sultanate and sacking many Hindu temples.

The booty from Warangal included the famous diamond Koh-i-Noor. During the course of the attack he sacked and plundered many Hindu temples including the famous Hoyasaleshwara temple in Halebidu.

According to Muslim historian Ziauddin Barani, Kafur came back to Delhi with 241 tonnes of gold, 20,000 horses and 612 elephants laden with the looted treasure.

References

Category:History of medieval India Category:Military history of India Category:Converts to Islam Category:Delhi Sultanate [:http://www.ponniyinselvan.in/forum/history-discussions/malik-kafur-2458.html Forums / History Discussions / Malik Kafu]

fr:Malik Kafur ja:マリク・カーフール ta:மாலிக் காபூர்

Coordinates	3°8′51″N101°41′36″N
name	Sir Michael Redgrave
birth name	Michael Scudamore Redgrave
birth date	March 20, 1908
birth place	Bristol, Gloucestershire, England
death date	March 21, 1985
death place	Denham, Buckinghamshire, England
death cause	Parkinson's disease
nationality	British
spouse	Rachel Kempson (m. 1935-85; his death)
children	Vanessa RedgraveCorin Redgrave (deceased)Lynn Redgrave (deceased)
parents	Roy RedgraveMargaret Scudamore
years active	1936-75
alma mater	Magdalene College, Cambridge }}

Sir Michael Scudamore Redgrave, CBE (20 March 1908 – 21 March 1985) was an English stage and film actor, director, manager and author.

Youth and education

Redgrave was born in Bristol, England, the son of the silent film actor Roy Redgrave and the actress Margaret Scudamore. He never knew his father, who left when Michael was only six months old to pursue a career in Australia. His mother subsequently married Captain James Anderson, a tea planter, but Redgrave greatly disliked his stepfather.

He studied at Clifton College and Magdalene College, Cambridge. He was a schoolmaster at Cranleigh School in Surrey before becoming an actor in 1934. There he directed the boys in ''Hamlet'', ''King Lear'' and ''The Tempest'', but managed to play all the leading roles himself. The 'Redgrave Room' at the school was later named after him. In the new Guildford School of Acting building which opened in January 2010, there is the Sir Michael Redgrave studio.

Theatre career

Redgrave made his first professional appearance at the Liverpool Playhouse on 30 August 1934 as Roy Darwin in ''Counsellor-at-Law'' (by Elmer Rice), then spent two years with its Liverpool Repertory Company where he met his future wife Rachel Kempson. They married on 18 July 1935.

1930s

Offered a job by Tyrone Guthrie, he made his first professional appearance in London at the Old Vic on 14 September 1936, playing Ferdinand in ''Love's Labours Lost''. During the 1936-37 season he also played Mr Horner in ''The Country Wife'', Orlando in ''As You Like It'', Warbeck in ''The Witch of Edmonton'' and Laertes to Laurence Olivier's Hamlet. His hit of the season was Orlando. Edith Evans was his Rosalind and the two fell very much in love. As he later explained: "Edith always had a habit of falling in love with her leading men; with us it just went rather further." ''As You Like It'' transferred to the New Theatre in February 1937 when he again played Orlando.

At the Embassy Theatre in March 1937 he played Anderson in a mystery play, ''The Bat'', before returning to the Old Vic in April, succeeding Marius Goring as Chorus in ''Henry V''. Other roles that year included Christopher Drew in Daisy Fisher's comedy ''A Ship Comes Home'' at the St Martin's Theatre in May and Larry Starr in Philip Leaver's comedy ''Three Set Out'' at the Embassy in June, before joining John Gielgud's Company at the Queen's Theatre, September 1937 to April 1938, where he played Bolingbroke in ''Richard II'', Charles Surface in ''The School for Scandal'' and Baron Tusenbach in ''Three Sisters''.

Other roles included:

Alexei Turbin in ''The White Guard'' (''The Days of the Turbins'' by Mikhail Bulgakov), Phoenix Theatre October 1938

Sir Andrew Aguecheek in ''Twelfth Night'', Phoenix December 1938

Harry, Lord Monchesney in ''The Family Reunion'' (T S Eliot), Westminster Theatre March 1939

Henry in ''Springtime for Henry'', touring 1939

Second World War

Once the London theatres were re-opened, after the outbreak of war, he played:

Captain Macheath in ''The Beggar's Opera'', Theatre Royal Haymarket, March 1940

Charleston in ''Thunder Rock'' (Robert Ardrey), Neighbourhood Theatre June 1940; Globe Theatre July 1940

Redgrave joined the Royal Navy as an Ordinary seaman in July 1941, but was discharged on medical grounds in November 1942. Having spent most of 1942 in the Reserve he managed to direct ''Lifeline'' (Norman Armstrong) starring Frank Pettingell at the Duchess Theatre in July; and ''The Duke in Darkness'' (Patrick Hamilton) starring Leslie Banks at the St James's Theatre in October, also taking the role of Gribaux.

Resuming his stage career he played/directed:

Rakitin in ''A Month in the Country'' (Turgenev), St James's Theatre March 1943

Lafont in six matinees of ''Parisienne'', a comedy by Henry Becque, translated by Ashley Dukes, (Redgrave also directed and managed) co-starring Sonia Dresdel, St James's Theatre June 1943

''Blow Your Own Trumpet'', a comedy by Peter Ustinov, (directed), Playhouse Theatre August 1943

''The Wingless Victory'', a period romance by Maxwell Anderson, (directed) starring Rachel Kempson as Faith Ingalls, Phoenix Theatre September 1943

Harry Quincey in ''Uncle Harry'', a thriller by Thomas Job, (also co-directed with William Armstrong) with Beatrix Lehmann as Leslie Quincey and Rachel Kempson as Lucy Forrest, Garrick Theatre March 1944

Colonel Stjerbinsky in ''Jacobowsky and the Colonel'', a comedy by Franz Werfel, adapted by S N Behrman, (Redgrave also directed) with Rachel Kempson as Marianne, Piccadilly Theatre, June 1945

Post-war years

Title role in ''Macbeth'', Aldwych Theatre December 1947; National Theater, New York (NY debut, with Flora Robson as Lady Macbeth) 31 March 1948

Captain in ''The Father'' (August Strindberg) directed by Dennis Arundell with Freda Jackson as Laura, Embassy Theatre November 1948; and Duchess Theatre January 1949

Etienne in ''A Woman in Love'' (also co-adapted with Diana Gould and directed) with Margaret Rawlings as Germaine, Embassy April 1949

Joining the Old Vic Company at the New Theatre for its 1949–50 season, he played:

Berowne in ''Love's Labours Lost''

Marlow in ''She Stoops to Conquer''

Rakitin in ''A Month in the Country''

His first Hamlet, which he also played at the Zurich Festival, the Holland Festival and at Kronborg Castle in Elsinore, June 1950

1950s

Redgrave joined the Shakespeare Memorial Theatre company at Stratford upon Avon and for the 1951 season appeared as Prospero in ''The Tempest'' as well as playing Richard II, Hotspur and Chorus in the Cycle of ''Histories'', for which he also directed ''Henry IV Part Two''. After appearing as Frank Elgin in ''Winter Journey'' at the St James's April 1952, he rejoined the Stratford company in 1953 (together with his actress wife Rachel Kempson) appearing as Shylock, King Lear and Antony in ''Antony and Cleopatra'', also playing Antony when the company transferred to the Princes Theatre in November 1953 before touring to Holland, Belgium and Paris.

At the Apollo in June 1955 he played Hector in ''Tiger at the Gates'', appearing in the same role at the Plymouth Theatre, New York in October 1955 for which he received the New York Critics Award. While in New York he directed ''A Month in the Country'' at the Phoenix Theatre in April 1956, and directed and played the Prince Regent in ''The Sleeping Prince'' at the Coronet Theatre in November 1956.

Returning to London in January 1958 he appeared as Philip Lester in ''A Touch of the Sun'' (N C Hunter) at the Saville Theatre — Best Actor in the Evening Standard Awards 1958 — before rejoining the Shakespeare Memorial Theatre Company in June 1958, to play Hamlet and Benedick, also playing Hamlet with the company in Leningrad and Moscow in December 1958 (while his wife Rachel Kempson played Ursula in ''Much Ado About Nothing'' and Lady Capulet in ''Romeo and Juliet'').

At the Queen's Theatre in London in August 1959 he played HJ in his own adaptation of the Henry James novella ''The Aspern Papers''. His play was later to be successfully revived on Broadway in 1962, with Dame Wendy Hiller and Maurice Evans, while the 1984 London revival featured his daughter, Vanessa Redgrave, along with Christopher Reeve and Hiller, this time in the role of Miss Bordereau.

1960s

Roles included:

Jack Dean in ''The Tiger and the Horse'' by Robert Bolt (which Redgrave also co-presented, directed by Frith Banbury), Queen's Theatre August 1960

Victor Rhodes in ''The Complaisant Lover'' by Graham Greene, Ethel Barrymore Theatre, New York, November 1961 - 101 performances

Returning to England, in July 1962 he took part in the Chichester Festival Theatre's opening season, playing the title role in Chekhov's ''Uncle Vanya'' to the Astrov of Laurence Olivier who also directed.

Alongside John Dexter's Chichester staging of ''Saint Joan'', Olivier's ''Uncle Vanya'' was first revived in Chichester in 1963 before transferring to the Old Vic as part of the nascent Royal National Theatre's inaugural season, winning rave reviews and Redgrave's second win as Best Actor in the 1963 Evening Standard Awards. Critic Michael Billington recalled: "In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity."

Redgrave played (and co-presented) Lancelot Dodd MA in Arthur Watkyn's ''Out of Bounds'' at Wyndham's Theatre in November 1962, following it at the Old Vic with his portrayal of Claudius opposite the Hamlet of Peter O'Toole in 22 October 1963. This ''Hamlet'' was in fact the National Theatre's official opening production, directed by Olivier, but Simon Callow has dubbed it "slow, solemn, long", while Ken Campbell vividly described it as "brochure theatre."

In January 1964 at the National he played the title role in ''Hobson's Choice'', which he admitted was well outside his range: "I couldn't do the Lancashire accent and that shook my nerve terribly - all the other performances suffered." While still at the National in June 1964 he also played Halvard Solness in ''The Master Builder'', which he said 'went wrong'. At this time he had incipient Parkinson's disease, although he did not know it.

In May and June 1965 Redgrave directed the opening festival of the Yvonne Arnaud Theatre in Guildford, including directing and playing Rakitin in ''A Month in the Country'' (co-starring with Ingrid Bergman as Natalya Petrovna), and Samson in ''Samson Agonistes'' (co-starring with Rachel Kempson as Chorus). He again played Rakitin in September 1965, when his production transferred to the Cambridge Theatre in London. For the Glyndebourne Festival Opera he directed ''Werther'' in 1966 and ''La Boheme'' in 1967.

1970s

At the Mermaid Theatre in July 1971 he played Mr Jaraby in ''The Old Boys'' (William Trevor) and had an unfortunate experience: "My memory went, and on the first night they made me wear a deaf aid to hear some lines from the prompter and it literally fell to pieces - there were little bits of machinery all over the floor, so I then knew I really couldn't go on, at least not learning new plays."

Nevertheless, he successfully took over the part of Father in John Mortimer's ''A Voyage Round My Father'' at the Theatre Royal Haymarket, also touring Canada and Australia in the role in 1972-73. International touring continued in 1974-75 with a Royal Shakespeare Company production of ''The Hollow Crown'', visiting major venues in the US and Australia, while in 1976-77 he toured South America, Canada and the UK in the anthology, ''Shakespeare's People''.

Redgrave's final theatre appearance came in May 1979 when he portrayed Jasper in Simon Gray's ''Close of Play'', directed on the Lyttelton stage at the National Theatre by Harold Pinter. It was a silent, seated role, based on Gray's own father, who had died a year before he wrote the play. As Gray has said: "Jasper is in fact dead but is forced to endure, as if alive, a traditional English Sunday, helpless in his favourite armchair as his three sons and their wives fall to pieces in the usual English middle-class style, sometimes blaming him, sometimes appealing to him for help and sobbing at his feet for forgiveness, but basically ignoring him. In other words I had stuck him in Hell, which turns out to be 'life, old life itself'."

His final work, in 1975, a narrative of the epic poem, ''The Rime of the Ancient Mariner'', by Samuel Taylor Coleridge, a poem that Redgrave taught as a young schoolmaster and visualized by producer-director Raul da Silva, received six international film festival prizes of which five were first place in category. This work was to be his last before the onslaught of Parkinson's disease.

Film and television work

Redgrave first appeared on BBC television at the Alexandra Palace in 1937, in scenes from ''Romeo and Juliet''. His first major film role was in Alfred Hitchcock's ''The Lady Vanishes'' (1938). Redgrave also starred in ''The Stars Look Down'' (1939), with James Mason in the film of Robert Ardrey's play ''Thunder Rock'' (1942), and in the ventriloquist's dummy episode of the Ealing compendium film ''Dead of Night'' (1945).

His first American film role was opposite Rosalind Russell in ''Mourning Becomes Electra'' (1947), for which he was nominated for an Academy Award for Best Actor. In 1951 he starred in ''The Browning Version'', from Terence Rattigan's play of the same name. The ''Daily Mirror'' described Redgrave's performance as Crocker-Harris as "one of the greatest performances ever seen in films". The 1950s also saw Redgrave in ''The Importance of Being Earnest'' (1952), ''The Dambusters'' (1954), and ''1984'' (1956).

Notable television performances include voice-overs for ''The Great War'' (1964), a history of the first World War using stills and 'stretched' archive film, and the less successful ''Lost Peace'' series (BBC Television, 1964 and 1966). Of the latter, Philip Purser wrote: "The commentary, spoken by Sir Michael Redgrave, took on an unremittingly pessimistic tone from the outset."

Last years and death

Redgrave died in a nursing home in Denham, Buckinghamshire, in 1985, from Parkinson's disease, one day after his 77th birthday.

Personal life

Family

Redgrave was married to the actress Rachel Kempson for 50 years from 1935 until his death. Their children Vanessa (b. 1937), Corin (1939–2010) and Lynn Redgrave (1943–2010) and their grandchildren - Natasha (1963–2009), Joely Richardson (b. 1965) and Jemma are also involved in theatre or film as actors. His grandson Carlo Gabriel Nero is a screenwriter and film director whilst Luke Redgrave is not connected to acting.

His daughter Lynn created a one-woman play for herself called ''Shakespeare for My Father'', in which she was nominated for Broadway's Tony Award, in which she traced her love for Shakespeare as a way of following and finding her often absent father.

Redgrave owned White Roding Windmill from 1937 to 1946. He and his family lived in "Bedford House" on Chiswick Mall from 1945 to 1954. His entry for ''Who's Who in the Theatre'' (1981) gives his address as Wilks Water, Odiham, Hampshire.

Bisexuality

Corin helped his father in the writing of his last autobiography. During one of Corin's visits to his father, the latter said, "There is something I ought to tell you". Then, after a very long pause, "I am, to say the least of it, bisexual". Corin encouraged him to acknowledge his bisexuality in the book. Michael agreed to do so, but in the end he chose to remain silent about it. Alan Strachan's 2004 biography of Redgrave discusses his affairs with both men and women.

The 1996 BBC documentary film ''Michael Redgrave: My Father'', narrated by Corin Redgrave, and based on his book of the same name, discusses Michael's bisexuality in some depth. Rachel Kempson recounted that, when she proposed to him, Redgrave said that there were "difficulties to do with his nature, and that he felt he ought not to marry". She said that she understood, it didn't matter and that she loved him. To this, Redgrave replied, "Very well. If you're sure, we will".

During the filming of Fritz Lang's ''Secret Beyond the Door'' (1948), Redgrave met Bob Michell. They became lovers, Michell set up house close to the Redgraves, and he became a surrogate "uncle" to Redgrave's children (then aged 11, 9 and 5), who adored him. Michell later had children of his own, including a son he named Michael.

A card was found among Redgrave's effects after his death. The card was signed "Tommy, Liverpool, January 1940", and on it were the words (quoted from W. H. Auden): "The world is love. Surely one fearless kiss would cure the million fevers".

Honours, awards and appointments

Redgrave twice (1958 and 1963) won Best Actor trophies in the Evening Standard Awards and twice received the Variety Club of Great Britain 'Actor of the Year' Award (in the same years).

He was appointed Commander of the Order of the British Empire (CBE) in 1952 and was knighted in 1959. He was also appointed Commander of the Order of the Dannebrog, Denmark in 1955.

Redgrave became the First President of the English Speaking Board in 1953, and President of the Questors Theatre, Ealing in 1958.

In 1966 he received an honorary DLitt degree from the University of Bristol.

The Redgrave Theatre in Farnham, Surrey, 1974–1998, was named in his honour.

Filmography

''The Lady Vanishes'' (1938)

''Climbing High'' (1938)

''Stolen Life'' (1939)

''The Stars Look Down'' (1939)

''The Big Blockade'' (1940)

''A Window in London'' (1940)

''Atlantic Ferry'' (1941)

''Kipps'' (1941)

''Jeannie'' (1941)

''Thunder Rock'' (1942)

''The Way to the Stars'' (1945)

''Dead of Night'' (1945)

''The Captive Heart'' (1946)

''The Years Between'' (1946)

''The Man Within'' (1947)

''Fame is the Spur'' (1947)

''Mourning Becomes Electra'' (1947)

''Secret Beyond the Door...'' (1948)

''The Browning Version'' (1951)

''The Magic Box (1951)

''The Importance of Being Earnest'' (1952)

''The Green Scarf'' (1954)

''The Sea Shall Not Have Them'' (1954)

''The Night My Number Came Up'' (1955)

''Mr. Arkadin'' (1955)

''The Dam Busters'' (1955)

''Oh... Rosalinda!!'' (1955)

''1984'' (1956)

''Time Without Pity'' (1957)

''The Happy Road'' (1957)

''Behind the Mask'' (1958)

''The Quiet American'' (1958)

''Law and Disorder'' (1958)

''Shake Hands with the Devil'' (1959)

''The Wreck of the Mary Deare'' (1959)

''The Innocents'' (1961)

''No My Darling Daughter'' (1961)

''The Loneliness of the Long Distance Runner'' (1962)

''Uncle Vanya'' (1963)

''The Hill'' (1965)

''The Heroes of Telemark'' (1965)

''Alice in Wonderland'' (1966)

''The 25th Hour'' (1967)

''Heidi'' (1968) (TV)

''Assignment K'' (1968)

''Oh! What a Lovely War'' (1969)

''Battle of Britain'' (1969)

''Goodbye, Mr. Chips'' (1969)

''David Copperfield'' (1969)

''Goodbye Gemini'' (1970)

''Connecting Rooms'' (1970)

''The Go-Between'' (1970)

''A Christmas Carol'' (1971), ''narration''

''Nicholas and Alexandra'' (1971)

''The Last Target'' (1972)

''Rime of the Ancient Mariner'' (1975), ''narration''

Writings

Redgrave wrote four books:

''The Actor's Ways and Means'' Heinemann (1953)

''Mask or Face: Reflections in an Actor's Mirror'' Heinemann (1958)

''The Mountebank's Tale'' Heinemann (1959)

''In My Mind's I: An Actor's Autobiography'' Viking (1983) ISBN 0670142336

His plays include ''The Seventh Man'' and ''Circus Boy'', both performed at the Liverpool Playhouse in 1935, and his adaptations of ''A Woman in Love'' (''Amourese'') at the Embassy Theatre in 1949 and the Henry James novella ''The Aspern Papers'' at the Queen's Theatre in 1959.

Further reading

''Who's Who in the Theatre'' 17th edition, Gale (1981) ISBN 0810302157

Theatre Record and its annual Indexes

''The Great Stage Stars'' by Sheridan Morley, Angus & Robertson (1986) ISBN 0207149704

References

External links

Category:1908 births Category:1985 deaths Category:Alumni of Magdalene College, Cambridge Category:Bisexual actors Category:LGBT parents Category:Deaths from Parkinson's disease Category:English film actors Category:English stage actors Category:Knights Bachelor Category:Actors awarded British knighthoods Category:Old Cliftonians Category:People from Bristol Category:Royal National Theatre Company members Category:Shakespearean actors Category:LGBT people from England Category:20th-century actors

an:Michael Redgrave ca:Michael Redgrave cy:Michael Redgrave de:Michael Redgrave es:Michael Redgrave fr:Michael Redgrave it:Michael Redgrave he:מייקל רדגרייב ja:マイケル・レッドグレイヴ no:Michael Redgrave pl:Michael Redgrave pt:Michael Redgrave ro:Michael Redgrave fi:Michael Redgrave sv:Michael Redgrave

Coordinates	3°8′51″N101°41′36″N
name	Paul Lukas
birth name	Pál Lukács
birth date	May 26, 1891
birth place	Budapest, Hungary
death date	August 15, 1971
death place	Tangier, Morocco
occupation	Actor
years active	1916–70
spouse	? (1916–1917) (divorced) Daisy Benes (1927–62) (her death) Annette M. Driesens (1963–71) (his death)}}

Paul Lukas (May 26, 1891 – August 15, 1971) was an Austrian-Hungarian-born actor.

Biography

Born Pál Lukács in Budapest, he arrived in Hollywood in 1927 after a successful stage and film career in Hungary, Germany and Austria where he worked with Max Reinhardt. He made his stage debut in Budapest in 1916 and his film debut in 1917. At first, he played elegant, smooth womanizers, but increasingly he became typecast as a villain. In 1933, he became a naturalized citizen of the United States.

He was busy in the 1930s, appearing in such films as the melodrama ''Rockabye'', the crime caper ''Grumpy'', Alfred Hitchcock's ''The Lady Vanishes'', the comedy ''Ladies in Love'', and the drama ''Dodsworth''. He followed William Powell and Basil Rathbone portraying the series detective Philo Vance, a cosmopolitan New Yorker, once in 1935 in ''The Casino Murder Case'', but his major role came in 1943's ''Watch on the Rhine'', when he played a man working against the Nazis (he had played the same role on Broadway in 1941). He won the Academy Award for Best Actor for the role, winning out over luminary efforts as Humphrey Bogart in ''Casablanca'', Gary Cooper in ''For Whom the Bell Tolls'', Walter Pidgeon in ''Madame Curie'', and Mickey Rooney in ''The Human Comedy''. In the same year, he guest starred as the eponymous character in an episode of Suspense, "Mr. Markham, Antique Dealer".

To modern viewers, Paul Lukas is best known for his role as Professor Aronnax in Walt Disney's classic 1954 film version of Jules Verne's ''20,000 Leagues Under the Sea''. By that time, however, he was, at age 63, suffering from memory problems during the production, apparently leading him to lash out at cast and crew alike. Even friend Peter Lorre was not immune to the abuse.

In the 1940s, Lukas was a charter member of the Motion Picture Alliance for the Preservation of American Ideals, a conservative lobbying group opposed to possible Communist influence in Hollywood.

The remainder of his career moved from Hollywood to the stage to television. His only singing role was as Cosmo Constantine in the original 1950 Broadway stage version of Irving Berlin's ''Call Me Madam'', opposite Ethel Merman (although he is heard singing a song in the 1933 film ''Little Women'', displaying a pleasant voice).

He died August 16, 1971, in Tangier, Morocco, reportedly while searching for a place to spend his retirement years.

Lukas has a star on the Hollywood Walk of Fame at 6841 Hollywood Blvd.

Selected filmography

''Samson and Delilah'' (1922)

''Behind the Make-Up'' (1930)

''The Benson Murder Case'' (1930)

''The Devil's Holiday'' (1930)

''Grumpy'' (1930)

''City Streets'' (1931)

''Strictly Dishonorable'' (1931)

''Downstairs'' (1932)

''Rockabye'' (1932)

''The Kiss Before the Mirror'' (1933)

''Secret of the Blue Room'' (1933)

''Captured!'' (1933)

''Little Women'' (1933)

''The Casino Murder Case'' (1935)

''The Three Musketeers'' (1935)

''I Found Stella Parish'' (1935)

''Dodsworth'' (1936)

''Ladies in Love'' (1936)

''Brief Ecstasy'' (1937)

''Dinner at the Ritz'' (1937)

''The Lady Vanishes'' (1938)

''Confessions of a Nazi Spy'' (1939)

''Captain Fury'' (1939)

''Strange Cargo'' (1940)

''The Ghost Breakers'' (1940)

''The Monster and the Girl'' (1941)

''Watch on the Rhine'' (1943)

''Uncertain Glory'' (1944)

''Address Unknown'' (1944)

''Experiment Perilous'' (1944)

''Deadline at Dawn'' (1946)

''Temptation'' (1946)

''Whispering City'' (1947)

''Berlin Express'' (1948)

''Kim'' (1950)

''20,000 Leagues Under the Sea'' (1954)

''The Roots of Heaven'' (1958)

''Four Horsemen of the Apocalypse'' (1962)

''Tender Is the Night'' (1962)

''55 Days at Peking'' (1963)

''Fun in Acapulco'' (1963)

''Lord Jim'' (1965)

''Sol Madrid'' (1968)

''The Challenge'' (1970)

References

External links

Category:1895 births Category:1971 deaths Category:People from Budapest Category:Hungarian emigrants to the United States Category:Best Actor Academy Award winners Category:Best Drama Actor Golden Globe (film) winners Category:California Republicans Category:American people of Hungarian descent Category:Naturalized citizens of the United States Category:Deaths from cardiovascular disease Category:Hungarian silent film actors

an:Paul Lukas bg:Пол Лукас ca:Paul Lukas cs:Paul Lukas de:Paul Lukas el:Πολ Λούκας es:Paul Lukas fr:Paul Lukas it:Paul Lukas he:פול לוקאס nl:Paul Lukas ja:ポール・ルーカス no:Paul Lukas pl:Paul Lukas pt:Paul Lukas ro:Paul Lukas ru:Лукас, Пол sr:Пол Лукас fi:Paul Lukas sv:Paul Lukas yo:Paul Lukas