company name | Korg株式会社コルグ |
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company logo | |
foundation | 1962 |
founder | Tsutomu Kato and Tadashi Osanai |
location | 4015-2, Yanokuchi, Inagi, Tokyo, Japan |
industry | Electronics |
products | Keyboards, Electronic organ |
homepage | www.korg.com |
footnotes | }} |
is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars.
Founded in 1962 in Japan by Tsutomu Kato and Tadashi Osanai, Korg was originally known as because its fledgling offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Unsatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.
The company's first product, released in 1963, was an electro-mechanical rhythm device called the Disc Rotary Electric Auto Rhythm machine Donca matic DA-20. The name "Donca" was an onomatopoeic reference to the sound the rhythm machine made. Buoyed by the success of the DA-20, Keio released a solid-state version of the Rhythm machine, the Donca matic DE-20, in 1966.
In 1967, Kato was approached by Fumio Mieda, an engineer who wanted to build keyboards. Impressed with Mieda's enthusiasm, Kato asked him to build a prototype and 18 months later Mieda returned with a programmable organ. Keio sold the organ under the name KORG, created by using the first letter of each founder's name plus "RG" from their planned emphasis on products targeted for the oRGan market.
Keio's organ products were successful throughout the late 1960s and early 1970s but, concerned about the competition from other big organ manufacturers, Kato decided to use the organ technology to build a keyboard for the then-niche synthesizer market. Keio's first synthesizer, the miniKORG, was thus released in 1973.
During the 1970s, Korg's synthesizer line was divided into instruments for the hobbyist, and large expensive modular systems such as the PS series. In the early '80s, Korg branched out into the digital piano category.
Korg is credited with a number of innovations and landmark products. The "key transpose" function was Katoh's idea after a singer at his club needed her accompaniment played in a lower key, which the accompanist wasn't accomplished enough to do. Korg was the first company to feature effects on a synthesizer, and the first to use a "sample + synthesis" sound design. The M1 workstation, released in 1988, sold over 250,000 units, making it the bestselling synthesizer ever at that time.
In 1989, Korg recruited the design team from Sequential Circuits just as they were relieved of their duties by then-Sequential owner Yamaha. Yamaha Corporation has always been a major partner of Korg, supplying them with circuitry and mechanical parts. In 1987, shortly before the release of the M1 Music Workstation, Yamaha acquired a controlling interest in Korg's stock. The takeover of the company was amicable, with Kato drawing up the terms, and the two companies continued to independently develop their product lines and compete in the marketplace. After the following 5 very successful years, Kato had enough money to rebuy most of the Yamaha share back in 1993.
Korg has since diversified into digital effects, tuners, recording equipment, electronic hand percussion, and software instruments.
In 1992, Korg acquired Vox (musical equipment), then primarily a manufacturer of guitar amplifiers. Korg was also the exclusive distributor of Marshall Amplification product in the U.S.A. for decades, with this distribution arrangement ending in 2010.
On March 15, 2011, Tsutomo Katoh passed away after a long fight with cancer.
Category:Manufacturing companies of Japan Category:Companies based in Tokyo Category:Synthesizer manufacturing companies Category:Guitar manufacturing companies Category:Musical instrument manufacturing companies Category:Guitar effects manufacturing companies
de:KORG es:Korg eo:KORG fr:Korg ko:코르그 it:Korg nl:Korg ja:コルグ no:Korg pl:Korg pt:Korg ru:Korg fi:Korg sv:Korg Inc. uk:Korg vi:KorgThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Brett's Youtube videos have received over 7,000,000 views. A recent video, the Justin Timberlake Medley featuring Trabasacks was posted by Justin Timberlake on his Twitter page and official website.
Brett has also been featured on the websites of Lady Gaga and Ellie Goulding. Another musical alter-ego of Rob J Madin has recently surfaced on YouTube with the name 'Rocco La Bête'. The visual style and editing techniques are very similar to those of the Brett Domino videos.
On November 22, 2010, Brett Domino released a song called "Gillian McKeith", a humorous take on the celebrity during her time in the 10th series of the ITV show I'm a Celebrity... Get Me Out Of Here!. The YouTube video has had over 1,000,000 views. It entered the UK Singles Chart at number 29 on November 28, 2010.
On February 18, 2011, Brett played a specially written song on The Chris Moyles Show for Chris Moyles' Birthday
On June 10, 2011, Rob J Madin has recently surfaced on Youtube with the name 'C-Bomb', a 'cousin' of Brett Domino's. Here, playing in a style of Dubstep, unlike other Madin videos, 'C-Bomb' is not seen playing any instruments, but does dance, in a similar style to Brett Domino's Lady Gaga - Bad Romance. It also appears that 'C-Bomb' writes his own compositions, as seen with his Youtube video 'Irresistible'
Track listing:
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Lady Gaga |
---|---|
Alt | Portrait of Lady Gaga |
Background | solo_singer |
Birth name | Stefani Joanne Angelina Germanotta |
Birth date | March 28, 1986 |
Birth place | New York City, New York, U.S. |
Instrument | Vocals, piano, keyboards |
Genre | Pop, dance |
Occupation | Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist |
Years active | 2005–present |
Label | Def Jam, Cherrytree, Streamline, Kon Live, Interscope |
Website | }} |
Lady Gaga came to prominence as a recording artist following the release of her debut album The Fame (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the Fame Ball Tour, she followed the album with The Fame Monster (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro" and allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album Born This Way (2011) topped the charts of most major markets and generated more international chart-topping singles that include "Born This Way", "Judas" and "The Edge of Glory". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.
Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is well-recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best-selling worldwide. Her achievements include four Guinness World Records, five Grammy Awards and thirteen MTV Video Music Awards. Lady Gaga has consecutively appeared on Billboard magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by Forbes magazine, and was named one of the most influential people in the world by Time magazine.
From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure" as she told in an interview, "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.
Left-handed Gaga began playing the piano at the age of four, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in Guys and Dolls and Philia in A Funny Thing Happened on the Way to the Forum. She also appeared in a very small role as a mischievous classmate in the television drama series The Sopranos in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows. When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After gaining early admission at 17, she eventually lived in an NYU dorm on 11th Street.
She sharpened her songwriting skills while composing essays and analytical papers on art, religion, social issues and politics including a thesis on pop artists Spencer Tunick and Damien Hirst; such research prepared her for her future career focus in "music, art, sex and celebrity." She also tried out for and won auditions while at CAP21, including the part of an unsuspecting diner customer where MTV's Boiling Points – a prank reality television show – was being filmed. Notwithstanding these achievements, she felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew from the school to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.
SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a singer and model, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." The New York Post, however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.
Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side. She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film Grease: "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.
During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.
While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having already served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls. While Gaga was writing at Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player." As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album; making the chart-topping singles "Just Dance", "Poker Face" and "LoveGame" together. Gaga also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. She responded, "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."
A sleeper hit, "Just Dance" hit the summit of the charts in six countries – Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States – in January 2009. The Grammy Award-nominated song provoked the instant success of The Fame. Receiving positive reviews from contemporary critics who commended Gaga's ability to discover a melodious hook and compared her vocal abilities to those of Gwen Stefani, the album went to number-one in countries like the United Kingdom, Canada, Austria, Germany, Switzerland and Ireland while appearing in the top-five in Australia, the United States and fifteen other countries. On Billboard's Dance/Electronic Albums chart, it stayed at the top spot 106 non-consecutive weeks. Since its release, The Fame has sold over 12 million copies worldwide. Gaga achieved an even greater unexpected success when "Poker Face", another sleeper hit, reached number-one in almost all major music markets in the world including the United Kingdom and the United States in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year, while The Fame was nominated for Album of the Year and won the Grammy Award for Best Dance/Electronica Album. Gaga was the recipient of many other honors in 2009 including the accumulation of 3 of 9 MTV Video Music Awards nominations – she won Best New Artist while the video for her single "Paparazzi" gained the awards for Best Art Direction and Best Special Effects – and Billboard magazine's Rising Star award. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 on their legs in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.
While she traveled the world on tour, she wrote The Fame Monster, a collection of eight songs, which was released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Its first single "Bad Romance" topped the charts in eighteen countries, while reaching the top-two in the United States, Australia and New Zealand. It made Gaga the first artist in digital history to have three singles (along with "Just Dance" and "Poker Face") to pass the four million mark in digital sales and accrued the Grammy Award for Best Female Pop Vocal Performance while its accompanying music video won the Grammy Award for Best Short Form Music Video at the 53rd Grammy Awards The album's second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number-one single while its accompanying music video, although controversial, received a more positive reception from contemporary critics: praising her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. Musically, The Fame Monster has also received abundant success. Equating to the amount of Grammy nominations her debut received, The Fame Monster garnered a total of six nominations; the album won for Best Pop Vocal Album and earned her a second-consecutive nomination for Album of the Year at the 53rd annual awards ceremony.
The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of The Fame Monster and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and, according to Billboard, grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony. Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage." A realized collaboration with Polaroid started in January 2010. Excited about combining the company with the digital era, Gaga was named Chief Creative Officer for a line of imaging products for the international optic company with the intent of creating fashion, technology and photography products.
Despite a successful debut, Mermaid Music LLC – her production team – was sued in March 2010 by past producer Rob Fusari who claimed that he was entitled to a 20% share of its earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment. Five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga has been tested borderline positive for lupus, but claims not to be affected by the symptoms. The revelations caused considerable dismay amongst her fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.
Two other singles, "Judas" and "The Edge of Glory", as well as a promotional single, "Hair", were eventually released before the album. The music video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references; the video, nonetheless, received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" additionally peaked within the top ten in several major musical markets. "The Edge of Glory" was intended as a promotional single; nevertheless, due to commercial success in digital outlets, the song was released as a single to critical appreciation, accompanied by a music video. Gaga also undertook a job as a fashion columnist for V, where she wrote about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme. Upon release, Born This Way sold 1.108 million copies in its first week in the United States, debuting atop the Billboard 200, and topping the charts in more than 20 other countries. The album received generally positive reviews from music critics, who praised its range of different styles as well as her vocals. Later, Lady Gaga went to Sydney to promote Born This Way with a one-of-a-kind concert at the Sydney Town Hall on July 13, 2011.
She continued her musical endeavors, releasing "You and I" and "Marry the Night" as succeeding singles from Born This Way, as well as recording songs with veteran artists like Cher and Tony Bennett. The song recorded with Bennett is a jazz version of "The Lady Is a Tramp", while Gaga described her duet with Cher as a "massive" and "beautiful" track, which she "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." On August 28, at the 2011 MTV Video Music Awards, Gaga won two awards out of four nominations, and attended the event dressed as Jo Calderone, her male alter-ego. For the 2012 edition of the Guinness World Records, Gaga was listed for Most Followers on Twitter, with over 13 million followers, and "Poker Face" was listed for Most Weeks on US Digital Hot Songs, with 83 weeks. Gaga continued her live appearances, and performed at the celebration of former US president Bill Clinton's 65th Birthday alongside Bono, Stevie Wonder and Usher, among others. She wore a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changed the lyrics to her song "You and I" specifically for the performance. Later on, Gaga won four awards out of six nominations in the main categories at the 2011 MTV Europe Music Awards in November, for Best Female, Biggest Fans, Best Song and Best Video; the latter two with "Born This Way". On November 14, 2011, Gaga and her choreographer and creative director Laurieann Gibson parted ways, after working together for four years. Gibson's assistant Richard Jackson replaced her as Lady Gaga's choreographer.
Gaga released her fourth extended play A Very Gaga Holiday on November 22, and followed an appearance in her Thanksgiving Day television special entitled A Very Gaga Thanksgiving. The television special was critically acclaimed and attained 5.749 million American viewers upon original airing. The accompanying tour for Born This Way was materializing, and at the same time Gaga started writing songs for a new record. She further explained to MTV News that she and Garibay were working on the follow-up album to Born This Way and stated that it was "beginning to flourish".
Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name, "Lady Gaga": "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna. The 53-year-old singer admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga has stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the few years her career has spanned, Gaga has drawn musical inspiration from a diverse mix of musicians including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.
Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. Entertainment Weekly put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."
Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while The Fame (2008) meditates on the lust for stardom, The Fame Monster (2009) expresses fame's dark side through monster metaphors. Born This Way (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.
The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album The Fame (2008) provoked The Sunday Times to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from The Boston Globe to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up The Fame Monster (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while Born This Way (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote Rolling Stone, who concluded: "The more excessive Gaga gets, the more honest she sounds."
Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene on tour in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards when she performed in drag as her male alter ego, Jo Calderone, and delivered a lovesick monologue before a performance of her song "Yoü and I". Chris Rock has defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?"
Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes." Lady Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, who she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. Towards the end of 2008, comparisons were made between the fashions of Lady Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Lady Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."
When interviewed by Barbara Walters for her annual ABC News special 10 Most Fascinating People in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Lady Gaga's video for "Bad Romance". There have also been similar comparisons made between Lady Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier. Nonetheless, Gaga was named one of Vogue.com UK's Best Dressed people of 2010 while her stylist, Dazed & Confused creative director Nicola Formichetti, won the Fashion Creator of the Year Award at the British Fashion Awards.
Part of the reasoning for Gaga's Best Dressed achievement was her attire worn to the 2010 MTV Video Music Awards: a dress supplemented by boots, a purse and a hat – each fabricated from the flesh of a dead animal. The dress, named Time magazine's Fashion Statement of 2010 and more widely known as the "meat dress", received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Lady Gaga denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community. In addition to this unconventionality, in a question posed about the necessary procedure to attach the prosthetics to give the appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is. When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.
Gaga often refers to her fans as "Little Monsters" and in dedication, has had that inscription tattooed on "the arm that holds my mic." Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in The Sunday Times asserts thatGaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for The Guardian, Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."
For natural disasters, Gaga has also helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.
Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.
With the performance of the bilingual song "Americano" from her second studio album Born This Way (2011), Gaga jumped into the debate surrounding SB 1070, Arizona's immigration law. She premiered the tune for the first time on the Guadalajara, Mexico stop of her Monster Ball tour telling the local press that she could not "stand by many of the unjust immigration laws" in the United States.
After The Fame was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with Rolling Stone, she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on The Ellen DeGeneres Show in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.
Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a dress fabricated from the flesh of a dead animal to the awards ceremony. Gaga wished that the dress, more widely known as the "meat dress", was interpreted as a statement of human rights with focus upon those in the LGBT community adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones." She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of The Advocate commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.
Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."
Category:1986 births Category:American contraltos Category:American dance musicians Category:American electronic musicians Category:American female pop singers Category:American musicians of Italian descent Category:American performance artists Category:American pop singer-songwriters Category:Bisexual musicians Category:Brit Award winners Category:Echo winners Category:English-language singers Category:Feminist musicians Category:Grammy Award winners Category:Interscope Records artists Category:Keytarists Category:LGBT musicians from the United States Category:LGBT rights activists from the United States Category:Living people Category:People from Manhattan Category:Pseudonymous musicians Category:Singers from New York City Category:Sony/ATV Music Publishing artists Category:Synthpop musicians Category:Tisch School of the Arts alumni Category:Wonky Pop acts
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