Early definitions of the second were based on the apparent motion of the sun around the earth. The solar day was divided into 24 hours, each of which contained 60 minutes of 60 seconds each, so the second was of the mean solar day. However, 19th- and 20th century astronomical observations revealed that this average time is lengthening, and thus the sun/earth motion is no longer considered a suitable basis for definition. With the advent of atomic clocks, it became feasible to define the second based on fundamental properties of nature. Since 1967, the second has been defined to be periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of the caesium 133 atom.}}
SI prefixes are frequently combined with the word ''second'' to denote subdivisions of the second, ''e.g.'', the millisecond (one thousandth of a second), the microsecond (one millionth of a second), and the nanosecond (one billionth of a second). Though SI prefixes may also be used to form multiples of the second such as kilosecond (one thousand seconds), such units are rarely used in practice. The more common larger non-SI units of time are not formed by powers of ten; instead, the second is multiplied by 60 to form a minute, which is multiplied by 60 to form an hour, which is multiplied by 24 to form a day.
The second is also the base unit of time in the centimetre-gram-second, metre-kilogram-second, metre-tonne-second, and foot-pound-second systems of units.
This definition refers to a caesium atom at rest at a temperature of 0 K (absolute zero). Absolute zero implies no movement, and therefore zero external radiation effects (i.e., zero local electric and magnetic fields). The second thus defined is consistent with the ephemeris second, which was based on astronomical measurements. (See History below.)
The realization of the standard second is described briefly in a special publication from the National Institute of Science and Technology, and in detail by the National Research Council of Canada.
The day was subdivided sexagesimally, that is by , by of that, by of that, etc., to at least six places after the sexagesimal point (a precision of less than 2 microseconds) by the Babylonians after 300 BC, but they did not sexagesimally subdivide smaller units of time. For example, six fractional sexagesimal places of a day was used in their specification of the length of the year, although they were unable to measure such a small fraction of a day in real time. As another example, they specified that the mean synodic month was 29;31,50,8,20 days (four fractional sexagesimal positions), which was repeated by Hipparchus and Ptolemy sexagesimally, and is currently the mean synodic month of the Hebrew calendar, though restated as 29 days 12 hours 793 halakim (where 1 hour = 1080 halakim). The Babylonians did not use the hour, but did use a double-hour lasting 120 modern minutes, a time-degree lasting four modern minutes, and a barleycorn lasting 3 modern seconds (the ''helek'' of the modern Hebrew calendar).
In 1000, the Persian scholar al-Biruni gave the times of the new moons of specific weeks as a number of days, hours, minutes, seconds, thirds, and fourths after noon Sunday. In 1267, the medieval scientist Roger Bacon stated the times of full moons as a number of hours, minutes, seconds, thirds, and fourths (''horae'', ''minuta'', ''secunda'', ''tertia'', and ''quarta'') after noon on specified calendar dates. Although a ''third'' for of a second remains in some languages, for example Polish (''tercja'') and Turkish (''salise''), the modern second is subdivided decimally.
The second first became accurately measurable with the development of pendulum clocks keeping ''mean time'' (as opposed to the ''apparent time'' displayed by sundials), specifically in 1670 when William Clement added a seconds pendulum to the original pendulum clock of Christian Huygens. The seconds pendulum has a period of two seconds, one second for a swing forward and one second for a swing back, enabling the longcase clock incorporating it to tick seconds. From this time, a second hand that rotated once per minute in a small subdial began to be added to the clock faces of precision clocks.
This definition was ratified by the ''Eleventh General Conference on Weights and Measures'' in 1960. The ''tropical year'' in the definition was not measured, but calculated from a formula describing a mean tropical year that decreased linearly over time, hence the curious reference to a specific ''instantaneous'' tropical year. This definition of the second was in conformity with the ephemeris time scale adopted by the IAU in 1952, defined as the measure of time that brings the observed positions of the celestial bodies into accord with the Newtonian dynamical theories of their motion (those accepted for use during most of the 20th century being Newcomb's Tables of the Sun, used from 1900 through 1983, and Brown's Tables of the Moon, used from 1923 through 1983).
With the development of the atomic clock, it was decided to use atomic clocks as the basis of the definition of the second, rather than the revolution of the Earth around the Sun.
Following several years of work, Louis Essen from the National Physical Laboratory (Teddington, England) and William Markowitz from the United States Naval Observatory (USNO) determined the relationship between the hyperfine transition frequency of the caesium atom and the ephemeris second. Using a common-view measurement method based on the received signals from radio station WWV, they determined the orbital motion of the Moon about the Earth, from which the apparent motion of the Sun could be inferred, in terms of time as measured by an atomic clock. They found that the second of ephemeris time (ET) had the duration of 9,192,631,770 ± 20 cycles of the chosen caesium frequency. As a result, in 1967 the Thirteenth General Conference on Weights and Measures defined the second of atomic time in the International System of Units as
This SI second, referred to atomic time, was later verified to be in agreement, within 1 part in 1010, with the second of ephemeris time as determined from lunar observations. (Nevertheless, this SI second was already, when adopted, a little shorter than the then-current value of the second of mean solar time.)
During the 1970s it was realized that gravitational time dilation caused the second produced by each atomic clock to differ depending on its altitude. A uniform second was produced by correcting the output of each atomic clock to mean sea level (the rotating geoid), lengthening the second by about 1. This correction was applied at the beginning of 1977 and formalized in 1980. In relativistic terms, the SI second is defined as the proper time on the rotating geoid.
The definition of the second was later refined at the 1997 meeting of the BIPM to include the statement
The revised definition seems to imply that the ideal atomic clock contains a single caesium atom at rest emitting a single frequency. In practice, however, the definition means that high-precision realizations of the second should compensate for the effects of the ambient temperature (black-body radiation) within which atomic clocks operate, and extrapolate accordingly to the value of the second at a temperature of absolute zero.
Today, the atomic clock operating in the microwave region is challenged by atomic clocks operating in the optical region. To quote Ludlow ''et al.'', “In recent years, optical atomic clocks have become increasingly competitive in performance with their microwave counterparts. The overall accuracy of single trapped ion based optical standards closely approaches that of the state-of-the-art caesium fountain standards. Large ensembles of ultracold alkaline earth atoms have provided impressive clock stability for short averaging times, surpassing that of single-ion based systems. So far, interrogation of neutral atom based optical standards has been carried out primarily in free space, unavoidably including atomic motional effects that typically limit the overall system accuracy. An alternative approach is to explore the ultranarrow optical transitions of atoms held in an optical lattice. The atoms are tightly localized so that Doppler and photon-recoil related effects on the transition frequency are eliminated.”
The NRC attaches a "relative uncertainty" of 2.5 (limited by day-to-day and device-to-device reproducibility) to their atomic clock based upon the 127I2 molecule, and is advocating use of an 88Sr ion trap instead (relative uncertainty due to linewidth of 2.2). See magneto-optical trap and Such uncertainties rival that of the NIST F-1 caesium atomic clock in the microwave region, estimated as a few parts in 1016 averaged over a day.
Category:Centimetre gram second system of units Category:Orders of magnitude (time) Category:SI base units Category:Units of time
als:Sekunde am:ሴኮንድ ar:ثانية an:Segundo arc:ܪܦܦܐ ast:Segundu az:Saniyə bn:সেকেন্ড ba:Секунд be:Секунда be-x-old:Сэкунда (адзінка вымярэньня часу) bo:སྐར་ཆ། bs:Sekunda br:Eilenn (amzer) bg:Секунда ca:Segon cs:Sekunda cy:Eiliad da:Sekund de:Sekunde et:Sekund el:Δευτερόλεπτο es:Segundo eo:Sekundo eu:Segundo fa:ثانیه hif:Second fr:Seconde (temps) fy:Sekonde ga:Soicind gl:Segundo gan:秒 gu:સેકન્ડ hak:Miéu ko:초 (시간) hi:सेकण्ड hr:Sekunda io:Sekundo id:Detik ia:Secunda is:Sekúnda it:Secondo he:שנייה krc:Секунд ka:წამი kk:Секунд sw:Sekunde ht:Segonn la:Secundum lv:Sekunde lb:Sekonn lt:Sekundė li:Secónd jbo:snidu hu:Másodperc mk:Секунда mg:Segondra ml:സെക്കന്റ് mr:सेकंद arz:ثانيه ms:Saat nl:Seconde ja:秒 no:Sekund nn:Sekund oc:Segonda uz:Soniya pnb:سکنٹ nds:Sekunn pl:Sekunda pt:Segundo ro:Secundă qu:Sikundu rue:Секунда ru:Секунда sah:Сөкүүндэ sco:Seicont sq:Sekonda scn:Secunnu simple:Second sk:Sekunda sl:Sekunda szl:Sekůnda sr:Секунд sh:Sekund su:Detik fi:Sekunti sv:Sekund ta:நொடி (கால அளவு) roa-tara:Seconne th:วินาที tr:Saniye uk:Секунда ur:ثانیہ vi:Giây wa:Sigonde war:Segundo wo:Saa yi:סעקונדע zh-yue:秒 (時間) bat-smg:Sekondė zh:秒
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background | group_or_band |
---|---|
name | 78violet |
alias | Aly & AJ (2002–2009) |
origin | Torrance, California, United States |
instrument | Vocals, Guitars, Pianos |
genre | Pop rockTeen popAdult alternative |
years active | 2002–present |
associated acts | Miley CyrusAshley Tisdale |
label | Hollywood (2002-2010) |
website | Official website |
current members | Alyson MichalkaAmanda Michalka |
78violet (formerly Aly & AJ) is a pop rock band consisting of sisters Alyson and Amanda Michalka. They were born in Torrance, California, but spent part of their childhood in Seattle, Washington. They are both actresses, singer-songwriters, and guitarists. They signed a record deal with the Disney-owned label, Hollywood Records in 2004. They released their debut studio album ''Into the Rush'' on August 17, 2005. The album debuted at number thirty six in the United States, selling over 24,000 copies in its first week and was later certified Platinum by the RIAA. ''Into the Rush'' earned them the "Contemporary Inspirational Artists of the Year" nomination at the 2006 American Music Awards. ''Into the Rush'' later sold over one million records worldwide.
Their second studio album ''Insomniatic'' debuted at number fifteen in the United States, selling over 39,000 copies in its first week on the Billboard 200; this is their highest debut to date. Their second album's lead single "Potential Breakup Song" is their most successful single to date, it was certified Platinum by the RIAA for sales over 1,000,000 copies. The duo said that once they were done filming their separate movies, they plan to get back to working on their third studio album for a release in 2009. On September 30, 2009, 78violet announced their third release date for the upcoming self-titled 78violet album is going to be in early 2010 instead. With many rumors going around of the band changing their name, the duo announced that they will be changing their name to 78violet. The duo have also launched a franchise line which includes a doll series and book series.
On February 19, 2010, 78violet announced on their official Facebook page that they were "no longer a part of Hollywood Records" and that the album they recorded for Hollywood Records probably won't be released. However, they are "continuing to write and record new songs".
The album received mixed reviews from critics. Fran Grauman from About.com gave the album a 4 star rating, praising Aly and AJ's "ton of talent" and "experience." Allmusic gave the album a mixed review, saying it "doesn't venture further than offering a few empowering ballads", to hand them 2.5 stars after. AMG does praise them for having a real singing ability, citing "Aly & AJ can actually sing — their vocals have more way personality than prefab Disney hopefuls like Hayden Panettiere or Caleigh Peters — and the arrangements are slick without resorting to flashily empty pap". The review finishes with "''Into the Rush'' is listenable, likeable, and more about being memorable than being Disney product." The album became the 112th best-selling album in the United States in 2006, earning it a place as #112 on the Billboard 200 end of year chart of 2006.
They have been involved in various Walt Disney Records projects. The "Aly & AJ Concert" took place on July 24, 2005 at the Henry Fonda theater in Hollywood, California. The aired concert was cut to five songs and interviews. The concert included songs from ''Into the Rush''. The band has also opened for The Cheetah Girls in December 2005 on the girls' Cheetah-licious Christmas Tour. The album was re-released in August 2006 with three new songs, including the hit, "Chemicals React", and two new versions of "Collapsed" and "Something More"; it was also released in the UK. Their first Christmas themed album, ''Acoustic Hearts of Winter'' was released on September 26, 2006. On the album, Aly & AJ recorded traditional Christmas songs. In late 2007, the band had recorded three more Christmas originals. ''Acoustic Hearts of Winter'' debuted at #78 on the ''Billboard Hot 100'', selling over 19,000 copies in its first week. The album also topped the U.S. ''Billboard'' Top Holiday Albums debuting at #14. The holiday album later sold over 136,000 copies in the United States.
In October 2007, both the single and the album were released in the United Kingdom; "Potential Breakup Song" reached a peak position of #22 in the United Kingdom, and #16 in Ireland. The girls toured for a short while in the UK, opening for McFly twice and performing at several television shows and nightclubs. ''Time'' magazine named "Potential Breakup Song" one of the 10 Best Songs of 2007, ranking it at #9. Writer Josh Tyrangiel praised the authenticity of its having been written by the teenage sisters who sing it. The track also went to chart solely on digital download in several countries like the Netherlands, Norway and Canada.
Subsequently after the success of the album's first single, ''Insomniatic'' was praised by numerous music critics. The United States publication ''USA Today'' wrote "for Insomniatic, the sisters had a hand in writing every song. The single Potential Breakup Song sounds somewhat like Del Shannon's "Runaway" run through a processor, but there's a lot more going musically than on your average teen-pop album." Hollywood Records general manager Abbey Konowitch said, "they write their material; they play their instruments. They aren't in any way manufactured. That's very important." Fraser McAlpine of BBC Radio stated, "Aly and AJ's previous album was rock-pop, some of it light and bubbly, some of it bordering on heaviness. Staccato, often angry pop but still definitely pop. Their second offering, 'Insomniatic,' with this as the lead single seems to have kept the staccato and the venom but added more layers of pop, to create something that sounds like My Chemical Romance going through a blender with some soft-hearted Angry Girl Music." adding, "Don't let the tango at the start fool you, even as the synths and the vocoder cut in, this is a rock song playing with electronics. Chirpy keyboards flag up the growl of their voices as they deliver self-conscious lines like 'it took too long, it took too long, it took too long for you to call back and normally I would just forget that, except for the fact it was my birthday, my stupid birthday', kicking a guy to the curb for being a forgetful loser amid a glorious barrage of seething rhythms, clicky noises and general madness, as the Michalka sisters swing between honeyed murmurs and psychosis, making for the most danceable mental breakdown I've heard in quite some time."
In December 2007, the news revealed that the band would be replacing the Jonas Brothers as the opening act for the extension of the Hannah Montana's Best of Both Worlds Tour from January 11 – January 24. The band also confirmed their second single "Like Whoa", which reached number 63 on the ''Billboard'' Hot 100, and charted later in Australia and Canada. In early January 2008, Aly & AJ performed a cover of KT Tunstall's "Black Horse and the Cherry Tree" on Yahoo's Pepsi Smash video site. The cover is also featured on the Japanese re-release of ''Insomniatic'', recorded at Abbey Road. Also, the girls covered the song "We're an American Band" for Randy Jackson's ''Music Club, Vol. 1'', serving as a bonus track.
The duo wrote a song (later confirmed to be titled "The Next Worst Thing") with Weezer frontman Rivers Cuomo. The girls also worked with Chris Lord-Alge (Green Day, AFI, Sum 41) and Rob Cavallo (Green Day, The Goo Goo Dolls, Paramore), both producers in the rock genre. Throughout 2009, various songtitles were added to the database of Broadcast Music Incorporated, written by the duo, and co-written with Daniel James and Leah Haywood. Rumors of Aly & AJ touring in the summer of 2009 surfaced the internet, but were later denied by Aly Michalka on their official website. They stated that they were finalizing the record and wanted to focus on that at the moment. They also revealed that they wanted to tour in early 2010 to promote the new album.
On July 8, 2009, the duo announced that they changed their name to 78violet. A week later, on July 16, 78violet announced that their third album will be self-titled. On February 19, 2010, 78violet announced on their official Facebook page that they had officially parted ways with Hollywood Records, and their new self-titled album, ''78violet'' probably will not be released. However, the duo stated that they are continuing to write and record for a new album.
On December 1, 2010 78violet's first song under the name of 78violet was released with the ''Hellcats'' soundtrack EP. 78violet recorded the theme song to ''Hellcats'' entitled "Belong Here". On January 24, 2011 a video of 78violet in the studio was released where a clip of a new song "Suspended" was played. 78violet tweeted on June 2, 2011 "18 songs deep into the writing for this record. A few more to go and we will officially start production" Some of the titles for 78violets third album will be ''8 Hours '' and ''53rd floor''
As of June 12, 2008, the duo started releasing their own paperback adventure books, called ''Aly & AJ's Rock 'n' Roll Mysteries'', each part describing Aly & AJ on tour, every book describing a mystery in a different city. The drawings in the books were done by Aly. The first two (''First Stop, New York'' and ''Mayhem in Miami'') were released on June 12, the third installment (''Singing in Seattle'') on September 2, and the last (''Nashville Nights'') went to stores on October 4, 2008.
Performance Designed Products released Aly & AJ-designed guitars on November 10, 2008. Aly's guitar features a heart-and-crossbones print in pink (PlayStation 2) and AJ's guitar is in the shape of the Aly & AJ heart logo featuring bright pink and purple zebra print (Wii, PS2). The duo launched the guitars on October 11, 2008 during event at Universal Studios CityWalk in California. The duo also have clothing, accessories, jewelry and cosmetics lines. According to ''Forbes'' and AOL, they are one of Hollywood's highest earning singers under the age of 30.
Two years later, on June 17, 2010, Caesar Brantley (25), was arrested on suspicion of stalking the duo. He pleaded not guilty. Aly claimed Brantley is an "obsessed fan" who is determined to marry her "no matter what" in filings for the restraining order. Another court hearing was scheduled on June 30.
In an interview with ''Blender'' magazine, the two expressed their denial of evolution, with the interviewer asking what their thoughts were. When asked if they accepted evolution, AJ responded, "No," and Aly responded, "Are they teaching that in schools now?" When told that it had been taught for the better part of a century, she replied, "I think that's kind of disrespectful, anything that has to do with anybody's beliefs on religion, that should stay out of the classroom. I mean, I think people should be able to pray in school, if people were into that. Everybody should just do their own gig", and AJ added "Evolution is silly. Monkeys? Um, no."
In 2010, Aly Milchalka stated in an interview with ''Seventeen'' magazine, "My faith is definitely a big part of my life, but not part of my career. It is something that guides me. But I feel like when you make a declaration of your religion, people automatically go after you when that purity ring comes off. So I don't want to set myself up for that kind of judgment."
; Supporting
+ 78violet (a.k.a Aly & AJ) | ||||
! Year !! Award !! Category !! Nominated work !! Result | ||||
2005 | Aly Michalka as Keely Teslow in ''Phil of the Future'' | |||
2006 | ''Into the Rush'' | |||
Category:American people of German descent Category:American pop music groups Category:Family musical groups Category:Girl groups Category:Hollywood Records artists Category:Musical groups from Los Angeles, California Category:Sibling musical duos
da:Aly & AJ de:78violet et:Aly & AJ es:78violet fr:Aly & AJ id:78violet it:78violet lv:78violet nl:78violet ja:Aly & AJ no:78violet pl:78violet pt:78violet ru:78violet simple:78violet sl:78violet fi:Aly & AJ sv:Aly & AJ th:อัลลี แอนด์ เอเจ tr:78violet uk:Aly & AJ vi:Aly & AJ zh:78violetThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | The Edge |
---|---|
background | solo_singer |
birth name | David Howell Evans |
born | August 08, 1961Barking, London, England |
origin | County Dublin, Ireland |
instrument | Guitar, vocals, keyboards, piano, bass guitar |
genre | Rock, post-punk, alternative rock |
occupation | Musician, songwriter, activist |
years active | 1976–present |
label | Island (1980–2006)Mercury (2006–present) |
associated acts | U2, Passengers |
website | U2.com |
notable instruments | Gibson ExplorerFender StratocasterGibson Les PaulFender TelecasterGretsch Country GentlemanGretsch White FalconRickenbacker 330/12 }} |
David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge), is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.
The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's ''The Joshua Tree'' and 1991's ''Achtung Baby''. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record ''Zooropa'', and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.
As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical ''Spider-Man: Turn Off the Dark'' and the Royal Shakespeare Company's London stage adaptation of ''A Clockwork Orange''. In 2011, ''Rolling Stone'' magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".
In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay. During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved. Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday". The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983. The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989. The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996. In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999), before marrying on 22 June 2002.
He appeared in the 2009 music documentary film ''It Might Get Loud''.
The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California. The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location." The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.
On 1987's ''The Joshua Tree'', The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,
"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."
Many different influences have shaped The Edge's guitar technique. His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument. He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that." The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the ''Achtung Baby'' era onwards, although much of the band's 1980s material made heavy use of echos.
The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug". He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday). He also does a solo version of the song "Love is Blindness" that is featured in the documentary DVD "From the Sky Down".
Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.
The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film ''Captive'' (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.
He also created the theme song for season one and two of ''The Batman''. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film ''GoldenEye''. The Edge, along with fellow bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled ''Rise Above 1: Reeve Carney Featuring Bono and The Edge'' was released digitally. The music video was released on July 28, 2011.
Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.
;Bibliography
Category:Irish male singers Category:Irish rock guitarists Category:Irish people of Welsh descent Category:People from County Dublin Category:People from Dalkey Category:Lead guitarists Category:Slide guitarists Category:Ivor Novello Award winners Category:Golden Globe Award winning musicians Category:Backing vocalists Category:U2 members Category:1961 births Category:Living people Category:Pseudonymous musicians
bg:Дейв "Едж" Евънс ca:The Edge cs:The Edge da:The Edge de:The Edge et:The Edge es:The Edge eu:The Edge fr:The Edge ga:The Edge gl:The Edge hr:The Edge is:The Edge it:The Edge he:דה אדג' ka:ეჯი (მუსიკოსი) lv:The Edge lt:The Edge hu:The Edge nl:The Edge (U2) ja:ジ・エッジ no:The Edge pl:The Edge pt:The Edge ro:The Edge ru:Эдж sq:The Edge simple:The Edge sl:David Howell Evans fi:The Edge (muusikko) sv:The Edge tr:The Edge uk:Едж zh:The EdgeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Neneh Cherry |
---|---|
background | solo_singer |
birth name | Neneh Mariann Karlsson |
born | March 10, 1964Stockholm, Sweden |
genre | Hip hop, trip hop, alternative hip hop |
occupation | Singer-songwriter, rapper, DJ |
years active | 1987–present |
label | Virgin, Tent Music |
associated acts | Eagle-Eye Cherry, Titiyo, Don Cherry, Massive Attack, Gorillaz |
website | }} |
During the first years of her life, Cherry lived in a hippie commune just outside the small town of Hässleholm. The family later moved to Pudsey, England, and in the early 1970s, they lived in an apartment on East Ninth Street in New York. At the age of 14, Cherry dropped out of school and moved to London.
The single "Buffalo Stance" was an international blockbuster. "Buffalo Stance" eventually peaked at number 3 in the UK Singles Chart, and the US Billboard Hot 100, and number 1 on the US Dance chart. More singles released between 1988 and 1990 included "Manchild," "Kisses on the Wind," "Heart," and "Inna City Mama." She also found success with "I've Got You Under My Skin" (produced by Morris Temple of The Guards fame), a reworking of the Cole Porter song, which appeared on the ''Red Hot + Blue'' AIDS fundraising album. The single reached number 25 in the UK. Cherry was nominated for a Grammy Award in 1990 in the Best New Artist Category; she lost out to Milli Vanilli, who later had their Grammy revoked when it was discovered that they had not performed on their recording. She won a Brit Award in 1990 for ''Raw Like Sushi''.
Her most recent solo album, 1996's ''Man'', was led by the track "Woman", her take on James Brown's 1966 track "It's a Man's Man's Man's World." It featured the worldwide hit single, "7 Seconds", featuring Youssou N'Dour; and "Trouble Man" a cover of a Marvin Gaye track. "7 Seconds" remained at number 1 in France for a record seventeen weeks in 1994. Another track, "Together Now", featured Tricky. Cherry received her second Grammy nomination in 1994 for "7 Seconds". In the MTV Europe Music Awards in 1994, "7 Seconds" won the Best Song title.
''Neneh Chérie Remixes'', a remix album of ''Man'' songs, was released in 1997.
Cherry collaborated with Edward Kowalczyk the lead singer of the band Live. They contributed a duet entitled "Walk into this Room" written by Kowalczyk for the soundtrack to the movie ''Playing by Heart'' (1998). In 1999 she covered the ESG song "Moody" on Christian Falk's debut ''Quel Bordel''. Also in 1999, "Twisted Mess", a collaboration with Craig Armstrong, was recorded for the soundtrack of the film ''Best Laid Plans''. It was also included on the soundtrack to ''The Dancer'' (2000) and released as a promotional single on France's Delabel label. Cherry appeared on Peter Gabriel's 11th album ''OVO'' in 2000.
In addition she contributed vocals alongside Speech and Ulali on 1 Giant Leap's 2003 song "Braided Hair". In the 2005 release of Gorillaz's ''Demon Days'', she contributed vocals to the tracks "Kids With Guns". She performed the song in the Demon Days Live concerts in 2006. The same year she appeared with the Swedish rapper Petter on his album ''P'', singing in Swedish. She contributed vocals to the Groove Armada tracks, "The Groove Is On" and "Think Twice", featured on the band's album ''Love Box''. In 2006 she was featured in the song "Yours to Keep", by the Stockholm outfit Teddybears on their album ''Soft Machine''. In 2007 she again duetted with Youssou N'Dour on one track, "Wake Up Africa", released on his 2007 album ''Rokku Mi Rokka''.
In 2006 she was featured in the song "High Drama", by the German DJ Timo Maas on his album ''Pictures''.
In 2008 she appeared on Swedish producer Kleerup's self-titled album, contributing vocals to the track "Forever".
In the late 1980s, Cherry helped to bankroll the band Massive Attack.
In April 2007, Cherry presented a six-part cookery show ''Neneh and Andi – Dish it Up'' with her friend Andrea Oliver for BBC Two. The pair would later appear on Gordon Ramsay's ''The F-Word'' as part of the amateur brigade.
The Cherry-McVeys have lived throughout Europe. In 1993 they moved to Spain. In 1992, they briefly attempted to live in New York. They bought a home in the Park Slope section of Brooklyn, New York. Soon after moving in, the couple was held up at gunpoint and robbed by a teenage bandit. The entire family packed up again and headed back to London's Primrose Hill. They next returned to Cherry's childhood home in Sweden; living in the same schoolhouse turned home (featured in ''Homebrew'' album artwork) that Cherry studied in as a child. For many years they split their time between the UK and Sweden, but made Sweden their permanent base around 2003. They have a country house near Birmingham and Wolverhampton, apartments in London and Stockholm plus the old schoolhouse in Skåne County.
;Solo
Category:1964 births Category:Living people Category:People from Stockholm Category:Swedish people of Sierra Leonean descent Category:English-language singers Category:Female rappers Category:Swedish DJs Category:Swedish female singers Category:Swedish hip hop musicians Category:Swedish rappers Category:Swedish singer-songwriters Category:BRIT Award winners Category:Trip hop musicians Category:Virgin Records artists
cs:Neneh Cherry da:Neneh Cherry de:Neneh Cherry es:Neneh Cherry fr:Neneh Cherry it:Neneh Cherry nl:Neneh Cherry ja:ネナ・チェリー pl:Neneh Cherry pt:Neneh Cherry ru:Нене Черри simple:Neneh Cherry fi:Neneh Cherry sv:Neneh Cherry tr:Neneh CherryThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | André Rieu |
---|---|
background | non_vocal_instrumentalist |
birth name | André Léon Marie Nicolas Rieu |
birth date | October 01, 1949 |
origin | Maastricht, Holland |
instrument | Violin |
genre | Waltz |
occupation | Conductor, violinist |
years active | 1978–present |
label | Denon Records , Philips |
website | www.andrerieu.com |
notable instruments | Stradivarius violin (1667) }} |
André Léon Marie Nicolas Rieu (born 1 October 1949) is a Dutch violinist, conductor, and composer best known for creating the waltz-playing Johann Strauss Orchestra.
In April 2009 (Australia)/June 2009 (UK), he made a cameo appearance as himself on "Ramsay Street" in the long-running Australian soap opera ''Neighbours''.
The Orchestra began in 1987 with 12 members but now performs with between 40 and 50 musicians. At the time the Orchestra first toured Europe, there emerged a renewed interest in waltz music. The revival began in the Netherlands and was ignited by their recording of the ''Second Waltz'' from Shostakovich's ''Jazz Suites''. As a result, Rieu became known as the waltz King.
Rieu and his orchestra have performed throughout Europe, in North America, and Japan. Winning a number of awards including two World Music Awards, their recordings have gone gold and platinum in many countries, including 8-times Platinum in the Netherlands. In September 2007 Rieu performed in Australia for the first time solo, without his Orchestra at the Eastland shopping centre in the Melbourne suburb of Ringwood playing "My Way" and "Waltzing Matilda"—and the next day appeared at Sydney's Arena Cove, Warringah Mashopping with the same set. Rieu and orchestra returned to Australia in November as part of his world tour. Rieu and his orchestra played 3 concerts at Melbourne's Telstra Dome from 13–15 November and continued their tour throughout Perth, Sydney, Brisbane and Adelaide, through to December 2008. The concert theme is 'A Romantic Vienna Night' and the set comprises a life-size reproduction of the Viennese imperial Schönbrunn Palace, complete with 2 ice-skating rinks, 2 Fountains, and a ballroom dance floor situated above and behind the Orchestra. Rieu's largest concert attendance to date in Australia was 38,000 on Saturday 15 November in Melbourne. The Perth concert did not feature the replica of the Viennese Palace as it was stated in the press because it would not fit into the front doors of Subiaco Oval.
He records both DVD and CD repertoire at his own recording studios in Maastricht in a wide range of classical music as well as popular and folk music plus music from well-known soundtracks and musical theatre. His lively orchestral presentations, in tandem with incessant marketing, have attracted worldwide audiences to this subgenre of classical music.
Some of his orchestra's performances have been broadcast in the United Kingdom and the United States on the PBS television network such as the 2003 airing of ''Andre Rieu Live in Dublin'', filmed in Dublin, Ireland, and 2005's ''André Rieu Live in Tuscany'' filmed in the Piazza Della Repubblica in the village of Cortona in Tuscany.
Eamon Kelly writing in ''The Australian'' newspaper, in an article that discusses the controversy that Rieu engenders, said: "He depicts his critics as members of a stuffy musical elite with narrow aesthetic tastes, yet regularly demeans in interviews music that is not to his taste and classical musicians who choose not to perform in his manner."
Of Rieu's popularity and the debate in the media over criticism of him, Eamon Kelly says:
It is disappointing to see professional journalists indulging in cheap, inaccurate stereotypes to dismiss criticism of Rieu.
But he goes on to add:
Equally misguided are those who cursorily dismiss Rieu. Rieu's live and recorded performances have brought joy to millions of people. Few in his audiences are regular classical music attendees and it could be seen as promising that, via Rieu, they are listening to standards of the classical canon. The fact that Rieu's focus is on highly accessible, enjoyable repertoire is not an argument against his musical credentials.
Eamon Kelly further adds, after hearing the orchestra perform, that there is "no cause" for Rieu's boast his orchestra was "superior to the many other orchestras that specialise in ... Viennese and popular classical repertoire." Additionally, he found that in musical terms "the performance did not surpass playing standards in Australia's major symphony orchestras". He did add that the "oboist, Arthur Cordewener, provided the most impressive musical performance with a sublime introduction to an otherwise unremarkable performance of [Ravel's] ''Boléro''."
David Templeton, writing in the magazine ''All Things Strings'' says:
Ironically, it is Rieu’s own success that has earned him a horse-drawn carriage full of criticism, a pot-shot laden backlash aimed chiefly at the calculated emotionalism and theatrical flourishes of his performances, which, according to many, only cheapen the classical-music experience. Classical radio stations avoid his music as they might avoid a leper in the mall, though—let’s just say it plain and clear—Rieu is a superb violinist.
Chris Boyd, a critic writing for Melbourne's ''Herald Sun'' newspaper, finds that he could not give a general criticism of the playing of Rieu, as, except for "a clean and lyrical solo in ''Waltzing Matilda''", his main stage function was apparently "blarney and delegation". However, Boyd also comments that the quality of the artists that Rieu works with is "extraordinary". Boyd assesses the low points of the concert as the "Three Tenors-style" rendition of "Nessun dorma" which he finds was an "abomination", while saying the concert's highlights included "a sugar-shock sweet rendition" of "O mio babbino caro" as well as Strauss's ''Emperor Waltz'' and ''Blue Danube'', Clarke's ''Trumpet Voluntary'' and the ''Boléro''.
== Selected discography ==
Category:1949 births Category:Living people Category:Dutch classical violinists Category:Dutch conductors (music) Category:Maastricht Academy of Music alumni Category:People from Maastricht Category:People of Huguenot descent Category:Chevaliers of the Ordre des Arts et des Lettres Category:Dutch people of French descent
ar:أندري ريو bg:Андре Рийо ca:André Rieu cs:André Rieu da:André Rieu de:André Rieu es:André Rieu fr:André Rieu hr:André Rieu it:André Rieu he:אנדרה ריו li:André Rieu hu:André Rieu nl:André Rieu ja:アンドレ・リュウ pl:André Rieu pt:André Rieu ru:Рьё, Андре sv:André Rieu war:André Rieu zh:安德烈·瑞欧This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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