name	Mick Jagger
background	solo_singer
birth name	Michael Philip Jagger
born	July 26, 1943Dartford, Kent, England
genre	Rock, rock and roll, blues rock, rhythm and blues, funk, psychedelic rock, soul
instrument	Vocals, harmonica, percussion, guitar, bass, keyboards
occupation	Singer-songwriter, musician, record and film producer, actor
years active	1961–present
label	Virgin, Rolling Stones, ABKCO, Universal
associated acts	The Rolling Stones, Super Heavy
website	MickJagger.com }}

Sir Michael Philip "Mick" Jagger (born 26 July 1943) is an English musician, singer-songwriter, actor and producer, best known as the lead vocalist of rock band The Rolling Stones. Jagger has also acted in and produced several films.

The Rolling Stones started in the early 1960s as a rhythm and blues cover band with Jagger as frontman. Beginning in 1964, Jagger and guitarist Keith Richards developed a songwriting partnership, and by the mid-1960s the group had evolved into a major rock band. Frequent conflict with the authorities (including alleged drug use and his romantic involvements) ensured that during this time Jagger was never far from the headlines, and he was often portrayed as a counterculture figure. In the late 1960s Jagger began acting in films (starting with ''Performance'' and ''Ned Kelly''), to mixed reception. In the 1970s, Jagger, with the rest of the Stones, became tax exiles, consolidated their global position and gained more control over their business affairs with the formation of the Rolling Stones Records label. During this time, Jagger was also known for his high-profile marriages to Bianca Jagger and later to Jerry Hall. In 1985, Jagger released his first solo album, ''She's the Boss''. He was knighted in 2003.

Jagger's career has spanned over 50 years. His performance style has been said to have "opened up definitions of gendered masculinity and so laid the foundations for self-invention and sexual plasticity which are now an integral part of contemporary youth culture". In 2006, he was ranked by ''Hit Parader'' as the fifteenth greatest heavy metal singer of all time, despite not being associated with the genre. Allmusic has described Jagger as "one of the most popular and influential frontmen in the history of rock & roll". His distinctive voice and performance, along with Keith Richards' guitar style, have been the trademark of The Rolling Stones throughout their career.

Life and career

Early life

Jagger was born into a middle class family at the Livingstone Hospital, in Dartford, Kent, England. His father, Basil Fanshawe ("Joe") Jagger (13 April 1913 – 11 November 2006), and his paternal grandfather, David Ernest Jagger, were both teachers. His mother, Eva Ensley Mary (née Scutts; 6 April 1913 – 18 May 2000), born in New South Wales, Australia, was a hairdresser and an active member of the Conservative Party. Jagger is the elder of two sons (his brother Chris Jagger was born on 19 December 1947) and was raised to follow in his father's career path.

In the book ''According to the Rolling Stones'', Jagger states "I was always a singer. I always sang as a child. I was one of those kids who just ''liked'' to sing. Some kids sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio – the BBC or Radio Luxembourg – or watching them on TV and in the movies."

From September 1950, Keith Richards and Jagger (known as "Mike" to his friends) were classmates at Wentworth Primary School in Dartford, Kent. In 1954, Jagger passed the eleven-plus, and went to Dartford Grammar School, where there is now The Mick Jagger Centre, as part of the school. Having lost contact with each other when they went to different schools, Richards and Jagger resumed their friendship in July 1960 after a chance encounter and discovered that they had both developed a love for rhythm and blues music, which began for Jagger with Little Richard.

Jagger left school in 1961. He obtained seven O-levels and three A-levels. Jagger and Richards moved into a flat in Edith Grove in Chelsea with a guitarist they had encountered named Brian Jones. While Richards and Jones were making plans to start their own rhythm and blues group, Jagger continued his business courses at the London School of Economics, and had seriously considered becoming either a journalist or a politician. Jagger had compared the latter to a pop star.

Career

Early years: 1960s

In their earliest days, the members played for no money in the interval of Alexis Korner's gigs at a basement club opposite Ealing Broadway tube station (subsequently called "Ferry's" club). At the time, the group had very little equipment and needed to borrow Alexis' gear to play. This was before Andrew Loog Oldham became their manager.

The group’s first appearance under the name The Rollin' Stones (after one of their favourite Muddy Waters tunes) was at the Marquee Club, a jazz club, on 12 July 1962. They would later change their name to “The Rolling Stones” as it seemed more formal. Victor Bockris states that the band members included Mick Jagger, Keith Richards, Brian Jones, Ian Stewart on piano, Dick Taylor on bass and Tony Chapman on drums. However, Richards states in ''Life'', "The drummer that night was Mick Avory—not Tony Chapman, as history has mysteriously handed it down..." Some time later, the band went on their first tour in the United Kingdom; this was known as the “training ground” tour because it was a new experience for all of them. The line-up did not at that time include drummer Charlie Watts and bassist Bill Wyman. By 1963, they were finding their stride as well as popularity. By 1964, two unscientific opinion polls rated them as England's most popular group, outranking even the Beatles.

By the autumn of 1963, Jagger had left the London School of Economics in favour of his promising musical career with the Rolling Stones. The group continued to mine the works of American rhythm and blues artists such as Chuck Berry and Bo Diddley, but with the strong encouragement of Andrew Loog Oldham, Jagger and Richards soon began to write their own songs. This core songwriting partnership would flourish in time; one of their early compositions, "As Tears Go By", was a song written for Marianne Faithfull, a young singer being promoted by Loog Oldham at the time. For the Rolling Stones, the duo would write "The Last Time", the group's third number-one single in the UK (their first two UK number-one hits had been cover versions). Another of the fruits of this collaboration was their first international hit, "(I Can't Get No) Satisfaction". It also established The Rolling Stones’ image as defiant troublemakers in contrast to The Beatles' "lovable moptop" image.

Jagger told Stephen Schiff in a 1992 ''Vanity Fair'' profile: "I wasn't trying to be rebellious in those days; I was just being me. I wasn't trying to push the edge of anything. I'm being me and ordinary, the guy from suburbia who sings in this band, but someone older might have thought it was just the most awful racket, the most terrible thing, and where are we going if this is music?... But all those songs we sang were pretty tame, really. People didn't think they were, but I thought they were tame."

The group released several successful albums including ''December's Children (And Everybody's)'', ''Aftermath'', and ''Between the Buttons'', but their reputations were catching up to them. In 1967, Jagger and Richards were arrested on drug charges and were given unusually harsh sentences: Jagger was sentenced to three months' imprisonment for possession of four over-the-counter pep pills he had purchased in Italy. On appeal, Richards' sentence was overturned and Jagger's was amended to a conditional discharge (he ended up spending one night inside Brixton Prison) after an article appeared in ''The Times'', written by its traditionally conservative editor William (now Lord) Rees-Mogg, but the Rolling Stones continued to face legal battles for the next decade. Around the same time, internal struggles about the direction of the group had begun to surface.

1970s

After Jones' death and their move in 1971 to the south of France as tax exiles, Jagger and the rest of the band changed their look and style as the 1970s progressed. For the Rolling Stones' highly publicised 1972 American tour, Jagger wore glam-rock clothing and glittery makeup on stage. Later in the decade, they ventured into genres like disco and punk with the album ''Some Girls'' (1978). Their interest in the blues, however, had been made manifest in the 1972 album ''Exile on Main St''. His emotional singing on the gospel-influenced ''Let It Loose'', one of the album's tracks, has been described by music critic Russell Hall as having been Jagger's finest ever vocal achievement.

After the band's acrimonious split with their second manager, Allen Klein, in 1971, Jagger took control of their business affairs and has managed them ever since in collaboration with his friend and colleague, Rupert Löwenstein. Mick Taylor, Brian Jones's replacement, left the band in December 1974 and was replaced by Faces guitarist Ronnie Wood in 1975, who also operated as a mediator within the group, and between Jagger and Richards in particular.

1980s

While continuing to tour and release albums with the Rolling Stones, Jagger began a solo career. In 1985, he released his first solo album ''She's the Boss'' produced by Nile Rodgers and Bill Laswell, featuring Herbie Hancock, Jeff Beck, Jan Hammer, Pete Townshend, and the Compass Point All Stars. It sold fairly well, and the single "Just Another Night" was a Top Ten hit. During this period, he collaborated with The Jacksons on the song "State of Shock", sharing lead vocals with Michael Jackson. For his own personal contributions in the 1985 Live Aid multi-venue charity concert, he performed at Philadelphia's JFK Stadium; he did a duet with Tina Turner of "It's Only Rock and Roll", and the performance was highlighted by Jagger tearing away a part of Turner's dress. He also did a cover of "Dancing in the Street" with David Bowie, who himself appeared at Wembley Stadium. The video was shown simultaneously on the screens of both Wembley and JFK Stadiums. The song reached number one in the UK the same year.

In 1987, he released his second solo album, ''Primitive Cool''. While it failed to match the commercial success of his debut, it was critically well received.

In 1988, he produced the songs "Glamour Boys" and "Which Way to America" on Living Colour's album ''Vivid''. He also collaborated with The Jacksons on the song "State of Shock". 15–28 March, he has a solo concert tour in Japan(Tokyo, Nagoya and Osaka). Show at 22 March is "Tokyo Dome" first performance of Japan's overseas artist.

1990s

''Wandering Spirit'' was the third solo album by Jagger and was released in 1993. It would be his only solo album release of the 1990s. Jagger aimed to re-introduce himself as a solo artist in a musical climate vastly changed from what had witnessed the release of his first two projects, ''She's the Boss'' and ''Primitive Cool''.

Following the successful comeback of the Rolling Stones' ''Steel Wheels'' (1989), which saw the end of Jagger and Richards' well-publicised feud, Jagger began routining new material for what would become ''Wandering Spirit''. In January 1992, after acquiring Rick Rubin as co-producer, Jagger recorded the album in Los Angeles over seven months until September 1992, recording simultaneously as Richards was making ''Main Offender''.

Jagger would keep the celebrity guests to a minimum on ''Wandering Spirit'', only having Lenny Kravitz as a vocalist on his cover of Bill Withers' "Use Me" and bassist Flea from Red Hot Chili Peppers on three tracks.

Following the end of the Rolling Stones' Sony Music contract and their signing to Virgin Records, Jagger elected to sign with Atlantic Records (which had signed the Stones in the 1970s) to distribute what would be his only album with the label.

Released in February 1993, ''Wandering Spirit'' was commercially successful, reaching #12 in the UK and #11 in the US, going gold there. The track "Sweet Thing" was the lead single, although it was the third single, "Don't Tear Me Up", which found moderate success, topping Billboard's Album Rock Tracks chart for one week. Critical reaction was very strong, noting Jagger's abandonment of slick synthesisers in favour of an incisive and lean guitar sound.

Contemporary reviewers tend to consider ''Wandering Spirits'' a high point of Jagger's latter-day career achievements.

2000s

In 2001, Jagger released ''Goddess in the Doorway'' spawning the hit single "Visions of Paradise".

He celebrated The Rolling Stones' 40th anniversary by touring with them on the year-long ''Licks'' tour in support of their career retrospective ''Forty Licks'' double album.

On 26 September 2007, The Rolling Stones made US$437 million on their A Bigger Bang Tour, which got them into the current edition of ''Guinness World Records'' for the most lucrative music tour. Jagger has refused to say when the band will finally retire, stating in 2007: "I'm sure the Rolling Stones will do more things and more records and more tours. We've got no plans to stop any of that really."

2010s

On 20 May 2011, Jagger announced the formation of a new supergroup, the first band he had formed since the Rolling Stones. The band, SuperHeavy includes Dave Stewart, Joss Stone, Damian Marley, and A.R. Rahman.

Relationship with Keith Richards

Jagger's relationship with band mate Richards is frequently described as "love/hate" by the media.

Richards himself said in a 1998 interview: "I think of our differences as a family squabble. If I shout and scream at him, it's because no one else has the guts to do it or else they're paid not to do it. At the same time I'd hope Mick realises that I'm a friend who is just trying to bring him into line and do what needs to be done." Richards, along with Johnny Depp, tried unsuccessfully to persuade Jagger to appear in ''Pirates of the Caribbean: On Stranger Tides'', alongside Depp and Richards.

Richards' autobiography, ''Life'', was released 26 October 2010. On 15 October 2010, the Associated Press published an article stating that Richards refers to Mick Jagger as "unbearable" in the book and notes that their relationship has been strained "for decades."

Acting and film production

Jagger has also had an intermittent acting career, most notably in Donald Cammell and Nicolas Roeg's ''Performance'' (1968) and as Australian bushranger ''Ned Kelly'' (1970). He composed an improvised soundtrack for Kenneth Anger's film ''Invocation Of My Demon Brother'' on the Moog synthesiser in 1969. He auditioned for the role of Dr. Frank N. Furter in the 1975 film adaptation of The Rocky Horror Show, a now iconic role that was eventually played by the original performer from its run on London's West End, Tim Curry. Appeared as himself in The Rutles film ''All You Need Is Cash'' in 1978. In the late 1970s, Jagger was cast as Wilbur, a main character in Werner Herzog's ''Fitzcarraldo.'' However, a delay and the illness of main actor Jason Robards (later replaced by Klaus Kinski) in the film's notoriously difficult production resulted in his being unable to continue due to schedule conflicts with a band tour; some of the footage of his work is shown in the documentary ''Burden of Dreams''. He developed a reputation for playing the heavy later in his acting career in films including ''Freejack'' (1992), ''Bent'' (1997), and ''The Man From Elysian Fields'' (2002).

In 1995, Jagger founded Jagged Films with Victoria Pearman "[to] start my own projects instead of just going in other people's and being involved peripherally or doing music." Its first release was the World War II drama ''Enigma'' in 2001. That same year, it produced a documentary on Jagger entitled ''Being Mick.'' The program, which first aired on television 22 November, coincided with the release of his fourth solo album, ''Goddess in the Doorway.''

In 2008, the company began work on ''The Women'', an adaptation of the George Cukor film of the same name. It was directed by Diane English. Reviving the 1939 film met with countless delays, but Jagger's company was credited with obtaining $24 million of much-needed financing to finally begin casting. English told ''Entertainment Weekly'': "This was much easier in 1939, when all the ladies were under contract, and they had to take the roles they were told to."

The Rolling Stones have been the subjects of numerous documentaries, including ''Gimme Shelter'', which was made as the band was gaining fame in the United States. Martin Scorsese worked with Jagger on ''Shine a Light,'' a documentary film featuring the Rolling Stones with footage from the A Bigger Bang Tour during two nights of performances at New York's Beacon Theatre. It screened in Berlin in February 2008. ''Variety'''s Todd McCarthy said the film "takes full advantage of heavy camera coverage and top-notch sound to create an invigorating musical trip down memory lane, as well as to provoke gentle musings on the wages of ageing and the passage of time." He predicted the film would fare better once released to video than in its limited theatrical runs.

Jagger was a producer of, and guest-starred in the first episode of the short-lived comedy ''The Knights of Prosperity'', which aired in 2007 on ABC.''

Personal life

Jagger is known for his many high-profile relationships. He has been married twice and has had numerous romantic connections.

In 1970, Mick Jagger purchased Stargroves at East Woodhay in Hampshire as his country estate. It was often used as a recording venue. In the same year, he began a relationship with Nicaraguan-born Bianca De Macias, whom he married on 12 May 1971, in a Catholic ceremony in Saint-Tropez, France. The couple separated in 1977 and in May 1978, she filed for divorce on the grounds of his adultery. Bianca later said "My marriage ended on my wedding day." In late 1977, he began seeing model Jerry Hall, while still married to Bianca. After a lengthy cohabitation and several children together, the couple married on 21 November 1990, in a Hindu beach ceremony in Indonesia and moved together to Downe House in Richmond, Surrey. Jagger later contested the validity of the ceremony, and the marriage was annulled in August 1999. Jagger has also been romantically linked to other women: Chrissie Shrimpton, Marianne Faithfull, Anita Pallenberg, Marsha Hunt, Pamela Des Barres, Uschi Obermaier, Bebe Buell, Carly Simon, Margaret Trudeau, Mackenzie Phillips, Janice Dickinson, Carla Bruni, Sophie Dahl and Angelina Jolie, among others.

Jagger has seven children by four women: :*By Marsha Hunt, he has daughter Karis Hunt Jagger (born 4 November 1970). :*By Bianca Jagger, he has daughter Jade Sheena Jezebel Jagger (born 21 October 1971). :*By Jerry Hall he has daughter Elizabeth Scarlett Jagger (born 2 March 1984), son James Leroy Augustin Jagger (born 28 August 1985), daughter Georgia May Ayeesha Jagger (born 12 January 1992) and son Gabriel Luke Beauregard Jagger (born 9 December 1997) :*By Luciana Gimenez, he has son Lucas Maurice Morad Jagger (born 18 May 1999).

He also has four grandchildren.

His father, Joe, died on 11 November 2006, at the age of 93.

In 2008, it was revealed that members of the Hells Angels had plotted to murder Jagger in 1975. They were angered by Jagger's public blaming of the Hells Angels, who had been hired to provide "security" at the Altamont Free Concert in December 1969, for much of the crowd violence at the event. The conspirators reportedly used a boat to approach a residence where Jagger was staying on Long Island, New York; the plot failed when the boat was nearly sunk by a storm.

Jagger is an avid cricket fan. He founded Jagged Internetworks so he could get coverage of English Cricket.

His personal fortune was estimated in 2010, at £190 million (~$298 million US).

He said in September 2010 that he has a daily meditation and Buddhist practice.

Knighthood

On 12 December 2003, Jagger was knighted for Services to Music, as Sir Michael Jagger by The Prince of Wales. Mick Jagger's knighthood received mixed reactions. Some fans were disappointed when he accepted the honour as it seemed to contradict his anti-establishment stance.

As United Press International noted, the honour is odd, for unlike other knighted rock musicians, he has no "known record of charitable work or public services," although he is a patron of the British Museum. Jagger was absent from the Queen's Golden Jubilee pop concert at Buckingham Palace that marked her 50 years on the throne.

Charlie Watts was quoted in the book ''According to the Rolling Stones'' as saying, "Anybody else would be lynched: 18 wives and 20 children and he's knighted, fantastic!" The ceremony took place in December 2003. Jagger’s father and daughters Karis and Elizabeth were in attendance.

Jagger's knighthood also caused some friction between him and bandmate Keith Richards, who was irritated when Jagger accepted the "paltry honour". Richards said that he did not want to take the stage with someone wearing a "coronet and sporting the old ermine. It's not what the Stones is about, is it?" Jagger retorted: "I think he would probably like to get the same honour himself. It's like being given an ice cream—one gets one and they all want one."

Mick Jagger in popular culture

From the time that the Rolling Stones developed their anti-establishment image in the mid-1960s, Mick Jagger, along with guitarist Keith Richards, has been an enduring icon of the counterculture. This was no doubt enhanced by his controversial drug-related arrests, sexually charged onstage antics, provocative song lyrics, and his role of the bisexual Turner in the 1970 film ''Performance''. One of his biographers, Christopher Andersen, describes him as being "one of the dominant cultural figures of our time", adding that Jagger was "the story of a generation".

Jagger, who at the time described himself as an anarchist and espoused the leftist slogans of the era, took part in a demonstration against the Vietnam War outside the US Embassy in London in 1968. This event inspired him to write "Street Fighting Man" that same year and served to reinforce his rebellious, anti-authority stance in the eyes of his fans.

A variety of celebrities attended a lavish party at New York's St. Regis Hotel to celebrate Jagger's 29th birthday and the end of the band's 1972 American tour. The party made the front pages of the leading New York newspapers.

Pop artist Andy Warhol painted a series of silkscreen portraits of Jagger in 1975, one of which was owned by Farah Diba, wife of the Shah of Iran. It hung on a wall inside the royal palace in Teheran. In 1967, Cecil Beaton photographed Jagger's naked buttocks, a photo that sold at Sotheby's auction house in 1986 for $4,000.

On 26 September 2005 the British band Infadels released a single entitled "Jagger '67" which later appeared on their album We Are Not The Infadels. Jagger is directly referred to in pop singer Kesha's 2009 debut single ''Tik Tok''. Jagger was allegedly a contender for the anonymous subject of Carly Simon's 1973 hit song ''You're So Vain'', in which he sings backing vocals. Although Don McLean does not use Jagger's name in his famous song "American Pie", he alludes to Jagger onstage at Altamont, calling him Satan. (Jagger had assumed the guise of Satan in "Sympathy For The Devil", a track from the album ''Beggar's Banquet''.)

In 2010 a retrospective exhibitions of portraits of Mick Jagger was presented at the festival Rencontres d'Arles, in France. The authors of the 70 pictures are Bryan Adams, Brian Aris, Enrique Badulescu, Cecil Beaton, Simone Cecchetti, William Christie, Anton Corbijn, Kevin Cummins, Sante D’Orazio, Deborah Feingold, Tony Frank, Claude Gassian, Harry Goodwin, Anwar Hussein, Karl Lagerfeld, Annie Leibovitz, Peter Lindbergh, Gered Mankowitz, Jim Marshall, David Montgomery, Terry O’Neill, Guy Peellaert, Jean-Marie Périer, Michael Putland, Ken Regan, Herb Ritts, Ethan Russell, Francesco Scavullo, Norman Seeff, Mark Seliger, Dominique Tarl, Pierre Terrasson, Andy Warhol, Albert Watson, Robert Whitaker, Baron Wolman. The catalogue of the exihibition is the first photo album of Mick Jagger and shows the evolution of the artist in 50 years of career.

A single entitled "Moves Like Jagger" was released in June 2011 on the television program ''The Voice'' by judges Adam Levine and Christina Aguilera. The song is about Mick's onstage and ladykiller-esque swagger.

Alan Moore and Kevin O'Neill's ''The League of Extraordinary Gentlemen, Volume III: Century'', makes several references to ''Performance'' in its second issue, "Paint it Black", prominently featuring Mick Jagger's Turner character and features a fictionalized version of Brian Jones' tribute concert.

Discography

Albums

!Year	!Album details	UK Albums Chart>UK	Billboard 200>US	British Phonographic Industry>BPI / Recording Industry Association of America
1985	''[[She's the Boss''	* Released: 21 February 1985	* Label: CBS Records		(11 wks)		(29 wks)	UK: Silver	US: Platinum
1987	''Primitive Cool''	* Released: 14 September 1987	* Label: CBS Records		(5 wks)		(20 wks)
1993		* Released: 9 February 1993	* Label: Atlantic Records		(4 wks)		(16 wks)	US: Gold
2001	''Goddess in the Doorway''	* Released: 19 November 2001	* Label: Virgin Records		(4 wks)		(8 wks)	UK: Silver
2007	''The Very Best of Mick Jagger''	* Released: 1 October 2007	Rhino Entertainment>Rhino Records		(1 wk)		(2 wks)

Soundtrack

!Year	!Album details	Billboard 200>US
2004		* Release date: 18 October 2004	* Label: Virgin Records		(2 wks)

Singles

Release date	!A-side	!width="50"
	''Burden of Dreams''
1987	''Running Out of Luck''
1991	''At the Max''
1992	''Freejack''
1997
1999
	''Enigma (2001 film)
''[[The Man from Elysian Fields''
''Being Mick''
2003	''Mayor of the Sunset Strip''
2008

References

External links

in 2002

Sir Michael Philip ('Mick') Jagger (1943–), Singer and composer: Sitter associated with 33 portraits (National Portrait Gallery)

The Rolling Stones – Mick Jagger

Mick Jagger Joins a New ABC Sitcom

1983 Audio interview with Mick Jagger-discusses "Undercover" album Classic Rock Central

National Museum of Australia A collection of film memorabilia, including fascimiles of Ned Kelly's armour used in the film ''Ned Kelly'', is held at the National Museum of Australia.

}}

Category:1943 births Category:Living people Category:2012 Summer Olympics cultural ambassadors Category:Alumni of the London School of Economics Category:English Buddhists Category:English blues singers Category:English expatriates in the United States Category:English film actors Category:English-language singers Category:English male singers Category:English rock musicians Category:English rock singers Category:English songwriters Category:Ivor Novello Award winners Category:Knights Bachelor Category:People from Dartford Category:People from Hampshire Category:Songwriters Hall of Fame inductees Category:The Rolling Stones members Category:British rhythm and blues boom musicians Category:People educated at Dartford Grammar School

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name	Christina Aguilera
background	solo_singer
birth name	Christina María Aguilera
alias	Xtina
birth date	December 18, 1980
birth place
origin
genre	Pop, R&B;, soul, dance
occupation	Singer-songwriter, record producer, dancer, television personality, actress
instrument	Vocals
years active	1993–present
label	RCA
website	}}

Christina María Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the ''Star Search'' program, and went on to star in Disney Channel's television series ''The Mickey Mouse Club'' from 1993–1994. Aguilera signed to RCA Records after recording "Reflection", the theme song for the animated film ''Mulan'' (1998).

In 1999, Aguilera came to prominence following her debut album ''Christina Aguilera'', which was a commercial success spawning three number one singles on the ''Billboard'' Hot 100—"Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby (All I Want Is You)." Her sophomore and her debut Latin-pop album, ''Mi Reflejo'' (2000), a Christmas third studio album, ''My Kind of Christmas'' (2000), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image. After parting from her management, Aguilera took creative control over her fourth studio album, ''Stripped'' (2002). The album's second single, "Beautiful," was a commercial success and helped the album's commercial performance amidst controversy over Aguilera's image. Aguilera followed up ''Stripped'' with the soul, jazz and blues inspired, ''Back to Basics'' (2006), released to positive critical acclaim. Four years later Aguilera released her sixth studio album, ''Bionic'' (2010), which incorporated aspects of R&B;, electropop, and synthpop and was met with mixed reviews and poor sales.

Aside from being known for her vocal ability, music videos and image, musically, she includes themes of dealing with public scrutiny, her childhood, and female empowerment in her music. Apart from her work in music, she has also dedicated much of her time as a philanthropist for charities, human rights and world issues which include her work as a UN ambassador for the World Food Programme. She made her feature film debut in the musical ''Burlesque'' (2010), earning Aguilera a Golden Globe nomination for Best Original Song. Aguilera's work has earned her numerous awards and accolades, including a star on the Hollywood Walk of Fame, four Grammy Awards and a Latin Grammy Award, amongst fifteen and three nominations respectively. ''Rolling Stone'' ranked her number fifty-eight on their list of the 100 Greatest Singers of All Time, ranking as the youngest and only artist on the list under the age of thirty. She was ranked the 20th Artist of the 2000–09 decade by ''Billboard'' and is the second top selling single artist of the 2000s behind Madonna. Christina Aguilera has sold 50 million records worldwide making her one of the best-selling music artists of all time.

Life and career

1980–98: Early life and career beginnings

Aguilera was born in Staten Island, New York, to Fausto Wagner Xavier Aguilera, a sergeant in the US Army at the time, and Shelly Loraine (née Fidler), a Spanish teacher. Aguilera's father was born in Guayaquil, Ecuador and her mother is of German, Irish, Welsh, and Dutch ancestry. Her father was stationed at Earnest Harmon Air Force Base in Stephenville, Newfoundland and Labrador and Japan. Aguilera lived with both her father and mother, up until their divorce when she was seven years old. Aguilera then lived with her mother, and her younger sister Rachel, at her grandmother's home in Rochester, Pennsylvania, a town outside Pittsburgh. According to both Aguilera and her mother, her father was very controlling, as well as physically and emotionally abusive. In an interview with ''Rolling Stone'' Aguilera revealed, "there was so much domestic violence going on when I grew up with my dad travelling in the military. I think the reason that my drive was so strong and I was so passionate about music was because I grew up in an environment of domestic violence." She later sang about her difficult childhood in the songs "I'm OK" on ''Stripped'', and "Oh Mother" on ''Back to Basics''. Even though he has made several attempts to reconnect with her, Aguilera ruled out any chance of a reunion. Since then, her mother has married a paramedic named Jim Kearns, and has changed her name.

As a child, Aguilera aspired to be a singer. She was known locally as "the little girl with the big voice", singing in local talent shows and competitions. She attended Marshall Middle School near Wexford and North Allegheny Intermediate High School. On March 15, 1990, she appeared on ''Star Search'' singing "A Sunday Kind of Love", but lost the competition at number 2. Soon after losing on ''Star Search'', she returned home and appeared on Pittsburgh's KDKA-TV's ''Wake Up With Larry Richert'' to perform the same song. Throughout her youth in Pittsburgh, Aguilera sang "The Star-Spangled Banner" before Pittsburgh Penguins hockey, Pittsburgh Steelers football and Pittsburgh Pirates baseball games, including during the 1992 Stanley Cup Finals. Her talent was kept a secret to avoid bullying of other children. Following her television appearances Aguilera experienced resentment and bullying including an incident in which her peers slashed the tires on her family's car. Following several incidents Aguilera was later home schooled. Aguilera recalls, "doing what I did and maybe being a little smaller, I was definitely picked on and bullied for the attention that I got. It was definitely unwanted attention and there was a lot of unfairness about it."

In 1991 Aguilera auditioned for a role on ''The Mickey Mouse Club''; however, she did not meet the age requirements. Two years later, she joined the cast, performing musical numbers and sketch comedy, until the show's cancellation in 1994. Her co-stars included Justin Timberlake, Britney Spears, Ryan Gosling and Keri Russell where they nicknamed her "the Diva" for her performance style and voice. At the age of fourteen, Aguilera recorded her first song, "All I Wanna Do", a hit duet with Japanese singer Keizo Nakanishi. In 1997, she represented the United States at the international Golden Stag Festival with a two-song set. Aguilera entered talent contests on "teen night" at the Pegasus Lounge, a gay and lesbian nightclub in Pittsburgh and later at Lilith Fair. In 1998, Aguilera sent in a demo of her singing Whitney Houston's "Run to You" to Disney who were looking for a singer to record the song "Reflection" for their animated feature film ''Mulan'' (1998). The demo caught the attention of producer and label executive Ron Fair who would later mentor her throughout her career and led to Aguilera earning a contract with RCA Records the same week. and over seventeen million copies worldwide. The album is also included in the Top 100 Albums of All Time list of The Recording Industry Association of America (RIAA) based on US sales. Released during the teen pop era of 1999 the album was well received by several critics, Stephen Thomas Erlewine of ''AllMusic'' writes that Aguilera's debut "remains firmly within the teen-oriented dance-pop genre, but done right." Concluding that the album is "lightweight in the best possible sense – breezy, fun, engaging, and enjoyable on each repeated listen. Out of the deluge of teen-pop albums in 1999, this feels like the best of the lot." Her debut single, "Genie in a Bottle" was an instant hit reaching No.1 on the ''Billboard'' Hot 100 and in several countries worldwide. Her follow-up singles "What a Girl Wants" and "Come On Over Baby (All I Want Is You)" topped the Hot 100 as well during 1999 and 2000 while "I Turn to You" reached number three. She is one of the few artists to have multiple No.1 singles from a debut album in ''Billboard'''s history. She made a cameo appearance on an episode of ''Beverly Hills, 90210'', performed on MTV's New Year's Special as MTV's first artist of the millennium, and the Super Bowl XXXIV halftime show. Aguilera wanted to display the range and audacity in her voice during the promotion of the album, and performed acoustic sets and appeared on television shows accompanied only by a piano. At the 42nd Grammy Awards Aguilera received a Best Female Pop Vocal Performance Grammy nomination for "Genie in a Bottle" and despite earlier predictions, she won the Grammy Award for Best New Artist.

In 2000, Aguilera began recording her first Spanish-language album with producer Rudy Pérez in Miami. Later in 2000, Aguilera, first emphasized her Latin heritage by releasing her first Spanish album, ''Mi Reflejo'' on September 12, 2000. This album contained Spanish versions of songs from her English debut as well as new Spanish tracks. Though some criticized Aguilera for trying to cash in on the Latin music boom at the time. According to Pérez, Aguilera was only semi-fluent, while recording. She understood the language, because she has grown up with her father, who is a native of Ecuador. He added "Her Latin roots are undeniable". The album peaked at number twenty-seven on the ''Billboard'' 200 and went number one on the ''Billboard'' Latin charts for a record 20 weeks. In 2001, it won Aguilera a Latin Grammy Award for Best Female Pop Vocal Album. The album went Gold in the U.S. She also won the World Music Award and ''Billboard'' award as the best selling Latin artist that year. Aguilera also released a Christmas album on October 24, 2000 called ''My Kind of Christmas'' and performed "The Christmas Song" at the White House that year. It peaked at number twenty-eight on the ''Billboard'' 200, and has been certified Platinum in the U.S. Aguilera was ''Billboard'''s top female artist for 2000.

Aguilera's first concert tour, Sears & Levis US Tour (also known as "Christina Aguilera: In Concert") began in the summer of 2000 in the US and ended early 2001 where she toured South America and Asia. A concert special aired on ABC titled ''My Reflection'' and was released to DVD and certified Gold in the US. Aguilera was rumored to have dated MTV VJ Carson Daly. Rumors of their relationship were fueled after the release of Eminem's song, "The Real Slim Shady" in which he also insinuated a romance between her and rocker Fred Durst. Aguilera responded saying the lyrics were "disgusting, offensive and, above all, not true." Their feud ended two years later backstage at the Video Music Awards after Aguilera presented the rapper an award onstage. She dated Puerto Rican dancer Jorge Santos. Santos appeared on her tour and music videos throughout 2000. They dated for nearly two years until the relationship ended on September 11, 2001. He remained her dancer well into 2002.

Ricky Martin asked Aguilera to duet with him on the track "Nobody Wants to Be Lonely" from his album ''Sound Loaded''; released in 2001 as the album's second single. The single reached number one on the World Chart and top ten in several countries. In 2001, Aguilera, Lil' Kim, Mýa, and Pink were chosen to remake Labelle's 1975 single "Lady Marmalade" for the film ''Moulin Rouge!'' and its soundtrack. The song peaked at number-one on the ''Billboard'' Hot 100 for five weeks and was the most successful airplay-only single in history. It also reached number one in eleven other countries and earned all four performers a Grammy Award for Best Pop Collaboration with Vocals. Aguilera's appearance in the music video was compared to that of Twisted Sister frontman Dee Snider. The video won two MTV Video Music Awards including Video of the Year in 2001, where Aguilera accepted the award saying, "I guess the big hair paid off."

That same year, the single "Just Be Free" emerged into record stores which was one of the demos Aguilera recorded when she was around fifteen years old. When RCA Records discovered the single, they advised fans not to purchase it. Months later, Warlock Records was set to release ''Just Be Free'', an album which contains the demo tracks. Aguilera filed a breach of contract and unfair competition suit against Warlock and the album's producers to block the release. Instead, the two parties came to a settlement to release the album. Aguilera lent out her name, likeness and image for an unspecified amount of damages. Many of the details of the lawsuit remain confidential. When the album was released in August 2001, it had a photograph of Aguilera when she was fifteen years old.

Although Aguilera's debut album was commercially successful, she was dissatisfied with the music and image her management had created for her. Aguilera was marketed as a bubblegum pop singer because of the genre's upward financial trend. She mentioned plans of her next album to have much more depth, both musically and lyrically. Aguilera's views of Steve Kurtz's influence in matters of the singer's creative direction, the role of being her exclusive personal manager and overscheduling had in part caused her to seek legal means of terminating their management contract. In October 2000, Aguilera filed a breach of fiduciary duty lawsuit against her manager Kurtz for improper, undue and inappropriate influence over her professional activities, as well as fraud. According to legal documents, Kurtz did not protect her rights and interests. Instead, he took action that was for his own interest, at the cost of hers. The lawsuit came about when Aguilera discovered Kurtz used more of her commissionable income than he was allotted, and had paid other managers to assist him. She also petitioned the California State Labor Commission to nullify the contract. She revealed while recording her then upcoming album, "I was being overworked. You find out that someone you thought was a friend is stealing money behind your back, and it's heartbreaking. I put faith in the people around me, and unfortunately, it bit me in the butt." Kurtz was terminated as her manager. After terminating Kurtz's services, Irving Azoff was hired as her new manager. Kurtz countersued later that month for breach of contract, claiming that the singer violated the same agreement she had sued to void. In the lawsuit, he included others close to Aguilera, alleging their intent to sabotage his business relationship with her. He also singled out Azoff for being in violation of the terms of Kurtz's contract.

2002–05: New image, ''Stripped'' and marriage

On October 29, 2002, Aguilera's fourth studio album, ''Stripped'', was released. The album sold more than 330,000 copies in the first week and peaked at number two on the ''Billboard'' 200. Unlike her previous work, the album showcased Aguilera's raunchier side. The majority of ''Stripped'' was co-written by Aguilera (who had recently signed a global music publishing contract with BMG Music Publishing), and was influenced by many different subjects and music styles, including contemporary R&B;, gospel, soul, balladry, pop rock, and hip hop. The majority of the album was produced by Scott Storch and singer-songwriter Linda Perry who produced her more personal records. Rockwilder and singer Alicia Keys also contributed a track each. Upon initial release, the album was very well-received by critics, although Aguilera's vocals were overlooked as she began to cultivate a more sexually provocative image. After the release of the album, she took part in photoshoots for magazines, many of these photographs featured her nude or semi-nude. Her cover for ''Rolling Stone'', featured the singer only wearing boots and a well-placed electric guitar. It was during this time Aguilera referred to herself as "Xtina", even getting a tattoo of her nickname on the back of her neck and several piercings.

Initially, the raunchy image had a negative effect on Aguilera in the U.S., especially after the release of her controversial "Dirrty" music video. It appeared at number ten on ''Billboard'''s year-end album chart and Aguilera was the top female artist for 2003. Kelly Clarkson's second single "Miss Independent" was co-written by Aguilera, having been half-finished for ''Stripped''.

Aguilera joined Justin Timberlake that June on the final leg of his international ''Justified'' tour, held in the US. This portion of the tour became a co-headliner called the Justified/Stripped Tour. In August, an overhead lighting grid collapsed from the ceiling of the Boardwalk Hall in Atlantic City, New Jersey, causing major damage to the sound and video equipment below. Because the collapse occurred hours before the show, only a few stagehands were injured, but a few shows were cancelled or postponed. In the fourth quarter of that year, Aguilera continued to tour internationally without Timberlake, and changed the name of the tour to the Stripped World Tour. She also dyed her hair black. It was one of the top-grossing tours of that year, and sold out most of its venues. ''Rolling Stone'' readers named it the best tour of the year. That same year she hosted the 2003 MTV Europe Music Awards and was a special guest performer with the Pussycat Dolls' dance troupe performing at the Roxy Theatre and Viper Room in Los Angeles. She also appeared on a ''Maxim'' spread alongside them, her second ''Maxim'' cover that year set record sales for the issue making it the top selling issue to date. By the end of the year she topped the annual ''Hot 100'' list saying, "we had fun working with certain clothes, or the lack thereof."

Aguilera's first DVD live-recording from a concert tour, ''Stripped Live in the U.K.'', was released in November 2004. In light of the tour's success, another U.S. tour was scheduled to begin in mid-2004 with a new theme. The tour however was scrapped because of the vocal cord injuries Aguilera suffered shortly before the tour's opening date. In a tribute to Madonna's performance at the inaugural MTV Video Music Awards, Aguilera performed a kiss with the singer-actress at the 2003 edition of the ceremony in August. The incident occurred during the opening performance of Madonna's songs "Like a Virgin" and "Hollywood" with fellow popstar Britney Spears. Also in 2004, she hosted a ''Saturday Night Live'' episode which included a ''Sex & The City'' skit where she portrayed Samantha Jones revealing to everyone she was a man the entire time.

Aguilera later decided to embrace a more mature image; this move was met with more praise than criticism, with articles using punch lines such as "From Crass to Class." She eventually dyed her hair cherry blonde and recorded a jingle, "Hello", for a Mercedes-Benz ad. Shortly after, she dyed her hair flaxen blonde and cut it short, and took on a Marilyn Monroe look; she is one of the main proponents (along with Dita Von Teese, Gwen Stefani, and Ashley Judd) in bringing back the 1920s–1940s Hollywood glamour look. In late summer 2004, Aguilera released two singles. The first, "Car Wash", was a remake of the Rose Royce disco song recorded as a collaboration with rapper Missy Elliott for the soundtrack to the film ''Shark Tale''. She voiced a small singing part in the film playing a Rastafarian jellyfish in the film's closing musical number. The second song was also a collaboration, but this time as a second single from one of Nelly's double-release albums, ''Sweat'', titled "Tilt Ya Head Back". Both singles failed commercially in the US, but did considerably better in other parts of the world. Aguilera collaborated with jazz artist Herbie Hancock on a cover of Leon Russell's "A Song for You" recorded for Hancock's album ''Possibilities'', released in August 2005. Aguilera and Hancock were later nominated for the Grammy Award for Best Pop Collaboration with Vocals. She helped open the 50th Anniversary for Disneyland performing "When You Wish upon a Star", and she also collaborated with Andrea Bocelli on the song "Somos Novios" for his album ''Amore''. Aguilera began dating music marketing executive Jordan Bratman in 2002. Their engagement was announced in February 2005, and they married on November 19, 2005, in a Napa Valley estate.

2006–09: ''Back to Basics'', motherhood and greatest hits album

Aguilera's fifth studio album, ''Back to Basics'' was released August 15, 2006. The album debuted at No.1 in the US, the UK and eleven other countries. Aguilera described the double CD as "a throwback to the 20s, 30s, and 40s-style jazz, blues, and feel-good soul music, but with a modern twist." The album received generally positive reviews, although many critics commented on the album's length saying, "At one disc, this would have been nothing short of masterful." A review in ''AllMusic'' adds, "''Back to Basics'' also makes clear that ''Stripped'' was a necessary artistic move for Christina: she needed to get that out of her system in order to create her own style, one that is self-consciously stylized, stylish, and sexy." The critically acclaimed lead single "Ain't No Other Man" was a substantial success, reaching No.2 on the World Chart, No.6 in the US, and No.2 in the UK. Producers on the album included DJ Premier, Kwamé, Linda Perry, and Mark Ronson. The follow-up singles did very well in different regions, "Hurt" in Europe and "Candyman" in the Pacific. She co-directed both music videos, the former with Floria Sigismondi who directed her "Fighter" video, and the latter, "Candyman", with director/photographer Matthew Rolston which was inspired by The Andrews Sisters. ''Back to Basics'' has sold 4.5 million units worldwide, with over 1.7 million sold in the US.

In late 2006 Aguilera collaborated with Sean "Diddy" Combs on a track, titled "Tell Me", from his album ''Press Play''. She also began the Back to Basics Tour in Europe followed by a 41-date North American tour in early 2007. After this, she toured Asia and Australia, where it was supposed to end on August 3, however she canceled her dates in Melbourne and her final two in Auckland due to an illness. Her extravagant arena tour included cabaret, three-ring circus and juke joint sets and 10 piece costumes designed by Roberto Cavalli. She released her concert DVD ''Back to Basics: Live and Down Under'' the following year. The tour grossed nearly 50 million by the end of the year in North America and an additional 40 million worldwide in her Europe and Australia dates, grossing almost 90 million by the end of the tour. It was the most successful US tour by a female in 2007.

At the 49th Grammy Awards, Aguilera again won the Best Female Pop Vocal Performance for "Ain't No Other Man". She made a noteworthy performance at the ceremony paying tribute to James Brown with her rendition of his song "It's a Man's Man's Man's World". In January 2007, she was named the 19th richest woman in entertainment by ''Forbes'', with a net worth of US$60 million. Aguilera performed "Steppin' Out With My Baby" with Tony Bennett on his NBC special ''Tony Bennett: An American Classic'' and on ''Saturday Night Live''. They performed at the 59th Primetime Emmy Awards where both specials received Emmys. "Steppin' Out" was nominated for Best Pop Collaboration with Vocals at the 50th Annual Grammy Awards.

Aguilera confirmed she was pregnant on November 4, 2007, though Paris Hilton accidentally revealed her pregnancy several weeks prior during a party Aguilera hosted. She gave birth to her son, Max Liron Bratman, in Los Angeles early the following year and held a bris for him with Bratman, who is of Jewish descent, where the baby was circumcised in accordance with Jewish practice. Aguilera was reportedly paid $1.5 million by ''People'' for her son's baby pictures—the sixth most expensive celebrity baby photos ever taken.

In 2008 Aguilera appeared in the Martin Scorsese documentary ''Shine a Light'' which chronicles a two day Rolling Stones concert in New York City's Beacon Theatre. The film features Aguilera performing "Live With Me" alongside Mick Jagger. ''Shine a Light'' premiered at the Berlin Film Festival and was released worldwide on April 4, 2008. She also had brief cameo in the comedy film ''Get Him to the Greek'', and appeared as a guest judge on the sixth season of ''Project Runway'' on Lifetime Television. She and designer Bob Mackie were the inspiration for the challenge in which they had to design a stage outfit for Aguilera. To commemorate Aguilera's ten years in the music industry, RCA Records released, ''Keeps Gettin' Better: A Decade of Hits'' on November 11, 2008 exclusively at Target stores in the US. The greatest hits included her first three number one singles, and other songs released from her previous three albums. "Lady Marmalade" and several Spanish singles from ''Mi Reflejo'' were included in the worldwide releases. The album's only single, "Keeps Gettin' Better", was premiered at the 2008 MTV Video Music Awards, and debuted and peaked at No.7 on the ''Billboard'' Hot 100, her highest debut on the chart. Following the greatest hits, Aguilera took over a year hiatus in 2009 working on her then upcoming album and film. She was one of ''Billboard'''s Top 20 Artists of the Decade in their year-end charts.

2010–present: ''Bionic'', ''Burlesque'' and ''The Voice''

Aguilera's sixth studio album ''Bionic'' was released on June 8, 2010. The album's producers included Tricky Stewart, Samuel Dixon, Polow da Don, Le Tigre, Switch, Ester Dean, songwriters Sam Endicott, Sia Furler, Claude Kelly, Linda Perry and collaborations with M.I.A., Santigold, Nicki Minaj, and Peaches. The album's only two singles, "Not Myself Tonight" and "You Lost Me" peaked at No.1 on the ''Billboard'' Hot Dance Club Play Charts but were unsuccessful elsewhere. ''Bionic'''s material consisted of many mainstream and pop records along with electronic and dance music. The album was released to mixed reviews from music critics, with Jon Pareles of ''The New York Times'' writing that the singer's new music direction "makes her sound as peer-pressured as a pop singer can be." Allison Stewart of ''The Washington Post'' described the album as being "noisy, robotic and overstuffed" adding that the disc's "greatest disappointments" is its "virtual abandonment" of Aguilera's voice. She concluded that Aguilera attempts "to do it all," which was to try to "revel in her newfound domesticity, to wrest her crown from Gaga and to reestablish her sex kitten bona fides." Dan Martin of the ''NME'' wrote, "Perhaps best of all is ‘Monday Morning.' Written with Santigold and The Bravery’s Sam Endicott, it’s a Day-Glo disco jam that sounds like Gwen Stefani doing "Borderline". Sales of ''Bionic'' were underwhelming in the US compared to her previous releases selling 110,000 copies in its first week landing at #3. The album has sold 280,000 units in the US to date. Shortly after the album's release, further promotion ended and a scheduled summer tour for the album was cancelled due to "inadequate rehearsal time". "You Lost Me" was her first single to not chart the Hot 100 while ''Bionic'' was her first English studio album not to receive a Grammy nomination. Aguilera later responded in an interview saying, "I was really proud of that record. I think there was a lot of promotion issues, coming from a standpoint of how everything resulted. Nothing is ever a setback. If anything, it just motivates you for what’s next."

Aguilera confirmed news reports that she and Bratman had separated, saying in a statement, "Although Jordan and I are separated, our commitment to our son Max remains as strong as ever." Aguilera filed for divorce from Bratman on October 14, 2010, seeking joint legal and physical custody of their son, and specifying September 11, 2010 as the date of separation. They later reached a settlement agreement and custody deal, details of their agreement were private. Their divorce was finalized on April 15, 2011. The following month, Aguilera appeared as herself on the ''Entourage'' season seven finale as a client/friend of Ari Gold. On November 15, 2010, Aguilera received a Star on the Hollywood Walk of Fame.

It was confirmed in 2009 that Aguilera would appear in her first feature film, the musical ''Burlesque'', released in November 2010. She portrayed a small town girl, Ali Rose, who finds love and success in a Los Angeles neo-burlesque club. Aguilera performed eight of the musical numbers on the film's soundtrack released on November 22, 2010 and co-wrote a number of the tracks working with producers and writers including Tricky Stewart, Sia Furler, Samuel Dixon, Linda Perry, Claude Kelly, Danja, and Ron Fair. The remaining two tracks were sung by Cher, who co-starred alongside Aguilera. Distributed by Screen Gems, the film was directed Steve Antin who also wrote the script. Antin wrote the role of Ali specifically for Aguilera. Aguilera's co-stars also included Cam Gigandet as her love interest, Eric Dane, Kristen Bell and Stanley Tucci. Several critics praised Aguilera's performance. A review in ''TIME'' states, "Aguilera might not be to your taste, or mine, but in terms of sheer power, she's impressive. If Ali were real, she'd have already been discovered on ''American Idol''." While ''Variety'' wrote, "Aguilera, while undeniably entertaining when her character is onstage, cannot spin the slight backstory into anything resembling a full-blooded person." Though ''Burlesque'' was released to mixed reviews from critics, the film received a Golden Globe nomination for Best Picture – Musical or Comedy and earned Aguilera, alongside co-writer Sia Furler and writer/producer Samuel Dixon, a nomination for Best Original Song for the track "Bound to You". ''Burlesque'' has grossed over $90 million worldwide.

Following the release of ''Burlesque'', Aguilera collaborated with rapper T.I. on the track, "Castle Walls" which is included on his album ''No Mercy''. Aguilera performed the U.S. national anthem, "The Star-Spangled Banner", during the Super Bowl XLV on February 6, 2011 and created embarrassment when she omitted a line of the anthem and messed up the song's lyrics. She later apologized, telling CNN that "I got so caught up in the moment of the song that I lost my place. I can only hope that everyone could feel my love for this country and that the true spirit of its anthem still came through." The following week, Aguilera, alongside Jennifer Hudson, Martina McBride, Yolanda Adams, and Florence Welch opened the 53rd Grammy Awards paying tribute to Aretha Franklin.

Aguilera began dating musician and production assistant, Matt Rutler who she met during the filming of ''Burlesque''. Her personal life was the subject of scrutiny and reports over out of control behavior, excessive drinking and a reported confrontation with her co-star Julianne Hough. On March 1, 2011, Aguilera was arrested for public intoxication in West Hollywood as her boyfriend was arrested for DWI. She was later released on bail and no charges were filed. Although the L.A. Sheriff's office stated Aguilera's mug shot would not be released to the public, ''E! News'' obtained the mug shot which circulated social networks and the media shortly after her release. Rutler's DWI charge was dismissed due to insufficient evidence, after his BAC at the time of arrest was determined to be at .06%, below the legal limit in the state of California.

Aguilera signed to be a part of the John de Mol created singing competition ''The Voice'' which debuted on NBC in April. Aguilera, alongside other musicians Adam Levine, Blake Shelton and Cee Lo Green serve as judges and coaches, with Carson Daly as the show's host. The show's first episode was released to positive reviews making its debut at number one on the American rating list chart, delivering the strongest ratings for a series premiere on a major network since ''Undercover Boss'' debuted after the Super Bowl in February 2010. The show became an instant hit for NBC following the its debut. Aguilera performed "Moves Like Jagger" on ''The Voice'' – the single with Maroon 5 on which she is featured, off their album, ''Hands All Over (Deluxe Edition)''. The song was an instant hit reaching No.3 in the UK, No.1 on the World Chart and earned Aguilera her fifth No.1 single on the ''Billboard'' Hot 100, a decade after her last No.1, "Lady Marmalade". This also marks the first time two former Best New Artist Grammy Award winners have collaborated on a Hot 100 hit.

In May 2011, Aguilera stated that she is recording a new studio album in an interview at ''Live with Regis and Kelly''. Aguilera told RTL: "It's going to be a very heartfelt, deep-rooted and introspective record for me" and that she's hoping for release in spring/summer 2012.

Artistry

Vocal ability

Aguilera is said to have the vocal range of a soprano, and has been referred to as the "voice of her generation" and a blue eyed soul singer. Aguilera also topped COVE's list of the 100 Best Pop Vocalists with a score of 50/50 and came fifth in MTV's 22 Greatest Voices in Music. Her rendition of "It's A Man's Man's Man's World" at the 49th Grammy Awards ranked third in the Grammy's Greatest Moments List behind Celine Dion's performance of "My Heart Will Go On" and Green Day's performance of "American Idiot". In an interview, Dion described Aguilera as "probably the best vocalist in the world." ''Rolling Stone'' ranked Aguilera at 58 on their list of the 100 Greatest Singers of All Time, the youngest singer on the list.

Describing Aguilera's voice, singing teachers Phyllis Fulford and Michael Mailler said, "The low register is light and tired, the belting register is ample and full, but very scratchy because she screams; and head voice as well as whistle register are light, pure and bright. Her vocal range extends from G below middle C to C one octave above soprano high C (G₃ – C₇). She can belt to F one octave and a third above middle C (F₅). She possesses a good-sized technical arsenal. Her trill is solid, she has a big mastery of melismas, and can sustain very long notes." ''Los Angeles Times'' writer Margaret Wappler adds Aguilera can deliver "a well-executed legato." However, countertenor Philippe Jaroussky said: "She has no breath support and often sing out of tune. People say she can cover four octave, but it's not true because below A3, the low notes are forced, unsupported, her belting voice is throaty and forced and for her highest notes she doesn't use head voice but falsetto or whistle register, they are disconnected registers. So, she can hit good notes only from A3 to B4. Her melismas are always show-off, they are almost never connected with the rhythm and the structure of the songs."

Since her debut in 1999 Aguilera has been compared to the likes of Mariah Carey and Whitney Houston. David Browne of ''The New York Times'' writes, "Aguilera has been one of the foremost practitioners of the overpowering, Category 5 vocal style known as melisma. Ms. Carey, Ms. Houston and Ms. Aguilera, to name its three main champions, are most associated with the period from the late ’80s through the late ’90s." A review in the ''Los Angeles Times'' compared Aguilera's vocal stylings to Barbra Streisand, Gladys Knight, and Aretha Franklin adding, "Aguilera's Streisand-esque tendencies are a good thing; they're helping her figure out how to become the "great singer" she's been dubbed since she released her first single, the wise-beyond-its-years "Genie in a Bottle", at 18." Although praised for her vocals, Aguilera has been labeled for oversinging in her songs and concerts. Longtime producer and writer, Linda Perry, commented on working on the record, "Beautiful", saying, "I tried to keep it straight. I told her to get rid of the finger waves. Every time she'd start going into "hoo-ha", I'd stop the tape. I'm like, 'You're doing it again.'" Perry ended up using the first take saying, "She had a hard time accepting that as the final track. It's not a perfect vocal – it's very raw. She knows her voice really well, and she knows what's going on. She can hear things that nobody else would catch."

Themes and musical style

The constant theme in Aguilera's music and lyrics is love, although she has written on other subjects including spirituality, female empowerment, and grief. Aguilera has also written about her childhood in two of her records which dealt with domestic abuse. In an interview Aguilera admitted she feels responsible to reveal her most vulnerable feelings and to share the darker sides of her life adding "People that can relate might not feel as alone in the circumstance." She has been noted to constantly changing her sound in her music and lyrical content. Originally marketed as a bubblegum pop singer during the late 90s pop scene, she quickly departed into a broad range of musical genres for her follow-up album ''Stripped''. A review states, "Clearly afflicted with Premature Serious Artist Syndrome, Aguilera wants to demonstrate the range of her interests – vampy soul, quasi-metal, piano-bar intimacy, quiet-storm R&B;, bounce-bounce hip-hop, and semi-exotic rock, all of it dutifully accomplished."

The majority of the songs are characterized by Aguilera's loud vocals, though she has used breathy and soft vocals. Her 2006 release, ''Back to Basics'' included producer DJ Premier. ''The New York Times'' exclaims, "Her decision to work with the low-key DJ Premier was also a decision to snub some of the big-name producers on whom pop stars often rely." Aguilera has often cited that she prefers working with producers that are not in popular demand, saying "I don't necessarily go to the main people that are the No. 1 chart-toppers in music." The album included live instrumentation and samples of past jazz and soul records. Some tracks on the album included non-traditional forms of pop music such as swing jazz and big band, drawing comparisons to Madonna's ''I'm Breathless'' and the musical film ''Cabaret''. Her first feature film, ''Burlesque'', influenced by ''Cabaret'', featured mainstream producers Tricky Stewart and Danja on the soundtrack where several established songs were updated and worked into dance numbers, a style similar to 2001's ''Moulin Rouge!'' "Diamonds Are a Girl's Best Friend" was performed by Aguilera in the film, a musical number also performed by Nicole Kidman in ''Moulin Rouge!''

Influences

One of Aguilera's major influences and idol is blues singer Etta James, whose classic song "At Last" has been covered by Aguilera throughout her career. Aguilera says, "Etta is my all-time favorite singer. I've said it for the last seven years – since I had my first debut record out – in every interview. I mean, all of Etta's old songs, countless songs I could name, I grew up listening to." The majority of her album, ''Back to Basics'', pays tribute to James and other pop standard singers who many originated from the 1950s. In her early years she listened to vintage jazz, blues, and soul music. The album included an unreleased song, "Slow Down Baby", which sampled a Gladys Knight & the Pips song. A review in ''The Guardian'' declared, "Practically everything recorded before Aguilera was born blurs into one amorphous genre, which she categorises, somewhat inadequately, as "fun music". Aguilera has also named Madonna and Janet Jackson as two of her biggest influences "for being re-inventive and being brave as strong females, to explore whatever, even if they do get bad press. It's just like they were fearless." Her other musical influences include Aretha Franklin, Whitney Houston, and Nina Simone.

Aguilera cites the musical ''The Sound of Music'' and its lead actress, Julie Andrews as an early inspiration for singing and performing. She mentioned the "Golden age of Hollywood" as another inspiration in which she says, "I'm referencing Marlene Dietrich, Marilyn Monroe, Carole Lombard, Greta Garbo, Veronica Lake". Ironically, her star on the Hollywood Walk of Fame is located near Julie Andrews and is next to Greta Garbo. In her music video for "Ain't No Other Man" she plays her alter ego, "Baby Jane" in reference to the film ''Whatever Happened to Baby Jane?''. The film's stars included actresses Bette Davis and Joan Crawford. The third single off ''Back to Basics'', "Candyman" was inspired by the 1941 song, "Boogie Woogie Bugle Boy" by The Andrews Sisters which was played during World War II. She was also inspired by pin-up girls and several paintings by Alberto Vargas. Aguilera has expressed interest in cultural icons Nico, Blondie and artists Roy Lichtenstein and Andy Warhol. She has often worked with photographer and close friend, David LaChapelle who once worked with Warhol. Chapelle has shot many of Aguilera's music videos, magazine shoots and advertisements. She is also a fan of graffiti artist Banksy. In 2006 she purchased three of Banksy's works during a private art exhibition, one of them included a pornographic picture of Queen Victoria in a lesbian pose with a prostitute. She has mentioned in several interviews that she is a fan of actress Angelina Jolie, and her ''Burlesque'' co-star, Cher. Fashion has also been a part of Aguilera's music career and image which she has used as a form of expression during performances and music videos. In 2003 she became the muse and inspiration for Donatella Versace's 2003 fall line. Versace also designed pieces her tour the following year. Aguilera is also a fan of Roberto Cavalli, John Galliano, Marc Jacobs, and Alexander McQueen whose designs she has worn throughout her career.

Other ventures

In 2000, Aguilera was the face for make-up line ''Fetish'' where she worked in choosing colors and packaging for the line. She ended her contract the following year. Throughout her career Aguilera has endorsed several brands, including Skechers, Mercedes-Benz, Verizon Wireless, and soft drink giants Coca-Cola in 2001, and Pepsi in 2006. She became the muse and model for fashion house Versace appearing in a campaign for the 2003 fall line. In 2004 Aguilera earned £200,000GBP (about $300,000USD) for opening the summer sale at London's Harrods store which took in record breaking profits during the four week period. In 2005 she was reportedly paid $3.6 million to sing a three song set for Russian billionaire Andrey Melnichenko's wedding. Aguilera signed a contract with European cell phone operator Orange to promote the new Sony Ericsson Walkman phone during the 2006 World Cup. In 2010, Aguilera was paid $1 million by investor, Charles Brandes to perform at a private party.

In 2008 jewelry designer Stephen Webster and close friend of Aguilera released "Shattered", a collection of sterling silver pieces, through Neiman Marcus and Bergdorf Goodman. Aguilera, who inspired the collection, was featured as a Hitchcock heroine saying, "Working together on this campaign and collection has been an incredible experience. I am honored to be a part of it all." They reprised their work together for Webster's 2009 spring line. In 2011, Aguilera attended São Paulo Fashion Week to premiere her new line of clothing for Brazilian department store C&A; which launched in April.

Aguilera released two fragrances throughout Europe, the first one ''Xpose'', was released in late 2004 and sold relatively well. Through Procter and Gamble Aguilera released her signature fragrance, ''Simply Christina'' in 2007. In Christmas 2007, the fragrance became the number one perfume in the UK, and later in 2009 it became the 4th best selling perfume in the UK, and Germany where it topped sales for the year. The perfume won as the people's choice for favorite celebrity fragrance at the annual UK Fifi Awards 2008. She released her third fragrance, ''Inspire'', accompanied with a body care collection, on September 1, 2008. The perfume hit shelves in the US, Canada, Latin America, Asia and Northern and Eastern Europe. It was Aguilera's first fragrance released outside of Europe. Her worldwide ad campaign included a television ad shot by David LaChapelle and was released in the US through Macy's department stores. The release coincided with Macy's 150th anniversary which featured Aguilera in commemorative photos. She released her fourth fragrance ''By Night'' in October, which became the third best selling fragrance in the UK in 2009. Both “By Day“ and “By Night“ were nomitated for Best Perfume of the Year in the Broad Appeal category at the FIFI Awards 2011. In 2010 the range was further augmented by ''Royal Desire'' her fifth fragrance, which won a 2011 Glammy Award for best perfume by German magazine ''Glamour''. Aguilera announced she will be releasing a sixth fragrance later this year, ''Secret Potion''.

Philanthropy

Throughout her career, Aguilera has been involved with several charities. She signed a letter from PETA to the South Korean government asking that the country stop its alleged killing of dogs for food. During her 2007 tour she unknowingly wore a fur stole during the beginning of her tour, which designer Roberto Cavalli provided without informing Aguilera. After receiving a video from PETA Vice President Dan Mathews on the treatment of foxes, she replaced the stole with faux fur for the remainder of her tour. Aguilera was reportedly upset adding, "I only ever wear fake fur". In 2010 Aguilera auctioned off tickets for her upcoming tour for Christie's A Bid to Save the Earth. Proceeds benefit nonprofit environmental groups Conservation International, Oceana, Natural Resources Defense Council, and The Central Park Conservancy. Aguilera also supports Defenders of Wildlife, Missing Kids, National Alliance of Breast Cancer Organizations, Women's Cancer Research Fund, and Cedars-Sinai Women's Cancer Research Institute. She has also worked alongside nonprofit organization Do Something saying, "Every individual has the power to inspire young people across the country." In 2010 she was nominated for a VH1 Do Something Award for her work with the organization and her efforts in the response to the 2010 Haiti earthquake. She was featured in the campaign for photographer, Brie Childers with the goal of helping women of all ages, races and lifestyles feel beautiful and confident about themselves and the body and skin they were born with. Proceeds from benefit several women's charities nationwide. Aguilera is still a major contributor in her hometown of Pittsburgh contributing regularly to the Women's Center & Shelter of Greater Pittsburgh. According to her official website, she toured the center and donated $200,000 to the shelter. She also has auctioned off front row seats and back stage passes for the Pittsburgh-based charity. She has continued her donations and visits to the shelter, and plans to open an additional one. She also supports the National Coalition Against Domestic Violence and Refuge UK. Since then she has worked with Lifetime Television's 'End violence against women' campaign. Her work there included a public service announcement which aired on the network and during her 2007 tour.

Aguilera is a supporter of the LGBT community and is considered a gay icon by many. She was honored at the GLAAD Awards for using gay and transgender images in her music video for "Beautiful". When accepting the award Aguilera said, "My video captures the reality that gay and transgender people are beautiful, even though prejudice and discrimination against them still exists." In 2005 she appeared on a compilation album titled, ''Love Rocks'', proceeds benefit the Human Rights Campaign, an organization dedicated to fighting for equal rights for gay, lesbian, bisexual and transgendered people. In 2008 she publicly spoke out against California's Proposition 8 which eliminates same-sex marriage in California saying, "Why you would put so much money behind something [aimed at] stopping from people loving each other and bonding together? I just don't understand it. It's hard for me to grasp. But I would've been out there with my rally sign as well." In 2011 Aguilera was honored at The Abbey, a gay club in West Hollywood, for her contributions to the gay community as the first honoree on their Gay Walk of Fame joining Dame Elizabeth Taylor in being immortalized forever.

Aguilera contributes in the fight against AIDS, by participating in AIDS Project Los Angeles' Artists Against AIDS "What's Going On?" cover project. In 2004, Aguilera became the new face for cosmetic company M·A·C and spokesperson for M·A·C AIDS Fund. Aguilera appeared in advertisements of the M·A·C's Viva Glam V lipstick and lipgloss, and was featured on ''Vanity Fair'' in recognition of her campaign work. In addition, Aguilera contributed to YouthAIDS by posing for a joint YouthAIDS and Aldo Shoes campaign for "Empowerment Tags" in Canada, the U.S. and the UK. She was featured with one of three ubiquitous slogans, "Speak No Evil?" and stated, "HIV is something that people don’t want to talk about, hear about, or face." Singer Elton John featured Aguilera in his charity book titled "Four Inches" benefiting the Elton John AIDS Foundation. Elton also hand-picked Aguilera, for his annual "Fashion Rocks" charity concert which accompanies music and fashion to benefit the fight against AIDS/HIV.

In the run-up to the 2004 United States presidential election, Aguilera was featured on billboards for the "Only You Can Silence Yourself" online voter registration drive run by the nonpartisan, non-profit campaign "Declare Yourself". In these political advertisements, shot by David LaChapelle, Aguilera was shown with her mouth sewn shut, to symbolize the effects of not voting. She appeared on ''The Oprah Winfrey Show'' to discuss the importance of voting. In late 2007 Aguilera became the spokesperson for "Rock the Vote" where she urged young people to vote in the 2008 presidential election. In partnership with "Rock the Vote", she appeared in a public service announcement which aired in summer 2008. The advert showed Aguilera with her son, Max Bratman, wrapped in an American flag, while singing "America the Beautiful".

In November 2005, all of her wedding gifts were submitted to various charities around the nation in support of Hurricane Katrina victims. That year she also performed at "Unite of the Stars" concert in aid of Unite Against Hunger in Johannesburg, South Africa and at the Nelson Mandela Children's Fund at the Coca-Cola Dome. In March 2007 Aguilera took part in a charity album (remaking Lennon's "Mother"), proceeds benefit Amnesty International's efforts to end genocide in Darfur. The album titled, ''Instant Karma: The Amnesty International Campaign to Save Darfur'', was released June 12, 2007 and featured various artists. In 2008 she headlined London's Africa Rising charity concert at Royal Albert Hall which raises awareness for finding substantial issues facing the continent. Later that year she appeared on the Turkish version of ''Deal or No Deal'' "Var mısın? Yok musun?" , where she won $180,000. Proceeds were donated to a charity program for orphans.

In 2009 Aguilera became the global spokesperson for World Hunger Relief appearing in advertisements, online campaigns and a public service announcement. Aguilera and her husband traveled to Guatemala with the World Food Programme to bring awareness to issues such as the high malnutrition rate in that country. She met with families of the villages and some of the beneficiaries of WFP's nutrition programs. Aguilera adds, "The people of WFP do such a great job helping hungry children and mothers. I'm thankful for the opportunity to be part of such a wonderful project." Since becoming a global spokeswoman Aguilera has helped raise over $22 million which helped provide over 90 million meals. She was honored at ''Variety'''s annual "Power of Women" luncheon in late 2009 alongside other women in entertainment for her contribution to philanthropic and charitable causes. In response to the 2010 Haiti earthquake, Aguilera donated a signed Chrysler 300 which was auctioned for relief efforts. She was one of the many artists who appeared on the ''Hope for Haiti'' telethon on January 22, 2010, donations directly benefited Oxfam America, Partners In Health, Red Cross and UNICEF. She later appeared on a second public service announcement alongside sports icon Muhammad Ali to raise funds for the World Food Programme's efforts to bring food to survivors of the earthquake. Later that year Aguilera made her first visit to Haiti as an ambassador against hunger where she visited two schools in the town of Léogâne. During her time there she assisted in the ongoing efforts to help the badly damaged town where she served meals and highlighted reconstruction efforts in the country. That year, Aguilera was appointed UN ambassador for the WFP.

Filmography

''Shine a Light (film) ''Get Him to the Greek'' ''Burlesque (film)

+Films	Year	! Title	! Role	Notes
2004	''Shark Tale''	Herself
2008	Shine a Light'' ||	Herself
2010	|	Herself	Cameo appearance
2010	Burlesque'' ||	Ali Rose	Golden Globe Award for Best Original Song>Golden Globe for Best Original Song

''Beverly Hills, 90210'' ''Saturday Night Live'' ''Project Runway'' ''Entourage (TV series) ''The Voice (U.S. TV series)

+Television	Year	! Title	! Role	Notes
1993–1995	''The Mickey Mouse Club''	Herself/Various Roles
1999	|	Herself	"Let's Eat Cake"
2000–2006	|	Herself	Host, musical guest, 4 episodes
2009	|	Herself	Guest Judge, "Sequins, Feathers and Fur, Oh My!"
2010	Entourage'' ||	Herself	"Lose Yourself"
2011–present	The Voice'' ||	Herself	Coach and judgeReturning series

Discography

''Christina Aguilera'' (1999)

''Mi Reflejo'' (2000)

''My Kind of Christmas'' (2000)

''Stripped'' (2002)

''Back to Basics'' (2006)

''Bionic'' (2010)

Tours

;Headlining

Christina Aguilera in Concert (2000–01) (also known as the "Psykoblast Tour" and the "Sears & Levis US Tour")

Stripped World Tour (2003)

Back to Basics Tour (2006–07)

;Co-headlining

Justified/Stripped Tour (2003) (with Justin Timberlake)

See also

List of Christina Aguilera tours

List of best-selling music artists

List of artists who reached number one in the United States

List of artists who reached number one on the UK Singles Chart

List of awards and nominations received by Christina Aguilera

Honorific nicknames in popular music

References

External links

ChristinaAguilera.com – Christina Aguilera official website

Twitter – Official Twitter account.

Category:1980 births Category:American child singers Category:American dance musicians Category:American female singers Category:American feminists Category:American musicians of Irish descent Category:American music video directors Category:American people of Dutch descent Category:American pop singer-songwriters Category:American pop singers Category:American stage actors Category:American television actors Category:BRIT Award winners Category:English-language singers Category:Feminist musicians Category:Grammy Award winners Category:Ivor Novello Award winners Category:Latin Grammy Award winners Category:LGBT rights activists from the United States Category:Living people Category:Military brats Category:Mouseketeers Category:Musicians from New York City Category:Musicians from Pittsburgh, Pennsylvania Category:People from Staten Island Category:RCA Records artists Category:Sony BMG artists Category:Spanish-language singers Category:The Voice judges Category:World Music Awards winners

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name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Tin Machine
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.

Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

History

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones, was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: Neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny

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name	In the Street
type	Studio album
artist	Village People
cover	inthestreet1983.jpg
released	1983
recorded	Media Sound,New York, 1982
genre	Disco, Funk, Old school hip hop
length	37:13
label	Casablanca Records
producer	Jacques Morali, Henri Belolo
reviews	* Allmusic [ link]
last album	''Fox on the Box''(1982)
this album	''In the Street''(1983)
next album	''Sex Over the Phone''(1985) }}

''In the Street'' is an album by the Village People. It features both original cop Victor Willis and the cop currently in the group Ray Simpson as lead singers. The G.I. Alex Briley also sings the lead for one song, and the re-release in 1999 featured the bonus track America with Miles J. Davis singing the lead vocals. ''Fox on the Box ''and ''In the Street'' contain the same songs, but ''Fox on the Box'' was released by RCA Records in 1982 and ''In the Street'' by Casablanca Records a year later.

Track listing

#"Fox on the Box" — 3:43 #"In the Street" — 4:47 #"Lonely Lady" — 3:54 #"Everybody Loves the Funk" — 4:28 #"Success" — 5:58 #"Spaced Out" — 5:32 #"Play Bach" — 4:37 #"Radio Freak" — 3:09 #"America" — 3:43 (Bonus track on 1999 CD release)

Category:1983 albums Category:Village People albums

es:In the Street

name	Amy Winehouse
alt	Amy Winehouse at the Eurockéennes festival in France (2007)
background	solo_singer
birth name	Amy Jade Winehouse
birth date	September 14, 1983
birth place	Southgate, London, UK
death date	July 23, 2011
death place	Camden, London, UK
genre	Rock steady, Soul, R&B;, jazz
instrument	Vocals, guitar, drums
occupation	Singer, songwriter, composer, arranger
years active	1993–2011
label	Island, Lioness, Universal Republic (U.S.)
associated acts	Dionne Bromfield, Mark Ronson, Tony Bennett, Nas, Zalon, Heshima, Paul Weller, The Rolling Stones, Lily Allen
website	}}

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer and songwriter known for her powerful deep contralto vocals and her eclectic mix of musical genres including R&B;, soul and jazz. Winehouse's 2003 debut album, ''Frank'', was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, ''Back to Black'', led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year.

In 2007 she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times: once in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", once in 2007 for Best Contemporary Song for "Rehab", and once in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game".

Winehouse died of alcohol poisoning on 23 July 2011. Her album ''Back to Black'' subsequently became the UK's best selling album of the 21st century thus far.

Early life

Amy Winehouse was born in the Southgate area of North London to a Jewish family, acquiring Russian ancestry from her mother's side who also influenced her interest in jazz. Her father Mitchell "Mitch" Winehouse, a taxi driver, her mother Janis Winehouse, a pharmacist, and her grandmother, Cynthia, are who we credit for raising her and her older brother, Alex, who was four years old upon her birth.

Mitch often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class. Winehouse's parents separated when she was nine.

When Winehouse was nine years old, Cynthia, her grandmother and once engaged to Ronnie Scott, suggested she attend the Susi Earnshaw Theatre School for furthering her vocal education. She attended the Earnshaw school for four years and founded a short-lived rap group called Sweet 'n' Sour with Juliette Ashby, her childhood friend before seeking full-time training at Sylvia Young Theatre School; however, Winehouse was allegedly expelled at 14 for "not applying herself" and also for piercing her nose. (Sylvia Young herself has denied this – "She changed schools at 15 – I've heard it said she was expelled; she wasn't. I'd never have expelled Amy.") She also appeared in an episode of ''The Fast Show'', 1997, with other children from the Sylvia Young School and later attended The Mount School, Mill Hill, the BRIT School in Selhurst, Croydon, Southgate School and then Ashmole School.

Music career

Early career

After toying around with her brother Alex's guitar, Winehouse received her first guitar when she was 13 and began writing music a year later. Soon after, she began working for a living, including, at one time, as an entertainment journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band. In July 2000 she became the featured female vocalist with the National Youth Jazz Orchestra; her influences were to include Sarah Vaughan and Dinah Washington. Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R; person. Her future A&R; representative at Island/Universal, Darcus Beese, heard of her by accident when the manager of The Lewinson Brothers showed him some productions of his clients, which featured Winehouse as key vocalist. When he asked who the singer was, the manager told him he was not allowed to say. Having decided that he wanted to sign her, it took several months of asking around for Beese to eventually discover who the singer was. However, Winehouse had already recorded a number of songs and signed a publishing deal with EMI by this time. Incidentally, she formed a working relationship with producer Salaam Remi through these record publishers.

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal, as rival interest in Winehouse had started to build to include representatives of EMI and Virgin starting to make moves. Beese told ''HitQuarters'' that he felt the reason behind the excitement, over an artist who was an atypical pop star for the time, was due to a backlash against reality TV music shows, which included audiences starved for fresh, genuine young talent.

Winehouse's greatest love was 1960s girl groups. Her stylist, Alex Foden, borrowed her "instantly recognisable" beehive hairdo (a weave) and she borrowed her Cleopatra makeup from The Ronettes. Her imitation was so successful, as the ''Village Voice'' reports: "Ronnie Spector—who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago—was so taken aback at a picture of Winehouse in the ''New York Post'' that she exclaimed, "I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses."

New York Times reporter, Guy Trebay, discussed the multiplicity of influences on Winehouse's style. Trebay noted: "her stylish husband, Blake Fielder-Civil, may have influenced her look." Additionally, Trebay observes: :She was a 5-foot-3 almanac of visual reference, most famously to Ronnie Spector of the Ronettes, but also to the white British soul singer Mari Wilson, less famous for her sound than her beehive; to the punk god Johnny Thunders...; to the fierce council-house chicks... (see: Dior and Chanel runways, 2007 and 2008); to the rat-combed biker molls photographed by the Swiss photographer Karlheinz Weinberger in the 1960s; to a lineage of bad girls, extending from Cleopatra to Louise Brooks’s Lulu and including Salt-n-Pepa, to irresistible man traps that always seemed to come to the same unfortunate end.

Major label success and ''Frank''

Winehouse's debut album, ''Frank'', was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews with compliments over the "cool, critical gaze" in its lyrics and brought comparisons of her voice to Sarah Vaughan, Macy Gray and others.

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales. Later in 2004 she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me". The album also made the short list for the 2004 Mercury Music Prize. In the same year she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked. Additional singles from the album were "Take the Box", "In My Bed"/"You Sent Me Flying" and "Pumps"/"Help Yourself".

International success and ''Back to Black''

In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour. In May 2006 Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work. Promotion of ''Back to Black'' soon began and, in early October 2006 Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs. ''Back to Black'' was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the ''Billboard'' 200 in the US. It was the best-selling album in the UK of 2007, selling 1.85 million copies over the course of the year.

The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US. ''Time'' magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007." The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe. "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.

A deluxe edition of ''Back to Black'' was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD ''I Told You I Was Trouble: Live in London'' was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire and a 50-minute documentary charting the singer's career over the previous four years. ''Frank'' was released in the United States on 20 November 2007 to positive reviews. The album debuted at number 61 on the Billboard 200 chart.

In addition to her own album she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album ''Version''. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single". Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, ''Real Girl''.

Continued success and acclaim

By year's end Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance for the single "Rehab", while her album ''Back to Black'' was nominated for Album of the Year and won the Best Pop Vocal Album award. Producer Mark Ronson's work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category. The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of the Guinness Book of World Records for Most Grammy Awards won by a British Female Act. She performed "You Know I’m No Good" and "Rehab" at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said "This is for London because Camden town is burning down", in reference to the Camden Market fire. After the Grammy Awards, the album's sales increased catapulting ''Back to Black'' to number two on the U.S. ''Billboard'' 200 after initially peaking at number seven. On 13 January 2008, ''Back to Black'' held the number one position on the ''Billboard'' Pan European charts for the third straight week. In January 2008 Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.

thumb|left|Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007 A special deluxe edition of ''Back to Black'' topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while "Frank" charted at number 35. By 12 March the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK's top 10 best-selling albums of the 21st century for the first time. On 7 April, ''Back to Black'' was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week. ''Back to Black'' was the world's seventh biggest selling album for 2008. These sales helped keep Universal Music's recorded music division from dropping to levels experienced by the overall music market.

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for "Love Is a Losing Game" and was nominated for "You Know I'm No Good". "Rehab", a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song. Winehouse was nominated for a MTV Europe Award in the ''Act of The Year'' category. ''Amy Winehouse – The Girl Done Good: A Documentary Review'', a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists. A clip of Winehouse's music was included in the "Roots and Influences" area that looked at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread started with Billie Holiday continued with Aretha Franklin, Mary J. Blige and finished with Winehouse. In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse's music during the previous year. Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song "Cupid" for an ''Artists Project Earth'' benefit album that was released on 13 July 2009.

On the week of July 26, after Winehouse's death, ''Frank'', ''Back To Black'', and the ''Back To Black'' EP re-entered the ''Billboard'' 200 at number 57, number 9, and number 152 respectively with the album climbing to number 4 the following week. ''Back To Black'' also topped the ''Billboard'' Digital Albums chart on the same week and was the second best seller at iTunes. "Rehab" re-entered and topped the ''Billboard'' Digital Songs chart as well, selling up to 38,000 more digital downloads. As of August 2011 "Back to Black" was the best selling album in the United Kingdom in the 21st Century.

Final projects

Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album ''Q Soul Bossa Nostra'' released 9 November 2010. Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi had already created some material with Winehouse as part of the project. According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released. In late October Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me". In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.

Winehouse's last recording was a duet with American singer Tony Bennett for his latest album, ''Duets II'', which was released on September 20, 2011. Their single from the album, "Body and Soul," was released on 14 September 2011 on MTV and VH1 to commemorate what would have been her 28th birthday. Her father, Mitch Winehouse, launched The Amy Winehouse Foundation with the goal of raising awareness and support for organizations that help vulnerable, young adults with problems such as addiction. Proceeds from "Body and Soul" will benefit The Amy Winehouse Foundation.

When interviewed by Jon Stewart on ''The Daily Show'' on 29 September 2011, Bennett stated that in hindsight, he believed Amy: ::was in trouble at that time because she had a couple of engagements that she didn't keep up. But what people didn't realize at that time, that she really knew, and in fact I didn't even know it when we were making the record, and now looking at the whole thing; she knew that she was in a lot of trouble; that she wasn't going to live. And it wasn't drugs. It was alcohol toward the end. . . . It was such a sad thing because . . . she was the only singer that really sang what I call the 'right way' because she was a great jazz-pop singer. . . . She was really a great jazz singer. A true jazz singer. And I regret that because that's the 'right way' to sing.

Following her death, Winehouse's spokesperson said the singer had left behind “plenty” of material but no discussions had taken place in regards to releasing it. It is uncertain how far along she had been in the recording process.

An album of previously unreleased material, entitled ''Lioness: Hidden Treasures'', was released on December 6, 2011.

Artistry

Influence

British singer Adele has credited Winehouse's success in the United States for making her and fellow British singer Duffy's journey to the United States "a bit smoother". American singer Lady Gaga credited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success. Raphael Saadiq, Anthony Hamilton, and John Legend said "Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect".

After the release of Back to Black, record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse's. A third wave of female musicians that has emerged since the album was released are led by VV Brown, Florence and the Machine, La Roux and Little Boots. In February 2010 rapper Jay-Z credited Winehouse with revitalising British music, saying, "There's a strong push coming out of London right now, which is great. It's been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy." In March 2011 the ''New York Daily News'' ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. ''Spin'' magazine music editor Charles Aaron was quoted as saying "Amy Winehouse was the Nirvana moment for all these women," "They can all be traced back to her in terms of attitude, musical styles or fashion". According to Keith Caulfield, chart manager for ''Billboard'', "Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy," "Now those ladies have brought on the new ones, like Eliza Doolittle, Rumer and Ellie."

Live performances

Winehouse toured in conjunction with the ''Back to Black'' album's release. She performed headlining gigs in September and November 2006, including one of the ''Little Noise Sessions'' charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland's Annual Hootenanny and performed a cover of Marvin Gaye's "I Heard It Through the Grapevine" along with Paul Weller and Holland's Rhythm and Blues Orchestra. She also performed Toots & the Maytals' "Monkey Man". She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of "Rehab" at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegas jaunt in the hours before the show. During the summer of 2007, Winehouse performed at various festivals, including UK's Glastonbury Festival, Chicago's Lollapalooza festival, Rock Werchter and Baltimore's Virgin Music Festival.

Winehouse's tour, however, did not go as well. In November 2007 the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the ''Birmingham Mail'' said it was "one of the saddest nights of my life...I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience." Other concerts ended similarly, with, for example, fans at her Hammersmith Apollo performance saying that she "looked highly intoxicated throughout", until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed "the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks" for the decision.

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing "Valerie" with Mark Ronson, followed by "Love Is a Losing Game". She urged the crowd to "make some noise for my Blake." In Paris she performed what was described as a "well-executed 40 minute" set at the opening of a Fendi boutique. Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008. Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers. Winehouse performed at Nelson Mandela's 90th Birthday Party concert at London's Hyde Park on the 27 June, and the next day at the Glastonbury Festival. On 12 July at the Oxegen Festival she performed a well-received 50 minute set which was followed the next day by a 14 song set at T in the Park. On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed. On 6 September she was the headliner at Bestival. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.

In May 2009 Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being "bored" and ended her set by walking off the stage in the middle of a song. To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs "You're Wondering Now" and "Ghost Town".

In July 2010 she performed "Valerie" with Mark Ronson at a movie premiere. She sang lead but forgot some of the song's lyrics. In October Winehouse performed a four song set to promote her fashion line. In December 2010 Winehouse played a 40 minute concert at a Russian oligarch's party in Moscow. Guests included other Russian tycoons and Russian show business stars. The tycoon hand picked the songs she played.

During January 2011, she played five dates in Brazil, with opening acts of Janelle Monáe and Mayer Hawthorne. On 11 February 2011, Winehouse cut short a performance in Dubai following booing from the audience. Winehouse was reported to be tired, distracted and "tipsy" during the performance.

On 18 June 2011, Winehouse started her 12-leg 2011 European tour in Belgrade. Local media described her performance as a scandal and disaster, and she was booed off the stage due to her apparently being too drunk to perform. It was reported that she was unable to remember the city she was in, the lyrics of her songs or – when trying to introduce them – the names of the members of her band. The local press also claimed that Winehouse was forced to perform by her bodyguards, who didn't allow her to leave the stage when she tried to do so. She then pulled out of performances in Istanbul and Athens which had been scheduled for the following week. On 21 June it was announced that she had cancelled all shows of her European tour and would be given "as long as it takes" to sort herself out.

Winehouse's last public appearance took place at Camden's Roundhouse, London on 20 July 2011, when she made a surprise guest appearance on stage to support her goddaughter, Dionne Bromfield, who was singing "Mama Said" with The Wanted.

Club nights

On 10 July 2008, Winehouse launched her own club night, ''Snakehips at the Monarch'', in the Camden Monarch venue in London. Although billed as a DJ battle between her and another DJ, she stayed behind the decks swaying as another person actually played 1960s music. She appeared at another ''Snakehips'' event at the Monarch on the night of 11 September. After reportedly arriving two hours late, she spun music and played a short acoustic set.

Other ventures

Winehouse joined a campaign to stop a block of flats being built beside the George Tavern, a famous London East End music venue. Campaign supporters feared the residential development would end the spot's lucrative sideline as a film and photo location, on which it relies to survive. As part of a breast cancer awareness campaign, Winehouse appeared in a revealing photograph for the April 2008 issue of ''Easy Living'' magazine. Winehouse had an estimated £10m fortune, tying her for tenth place in the 2008 ''Sunday Times'' listing of the wealth of musicians under age 30. The following year her fortune had dropped to an estimated £5m. Her finances are run by Mitch and Janis Winehouse. It was reported she earned about £1m singing at two private parties during Paris Fashion Week. as well as another £1m to perform at a Moscow Art Gallery for Russian oligarch Roman Abramovich. Winehouse loaned a vintage dress used in her video for "Tears Dry on Their Own" as well as a DVD to the British Music Experience, a new museum dedicated to the history of British pop music. The museum, located in The O2, opened on 9 March 2009.

In January 2009, Winehouse announced that she was launching her own record label. The first act on her Lioness Records is Winehouse's 13-year-old goddaughter, Dionne Bromfield. Her first album, featuring covers of classic soul records, was released on 12 October 2009. Winehouse is the backing singer on several tracks on the album and she performed backing vocals for Bromfield on the television programme ''Strictly Come Dancing'' on 10 October.

Winehouse and her family are the subject of a 2009 documentary shot by Daphne Barak titled ''Saving Amy''.

Winehouse entered into a joint venture in 2009 with EMI to launch a range of wrapping paper and gift cards containing song lyrics from her album ''Back to Black''.

On 8 January 2010, a television documentary, ''My Daughter Amy'', aired on Channel 4.

''Saving Amy'' was released as a paperback book in January 2010.

Winehouse collaborated on a 17 piece fashion collection with the Fred Perry label. It was released for sale in October 2010. According to Fred Perry's marketing director "We had three major design meetings where she was closely involved in product style selection and the application of fabric, colour and styling details,” and gave "crucial input on proportion, colour and fit”. The collection consists of "vintage-inspired looks including Capri pants, a bowling dress, a trench coat, pencil skirts, a longline argyle sweater and a pink-and-black checkerboard-printed collared shirt". At the behest her family three forthcoming collections up to and including autumn/winter 2012 that she had designed prior to her death will be released.

Personal life

With the paparazzi taking photographs of her wherever they could, Winehouse obtained an injunction against a leading paparazzi agency (Big Pictures) under the Protection from Harassment Act 1997, the resultant court order banning them from following her. Photographers were also banned from following her within 100 metres of her home and photographing Winehouse in her home or the home of her friends and family. According to a newspaper report, sources close to the singer said legal action was taken out of concern for the safety of Winehouse and those close to her.

Relationships

Winehouse dated chef-musician Alex Clare (sometimes referred to as Alex Claire) in 2006, while on the outs with her on-off boyfriend and future husband, Blake Fielder-Civil. Clare famously sold his story to the ''News of the World'', which published it under the headline “Bondage Crazed Amy Just Can’t Beehive in Bed”.

She married Fielder-Civil (born August 1978), a former video production assistant, on 18 May 2007, in Miami Beach, Florida. Fielder-Civil was a "dropout" of Bourne Grammar School, who moved to London at aged 16 from his native Lincolnshire. In a June 2007 interview, Winehouse admitted she could sometimes be violent toward him after she had been drinking, saying "if he says one thing I don't like then I'll chin him". In August 2007, they were photographed, bloodied and bruised, in the streets of London after an alleged fight, although she contended her injuries were self-inflicted. American men's campaigner Glenn Sacks condemned Winehouse for what he called her "bragging" about abusing her husband, saying that "a male abuser would have been locked up, stigmatised, and vilified".

Winehouse's parents and in-laws publicly reported their numerous concerns, citing fears that the two might commit suicide, with Fielder-Civil's father encouraging fans to boycott her music. Fielder-Civil was quoted in a British tabloid as saying he introduced her to crack cocaine and heroin. During a visit with Mitch Winehouse at the prison in July 2008, Fielder-Civil reportedly said that they would cut themselves to ease the pain of withdrawal.

From 21 July 2008 to 25 February 2009, Fielder-Civil was imprisoned following his guilty plea on charges of trying to pervert the course of justice as well as a charge of grievous bodily harm with intent. The incident, in July 2007, involved an assault on a pub landlord that resulted in a broken cheek. According to the prosecution the landlord accepted £200,000 as part of a deal to "effectively throw the [court] case and not turn up". The prosecution testified that the money used to pay off the landlord belonged to Winehouse, but that Winehouse pulled out of a meeting with the men involved in the plot, because she had to attend an awards ceremony.

Winehouse was spotted with aspiring actor Josh Bowman on holiday in Saint Lucia in early January 2009, saying she was "in love again, and I don't need drugs." She commented that the "whole marriage was based on doing drugs" and that "for the time being I've just forgotten I'm even married." On 12 January, Winehouse's spokesman confirmed that "papers have been received" for what Fielder-Civil's solicitor has said are divorce proceedings based on a claim of adultery. On 25 February, Blake Fielder-Civil was quoted as saying that he planned to continue divorce proceedings to give himself a drug-free fresh start. In March, Winehouse was quoted in a magazine as saying, "I still love Blake and I want him to move into my new house with me – that was my plan all along ... I won't let him divorce me. He's the male version of me and we're perfect for each other." Uncontested, the divorce was granted on 16 July 2009 and became final on 28 August 2009. Upon his request Fielder-Civil received no money in the settlement. She dated director Reg Traviss for approximately two years before her death.

Substance abuse and mental health issues

Winehouse's battles with substance abuse were the subject of much media attention. In 2005, she went through a period of drinking, heavy drug use, violent mood swings and weight loss.; people who saw her during the end of that year and early 2006 reported a rebound that coincided with the writing of ''Back to Black''. Her family believes that the mid-2006 death of her grandmother, who was a stabilising influence, set her off into addiction. In August 2007, Winehouse cancelled a number of shows in the UK and Europe, citing exhaustion and ill health. She was hospitalised during this period for what was reported as an overdose of heroin, ecstasy, cocaine, ketamine and alcohol. In various interviews, she admitted to having such problems with self-harm, depression and eating disorders.

Winehouse told a magazine that the drugs were to blame for her hospitalisation and that "I really thought that it was over for me then." Soon after, Winehouse's father commented that when he had made public statements regarding her problems, he was using the media because it seemed the only way to get through to her. In an interview with ''The Album Chart Show'' on British television, Winehouse said she was manic depressive and not alcoholic, adding that that sounded like "an alcoholic in denial". A U.S. reporter writes that Winehouse was a "victim of mental illness in a society that doesn't understand or respond to mental illness with great effectiveness".

On 2 December 2007, images of the singer outside her home in the early morning hours, barefoot and wearing only a bra and jeans, appeared on the internet and in tabloid newspapers. In a statement, her spokesman blamed paparazzi harassment for the incident. The spokesman reported that the singer was in a physician-supervised programme and was channelling her difficulties by writing a lot of music. The British tabloid ''The Sun'' posted a video of a woman, alleged to be Winehouse, apparently smoking crack cocaine and speaking of having taken ecstasy and valium. Winehouse's father moved in with her, and Island Records, her record label, announced the abandonment of plans for an American promotion campaign on her behalf. In late January 2008, Winehouse reportedly entered a rehabilitation facility for a two-week treatment program.

On 23 January 2008, the video was passed on to the Metropolitan Police, who questioned her on 5 February. No charges were brought. On 26 March 2008, Winehouse's spokesman said she was "doing well" and denied a published report in a British tabloid that consideration was being given to having her return to rehab. Her record company reportedly believed that her recovery remained fragile. By late April 2008, her erratic behaviour, including an allegation of assault, caused fear that her drug rehabilitation efforts have been unsuccessful, leading to efforts by Winehouse's father and manager to seek assistance in having her sectioned. Her dishevelled appearance during and after a scheduled club night in September sparked new rumours of a relapse. Photographers were quoted as saying she appeared to have cuts on her legs and arms.

According to Winehouse's physician Winehouse quit illegal substances in 2008. In an October 2010 interview, Winehouse speaking of her decision to quit drugs said "I literally woke up one day and was like, 'I don’t want to do this any more”. Drinking alcohol emerged as a problem with Winehouse abstaining for a few weeks then lapsing. The physician said that Winehouse was treated with Librium for alcohol withdrawal and anxiety, and underwent psychologist and a psychiatrist reviews in 2010, but refused psychological therapy.

Violence and legal difficulties

In 2006, Winehouse admitted punching a fan in the face for criticising her having taken Blake Fielder-Civil as a husband. She then attacked her spouse as he attempted to calm her down, kneeing him in the crotch.

In October 2007, Winehouse and her then-husband were arrested in Bergen, Norway for possession of seven grams of marijuana. The couple were later released and fined 3850 kroner (around £350). Winehouse first appealed the fines, claiming she was "duped" into confessing, but later dropped the appeal.

On 26 April 2008, Winehouse was cautioned after she admitted to police she slapped a 38 year-old man in the face, a "common assault" offence. She voluntarily turned herself in and was held overnight. Police said, at her arrival she was "in no fit state" to be interviewed. Winehouse was arrested on 7 May 2008 on suspicion of possessing drugs after a video of her apparently smoking crack cocaine was passed to the police in January, but was released on bail a few hours later because they could not confirm, from the video, what she was smoking. The Crown Prosecution Service considered charging her with possessing a controlled drug and allowing her premises to be used for the supply by others of a controlled drug, but she was cleared when the service could not establish that the substance in the video was a controlled drug. In reaction to the decision, former police commander John O’Connor said it is an "absolute scandal that nothing could be done" about Winehouse "cocking a snook at the law". Some members of Parliament also reacted negatively. Two London residents were subsequently charged with conspiracy to supply cocaine and ecstasy to Winehouse. One of the pair was sentenced to two years in prison on 13 December 2008, while the other received a two-year community order.

On 5 March 2009, Winehouse was arrested and charged with common assault following a claim by a woman that Winehouse hit her in the eye at a September 2008 Prince's Trust charity ball. At the same time, she was reported to have spat at the English socialite Pippa Middleton and to have headbutted a photographer. Winehouse's spokesperson announced the singer cancelled a scheduled United States Coachella Festival appearance in "light of current legal issues". Swearing in under her legal name of Amy Jade Civil, Winehouse appeared in court on 17 March to enter her plea of not guilty. On 23 July her assault trial began with prosecutor Lyall Thompson charging that Winehouse acted with "deliberate and unjustifiable violence" while appearing to be under the influence of alcohol or another substance. The woman, Sharene Flash, testified that Winehouse "punched me forcefully in my right eye. She used a fist, her right one.” Winehouse testified that she did not punch Flash, but tried to push Flash away from her because she was scared of Flash. Winehouse cited her worry that Flash would sell her story to a tabloid, Flash's height advantage, and Flash's "rude" behaviour as reasons for her fear of Flash. On the 24 July, District Judge Timothy Workman ruled that Winehouse was not guilty of the charge. Workman cited the facts that all but two of the witnesses were intoxicated at the time of the incident and that medical evidence did not show "the sort of injury that often occurs when there is a forceful punch to the eye".

On 19 December 2009, Winehouse was arrested again on charges of common assault, plus another charge of public order offence. Winehouse assaulted the front-of-house manager of the Milton Keynes Theatre after he asked her to move from her seat. On 20 January 2010, she admitted common assault and disorderly behaviour. She was given a two-year conditional discharge and ordered to pay £85 court costs and £100 compensation to the man she attacked.

Respiratory problems

On 23 June 2008, Winehouse's publicist corrected earlier misstatements by Mitch Winehouse that his daughter had early stage emphysema, instead claiming she had signs of what could lead to early-stage emphysema. Mitch Winehouse had also stated that his daughter's lungs were operating at 70 percent capacity and that she had an irregular heartbeat. Mitch Winehouse said that these problems had been caused by her chain smoking crack cocaine. The singer’s father also reported that doctors had warned Winehouse that, if she continued smoking crack cocaine, she would have to wear an oxygen mask and would eventually die. In a radio interview, Mitch Winehouse said the singer was responding "fabulously" to treatment, which included being covered with nicotine patches. British Lung Foundation spokesman Keith Prowse noted this type of condition could be managed with treatment. Prowse also said the condition was not normal for a person her age but "heavy smoking and inhaling other substances like drugs can age the lungs prematurely". Norman H. Edelman of the American Lung Association explained that if she stopped smoking, her lung functions would decline at the rate of a normal person, but continued smoking would lead to a more rapid decline in lung function. Photographs of the singer with a cigarette in her mouth, taken 23 June 2008, were widely published.

Winehouse was released from The London Clinic 24 hours after returning from a temporary leave to perform at Nelson Mandela's 90th birthday and at a concert in Glastonbury, and continued receiving treatment as an outpatient. In July, 2008 Winehouse stated that she had been diagnosed with "some areas of emphysema" and said she is getting herself together by "eating loads of healthy food, sleeping loads, playing my guitar, making music and writing letters to my husband every day". She also kept a vertical tanning bed in her apartment. Winehouse began precautionary testing on her lungs and chest on 25 October 2008 at the London Clinic for what was reported as a chest infection. Winehouse was in and out of the facility and was granted permission to set her own schedule regarding home leave. She returned to the hospital on 23 November 2008 for a reported reaction to her medication.

Death

Winehouse's bodyguard said that he arrived at her residence three days before her death and felt she was somewhat intoxicated. He observed moderate drinking over the next few days. He observed her "laughing, listening to music and watching TV at 2am the day of her death. According to the bodyguard at 10AM he observed her lying on her bed and tried unsuccessfully to rouse her. This did not raise much suspicion because she usually slept late after a night out. According to the bodyguard shortly after 3pm he checked on her again and observed her lying in the same position as before leading to a further check in which he concluded she was not breathing and had no pulse. He claimed he subsequently called emergency services. At 3:54pm BST on 23 July 2011, two ambulances were called to Winehouse's home in Camden, London. Winehouse was pronounced dead at the scene. Shortly afterwards, the Metropolitan Police confirmed that she had died. After her death was announced, media and camera crews appeared, as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside.

Police recovered one small and two large bottles of vodka from her room.

A coroner's inquest reached a verdict of misadventure. The report released on 26 October 2011 explained that Winehouse's blood alcohol content was 416 mg per decilitre at the time of her death, more than five times the legal drink-drive limit. According to the coroner, "The unintended consequences of such potentially fatal levels was her sudden death." Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer." Many musical artists have since paid tribute to Winehouse including U2, M.I.A., Lady Gaga, Mutya Buena, Bruno Mars, Nicki Minaj, Keisha Buchanan, Rihanna, George Michael, Adele, Kelly Clarkson, Courtney Love, and the American punk rock band Green Day, who wrote a song in her tribute titled "Amy." Family and friends attended Winehouse's funeral on 26 July 2011 at Edgwarebury Lane cemetery in north London. Her mother and father, Janis and Mitch Winehouse, close friend Kelly Osbourne, producer Mark Ronson and her boyfriend Reg Traviss were among those in attendance at the private service led by Rabbi Frank Hellner. Her father delivered the eulogy, saying "Goodnight, my angel, sleep tight. Mummy and Daddy love you ever so much." Carole King's "So Far Away" closed the service with mourners singing along. She was later cremated at Golders Green Crematorium. The family planned to sit a two-day shiva. Winehouse's parents intend to set up a foundation in her name, to help those affected by drug addiction.

Controversy

Winehouse's dichotomous public image of critical and commercial success versus personal turmoil proved to be controversial. ''The New Statesman'' called Winehouse "a filthy-mouthed, down-to-earth diva," while ''Newsweek'' called her "a perfect storm of sex kitten, raw talent and poor impulse control." Karen Heller with ''The Philadelphia Inquirer'' summarised the maelstrom this way:

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By 2008, her continued drug problems threatened her career. Even as Nick Gatfield, the president of Island Records, toyed with the idea of releasing Winehouse "to deal with her problems", he remarked on her talent, saying, "It’s a reflection of her status [in the U.S.] that when you flick through the TV coverage [of the Grammys] it’s her image they use." Post-Grammys, some questioned whether Winehouse should have been honoured with the awards given her recent personal and drug problems, including Natalie Cole, who introduced Winehouse at the ceremony. Cole (who battled her own substance-abuse problems while winning a Grammy for Best New Artist in 1975) remarked, "I think the girl is talented, gifted, but it's not right for her to be able to have her cake and eat it too. She needs to get herself together." In an opinion newspaper commentary, Antonio Maria Costa, executive director of the United Nations Office on Drugs and Crime, said that the alleged drug habits of Winehouse and other celebrities send a bad message "to others who are vulnerable to addiction" and undermine the efforts of other celebrities trying to raise awareness of problems in Africa, now that more cocaine used in Europe passes through Africa. Winehouse's spokesperson called Costa a "ludicrous man" and noted that "Amy has never given a quote about drugs or flaunted it in any way. She's had some problems and is trying to get better. The U.N. should get its own house in order." Following Winehouse's death William Bennett a former director of the United States Office of National Drug Control Policy criticised the Grammy Awards nominating committee along similar lines. Graeme Pearson, the former head of Scotland's drug enforcement agency, criticised Winehouse and Kate Moss for making going to rehab a badge of honour, thus giving the false impression that quitting drugs is easy, because many cannot afford to go to clinics.

Winehouse became a staple in popularity polls due not to her musical contributions, but her lifestyle. The 2008 NME Awards nominated Winehouse in the categories of "Villain of the Year", "Best Solo Artist", and "Best Music DVD"; Winehouse won for "Worst Dressed Performer". In its third annual list, ''Glamour'' magazine named Winehouse the third worst dressed British Woman. Winehouse was ranked number two on Richard Blackwell's 48th annual "Ten Worst Dressed Women" list, behind Victoria Beckham. In an April 2008 poll conducted by Sky News, Winehouse was named the second greatest "ultimate heroine" by the UK population at large, topping the voting for that category of those polled under 25 years old. Psychologist Donna Dawson commented that the results demonstrate women like Winehouse who have "a certain sense of vulnerability or have had to fight against some adversity in their lives” receive recognition. Winehouse was voted the second most hated personality in the United Kingdom in a poll conducted one month later by ''Marketing'' magazine.

Speaking at a discussion entitled ''Winehouse or White House?: Do we go too big on showbiz news?'' Jeff Zycinski, head of BBC Radio Scotland, said the BBC and media in general were complicit in the destruction of celebrities like Winehouse. He said that public interest in the singer's lifestyle does not make her lifestyle newsworthy. Rod McKenzie editor of the BBC Radio One program ''Newsbeat'' replied that "If you play [Amy Winehouse's] music to a certain demographic, those same people want to know what's happening in her private life. If you don't cover it, you're insulting young license fee payers." The British artist M.I.A. was quoted in ''The Guardian'' in 2007 as saying she found Winehouse "really interesting", saying "I once saw her in the street and she was really out of it, so I guess she is really living it out. I think Amy's thing is feeling really weird about what she does and dealing with that." British singer and songwriter Lily Allen was quoted in a Scottish newspaper as saying

Artistic impressions

London's Mall Galleries opened an exhibition in May 2008 that included a sculpture of Winehouse, entitled ''Excess''. The piece, created by Guy Portelli, had a miniature of the singer lying on top of a cracked champagne bottle, with a pool of spilled liquid underneath. The body was covered with what appeared to be tiny pills, while one outstretched hand held a glass. Another piece, a print entitled "Celebrity 1" by artist Charlotte Suckling, was exhibited in the same exhibition. A wax sculpture of Winehouse went on display at the London Madame Tussauds on 23 July 2008. The singer did not attend the unveiling, although her parents did. A sculpture by Marco Perego, entitled "The Only Good Rock Star Is a Dead Rock Star", that depicts Winehouse lying in a pool of blood with an apple and a bullet hole in her head after being shot by American novelist and beat poet William S. Burroughs (in a recreation of the accidental killing of his wife Joan Vollmer), was scheduled to go on display in New York’s Half Gallery on 14 November 2008. The sale price for the sculpture is listed at US $100,000. Perego said of the sculpture "Rock stars are the sacrificial animals of society." Winehouse’s spokesperson said "It’s a funny kind of tribute. The artist seems in thrall to a tabloid persona that is not the real Amy. People often use her image to sell their work."

Discography

;Studio albums:

''Frank'' (2003)

''Back to Black'' (2006)

; Posthumous albums:

''Lioness: Hidden Treasures'' (2011)

Awards and nominations

Among the awards and recognitions for ''Frank'', Winehouse earned an Ivor Novello Award for Best Contemporary Song ("Stronger Than Me"), a BRIT Award nomination for Best Female Solo Artist, and an inclusion in Robert Dimery's 2006 book, ''1001 Albums You Must Hear Before You Die''. ''Back to Black'' produced numerous nominations, including two from the BRIT Awards (Best Female Solo Artist and Best British Album), six from the Grammy Awards (including five wins), four from the Ivor Novello Awards, four from the MTV Europe Music Awards, three from the MTV Video Music Awards, three from the World Music Awards, and one each from the Mercury Prize (Album of the Year) and MOBO Awards (Best UK Female). During her career, Winehouse received 23 awards from 60 nominations.

See also

27 Club

References

Further reading

;General

Lewis, Pete. "A Blues & Soul Classic Interview With Amy Winehouse Before 'Rehab'" ''Blues & Soul''. April 2004 (reprinted February 2008).

Anderman, Joan. "Of course she should go to rehab." ''Boston Globe''. 15 December 2007.

Gould, Lara; Bull, Sarah; & Satherly, Jessica. "Sordid final hours of a troubled star: Amy Winehouse had 'bought ecstasy, cocaine and ketamine' on the night before tragic death". ''Daily Mail''. 24 July 2011.

Grimwood, Ben. CollegeNews.com. 29 November 2007.

Gundersen, Edna. "Amy Winehouse's sobering transformation could hurt her musical credibility." ''USA TODAY''. 28 January 2008.

Hill, Emily. "Amy Winehouse: her own woman." ''The Guardian''. 31 July 2008

Pareles, Jon. "In Real Time, Amy Winehouse’s Deeper Descent." ''New York Times'' 24 January 2008.

Rosen, Jody. "Dark Star." ''Slate''. 12 February 2008.

Smith, Joan. "There's nothing poetic about Amy's self-destruction" ''The Independent''. 26 June 2008.

The Smoking Gun. BACKSTAGE RIDER: Divas: Amy Winehouse 12 May 2006.

Tyrangiel, Josh. "Trouble Woman." ''TIME''. 24 January 2008.

Vernon, Polly Amy Winehouse: Unplugged ''Harper's Bazaar'' October 2010

July 2009 Mitch Winehouse interview with ''Daily Mirror'' covering a variety of her personal issues

;Books

Barak, Daphne. ''Saving Amy''. New Holland Publishers, 25 January 2010. ISBN 9781847736703

Johnstone, Nick. ''Amy Amy Amy: The Amy Winehouse Story''. Omnibus Press, 1 April 2008. ISBN 9780825636028.

Newkey-Burden, Chas. ''Amy Winehouse: The Biography''. John Blake Publishing, 7 April 2008. ISBN 1844545636.

External links

[ Amy Winehouse] at the All Music Guide

Amy Winehouse collected news and commentary at ''The New York Times''

New York Times fashion retrospective

Slide Show at ''Rolling Stone''

Videos at Island Records on YouTube

Official Video Of Amy Winehouse performing 'Back To Black' Live and Acoustic at SXSW

Category:Amy Winehouse Category:1983 births Category:2011 deaths Category:Alcohol-related deaths in England Category:Alumni of the Sylvia Young Theatre School Category:Blue-eyed soul singers Category:Brit Award winners Category:English people of Jewish descent Category:Deaths by alcohol poisoning Category:English contraltos Category:English female guitarists Category:English-language singers Category:English jazz guitarists Category:English jazz singers Category:English Jews Category:English people convicted of assault Category:English people of Russian descent Category:English rhythm and blues singers Category:English soul singers Category:Grammy Award winners Category:Ivor Novello Award winners Category:Jazz-blues musicians Category:Jewish singers Category:Neo soul singers Category:People educated at the BRIT School Category:People from Camden (district) Category:People from Southgate, London Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers Category:People with bipolar disorder Category:Republic Records artists Category:Singers from London Category:Torch singers Category:Vocal jazz musicians Category:Female jazz musicians Category:World Music Awards winners

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