name	Suicide
icd10	–| ICD9 | MedlinePlus 001554
emedicinesubj	article
emedicinetopic	288598
meshname	Suicide
meshnumber	F01.145.126.980.875 }}

Suicide (Latin ''suicidium'', from ''sui caedere'', "to kill oneself") is the act of a human being intentionally causing his or her own death. Suicide is often committed out of despair, or attributed to some underlying mental disorder which includes depression, bipolar disorder, schizophrenia, alcoholism and drug abuse. Pressures or misfortunes such as financial difficulties or troubles with interpersonal relationships may play a significant role.

Over one million people die by suicide every year. The World Health Organization (WHO) estimates that it is the thirteenth-leading cause of death worldwide and the National Safety Council rates it sixth in the United States. It is a leading cause of death among teenagers and adults under 35. The rate of suicide is higher in men than in women. There are an estimated 10 to 20 million non-fatal attempted suicides every year worldwide.

Views on suicide have been influenced by broader cultural views on existential themes such as religion, honor, and the meaning of life. The Abrahamic religions consider suicide an offense towards God due to religious belief in the sanctity of life. In the West it was often regarded as a serious crime. Conversely, during the samurai era in Japan, seppuku was respected as a means of atonement for failure or as a form of protest. In the 20th century, suicide in the form of self-immolation has been used as a form of protest, and in the form of kamikaze and suicide bombing as a military or terrorist tactic. Sati is a Hindu funeral practice in which the widow would immolate herself on her husband's funeral pyre, either willingly or under pressure from the family and in-laws.

Medically assisted suicide (euthanasia, or the right to die) is currently a controversial ethical issue involving people who are terminally ill, in extreme pain, or have (perceived or construed) minimal quality of life through injury or illness. Self-sacrifice for others is not always considered suicide, as the goal is not to kill oneself but to save another; however, Émile Durkheim's theory termed such acts "altruistic suicide."

Classification

Self-harm

Self-harm is not a suicide attempt; however, initially self-harm was erroneously classified as a suicide attempt. There is a non-causal correlation between self-harm and suicide; both are most commonly a joint effect of depression. This may also be classified as Deliberate self-harm and is most common in younger people but has been increasing in recent years in people of all ages.

Euthanasia and assisted suicide

Individuals who wish to end their own lives may enlist the assistance of another person to achieve death. The other person, usually a family member or physician, may help carry out the act if the individual lacks the physical capacity to do so even with the supplied means. Assisted suicide is a contentious moral and political issue in many countries, as seen in the scandal surrounding Dr. Jack Kevorkian, a medical practitioner who supported euthanasia, was found to have helped patients end their own lives, and was sentenced to prison time.

Murder–suicide

A murder–suicide is an act in which an individual kills one or more other persons immediately before or at the same time as him or herself.

The motivation for the murder in murder–suicide can be purely criminal in nature or be perceived by the perpetrator as an act of care for loved ones in the context of severe depression.

Suicide attack

A suicide attack is when an attacker perpetrates an act of violence against others, typically to achieve a military or political goal, that results in his or her own death as well. Suicide bombings are often regarded as an act of terrorism. Historical examples include the assassination of Czar Alexander II and the in-part successful kamikaze attacks by Japanese air pilots during the Second World War, as well as more recent attacks, such as the September 11th attacks.

Mass suicide

Some suicides are done under peer pressure or as a group. Mass suicides can take place with as few as two people, in a "suicide pact", or with a larger number of people. An example is the mass suicide that took place by members of the Peoples Temple, an American cult led by Jim Jones in Guyana in 1978.

Suicide pact

A suicide pact describes the suicides of two or more individuals in an agreed-upon plan. The plan may be to die together, or separately and closely timed. Suicide pacts are generally distinct from mass suicide. The latter refers to incidents in which a larger number of people kill themselves together for the same ideological reason, often within a religious, political, military or paramilitary context. Suicide pacts, on the other hand, usually involve small groups of people (such as married or romantic partners, family members, or friends) whose motivations are intensely personal and individual.

Metaphorical suicide

The metaphorical sense of "willful destruction of one's self-interest", for example political suicide.

Risk factors

A number of factors are associated with the risk of suicide including: mental illness, drug addiction, and socio-economic factors. While external circumstances, such as a traumatic event, may trigger suicide it does not seem to be an independent cause.

Mental illness

Mental disorders are frequently present at the time of suicide with estimates from 87% to 98%. When broken down into type mood disorders are present in 30%, substance abuse in 18%, schizophrenia in 14%, and personality disorders in 13% of suicides. About 5% of people with schizophrenia die of suicide. Depression, one of the most commonly diagnosed psychiatric disorders is being diagnosed in increasing numbers in various segments of the population worldwide, and is often a precipitating factor in suicide. Depression in the United States alone affects 17.6 million Americans each year or 1 in 6 people. Within the next twenty years depression is expected to become the second leading cause of disability worldwide and the leading cause in high-income nations, including the United States.

In approximately 75% of completed suicides the individuals had seen a physician within the prior year before their death, 45%-66% within the prior month. Approximately 33% - 41% of those who completed suicide had contact with mental health services in the prior year, 20% within the prior month.

Conservative estimates are, that 10% of all psychological symptoms may be due to medical reasons, with the results of one study, suggesting that about 50% of individuals with a serious mental illness ''have general medical conditions that are largely undiagnosed and untreated and may cause or exacerbate psychiatric symptoms'' (Rothbard AB,''et al.'' 2009)

Substance abuse

Substance abuse is the second most common risk factor for suicide after mood disorders. Both chronic substance misuse as well as acute substance abuse is associated with suicide. This is attributed to the intoxicating and disinhibiting effects of many psychoactive substances; when combined with personal grief such as bereavement the risk of suicide is greatly increased. More than 50% of suicides are related to alcohol or drug use. Up to 25% of suicides are committed by drug addicts and alcoholics. In adolescents the figure is higher with alcohol or drug misuse playing a role in up to 70% of suicides. It has been recommended that all drug addicts or alcoholics are investigated for suicidal thoughts due to the high risk of suicide. An investigation in the New York Prison Service found that 90% of inmates who committed suicide had a history of substance abuse.

Cocaine

Misuse of drugs such as cocaine have a high correlation with suicide. Suicide is most likely to occur during the "crash" or withdrawal phase of cocaine in chronic abusers. Polysubstance misuse has been found to more often result in suicide in younger adults whereas suicide from alcoholism is more common in older adults. In San Diego it was found that 30% of suicides in people under the age of 30 had used cocaine. In New York City during a crack epidemic one in five people who committed suicide were found to have recently consumed cocaine. The "come down" or withdrawal phase from cocaine can result in intense depressive symptoms coupled with other distressing mental effects which serve to increase the risk of suicide.

Methamphetamine

Methamphetamine use has a high association with depression and suicide as well as a range of other adverse effects on physical and mental health.

Opioids

Heroin users have a death rate 13 times that of their peers, and deaths among heroin users attributed to suicide range from 3-35%. Overall, heroin users are 14 times more likely than peers to die from suicide. Major depressive disorder was found in a 25% of entrants to treatment for heroin dependence in Australia.

Alcohol

Alcohol misuse is associated with a number of mental health disorders, and alcoholics have a very high suicide rate. It has been found that drinking 6 drinks or more per day results in a sixfold increased risk of suicide. High rates of major depressive disorder occur in heavy drinkers and those who abuse alcohol. Controversy has previously surrounded whether those who abused alcohol who developed major depressive disorder were self medicating (which may be true in some cases) but recent research has now concluded that chronic excessive alcohol intake itself directly causes the development of major depressive disorder in a significant number of alcohol abusers.

Benzodiazepines

Chronic prescribed benzodiazepine use or chronic misuse is associated with depression as well as suicide. Care should be taken when prescribing especially to at risk patients. Depressed adolescents who were taking benzodiazepines were found to have a greatly increased risk of self harm or suicide, although the sample size was small. The effects of benzodiazepines in individuals under the age of 18 requires further research. Additional caution is required in using benzodiazepines in depressed adolescents. Benzodiazepine dependence often results in an increasingly deteriorating clinical picture which includes social deterioration leading to comorbid alcoholism and drug abuse. Suicide is a common outcome of chronic benzodiazepine dependence. Benzodiazepine misuse or misuse of other CNS depressants increases the risk of suicide in drug misusers. 11% of males and 23% of females with a sedative hypnotic misuse habit commit suicide. Benzodiazepine withdrawal also leads to an increased risk of suicide.

Cigarette smoking

There have been various studies done showing a positive link between smoking, suicidal ideation and suicide attempts. In a study conducted among nurses, those smoking between 1-24 cigarettes per day had twice the suicide risk; 25 cigarettes or more, 4 times the suicide risk, than those who had never smoked. In a study of 300,000 male U.S. Army soldiers, a definitive link between suicide and smoking was observed with those smoking over a pack a day having twice the suicide rate of non-smokers.

Problem gambling

Problem gambling is often associated with increased suicidal ideation and attempts compared to the general population.

Early onset of problem gambling increases the lifetime risk of suicide. However, gambling-related suicide attempts are usually made by older people with problem gambling. Both comorbid substance use and comorbid mental disorders increase the risk of suicide in people with problem gambling.

A 2010 Australian hospital study found that 17% of suicidal patients admitted to the Alfred Hospital's emergency department were problem gamblers.

Biological

Genetics has an effect on suicide risk accounting for 30–50% of the variance. Much of this relationship acts through the heritability of mental illness. There is also evidence to suggest that if a parent has committed suicide, it is a strong predictor of suicide attempts among the offspring.

Social

As a form of defiance or protest

In Ireland protesting via hunger strike to the death has been used as a tactic in recent times for political causes. During The Troubles in Northern Ireland a hunger strike was launched by the provisional IRA to demand that their prisoners be reclassified as prisoners of war rather than as terrorists, during the infamous 1981 hunger strikes, led by Bobby Sands; this protest resulted in 10 deaths. The cause of death was recorded as "starvation, self-imposed" rather than suicide by the coroner, modified to simply "starvation" on the death certificates after protests from the striker's families.

Judicial suicide

A person who has committed a crime may commit suicide to avoid prosecution and disgrace, such as in murder–suicides. Nazi leader Hermann Göring, a high-ranked Nazi and head of the Luftwaffe, committed suicide with cyanide capsules rather than be hanged after his conviction at the Nuremberg Trials. Some school shootings, including the Columbine and Virginia Tech massacres, concluded with the perpetrators committing suicide.

Military suicide

In the final days of World War II, some Japanese pilots volunteered for kamikaze missions in an attempt to forestall defeat for the Empire of Japan, while Japanese ground forces initiated banzai charges. Near the end of WWII the Japanese designed the Ohka, a small aircraft whose only purpose was kamikaze missions. Similarly, units of the Luftwaffe flew Selbstopfereinsatz (self-sacrifice missions) against Soviet bridges.

Dutiful suicide

Dutiful suicide is an act, or non-fatal attempt at the act, of fatal self-violence at one's own hands done in the belief that it will secure a greater good, rather than to escape harsh or impossible conditions. It can be voluntary, to relieve some dishonor or punishment, or imposed by threats of death or reprisals on one's family or reputation (a kind of murder by remote control). It can be culturally traditional or generally abhorred; it can be heavily ritualized as in seppuku or purely functional. Dutiful suicide can be distinguished from a kamikaze or suicide bomb attack, in which a fighter consumes his own life in delivering a weapon to the enemy.

Disgraced Roman aristocrats were sometimes allowed to commit suicide to spare themselves a trial and penalties against their families. An example of this was Emperor Nero who reportedly committed forced suicide facing a revolt and execution. A more modern case is Erwin Rommel, who was found to have foreknowledge of the July 20 Plot on Hitler's life. Rommel was threatened with public trial, execution and reprisals on his family unless he killed himself, which he did.

Suicide as an escape

In situations where continuing to live is intolerable, some people use suicide as a means of escape. Some inmates in Nazi concentration camps are known to have killed themselves by deliberately touching the electrified fences.

As Germany faced inevitable defeat in mid–1945, there were unprecedented waves of suicides amongst Germans in the final weeks of the war (see Mass suicides in 1945 Nazi Germany) These included many senior figures in the regime (e.g., Adolf Hitler, Heinrich Himmler and Joseph Goebbels), as well as many ordinary people who were fearful of suffering atrocities at the hands of the advancing Red Army. The behaviour of Soviet troops also played a role, as many Germans committed suicide to avoid rape or out of shame at having been raped.

Emperor Tewodros II of Ethiopia, facing defeat at the hands of the British expeditionary force committed suicide rather than be taken captive, announcing ""It is finished! Sooner than fall into his hands I will kill myself".

According to a report by Tata Institute of Social Sciences in Mumbai, 150,000 debt-ridden farmers in India have committed suicide in the past decade.

Other

Socio-economic factors such as unemployment, poverty, homelessness, and discrimination may trigger suicidal thoughts. Poverty may not be a direct cause but it can increase the risk of suicide, as it is a major risk group for depression. Advocacy of suicide has been cited as a contributing factor. Intelligence may also factor. Initially proposed as a part of an evolutionary psychology explanation, which posited a minimum intelligence required for one to commit suicide, the positive correlation between IQ and suicide has been replicated in a number of studies. Some scientists doubt however that intelligence can be a cause of suicide, and the intelligence is no longer a predictor of suicide when regressed with national religiousness and perceptions of personal health. According to the American Psychiatric Association, "religiously unaffiliated subjects had significantly more lifetime suicide attempts and more first-degree relatives who committed suicide than subjects who endorsed a religious affiliation." Moreover, individuals with no religious affiliation had fewer moral objections to suicide than believers.

One study found that a lack of social support, a deficit in feelings of belongingness and living alone were crucial predictors of a suicide attempt. One study found that among prison inmates, suicide was more likely among inmates who had committed a violent crime.

Suicide methods

The leading method of suicide varies dramatically between countries. The leading methods in different regions include hanging, pesticide poisoning, and firearms. A 2008 review of 56 countries based on WHO mortality data found that hanging was the most common method in most of the countries, accounting for 53 percent of the male suicides and 39 percent of the female suicides. Worldwide 30% of suicides are from pesticides. The use of this method however varies markedly from 4% in Europe to more than 50% in the Pacific region. In the United States 52% of suicides involve the use of firearms. Asphyxiation (such as with a suicide bag) and poisoning are fairly common as well. Together they comprised about 40% of U.S. suicides. Other methods of suicide include blunt force trauma (jumping from a building or bridge, self-defenestrating, stepping in front of a train, or car collision, for example). Exsanguination or bloodletting (slitting one's wrist or throat), intentional drowning, self-immolation, electrocution, and intentional starvation are other suicide methods. Individuals may also intentionally provoke another person into administering lethal action against them, as in suicide by cop.

Whether or not exposure to suicide is a risk factor for suicide is controversial. A 1996 study was unable to find a relationship between suicides among friends, while a 1986 study found increased rates of suicide following the televisation of news stories regarding suicide.

Prevention

Suicide prevention is a term used for the collective efforts to reduce the incidence of suicide through prevention measures. While crisis hotlines are common there is little evidence to support or refute their effectiveness. Asking about or screening for suicide however does not appear to increase the risk.

Epidemiology

[[File:Self-inflicted injuries world map - Death - WHO2004.svg|thumb|Deaths for self inflicted injuries per 100,000 inhabitants in 2004. ]]

Suicide is the tenth leading cause of death worldwide According to 2007 data, suicides in the U.S. outnumber homicides by nearly 2 to 1 and ranks as the 11th leading cause of death in the country, ahead of liver disease and Parkinson's. Worldwide suicide rates have increased by 60% in the past 50 years, mainly in the developing countries.

A disproportionate amount of suicides in the world occur in Asia, which is estimated to account for up to 60% of all suicides. According to the WHO, China, India and Japan may account for 40% of all world suicides.

In the U.S., the rate of suicide is increasing for the first time in a decade. The increase in the overall suicide rate between 1999 and 2005 has been due primarily to an increase in suicides among whites aged 40–64, with white middle-aged women experiencing the largest annual increase.

Gender

In the Western world, males die much more often by means of suicide than do females, although females attempt suicide more often. Some medical professionals believe this stems from the fact that males are more likely to end their lives through effective violent means, while women primarily use less severe methods such as overdosing on medications. In most countries, drug overdoses account for about two-thirds of suicides among women and one-third among men. Alcoholics are 5 to 20 times more likely to kill themselves while the misuse of other drugs increases the risk 10 to 20 times. About 15% of alcoholics commit suicide, and about 33% of suicides in the under 35's have a primary diagnosis of alcohol or other substance misuse; over 50% of all suicides are related to alcohol or drug dependence. In adolescents alcohol or drug misuse plays a role in up to 70% of suicides.

Ethnicity

National suicide rates differ significantly between countries and amongst ethnic groups within countries. For example, in the U.S., non-Hispanic Caucasians are nearly 2.5 times more likely to kill themselves than African Americans or Hispanics. In the United Kingdom suicide rates vary significantly between different parts of the country. In Scotland, for example, the suicide rate is approximately double that of England.

Social aspects

Intervention

The predominant view of modern medicine is that suicide is a mental health concern, associated with psychological factors such as the difficulty of coping with depression, inescapable suffering or fear, or other mental disorders and pressures. A suicide attempt is sometimes interpreted as a "cry for help" and attention, or to express despair and the wish to escape, rather than a genuine intent to die. Most people who attempt suicide do not complete suicide on a first attempt; those who later gain a history of repetitions have a significantly higher probability of eventual completion of suicide.

In the United States, individuals who express the intent to harm themselves may be automatically determined to lack the ''present mental capacity'' to refuse treatment, and can be transported to the emergency department against their will. An emergency physician will determine whether inpatient care at a mental health care facility is warranted. This is sometimes referred to as being "committed". A court hearing may be held to determine the individual's ''competence''. In most states, a psychiatrist may hold the person for a specific time period without a judicial order. If the psychiatrist determines the person to be a threat to himself or others, the person may be admitted involuntarily to a psychiatric treatment facility. This period is usually of three days duration. After this time the person must be discharged or appear in front of a judge. As in any judicial proceeding this person has a right to legal counsel.

Switzerland has recently taken steps to legalize assisted suicide for the chronically mentally ill. The high court in Lausanne, in a 2006 ruling, granted an anonymous individual with longstanding psychiatric difficulties the right to end his own life. At least one leading American bioethicist, Jacob Appel of Brown University, has argued that the American medical community ought to condone suicide in certain individuals with mental illness.

Legislation

In some jurisdictions, an act or incomplete act of suicide is considered to be a crime. More commonly, a surviving party member who assisted in the suicide attempt will face criminal charges.

In Brazil, if the help is directed to a minor, the penalty is applied in its double and not considered as homicide. In Italy and Canada, instigating another to suicide is also a criminal offense. In Singapore, assisting in the suicide of a mentally handicapped person is a capital offense. In India, abetting suicide of a minor or a mentally challenged person can result in a maximum 1 year prison term with a possible fine.

In Germany, the following laws apply to cases of suicide:

Active euthanasia (killing on request) is prohibited by article 216 of the StGB (Strafgesetzbuch, German Criminal Code), punishable with six months to five years in jail

German law interprets suicide as an accident and anyone present during suicide may be prosecuted for failure to render aid in an emergency. A suicide legally becomes emergency when a suicidal person loses consciousness. Failure to render aid is punishable under article 323c of the StGB, with a maximum one year jail sentence.

Religious views

In most forms of Christianity, suicide is considered a sin, based mainly on the writings of influential Christian thinkers of the Middle Ages, such as St. Augustine and St. Thomas Aquinas; suicide was not considered a sin under the Byzantine Christian code of Justinian, for instance. In Catholic doctrine, the argument is based on the commandment "Thou shalt not kill" (made applicable under the New Covenant by Jesus in Matthew 19:18), as well as the idea that life is a gift given by God which should not be spurned, and that suicide is against the "natural order" and thus interferes with God's master plan for the world. However, it is believed that mental illness or grave fear of suffering diminishes the responsibility of the one completing suicide. Counter-arguments include the following: that the sixth commandment is more accurately translated as "thou shalt not murder", not necessarily applying to the self; that God has given free will to humans; that taking one's own life no more violates God's Law than does curing a disease; and that a number of suicides by followers of God are recorded in the Bible with no dire condemnation.

Judaism focuses on the importance of valuing this life, and as such, suicide is tantamount to denying God's goodness in the world. Despite this, under extreme circumstances when there has seemed no choice but to either be killed or forced to betray their religion, Jews have committed individual suicide or mass suicide (see Masada, First French persecution of the Jews, and York Castle for examples) and as a grim reminder there is even a prayer in the Jewish liturgy for "when the knife is at the throat", for those dying "to sanctify God's Name". (See: ''Martyrdom''). These acts have received mixed responses by Jewish authorities, regarded both as examples of heroic martyrdom, whilst others state that it was wrong for them to take their own lives in anticipation of martyrdom.

Suicide is not allowed in Islam; however, martyring oneself for Allah (during combat) is not considered the same as completing suicide. Suicide in Islam is seen as a sign of disbelief in God.

In Hinduism, suicide is generally frowned upon and is considered equally sinful as murdering another in contemporary Hindu society. Hindu Scriptures state that one who commits suicide will become part of the spirit world, wandering earth until the time one would have otherwise died, had one not committed suicide. However, Hinduism accept a man's right to end one's life through the non-violent practice of fasting to death, termed ''Prayopavesa''. But Prayopavesa is strictly restricted to people who have no desire or ambition left, and no responsibilities remaining in this life. Jainism has a similar practice named ''Santhara''. Sati, or self-immolation by widows was prevalent in Hindu society during the Middle Ages.

Philosophy

Some see suicide as a legitimate matter of personal choice and a human right (colloquially known as the right to die movement), and maintain that no one should be forced to suffer against their will, particularly from conditions such as incurable disease, mental illness, and old age that have no possibility of improvement. Proponents of this view reject the belief that suicide is always irrational, arguing instead that it can be a valid last resort for those enduring major pain or trauma. This perspective is most popular in continental Europe, where euthanasia and other such topics are commonly discussed in parliament and has a good deal of support.

A narrower segment of this group considers suicide something between a grave but condonable choice in some circumstances and a sacrosanct right for anyone (even a young and healthy person) who believes they have rationally and conscientiously come to the decision to end their own lives. Notable supporters of this school of thought include German pessimist philosopher Arthur Schopenhauer, Friedrich Nietzsche, and Scottish empiricist David Hume. Bioethicist Jacob Appel has become the leading advocate for this position in the United States. Adherents of this view often advocate the abrogation of statutes that restrict the liberties of people known to be suicidal, such as laws permitting their involuntary commitment to mental hospitals.

Locations

Some landmarks have become known for high levels of suicide attempts. The four most popular locations in the world are reportedly San Francisco's Golden Gate Bridge, Toronto's Bloor Street Viaduct (before the construction of the Luminous Veil), Japan's Aokigahara Forest and England's Beachy Head. In 2005 the Golden Gate Bridge had a count exceeding 1,200 jumpers since its construction in 1937, in 1997 the Bloor Street Viaduct had one suicide every 22 days, and in 2002 Aokigahara had a record of 78 bodies found within the forest, replacing the previous record of 73 in 1998. The suicide rate of these places is so high that numerous signs, urging potential victims of suicide to seek help, have been posted.

Language

Because suicide was a crime in various countries, including in England and Wales until 1961, the word 'commit' has traditionally been used in reference to it. Organisations such as the BBC and the Samaritans have stopped using this word because of its negative connotation. 'Attempt' suicide or other phrases are preferred.

In other species

"Suicide" has been observed in salmonella seeking to overcome competing bacteria by triggering an immune system response against them. Suicidal defences by workers are also noted in a Brazilian ant ''Forelius pusillus'' where a small group of ants leaves the security of the nest after sealing the entrance from the outside each evening.

Pea aphids, when threatened by a ladybug, can explode themselves, scattering and protecting their brethren and sometimes even killing the lady bug. Some species of termites have soldiers that explode, covering their enemies with sticky goo. There have been anecdotal reports of dogs, horses, and dolphins committing suicide, but with little conclusive evidence. There has been little scientific study of animal suicide.

See also

American Foundation for Suicide Prevention

Assessment of suicide risk

Bullycide

CALM, Campaign Against Living Miserably

Cult suicide

Jack Kevorkian

National Suicide Prevention Lifeline

Organ donation#In suicides

Parasuicide

Quantum suicide

Rational suicide

Samaritans (charity)

Senicide

Suicide Act 1961

Suicide bridge

Suicide note

Suicide Prevention Action Network USA

Suicide tree

Suicide watch

;Books

''The Complete Manual of Suicide''

''Final Exit''

''The Peaceful Pill Handbook''

''Suicide''

;Film

''The Bridge'' (2006 film)

;Lists

List of countries by suicide rate

List of suicide sites

List of suicides

Footnotes

Further reading

External links

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name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Tin Machine
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.

Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

History

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones, was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: Neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny

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name	Rick Mercer
birth name	Richard Vincent Mercer
birth date	October 17, 1969
birth place	St. John's, Newfoundland, Canada
website	http://www.rickmercer.com/ }}

Richard Vincent "Rick" Mercer (born October 17, 1969) is a Canadian comedian, television personality, political satirist, and blogger.

Mercer first came to national attention in 1990, when he premiered his one man show ''Show Me the Button, I'll Push It, or Charles Lynch Must Die'' at the Great Canadian Theatre Company in Ottawa. A pointed, satirical political commentary on Canadian life after Meech Lake, ''Show Me the Button'' made Mercer a national star as he toured the show across Canada. Mercer came to greater attention for his role in the satirical news show ''This Hour Has 22 Minutes'', and his spinoff special ''Talking To Americans'' was the highest-rated comedy special in the history of CBC Television, with 2.7 million viewers.

Television shows

In 1992, he created and performed his second show, ''I've Killed Before, I'll Kill Again'', which was also a popular touring show. Also in that year, he began to work with former ''CODCO'' members Cathy Jones, Mary Walsh, and with fellow Newfoundlander Greg Thomey, to create a new television series for CBC Television which became ''This Hour Has 22 Minutes''.

In the first eight seasons of ''22 Minutes'', Mercer provided some of the show's signature moments, including an Internet petition (on the '' 22 Minutes'' website) to force Canadian Alliance leader Stockwell Day to change his first name to Doris.

Mercer's tightly scripted and performed two-minute "rants," in which he would speak directly to the camera about a current political issue, shot in a style similar to those Denis Leary used in MTV commercials, quickly became the show's signature segment. In 1998, he published a book, ''Streeters'', which compiled many of his most famous ''22 Minutes'' rants. It quickly became a national bestseller. In 2007 he published his second book, ''Rick Mercer Report: The Book''.

In November 2010, Mercer contributed a rant he had previously recorded in 2007 on the subject of teen bullying in high schools to Dan Savage's It Gets Better Project.

''Made in Canada''

Mercer co-created the series ''Made in Canada'', which ran for five seasons on CBC Television from 1998 – 2003. The show was a fast-paced situation comedy which self-referentially satirized the Canadian TV production industry, often drawing from details of its own production companies and including thinly veiled parodies of contemporary programs. It was syndicated abroad as ''The Industry'' and won several Gemini Awards (which were themselves satirized in subsequent episodes.)

''Talking to Americans''

One of Mercer's trademark comedy routines on ''22 Minutes'' was ''Talking to Americans'', in which he would travel to a major American city or institution and conduct on-the-street interviews with average Americans regarding Canadian politics, the weather, etc., often with hilarious results as the subject's ignorance about Canada was illustrated. One famous example saw Mercer asking Americans' opinion on whether Canada should change its "20 Hour Clock" to the 24 hour one used by the United States. He received approval from citizens and from the Governor of Iowa, Tom Vilsack. On another occasion he got the support of Arkansas Governor Mike Huckabee in calling on Canadians to save the "National Igloo."

Mercer made international headlines in 2000 when he pulled a ''Talking to Americans'' stunt on then-presidential candidate George W. Bush. He successfully got Bush to answer questions about non-existent Canadian Prime Minister "Jean Poutine". Bush was not amused at the time, and thereafter refused to accept interviews from the CBC. However, he did make a joking reference to this incident during his visit to Canada in 2004. In the same US election campaign, Mercer asked Democratic candidate Al Gore to promise to visit the "Canadian capital city" of Toronto after his election. Gore did not question Mercer's incorrect identification of the capital of Canada.

In 2001, Mercer co-produced a CBC special based on ''Talking to Americans'', which attracted 2.7 million Canadian viewers—the highest-rated television special in Canadian history. Later, the respected ABC News program ''Nightline'' would devote a show to it. This was his last major project related to ''22 Minutes''—at the end of the 2000–2001 season, he announced his departure from that show. It was rumoured that he had decided to leave because of friction between Mercer and co-star Mary Walsh, although other reasons include focusing on his other television show, ''Made in Canada''. ''Talking to Americans'' was nominated for a Gemini Award, but following the 9/11 attacks, Mercer declined the nomination.

''The Rick Mercer Report''

In 2003, ''Made in Canada'' ended its run as well, and Mercer began to work on a new CBC series, ''Rick Mercer's Monday Report''. Similar in format to ''22 Minutes'' and ''The Daily Show with Jon Stewart'', the show debuted in January 2004. Also in 2003, Mercer went to Afghanistan to visit the Canadian troops stationed there (See: Operation Athena), resulting in the television special ''Christmas in Kabul''.

Despite reports of a long-standing feud Mercer invited Walsh to appear on ''Monday Report'' as a special guest to promote her own series ''Hatching, Matching and Dispatching''.

At the end of its second season, ''Monday Report'' was the highest rated arts and entertainment show on the CBC. Mercer has had a who's who from the world of Canadian entertainment and politics appear as guests on his show. Ex-Prime Minister Paul Martin gave him a private tour of 24 Sussex Drive and former New Democratic Party leader Ed Broadbent made snow angels with Mercer on Parliament Hill. Other prominent guests were NDP leader Jack Layton; Conservative Party leader Stephen Harper (now Prime Minister); Green Party leader Elizabeth May; then-Conservative MP Belinda Stronach; Conservative MP Peter MacKay; Newfoundland and Labrador Premier Danny Williams; Olympic gold medallist Kyle Shewfelt; author Pierre Berton; recording artists Jann Arden, Bif Naked, Rush bassist Geddy Lee, and Sarah McLachlan; publishing mogul Conrad Black; and former Prime Minister Jean Chrétien. When Mercer hosted a relief benefit concert for the victims of the 2004 Indian Ocean tsunami at the Pengrowth Saddledome in Calgary, musical guests Barenaked Ladies appeared in a segment Mercer shot backstage completely naked.

Since Mercer launched his own show, he became a regular target of his old show ''22 Minutes''. Criticism of Mercer focused mostly on his ongoing support of the Canadian Forces and his personal wealth.

In 2005, the CBC moved ''Monday Report'' to Tuesday nights, which caused the show's name to be changed to ''The Rick Mercer Report''. On his blog, Mercer wrote of the time slot shift that "we ended the season as the highest rated comedy show on the network. Clearly some drastic changes were needed."

A book by Mercer, ''Rick Mercer Report: The Book'', based on his television program, was published on September 25, 2007, by Doubleday Canada. This was Mercer's first book since his bestselling ''Streeters'' of 1998, and contained a collection of the best of Mercer's "rants" from the first four seasons of ''Rick Mercer Report'', together with choice moments from interviews for the program and other writings by Mercer. On CBC Radio's ''Sounds Like Canada'' on September 21, Shelagh Rogers said of the book that "it's the most fun I've had in bed in a long time." The book entered the ''Globe and Mail'' books chart on October 6 at number three. A continuing commercial success, it was number one in the ''Globe'' bestseller list in the week before Christmas 2007, and has been reprinted eight times.

An expanded and updated paperback version of ''Rick Mercer Report: The Book'', called ''Rick Mercer Report: The Paperback Book'', was published by Anchor Canada on September 16, 2008 and immediately entered the top ten of the ''Globe and Mail'' bestseller list. It continues to sell well and has been reprinted several times.

Other film and television work

Mercer has hosted ''It Seems Like Yesterday'', which examines pop-culture from the 1950s to the 1980s. He has appeared in a few films, including ''Secret Nation'', ''Understanding Bliss'' and ''Bon Cop, Bad Cop''.

Awards

Mercer has received more than 20 Gemini Awards for his television work. He has also been a winner of the prestigious Sir Peter Ustinov Comedy Award, presented to him at the 2003 Banff Television Festival. In 1993, Newfoundland premier Clyde Wells honoured Mercer with the Newfoundland and Labrador Arts Council's Artist of the Year award. In 2004, Mercer was presented with the Governor General's Performing Arts Award. He donated his $15,000 cash prize to the LSPU hall, the theatre in Newfoundland where Mercer performed his early work.

He holds honorary degrees from Laurentian University in Sudbury, Memorial University of Newfoundland in St. John's, Brock University in St. Catharines, McMaster University in Hamilton, Bishop's University in Sherbrooke, and the University of British Columbia. He received an honorary high school diploma for his outstanding efforts and determination from Landmark East School in Wolfville, Nova Scotia in 1999.

Mercer was awarded the 30th Annual Bob Edwards Award in Calgary.

In 2007, he was named honorary colonel of the 423 Maritime Helicopter Squadron, based in Shearwater, Nova Scotia; the squadron flies the Sea King helicopters.

Spokesperson and endorsements

Rick Mercer is co-chair, along with Belinda Stronach, in the Spread the Net campaign, partnered through UNICEF, which kicked off at Brock University on September 10, 2008. Spread the Net provides bed nets for $10 each to prevent the spread of malaria among children in Africa.

In December 2004 Mercer appeared on the commercials advertising the One-Tonne Challenge for the Government of Canada. Mercer also appeared as a model in a national ad for men's clothing store, Harry Rosen, wearing a Canali suit. All of Mercer's fees for the campaign went to Casey House, a hospice in Toronto for people living with AIDS. Casey House was founded by June Callwood, who appeared as a celebrity guest on ''Monday Report''.

In September 2005, Mercer became the national spokesperson for the 2005 Walk For Life, a series of 132 fund-raising walks across Canada that raise money for people living with HIV and AIDS. The Walk for Life is a project of the Canadian AIDS Society.

Mercer has narrated an animated science video on climate change for Science North in Sudbury.

In November 2010, Mercer joined the It Gets Better, Canada campaign, a series of videos that aim to help gay and lesbian youth to overcome bullying.

Personal life

Mercer was born in St. John's, Newfoundland. He dropped out of Prince of Wales High School in St. John's before completing his diploma requirements. However, in 2002 he was presented with an honorary doctor of letters by Laurentian University and in 2005 he was awarded an honorary doctorate degree by Memorial University of Newfoundland. He was a member of the Royal Canadian Sea Cadets when he was in his teen years.

Mercer's partner is television producer Gerald Lunz. Although the romantic relationship came first, Lunz is also Mercer's long-time partner in business, who discovered him, fostered his career, and is currently the executive producer of ''The Rick Mercer Report''. He regards his personal life as private, and says little about it in public.

References

Further reading

External links

Personal website

''Rick Mercer Report'' Official website

Category:1969 births Category:Canadian bloggers Category:Canadian satirists Category:Canadian television comedians Category:Gemini Award winners Category:LGBT comedians Category:LGBT people from Canada Category:LGBT television personalities Category:Living people Category:People from St. John's, Newfoundland and Labrador

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