Alto is a musical term, derived from the Latin word ''altus'', meaning "high", that has several possible interpretations.
When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence, for example, the term "alto saxophone". In other "families", such as the trombone, there is no soprano, the alto having been the highest, although it is absent from the standard modern symphony orchestra.
In choral music, "alto" describes the second highest voice part in a four-part chorus. As well as being the modern Italian word for "high", in the present context it is an Italian abbreviation derived from the Latin phrase ''contratenor altus'', used in medieval polyphony, usually to describe the highest of three parts, the line of which was in counterpoint (in other words, against = contra) with the tenor (which "held" the main melody; this word itself originates in the Latin verb ''tenere'', meaning "to hold").
The alto range in choral music is approximately from G3 (the G below middle C) to F5 (the F in the second octave above middle C). In common usage, alto is used to describe the voice type that typically sings this part, though this is not strictly correct: alto, like the other three standard modern choral voice classifications (soprano, tenor and bass) was originally intended to describe a part within a homophonic or polyphonic texture, rather than an individual voice type; neither are the terms alto and contralto interchangeable or synonymous, though they are often treated as such. Although some women who sing alto in a choir are contraltos, many would be more accurately called mezzo-sopranos (a voice of somewhat higher range and different timbre), and many men countertenors (this latter term is a source of considerable controversy, some authorities preferring the usage of the term "male alto" for those countertenors who use a predominantly falsetto voice production). The contralto voice is a matter of vocal timbre and vocal tessitura as well as range, and a classically-trained solo contralto would usually have a range greater than that of a normal choral alto part in both the upper and lower ranges. However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable singing in the lower part of the voice. A choral non-solo contralto may also have a low range down to D3 (thus perhaps finding it easier to sing the choral tenor part), but some would have difficulty singing above E5. In a choral context mezzo-sopranos and contraltos might sing the alto part, together with countertenors, thus having three vocal timbres (and two means of vocal production) singing the same notes.
Alto is rarely used to describe a solo voice, though there is a multitude of terms in common usage in various languages and in different cultures for solo singers in this range. Examples include contralto, countertenor, ''haute-contre'', and ''tenor altino'' among others.
The term alto is also used to designate a specific kind of musical clef. See alto clef.
Category:Voice types Category:Pitch (music)
cs:Alt et:Alt es:Alto eo:Aldo fa:آلتو fr:Alto (voix) ko:알토 hr:Alt hu:Alt ms:Alto nl:Alt (zangstem) ja:アルト pl:Alt (głos) pt:Alto (voz) ru:Альт (голос) simple:Alto sl:Alt sh:Altovi sr:Алт fi:Altto sv:Alt th:อัลโต uk:Альт (голос) zh:女低音This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Fabri Fibra |
---|---|
Background | solo_singer |
Birth name | Fabrizio Tarducci |
Brother | Nesli |
Birth date | October 17, 1976 |
Origin | Senigallia, Marche, Italy |
Genre | Hip hop, pop rap, electro hop |
Years active | 1996–present |
Website | http://www.fabrifibra.it }} |
In 1995 he recorded his first demo. He created the tandem Uomini di Mare with DJ Lato, beatmaker and deejay, and in 1996 they produced the underground CD ''Dei del mare quest'el gruv''. In 1999 Fabri and Lato produced and distributed the LP ''Sindrome di fine millennio'' ''("End of the Millennium Syndrome")'', with collaborations from El Presidente (also known as Esa), Inoki, Joe Cassano and his brother Nesli.
Following his underground success, Fabri Fibra began performing around Italy. In 2000 he established his label and group Teste Mobili Records (Bobbing Head Records), and collaborated with various Italian rap groups, lending vocals as well as lyrics to the mixtape circuit.
Nesli's ''Home'' and Fabri Fibra's ''Mr. Simpatia'' were released simultaneously on 1 September 2004.
The album cover shows Fibra's head lying on its side with a gruesome injury. ''Mr. Simpatia'' is an ironic title; the tracks' main themes are the Italian hip hop scene, contempt for society, relationships with girls, and Fibra's frustration about his job.
Following the success of "Applausi per Fibra", the second, more urban-themed single, "Su le mani" ("On Your Hands"), was released. This was followed by the release of "Mal di stomaco" ("Stomachache"), which gained instant infamy, most notably for the originality of its music video (a fabricated broadcast of SKY TG24 - a Satellite news station) that reports on the death of Fabri Fibra in a car accident. The authenticity is sealed with "live coverage" reports, interviews from famous stars such as Fernanda Lessa, Eva Henger, Jimmy Ghione, producer Fish, rapper Vacca and brother Nesli. The video ends with Fabri's body disappearing from the morgue.
The last single is "Idee stupide" ("Stupid Idea"), with a black and white video which, whilst not as original as the former video, uses a ''Rocky''-style montage that compliments Fabri's underdog lyrics.
In 2010, ''Tradimento'' came second in a newspaper poll, making it the second most important album of the decade in Italy. ''Tradimento'' is the biggest selling album in Italian music history.
The album ''Controcultura'' ''(Counterculture)'' was released on 7 September 2010 and reached #1 in the Italian albums chart. The album has so far spawned three singles named "Vip In Trip", "Tranne Te" ("Except for You") (both peaking at #2 in the Italian singles chart), "Qualcuno Normale" ("Somebody Normal") featuring the artist Marracash and "Le Donne" ("The Women"). Fibra said that "Le Donne" music was a response to the bales of misogyny that he had to face for years, mainly because of "Mrs. Simpatia".
On 1 March 2011, Fibra released the "Tranne Te: Rap Futuristico EP", a extended-play which had remixes of Tranne Te with other artists, like Redman, the French rapper Soprano and old friends from Fibra like Marracash and Dargen D'Amico. At the same month, Fibra released a online mixtape named "Venerdì 17" ("Friday 17"), available to download for free on his website. It contains many freestyles and remixes of some of his earlier work including many remixes of some of his more recent work.
The year of 2011 was also remarkable for Fibra, which he has won four consecutives awards: the platinum disc for "Controcultura", a multiplatinum disc for "Tranne Te", a "Superman" award from the TRL Awards 2011 and a "Wind Music" award.
In the Summer of 2011 Fibra launched his own record label named "Tempi Duri" (Hard Times). Young rappers Entics and Clementino have been signed to the label.
Category:1973 births Category:Living people Category:People from Senigallia Category:Italian rappers
de:Fabri Fibra es:Fabri fibra fr:Fabri Fibra it:Fabri Fibra lmo:Fabri Fibra pl:Fabri Fibra pt:Fabri Fibra tr:Fabri FibraThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Nicola (Antonio) Porpora (or Niccolò Porpora) (17 August 1686 3 March 1768) was an Italian composer of Baroque operas (see opera seria) and teacher of singing, whose most famous singing student was the castrato Farinelli. One of his other students was composer Matteo Capranica.
Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly upon his unequalled power of teaching singing. At the Neapolitan Conservatorio di Sant'Onofrio and with the Poveri di Gesù Cristo he trained Farinelli, Caffarelli, Salimbeni, and other celebrated vocalists, during the period 1715-1721. In 1720 and 1721 he wrote two serenades to librettos by a gifted young poet, Metastasio, the beginning of a long, though interrupted, collaboration. In 1722 his operatic successes encouraged him to lay down his conservatory commitments.
After a rebuff from the court of Charles VI at Vienna in 1725, Porpora settled mostly in Venice, composing and teaching regularly in the schools of La Pietà and the Incurabili. In 1729 the anti-Handel clique invited him to London to set up an opera company as a rival to Handel's, without success, and in the 1733-1734 season, even the presence of his pupil, the great Farinelli, failed to save the dramatic company in Lincoln's Inn Fields (the "Opera of the Nobility") from bankruptcy.
An interval as Kapellmeister at the Dresden court of the Elector of Saxony from 1748 ended in strained relations with his rival in Venice and Rome, the hugely successful opera composer Johann Adolph Hasse and his wife, the prima donna Faustina, and resulted in Porpora's departure in 1752. From Dresden he went to Vienna, where he gave music lessons to the young Joseph Haydn, who lived with Porpora as accompanist and in the character of a valet, but allowed later that he had learned from the maestro "the true fundamentals of composition". Then Porpora returned in 1759 to Naples.
From this time Porpora's career was a series of misfortunes: his florid style was becoming old-fashioned, his last opera, ''Camilla'', failed, his pension from Dresden stopped, and he became so poor that the expenses of his funeral were paid by a subscription concert. Yet at the moment of his death Farinelli and Caffarelli were living in splendid retirement on fortunes largely based on the excellence of the old maestro's teaching.
A good linguist, who was admired for the idiomatic fluency of his recitatives, and a man of considerable literary culture, Porpora was also celebrated for his conversational wit. He was well-read in Latin and Italian literature, wrote poetry and spoke French, German and English.
Besides some four dozen operas, there are oratorios, solo cantatas with keyboard accompaniment, motets and vocal serenades. Among his larger works, his 1720 opera ''Orlando'', one mass, his Venetian Vespers, and the opera ''Arianna in Nasso'' (1733 according to HOASM) have been recorded .
Category:1686 births Category:1768 deaths Category:People from Naples Category:Baroque composers Category:Opera composers Category:Italian composers Category:Neapolitan school composers Category:Voice teachers
ca:Nicola Porpora cs:Nicola Porpora de:Nicola Antonio Porpora es:Nicola Porpora eo:Nicola Porpora fr:Nicola Porpora it:Nicola Porpora he:ניקולא פורפורה hu:Nicola Porpora nl:Nicola Porpora ja:ニコラ・ポルポラ no:Nicola Porpora oc:Nicola Porpora pl:Nicola Porpora pt:Nicola Porpora ru:Порпора, Никола sk:Nicola Porpora sl:Nicola Porpora uk:Нікола ПорпораThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Jaroussky was inspired to sing by the Martinique-born countertenor Fabrice di Falco. He received his diploma from the Early Music Faculty of the Conservatoire de Paris. Since 1996, he has studied singing with Nicole Fallien. He has formed his own ensemble called Artaserse, and also often performs with the Ensemble Matheus under Jean-Christophe Spinosi and with L'Arpeggiata under Christina Pluhar.
Category:1978 births Category:Living people Category:French male singers Category:French opera singers Category:Operatic countertenors Category:French people of Russian descent
bg:Филип Жаруски cs:Philippe Jaroussky de:Philippe Jaroussky es:Philippe Jaroussky fr:Philippe Jaroussky gl:Philippe Jaroussky hy:Ֆիլիպ Ժարուսկի it:Philippe Jaroussky ja:フィリップ・ジャルスキー pl:Philippe Jaroussky pt:Philippe Jaroussky ru:Жаруски, Филипп sv:Philippe JarousskyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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