name	Ivor Novello
birth name	David Ivor Davies
birth date	January 15, 1893
birth place	Cardiff, Wales
death date	March 06, 1951
death place	London, England
occupation	Actor, singer, composer
years active	1914–51
partner	Bobbie Andrews (1916–51) }}

David Ivor Davies (15 January 1893 – 6 March 1951), better known as Ivor Novello, was a Welsh composer, singer and actor who became one of the most popular British entertainers of the first half of the 20th century. Born into a musical family, his first successes were as a songwriter. His first big hit was "Keep the Home Fires Burning", which was enormously popular during the First World War. After the war, Novello contributed numbers to several successful musical comedies and was eventually commissioned to write the scores of complete shows. In the 1920s, he turned to acting, first in films and then on stage, with considerable success in both.

Biography

Early years

Novello was born in Cardiff, Wales, to David Davies (c. 1852 — 1931), a rent collector for the city council, and his wife, Clara Novello Davies, an internationally-known singing teacher and choral conductor. As a boy, Novello was a successful singer in the Welsh Eisteddfod. His mother set up as voice teacher in London, where he met leading performers, including members of George Edwardes's Gaiety Theatre company, classical musicians such as Landon Ronald, and singers such as Adelina Patti. Another of his mother's associates was Clara Butt, who taught him to sing "Abide with Me" when he was a boy of six.

Novello was educated privately in Cardiff and then in Gloucester, where he studied harmony and counterpoint with Herbert Brewer, the cathedral organist. From there he won a scholarship to Magdalen College School in Oxford, where he was a solo treble in the college choir. He later said that this prolonged youthful exposure to early sacred choral music had turned his tastes, in reaction, to lush romantic music. Although Brewer had told him he would not have a career in music, Novello from his early youth showed a facility for writing songs, and when he was only 15, one of his songs was published. After leaving school, he gave piano lessons in Cardiff, and then moved to London in 1913. He took a flat above the Strand Theatre, which became his London home for the rest of his life.

In London he found a mentor in Sir Edward Marsh, a well-known patron of the arts. Marsh encouraged him to compose and introduced him to people who could help his career. He adopted part of his mother's maiden name, "Novello" as his professional surname, although he did not change it legally until 1927. In 1914, at the start of the First World War, Novello wrote "Keep the Home Fires Burning", a song that expressed the feelings of innumerable families sundered by World War I. Novello composed the music for the song to a lyric by the American Lena Guilbert-Ford, and it became a huge popular success, bringing Novello money and fame at the age of 21. In other respects, the war had less impact on Novello than on many young men of his age. He avoided active service until June 1916, when he reported to a Royal Naval Air Service (RNAS) training depot as a probationary flight sub-lieutenant. After twice crashing an aeroplane, and with the influence of Marsh, he was moved to the Air Ministry office in central London performing clerical duties for the duration of the war.

Composer and actor

Novello continued to write songs while serving in the RNAS. He had his first stage success with ''Theodore & Co'' in 1916, a production by George Grossmith, Jr. and Edward Laurillard with a score composed by Novello and the young Jerome Kern. In the same year, Novello contributed to André Charlot's revue ''See-Saw''. In 1917 he wrote for another Grossmith and Laurillard production, the operette ''Arlette'', for which he contributed additional numbers to an existing French score by Jane Vieu and Guy le Feuvre. In the same year, Marsh introduced him to the actor Bobbie Andrews, who became Novello's life partner. Andrews introduced Novello to the young Noël Coward. Coward, six years Novello's junior, was deeply envious of Novello's effortless glamour. He wrote, "I just felt suddenly conscious of the long way I had to go before I could break into the magic atmosphere in which he moved and breathed with such nonchalance".

In 1918 and after the war, Novello continued to write successfully for musical comedy and revue. The former included ''Who's Hooper?'' (1919), an adaptation of a Pinero play, with a book by Fred Thompson, lyrics by Clifford Grey, and music by Howard Talbot and Novello, and ''The Golden Moth'' by Thompson and P.G. Wodehouse (1921), for which Novello provided the entire score. For Charlot, he contributed numbers to the revues ''Tabs'' (1918), ''A to Z'' (1921) and ''Puppets'' (1924). For the second of these, his songs included one of his few well-known comedy numbers, "And her mother came too", with lyrics by Dion Titheradge, written for Jack Buchanan.

At the same time as his successes as a composer, Novello was making a career as an actor. With "a classic profile that gained him matinee idol status amongst the film-going public", he was sought out on the strength of a publicity photograph by the Swiss film director Louis Mercanton. Mercanton offered him a silent-film role as the romantic lead in ''The Call of the Blood'' (1920). In the same year, he made another film for Mercanton, ''Miarka''. Novello made his first English film, ''Carnival'', the following year.

Novello made his stage debut in 1921 in ''Deburau'' by Sacha Guitry with Robert Loraine, Madge Titheradge and Bobbie Andrews, and among other stage engagements, in the next years he played Bingley in an adaptation of ''Pride and Prejudice'' with Ben Webster as D'Arcy and Mary Jerrold as Elizabeth, in a cast that included Ellen Terry, May Whitty and Joyce Carey. At about this time, Novello had an affair with the writer Siegfried Sassoon; it was short lived, but in the words of Sassoon's biographer John Stuart Roberts, Novello "was a consummate flirt who collected lovers as he gathered lilacs."

In 1923, Novello made his American movie debut in D. W. Griffith's ''The White Rose''. Back in England he co-wrote, produced and starred in the successful 1924 play ''The Rat''. The play was made into a film in 1925, which was so successful that two sequels followed in 1926 and 1928. His dramatic roles in the West End included the title character in the first London production of Ferenc Molnár's ''Liliom'' (1926).

Other films in which Novello starred included Alfred Hitchcock's ''The Lodger'' (1926) and ''Downhill'' (1927). The British film company Gainsborough Pictures offered Novello a well-paid contract, which enabled him to buy a country house in Littlewick Green, near Maidenhead. He renamed the property Redroofs, and he entertained there famously and with little regard for convention. Cecil Beaton, noting the frequent homosexual excesses, coined the phrase, "the Ivor/Noel naughty set". Coward had by now caught Novello up professionally, despite a joint disaster when Novello starred in Coward's play ''Sirocco'' in 1927, which was a débâcle, and closed within a month of opening. In 1928 Novello starred in the silent adaptation of Coward's much more successful ''The Vortex'', and made his last silent film, ''A South Sea Bubble''.

Novello returned to composing for the lyric stage in 1929, writing eight numbers for the revue ''The House that Jack Built''. In the same year, he presented his own play ''Symphony in Two Flats'', which he took to New York the following year. It was followed by a successful Broadway production of his ''The Truth Game'', which brought him to the attention of Hollywood studios. He accepted a contract to write for and appear in MGM films. He found little to do in Hollywood, however, beyond writing the dialogue for ''Tarzan the Ape Man''. Returning to London, he starred in the sound remake of ''The Lodger''.

1930s musicals

After beginning the 1930s with a series of non-musical plays, ''I Lived With You'' (1932), ''Fresh Fields'', ''Proscenium'', ''Sunshine Sisters'', ''Flies in the Sun'' (all 1933) and ''Murder in Mayfair'' (1934), Novello returned to composition in 1935 with ''Glamorous Night'', which was the first of a series of enormously popular musicals. ''The Times'' considered that it was for these that Novello would be popularly remembered. Paul Webb, in the ''Grove Dictionary of Music and Musicians'', writes that Novello's show saved the fortunes of the Theatre Royal, Drury Lane: Another model was Coward's 1929 musical ''Bitter Sweet'', which Novello called "a ''lovely'', lovely thing … sheer joy from beginning to end". That, too, was an old-fashioned musical, "so full of regret … for a vanished kindly silly darling age."

For all his four 1930s musicals, Novello wrote the book and music, Christopher Hassall wrote the lyrics, and the orchestrations were by Charles Prentice. ''Glamorous Night'' starred Novello and Mary Ellis, with a cast including Zena Dare, Olive Gilbert and Elizabeth Welch, and ran from 2 May 1935 to 18 July 1936, at Drury Lane and then the London Coliseum. ''Careless Rapture'' ran from 11 September 1936 for 296 performances, with Novello, Dorothy Dickson and Zena Dare in the leading roles. ''Crest of the Wave'' starred Novello, Dickson and Gilbert, and ran from 1 September 1937 for 203 performances. The last of Novello's pre-war musicals was ''The Dancing Years'', which starred Novello, Ellis and Gilbert, opened at Drury Lane, closed on the outbreak of the Second World War, and re-opened at the Adelphi Theatre, running for a combined total of 696 performances, closing on 8 July 1944. This show was the closest Novello came to fulfilling his mother's early ambitions for him to write operas; he played an Austrian composer-conductor at the Wiener Hofoper.

Second World War and last years

Novello presented only two new shows during the war. ''Arc de Triomphe'' (1943), a musical vehicle for Mary Ellis, was only a modest success, but ''Perchance to Dream'' (1945) was immensely successful, running for 1,022 performances. In between the two shows, Novello had been in serious legal trouble and served four weeks in prison for misuse of petrol coupons, a serious offence in wartime Britain. An admiring fan had stolen the coupons from her employer, but the court found that Novello was also culpable. The prison term, though short, came as a severe shock to Novello, both mentally and physically, and had serious lasting effects. Not everybody was supportive; Coward's sympathy was limited: "He's been fighting like a steer to keep going as before the war and hasn't done a thing for the general effort", but when Novello returned to ''The Dancing Years'' after his release, he received "a rapturous ovation" on his first entrance.

Novello's last full-scale production in this style, ''King's Rhapsody'' (1949), was, in Webb's words, "a selfconsciously romantic counter-blast to the modern musical: crown princes, ballrooms, royal yachts, beautiful princesses and a full-scale coronation". After the rigours of war, this escapist entertainment had strong box-office appeal, and ran for 841 performances. The show starred Novello and the cast included Phyllis Dare, Zena Dare, Olive Gilbert and Bobbie Andrews. It was still running, at the Palace Theatre, when Novello's last show opened. This was ''Gay's the Word'' (1951). Novello had written no role for himself; the show starred the comedy actress Cicely Courtneidge and was a departure from his established pattern, balancing the contrasting styles of European operetta and post-war American musicals. ''The Times'' commented that the show "cheerfully parodied the very Ruritanian romances to which he owed his most triumphant successes."

Novello died suddenly from a coronary thrombosis at the age of 58, a few hours after completing a performance in the run of ''King's Rhapsody''. He was cremated at the Golders Green Crematorium, and his ashes are buried beneath a lilac bush and marked with a plaque that reads "Ivor Novello 6th March 1951 'Till you are home once more'." Only a few weeks before Novello's death, Coward had written of him: "Theatre – good, bad and indifferent – is the love of his life. For him, other human endeavours are mere shadows. … The reward of his work lies in the indisputable fact that whenever and wherever he appears the vast majority of the British public flock to see him." ''Grove's Dictionary of Music and Musicians'' writes of Novello that he was "until the advent of Andrew Lloyd Webber, the 20th-century's most consistently successful composer of British musicals."

Legacy

The Ivor Novello Awards for songwriting are awarded each year by the British Academy of Songwriters, Composers and Authors (BASCA) to British songwriters and composers as well as to an outstanding international music writer. A scholarship in memory of Novello was established at the Royal Academy of Dramatic Art, and in 1952 a bronze bust of him by Clemence Dane was unveiled at Drury Lane. In St. Paul's, Covent Garden, known as the actors' church, a panel was installed to commemorate Novello, and in 1972, to mark the 21st anniversary of his death, a memorial stone was unveiled in St. Paul's Cathedral.

In 1993, the centenary of Novello's birth was marked by several celebratory shows around the UK, including one at the Players Theatre in London. In 2005, the Strand Theatre, above which Novello lived for many years, was renamed the Novello Theatre. On 27 June 2009, a statue of Novello was unveiled outside the Wales Millennium Centre in Cardiff Bay. Plaques detailing some of his best-known songs are fitted to the pedestal, along with a dedication to Novello. Novello's memory is promoted by The Ivor Novello Appreciation Bureau, which holds annual events around Britain, including an annual pilgrimage to Redroofs each June. Redroofs was sold after Novello's death and is now a theatre training school.

Novello was portrayed in Robert Altman's 2001 film, ''Gosford Park'', by Jeremy Northam, and several of his songs were used for the film's soundtrack, including "Waltz of My Heart", "And Her Mother Came Too", "I Can Give You the Starlight", "What a Duke Should Be", "Why Isn't It You?" and "The Land of Might-Have-Been".

Songs

Among Novello's well known songs are, "Keep the home fires burning"; "Fold your wings"; "Shine through my dreams"; "Rose of England"; "I can give you the starlight"; "And her mother came too"; "My dearest dear"; "The land of might-have-been"; "When I curtsied to the King"; "We'll gather lilacs"; "Someday my heart will awake"; "Yesterday"; "Waltz of my heart"; "Why isn't it you"; "My life belongs to you"; "Fly home little heart"; "Take your girl"; and "Primrose".

In ''Grove's Dictionary'', Webb writes that although Novello's ''oeuvre'' is generally thought of as "romantic" and "Ruritanian", his music "was far more varied than his current reputation suggests." Webb contends that such romantic hits as "Someday my heart will awake" were balanced by "rousing operetta choruses ... and jazz age numbers" while "'Rose of England' is a stately patriotic piece that stands comparison with Elgar or Walton".

Filmography

''The Call of the Blood (L'Appel du Sang)'' – 1920

''Miarka: The Daughter of the Bear (Miarka, Fille de L'Ourse)'' – 1920

''Carnival'' – 1922

''The Bohemian Girl'' – 1922

''The Man Without Desire'' – 1923

''The White Rose'' – 1923

''Bonnie Prince Charlie'' – 1923

''The Rat'' – 1925

''The Triumph of the Rat'' – 1926

''The Lodger: A Story of the London Fog'' – (1927)

''Downhill'' – 1927

''The Vortex'' – 1928

''The Constant Nymph'' – 1928

''The Gallant Hussar'' – 1928

''A South Sea Bubble'' – 1928

''The Return of the Rat'' – 1929

''Symphony in Two Flats'' – 1930

''Once a Lady'' – 1931

''The Phantom Fiend'' – 1932

''The Lodger'' (1932)

''Tarzan the Ape Man'' – 1932 (dialogue only)

''I Lived with You'' – 1933

''Sleeping Car'' – 1933

''Autumn Crocus'' – 1934

Notes

References

Day, Barry (ed). ''The Letters of Noël Coward''. London: Methuen. (2007). ISBN 978-0-7136-8578-7.

Gaye, Freda. ''Who's Who in the Theatre'', fourteenth edition, 1967. London: Sir Isaac Pitman and Sons.

Hoare, Philip. ''Noël Coward, A Biography''. London: Sinclair-Stevenson (1995). ISBN 1-85619-265-2.

MacQueen-Pope, W. J. ''Ivor: The Story of an Achievement''. London: Hutchinson (1954)

Harding, James. ''Ivor Novello'', London: W. H. Allen (1987) ISBN 0-491-03385-0

Roberts, John Stuart. ''Siegfried Sassoon'', London: Metro Publishing (2005). ISBN 1-84358-138-8

External links

Ivor Novello as author in the Theatre Archive University of Bristol

Ivor Novello as composer, Theatre Archive University of Bristol

Ivor Novello as actor in Theatre Archive University of Bristol

Ivor Novello biography from BBC Wales

Ivor Novello biography on BBC South East Wales

Photographs and literature

Category:1893 births Category:1951 deaths Category:LGBT musicians from the United Kingdom Category:LGBT people from Wales Category:LGBT composers Category:Old Waynfletes Category:People from Cardiff Category:People from London Category:Welsh film actors Category:Welsh musical theatre actors Category:Welsh musical theatre composers Category:Welsh silent film actors Category:Welsh songwriters Category:Welsh stage actors Category:Deaths from thrombosis Category:Cardiovascular disease deaths in England Category:Gay actors

ca:Ivor Novello cy:Ivor Novello de:Ivor Novello es:Ivor Novello eu:Ivor Novello fr:Ivor Novello (acteur) it:Ivor Novello ja:アイヴァー・ノヴェロ no:Ivor Novello pt:Ivor Novello ru:Айвор Новелло fi:Ivor Novello sv:Ivor Novello th:ไอเวอร์ โนเวลโล

name	Sir Paul McCartneyMBE
birth name	James Paul McCartney
background	solo_singer
alt	Black-and-white image of McCartney, in his sixties, holding an electric bass. He wears a black buttoned-up suit jacket with black pants.
birth name	James Paul McCartney
born	June 18, 1942Liverpool, England
instrument	Vocals,Bass guitar,guitar, piano, organ, mellotron, keyboards, drums, ukulele, mandolin, recorder
genre	Rock, pop, psychedelic rock, experimental rock, rock and roll, hard rock, classical music
occupation	Musician, singer-songwriter, record producer, multi-instrumentalist, composer, film producer, painter, activist, businessman
years active	1957–present
label	Hear Music, Apple, Parlophone, Capitol, Columbia, Concord Music Group, EMI, One Little Indian, Vee-Jay
associated acts	The Quarrymen, The Beatles, Wings, The Fireman, Linda McCartney, John Lennon, Denny Laine
website
notable instruments	Höfner 500/1Rickenbacker 4001SGibson Les PaulEpiphone TexanEpiphone CasinoFender EsquireFender Jazz BassYamaha BB1200 BassWal 5-String BassMartin D-28 }}

Sir James Paul McCartney, MBE (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of The Beatles (1960–1970) and Wings (1971–1981), McCartney is the most commercially successful songwriter in the history of popular music, according to ''Guinness World Records''.

McCartney gained worldwide fame as a member of The Beatles, alongside John Lennon, George Harrison, and Ringo Starr. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and wrote some of the most popular songs in the history of rock music. After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine. McCartney is listed in ''Guinness World Records'' as the "most successful musician and composer in popular music history", with 60 gold discs and sales of 100 million singles in the United Kingdom.

BBC News Online readers named McCartney the "greatest composer of the millennium", and BBC News cites his Beatles song "Yesterday" as the most covered song in the history of recorded music—by over 2,200 artists—and since its 1965 release, has been played more than 7,000,000 times on American television and radio according to the BBC. Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remains the UK's top selling non-charity single. Based on the 93 weeks his compositions have spent at the top spot of the UK chart, and 24 number one singles to his credit, McCartney is the most successful songwriter in UK singles chart history. As a performer or songwriter, McCartney was responsible for 31 number one singles on the ''Billboard'' Hot 100 chart in the United States, and has sold 15.5 million RIAA certified albums in the US alone.

McCartney has composed film scores, classical and electronic music, released a large catalogue of songs as a solo artist, and has taken part in projects to help international charities. He is an advocate for animal rights, for vegetarianism, and for music education; he is active in campaigns against landmines, seal hunting, and Third World debt. He is a keen football fan, supporting both Everton and Liverpool football clubs. His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as ''Guys and Dolls'', ''A Chorus Line'', and ''Grease''. McCartney is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010.

Childhood

McCartney was born in Walton Hospital in Liverpool, England, where his mother, Mary (née Mohan), had worked as a nurse in the maternity ward. He has one brother, Michael, born 7 January 1944. McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic and his father James, or "Jim" McCartney, was a Protestant turned agnostic.

In 1947, he began attending Stockton Wood Road Primary School. He then attended the Joseph Williams Junior School and passed the 11-plus exam in 1953 with three others out of the 90 examinees, thus gaining admission to the Liverpool Institute. In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison, who lived nearby. Passing the exam meant that McCartney and Harrison could go to a grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work, but as grammar school pupils, they had to find new friends.

In 1955, the McCartney family moved to 20 Forthlin Road in Allerton. Mary McCartney rode a bicycle to houses where she was needed as a midwife, and an early McCartney memory is of her leaving when it was snowing heavily. On 31 October 1956, Mary McCartney died of an embolism after a mastectomy operation to stop the spread of her breast cancer. The early loss of his mother later connected McCartney with John Lennon, whose mother Julia died after being struck by a car when Lennon was 17.

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his two sons to be musical. Jim had an upright piano in the front room that he had bought from Epstein's North End Music Stores. McCartney's grandfather, Joe McCartney, played an E-flat tuba. Jim McCartney used to point out the different instruments in songs on the radio, and often took McCartney to local brass band concerts. McCartney's father gave him a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar. As he was left-handed, McCartney found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his guitar strung the opposite way to a right-handed player. McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with Lennon. He later learned to play the piano and wrote his second song, "When I'm Sixty-Four". On his father's advice, he took music lessons, but since he preferred to learn 'by ear' he never paid much attention to them.

McCartney was heavily influenced by American Rhythm and Blues music. He has stated that Little Richard was his idol when he was in school and that the first song he ever sang in public was "Long Tall Sally", at a Butlins holiday camp talent competition.

Musical career

1957–1960

At the age of 15, McCartney met John Lennon and The Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957. He formed a close working relationship with Lennon and they collaborated writing many songs. Harrison joined the group in early 1958 as lead guitarist, followed in early 1960 by Lennon's art school friend, Stuart Sutcliffe on bass. By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "The Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They finally changed the name of the group to "The Beatles" in mid-August 1960 and recruited Pete Best at short-notice to become their drummer for an imminent engagement in Hamburg.

1960–1970: The Beatles

From August 1960, The Beatles were booked by Allan Williams, to perform at a club in Hamburg. During extended stays over the next two years, The Beatles performed as a resident group in a number of Hamburg clubs. On returns to Liverpool they played at the Cavern club. Prior to the end of the residency, Sutcliffe left the band, so McCartney, reluctantly, became The Beatles' bass player. The Beatles recorded their first published musical material in Hamburg, performing as the backing group for Tony Sheridan on the single "My Bonnie". This recording later brought the Beatles to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their next manager. Epstein eventually negotiated a record contract for the group with Parlophone in May 1962. After replacing Best with Ringo Starr on drums, The Beatles became popular in the UK in 1963 and in the US in 1964. In 1965, they were each appointed Members of the Order of the British Empire (MBE). After performing concerts, plays, and tours almost non-stop for a period of nearly four years, and giving more than one thousand four hundred live performances internationally, The Beatles gave their last commercial concert at the end of their 1966 US tour. They continued to work in the recording studio from 1966 until their break-up in 1970. In the eight years from 1962 to 1970, the group had released twenty-four UK singles and twelve studio albums, often released in different configurations in the USA and other countries (see discography).

Since 1970

After the break-up of The Beatles, McCartney continued his musical career, in solo work as well as in collaborations with other musicians. After releasing his solo album ''McCartney'' in 1970, he worked with Linda McCartney to record the album ''Ram'' in 1971. Later the same year, the pair were joined by guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, which was active between 1971 and 1981 and released numerous successful singles and albums (see discography). McCartney also collaborated with a number of other popular artists including Stevie Wonder, Michael Jackson, Eric Stewart, and Elvis Costello. In 1985, McCartney played "Let It Be" at the Live Aid concert in London, backed by Bob Geldof, Pete Townshend, David Bowie, and Alison Moyet.

In 1989, he joined forces with fellow Merseysiders including Gerry Marsden of Gerry and the Pacemakers and Holly Johnson of Frankie Goes to Hollywood to record a new version of Ferry Cross the Mersey (originally recorded 25 years earlier by Gerry and the Pacemakers) to generate money for the appeal fund of the Hillsborough disaster, which occurred on 15 April that year and in which 96 Liverpool F.C. fans died as a result of their injuries.

The 1990s saw McCartney venture into orchestral music, and in 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial.

He collaborated with Carl Davis to release ''Liverpool Oratorio''; involving the opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music and Honorary Member of the Royal Academy of Music (2008). Other forays into classical music included ''Standing Stone'' (1997), ''Working Classical'' (1999), and ''Ecce Cor Meum'' (2006). It was announced in the 1997 New Year Honours that McCartney was to be knighted for services to music, becoming Sir Paul McCartney. In 1999, McCartney was inducted into the Rock and Roll Hall of Fame as a solo artist and in May 2000, he was awarded a Fellowship by the British Academy of Composers and Songwriters. The 1990s also saw McCartney, Harrison, and Starr working together on Apple's ''The Beatles Anthology'' documentary series.

Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, McCartney took a lead role in organising The Concert for New York City. In November 2002, on the first anniversary of George Harrison's death, McCartney performed at the Concert for George. He has also participated in the National Football League's Super Bowl, performing in the pre-game show for Super Bowl XXXVI and headlining the halftime show at Super Bowl XXXIX.

McCartney has continued to work in the realms of popular and classical music, touring the world and performing at a large number of concerts and events; on more than one occasion he has performed again with Ringo Starr. In 2008, he received a BRIT award for Outstanding Contribution to Music and an honorary degree, Doctor of Music, from Yale University. The same year, he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture. In 2009, he received two nominations for the 51st annual Grammy awards, while in October of the same year he was named songwriter of the year at the American Society of Composers, Authors and Publishers (ASCAP) Awards. On 15 July 2009, more than 45 years after The Beatles first appeared on American television on ''The Ed Sullivan Show'', McCartney returned to the Ed Sullivan Theater and performed atop the marquee of ''Late Show with David Letterman''. McCartney was portrayed in the 2009 film ''Nowhere Boy'', about Lennon's teenage years, by Thomas Sangster.

On 2 June 2010, McCartney was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and many others.

McCartney's enduring popularity has helped him schedule performances in new venues. He played three sold out concerts at newly-built Citi Field in Queens, New York (built to replace the Shea Stadium) in July 2009. On 18 August 2010, McCartney opened the Consol Energy Center in Pittsburgh, Pennsylvania.

McCartney has been touring since 2001 with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr.

There are plans for an upcoming Paul McCartney tribute album with recordings of McCartney songs by Kiss, Garth Brooks, Billy Joel, B.B. King and others.

Creative outlets

During the 1960s, McCartney was often seen at major cultural events, such as the launch party for the ''International Times'' and at The Roundhouse (28 January and 4 February 1967 respectively). He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London—John Lennon first met Yoko Ono at the Indica. The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, the ''International Times'', McCartney helped to start. Miles would become ''de facto'' manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, ''Many Years From Now'' (1997).

While living at the Asher house, McCartney took piano lessons at the Guildhall School of Music and Drama, which The Beatles' producer Martin had previously attended. McCartney studied composers such as Karlheinz Stockhausen, and Luciano Berio. McCartney later wrote and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. On 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.

Electronic music

After the recording of "Yesterday" in 1965, McCartney contacted the BBC Radiophonic Workshop in Maida Vale, London, to see if they could record an electronic version of the song, but never followed it up. When visiting John Dunbar's flat in London, McCartney would take along tapes he had compiled at Jane Asher's house. The tapes were mixes of various songs, musical pieces and comments made by McCartney that he had Dick James make into a demo record for him. Heavily influenced by John Cage, he made tape loops by recording voices, guitars, and bongoes on a Brenell tape recorder, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted, some of which were later used on Beatles' recordings, such as "Tomorrow Never Knows". McCartney referred to the tapes as "electronic symphonies".

In the spring of 1966 McCartney rented a ground floor and basement flat from Ringo Starr at 34 Montagu Square, to be used as a small demo studio for spoken-word recordings by poets, writers (including William S. Burroughs) and avant-garde musicians. The Beatles' Apple Records then launched a sub-label, Zapple with Miles as its manager, ostensibly to release recordings of a similar aesthetic, although few releases would ultimately result as Apple and The Beatles slid into business and personal difficulties.

In 1995, McCartney recorded a radio series called "Oobu Joobu" for the American network Westwood One, which he described as being "wide-screen radio". During the 1990s, McCartney collaborated with Youth of Killing Joke under the name The Fireman, and released two ambient electronic albums: ''Strawberries Oceans Ships Forest'' (1993) and ''Rushes'' (1998). In 2000, he released an album titled ''Liverpool Sound Collage'' with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s. In 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career which were released under the title ''Twin Freaks''. The Fireman's third album ''Electric Arguments'' was released on 25 November 2008. Unlike the first two Fireman albums, this one was more song-based in its structure. McCartney told ''L.A. Weekly'' in a January 2009, "Fireman is improvisational theatre ... I formalise it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I’m about to do. I usually have a song, and I know the melody and lyrics, and my performance is the only unknown."

Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called ''Rupert and the Frog Song'', in 1981. McCartney was the producer, he wrote the music and the script, and also added some of the character voices. McCartney wrote and starred in the 1984 film ''Give My Regards to Broad Street''. The film and soundtrack featured the popular hit "No More Lonely Nights", and the album reached No.1 in the UK, but the film did not do well commercially or critically. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track." Dunbar worked again with McCartney on an animated film about the work of French artist Honoré Daumier, in 1992, which won both of them a Bafta award. They also worked on Tropic Island Hum, in 1997. In 1995, McCartney made a guest appearance in the Lisa the Vegetarian episode of The Simpsons, and directed a short documentary about The Grateful Dead.

In May 2000, McCartney released ''Wingspan: An Intimate Portrait'', a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands. Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, ''McCartney'', and was one of the producers of the documentary.

Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists. McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation. McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo. He now owns Magritte's easel and spectacles.

McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island studio. McCartney took up painting in 1983. In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries. The first UK exhibition of McCartney's work was opened in Bristol, England with more than 50 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint"—as Lennon had.

In October 2000, Yoko Ono and McCartney presented art exhibitions in New York and London. McCartney said, "I've been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I'm really excited about it. I didn't tell anybody I painted for 15 years but now I'm out of the closet."

As an artist, Paul McCartney designed a series of six postage stamps issued by the Isle of Man Post on 1 July 2002. According to BBC News, McCartney seems to be the first major rock star in the world who is also known as a stamp designer.

Writing and poetry

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power". McCartney was later inspired—in his school years—by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute. Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works. McCartney later took his A-level exams, but passed only one subject—Art.

In 2001 McCartney published 'Blackbird Singing', a volume of poems, some of which were lyrics to his songs, and gave readings in Liverpool and New York City. Some of them were serious: "Here Today" (about Lennon) and some humorous ("Maxwell's Silver Hammer"). In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan.

In October 2005, McCartney released a children's book called ''High in the Clouds: An Urban Furry Tail''. In a press release publicising the book, McCartney said, "I have loved reading for as long as I can remember", singling out ''Treasure Island'' as a childhood favourite. McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.

Contact with fellow ex-Beatles

John Lennon

Although McCartney's post-Beatles relationship with John Lennon was troubled, they became close again briefly in 1974 and even played together for the only time since The Beatles split (see A Toot and a Snore in '74). In later years, the two grew apart again. McCartney would often call Lennon, but was never sure of what sort of reception he would get, such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!" McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies. According to May Pang, during Lennon's "Lost Weekend" with her they planned to visit McCartney in New Orleans, where McCartney was recording the ''Venus and Mars'' album, but Lennon went back to Ono the day before the planned visit after Ono said she had a new cure for Lennon's smoking habit.

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of ''Saturday Night Live'' (May 1976) in which Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison, and Starr to reunite on the show. McCartney and Lennon had seriously considered going to the studio, but were too tired. This event was fictionalised in the 2000 television film ''Two of Us''. His last telephone call to Lennon, which was just before Lennon and Ono released ''Double Fantasy'', was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!" which referred to Lennon's househusband years, while looking after Sean Lennon. In 1984, McCartney said this about the phone call: "Yes. That is a nice thing, a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blow-up." Linda McCartney, speaking in the same 1984 interview stated: "I know that Paul was desperate to write with John again. And I know John was desperate to write. Desperate. People thought, well, he's taking care of Sean, he's a househusband and all that, but he wasn't happy. He couldn't write and it drove him crazy. And Paul could have helped him... easily."

;Reaction to Lennon's murder On the morning of 9 December 1980, McCartney awoke to the news that Lennon had been murdered outside his home in the Dakota building in New York. Lennon's death created a media frenzy around the surviving members of The Beatles. On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He was later criticised for what appeared, when published, to be an utterly superficial response: "It's a drag". McCartney explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag."' It seemed a very flippant comment to make." McCartney was also to recall: }} In 1983, McCartney said: }} In a ''Playboy'' interview in 1984, McCartney said that he went home that night and watched the news on television—while sitting with all his children—and cried all evening.

McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered. This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981. Also in June 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago", which also featured Ringo Starr on drums. McCartney would go on to record "Here Today", a tribute song to Lennon.

George Harrison

In 1977, Harrison had this to say about working with McCartney: "There were a lot of tracks though where I played bass...because what Paul would do, if he's written a song, he'd learn all the parts for Paul and then come in the studio and say, 'Do this.' He'd never give you the opportunity to come out with something. Paul would always help along when you'd done his ten songs—then when he got 'round to doing one of my songs, he would help. It was silly. It was very selfish, actually." While being interviewed circa 1988, Harrison said McCartney had recently mentioned the possibility of the two of them writing together, to which Harrison laughed, "I've only been there about 30 years in Paul's life and it's like now he wants to write with me."

In September 1980, Lennon said of Harrison and McCartney's working relationship: "I remember the day [Harrison] called to ask for help on "Taxman", one of his bigger songs. I threw in a few one-liners to help the song along, because that's what he asked for. He came to me because he could not go to Paul, because Paul would not have helped him at that period." Despite this statement, McCartney did contribute to the song, playing the track's guitar solo.

In late 2001, McCartney learned that Harrison was losing his battle with cancer. Upon Harrison's death on 29 November 2001, McCartney told ''Entertainment Tonight'', ''Access Hollywood'', ''Extra'', ''Good Morning America'', ''The Early Show'', ''MTV'', ''VH1'' and ''Today'' that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney. On the day Harrison died, McCartney said, "George was a fantastic guy...still laughing and joking...a very brave man...and I love him like...he's my brother." While guesting on ''Larry King Live'' alongside Ringo Starr, McCartney said of the last time he saw Harrison, "We just sat there stroking hands. And this is a guy, and, you know, you don't stroke hands with guys, like that, you know it was just beautiful. We just spent a couple of hours and it was really lovely it was like...a favourite memory of mine." On the first anniversary of Harrison's death, McCartney played Harrison's "Something" on a ukulele at the Concert for George.

Personal relationships

One of McCartney's first girlfriends, in 1959, was called Layla, a name he remembers being unusual in Liverpool at the time. Layla was slightly older than McCartney and used to ask him to baby-sit with her. Julie Arthur, another girlfriend, was Ted Ray's niece.

Dot Rhone

McCartney's first serious girlfriend in Liverpool was Dot Rhone, whom he met at the Casbah club in 1959. McCartney chose clothes and make-up for Rhone, and he paid for her to have her hair styled like Brigitte Bardot's. When McCartney first went to Hamburg with The Beatles, he wrote to Rhone regularly, and she accompanied Cynthia Lennon to Hamburg when The Beatles played there again in 1962. The couple had a three-year relationship, and were due to marry until Rhone's miscarriage.

Jane Asher

McCartney first met the British actress Jane Asher on 18 April 1963, when a photographer asked them to pose together at a Beatles performance at the Royal Albert Hall in London. The two began a relationship and McCartney took up residence with Asher at her parents' house at 57 Wimpole Street London, where he lived for nearly three years before the couple moved to McCartney's own house in St. John's Wood. McCartney wrote several songs while at the Ashers', including "Yesterday" and several inspired by Asher, among them "And I Love Her", "You Won't See Me", and "I'm Looking Through You". McCartney and Asher had a five-year relationship, and they planned to marry, but Asher broke off the engagement when she discovered McCartney had become involved with another woman, Francie Schwartz. However, Schwartz stated that McCartney and Asher had already broken up before the incident.

Linda McCartney

In 1969, McCartney married American photographer Linda Eastman, whom he described as the woman who gave him "the strength and courage to work again" after the break-up of The Beatles. The pair had met previously at a 1967 Georgie Fame concert at The Bag O'Nails club, during her UK assignment to take photographs of "Swinging Sixties" musicians in London. Paul and Linda were both vegetarian and supported the animal rights organisation People for the Ethical Treatment of Animals. They had four children—Linda's daughter Heather (who was adopted by Paul), Mary, Stella and James—and remained married until Linda's death from breast cancer in 1998.

Heather Mills

In 2002, McCartney married Heather Mills, a former model and anti-landmines campaigner. The couple had a child, Beatrice, in 2003. They separated in May 2006 and were divorced in May 2008. Widespread animosity towards McCartney's wives was reported in 2004. "They [the British public] didn't like me giving up on Jane Asher", McCartney said. "I married a New York divorcee with a child, and at the time they didn't like that."

Nancy Shevell

McCartney has been dating New Yorker Nancy Shevell since November 2007. She is a member of the board of the New York Metropolitan Transportation Authority as well as vice president of a family-owned transportation conglomerate which owns New England Motor Freight. On 6 May 2011, it was reported that McCartney would wed Shevell.

Lifestyle

Drugs

McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.

McCartney remembered getting "very high" and giggling when The Beatles were introduced to cannabis by Bob Dylan in New York, in 1964. McCartney's use of cannabis became regular, and he was quoted as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis, as was the phrase "another kind of mind" in "Got to Get You into My Life". John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis. In 1965, Barry Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook. During the filming of ''Help!'', he occasionally smoked a spliff in the car on the way to the studio during filming, which often made him forget his lines. ''Help!'' director Dick Lester said that he overheard "two beautiful women" trying to cajole McCartney into taking heroin, but he refused.

McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in ''The Times'', on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Epstein, RD Laing, 15 doctors, and two MPs.

McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of ''Sgt. Pepper's Lonely Hearts Club Band''. He admitted that he used the drug multiple times for about a year but stopped because of the unpleasant comedown.

In 1967, on a sailing trip to Greece (with the idea of buying an island for the whole group) McCartney said everybody sat around and took LSD, although McCartney had first taken it with Tara Browne, in 1966. He took his second "acid trip" with Lennon on 21 March 1967 after a studio session. McCartney was the first British pop star to openly admit using LSD, in an interview in the now-defunct "Queen" magazine. His admission was followed by a TV interview in the UK on ITN on 19 June 1967, and when McCartney was asked about his admission of LSD use, he said:

McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Donovan, and several members of the Rolling Stones. In 1972, however, police found cannabis plants growing on his Scottish farm.

On 16 January 1980, Wings went to Tokyo for 11 concerts in Japan. As McCartney was going through customs, officials found 7.7 ounces (218.3 g) of cannabis in his luggage. He was arrested and taken to a Tokyo prison while the Japanese government decided what to do. McCartney had been previously denied a visa to Japan (in 1975) because he had been convicted twice in Europe for possession of cannabis. Public figures called for McCartney to be put on trial for drug-smuggling. Had he been convicted, he would have faced up to seven years in prison. The Wings Japanese tour was cancelled and the other members of Wings left Japan. After ten days in jail, McCartney was released and deported. He was told that he would not be welcome in Japan again, although a decade later he played a concert in Tokyo. In 1984, Paul and Linda McCartney were both arrested for possession of cannabis.

In an interview in 2004 he stated the he no longer smoked marijuana, He also admitted to taking Heroin, LSD and Cocaine but said his drug use was never excessive.

Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference, at which time he and the other Beatles learned Transcendental Meditation (TM). "The whole meditation experience was very good and I still use the mantra. . . I find it soothing and I can imagine that the more you were to get into it, the more interesting it would get." The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for ''The White Album'' and ''Abbey Road'' were composed there by McCartney, Lennon, or both together. Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney, and said he meditated a lot while he was in jail in Japan. In 2009, McCartney, along with Ringo Starr, headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.

Activism

Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarianism was realised when they happened to see lambs in a field as they ate a meal of lamb. McCartney has also credited the 1942 Disney film ''Bambi''—in which the young deer's mother is shot by a hunter—as the original inspiration for him to take an interest in animal rights. In his first interview after Linda's death, he promised to continue working for animal rights. In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remained free of GM ingredients. In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs, and mineral products in the European Union. Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines; both McCartney and Mills are patrons of Adopt-A-Minefield. In 2003, he played a personal concert for the wife of a wealthy banker and donated his one million dollar fee to the charity. He also wore an anti-landmines t-shirt on the Back in the World tour.

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance. The couple also debated with Newfoundland's Premier Danny Williams on the CNN show ''Larry King Live''. They further stated that the fishermen should quit hunting seals and begin a seal watching business. McCartney has also criticised China's fur trade and supports the Make Poverty History campaign.

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Aung San Suu Kyi, and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May 1989) following the Hillsborough disaster.

In a December 2008 interview with ''Prospect Magazine'', McCartney mentioned that he tried to convince the Dalai Lama to become a vegetarian. In a letter to the Dalai Lama, McCartney took issue with Buddhism and meat-eating being considered compatible, saying, "Forgive me for pointing this out, but if you eat animals then there is some suffering somewhere along the line." The Dalai Lama replied to McCartney by saying his doctors advised him to eat meat for health reasons. In the interview McCartney said, "I wrote back saying they were wrong."

Football

The Beatles were advised by Epstein to make no comments about the football clubs they supported because it could alienate some fans, though it was well known that McCartney was a supporter of Everton Football Club, and that his father and relatives used to take him to matches. His allegiance later shifted to Liverpool F.C., as on 28 July 1968, The Beatles were photographed in a photographer's studio at 192–212 Gray's Inn Road, with McCartney wearing a Liverpool F.C. rosette. Linda McCartney later said: "We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was for Everton for a while because of his family — but it's all Liverpool now."

Lennon and McCartney were present to watch the 1966 FA Cup Final at Wembley, between Everton and Sheffield Wednesday, and McCartney attended the 1968 FA Cup Final (18 May 1968) which was played by West Bromwich Albion against Everton. After the end of the match, McCartney shared cigarettes and whisky with other football fans. The ex-Liverpool player, Albert Stubbins, was the only footballer shown on the Sgt. Pepper's Lonely Hearts Club Band cover. McCartney tried to listen (on a radio) to the Liverpool v Manchester United 1977 FA Cup Final, while sailing in the Caribbean, and the video for McCartney's "Pipes of Peace" (in 1983) recreated the 1915 football game played between German and British troops during World War I, at Christmas.

At the end of the live version of "Coming Up" recorded in Glasgow in 1979 (later to become a US number one single) the crowd begins to sing "Paul McCartney!" until McCartney takes over and changes the chant to "Kenny Dalglish!", referring to the current Liverpool and Scotland striker. At the same concert, Gordon Smith, former football player who played for Rangers and Brighton & Hove Albion, met the McCartneys, and later accepted an invitation to visit their home in East Sussex in 1980. Smith later said that McCartney was "thrilled I knew Kenny Dalglish", to which Linda added: "I like Gordon McQueen of Man United", and Smith replied, "I know him too."

McCartney attended the 1986 FA Cup Final between Liverpool and Everton, and in 1989, he contributed to the Ferry Cross the Mersey charity single that was recorded to aid victims of the Hillsborough Disaster, which happened during a match between Liverpool and Nottingham Forest. McCartney performed at the Liverpool F.C. Anfield stadium on 1 June 2008, as a part of Liverpool's European Capital of Culture year. Dave Grohl from the Foo Fighters sang with McCartney on "Band on the Run", and played drums on "Back in the U.S.S.R.". Ono and Olivia Harrison attended the concert, along with Ken Dodd, and the former Liverpool F.C. football manager Rafael Benítez.

In an interview in 2008, McCartney ended speculation about his allegiance when he said:

"Here's the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought 'You know what? I am just going to support them both because it's all Liverpool and I don't have that Catholic-Protestant thing.' So I did have to get special dispensation from the Pope to do this but that's it, too bad. I support them both. They are both great teams, but if it comes to the crunch, I'm Evertonian."

In 2010, there was heavy speculation surrounding McCartney that he was to head up a consortium launching a take-over bid for struggling Charlton Athletic. Links between the club and the famous musician go a long way back with Charlton's famous supporters anthem – Valley, Floyd Road – using the tune and a number of lyrics from the Wings song "Mull of Kintyre".

Business

McCartney is one of Britain's wealthiest musicians, with an estimated fortune of £750 million ($1.2 billion) in 2009, although Justice Bennett, in his judgement on McCartney's divorce case found no evidence that McCartney was worth more than £400 million. In December 1998, he was approached to purchase a stake in Everton Football Club by former school friend Bill Kenwright who wished to put a consortium together but McCartney chose to decline the offer. In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights. McCartney earned £40 million in 2003, making him Britain's highest media earner. This rose to £48.5 million by 2005. In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients. Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.

The Beatles' partnership was replaced in 1968 by a jointly held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated Television (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.

MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights, as well as the publishing rights to musicals. In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark. The 2005 films, ''Brokeback Mountain'' and ''Good Night and Good Luck'', feature MPL copyrights.

In April 2009, it was revealed that McCartney, in common with other wealthy musicians, had seen a significant decline in his net worth over the preceding year. It was estimated that his fortune had fallen by some £60m, from £238m to £175m. The losses were attributed to the ongoing global recession, and the resultant decline in value of property and stock market holdings.

Critique, recognition and achievements

McCartney is listed in ''The Guinness Book Of Records'' as the most successful musician and composer in popular music history with sales of 100 million singles and 60 gold discs, "Sir Paul McCartney became the Most Successful Songwriter who has written/co written 188 charted records, of which 91 reached the Top 10 and 33 made it to No.1 totalling 1,662 weeks on the chart (up to the beginning of 2008)."

In the US, McCartney has achieved thirty-two number-one singles on the ''Billboard'' Hot 100, including twenty-one with The Beatles, one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds", nine solo, with Wings or other collaborators, and one as the composer of "A World Without Love", a number one single for Peter and Gordon. In the UK, McCartney has been involved in more number-one singles than any other artist under a variety of credits, although Elvis Presley has achieved more as a solo artist. McCartney has twenty four number-one singles in the UK, including seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and one with "The Christians et all". McCartney is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston), and as part of a musical ensemble for charity (Ferry Aid).

McCartney was voted the "Greatest Composer of the Millennium" by BBC News Online readers and McCartney's song "Yesterday" is thought to be the most covered song in history with more than 2,200 recorded versions and according to the BBC, "The track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list. Sir Paul McCartney's Yesterday is the most played song by a British writer this century in the US." After its 1977 release, the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984. (Three charity singles have since surpassed it in sales; the first to do so, in 1984, was Band Aid's "Do They Know It's Christmas?" in which McCartney was a participant.)

On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the ''Billboard'' charts, just hours after the single's release, and hit number one on numerous online download charts across the world. McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro, Brazil on 21 April 1990.

McCartney's scheduled concert in St Petersburg, Russia was his 3,000th concert and took place in front of 60,000 fans in Russia, on 20 June 2004. Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist. Only his second concert in Russia, with the first just the year before on Moscow's Red Square as the former Communist U.S.S.R. had previously banned music from The Beatles as a "corrupting influence", McCartney hired 3 jets, at a reported cost of $36,000 (€29,800) (£28,000), to spray dry ice in the clouds above Saint Petersburg's Winter Palace Square in a successful attempt to prevent rain.

The day McCartney flew into the former Soviet country, he celebrated his 62nd birthday, and after the concert, according to ''RIA Novosti'' news agency, he received a phone call from a fan; then-President Vladimir Putin, who telephoned him after the concert to wish him a happy birthday. In the concert programme for his 1989 world tour, McCartney wrote that Lennon received all the credit for being the avant-garde Beatle, and McCartney was known as "baby-faced", which he disagreed with. People also assumed that Lennon was the "hard-edged one", and McCartney was the "soft-edged" Beatle, although McCartney admitted to "bossing Lennon around." Linda McCartney said that McCartney had a "hard-edge"—and not just on the surface—which she knew about after all the years she had spent living with him. McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".

The minor planet 4148, discovered in 1983, was named "McCartney" in his honour.

On 18 June 2006, McCartney celebrated his 64th birthday, a milestone that was the subject of one of the first songs he ever wrote, at the age of sixteen, The Beatles' song "When I'm Sixty-Four". Paul Vallely noted in ''The Independent'': }}

Discography

Tours

Arms

Notes	Sir Paul McCartney's agent was Hubert Chesshyre, LVO, Clarenceux King of Arms
Crest	On a Wreath of the Colours A Liver Bird calling Sable supporting with the dexter claws a Guitar Or stringed Sable.
Escutcheon	Or between two Flaunches fracted fesswise two Roundels Sable over all six Guitar Strings palewise throughout counterchanged.
Motto	ECCE COR MEUM (Behold my heart)
Previous versions	}}

References

;Footnotes

;Bibliography

External links

Paul McCartney's Official Website

Paul McCartney's Animation Website

Paul McCartney Ecce Cor Meum audio Podcast

Liverpool celebrates Irish ancestry

Paul McCartney: Financial Accounts

Category:1942 births Category:English-language singers Category:English male singers Category:English multi-instrumentalists Category:English pop singers Category:English rock bass guitarists Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Backing vocalists Category:20th-century classical composers Category:Apple Records artists Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:Capitol Records artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Knights Bachelor Category:Members of the Order of the British Empire Category:Music from Liverpool Category:Parlophone artists Category:Mercury Records artists Category:People convicted of drug offenses Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Quarrymen members Category:Wings members Category:Musicians from Liverpool Category:Living people Category:Honorary Members of the Royal Academy of Music Category:Transcendental Meditation practitioners Category:People educated at Liverpool Institute High School for Boys Category:Silver Clef Awards winners Category:Animal rights advocates

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name	Lily Allen
background	solo_singer
birth name	Lily Rose Beatrice Allen
birth date	May 02, 1985
birth place	Hammersmith, London, England
instrument	Guitar
genre	Pop
occupation	Musician, songwriter, presenter
years active	1988–present
label	London, Regal, Capitol
website	}}

Lily Rose Beatrice Cooper, better known as Lily Allen (born 2 May 1985), is an English recording artist and fashion designer. She is the daughter of actor and musician Keith Allen and film producer Alison Owen. In her teenage years, her musical tastes evolved from glam rock to alternative. Allen abandoned school and concentrated on improving her performing and compositional skills. Afterwards, she created several demo songs and, near the end of 2005, she created a profile on MySpace where she made some of her recordings public.

A contract was signed with the label Regal Recordings, as the views on MySpace rose to tens of thousands. In 2006, she began to work on completing what would be her first studio album and its first mainstream single "Smile" reached the top position on the UK Singles Chart in July 2006. Her debut record, ''Alright, Still'', was well received on the international market, selling over 2.6 million copies and brought Allen a nomination at the Grammy Awards, BRIT Awards and MTV Video Music Awards. She then began hosting her own talk-show, ''Lily Allen and Friends'', on BBC Three.

Her second major album release, ''It's Not Me, It's You'', saw a genre shift for her, having more of an electropop feel, rather than the ska and reggae influences of the first one. The album debuted at number one on the UK Albums Chart and the Australian ARIA Charts and was appreciated by the critics, noting the singer's musical evolution and maturity. It spawned the hit singles "The Fear" and "Fuck You", popular mostly in Europe. Allen and Amy Winehouse have been credited with starting a process that led to the media-proclaimed "year of the women" in 2009 that has seen five female artists making music of "experimentalism and fearlessness" long nominated for the Mercury Prize.

During the autumn of 2010, Allen opened a fashion rental shop "Lucy in Disguise" with her sister Sarah, followed by the 2011 launching of her own record label.

Life and career

Childhood and youth

Allen was born in Hammersmith, west London, daughter of Welsh-born comedian and actor Keith Allen and English, Portsmouth-born, film producer Alison Owen. She has an older sister, Sarah; a younger brother, Alfie Owen-Allen (who was the subject of her song "Alfie"); and a younger sister Rebecca. She has a number of half-siblings. At the age of three, Allen appeared on ''The Comic Strip Presents...'' episode "The Yob," which her father had co-written. When Allen was four years old, her father left the family. Allen grew up with her mother living on a council estate during her early childhood. Her family settled in the North London borough of Islington. Allen lived for a while with comedian Harry Enfield while her mother dated him. She is the god-daughter of Wild Colonials vocalist Angela McCluskey. The late Clash singer and guitarist Joe Strummer was close to Allen. Allen has fond memories of the week and a half they would spend together at Glastonbury Festival as part of a regular collective centred on Strummer and her father. Strummer's musical past would not come into focus for Allen until after his death.

She attended some of the UK's most expensive fee-paying public schools; Allen attended 13 schools in all, including Prince Charles's junior alma mater, Hill House School, Millfield, Bedales School and was expelled from several of them for drinking and smoking. When Allen was 11, former University of Victoria music student Rachel Santesso overheard Allen singing Wonderwall by Oasis in the school's playground; impressed, Santesso, who later became an award-winning soprano and composer, called Allen into her office the next day and started giving her lunchtime singing lessons. This would lead to Allen singing ''Baby Mine'' from Disney's Dumbo at a school concert. Allen would tell ''Loveline'' that the audience was "brought to tears at the sight of a troubled young girl doing something good". At that point Allen said she knew that music was something she needed to do either as a lifelong vocation or to get it out of her system. Allen played piano to grade 5 standard and achieved Grade 8 in singing. She also played violin, guitar and trumpet as well as being a member of a chamber choir. Her first solo was "In the Bleak Midwinter." Allen made an appearance as a lady-in-waiting in the 1998 film ''Elizabeth'', which was co-produced by her mother. She dropped out of school at age fifteen, not wanting to "spend a third of her life preparing to work for the next third of her life, to set herself up with a pension for the next third of her life."

2002-2005: Career beginnings

When her family went to Ibiza on holiday, Allen told her mother that she was staying with friends but remained in Sant Antoni de Portmany instead. She earned money by working at a Plastic Fantastic record store and dealing ecstasy. Allen met her first manager, George Lamb in Ibiza. She was rejected by several labels, which she attributed to her drinking and being the daughter of Keith Allen. However, she eventually used her father's connections to get signed to London Records in 2002. When the executive who had signed her left, the label lost interest and she left without releasing the folk songs many of which were written by her father. She then studied horticulture to become a florist, but changed her mind and returned to music. Allen began writing songs, while her manager introduced her to production duo Future Cut in 2004. They worked in a small studio in the basement of an office building.

In 2005, Allen was signed to Regal Recordings; they gave her £25,000 to produce an album, though they were unable to provide much support for it due to their preoccupation with other releases such as ''X&Y;'' (Coldplay) and ''Demon Days'' (Gorillaz). Allen then created an account on MySpace and began posting demos that she recorded in November 2005. The demos attracted thousands of listeners, and 500 limited edition 7" vinyl singles of "LDN" were rush-released, reselling for as much as £40. Allen also produced two mixtapes — ''My First Mixtape'' and ''My Second Mixtape'' — to promote her work. As she accumulated tens of thousands of MySpace friends, ''The Observer Music Monthly'' (OMM), a magazine published in ''The Observer'', took interest in March 2006. Few people outside of her label's A&R; department knew who she was, so the label was slow in responding to publications wanting to report about her. She received her first major mainstream coverage, appearing in the magazine's cover story two months later.

2006–08: ''Alright, Still'' and television

The success convinced her label to allow her more creative control over the album and to use some of the songs that she had written instead of forcing her to work with mainstream producers. Allen decided to work with producers Greg Kurstin and Mark Ronson, finishing the rest of the album in two weeks. Allen's debut album, ''Alright, Still'', was released in July 2006. Most of the tracks had been previewed on her MySpace page, including the singles "Smile", "LDN", "Knock 'Em Out", and "Alfie". In September 2006, "Smile" was made available on the United States version of iTunes Store. By December 2006, her music video for ''Smile'' had been played on various music channels as well as the song getting a little airplay. ''Entertainment Weekly'' named ''Alright, Still'' as one of the top 10 albums of 2006 despite the fact that it had not yet been released in the U.S. Allen also did several promotional ads for MTV as their ''Discover and Download'' artist of the month for January 2007. The album was released in the United States on 30 January 2007, landing at 20 on the ''Billboard'' Album Charts. By January 2009, the album had sold 960,000 copies in the United Kingdom and 520,000 copies in the United States.

In 2007, she played the newly launched Park Stage at the Glastonbury Festival, replacing M.I.A. who had cancelled. During the festival she reunited two members of The Specials an act that guitarist Lynval Golding claimed played a "massive part" in the group's 2009 reunion. She also sang the vocals on the top ten single, "Oh My God", a cover of the Kaiser Chiefs song by Mark Ronson. The single, "Littlest Things" from Allen's album produced by Ronson, helped earn him a "Producer of the Year – Non Classical" 2008 Grammy Award. She also provided background vocals to a couple of songs on the Kaiser Chief's third album in 2008. Allen won a 2008 BMI songwriting award for "Smile". Allen began dating musician Ed Simons of the Chemical Brothers in September 2007, and in December, Allen announced that she and Simons were expecting a child. Allen later suffered a miscarriage.

Due to her outspokenness, Allen was the subject of many controversies early in her career. Disparaging remarks about musicians Luke Pritchard of The Kooks, Bob Geldof, Amy Winehouse, Kylie Minogue, and Katy Perry have all garnered minor press attention. She later said that making fun of other pop stars was a result of a lack of confidence, saying "I felt like 'Oh God, I'm short, fat, ugly and I hate all these people who flaunt their beauty.'" On 28 June 2007, Allen was arrested in London for allegedly assaulting photographer Kevin Rush while she was leaving a nightclub in London's West End. Prior to this, she had expressed discomfort with attention from the paparazzi on her MySpace blog. By February 2009 she had stopped addressing controversies about herself on her blog because she found it "boring when people just pick stuff up and write about it. People get hurt, people get upset." In September 2009, she shut down her MySpace account and stopped social networking completely in December due to the abuse she was taking.

Allen signed a one series contract to present her own BBC Three TV show entitled ''Lily Allen and Friends'' based on the social networking phenomenon that helped to launch her music career. Guests included Mark Ronson, Joanna Page, James Corden, Lauren Laverne, Roisin Murphy, Louis Walsh, and Danny Dyer. The show received a 2% share of the total multi-channel audience share despite a high-profile nationwide marketing campaign. Allen was quoted in a British tabloid as rating the show "probably five out of 10" and said "I made a lot of money out of it". Citing Allen's rapid development as a TV host and her popularity among its target audience BBC Three announced it was renewing ''Lily Allen and Friends'' for a second season. BBC Three controller Danny Cohen later said that the show will not air in the Spring of 2009 as originally scheduled because of music commitments.

Allen performed at a benefit concert for War Child, an international child protection agency that works with children affected by war. Backed by Keane, Allen sang "Smile" and "Everybody’s Changing". Although the singer is a staunch supporter of the Labour Party, she has been credited with helping inspire a parliamentary rebellion against Prime Minister Gordon Brown when she wrote to all Members of Parliament asking them to back an amendment to an energy bill. She has since confirmed her support for the UK Labour Party and for Prime Minister Gordon Brown in particular.

2008–09: ''It's Not Me, It's You''

After the release of her first album, her parent record company, EMI, was taken over by Terra Firma. She also changed her management company from Empire Artist Management to Twenty-First Artists, although her core team remained in place. At the urging of her record company, Allen tried unsuccessfully to create the album with several writers and producers. Allen eventually returned to Greg Kurstin who had written three songs for ''Alright, Still.'' The album was produced by Kurstin at Eagle Rock Studios in Los Angeles. Before returning to Kus, Allen co-wrote the songs for the album with Kurstin who played piano on it. This is a change from her earlier work in which she wrote lyrics for finished tracks. Allen released a statement saying "We decided to try and make bigger sounding, more ethereal songs, real songs ... I wanted to work with one person from start to finish to make it one body of work. I wanted it to feel like it had some sort of integrity. I think I've grown up a bit as a person and I hope it reflects that." She posted two new song demos on her MySpace page and planned to release a mixtape to give her fans an idea of what the new direction was.

Allen cancelled a scheduled appearance at the 2008 Isle of Wight Festival telling festival promoter John Giddings the reason for the cancellation was that her album was behind schedule. Giddings said that the reason given was not acceptable and possibly a lie. Giddings decided not to sue her. Photos of her drunk and topless in the Cannes Film Festival were also widely covered in the press. Her appearance at the 2008 ''Glamour'' Awards also generated criticism, as she showed up intoxicated wearing a dress covered in decapitated Bambi figures, and had an on-stage, expletive-laced exchange with Elton John. On 29 June 2008, Allen performed at the Glastonbury Festival alongside producer Mark Ronson. An emotional Allen dedicated her performance of "Littlest Things" to her grandmother who died the night before. ''It's Not Me, It's You'' was first scheduled for an early 2008 release, but her miscarriage and creative issues delayed the release date to the autumn. During autumn 2008, EMI was undergoing restructuring. Due to this environment, a decision was made to move the album's eventual release date. An online game, ''Escape the Fear,'' was created by Matmi as part of the viral marketing campaign targeted at people unaware of Allen or the album. Since its release, the game has topped the worldwide viral charts three times, including the week of Christmas—a highly contested time of the year. By 18 February 2009, the game had been played over two million times. The singer and The Clash guitarist Mick Jones performed The Clash’s song "Straight to Hell" on an album for the charity Heroes.

''It's Not Me, It's You'' was released in February 2009. It debuted at the number 1 position in the UK, Canada, and Australia and the number 5 position in the United States. The album has been certified platinum in the United Kingdom. The release of the album was a factor in EMI’s more than trebling its earnings. The first single from the album, "The Fear", was number 1 for the first four weeks in the UK after its release. The second single released from the album, "Not Fair", reached the number 9 position. She began her It's Not Me, It's You World Tour in March, touring throught the next two years until September 2010. Her work on this album with Greg Kurstin earned her the ''Songwriters of the Year'' at the 2010 Ivor Novello Awards. In addition, she won with Kurstin ''Best Song Musically and Lyrically'' and ''Most Performed Work'' for "The Fear". Allen appeared overwhelmed by this recognition from what she considered "real awards". In October 2010, Allen was awarded by the United States music licensing organization Broadcast Music Incorporated for extensive United States radio airplay of her song, "The Fear". Allen has been named the face of the National Portrait Gallery as part of the gallery's marketing campaign. The picture was photographed by Nadav Kander emblazoned with the words, "Vocalist, Lyricist, Florist" . Allen and Jamie Hince, guitarist for The Kills, raised £48,350 for the children’s charity The Hoping Foundation. The pair sang "Dream A Little Dream Of Me" at a karaoke auction fundraiser. Karl Lagerfeld, the head designer for Chanel personally hired and photographed Allen for a campaign to promote a luxury line of handbags due to launch in September 2009.

In May 2009, French football magazine ''So Foot'' published a fake interview in which Allen was quoted as making derogatory remarks about David and Victoria Beckham and Ashley and Cheryl Cole. Some of the material was reprinted in the British tabloid ''The Sun''. Both publications later apologized and paid damages to Allen.

2009–present: Marriage and musical hiatus

Allen began dating Sam Cooper, the owner of a building company, in the summer of 2009. In September 2009, Allen announced that she was considering a career in acting and that she would not renew her record contract. Allen additionally stated that she has "no plans" to make another record. After the British government's plans to implement a three strikes policy for file sharing copyright infringement, Lily Allen came out in strong support for disconnecting offenders. Creating a blog entitled ''"It’s Not Alright"'' against file sharing, it subsequently came to light that she had copied text directly from the Techdirt website of an interview with 50 Cent. This led to an exchange on the Internet, which culminated in accusations being made that Allen had infringed on other artists' copyrights by creating mix tapes early in her career, that she then made available via her website. A group of supporters of filesharing launched a denial of service attack dubbed Operation Payback that shut down Allen's website and targeted other critics. On 1 October 2009, Allen and several other musicians released the world's first digital musical petition aimed at pressuring world leaders attending the December 2009 climate change summit in Copenhagen. The petition included a cover of the song "Beds are Burning" by Midnight Oil. She featured on the UK top five single, "Just Be Good to Green" by Professor Green in June 2010.

In August, she began a musical hiatus following a performance at the Big Chill Festival in Herefordshire, England. On 5 August 2010, Allen announced that she was pregnant with her and Cooper's first child, later confirmed to be a boy due early in 2011. Allen and her sister opened their own clothing store entitled "Lucy In Disguise" on 15 September 2010. Allen's pregnancy involved early complications, including "about a week and a half of really heavy bleeding." Six months into her pregnancy, Allen contracted a viral infection which caused her to suffer a pre-term delivery. On 6 November, Allen was rushed to the hospital, where she responded well to treatment for the blood poisoning condition septicaemia. Citing invasion of privacy and copyright infringement, in November 2010 Allen took legal action against Associated Newspapers, the parent company of the Daily Mail after the Daily Mail published photographs of Allen's home.

Allen and Cooper became engaged over the Christmas holidays in December 2010 while vacationing in Bali. In January 2011, Allen launched her own record label In the Name Of, financially backed by Sony Music. The first act signed to the label was New York noise pop duo Cults. In February 2011, Allen started penning songs for the musical version of Bridget Jones's Diary which is scheduled to open in London's West End in 2012. Allen and Cooper wed on 11 June 2011 at St. James church in Cranham, Gloucestershire, England. The designer of Allen's wedding dress confirmed she was pregnant.

Musical style

Allen's early released songs saw her take on a thick Cockney accent while singing against retro productions. Her music was used as part of an exhibition at the British Library tracing the history of Cockney English. Her songs also featured other elements, such as the ska influence on second single, "LDN". She was also noted for her liberal use of crude words in her lyrics. Allen has said she cringes now when listening to tracks from ''Alright, Still'', as it reminds her that she was a "sort of over-excitable teenager who desperately wanted attention" when she wrote it. Desiring to move on from the retro sound that many other artists had since adapted after her debut, on ''It's Not Me, It's You'' Allen ventured in a new direction sonically and lyrically, the first single from the album was an electropop track denouncing consumerism. While Allen admittedly did not set out to make a revolutionary record, her new music direction and willingness to write lyrics that tackled less common subjects were lauded by critics.

Discography

''Alright, Still'' (2006)

''It's Not Me, It's You'' (2009)

See also

List of awards and nominations received by Lily Allen

References

External links

Wilson, Beth. ''Smile: The Story of Lily Allen''. Omnibus Press, 2010. ISBN 978-1849380614

Category:1985 births Category:Living people Category:BBC people Category:BRIT Award winners Category:English television talk show hosts Category:Capitol Records artists Category:English environmentalists Category:English female singers Category:English feminists Category:English people of Welsh descent Category:English pop singers Category:English singer-songwriters Category:English songwriters Category:English television personalities Category:Ivor Novello Award winners Category:LGBT rights activists from England Category:Old Bedalians Category:Old Millfieldians Category:People from Hammersmith Category:People from Islington Category:Singers from London Category:Miscarriage victims Category:People educated at Millfield Preparatory School Category:People educated at Hill House School

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name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Tin Machine
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.

Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

History

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones, was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: Neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny

az:Devid Boui bs:David Bowie br:David Bowie bg:Дейвид Боуи ca:David Bowie cs:David Bowie cy:David Bowie da:David Bowie de:David Bowie et:David Bowie es:David Bowie eo:David Bowie eu:David Bowie fa:دیوید بویی fr:David Bowie ga:David Bowie gl:David Bowie ko:데이비드 보위 hi:डेविड बोवी hr:David Bowie io:David Bowie id:David Bowie is:David Bowie it:David Bowie he:דייוויד בואי ka:დევიდ ბოუი lv:Deivids Bovijs lt:David Bowie li:David Bowie hu:David Bowie mk:Дејвид Боуви nl:David Bowie ja:デヴィッド・ボウイ no:David Bowie nn:David Bowie oc:David Bowie uz:David Bowie pms:David Bowie pl:David Bowie pt:David Bowie ro:David Bowie ru:Боуи, Дэвид sq:David Bowie scn:David Bowie simple:David Bowie sk:David Bowie sl:David Bowie sr:Дејвид Боуи sh:David Bowie fi:David Bowie sv:David Bowie te:డేవిడ్ బౌవీ th:เดวิด โบวี tr:David Bowie uk:Девід Бові vi:David Bowie vls:David Bowie zh-yue:大衛寶兒 zh:大卫·鲍伊

name	Mary Ellis
birth name	May Belle Elsas
birth date	June 15, 1897
birth place	New York City, New York
death date	January 30, 2003
death place	London, England
years active	1934 - 1994
spouse	L.A. Bernheimer (div.) Edwin H. Knopf (div.) Basil Sydney (m.1929) Jock Muir Stewart Robinson (1938-50) }}

Mary Ellis (June 15, 1897 – January 30, 2003) was a long-lived star of the British stage best known for her roles in the genre of musical theatre. After appearing with the Metropolitan Opera beginning in 1918, later appearing opposite Enrico Caruso, she acted on Broadway, creating the title role in ''Rose Marie''. In 1930, she emigrated to England, where she gained additional fame and continued to perform into the 1990s.

Biography

Ellis was born May Belle Elsas in New York City in 1897. She made her debut with the Metropolitan Opera on December 14, 1918, in the world premiere of Puccini's ''Il trittico'', creating the role of Genovieffa in ''Suor Angelica'', the second of the evening's three one-act operas. Later in the run, she also played Lauretta in the third opera of the triptych, ''Gianni Schicchi.'' She also appeared in the premiere of ''L'oiseau bleu'' by Albert Wolff, singing Mytyl, in 1919. While in the Metropolitan company she sang Giannetta in ''L'elisir d'amore'' to Enrico Caruso's Nemorino and Fyodor in ''Boris Godunov'' to Feodor Chaliapin's Boris.

On the Broadway stage, Ellis had the roles of street urchin and errand girl in ''Louis'' in 1921, the role of Nerissa in the 1922 production of ''Merchant of Venice'' and appeared during 1923 in ''Casanova'' with Katherine Cornell. She gained additional notice by creating the title role in Rudolf Friml's operetta ''Rose Marie'' in 1924 and played in ''The Taming of the Shrew'' and ''The Crown Prince'' in 1927. In 1929 she acted the lead role of Becky Sharp in the Players' Club production of ''Vanity Fair'', and played in 1930 in ''Children of Darkness'' opposite Basil Sydney. She also played Leah in The Neighborhood Playhouse's 1925 adaptation of S. Ansky's ''The Dybbuk''.

In 1930 Ellis settled in London, having emigrated to England with her third husband, Basil Sydney, whom she had married in 1929. There she starred in Jerome Kern's ''Music in the Air'' (1933) and then went on to her best known singing roles as the heroine of three Ivor Novello operettas, ''Glamorous Night'' (1935), ''The Dancing Years'' (1939) and ''Arc de Triomphe'' (1943). She also appeared in a film version of ''Glamorous Night'' in 1937.

For most of the Second World War, Ellis abandoned the theatre, performing welfare work in hospitals, and from time to time giving concerts to entertain members of the armed forces. Returning to the stage after the war, Ellis was successful in Noël Coward's 1947 melodrama, ''Point Valaine'', playing a hotel keeper in a sordid, clandestine relationship with an abusive West Indian. In 1948 she gave one of her most praised performances as the embittered Millie Crocker-Harris in Terence Rattigan's ''The Browning Version''. In 1952 she played Volumnia in Coriolanus with Anthony Quayle for the nine-month Stratford season.

In 1954 Ellis was cast as Mrs. Erlynne in Coward's musical ''After the Ball'', but her singing voice had deteriorated drastically, and much of her music had to be cut. Coward blamed her performance for the relative failure of the show. She appeared in the 1960 movie ''The Three Worlds of Gulliver'' and made her last stage appearance in 1970, playing Mrs Warren in Shaw's ''Mrs Warren's Profession'' at the Yvonne Arnaud Theatre in Guildford. She appeared in 1993 in the television series ''Sherlock Holmes'' and again in 1994, playing Mary Maberley.

Ellis published her memoirs in 1982 under the title ''Those Dancing Years''. She died in London in 2003, aged 105.

Filmography

''Bella Donna'' (1934)

''All the King's Horses'' (1935)

''Paris in Spring'' (1935)

''Fatal Lady'' (1936)

''Glamorous Night'' (1937)

''The Astonished Heart'' (1949)

''The Magic Box'' (1951)

''The Three Worlds Of Gulliver'' (1960)

Notes

References

Day, Barry (ed.) (2007) ''The Letters of Noel Coward'', Methuen, London, ISBN 978-0-7163-8578-7

Payn, Graham and Sheridan Morley (ed.) (1982) ''The Noel Coward Diaries'', Papermac, London ISBN 0-333-34883-4

External links

Selected performances in Theatre Archive University of Bristol

Category:American centenarians Category:American opera singers Category:American stage actors Category:1897 births Category:2003 deaths

es:Mary Ellis