This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Robert John (born Robert John Pedrick, Jr., 1946, Brooklyn, New York) is an American singer-songwriter.
John, then known as Bobby Pedrick, first hit the pop chart in 1958 when he was only 12 years old with "White Bucks and Saddle Shoes", written by Doc Pomus and Mort Shuman. By 1965 he had changed his name and signed with MGM records for two ill fated singles. In 1967 he signed a contract with Columbia records and released a string of singles with help from writing partner Mike Gately. After a short tenure with Herb Alpert's A&M; records (1970–71), 1971 brought his next hit, a cover of The Tokens' 1961 hit "The Lion Sleeps Tonight" which climbed to #3 in 1972. This disc sold over one million copies, and received a gold disc awarded by the Recording Industry Association of America on March 15, 1972.
Category:1946 births Category:Living people Category:American male singers Category:Songwriters from New York Category:American singer-songwriters Category:Atlantic Records artists
de:Robert John
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
honorific-prefix | The Honourable |
---|---|
name | Bob Marley |
alt | Black and white picture of a man with long dreadlocks playing the guitar on stage. |
background | solo_singer |
birth name | Robert Nesta Marley |
alias | Tuff Gong |
birth date | February 06, 1945 |
birth place | Nine Mile, Saint Ann, Jamaica |
death date | May 11, 1981 |
death place | Miami, Florida, U.S. |
instrument | Vocals, guitar, piano, saxophone, harmonica, percussion |
genre | Reggae, ska, rocksteady |
occupation | Singer-songwriter, musician |
years active | 1962–1981 |
label | Studio One, Upsetter, Tuff Gong |
associated acts | Bob Marley & The Wailers, Wailers Band, The Upsetters, I Threes |
website | |
notable instruments | Gibson Les Paul Special }} |
Marley's music was heavily influenced by the social issues of his homeland, and he is considered to have given voice to the specific political and cultural nexus of Jamaica. His best-known hits include "I Shot the Sheriff", "No Woman, No Cry", "Could You Be Loved", "Stir It Up", "Jamming", "Redemption Song", "One Love" and, together with The Wailers, "Three Little Birds", as well as the posthumous releases "Buffalo Soldier" and "Iron Lion Zion". The compilation album Legend (1984), released three years after his death, is reggae's best-selling album, going ten times Platinum which is also one Diamond in the U.S., and selling 25 million copies worldwide.
I don't have prejudice against meself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't dip on nobody's side. Me don't dip on the black man's side nor the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.Although Marley recognised his mixed ancestry, throughout his life and because of his beliefs, he self-identified as a black African, following the ideas of Pan-African leaders. Marley stated that his two biggest influences were the African-centered Marcus Garvey and Haile Selassie. A central theme in Bob Marley's message was the repatriation of black people to Zion, which in his view was Ethiopia, or more generally, Africa. In songs such as "Black Survivor", "Babylon System", and "Blackman Redemption", Marley sings about the struggles of blacks and Africans against oppression from the West or "Babylon".
Marley became friends with Neville "Bunny" Livingston (later known as Bunny Wailer), with whom he started to play music. He left school at the age of 14 to make music with Joe Higgs, a local singer and devout Rastafari. At a jam session with Higgs and Livingston, Marley met Peter McIntosh (later known as Peter Tosh), who had similar musical ambitions. In 1962, Marley recorded his first two singles, "Judge Not" and "One Cup of Coffee", with local music producer Leslie Kong. These songs, released on the Beverley's label under the pseudonym of Bobby Martell, attracted little attention. The songs were later re-released on the box set Songs of Freedom, a posthumous collection of Marley's work.
In 1966, Marley married Rita Anderson, and moved near his mother's residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.
Though raised in the Catholic tradition, Marley became captivated by Rastafarian beliefs in the 1960s, when away from his mother's influence. Formally converted to Rastafari after returning to Jamaica, Marley began to wear his trademark dreadlocks (see the religion section for more on Marley's religious views). After a conflict with Dodd, Marley and his band teamed up with Lee "Scratch" Perry and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again.
Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise The Wailers' sound. Bunny later asserted that these songs "should never be released on an album ... they were just demos for record companies to listen to". Also in 1968, Bob and Rita visited the Bronx to see Johnny Nash's songwriter Jimmy Norman. A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts. According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on "Stay With Me" and "the slow love song style of 1960's artists" on "Splish for My Splash". An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Camden, London during 1972.
In 1972, the Wailers entered into an ill-fated deal with CBS Records and embarked on a tour with American soul singer Johnny Nash. Broke, the Wailers became stranded in London. Marley turned up at Island Records founder and producer Chris Blackwell's London office, and asked him to advance the cost of a new single. Since Jimmy Cliff, Island's top reggae star, had recently left the label, Blackwell was primed for a replacement. In Marley, Blackwell recognized the elements needed to snare the rock audience: "I was dealing with rock music, which was really rebel music. I felt that would really be the way to break Jamaican music. But you needed someone who could be that image. When Bob walked in he really was that image." Blackwell told Marley he wanted The Wailers to record a complete album (essentially unheard of at the time). When Marley told him it would take between £3,000 and £4,000, Blackwell trusted him with the greater sum. Despite their "rude boy" reputation, the Wailers returned to Kingston and honored the deal, delivering the album Catch A Fire.
Primarily recorded on eight-track at Harry J's in Kingston, Catch A Fire marked the first time a reggae band had access to a state-of-the-art studio and were accorded the same care as their rock'n'roll peers. Blackwell desired to create "more of a drifting, hypnotic-type feel than a reggae rhythm", and restructured Marley's mixes and arrangements. Marley travelled to London to supervise Blackwell's overdubbing of the album, which included tempering the mix from the bass-heavy sound of Jamaican music, and omitting two tracks.
The Wailers' first major label album, Catch a Fire was released worldwide in April 1973, packaged like a rock record with a unique Zippo lighter lift-top. Initially selling 14,000 units, it didn't make Marley a star, but received a positive critical reception. It was followed later that year by Burnin', which included the standout songs "Get Up, Stand Up", and "I Shot the Sheriff", which appealed to the ear of Eric Clapton. He recorded a cover of the track in 1974 which became a huge American hit, raising Marley's international profile. Many Jamaicans were not keen on the new "improved" reggae sound on Catch A Fire, but the Trenchtown style of Burnin' found fans across both reggae and rock audiences.
During this period, Blackwell gifted his Kingston residence and company headquarters at 56 Hope Road (then known as Island House) to Marley. Housing Tuff Gong Studios, the property became not only Marley's office, but also his home.
The Wailers were scheduled to open 17 shows for the number one black act in the States, Sly and the Family Stone. After 4 shows, the band was fired because they were more popular than the acts they were opening for. The Wailers broke up in 1974 with each of the three main members pursuing solo careers. The reason for the breakup is shrouded in conjecture; some believe that there were disagreements amongst Bunny, Peter, and Bob concerning performances, while others claim that Bunny and Peter simply preferred solo work.
Despite the break-up, Marley continued recording as "Bob Marley & The Wailers". His new backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which spent four weeks on the Billboard Hot 100. In December 1976, two days before "Smile Jamaica", a free concert organised by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups, Marley, his wife, and manager Don Taylor were wounded in an assault by unknown gunmen inside Marley's home. Taylor and Marley's wife sustained serious injuries, but later made full recoveries. Bob Marley received minor wounds in the chest and arm. The shooting was thought to have been politically motivated, as many felt the concert was really a support rally for Manley. Nonetheless, the concert proceeded, and an injured Marley performed as scheduled, two days after the attempt. When asked why, Marley responded, "The people who are trying to make this world worse aren’t taking a day off. How can I?" The members of the group Zap Pow, which had no radical religious or political beliefs, played as Bob Marley's backup band before a festival crowd of 80,000 while members of The Wailers were still missing or in hiding.
Marley left Jamaica at the end of 1976, and after a month-long "recovery and writing" sojourn at the site of Chris Blackwell's Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile. Whilst there he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love" (a rendition of Curtis Mayfield's hit, "People Get Ready"). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis. In 1978, Marley returned to Jamaica and performed at another political concert, the One Love Peace Concert, again in an effort to calm warring parties. Near the end of the performance, by Marley's request, Michael Manley (leader of then-ruling People's National Party) and his political rival Edward Seaga (leader of the opposing Jamaica Labour Party), joined each other on stage and shook hands.
Under the name Bob Marley and the Wailers eleven albums were released, four live albums and seven studio albums. The releases included Babylon by Bus, a double live album with thirteen tracks, were released in 1978 and received critical acclaim. This album, and specifically the final track "Jamming" with the audience in a frenzy, captured the intensity of Marley's live performances.
Survival, a defiant and politically charged album, was released in 1979. Tracks such as "Zimbabwe", "Africa Unite", "Wake Up and Live", and "Survival" reflected Marley's support for the struggles of Africans. His appearance at the Amandla Festival in Boston in July 1979 showed his strong opposition to South African apartheid, which he already had shown in his song "War" in 1976. In early 1980, he was invited to perform at the 17 April celebration of Zimbabwe's Independence Day. Uprising (1980) was Bob Marley's final studio album, and is one of his most religious productions; it includes "Redemption Song" and "Forever Loving Jah". Confrontation, released posthumously in 1983, contained unreleased material recorded during Marley's lifetime, including the hit "Buffalo Soldier" and new mixes of singles previously only available in Jamaica.
Those listed on the official site are: # Sharon, born 23 November 1964, to Rita in previous relationship # Cedella born 23 August 1967, to Rita # David "Ziggy", born 17 October 1968, to Rita # Stephen, born 20 April 1972, to Rita # Robert "Robbie", born 16 May 1972, to Pat Williams # Rohan, born 19 May 1972, to Janet Hunt # Karen, born 1973 to Janet Bowen # Stephanie, born 17 August 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob's daughter # Julian, born 4 June 1975, to Lucy Pounder # Ky-Mani, born 26 February 1976, to Anita Belnavis # Damian, born 21 July 1978, to Cindy Breakspeare
Makeda was born on 30 May 1981, to Yvette Crichton, after Marley's death. Meredith Dixon's book lists her as Marley's child, but she is not listed as such on the Bob Marley official website.
Various websites, for example, also list Imani Carole, born 22 May 1963 to Cheryl Murray; but she does not appear on the official Bob Marley website.
The album Uprising was released in May 1980 (produced by Chris Blackwell), on which "Redemption Song" is particularly considered to be about Marley coming to terms with his mortality. The band completed a major tour of Europe, where they played their biggest concert, to a hundred thousand people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden as part of the Uprising Tour.
The final concert of Bob Marley's career was held September 23, 1980 at the Stanley Theater (now called The Benedum Center For The Performing Arts) in Pittsburgh, Pennsylvania. The audio recording of that concert is now available on CD, vinyl, and digital music services.
Shortly after, Marley's health deteriorated and he became very ill; the cancer had spread throughout his body. The rest of the tour was cancelled and Marley sought treatment at the Bavarian clinic of Josef Issels, where he received a controversial type of cancer therapy partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months, Marley boarded a plane for his home in Jamaica.
While flying home from Germany to Jamaica, Marley's vital functions worsened. After landing in Miami, Florida, he was taken to the hospital for immediate medical attention. He died at Cedars of Lebanon Hospital in Miami (now University of Miami Hospital) on the morning of May 11, 1981, at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were "Money can't buy life". Marley received a state funeral in Jamaica on 21 May 1981, which combined elements of Ethiopian Orthodoxy and Rastafari tradition. He was buried in a chapel near his birthplace with his red Gibson Les Paul (some accounts say it was a Fender Stratocaster).
On 21 May 1981, Jamaican Prime Minister Edward Seaga delivered the final funeral eulogy to Marley, declaring:
In 1999 Time magazine chose Bob Marley & The Wailers' Exodus as the greatest album of the 20th century. In 2001, he was posthumously awarded the Grammy Lifetime Achievement Award, and a feature-length documentary about his life, Rebel Music, won various awards at the Grammys. With contributions from Rita, The Wailers, and Marley's lovers and children, it also tells much of the story in his own words. A statue was inaugurated, next to the national stadium on Arthur Wint Drive in Kingston to commemorate him. In 2006, the State of New York renamed a portion of Church Avenue from Remsen Avenue to East 98th Street in the East Flatbush section of Brooklyn "Bob Marley Boulevard". In 2008, a statue of Marley was inaugurated in Banatski Sokolac, Serbia.
Internationally, Marley’s message also continues to reverberate amongst various indigenous communities. For instance, the Aboriginal people of Australia continue to burn a sacred flame to honor his memory in Sydney’s Victoria Park, while members of the Native American Hopi and Havasupai tribe revere his work. There are also many tributes to Bob Marley throughout India, including restaurants, hotels, and cultural festivals.
Marley has also evolved into a global symbol, which has been endlessly merchandised through a variety of mediums. In light of this, author Dave Thompson in his book Reggae and Caribbean Music, laments what he perceives to be the commercialized pacification of Marley's more militant edge, stating:
In March 2008, The Weinstein Company announced its plans to produce a biopic of Bob Marley, based on the book No Woman No Cry: My Life With Bob Marley by Rita Marley. Rudy Langlais will produce the script by Lizzie Borden and Rita Marley will be executive producer.
Category:1945 births Category:1981 deaths Category:Anti-apartheid activists Category:Attempted assassination survivors Category:Cancer deaths in Florida Category:Cannabis culture Category:Converts to Christianity Category:Converts to the Rastafari movement Category:Deaths from skin cancer Category:English-language singers Category:Ethiopian Orthodox Christians Category:Former Roman Catholics Category:Grammy Lifetime Achievement Award winners Category:Jamaican expatriates in the United Kingdom Category:Jamaican expatriates in the United States Category:Jamaican male singers Category:Jamaican people of English descent Category:Jamaican Rastafarians Category:Jamaican reggae singers Category:Jamaican songwriters Category:Jamaican vegetarians B Category:Pan-Africanism Category:Performers of Rastafarian music Category:People from Saint Ann Parish Category:People from Wilmington, Delaware Category:Resonator guitarists Category:Rock and Roll Hall of Fame inductees Category:Shooting survivors Category:The Wailers members
af:Bob Marley als:Bob Marley am:ቦብ ማርሊ ar:بوب مارلي an:Bob Marley roa-rup:Bob Marley ast:Bob Marley az:Bob Marli bn:বব মার্লি be:Боб Марлі be-x-old:Боб Марлі bs:Bob Marley br:Bob Marley bg:Боб Марли ca:Bob Marley cs:Bob Marley cy:Bob Marley da:Bob Marley de:Bob Marley et:Bob Marley el:Μπομπ Μάρλεϊ es:Bob Marley eo:Bob Marley eu:Bob Marley fa:باب مارلی fr:Bob Marley ga:Bob Marley gl:Bob Marley ko:밥 말리 hy:Բոբ Մառլի hi:बॉब मार्ले hr:Bob Marley io:Bob Marley ig:Bob Marley id:Bob Marley is:Bob Marley it:Bob Marley he:בוב מארלי jv:Bob Marley kn:ಬಾಬ್ ಮಾರ್ಲಿ ka:ბობ მარლი sw:Bob Marley ht:Bob Marley la:Robertus Marley lv:Bobs Mārlijs lt:Bob Marley hu:Bob Marley mk:Боб Марли ms:Bob Marley nl:Bob Marley nds-nl:Bob Marley ja:ボブ・マーリー no:Bob Marley oc:Bob Marley pap:Bob Marley nds:Bob Marley pl:Bob Marley pt:Bob Marley ro:Bob Marley qu:Bob Marley ru:Марли, Боб sc:Bob Marley sco:Bob Marley st:Bob Marley sq:Bob Marley scn:Bob Marley si:බොබ් මාලේ simple:Bob Marley sk:Bob Marley sl:Bob Marley szl:Bob Marley sr:Боб Марли sh:Bob Marley fi:Bob Marley sv:Bob Marley tl:Bob Marley ta:பாப் மார்லி th:บ็อบ มาร์เลย์ tr:Bob Marley uk:Боб Марлі vi:Bob Marley yo:Bob Marley zh:巴布·馬利This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Barnes & Barnes |
---|---|
background | group_or_band |
alias | "Dangling Participles", various aliases on The Dinosaur Album |
origin | Lumania (Los Angeles, California) |
genre | Comedy rock, New Wave, Synthpop, Experimental |
years active | 1970–present |
label | Lumania, Rhino, Boulevard, Oglio, Collectors' Choice |
website | Voobaha.com |
current members | Art Barnes (Bill Mumy)Artie Barnes (Robert Haimer) |
notable instruments | }} |
Barnes & Barnes, fictional twin brothers Art Barnes and Artie Barnes (Bill Mumy and Robert Haimer, respectively), are a comedy rock duo based in "Lumania", a fictional mythological civilization (similar to Lemuria or Atlantis). Most of their music is standard rock or pop with heavy comedic elements. They are best known for their 1978 song "Fish Heads."
They formed the band Barnes & Barnes in 1970. Their surname Barnes was taken from a Bill Cosby comedy routine called "Revenge", in which a character called Junior Barnes throws a snowball at Cosby as a child. Originally, both Haimer and Mumy were named "Art Barnes", but Haimer's alter ego was publicly renamed "Artie" in 1979 to differentiate between them.
They first received airplay on The Dr. Demento Show in 1978 with their songs "Boogie Woogie Amputee" and "Fish Heads". The latter recording was released as a single on their own Lumania Records in 1979 and remains their best-known song, as well as the most requested song in the history of The Dr. Demento Show. They produced a video for the song, which was broadcast frequently as a novelty item on MTV. The song was often misattributed to The Chipmunks for its processed high-pitched chorus: :''Fish heads, fish heads :''Roly-poly fish heads :''Fish heads, fish heads :''Eat them up, yum!
In 1978, Damaskas and Barnes & Barnes recorded "A Day in the Life of Green Acres," a song that combined the music of The Beatles "A Day in the Life" with the lyrics to the theme song of the television show Green Acres. It was inspired by Little Roger and the Goosebumps' similar intertwining of Led Zeppelin's "Stairway to Heaven" and the theme to Gilligan's Island.
Actor Bill Paxton appears in the videos for "Fish Heads", "Soak It Up", and "Love Tap".
In 2005, Barnes & Barnes were inducted into the Comedy Music Hall of Fame.
Category:Rock music groups from California Category:American comedy musical groups Category:Comedy rock
it:Barnes & BarnesThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
In 1979, Virginia starts singing under the name Viola Valentino. Her first song Comprami (“Buy Me”) made her famous and was sold in a great number of copies in Italy and Spain.
In 1980, Viola sings two other songs that also become hits, Sei una bomba (“You Are a Bomb”) and Anche noi facciamo pace (“We Will Make Peace Too”). In the same year, her first album Cinema (“Cinema”) comes out.
In 1982, Viola Valentino takes part in Festival di Sanremo for the first time with the song Romantici (“Romantic”) which also became a hit. In the same year, her second album In primo piano (“In the Foreground”) and another hit Sola (“Alone”) comes out. At that time, Viola Valentino was in the zenith of her fame and was invited to act in the film Delitto sull’autostrada (“A Crime on a Highway”).
In 1983, she takes part in Festival di Sanremo again with the song Arriva arriva (“Come, Come”). Since then, the public interest in Viola Valentino began to fade. In the 1980s, Viola acted in the films Due strani papà (“Two Strange Daddies”, 1983) and Le volpi della notte (“Night Foxes”, 1986).
In 1986, Viola sings the song Il posto della luna (“The Place of the Moon”), which had moderate success.
In 1991, an album Un angelo dal cielo (“An Angel from Heaven”) came out which included the best songs by Viola Valentino.
Two times Viola’s photos were cover photos of Playboy.
Category:1949 births Category:Italian female singers Category:Living people Category:Italian pop singers
it:Viola Valentino ru:Виола ВалентиноThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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