name	Dharma
director	Chand
starring	Rekha
released	1973
country
language	Hindi
website	}}

''Dharma'' is a 1973 Bollywood action film directed by Chand. The film stars Pran in the title role.The supporting cast includes Ajit and the pair Navin Nischol and Rekha

Cast

Navin Nischol ... Raju (as Navin Nishchal)

Rekha ... Mrs. Asha Singh

Pran ... Sevak Singh 'Dharma'

Madan Puri ... Mangal Singh

Ramesh Deo ... Chaman Singh

Mohan Choti ... Car Mechanic

Asit Sen ... Seth Garib Das

Sonia Sahni ... Cabaret Dancer #3 (as Sonia Sahani)

Jayshree T. ... Cabaret Dancer #4 (as Jayshri T.)

Faryal ... Cabaret Dancer #2

Anjali Kadam ... Mrs. Parvati Singh

Chandrashekhar (as Chandra Shekhar)

Rajan Haksar ... Bhairon Singh

Murad ... Seth

External links

Category:1973 films Category:Indian films Category:Hindi-language films Category:1970s action films

name	Mohammed Rafi
background	solo_singer
birth name	Mohammed Haji Ali Mohammed Rafi
born	24 December 1924 Kotla Sultan Singh, Punjab, British India
died	31 July 1980 (aged 55) Bombay, Maharashtra, India
origin	India
instrument	Vocalist
genre	Hindustani Classical Music, Indian classical, ghazal, playback singing, qawwali. thumri
occupation	Playback Singer, sang in Hindi, Punjabi, and various other regional languages, also recorded songs in English, Scottish, Spanish and French
years active	1941–1980 }}

Mohammad Rafi (}}; 24 December 1924 – 31 July 1980), was an Indian playback singer whose career spanned four decades. He won a National Award and 6 Filmfare Awards. In 1967, he was honoured with the Padma Shri by the Government of India.

Rafi claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980; according to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980. His singing career spanned about 40 years, and his songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans, and from slow melancholic tunes to fast and melodious fun filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety. Primarily noted for his Hindi-Urdu songs, he also sang in other Indian languages including Konkani, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few English, Persian, Spanish and Dutch songs.

An article in ''Times of India'', published on 24 July 2010 sums up his voice as, "''If there are 101 ways of saying "I love you" in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of unrequited love and the anguish of heartbreak - he could explore every crevice of ardour. It wasn't just love, his voice could capture the navras of life - a failed poet's melancholy, a fiery unionist's vim, a debt-ridden farmer's despair, really anybody at all. Rafi, whose career spanned nearly four decades, was a singer for every season and every reason.''"

Early years and background

Mohammed Rafi was born the second youngest of six sons of Hajji Ali Mohammad at Kotla Sultan Singh, a village near Amritsar in Punjab (British India). Rafi, whose nickname was Pheeko, started singing by imitating chants of a fakir in his village. Rafi's father moved to Lahore in the Nineteen Twenties and owned a men's salon in Noor Mohalla in Bhatti Gate Lahore. It was his elder brother (Mohammad Deen's) friend Abdul Hameed who later became his brother in law, who spotted the talent in Rafi in Lahore and encouraged him to sing. Abdul Hameed later convinced the family elders to let him move to Bombay and he accompanied Mohammad Rafi to Bombay in 1944. Rafi learnt classical music from Ustad Bade Ghulam Ali Khan, Ustad Abdul Wahid Khan, Pandit Jiwanlal Matto and Firoze Nizami.

Rafi's first public performance came at the age of 13, when he was allowed to sing at a concert in Lahore featuring K. L. Saigal. In 1941, Rafi, under Shyam Sunder, made his debut in Lahore as a playback singer in the duet "Soniye nee, Heeriye nee" with Zeenat Begum in the Punjabi film ''Gul Baloch'' (the film was released in 1944). In that same year, Rafi was invited by All India Radio Lahore station to sing for them. He made his professional debut in the Shyam Sunder-directed 1941 film Gul Baloch and the Bombay film, Gaon Ki Gauri, the following year.

Advent in Bombay

In 1944, Rafi moved to Bombay (now Mumbai),The brother in laws to be took up a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Here poet Tanvir Naqvi introduced him to some of film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer. Shyam Sunder was in Bombay and again provided an opportunity to Rafi – who got to sing a duet with GM Durrani, ‘Aji dil ho qaabu mein to dildar ki aisi taisi…’, for Gaon Ki Gori, which became Rafi’s first recorded song in a Hindi film. Many other songs followed. Rafi also did brief roles in movies like Laila-Majnu (1945) and Jugnu. In Laila-Majnu, he was seen singing ''Tera Jalwa'' as a part of the chorus.

In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song ‘Suno suno ae duniyawalon, Bapuji ki amar kahani…’. He was invited by the Indian Prime Minister, Jawaharlal Nehru, to sing at the latter's house. In 1948, Rafi received a silver medal from Nehru on the Indian Independence Day. In 1949, Rafi was given solo songs by music directors such as Naushad, (''Chandni Raat'', ''Dillagi'' and ''Dulari'') Shyam Sunder (''Bazaar'') and Husnalal Bhagatram (''Meena Bazaar'').

Rafi's first song with Naushad was "Hindustan ke hum hain" with Shyam Kumar, Alauddin and others, from A. R. Kardar's ''Pehle Aap'' (1944). Around the same time, Rafi recorded another song for the 1945 film ''Gaon ki Gori'', "Aji dil ho kaaboo mein". He considered this song his first Hindi language song.

Rafi also appeared in two movies. In 1945, Rafi appeared on the screen for the song "Tera Jalwa Jis Ne Dekha" in the film ''Laila Majnu''. He sang a number of songs for Naushad as part of the chorus, including "Mere sapnon ki rani, Roohi Roohi" with K. L. Saigal from the film ''Shahjahan'' (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's ''Anmol Ghadi'' (1946) and a duet with Noor Jehan in the 1947 film ''Jugnu'', "Yahan Badla Wafa Ka". Following the Partition of India, Rafi decided to stay in India and had his family flown to Bombay. Whereas Noor Jahan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

Rafi was highly influence by the singers of that time like K. L Saigal, Talat Mehmood and, most notably, by G. M. Durrani - on whose style he based his singing. He sung with his idol in some of the songs such as "''Humko Hanste Dekh Zamana Jalta Hai'' (Hum Sab Chor Hain, 1956) and "''Khabar Kisi ko Nahiin, woh kidhar Dekhte'' (Beqasoor, 1950), etc.

Recording career

He associated with many music directors of his time, most notably Naushad. In the late 1950s and 1960s, Rafi worked with other composers of the era such as O. P. Nayyar, Shankar Jaikishan and S.D. Burman.

; Association with Naushad

As per Naushad, Rafi came to him with a letter of recommendation from Naushad's father. Rafi’s first song for Naushad was "Hindustan ke hum hain" ("We belong to Hindustan") for the film ''Pehle Aap'' in 1944. The first song for the duo was the soundtrack of the movie ''Anmol Ghadi'' (1946). Before Rafi, Naushad’s favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. He was annoyed and hired Rafi to sing all the songs of the movie ''Baiju Bawra''.

In 1949 when "Suhani Raat Dhal Chuki".

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi Cinema. Songs from ''Baiju Bawra'' (1952) like "O duniya ke rakhwale" and "Man tarpat Hari darshan ko aaj" furthered Rafi's credentials. Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad.

In the 1960 film ''Mughal-E-Azam'', Mohammed Rafi sang the song "Ae Mohabbat Zindabad", composed by Naushad, with a chorus of 100 singers.

; Association with S D Burman S. D. Burman patronized Rafi as the singing voice of Dev Anand and Guru Dutt. Rafi worked with Burman in movies like ''Pyaasa'' (1957), ''Kaagaz Ke Phool'' (1959), ''Tere Ghar ke Saamne'' (1962), ''Guide'' (1965), ''Aradhana'' (1969), and ''Abhimaan'' (1973). S. D. Burman was also another music director besides Naushad who used Rafi prolifically to sing for most of his songs.

; Association with Shankar-Jaikishan

Rafi and Shankar Jaikishan was a partnership in the Hindi film industry. Under Shankar-Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare awards, Rafi won three for S-J songs, viz., "Teri pyari pyari soorat ko", "Baharon phool barsao", and "Dil ke jharokhe mein". The song "Yahoo! Chahe koi mujhe junglee kahe" was sung by Rafi, only to be matched a fast-paced orchestra and a composition by Shankar Jaikishan. S-J made Rafi give playback for Kishore Kumar in the film ''Shararat'' ("Ajab hai daastan teri yeh zindagi"). Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan. Among the films of this combination, are ''Basant Bahar'', ''Professor'', ''Junglee'', ''Suraj'', ''Brahmachari'', ''An Evening in Paris'', ''Dil Tera Deewana'', ''Yakeen'', ''Prince'', ''Love in Tokyo'', ''Beti Bete'', ''Dil Ek Mandir'', ''Dil Apna Aur Preet Parai'', ''Gaban'' and ''Jab Pyar Kisi Se Hota Hai''.

; Association with Ravi

Rafi got his first Filmfare Award for the title song of ''Chaudhvin Ka Chand'' (1960), composed by Ravi. He got National Award for the song "Babul Ki Duaen Leti Ja" from the film ''Neel Kamal'' (1968), also composed by Ravi. Rafi actually wept during the recording of this song. He, himself, admitted this in his interview to BBC in 1977.

Ravi and Rafi produced several other songs, in the films ''China Town'' (1962), ''Kaajal'' (1965), and ''Do Badan'' (1966).

; Association with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in ''Ankhen'' (1950), "Hum ishq mein barbad hain barbad rahenge". They teamed up to produce many songs including "Teri Aankhon ke Siva", "Yeh Duniya Yeh Mehfil" and "Tum Jo Mil Gaye Ho".

; Association with O. P. Nayyar

Rafi and O. P. Nayyar created music in the 1950s and 1960s. O. P. Nayyar was once quoted as saying "If there had been no Mohd. Rafi, there would have been no O. P. Nayyar". He and Rafi created many songs together including "Yeh hai Bombay meri jaan". He got Rafi to sing for singer-actor Kishore Kumar – "Man mora baawara" for the movie ''Raagini''. Later, Rafi sang for Kishore Kumar in movies such as ''Baaghi'', ''Shehzaada'' and ''Shararat''. O. P. Nayyar used Rafi and Asha Bhosle for most of his songs. The team created many songs in early 1950s and 1960s for movies such as ''Naya Daur'' (1957), ''Tumsa Nahin Dekha'' (1957), and ''Kashmir Ki Kali'' (1964). Rafi sang a total of 197 numbers (56 solo) for Nayyar. The song "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film ''Tumsa Nahin Dekha''. They were followed by songs like "Taareef karoon kya uski jisne tumhe banaya" from ''Kashmir ki Kali''.

Rafi and OP had a fallout during the recording for movie "Sawan ki Ghata", as disclosed by OP during one of his interviews. In the interview, he says, "Throughout my career, I have been famous for my punctuality. Rafi had given me a time for recording a song from Saawan Ki Ghata. The musicians were all set. Rafi came late for that recording and said, “Sorry, I was stuck up in Shankar- Jaikishan’s recording.” I said, “You had given me the time by your choice. So I gather, you have time for Shankar- Jaikishan and not for O.P. Nayyar. Now onwards, O.P.Nayyar will not have time for Rafi.” I cancelled the recording in front of shell shocked musicians and told the accountant to charge the expenses for the cancelled session to my account! After three years, Rafi came to my house crying like a baby. I also broke down. Both of us touched each other’s feet. I said, “Rafi, by coming here today you proved that you are much greater than O.P. You could overcome your ego. I could not!” He often used to sing – Yuun To Humne Laakh Sangeetkaar Dekhe Hai, O.P.Nayyar Sa Nahi Dekha! (I have seen many a composer but never one like O.P.Nayyar!) He also used to tell me, “Your music could turn a eunuch into a he-man!”

; Association with Laxmikant-Pyarelal

The composer duo Laxmikant-Pyarelal (L-P) also patronized Rafi as one of their singers, right from their very first film, ''Parasmani'' (1963). Both Rafi and L-P won the Filmfare Awards for the song "Chahoonga main tujhe saanjh savere" from ''Dosti'' (1964). Rafi rendered the maximum number of songs for the music director duo Laxmikant-Pyarelal: a total of 369 numbers (186 solo) for L-P.

Once, when composer Nisar Bazmi (who had migrated to Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.

Between 1950 and 1970, Rafi was the most sought after singer in Bollywood. He sang for many male stars in Hindi films. In 1965, he was honoured by the Government of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s. Rafi recorded two English albums as well. One of them is ''Pop Hits''. In Bollywood, yodeling is generally associated with Kishore Kumar but Rafi introduced yodeling in Indian film as playback singing. Rafi yodeled in some of his old songs, such as "Hello sweety seventeen" (duet with Asha Bhosle), "O Chale ho kaha", "Dilke Aine main", and "Unse Rippy Tippy Ho gayee" (duet with Geeta Dutt).

; Association with his Contemporary Singers

Rafi associated with several of his contemporaries, singing duets with them and sometimes for them (as in case of Kishore Kumar who was also an actor).

Rafi sang the maximum number of duets with Asha Bhonsle (female), Manna Dey (male) and Lata Mangeshkar (female).

For the song “Man mora bawra” in the film ''Ragini'', Kishore Kumar requested Rafi to sing this song for him because this song was a semi classical and Kishore Kumar said that "Rafi Sahab can sing this song better than me". Rafi sang the song. The song “Ajab hay dastan teri aey zindagi” was first given to Kishore Kumar to sing and he sung the first half of ''antara'' but in the second half, he faced some trouble and after many retakes, he was unable to give the effect that Shankar Jaikishan wanted, and finally the song was given to Rafi to sing.

In the song "Humko Tumse Ho Gaya Hai Pyaar Kya Karein" (Amar, Akbar, Anthony), Mohd Rafi sang with Kishore Kumar, Lata Mangeshkar and Mukesh - all in one song. This was probably the only time that all of them rendered their voices for one song.

Controversies

Royalty issue

In 1962-1963, the popular female playback singer Lata Mangeshkar raised the issue of playback singers' share in the royalties. Recognizing Rafi's position as the leading male playback singer, she wanted him to back her in demanding a half-share from the 5 percent song royalty that the film's producer conceded to select composers. Lata's contention was that, there was no way producers and music directors could deny this singing duo, one-half share in that 5 percent song royalty to the composer. Rafi's stated that his claim on the film's maker ended with his being paid his agreed fee for the song. After that, if the film proved a hit, good luck to the movie's maker, he was welcome to keep the Gramco (HMV) royalty he earned from it.

Lata viewed his stand as a stumbling block on the royalty issue and this subsequently led to differences between the two. During the recording of "Tasveer Teri Dil Mein" (''Maya'', 1961), Lata argued with Rafi over a certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The situation worsened when Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only so keen to sing with Lata as she was with him. Later, at the insistence of S. D. Burman, the two decided to reconcile and sing duets.

Guiness World Records

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's introduction in to the Guinness Book of World Records. In a letter dated June 11, 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the maximum number of songs ("not less than 25,000" according to Guinness). After receiving a reply from Guinness, in a letter dated November 20, 1979, he wrote: "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded.".

In an interview to BBC recorded in Nov 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then. After Rafi's death, in its 1984 edition, the ''Guinness Book of Word Records'' gave Lata Mangeshkar's name for the "Most Recordings" but also stated: "Mohammad Rafi (d 1 Aug 1980) claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980.". According to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980. The Guinness Book entries for both Rafi and Lata were later removed in 1991.

Early 1970s

In early 1970s, Rafi recorded fewer songs due his ill health and Hajj pilgrimage. At the same period Kishore Kumar's popularity increased due to the songs he sang for the film ''Aradhana''. The music for ''Aradhana'' was composed by S. D. Burman, and he had used Rafi as the male playback voice for the first two recorded duets, "Baaghon Mein Bahaar Hai" and "Gunguna Rahen Hain Bhanwre". After these two recordings, S. D. Burman fell ill and his son and assistant, R. D. Burman, took over the recordings. R. D. Burman got Kishore Kumar to sing the solos "Roop Tera Mastana" and "Mere Sapnon Ki Rani".

During 1971-1973, Rafi's musical output decreased; however, he did sing several songs. Some of Rafi's songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Tum mujhe Yun Bhula na Paoge" (a signature song of Rafi in 1971) from Pagla Kahin Ka, "Yeh Duniya Yeh Mehfil" from ''Heer Ranjha'' (1970), "Jhilmil Sitaron ka" from ''Jeevan Mrityu'' (a duet with Lata Mangeshkar, 1970), "Gulabi Aankhen" from ''The Train'' (1970), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from ''Mehboob Ki Mehndi'' (1971), "Mera mann tera pyasa" Gambler, "Chalo Dildar Chalo" from 1972 released Pakeezah, "Chura Liya Hain Tumne" from ''Yaadon Ki Baarat'' (a duet with Asha Bhosle, 1973), "Na tu Zameen Ke liye" from 1973 released Dilip Kumar movie Dastan, "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "teri bindiya re", from Abhimaan(1973) and "Aaj mausam bada beimaan hai" from Loafer (1973).

Later years

Rafi made an comeback as a top leading singer in the mid-1970s. In 1974, he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.

In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie ''Hum Kisi Se Kum Nahin'', composed by R. D. Burman. Rafi sang for Rishi Kapoor in films like ''Amar Akbar Anthony'' (1977), ''Sargam'' (1979) and ''Karz'' (1980). The qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977) was a superhit. Rafi's notable renderings in the late 1970s and early 80s include ''Laila Majnu'' (1976), ''Apnapan'' (1978), ''Qurbani'', ''Dostana'' (1980), ''The Burning Train'' (1980), ''Naseeb'' (1981), ''Abdullah'' (1980), ''Shaan'' (1980), ''Asha'' (1980), ''Aap To Aise Na The'' (1980), ''Zamane Ko Dikhana Hai'' (1982).

Death

On Thursday, 31 July 1980, Rafi died at 10:50 p.m., following a heart attack. His last song was "Shaam phir kyun udaas hai dost" (''Aas Paas''), which he had recorded with Laxmikant-Pyarelal few hours before his death.

Rafi was buried at the Juhu Muslim cemetery. It was one of the biggest funeral processions Mumbai had ever witnessed, with over 10,000 people attending.

In 2010, his tomb was demolished to make space for new burials. Fans of Mohammed Rafi who arrive twice a year at his tomb, on 24 December and 31 July, to mark his birth and death anniversary, use the coconut tree nearest to his grave as a marker.

The Government of India announced a two-day public holiday on his death, honouring him.

Legacy

Rafi's song from the film ''Gumnaam'' (1965), "Jaan Pehechan Ho", was used on the soundtrack of ''Ghost World'' (2001). The film opens with the lead character dancing around in her bedroom to a video of ''Gumnaam''.

His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film ''Monsoon Wedding''. His song "Mera Man Tera Pyasa" (''Gambler'', 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer ''Eternal Sunshine of the Spotless Mind'' (2004). This song is played in the background in Kate Winslet's character's home while the lead pair are having a drink - ''at approx 00.11.14 runtime''.

Several of Rafi's unreleased songs will be used for an upcoming film titled ''Sorry Madam''.

A documentary about Rafi’s life is under production by The Films Division of India.

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD entitled ''Rafi Resurrected'' comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre and Symphony Hall, Birmingham.

The Padma Shri Mohammed Rafi Chowk in the Bandra suburb of Mumbai and Pune (extending MG Road) is named after Rafi.

In June 2010, Rafi was voted the most popular playback singer in the OUTLOOK Music Poll, conducted by Outlook Magazine, along with Lata Mangeshkar. The same Poll voted "Man re, tu kahe na Dheer Dhare" (''Chitralekha'', 1964), sung by Rafi as the #1 song. Three songs tied up for the #2 place and two of them were sung by Rafi. The songs were "Tere Mere Sapne Ab Ek Rang Hain" (''Guide'', 1965) and "Din Dhal Jaye, hai raat na jaye" (''Guide'', 1965). This poll was published in Outlook Magazine, the jury of which included many people in the Indian music industry; Abhijeet, Adesh Srivastava, Alisha Chinai, Anu Malik, Ehsaan, Gulzar, Hariharan, Himesh Reshammiya, Jatin, Javed Akhtar, Kailash Kher, Kavita Krishnamurthy, Khayyam, Kumar Sanu, Lalit, Loy, Mahalaxmi Iyer, Mahendra Kapoor, Manna Dey, Prasoon Joshi, Rajesh Roshan, Sadhna Sargam, Sameer, Sandesh Shandilya, Shaan, Shankar, Shantanu Moitra, Shreya Ghoshal, Sonu Nigam and Talat Aziz.

In an article in ''Times of India'', Rafi is described as "a versatile singer, who could render classical, rock and roll, indeed any kind of song with ease, he was Hindi film's favourite male voice through the 1950s and 1960s". Music director Rajesh Roshan, who composed some of the songs with Rafi, remembers him as "a warm-hearted simple person with no ego".

There has been appeals to the Government of India to honour the singer, posthumously, with Bharat Ratna (India's Highest Civilian Award)

Classical and playback singer Manna Dey, who was also a contemporary of Rafi, credits Rafi as "the best singer of them all". He said, "Rafi and I could sing everything, and he was such a gentleman. He was a better singer than me, and I will say this - that no one came even close to him! He deserved everything he got! We had a great understanding and it was never about one-upmanship".

There were reports that a man, sentenced to be hanged, was asked what his last wish was. The man asks that he be allowed to listen to “''O duniya ke rakhwale, sun dard bare mere naale; jeewan apna wapas lele, jeewan dene wale''“ - a song sung by Rafi.

Veteran actor Shammi Kapoor said, "I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement".

On 22 September 2007, a shrine to Rafi designed by artist Tasawar Bashir was unveiled on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as a result.

Singers like Shabbir Kumar, Mohammed Aziz, and more recently, Sonu Nigam, who made a name by adopting his style, perhaps owe their entire careers to Rafi.

After his death, seven Hindi movies were dedicated to Mohd Rafi; ''Allah Rakha'', ''Mard'', ''Coolie'', ''Desh-Premee'', ''Naseeb'', ''Aas-Paas'' and ''Heeralal-Pannalal''.

As per newspaper reports, over 9000 musical tributes were organized in July 2011 commemorating the singer's 31st death anniversary.

List of Songs

See List of Songs by Mohammed Rafi

Personal life

Rafi and Abdul Hameed married two sisters in Bombay in late forties. Rafi had an earlier marriage with her cousin that took place in his ancestral village that could not be continued due to the migration of his in laws and wife to Lahore Pakistan after partition. Rafi had one son from his earlier marriage and three sons and three daughters from his second marriage with Bilquis in Bombay. He was a teetotaller, a religious and humble person. He was very much a family man, following a recording-room to home to recording-room itenerary. He never attended filmy parties, did not smoke or drink. He used to perform his riyaz (musical practise) from 3 AM to 7 AM without fail. His only indulgences were playing carom and badminton and flying kites.

Awards

; Honorary 1948 - Rafi received a silver medal from the Indian Prime Minister Jawaharlal Nehru, on the first anniversary of the Indian Independence Day.

1967 - Honoured with the Padma Shri by the Government of India.

1974 - Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974).

2001 - Rafi was honored with the "best singer of the millennium" by Hero Honda and ''Stardust'' magazine in Mumbai on Jan 7, 2001. Rafi won with 70% of the votes.

Rafi has a record number of Filmfare Award nominations (23). In the earlier years, Filmare used to have only one Best Singer Award (no distinction between a male or female singer). Rafi won it six times.

; National Film Awards Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1968	"Baabul Ki Duayein Leti Jaa"	''Neel Kamal''	Ravi Sharma	Sahir Ludhyanvi
1977	"Kya Hua Tera Wada"	''Hum Kisi Se Kum Nahin''	Rahul Dev Burman	Majrooh Sultanpuri

; Filmfare Awards Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1960	"Chaudhvin Ka Chand Ho"	''Chaudhvin Ka Chand''	Bombay Ravi	Shakeel Badayuni
1961	"Teri Pyaari Pyaari Surat Ko"		Shankar Jaikishan	Shailendra
1964	"Chahunga Main Tujhe"	''Dosti''	Laxmikant-Pyarelal	Majrooh Sultanpuri
1966	"Baharo Phool Barsao"	''Suraj''	Shankar Jaikishan	Shailendra
1968	"Dil Ke Jharoke Mein"		Shankar Jaikishan	Shailendra
1977	"Kya Hua Tera Wada"	''Hum Kisi Se Kum Nahin''	Rahul Dev Burman	Majrooh Sultanpuri

Nominated:

! Year	! Song	! Film	! Music director	! Lyricist
1961	"Husnwale Tera Jawab Nahin"		Bombay Ravi	Shakeel Badayuni
1962	"Aye Gulbadan Aye Gulbadan"		Shankar Jaikishan	Shailendra
1963	"Mere Mehboob Tujhe"	''Mere Mehboob''	Naushad	Shakeel Badayuni
1965	"Chhoo Lene Do Nazuk Hothon Ko"	''Kaajal''	Bombay Ravi	Sahir Ludhianvi
1968	"Mein Gaaon Tum Sojaao"		Shankar Jaikishan	Shailendra
1969	"Badi Mastani Hai"	''Jeene Ki Raah''	Laxmikant-Pyarelal	Anand Bakshi
1970	"Khilona Jaan Kar"	''Khilona''	Laxmikant-Pyarelal	Anand Bakshi
1973	"Hum Ko To Jaan Se Pyaari"	''Naina''	Shankar Jaikishan	Hasrat Jaipuri
1974	"Achha Hi Huva Dil Toot Gaya"	''Maa Bahen Aur Biwi''	Sharda	Qamar Jalalabadi, Vedpal Varma
1977	"Pardah Hai Pardah"	''Amar Akbar Anthony''	Laxmikant-Pyarelal	Anand Bakshi
1978	"Aadmi Musaafir Hai"	''Apnapan''	Laxmikant-Pyarelal	Anand Bakshi
1979	"Chalo Re Doli Uthao Kahaar"	''Jaani Dushman''	Laxmikant-Pyarelal	Varma Malik
1980	"Mere Dost Kissa Yeh"		Laxmikant-Pyarelal	Anand Bakshi
1980	"Dard-e-dil Dard-e-jigar"		Laxmikant-Pyarelal	Anand Bakshi
1980	"Maine Poocha Chand Se"	''Abdullah''	Rahul Dev Burman	Anand Bakshi

;Bengal Film Journalists' Association Awards

Winner

! Year	! Film	! Music director	! Lyricist
1957		O. P. Nayyar	Majrooh Sultanpuri
1965	''Dosti''	Laxmikant Pyarelal	Majrooh Sultanpuri
1966		Shankar Jaikishan	Hasrat Jaipuri

;Sur Sringar Award

Winner

! Year	! Film	! Music director	! Lyricist
1964			Sahir Ludhyanvi

References

External links

Mohammad Rafi at the Internet Movie Database

Category:1924 births Category:1980 deaths Category:Bollywood playback singers Category:Indian film singers Category:Indian Muslims Category:People from Amritsar Category:Indian male singers Category:Filmfare Awards winners Category:Deaths from myocardial infarction Category:Recipients of the Padma Shri Category:Punjabi people Category:Indian musicians Category:Indian singers Category:People from Mumbai Category:Konkani-language singers Category:Marathi-language singers

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name	Asha Bhosle
background	solo_singer
birth name	Asha Mangeshkar
born	September 08, 1933Sangli, Bombay Presidency, British India
genre	Pop, folk, Indian classical music
occupation	Singer, playback singer
years active	1943–present }}

Asha Bhosle () (born September 8, 1933) is an Indian singer. She is one of the best-known and highly regarded Hindi playback singers in India, although she has a much wider repertoire. Her career started in 1943 and has spanned over six decades. She has done playback singing for over 1000 Bollywood movies. She has recorded many private albums and has participated in numerous concerts in India and abroad. Bhosle is the sister of playback singer Lata Mangeshkar.

Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung Hindi, Assamese, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, Kannada, English, Russian, Czech, Nepali, Malay, Sinhala and Malayalam.

In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009. The Government of India honoured her with the Dadasaheb Phalke Award in 2000 and the Padma Vibhushan in 2008.

Biography

Asha Bhosle was born in the small hamlet of Goar in Sangli, Bombay Presidency (now in Maharashtra), into the musical family of Master Deenanath Mangeshkar, who belongs to Gomantak Maratha Samaj. Her father was a theater actor and classical singer. When she was nine years old, her father died. The family moved from Pune to Kolhapur and then to Mumbai. She and her elder sister Lata Mangeshkar began singing and acting in films to support their family. She sang her first film song ''Chala Chala Nav Bala'' for the Marathi movie ''Majha Bal'' (1943). The music for the film was composed by Datta Dawjekar. She made her Hindi film debut when she sang the song ''Saawan Aaya'' for Hansraj Behl's ''Chunariya'' (1948). Her first solo Hindi film song was for the movie ''Raat Ki Raani'' (1949).

At the age of 16, she eloped with 31-year-old Ganpatrao Bhosle, marrying him against her family's wishes. Ganpatrao was Lata's personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Asha was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child. She continued to sing in films to earn money.

At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar monopolized the singing for the female lead and the big films, whilst Asha used to get the assignments they refused: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than most playback singers in Bollywood (not counting Lata). Most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well. Singing in Dilip Kumar-starrer ''Sangdil'' (1952), composed by Sajjad Hussain, she got reasonable recognition. Consequently, film director Bimal Roy gave her a chance to sing in ''Parineeta'' (1953). Raj Kapoor signed her to sing ''Nanhe Munne Bachche'' with Mohammed Rafi in ''Boot Polish'' (1954), which gained popularity.

O. P. Nayyar gave Asha a break in C.I.D. (1956). She first achieved success in B. R. Chopra's ''Naya Daur'' (1957), composed by him. Her duets with Rafi like ''Maang ke saath tumhara'', ''Saathi haath badhana'' and ''Uden jab jab zulfein teri'', penned by Sahir Ludhianvi earned her recognition. It was the first time that she had got to sing all the songs for the lead actress. B R Chopra recognized her talent and got her to sing in many of his later films including ''Waqt'', ''Gumraah'', Humraaz, ''Aadmi Aur Insaan'' and ''Dhund''. Nayyar's collaboration with Bhosle also produced many hits. Gradually, she established herself and received patronage of composers such as Sachin Dev Burman and Ravi. Bhosle and Nayyar had a professional and personal parting of ways in the 1970s.

In 1966, Asha's performance in the duets from music director R D Burman's first successful movie, ''Teesri Manzil'' won popular acclaim. When Asha first listened to the tune of the song ''Aaja Aaja'', she had felt that she would not be able to sing the Western dance number. R D Burman offered to change the music. She was offended a bit and took it as a challenge to sing the song. After rehearsing for 10 days, when she finally sang the song, an impressed R D Burman handed her a 100-rupee note. ''Aaja Aaja'' and other songs of the film, ''O Haseena Zulfonwali'' and ''O Mere Sona Re'' (all three duets with Rafi, another popular Bollywood singer), became rage of the day. Shammi Kapoor, the actor of the movie, once said – "If I did not have Mohammad Rafi to sing for me, I would have got Asha Bhosle to do the job". Asha's collaboration with R D Burman resulted in numerous hits and a marriage. In 1960s and 1970s, she became the voice of Bollywood's dancer, Helen. It is said that Helen would attend her recording sessions so that she could understand the song better and plan dance steps accordingly. Some of the most popular Asha Bhosle-Helen numbers are ''Piya Tu Ab To Aaja'' (''Caravan''), ''O Haseena Zulfon Wali'' (''Teesri Manzil''), and ''Yeh Mera Dil'' (''Don'').

By the 1980s, Asha Bhosle had been stereotyped as a "cabaret singer" and a "pop crooner". In Rekha-starrer ''Umrao Jaan'', she proved her versatility by singing ghazals like ''Dil cheez kya hai'', ''In aankhon ki masti ke'', ''Ye kya jagah hai doston'' and ''Justju jiski thi''. The film's music director Khayyam, had lowered her pitch by half a note. Asha herself was surprised that she could sing so differently. The ghazals won her the first National Award of her career. A few years later, she won another National Award for the song ''Mera Kuchh Saamaan'' from ''Ijaazat'' (1987).

In 1995, the 62-year-old sung for actress Urmila Matondkar in the movie ''Rangeela''. The soundtrack featured songs like ''Tanha Tanha'' and ''Rangeela Re'' sung by her, and composed by music director A. R. Rahman, who went on to record many more songs with her.

In 2005, 72-year-old Asha's numbers for the Tamil film ''Chandramukhi'' and the pop song ''Lucky Lips'' for Salman Khan-starrer ''Lucky'' were chartbusters. Some of the other popular Tamil songs sung by her are ''Oh! Butterfly'', ''September Maadham'' and ''Vennila Vennila''.

In October 2004, ''The Very Best of Asha Bhosle, The Queen of Bollywood'', a compilation album of songs recorded by Bhosle for albums and Bollywood films that were released between 1966 & 2003, was released.

It has been 70 years since Asha Bhosle began singing for movies, but in 2011, she will finally star in her first film "Maaee." The movie will begin filming in April and is scheduled to premiere in June.

Partnership with music directors

;O.P. Nayyar

Music director O. P. Nayyar's association with Asha is part of Bollywood lore. He was the composer who first gave Asha her own identity. Many people have speculated about a romantic relationship between the two.

Nayyar first met Asha in 1952, at the music recording of ''Chham Chhama Chham''. He first called her for a film called ''Mangu'' (1954), and gave her a big break in ''CID'' (1956). However, it was the success of ''Naya Daur'' (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with Nayyar.

The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are ''Aaiye meherbaan'' picturised on Madhubala (''Howrah Bridge'', 1958) and ''Yeh hai reshmi zulfon ka andhera'' picturised on Mumtaz (''Mere Sanam'', 1965). They also recorded songs for many hit movies like ''Tumsa Nahin Dekha'' (1957), ''Howrah Bridge'' (1958), ''Ek Musafir Ek Hasina'' (1962), ''Kashmir Ki Kali'' (1964), ''Aao huzur tumko'' (''Kismat'') and ''Jaaiye aap kahan'' (''Mere Sanam''). O.P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets such as ''Ude jab jab zulfein teri'' (''Naya Daur''), ''Main pyaar ka rahi hoon'' (''Ek Musafir Ek Haseena''), ''Deewana Hua Baadal'' and ''Ishaaron hi isharon mein'' (''Kashmir Ki Kali'').

Asha recorded her last song for O.P. Nayyar in the movie ''Pran Jaye Par Vachan Na Jaye'' (1974). The solo number ''Chain se'' got many awards, but it was not included in the movie.

They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her." Nevertheless, he also said "...now that I am seventy-six, I can say that the most important person in my life was Asha Bhosle. She was the best person I ever met."

The parting of Asha Bhosle and O.P. Nayyar was bitter, and probably therefore she has hesitated to give Nayyar his due. While talking about O.P. Nayyar in an interview with The Times of India, she once remarked - "Whichever composer gave me work, it was because my voice was suited to his music at that point. No ''one'' musician did me any favor by asking me to sing for him." She gives the credit for her first big break to B. R. Chopra, the producer of ''Naya Daur''.

;Khayyam Another music director who recognized Asha's talent early was Khayyam. Their partnership dates back to his first movie ''Biwi'' (1948). Khayyam gave her some good assignments in the 1950s, including ''Dard'' and ''Phir Subah Hogi''. But the team is chiefly remembered for the songs of ''Umrao Jaan''.

;Ravi Music composer Ravi considered Asha one of his favorite singers. She sang for his first movie ''Vachan'' (1955). The melodious lullaby from the movie, ''Chandamama door ke'' became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies ''Gharana'', ''Grihasti'', ''Kajal'' and ''Phool Aur Patthar'', at a time when most of the composers remembered her only when they needed to record B-grade songs picturized on the vamps or the side-heroines. Ravi and Asha recorded a variety of songs, including the popular funny duet with Kishore Kumar - ''C A T...Cat maane billi'' (''Dilli Ka Thug''). The bhajan ''Tora man darpan'' (''Kajal'') is considered one of Asha's best songs.

They also recorded songs for many popular movies like ''Waqt'', ''Chaudhvin Ka Chand'', ''Gumrah'', ''Bahu Beti'', ''China Town'', ''Aadmi Aur Insaan'', ''Dhund'' and ''Humraaz''. For ''Chaudhvin Ka Chand'', Ravi wanted Geeta Dutt (the wife of actor and producer Guru Dutt) to sing the songs. But when she backed out, Guru Dutt insisted that Asha sing the songs.

;Sachin Dev Burman One of Bollywood's most famous composers, Sachin Dev Burman and his favorite singer, Lata Mangeshkar, were not on good terms from 1957 to 1962. During this period, S D Burman used Asha as his lead female voice. She and Burman gave many hit songs in movies such as ''Kaala Pani'', ''Kaala Bazaar'', ''Insaan Jaag Utha'', ''Lajwanti'', ''Sujata'' and ''Teen Deviyaan'' (1965). They recorded many songs together after 1962 as well. Most famous of these songs were Asha's duets with Mohammed Rafi and Kishore Kumar. The song ''Ab ke baras'' in Bimal Roy's Bandini (1963) consolidated her position as a lead singer. The seductive song ''Raat Akeli Hai'' from Jewel Thief (1967), picturised on Tanuja, became very popular.

;Rahul Dev Burman (Pancham) Asha first met Rahul Dev Burman (a.k.a. "Pancham") when she was the mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in ''Teesri Manzil'' (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals and Indian classical music.

In the 1970s, Asha and Pancham's youthful Western songs took Bollywood music by storm - the raunchy cabaret ''Piya tu ab to aaja'' (''Caravan'', picturized on Helen), the rebellious ''Dum Maro Dum'' ('' Hare Rama Hare Krishna'', 1971), the sexy ''Duniya mein'' (''Apna Desh'', 1972) and the romantic ''Chura Liyaa Hai Tumne'' (''Yaadon Ki Baaraat'', 1973). Pancham also recorded many hit duets with Asha and Kishore Kumar such as ''Jaane jaan'' (''Jawani Diwani'') and ''Bhali bhali si ek soorat'' (''Buddha Mil Gaya'').

In 1980s, Pancham and Asha recorded subtle numbers for films like ''Ijaazat'' (1987)- ''Mera kuch saaman'', ''Khaali haath shaam aayi hai'' and ''Katra Katra''. They also recorded the popular duet ''O Maria'' (''Saagar'').

Asha used to call R D Burman "Bubs". She married him in 1980. Their partnership lasted until his death.

R D Burman made her sing some of the most legendary songs in Bengali language as well, namely ''Mohuyae Jomechhe Aaj mou go'',''Chokhe Chokhe kotha bolo'' ''Chokhhe naame brishti''(Bengali version of ''Jaane Kya Baat hai''), ''Baanshi sune ki ghore thaka jaye'',''Sondhya Belae tumi aami'' and ''Aaj Gungun gun gunje amar'' (Bengali version of ''Pyaar Deewana hota hai'').

;Ilaiyaraaja Prolific south Indian film composer Ilaiyaraaja began employing Asha's vocals in the early 1980s, their earliest collaboration being for the film ''Moondram Pirai'' (1982) (remade in Hindi as ''Sadma'' in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Another notable song from this period is ''Shenbagamae'' (''Enga Ooru Paattukkaaran'', 1987, Tamil). In 2000, Asha sung the theme song for Kamal Haasan's political film ''Hey Ram''. The song, ''Nee Partha Parvai'' (''Janmon Ki Jwala'' in Hindi) (or Aparna's Theme), was a duet with singer Hariharan.

;A. R. Rahman A. R. Rahman is credited with Asha's 'comeback' with ''Rangeela'' (1994). Songs like ''Tanha Tanha'' and ''Rangeela Re'' were chartbusters. She and Rahman went on to record more hits like ''Mujhe Rang De'' (''Thakshak''), ''Radha Kaise Na Jale'' (''Lagaan'', duet with Udit Narayan), ''Kahin Aag Lage'' (''Taal''), ''O Bhanware'' (''Daud'', duet with K. J. Yesudas), ''Venilla Venilla'' (''Iruvar'',1999) and ''Dhuan Dhuan'' (''Meenaxi'',2004).

;Jaidev When S D Burman's assistant Jaidev started giving music independently, he got Asha to sing some of his songs as well. They worked in ''Hum Dono'' (1961), ''Mujhe Jeene Do'' (1963), ''Do Boond Pani'' (1971) and other movies. In 1971, the pair released an LP of eight non-film devotional songs and ghazals called ''An Unforgettable Treat''. Asha considered Jaidev a close friend who stood by her when she was struggling personally and professionally. Upon his death in 1987, she released a compilation album of lesser-known songs he had composed for her, called ''Suranjali''.

;Shankar-Jaikishan Shankar-Jaikishan worked relatively little with Asha. However, the trio produced quite a few hits including the seductive ''Parde mein rehne do'' (''Shikar'', 1968). Asha got her second Filmfare Award for the song. She also sang ''Zindagi ek safar hai suhaana'' (''Andaz'') for Shankar-Jaikishan, in which she tried to yodel like Kishore Kumar, whose version of the song is more better known. When Raj Kapoor was not on speaking terms with Lata Mangeshkar, Asha got to sing the songs of Mera Naam Joker (1970), composed by Shankar-Jaikishan.

;Anu Malik Composer Anu Malik and Asha have recorded many hit songs together, including songs for his first movie ''Sohni Mahiwal'' (1984). Their most popular songs include ''Filhaal'' (''Filhaal'') and ''Kitabein bahut si'' (''Baazigar'') among others. The four lines sung by Asha in Malik's ''Jab dil mile'' (''Yaadein'') stood out among voices of Sukhwinder Singh, Udit Narayan and Sunidhi Chauhan. Asha had also sung for Anu's father Sardar Malik in the 1950s and 1960s, most notably in ''Saranga'' (1960).

;Other Composers Madan Mohan recorded a number of songs with Asha, including the popular folk number ''Jhumka Gira Re'' from ''Mera Saaya'' (1966). In ''Chhoti Si Baat'' (1975), Asha sang the ''Jaaneman Jaaneman'' number with K. J. Yesudas for Salil Chowdhury. Salil's 1956 movie ''Jagte Raho'' also had a number recorded by Asha, ''Thandi Thandi Saawan ki Phuhaar''. Another Asha patron is the young composer Sandeep Chowta, who got her to sing ''Kambakht Ishq'', a duet with Sonu Nigam for the movie ''Pyaar Tune Kya Kiya''(2001). The song gained major popularity among the Indian youth.

Asha has worked with Lata-patrons like Laxmikant-Pyarelal, Naushad, Ravindra Jain, N Dutta and Hemant Kumar. When Naushad was asked to sum up the essential difference between Lata and Asha, he said that Asha "lacks certain something which Lata, and Lata alone has". Later he accepted in an interview, "May be I said it because I then had a closed ear on Asha". Naushad, later in his life, also admitted that he has been unfair to Asha. Asha has also worked with other noted Bollywood composers like Jatin-Lalit, Bappi Lahiri, Kalyanji-Anandji, Usha Khanna, Chitragupt, and Roshan.

Non-Bollywood music

Private albums

In a rare feat, noted lyricist Gulzar, music director R.D. Burman and Asha Bhosle, came together in 1987, to create a double album, titled, ''Dil Padosi Hai'', which was released on September 8, 1987. In 1995, Asha underwent the ''gatha bandan'' (thread-tying) ceremony with Hindustani classical music maestro Ali Akbar Khan to learn a classical repertoire held within the Maihar ''gharana'' (stylistic school of Indian classical music), as handed down to Khan by his father Allauddin Khan (the guru of Ravi Shankar). Later, Asha and Ustad Ali Akbar Khan recorded eleven fixed compositions (or ''bandish''es) in California for ''Legacy'', a private album that earned them a Grammy Award nomination.

In 1990s, Asha experimented with remixed R D Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like ''Rahul And I'' became quite popular. In 1997, Asha did a private Indipop album ''Janam Samjha Karo'' with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.

Asha had been once asked by director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album ''Aap Ki Asha'', an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics). The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.

Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time, she was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album ''Kabhi to nazar milao''. The two came together again in the album ''Barse Badal''. The album comprises eight songs, based on Indian Classical music. She contributed the song ''Yun Na Thi'' to the recording ''Womad Talking Book Volume Four: An Introduction to Asia 1'' on Womad Records.

Asha has sung ghazals for many albums like ''Meraj-E-Ghazal'', ''Aabshar-E-Ghazal'' and ''Kashish''. In 2005, Asha released a self-titled album as a tribute to the four ghazal maestros - Mehdi Hassan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s ''Aaj Jaane Ki Zid Na Karo'', Ghulam Ali’s ''Chupke Chupke'', ''Aawargi'' and ''Dil Mein Ek Lahar'', Jagjit Singh’s ''Ahista Ahista'' and Mehdi Hassan’s ''Ranjish Hi Sahi'', ''Rafta Rafta'' and ''Mujhe Tum Nazar Se''. These classic ghazals were recreated with modern sounds by musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.

Numerous compilations of Asha's songs have been released as well. To commemorate her 60th birthday, EMI India released three cassettes: ''Bala Main Bairagan Hoongi'' (devotional songs), ''The Golden Collection: Memorable Ghazals'' (non-film ghazals by composers such as Ghulam Ali, R D Burman and Nazar Hussain), and ''The Golden Collection: The Ever Versatile Asha Bhosle'' (44 popular film songs).

In 2006, she recorded an album ''Asha and Friends'', singing duets, with film actors Sanjay Dutt and Urmila Matondkar and famous cricket player Brett Lee, with whom she sang, You're the One for Me (''Haan Main Tumhara Hoon''). All these songs composed by Shamir Tandon were shot on video by journalist turned director S Ramachandran.

Concerts and collaborations with foreign artists

In 1980s and 1990s, Asha went globe-trotting, staging concerts in Canada, Dubai, UK, U.S. and many other countries. In 1989, during a world tour, she performed in 13 US cities in 20 days. Immediately after this, she had an already sold-out concert scheduled in Stockholm, Sweden. Due to the stressful schedule, Asha suffered a massive attack of colitis, together with fever, cough and weakness. In Stockholm, a pre-concert crisis meeting was called, attended by Asha's son (and manager) Anand and the sponsors. It was decided that the orchestra will play many instrumental tracks, the accompanying singers like Suresh Wadkar will shoulder the load, and Asha will make a small appearance. But Asha rejected all such proposals, and sang at the concert with great difficulty, in a not-so-good voice. Her first set of six Bollywood songs did not receive any response from the audience, which consisted mostly of Indian and Pakistani expats. Before the start of the second set of songs, a fan in the crowd requested her to sing a Marathi song. Asha obliged and sang ''Naach-naachuni ati mi damale'' ("I'm very tired of this endless dancing"). When the song ended, the auditorium erupted with claps and the encores started. After the concert, Asha was in bed for a month, recuperating from overexertion. In October 2002, she did a concert with Sudesh Bhosle and others, in London, for "Help the Aged" to help raise funds for the elderly in India. In 2007 she toured the USA, Canada, and West Indies in a tour called "The Incredibles". In this tour, she was accompanied by singers Sonu Nigam, Kunal Ganjawala and Kailash Kher. This tour, originally scheduled for only 12 concerts, went on to hold more than 20.

In the mid-1980s, Asha sang with Boy George (''Bow down mister'') and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song ''The Way you Dream'' (One Giant Leap, ) with Michael Stipe that was used in the English movie, ''Bulletproof Monk''. The song was also released on the album 1 Giant Leap for 2002.

In 1997, the British band Cornershop paid tribute to Asha with their song ''Brimful of Asha'', an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.

In 2003, British opera pop singer Sarah Brightman sampled her song "Dil Cheez Kya Hai" on her album ''Harem''. It was used as the intro for her song "You Take My Breath Away".

In 2005, American string quartet Kronos Quartet re-recorded R D Burman compositions like ''Chura Liya'', ''Piya Tu'', ''Mera Kuchh Saaman'' among others and got Asha to sing them. Despite her age, she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, ''You've stolen my heart - Songs From R D Burman's Bollywood'' was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". In the 1990s, a friend had introduced David Harrington of Kronos Quartet to the song ''Aaj ki raat''. Harrington was mesmerised, and the song ended up on the album ''Kronos Caravan''.

Also in 2005, The Black Eyed Peas sampled her songs "Ae Naujawan Sab Kuchh Yahan" (''Apradh'', 1972) and "Yeh Mera Dil Pyaar Ka Diwana" (''Don'', 1978) in their hit single "Don't Phunk with My Heart". In late 2006, Asha collaborated with Australian test cricket star, Brett Lee. The single, You're the One for Me, debuted at number 4 on the charts and reached a peak position of number 2.

In 2006 Asha recorded one song for the soundtrack of Pakistani movie ''Mein Ek Din Laut Kay Aaaonga''. She sang the song, titled ''Dil Key Taar Bajey'', with famous Pakistani pop singer Jawad Ahmed. It was aired as part of the film's promotional campaign and became very popular, featuring on top music charts.

Personal life

Asha's house is situated in Prabhukunj Apt on Peddar Road area of South Mumbai. She has three children and five grandchildren. The eldest of her three children, Hemant Bhosle (named after Hemant Kumar), spent most of his early years as a pilot and quit to have a brief career as a music director. Asha's daughter Varsha worked as a columnist for ''The Sunday Observer'' and ''Rediff''. Asha's youngest child, Anand Bhosle, has studied business and film direction. He manages Asha's career. Her grandson, Chaitanya (Chintu) Bhosle (Hemant's son) is a part of the world of music. He is a member of India's first & only boy band, "A Band of Boys". Her sisters Lata and Usha Mangeshkar are playback singers. Her other, sister Meena Mangeshkar and brother Hridayanath Mangeshkar are music directors.

Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for ''kadai ghosht'' and ''biryani'' dishes and has rarely turned down a request. In fact, her ''paya curry'', ''Goan fish curry'' and ''dal'' are very popular with the Kapoor family of Bollywood. Once, when asked in a ''Times of India'' interview, what if her singing career had not taken off, she said "I would have become a cook. I'd have cooked in four houses and made money."

Asha is a successful restaurateur and runs restaurants in Dubai and Kuwait, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai, as well as three restaurants in Kuwait, at The Avenues Mall, the Marina Mall and a brand new third outlet at the Spoons Complex. Other restaurants can be found in Abu Dhabi's Khaldiya Mall, Doha's Villagio and Bahrain's City Center Mall, with future outposts planned for Dubai's Mall of the Emirates and Cairo, Egypt. Asha Bhosle has a 20% stake in the business. Asha is not involved in day-to-day running of the restaurant which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine, Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years. As part of her chain of restaurants, Asha has recently opened a new restaurant in Birmingham, UK.

Asha's fashion statement is white saree with sparkling embroidery, pearls around her neck and a touch of diamonds. Harrington said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."

Asha is a good mimicry artist as well. At a concert at World Trade Center in Dubai on April 22, 2004, she mimicked the song ''Kabhi To Nazar Milaao'' in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali.

Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography.

Rivalry with Lata Mangeshkar

Asha's sibling rivalry with Lata Mangeshkar is often talked about, in spite of their insistence that these are just tales. As young children, they were very close. As a child, Lata used to carry Asha all the time. They were so inseparable that when Lata went to school she would take Asha with her. One day the teacher protested and said that they cannot have two students on one fee. Lata refused to return to school without Asha and quit her studies.

Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions between them. Asha herself accepted in an interview — "It was a love marriage and Lata ''didi'' did not speak to me for a long time. She disapproved of the alliance." At one time, their relationship was very adversarial and there have been periods of non-communication.

In her initial days in the industry, Asha always played second fiddle to her elder sister. Some say that Lata had once criticised Asha's relationship with O. P. Nayyar. This widened the rift between the two sisters and O P Nayyar also decided that he would never work with Lata. O.P. Nayyar had once revealed "Asha and Lata, staying in opposite flats at Bombay's Peddar Road, had a common maidservant. Now this maidservant had merely to come and tell the younger sister that Lata had just recorded something wonderful for Asha to lose her vocal poise. Such was her Lata phobia that it took me some months to convince Asha that she had a voice individualistic enough to evolve a singing style all of her own." Asha once said that she has worked for years to create a voice and a style that was different from Lata, so that she could carve her own niche and not be banished to live in her sister's shadow.

Asha and Lata have also sung together. Their first duet was for the film ''Daman'' (1951). Some of their songs include ''Man Bhawan Ke Ghar aye'' (''Chori Chori'', 1956), ''Sakhi ri sun bole papihaa us paar'' (''Miss Mary'', 1957), ''O chaand jahaan woh jaaye'' (''Sharada'', 1957), ''Mere Mehboob Mein Kya Nahi'' (''Mere Mehboob'', 1963), ''Ai kash kisi deewane ko'' (''Aaye Din Bahar Ke'', 1966), ''Main Chali Main Chali'' (''Padosan'', 1968), ''Chhap tilak sab'' (''Main Tulsi Tere Aangan Ki'', 1978), and ''Man kyun behka'' (''Utsav'', 1984). While singing, Lata used to hold her notebook in her right hand, while Asha held hers in the left hand. This meant Lata had her face away from Asha, making it difficult for them to "anticipate" each other.

The movie ''Saaz'', was supposedly based on Lata and Asha's rivalry. Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time." In the last few years, Asha and Lata have often been seen in public, enjoying each other's company. In an interview with ''The Times of India'', Asha once said - "I remember, sometimes both of us would be at a function and some industry types would ignore me and interact only with her, as if to prove their loyalty. Later, didi and I would have a good laugh!"

Awards

;Filmfare awards Asha Bhosle has won seven Filmfare Best Female Playback Awards of 18 nominations. She won her first two awards in 1967 and 1968. (Mangeshkar asked not to be considered for the award nominations after 1969 to promote new talent). After receiving the award in 1979, Bhosle emulated her elder sister and requested that her name not be considered for the nominations hereafter. Despite this, Bhosle is the most frequent winner of this award to date, tying with Alka Yagnik. She was later given a ''Special Award'' for ''Rangeela'' in 1996, and the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:

Filmfare Best Female Playback Award:

1968: "Garibon ki Suno" (''Dus Lakh'', 1966)

1969: "Parde Mein Rehne Do" (''Shikar'', 1968)

1972: "Piya Tu Ab To Aaja" (''Caravan'', 1971)

1973: "Dum Maro Dum" (''Hare Rama Hare Krishna'', 1972)

1974: "Hone Lagi Hain Raat" (''Naina'', 1973)

1975: "Chain Se Humko Kabhi" (''Pran Jaye Par Vachan Na Jaye'', 1974)

1979: "Yeh Mera Dil" (''Don'', 1978)

Other Awards:

1996 - Special Award (''Rangeela'', 1995)

2001 - Filmfare Lifetime Achievement Award

;National Film Awards Asha has won the National Film Award for Best Female Playback Singer twice:

1981: ''Dil Cheez Kya Hai'' (''Umrao Jaan'')

1986: ''Mera Kuch Samaan'' (''Ijaazat'')

;Other awards Asha has won numerous other awards, including: 1987: Nightingale Of Asia Award (from the Indo–Pak Association, UK). 1989: Lata Mangeshkar Award (Government of Madhya Pradesh). 1997: Screen Videocon Award (for the album ''Jaanam Samajha Karo''). 1997: MTV Award (for the album ''Jaanam Samajha Karo''). 1997: Channel V Award (for the album ''Jaanam Samjha Karo''). 1998: Dayawati Modi Award.

1999: Lata Mangeshkar Award (Government of Maharashtra)

2000: Singer of the Millennium (Dubai).

2000: Zee Gold Bollywood Award (for ''Mujhe Rang De'' from ''Thakshak'').

2001: MTV Award (for ''Kambakht Ishq'').

2002: BBC Lifetime Achievement Award (presented by the UK Prime Minister Tony Blair).

2002: Zee Cine Award for Best Playback Singer - Female (for ''Radha Kaise Na Jale'' from ''Lagaan'').

2002: Zee Cine Special Award for Hall of Fame.

2002: Screen Videocon Award (for ''Radha Kaise Na Jale'' from ''Lagaan'').

2002: Sansui Movie Award (for ''Radha Kaise Na Jale'' from ''Lagaan'').

2003: Swaralaya Yesudas Award for outstanding contributions to Indian music. 2004: ''Living Legend Award'' by the Federation of Indian Chamber of Commerce and Industry. 2005: MTV Immies, Best Female Pop Act for ''Aaj Jaane Ki Zid Na Karo''. 2005: Most Stylish People in Music.

;Honours and recognitions

In 1997, Asha became the first Indian singer to be nominated for the Grammy Award, for ''Legacy'', an album with Ustad Ali Akbar Khan.

She has received seventeen Maharashtra State Awards.

She received the Dadasaheb Phalke Award in 2000 for her outstanding contribution to Indian cinema.

She holds honorary doctorates from the University of Amravati and University of Jalgaon in Literature.

She has received ''The Freddie Mercury Award'' for Outstanding Achievement in Arts.

The Birmingham Film Festival paid her a special tribute in November 2002.

She was honoured with the Padma Vibhushan by the Government of India. She was among top 20 music icons of the past 50 years.

Footnotes and references

Further reading

External links

Asha Bhosle: The Voice Of Bollywood And More - audio report by ''NPR''

Category:1933 births Category:Living people Category:Bengali-language singers Category:Bollywood playback singers Category:Dadasaheb Phalke Award recipients Category:English-language singers Category:Female guitarists Category:Gujarati-language singers Category:Hindi-language singers Category:Indian female singers Category:Indian film singers Category:Indian guitarists Category:Kollywood playback singers Category:Marathi-language singers Category:Marathi playback singers Category:Nepali-language singers Category:People from Maharashtra Category:Recipients of the Padma Vibhushan Category:Russian-language singers Category:Tamil-language singers

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Background	#FFD068 | color black
Name	Chögyam Trungpa
Birth date	February 28, 1939
Birth place	Kham region, Tibet
Death date	April 04, 1987
Death place	Halifax, Nova Scotia
Nationality	Tibetan
Religion	Buddhism
School	Vajrayana
Lineage	Karma Kagyu and Nyingma
Title	Rinpoche
Teacher	Jamgon Kongtrul of SechenDilgo Khyentse RinpocheKhenpo Gangshar
Reincarnation of	Trungpa Tulku
Predecessor	Chökyi Nyinche
Successor	Choseng Trungpa
Students	Pema Chödrön, Allen Ginsberg, Anne Waldman, Diane di Prima, Peter Lieberson, José Argüelles and Francisco Varela
Spouse	Lady Diana Mukpo
Children	Sakyong Mipham Rinpoche, Tagtrug (Taggie) Mukpo, Gesar Mukpo
Website	http://www.shambhala.org/ }}

Chögyam Trungpa Rinpoche (wylie: ''Chos rgyam Drung pa''; February 28, 1939 – April 4, 1987) was a Buddhist meditation master and holder of both the Kagyu and Nyingma lineages, the eleventh Trungpa tülku, a tertön, supreme abbot of the Surmang monasteries, scholar, teacher, poet, artist, and originator of a radical re-presentation of Shambhala vision.

Recognized both by Tibetan Buddhists and by other spiritual practitioners and scholars as a preeminent teacher of Tibetan Buddhism, he was a major, albeit controversial, figure in the dissemination of Tibetan Buddhism to the West, founding Vajradhatu and Naropa University and establishing the Shambhala Training method.

Among his contributions are the translation of a large number of Tibetan texts, the introduction of the Vajrayana teachings to the West, and a presentation of the Buddhadharma largely devoid of ethnic trappings. Regarded as a mahasiddha by many senior lamas, he is seen as having embodied the crazy wisdom (Tib. ''yeshe chölwa'') tradition of Tibetan Buddhism. His teaching methods and his personal habits were the topic of controversy during his lifetime and afterwards.

Biography

Early years

Born in the Kham region of Tibet in February 1939, Chögyam Trungpa was eleventh in the line of Trungpa tülkus, important figures in the Kagyu lineage, one of the four main schools of Tibetan Buddhism that is renowned for its strong emphasis on meditation practice. Among his three main teachers were Jamgon Kongtrul of Sechen, HH Dilgo Khyentse Rinpoche, and Khenpo Gangshar.

The name ''Chögyam'' is a contraction of ''Chögyi Gyatso'' (), which means "ocean of dharma". ''Trungpa'' () means "attendant". He was deeply trained in the Kagyu tradition and received his khenpo degree at the same time as Thrangu Rinpoche; they continued to be very close in later years. Chögyam Trungpa was also trained in the Nyingma tradition, the oldest of the four schools, and was an adherent of the ''ri-me'' ("nonsectarian") ecumenical movement within Tibetan Buddhism, which aspired to bring together and make available all the valuable teachings of the different schools, free of sectarian rivalry.

Already installed as the head of the Surmang monasteries in eastern Tibet, Chögyam Trungpa followed the Dalai Lama who fled Tibet during the ultimately unsuccessful 1959 Tibetan uprising against the Chinese communists. He was 20 years old, and he led his own party of monks across the Himalayas on foot and on horseback into India.

From 1959-1963, by appointment of the Dalai Lama, Chögyam Trungpa served as the spiritual advisor for the Young Lamas Home School in Dalhousie, India.

Early teachings in the West

In exile in India, Trungpa began his study of English. In 1963, with the assistance of sympathetic westerners , he received a scholarship to study Comparative Religion at Oxford University in England. In 1967 he and Akong Rinpoche were invited by the Johnstone House Trust in Scotland to take over a meditation center on the departure of the western Theravadan monk named Anandabodhi, which then became Samye Ling, the first Tibetan Buddhist monastery in the West. At this monastery in Scotland, future actor and musician David Bowie was one of Chogyam Trungpa's meditation pupils. In 1970, after a break with his fellow lama Akong Tulku Rinpoche, Trungpa moved to the United States at the invitation of several students.

Shortly after his move to Scotland, a variety of experiences, including a car accident that left him partially paralyzed on the left side of his body, led Trungpa to the decision to give up his monastic vows and work as a lay teacher. This decision was principally motivated by the intention to undercut the temptation of students becoming distracted by exotic cultures and dress, and by their preconceptions of how a guru should behave. He drank, smoked, slept with students, and often kept students waiting for hours before giving teachings. Much of his behavior has been asserted as deliberately provocative and sparked controversies that continue to this day. In one account, he encouraged students to give up smoking marijuana claiming that the smoking was not of benefit to the spiritual progress and that it exaggerated neurosis. Students were often angered, unnerved and intimidated by him, but many remained fiercely loyal, committed, and devoted.

Upon moving to the United States in 1970, Trungpa traveled around North America, gaining renown for his unique ability to present the essence of the highest Buddhist teachings in a form readily understandable to western students. During this period, he conducted thirteen Vajradhatu Seminaries, three-month residential programs at which he presented a vast body of Buddhist teachings in an atmosphere of intensive meditation practice. The seminaries also had the important function of training his students to become teachers themselves.

Introduction of the Vajrayana

Trungpa was one of the first teachers to introduce the esoteric practice of the Vajrayana to the West. According to Khenpo Tsultrim Gyamtso, "The one who mainly spread the Vajrayana in the West was Trungpa Rinpoche." In contrast to its traditional presentation in Tibet, where the esoteric practices are largely the domain of the monastic sangha, in America Trungpa introduced the Vajrayana to the lay sangha.

The presentation of these teachings gave rise to some criticism. According to a former student, Stephen Butterfield, "Trungpa told us that if we ever tried to leave the Vajrayana, we would suffer unbearable, subtle, continuous anguish, and disasters would pursue us like furies" Other Vajrayana teachers, however, also warn their students about the dangers of the esoteric path.

Butterfield noted "disquieting resemblances" to cults, and "to be part of Trungpa's inner circle, you had to take a vow never to reveal or even discuss some of the things he did." However, Butterfield also notes that "This personal secrecy is common with gurus, especially in Vajrayana Buddhism," and acknowledges that Trungpa's organization is anything but a cult: "a mere cult leaves you disgusted and disillusioned, wondering how you could have been a fool. I did not feel that charlatans had hoodwinked me into giving up my powers to enhance theirs. On the contrary, mine were unveiled."

Meditation and education centers

In 1973, Trungpa established Vajradhatu, encompassing all his North American institutions, headquartered in Boulder, Colorado. Trungpa also founded more than 100 meditation centers throughout the world. Originally known as Dharmadhatus, these centers, now more than 150 in number, are known as Shambhala Meditation Centers. He also founded retreat centers for intensive meditation practice including Shambhala Mountain Center in Red Feather Lakes, CO, Karmê Chöling in Barnet, VT and Gampo Abbey in Cape Breton, Nova Scotia.

In 1974, Trungpa founded the Naropa Institute, which later became Naropa University, in Boulder, Colorado. Naropa was the first accredited Buddhist university in North America. Chogyam Trungpa hired Allen Ginsberg to teach poetry and William Burroughs to teach literature.

He had a number of notable students, among whom were Pema Chödrön, Allen Ginsberg, Anne Waldman, Diane di Prima, Peter Lieberson, José Argüelles, David Nichtern, Ken Wilber, David Deida and Francisco Varela. Ginsberg, Waldman, and di Prima were also teachers at Naropa University. Some important but less well-known students, whom he taught in England and in the USA, were Alf Vial, Rigdzin Shikpo (né Michael Hookham), Jigme Sangmu (né P. Howard Useche), Ezequiel Hernandez who later became known as Keun-Tshen Goba after setting up in Venezuela his first meditation center, Miguel Otaola (aka Dorje Khandro), Francisco Salas Roche, and Francesca Fremantle. Rigdzin Shikpo went on to continue Chögyam Trungpa Rinpoche's teachings from a primarily Nyingma rather than a Kagyü point of view in the Longchen Foundation.

Shambhala vision

In 1976, Trungpa began giving a series of secular teachings, some of which were gathered and presented as the Shambhala Training, inspired by his vision (see terma) of the legendary Kingdom of Shambhala. Trungpa had actually started writing about Shambhala before his 1959 escape from Tibet to India, but most of those writings were lost during the escape.

In his view not only was individual enlightenment not mythical, but Shambhala Kingdom referred to an enlightened society that could in fact be actualized. The practice of Shambhala vision is to use mindfulness/awareness meditation as a way to connect with one's basic goodness and confidence. It is presented as a path that "brings dignity, confidence, and wisdom to every facet of life." The enlightened society it proposes would be led by himself as ''sakyong'' (Tib. earth protector) and his wife as queen-consort or ''sakyong wangmo.''

Shambhala vision is described as a non-religious approach, rooted in meditation and accessible to individuals of any, or no, religion. In Shambhala terms, it is possible, moment by moment, for individuals to establish enlightened society. His book, ''Shambhala: The Sacred Path of the Warrior'', provides a concise collection of the Shambhala views. According to Trungpa, it was his intention to propagate the kingdom of Shambala that provided the necessary inspiration to leave his homeland and make the arduous journey to India and the West.

Work with arts and sciences

From the beginning of his time in America, Chögyam Trungpa passionately encouraged his students to integrate a contemplative approach into all of their everyday activities. In addition to making a variety of traditional contemplative practices available to the community, he also incorporated the many already-existing special interests of his students, evolving specialized teachings on how to apply a meditative approach to these various disciplines. These disciplines included kyūdō (Japanese archery), calligraphy, ikebana (flower arranging), sado (Japanese tea ceremony), dance, theater, film, poetry, as well as health care and psychotherapy. His aim was, in his own words, to bring "art to everyday life." He founded the Nalanda Foundation in 1974 as an umbrella organization for these activities.

Death

On September 28, 1986, Trungpa, in failing health due to the auto accident in his youth and to years of heavy alcohol use, suffered cardiac arrest, subsequent to which his condition deteriorated further, requiring intensive care at the hospital, then at his home, and finally back at the hospital in mid-March 1987, where he died on April 4 from the effects of cirrhosis of the liver. His wife Diana Mukpo asserted in 2006 that: "Although he had many of the classic health problems that develop from heavy drinking, it was in fact more likely the diabetes and high blood pressure that led to abnormal blood sugar levels and then the cardiac arrest". However, when asked in a November 2008 interview, "What was he ill with? What did he die of?," his doctor Mitchell Levy replied, "He had chronic liver disease related to his alcohol intake over many years." One of his nursing attendants reports that in his last months, he suffered from the classic symptoms of terminal alcoholism and cirrhosis, yet continued drinking heavily. She adds, "At the same time there was a power about him and an equanimity to his presence that was phenomenal, that I don't know how to explain."

He is reported to have remained in a state of samādhi for five days after his death, his body not immediately decaying and his heart remaining warm. His body was packed in salt and laid into a wooden box that was conveyed to Karmê Chöling. A number of observers have reported that his cremation there on May 26, 1987 was accompanied by various atmospheric effects and other signs traditionally viewed as marks of enlightenment. These included the appearance of rainbows, of eagles circling, and of a cloud in the shape of an ''Ashe''.

Continuation of the Shambhala lineage

Upon the death of Chögyam Trungpa, the leadership of Vajradhatu was first carried on by his American disciple, appointed regent and Dharma heir, Ösel Tendzin (Thomas Rich), and then by Trungpa's eldest son and Shambhala heir, Sakyong Mipham Rinpoche.

The next Trungpa tülku, Chokyi Sengay, was recognized in 1991 by Tai Situ Rinpoche.

Acclaim

Major lineage holders of his own Tibetan Buddhist traditions and many other Buddhist teachers supported his work.

In 1974, Trungpa invited the Karmapa, head of the Karma Kagyu lineage, to come to the west and offer teachings. Based on this visit, the Karmapa proclaimed Trungpa to be one of the principal Kagyu lineage holders in the west:

The ancient and renowned lineage of the Trungpas, since the great siddha Trungmase Chökyi Gyamtso Lodrö, possessor of only holy activity, has in every generation given rise to great beings. Awakened by the vision of these predecessors in the lineage, this my present lineage holder, Chökyi Gyamtso Trungpa Rinpoche, supreme incarnate being, has magnificently carried out the vajra holders discipline in the land of America, bringing about the liberation of students and ripening them in the dharma. This wonderful truth is clearly manifest.

Accordingly, I empower Chögyam Trungpa Vajra Holder and Possessor of the Victory Banner of the Practice Lineage of the Karma Kagyu. Let this be recognized by all people of both elevated and ordinary station.

In 1981, Chögyam Trungpa and his students hosted the Fourteenth Dalai Lama in his visit to Boulder, Colorado. Of Trungpa, he later wrote, "Exceptional as one of the first Tibetan lamas to become fully assimilated into Western culture, he made a powerful contribution to revealing the Tibetan approach to inner peace in the West."

Chögyam Trungpa also received support from one of his own main teachers, Dilgo Khyentse Rinpoche, head of the Nyingma lineage. In addition to numerous sadhanas and poems dedicated to Trungpa, Khyentse Rinpoche wrote a supplication after Trungpa's death specifically naming him a mahasiddha. Among other Tibetan lamas to name Trungpa as a mahasiddha are the Sixteenth Karmapa, Thrangu Rinpoche, Khenpo Tsultrim Gyamtso Rinpoche and Tai Situpa.

The Dzogchen Ponlop Rinpoche said, "As taught in the Buddhist scriptures, there are nine qualities of a perfect master of buddhadharma. The eleventh Chögyam Trungpa Rinpoche possessed all nine of these."

Suzuki Roshi, founder of the San Francisco Zen Center and Tassajara Zen Mountain Center, and another important exponent of Buddhism to western students, described Trungpa Rinpoche in the context of a talk about emptiness:

The way you can struggle with this is to be supported by something, something you don't know. As we are human beings, there must be that kind of feeling. You must feel it in this city or building or community. So whatever community it may be, it is necessary for it to have this kind of spiritual support.

That is why I respect Trungpa Rinpoche. He is supporting us. You may criticize him because he drinks alcohol like I drink water, but that is a minor problem. He trusts you completely. He knows that if he is always supporting you in a true sense you will not criticize him, whatever he does. And he doesn't mind whatever you say. That is not the point, you know. This kind of big spirit, without clinging to some special religion or form of practice, is necessary for human beings.

Gehlek Rinpoche, who lived with Trungpa Rinpoche when they were young monks in India and later visited and taught with him in the U.S., remarked:

He was a great Tibetan yogi, a friend, and a master. The more I deal with Western Dharma students, the more I appreciate how he presented the dharma and the activities that he taught. Whenever I meet with difficulties, I begin to understand – sometimes before solving the problem, sometimes afterward – why Trungpa Rinpoche did some unconventional things. I do consider him to be the father of Tibetan Buddhism in the United States. In my opinion, he left very early – too early. His death was a great loss. Everything he did is significant.

Diana Mukpo, his wife, stated:

First, Rinpoche always wanted feedback. He very, very much encouraged his students’ critical intelligence. One of the reasons that people were in his circle was that they were willing to be honest and direct with him. He definitely was not one of those teachers who asked for obedience and wanted their students not to think for themselves. He thrived, he lived, on the intelligence of his students. That is how he built his entire teaching situation.

From my perspective, I could always be pretty direct with him. Maybe I was not hesitant to do that because I really trusted the unconditional nature of our relationship. I felt there was really nothing to lose by being absolutely direct with him, and he appreciated that.

Controversies

Chögyam Trungpa's style of teaching was often unconventional. In his own words, "When we talk about compassion we talk in terms of being kind. But compassion is not so much being kind; it is being creative to wake a person up." He did not encourage his students to imitate his own behavior, and he was troubled by those who felt empowered by his example to do whatever they wanted and manipulate people. As the third Jamgön Kongtrül explained in a teaching given to students of Chögyam Trungpa, "You shouldn't imitate or judge the behavior of your teacher, Chögyam Trungpa Rinpoche, unless you can imitate his mind."

Trungpa's sexuality has been one of the sources of controversy, as he cultivated relations with a number of his female students. Tenzin Palmo, who met him in 1962 while he was still at Oxford did not become one of his consorts. She mentions she refused his advances at the time because he had presented himself as "a pure monk". However, she said had she known that Trungpa began having sexual relations with women at age 13 she would not have declined, considering that in the higher stages of Tibetan Buddhist tantra, sexual relations (especially with tertöns) are a means of enhancing spiritual insights. Trungpa formally renounced his monastic vows in 1969.

Trungpa was also known for smoking tobacco and for his liberal use of alcohol; many who knew him characterized him as an alcoholic. He began drinking occasionally shortly after arriving in India. Before his coming to America, Trungpa drove a sports car into a joke shop in Dumfries, Scotland. While his companion was not seriously injured, Trungpa was left partially paralyzed. Later he described this event as a pivotal moment which inspired the course of his teachings. Some accounts ascribe the accident to drinking. Others suggest he may have had a stroke. According to Trungpa himself, he blacked out.

He often combined drinking with teaching. David Chadwick recounts: ''"Suzuki [Roshi] asked Trungpa to give a talk to the students in the zendo the next night. Trungpa walked in tipsy and sat on the edge of the altar platform with his feet dangling. But he delivered a crystal-clear talk, which some felt had a quality – like Suzuki's talks – of not only being about the dharma but being itself the dharma."'' However, in some instances he was too drunk to walk and had to be carried. Also, according to the Steinbecks, on a couple of occasions his speech was unintelligible.

Two former students of Trungpa, John Steinbeck IV and his wife, wrote a sharply critical memoir of their lives with him in which they claim that, in addition to alcohol, Trungpa used $40,000 a year worth of cocaine, and used Seconal to come down from the cocaine. The cocaine use, say the Steinbecks, was kept secret from the wider Vajradhatu community.

For more detailed information on this and other controversies go to the Discussion tab and read "Recently deleted testimony of former students".

An incident that became a cause célèbre among some poets and artists was the Halloween party at the Fall, 1975, Snowmass Colorado Seminary, a 3-month period of intensive meditation and study of the Hinayana, Mahayana, and Vajrayana vehicles of Tibetan Buddhism. The poet W. S. Merwin had arrived that summer at the Naropa Institute and been told by Allen Ginsberg that he ought to visit seminary. Although he had not gone through the several years' worth of study and preparatory mind training required, Merwin was insistent he attend, and Trungpa eventually granted his request – along with his girlfriend as well. At seminary the couple stayed to themselves. At the Halloween party, after many, including Trungpa himself, had taken off their clothes, Merwin was asked to join the event, but refused. On Trungpa's orders his Vajra Guard forced entry into the poet's locked and barricaded room; brought him and his girlfriend, Dana Naone, against their will, to the party; and eventually stripped them of all their clothes, onlookers ignoring Naone's pleas for help and for someone to call the police. The next day Trungpa asked Merwin and Naone to remain at the Seminary as either students or guests. They agreed to stay for several more weeks to hear the Vajrayana teachings, with Trungpa's promise that "there would be no more incidents," and Merwin and Naone's assertion that "it would be with no guarantees of obedience, trust, or personal devotion to him." They left immediately after the last talk. In a 1977 letter to members of a Naropa class investigating the incident, Merwin concluded,

My feelings about Trungpa have been mixed from the start. Admiration, throughout, for his remarkable gifts; and reservations, which developed into profound misgivings, concerning some of his uses of them. I imagine, at least, that I've learned some things from him (though maybe not all of them were the things I was 'supposed' to learn) and some through him, and I'm grateful to him for those. I wouldn't encourage anyone to become a student of his. I wish him well.

Author Jeffery Paine commented on this incident that "Seeing Merwin out of step with the rest, Trungpa could have asked him to leave, but decided it was kinder to shock him out of his aloofness." However, he also notes the outrage felt in particular by poets such as Robert Bly and Kenneth Rexroth, who began calling Trungpa a fascist.

Trungpa's choice of Westerner Ösel Tendzin as his dharma heir was controversial as Tendzin would be the first Western Tibetan Buddhist lineage holder and Vajra Regent. This was exacerbated by Tendzin's own behavior as lineage holder. Tendzin, while knowingly carrying HIV, was sexually involved with students, one of whom became infected and died.

Rick Fields, historian of Buddhism in America, writes that Trungpa "caused more trouble, and did more good, than anyone I'll ever know."

Chronology

1940: Born in Kham, Eastern Tibet. Enthroned as eleventh Trungpa Tulku, Supreme Abbot of Surmang Monasteries, and Governor of Surmang District. Some put his birth in 1939.

1944–59: Studies traditional monastic disciplines, meditation, and philosophy, as well as calligraphy, thangka painting, and monastic dance.

1947: Ordained as a shramanera (novice monk).

1958: Receives degrees of Kyorpön (Doctor of Divinity) and Khenpo (Master of Studies). Ordained as a bhikshu (full monk).

1959–60: Follows the Dalai Lama to India during the 1959 Tibetan uprising, which failed to overthrow the Chinese government

1960–63: By appointment of the Dalai Lama, serves as spiritual advisor to the Young Lamas' Home School in Dalhousie, India.

1962: Fathers first son, Ösel Rangdröl (Mukpo), by a nun later referred to as Lady Kunchok Palden (or Lady Konchok Palden).

1963–67: Attends Oxford University on a Spaulding scholarship, studying comparative religion, philosophy, and fine arts. Receives instructor's degree of the Sogetsu School of ikebana (Japanese flower arrangement)

1967: Founds Samyê-Ling, a meditation center in Dumfriesshire, Scotland.

1968: Receives ''The Sadhana of Mahamudra'' terma text while on retreat in Paro Taktsang, a sacred cliffside monastery in Bhutan.

1969: Becomes the first Tibetan British subject. Injured in a car accident, leaving him partially paralyzed. Relinquishes monastic vows and robes.

1970: Renounces monastic vows and marries wealthy sixteen year old disciple Diana Judith Pybus. Arrives in North America. Establishes Tail of the Tiger, a Buddhist meditation and study center in Vermont, now known as Karmê Chöling. Establishes Karma Dzong, a Buddhist community in Boulder, Colorado.

1971: Begins teaching at University of Colorado. Establishes Rocky Mountain Dharma Center, now known as Shambhala Mountain Center, near Fort Collins, Colorado.

1972: Initiates Maitri, a therapeutic program that works with different styles of neurosis using principles of the five buddha families. Conducts the Milarepa Film Workshop, a program which analyzes the aesthetics of film, on Lookout Mountain, Colorado.

1973: Founds Mudra Theater Group, which stages original plays and practices theater exercises, based on traditional Tibetan dance. Incorporates Vajradhatu, an international association of Buddhist meditation and study centers, now known as Shambhala International. Establishes Dorje Khyung Dzong, a retreat facility in southern Colorado. Conducts first annual Vajradhatu Seminary, a three-month advanced practice and study program.

1974: Incorporates Nalanda Foundation, a nonprofit, nonsectarian educational organization to encourage and organize programs in the fields of education, psychology, and the arts. Hosts the first North American visit of The Sixteenth Gyalwang Karmapa, head of the Karma Kagyü lineage. Founds The Naropa Institute, a contemplative studies and liberal arts college, now fully accredited as Naropa University. Forms the organization that will become the Dorje Kasung, a service group entrusted with the protection of the buddhist teachings and the welfare of the community.

1975: Forms the organization that will become the Shambhala Lodge, a group of students dedicated to fostering enlightened society. Founds the Nalanda Translation Committee for the translation of Buddhist texts from Tibetan and Sanskrit. Establishes Ashoka Credit Union.

1976: Hosts the first North American visit of Dilgo Khyentse Rinpoche, revered meditation master and scholar of the Nyingma lineage. Hosts a visit of Dudjom Rinpoche, head of the Nyingma lineage. Empowers Thomas F. Rich as his dharma heir, known thereafter as Vajra Regent Ösel Tendzin. Establishes the Kalapa Court in Boulder, Colorado, as his residence and a cultural center for the Vajradhatu community. Receives the first of several Shambhala terma texts (see termas). These comprise the literary source for the Shambhala teachings. Founds Alaya Preschool in Boulder, Colorado.

1977: Bestows the Vajrayogini abhisheka for the first time in the West for students who have completed ngöndro practice. Establishes the celebration of Shambhala Day. Observes a year-long retreat in Charlemont, Massachusetts. Founds Shambhala Training to promote a secular approach to meditation practice and an appreciation of basic human goodness. Visits Nova Scotia for the first time.

1978: Conducts the first annual Magyal Pomra Encampment, an advanced training program for members of the Dorje Kasung. Conducts the first annual Kalapa Assembly, an intensive training program for advanced Shambhala teachings and practices. Conducts the first Dharma Art seminar. Forms Amara, an association of health professionals. Forms the Upaya Council, a mediation council providing a forum for resolving disputes. Establishes the Midsummer's Day festival and Children's Day.

1979: Empowers his eldest son, Ösel Rangdröl Mukpo, as his successor and heir to the Shambhala lineage. Founds the Shambhala School of Dressage, an equestrian school under the direction of his wife, Lady Diana Mukpo. Founds Vidya Elementary School in Boulder, Colorado.

1980–83: Presents a series of environmental installations and flower arranging exhibitions at art galleries in Los Angeles, San Francisco, Denver, and Boulder.

1980: Forms Kalapa Cha to promote the practice of traditional Japanese Tea Ceremony. With the Nalanda Translation Committee, completes the first English translation of ''The Rain of Wisdom''.

1981: Hosts the visit of the 14th Dalai Lama to Boulder, Colorado. Conducts the first annual Buddhist-Christian Conference in Boulder, Colorado, exploring the common ground between Buddhist and Christian contemplative traditions. Forms Ryuko Kyūdōjō to promote the practice of Kyūdō under the direction of Shibata Kanjuro Sensei, bow maker to the Emperor of Japan. Directs a film, ''Discovering Elegance'', using footage of his environmental installation and flower arranging exhibitions.

1982: Forms Kalapa Ikebana to promote the study and practice of Japanese flower arranging.

1983: Establishes Gampo Abbey, a Karma Kagyü monastery located in Cape Breton, Nova Scotia, for Western students wishing to enter into traditional monastic discipline. Creates a series of elocution exercises to promote precision and mindfulness of speech.

1984–85: Observes a year-long retreat in Mill Village, Nova Scotia.

1986: Moves his home and the international headquarters of Vajradhatu to Halifax, Nova Scotia.

1987: Dies of an alcohol-related illness, April 4, in Halifax; cremated May 26 at Karmê Chöling. (His followers have constructed a chorten or stupa, the Great Stupa of Dharmakaya, located near Red Feather Lakes, Colorado, for his remains.)

1989: The child recognized as his reincarnation, Chokyi Sengay, is born in Derge, Tibet; recognized two years later by Tai Situ Rinpoche.

Bibliography

''Born in Tibet'' (1966), autobiography, story of escaping from Tibet.

''Meditation in Action'' (1969)

''Mudra'' (1972)

''Cutting Through Spiritual Materialism'' (1973)

''The Dawn of Tantra'', by Herbert V. Guenther and Chögyam Trungpa (1975)

''Glimpses of Abhidharma (1975)''

''The Tibetan Book of the Dead: The Great Liberation through Hearing in the Bardo'', translated with commentary by Francesca Fremantle and Chögyam Trungpa (1975)

''The Myth of Freedom and the Way of Meditation'' (1976)

''The Rain of Wisdom'' (1980)

''Journey without Goal: The Tantric Wisdom of the Buddha'' (1981)

''The Life of Marpa the Translator'' (1982)

''First Thought Best Thought: 108 Poems'' (1983)

''Shambhala: The Sacred Path of the Warrior'' (1984)

''Encountering the Shadow in Buddhist America'', Katy Butler (1990)

''Crazy Wisdom'' (1991)

''The Heart of the Buddha'' (1991)

''Orderly Chaos: The Mandala Principle'' (1991)

''Secret Beyond Thought: The Five Chakras and the Four Karmas'' (1991)

''The Lion's Roar: An Introduction to Tantra'' (1992)

''Transcending Madness: The Experience of the Six Bardos'' (1992)

''Training the Mind and Cultivating Loving Kindness'' (1993)

''Glimpses of Shunyata'' (1993)

''The Art of Calligraphy: Joining Heaven and Earth'' (1994)

''Illusion's Game: The Life and Teaching of Naropa'' (1994)

''The Path Is the Goal: A Basic Handbook of Buddhist Meditation'' (1995)

''Dharma Art'' (1996)

''Timely Rain: Selected Poetry of Chögyam Trungpa'' (1998)

''Great Eastern Sun: The Wisdom of Shambhala'' (1999)

''Glimpses of Space: The Feminine Principle and Evam'' (1999)

''The Essential Chögyam Trungpa'' (2000)

''Glimpses of Mahayana'' (2001)

''Glimpses of Realization'' (2003)

''The Collected Works of Chögyam Trungpa'', Volumes One through Eight (2003)

''True Command: The Teachings of the Dorje Kasung, Volume I, The Town Talks'' (2004)

''The Sanity We Are Born With: A Buddhist Approach to Psychology'' (2005)

''The Teacup & the Skullcup:Chogyam Trungpa on Zen and Tantra'' (2007)

See also

Buddhism in the United States

Shambhala Buddhism

''Tulku'' (documentary film by Trungpa's son Gesar Mukpo)

Celtic Buddhism

Ken Keyes, Jr.

Miksang (contemplative photography)

Reginald Ray

Samaya

Notes

References

Butterfield, Stephen T. ''The Double Mirror: A Skeptical Journey into Buddhist Tantra''. North Atlantic Books, 1994. ISBN 1556431767

Chadwick, David (1999). ''Crooked Cucumber: The Life and Zen Teachings of Shunryu Suzuki''. ISBN 0-7679-0104-5

Clark, Tom (1980). ''The Great Naropa Poetry Wars''. ISBN 0-932274-06-4

Coleman, James William. ''The New Buddhism: The Western Transformation of an Ancient Tradition'' (2001) Oxford University Press. ISBN 0-19-513162-2

Das, Bhagavan (1997). ''It's Here Now (Are You?)'' Broadway. ISBN 0767900081

Eldershaw, Lynn P. "Collective identity and the post-charismatic fate of Shambhala International" 2004 Ph. D. thesis, University of Waterloo; an article drawn from this thesis was published in ''Nova Religio: The Journal of Alternative and Emergent Religions'', (2007) Vol. 10 No. 4, pp. 72–102, ISSN 1092-6690

Falk, Geoffrey D. (2007) ''Stripping the Gurus: Sex Violence, Abuse and Enlightenment'' Chapter 17, A Wild and Crazy Wisdom Guy (no ISBN)

Fields, Rick (3rd ed., 1992). ''How the Swans Came to the Lake: A Narrative History of Buddhism in America''. ISBN 0-87773-631-6

Hayward, Jeremy (2008). ''Warrior-King of Shambhala: Remembering Chögyam Trungpa''. ISBN 0-86171-546-2

Mackenzie, Vicki (1999). ''Cave in the Snow: Tenzin Palmo's Quest for Enlightment''. ISBN 978-1582340456

Midal, Fabrice (2001). ''Chögyam Trungpa: His Life and Vision''. ISBN 1-59030-098-X

Midal, Fabrice (2005). ''Recalling Chögyam Trungpa''. ISBN 1-59030-207-9

Miles, Barry (1989). ''Ginsberg: A Biography''. ISBN 0-671-50713-3

Paine, Jeffery (2004) ''Re-Enchantment: Tibetan Buddhism Comes to the West'' ISBN 0393019683

Rigdzin Shikpo (2007). ''Never Turn Away''. ISBN 0861714881

Sanders, Ed (ed.) (1977). ''The Party: A Chronological Perspective on a Confrontation at a Buddhist Seminary''. (no ISBN)

Steinbeck, John Steinbeck IV and Nancy (2001). ''The Other Side of Eden: Life with John Steinbeck'' Prometheus Books. ISBN 1573928585

Trungpa, Chogyam (2004). "The Collected Works of Chogyam Trungpa, Volume Eight". ISBN 1-59030-032-7

Weinberger, Eliot (1986). ''Works on Paper''. ISBN 0-8112-1001-4

Zweig, Connie; Jeremiah Abrams (eds.) (1991). ''Meeting the Shadow''. ISBN 087477618X

Further reading

Feuerstein, Georg. ''Holy Madness: The Shock Tactics and Radical Teachings of Crazy-Wise Adepts, Holy Fools, and Rascal Gurus''. Paragon House, 1991. ISBN 1-55778250-4

Feuerstein, Georg. ''Holy Madness: Spirituality, Crazy-Wise Teachers, And Enlightenment'' (revised and expanded edition of Feuerstein, 1991). Hohm Press, 2006. ISBN 1890772542

Marin, Peter. "Spiritual Obedience" in ''Freedom & Its Discontents'', Steerforth Press, 1995, ISBN 1-883642-24-8

Midal, Fabrice. ''Chögyam Trungpa: His Life and Vision''. Shambhala, 2004. ISBN 159030098X

Mukpo, Diana J. ''Dragon Thunder: My Life with Chögyam Trungpa''. Shambhala, 2006. ISBN 1590302567

Perks, John. ''The Mahasiddha and His Idiot Servant''. Crazy Heart Publishers. ISBN 0-9753836-0-4

Chögyam Trungpa/Dorje Dradül of Mukpo: ''Great Eastern Sun: The Wisdom of Shambhala'' (1999), 2nd edition 2001, , Shambhala Root Text.

External links

Chögyam Trungpa - Shambhala

Chögyam Trungpa Rinpoche Straight Up!

The Chronicles of Chögyam Trungpa Rinpoche

Videos of Trungpa:

Dragon Thunder: My Life with Chögyam Trungpa by Diana J. Mukpo with Carolyn Rose Gimian

Married to the Guru by Steve Silberman

Category:1939 births Category:1987 deaths Category:Buddhist philosophers Category:Tibetan painters Category:Kagyü Buddhists Category:Lamas Category:Rinpoches Category:Tulkus Category:Modern Buddhist writers Category:People from Halifax, Nova Scotia Category:Tibetan Buddhists from Tibet Category:Shambhala Vision Category:Ngagpa Category:Alcohol-related deaths in Canada Category:American people of Tibetan descent Category:20th-century Lamas Category:Tertons

de:Chögyam Trungpa fr:Chögyam Trungpa Rinpoché it:Chögyam Trungpa lt:Čiogjamas Trungpa nl:Chögyam Trungpa ja:チョギャム・トゥルンパ pt:Trungpa Rinpoché ru:Чогьям Трунгпа Ринпоче sk:Chögyam Trungpa tr:Chögyam Trungpa uk:Чог'ям Трунгпа zh:丘揚創巴

Region	Western philosophy
Era	18th-century philosophy
Color	#B0C4DE
Name	Thomas Paine
Birth date	February 9, 1737
Birth place	Thetford, Norfolk, England, Great Britain
Death date	June 08, 1809
Death place	New York City
School tradition	Enlightenment, Liberalism, Radicalism, Republicanism
Main interests	Religion, Ethics, Politics
Signature	Thomas Paine Signature.svg
Influences	Voltaire, Jean-Jacques Rousseau, John Locke, Religious Society of Friends, Montesquieu, Benjamin Franklin
Influenced	Thomas Jefferson, William Godwin, Mary Wollstonecraft, Pierre Victurnien Vergniaud, Abraham Lincoln, Thomas Edison, Mahatma Phule, Moncure D. Conway, Bertrand Russell, Christopher Hitchens, Robert G. Ingersoll }}

Thomas "Tom" Paine ( June 8, 1809) was an author, pamphleteer, radical, inventor, intellectual, revolutionary, and one of the Founding Fathers of the United States. He has been called "a corsetmaker by trade, a journalist by profession, and a propagandist by inclination."

Born in Thetford, in the English county of Norfolk, Paine emigrated to the British American colonies in 1774 in time to participate in the American Revolution. His principal contributions were the powerful, widely read pamphlet ''Common Sense'' (1776), the all-time best-selling American book that advocated colonial America's independence from the Kingdom of Great Britain, and ''The American Crisis'' (1776–1783), a pro-revolutionary pamphlet series. His writing of "Common Sense" was so influential that John Adams reportedly said, "Without the pen of the author of 'Common Sense,' the sword of Washington would have been raised in vain.”

In 1789 Paine visited France, and lived there for much of the following decade. He was deeply involved in the early stages of the French Revolution. He wrote the ''Rights of Man'' (1791), in part a defence of the French Revolution against its critics, in particular the British statesman Edmund Burke. In Great Britain, for this publication he was later tried and convicted ''in absentia'' for the crime of seditious libel. Despite not speaking French, he was elected to the French National Convention in 1792. The Girondists regarded him as an ally, so, the Montagnards, especially Robespierre, regarded him as an enemy. In December of 1793, he was arrested and imprisoned in Paris, then released in 1794. He became notorious because of ''The Age of Reason'' (1793–94), his book that advocates deism, promotes reason and freethinking, argues against institutionalized religion and Christian doctrines. He also wrote the pamphlet ''Agrarian Justice'' (1795), discussing the origins of property, and introduced the concept of a guaranteed minimum income.

Paine remained in France during the early Napoleonic era, but condemned Napoleon's dictatorship, calling him "the completest charlatan that ever existed". In 1802, at President Jefferson's invitation, he returned to America where he died on June 8, 1809. Only six people attended his funeral as he had been ostracized due to his criticism and ridicule of Christianity.

Early life

Paine was born the son of Joseph Pain, or Paine, a Quaker, and Frances (née Cocke), an Anglican, in Thetford, an important market town and coach stage-post, in rural Norfolk, England. Born Thomas Pain, despite claims that he changed his family name upon his emigration to America in 1774, he was using Paine in 1769, whilst still in Lewes, Sussex.

He attended Thetford Grammar School (1744–1749), at a time when there was no compulsory education. At age thirteen, he was apprenticed to his stay-maker father; in late adolescence, he enlisted and briefly served as a privateer, before returning to Britain in 1759. There, he became a master stay-maker, establishing a shop in Sandwich, Kent. On September 27, 1759, Thomas Paine married Mary Lambert. His business collapsed soon after. Mary became pregnant, and, after they moved to Margate, she went into early labor, in which she and their child died.

In July 1761, Paine returned to Thetford to work as a supernumerary officer. In December 1762, he became an excise officer in Grantham, Lincolnshire; in August 1764, he was transferred to Alford, at a salary of £50 per annum. On August 27, 1765, he was fired as an Excise Officer for "claiming to have inspected goods he did not inspect." On July 31, 1766, he requested his reinstatement from the Board of Excise, which they granted the next day, upon vacancy. While awaiting that, he worked as a stay maker in Diss, Norfolk, and later as a servant (per the records, for a Mr. Noble, of Goodman's Fields, and for a Mr. Gardiner, at Kensington). He also applied to become an ordained minister of the Church of England and, per some accounts, he preached in Moorfields.

In 1767, he was appointed to a position in Grampound, Cornwall; subsequently, he asked to leave this post to await a vacancy, thus, he became a schoolteacher in London. On February 19, 1768, he was appointed to Lewes, East Sussex, living above the fifteenth-century Bull House, the tobacco shop of Samuel Ollive and Esther Ollive.

There, Paine first became involved in civic matters, when Samuel Ollive introduced him to the Society of Twelve, a local, élite intellectual group that met semestrally, to discuss town politics. He also was in the influential vestry church group that collected taxes and tithes to distribute among the poor. On March 26, 1771, at age 34, he married Elizabeth Ollive, his landlord's daughter.

From 1772 to 1773, Paine joined excise officers asking Parliament for better pay and working conditions, publishing, in summer of 1772, ''The Case of the Officers of Excise'', a twenty-one-page article, and his first political work, spending the London winter distributing the 4,000 copies printed to the Parliament and others. In spring of 1774, he was fired from the excise service for being absent from his post without permission; his tobacco shop failed, too. On April 14, to avoid debtor's prison, he sold his household possessions to pay debts. On June 4, he formally separated from wife Elizabeth and moved to London, where, in September, the mathematician, Fellow of the Royal Society, and Commissioner of the Excise George Lewis Scott introduced him to Benjamin Franklin, who suggested emigration to British colonial America, and gave him a letter of recommendation. In October, Thomas Paine emigrated from Great Britain to the American colonies, arriving in Philadelphia on November 30, 1774.

He barely survived the transatlantic voyage. The ship's water supplies were bad, and typhoid fever killed five passengers. On arriving at Philadelphia, he was too sick to debark. Benjamin Franklin's physician, there to welcome Paine to America, had him carried off ship; Paine took six weeks to recover his health. He became a citizen of Pennsylvania "by taking the oath of allegiance at a very early period." In January, 1775, he became editor of the Pennsylvania Magazine, a position he conducted with considerable ability.

Paine designed the Sunderland Bridge of 1796 over the Wear River at Wearmouth, England. It was patterned after the model he had made for the Schuylkill River Bridge at Philadelphia in 1787, and the Sunderland arch became the prototype for many subsequent voussoir arches made in iron and steel. He also received a British patent for a single-span iron bridge, developed a smokeless candle, and worked with inventor John Fitch in developing steam engines.

American Revolution

Common Sense (1776)

Thomas Paine has a claim to the title ''The Father of the American Revolution'' because of ''Common Sense'', the pro-independence monograph pamphlet he anonymously published on January 10, 1776; signed ''"Written by an Englishman"'', the pamphlet became an immediate success. It quickly spread among the literate, and, in three months, 100,000 copies (estimated 500,000 total including pirated editions sold during the course of the Revolution) sold throughout the American British colonies (with only two million free inhabitants), making it the best-selling book ever. Paine's original title for the pamphlet was ''Plain Truth''; Paine's friend, pro-independence advocate Benjamin Rush, suggested ''Common Sense'' instead.

The pamphlet appeared in January 1776, after the Revolution had started. It was passed around, and often read aloud in taverns, contributing significantly to spreading the idea of republicanism, bolstering enthusiasm for separation from Britain, and encouraging recruitment for the Continental Army. Paine provided a new and convincing argument for independence by advocating a complete break with history. ''Common Sense'' is oriented to the future in a way that compels the reader to make an immediate choice. It offers a solution for Americans disgusted and alarmed at the threat of tyranny.

Paine was not expressing original ideas in ''Common Sense'', but rather employing rhetoric as a means to arouse resentment of the Crown. To achieve these ends, he pioneered a style of political writing suited to the democratic society he envisioned, with ''Common Sense'' serving as a primary example. Part of Paine's work was to render complex ideas intelligible to average readers of the day, with clear, concise writing unlike the formal, learned style favored by many of Paine's contemporaries. Scholars have put forward various explanations to account for its success, including the historic moment, Paine's easy-to-understand style, his democratic ethos, and his use of psychology and ideology.

''Common Sense'' was immensely popular in disseminating to a very wide audience ideas that were already in common use among the elite who comprised Congress and the leadership cadre of the emerging nation. They rarely cited Paine's arguments in their public calls for independence. The pamphlet probably had little direct influence on the Continental Congress's decision to issue a Declaration of Independence, since that body was more concerned with how declaring independence would affect the war effort. Paine's great contribution was in initiating a public debate about independence, which had previously been rather muted.

Loyalists vigorously attacked ''Common Sense''; one attack, titled ''Plain Truth'' (1776), by Marylander James Chalmers, said Paine was a political quack and warned that without monarchy, the government would "degenerate into democracy". Even some American revolutionaries objected to ''Common Sense''; late in life John Adams called it a "crapulous mass." Adams disagreed with the type of radical democracy promoted by Paine (that men who did not own property should still be allowed to vote and hold public office), and published ''Thoughts on Government'' in 1776 to advocate a more conservative approach to republicanism.

Crisis (1776)

In late 1776 Paine published ''The Crisis'' pamphlet series, to inspire the Americans in their battles against the British army. He juxtaposed the conflict between the good American devoted to civic virtue and the selfish provincial man. To inspire his soldiers, General George Washington had ''The American Crisis'', first ''Crisis'' pamphlet, read aloud to them. It begins:

Foreign Affairs

In 1777, Paine became secretary of the Congressional Committee on Foreign Affairs. The following year, he alluded to continuing secret negotiation with France in his pamphlets; the resultant scandal and Paine's conflict with Robert Morris eventually led to Paine's expulsion from the Committee in 1779. However, in 1781, he accompanied John Laurens on his mission to France. Eventually, after much pleading from Paine, New York State recognised his political services by presenting him with an estate, at New Rochelle, New York, and Paine received money from Pennsylvania and from the US Congress at George Washington's suggestion. During the Revolutionary War, Paine served as an aide to the important general, Nathanael Greene. Paine's later years established him as "a missionary of world revolution."

Funding the Revolution

Paine accompanied Col. John Laurens to France and is credited with initiating the mission. It landed in France in March 1781 and returned to America in August with 2.5 million livres in silver, as part of a "present" of 6 million and a loan of 10 million. The meetings with the French king were most likely conducted in the company and under the influence of Benjamin Franklin. Upon returning to the United States with this highly welcomed cargo, Thomas Paine and probably Col. Laurens, "positively objected" that General Washington should propose that Congress remunerate him for his services, for fear of setting "a bad precedent and an improper mode." Paine made influential acquaintances in Paris, and helped organize the Bank of North America to raise money to supply the army. In 1785, he was given $3,000 by the U.S. Congress in recognition of his service to the nation.

Henry Laurens (the father of Col. John Laurens) had been the ambassador to the Netherlands, but he was captured by the British on his return trip there. When he was later exchanged for the prisoner Lord Cornwallis (in late 1781), Paine proceeded to the Netherlands to continue the loan negotiations. There remains some question as to the relationship of Henry Laurens and Thomas Paine to Robert Morris as the Superintendent of Finance and his business associate Thomas Willing who became the first president of the Bank of North America (in Jan. 1782). They had accused Morris of profiteering in 1779 and Willing had voted against the Declaration of Independence. Although Morris did much to restore his reputation in 1780 and 1781, the credit for obtaining these critical loans to "organize" the Bank of North America for approval by Congress in December 1781 should go to Henry or John Laurens and Thomas Paine more than to Robert Morris.

Paine bought his only house in 1783 on the corner of Farnsworth Avenue and Church Streets in Bordentown City, New Jersey, and he lived in it periodically until his death in 1809. This is the only place in the world where Paine purchased real estate.

''Rights of Man''

Having taken work as a clerk after his expulsion by Congress, Paine eventually returned to London in 1787, living a largely private life. However, his passion was again sparked by revolution, this time in France, which he visited in 1790. Edmund Burke, who had supported the American Revolution, did not likewise support the events taking place in France, and wrote the critical ''Reflections on the Revolution in France'', partially in response to a sermon by Richard Price, the radical minister of Newington Green Unitarian Church. Many pens rushed to defend the Revolution and the Dissenting clergyman, including Mary Wollstonecraft, who published ''A Vindication of the Rights of Men'' only weeks after the ''Reflections''. Paine wrote ''Rights of Man'', an abstract political tract critical of monarchies and European social institutions. He completed the text on January 29, 1791. On January 31, he gave the manuscript to publisher Joseph Johnson for publication on February 22. Meanwhile, government agents visited him, and, sensing dangerous political controversy, he reneged on his promise to sell the book on publication day; Paine quickly negotiated with publisher J.S. Jordan, then went to Paris, per William Blake's advice, leaving three good friends, William Godwin, Thomas Brand Hollis, and Thomas Holcroft, charged with concluding publication in Britain. The book appeared on March 13, three weeks later than scheduled, and sold well.

Undeterred by the government campaign to discredit him, Paine issued his ''Rights of Man, Part the Second, Combining Principle and Practice'' in February 1792. It detailed a representative government with enumerated social programs to remedy the numbing poverty of commoners through progressive tax measures. Radically reduced in price to ensure unprecedented circulation, it was sensational in its impact and gave birth to reform societies. An indictment for seditious libel followed, for both publisher and author, while government agents followed Paine and instigated mobs, hate meetings, and burnings in effigy. The authorities aimed, with ultimate success, to chase Paine out of Great Britain. He was then tried ''in absentia'', found guilty though never executed.

In summer of 1792, he answered the sedition and libel charges thus: "If, to expose the fraud and imposition of monarchy ... to promote universal peace, civilization, and commerce, and to break the chains of political superstition, and raise degraded man to his proper rank; if these things be libellous ... let the name of libeller be engraved on my tomb".

Paine was an enthusiastic supporter of the French Revolution, and was granted, along with Alexander Hamilton, George Washington, Benjamin Franklin and others, honorary French citizenship. Despite his inability to speak French, he was elected to the National Convention, representing the district of Pas-de-Calais. He voted for the French Republic; but argued against the execution of Louis XVI, saying that he should instead be exiled to the United States: firstly, because of the way royalist France had come to the aid of the American Revolution; and secondly because of a moral objection to capital punishment in general and to revenge killings in particular. He participated to the Constitution Committee that drafted the Girondin constitutional project.

Regarded as an ally of the Girondins, he was seen with increasing disfavor by the Montagnards who were now in power, and in particular by Robespierre. A decree was passed at the end of 1793 excluding foreigners from their places in the Convention (Anacharsis Cloots was also deprived of his place). Paine was arrested and imprisoned in December 1793.

''The Age of Reason''

Before his arrest and imprisonment in France, knowing that he would probably be arrested and executed, Paine, following in the tradition of early eighteenth-century British deism, wrote the first part of ''The Age of Reason'', an assault on organized "revealed" religion combining a compilation of inconsistencies he found in the Bible with his own advocacy of deism, calling for "free rational inquiry" into all subjects, especially religion. ''The Age of Reason'' critique on institutionalized religion resulted in only a brief upsurge in deistic thought in America, but would later result in Paine being derided by the public and abandoned by his friends. In his "Autobiographical Interlude," which is found in ''The Age of Reason'' between the first and second parts, Paine writes, "Thus far I had written on the December 28, 1793. In the evening I went to the Hotel Philadelphia ... About four in the morning I was awakened by a rapping at my chamber door; when I opened it, I saw a guard and the master of the hotel with them. The guard told me they came to put me under arrestation and to demand the key of my papers. I desired them to walk in, and I would dress myself and go with them immediately."

Being held in France, Paine protested and claimed that he was a citizen of America, which was an ally of Revolutionary France, rather than of Great Britain, which was by that time at war with France. However, Gouverneur Morris, the American ambassador to France, did not press his claim, and Paine later wrote that Morris had connived at his imprisonment. Paine thought that George Washington had abandoned him, and he was to quarrel with Washington for the rest of his life. Years later he wrote a scathing open letter to Washington, accusing him of private betrayal of their friendship and public hypocrisy as general and president, and concluding the letter by saying "the world will be puzzled to decide whether you are an apostate or an impostor; whether you have abandoned good principles or whether you ever had any."

While in prison, Paine narrowly escaped execution. A guard walked through the prison placing a chalk mark on the doors of the prisoners who were due to be sent to the guillotine the next day. He placed a 4 on the door of Paine's cell, but Paine's door had been left open to let a breeze in, because Paine was seriously ill at the time. That night, his other three cell mates closed the door, thus hiding the mark inside the cell. The next day their cell was overlooked. "The Angel of Death" had passed over Paine. He kept his head and survived the few vital days needed to be spared by the fall of Robespierre on 9 Thermidor (July 27, 1794).

Paine was released in November 1794 largely because of the work of the new American Minister to France, James Monroe, who successfully argued the case for Paine's American citizenship. In July 1795, he was re-admitted into the Convention, as were other surviving Girondins. Paine was one of only three députés to oppose the adoption of the new 1795 constitution, because it eliminated universal suffrage, which had been proclaimed by the Montagnard Constitution of 1793.

In 1797, Tom Paine lived in Paris with Nicholas Bonneville and his wife, Margaret. Paine, as well as Bonneville's other controversial guests, aroused the suspicions of authorities. Bonneville hid the Royalist Antoine Joseph Barruel-Beauvert at his home and employed him as a proofreader. Beauvert had been outlawed following the coup of 18 Fructidor on September 4, 1797. Paine believed that America, under John Adams, had betrayed revolutionary France. Bonneville was then briefly jailed for comparing Napoleon Bonaparte to Oliver Cromwell, in his publication 'The Well Informed of 19 Brumaire Year VIII,' and his presses were confiscated, which meant financial ruin.

In 1800, still under police surveillance, Bonneville took refuge with his father in Evreux. Paine stayed on with him, helping Bonneville with the burden of translating the Covenant Sea. The same year, Paine purportedly had a meeting with Napoleon. Napoleon claimed he slept with a copy of ''Rights of Man'' under his pillow and went so far as to say to Paine that "a statue of gold should be erected to you in every city in the universe." Paine discussed with Napoleon how best to invade England and in December 1797 wrote two essays, one of which was pointedly named ''Observations on the Construction and Operation of Navies with a Plan for an Invasion of England and the Final Overthrow of the English Government'', in which he promoted the idea to finance 1000 gunboats to carry a French invading army across the English Channel. In 1804 Paine returned to the subject, writing ''To the People of England on the Invasion of England'' advocating the idea.

On noting Napoleon's progress towards dictatorship, he condemned him as: "the completest charlatan that ever existed". Thomas Paine remained in France until 1802, returning to the United States only at President Jefferson's invitation.

Later years

In 1802 or 1803, Tom Paine left France for the United States, paying passage also for Bonneville's wife, Marguerite Brazier and their three sons, seven year old Benjamin, Louis, and Thomas, of whom Paine was godfather. Paine returned to the US in the early stages of the Second Great Awakening and a time of great political partisanship. The ''Age of Reason'' gave ample excuse for the religiously devout to dislike him, and the Federalists attacked him for his ideas of government stated in ''Common Sense,'' for his association with the French Revolution, and for his friendship with President Jefferson. Also still fresh in the minds of the public was his ''Letter to Washington,'' published six years before his return.

Upon his return to America, Paine penned 'On the Origins of Freemasonry.' Nicholas Bonneville printed the essay in French. It was not printed in English until 1810, when Marguerite posthumously published his essay, which she had culled from among his papers, as a pamphlet containing an edited version wherein she omitted his references to the Christian religion. The document was published in English in its entirety in New York in 1918.

Brazier took care of Paine at the end of his life and buried him on his death on June 8, 1809. In his will, Paine left the bulk of his estate to Marguerite, including 100 acres (40.5 ha) of his farm so she could maintain and educate Benjamin and his brother Thomas. In 1810, The fall of Napoleon finally allowed Bonneville to rejoin his wife in the United States where he remained for four years before returning to Paris to open a bookshop.

Death

Paine died at the age of 72, at 59 Grove Street in Greenwich Village, New York City on the morning of June 8, 1809. Although the original building is no longer there, the present building has a plaque noting that Paine died at this location.

After his death, Paine's body was brought to New Rochelle, but no Christian church would receive it for burial, so his remains were buried under a walnut tree on his farm. In 1819, the English agrarian radical journalist William Cobbett dug up his bones and transported them back to England, with plans for English democrats to give Paine a heroic reburial on his native soil, but this never came to pass. The bones were still among Cobbett's effects when he died over twenty years later, but were later lost. There is no confirmed story about what happened to them after that, although down the years various people have claimed to own parts of Paine's remains, such as his skull and right hand.

At the time of his death, most American newspapers reprinted the obituary notice from the ''New York Citizen'', which read in part: "He had lived long, did some good and much harm." Only six mourners came to his funeral, two of whom were black, most likely freedmen. The writer and orator Robert G. Ingersoll wrote:

Thomas Paine had passed the legendary limit of life. One by one most of his old friends and acquaintances had deserted him. Maligned on every side, execrated, shunned and abhorred – his virtues denounced as vices – his services forgotten – his character blackened, he preserved the poise and balance of his soul. He was a victim of the people, but his convictions remained unshaken. He was still a soldier in the army of freedom, and still tried to enlighten and civilize those who were impatiently waiting for his death. Even those who loved their enemies hated him, their friend – the friend of the whole world – with all their hearts. On the 8th of June, 1809, death came – Death, almost his only friend. At his funeral no pomp, no pageantry, no civic procession, no military display. In a carriage, a woman and her son who had lived on the bounty of the dead – on horseback, a Quaker, the humanity of whose heart dominated the creed of his head – and, following on foot, two negroes filled with gratitude – constituted the funeral cortege of Thomas Paine.

Political views

Thomas Paine developed his natural justice beliefs in childhood, while listening to a mob jeering and attacking the town folk being punished in the Thetford stocks. He may also have been influenced by his Quaker father. In ''The Age of Reason'' his treatise supporting deism he says:

The religion that approaches the nearest of all others to true deism, in the moral and benign part thereof, is that professed by the Quakers ... though I revere their philanthropy, I cannot help smiling at [their] conceit; ... if the taste of a Quaker [had] been consulted at the Creation, what a silent and drab-colored Creation it would have been! Not a flower would have blossomed its gaieties, nor a bird been permitted to sing.

Later, his encounters with the Indigenous peoples of the Americas made a deep impression. The ability of the Iroquois to live in harmony with nature while achieving a democratic decision making process, helped him refine his thinking on how to organize society.

In the second part of ''The Age of Reason'', about his sickness in prison, he says: "... I was seized with a fever, that, in its progress, had every symptom of becoming mortal, and from the effects of which I am not recovered. It was then that I remembered, with renewed satisfaction, and congratulated myself most sincerely, on having written the former part of 'The Age of Reason'". This quotation encapsulates its gist:

The opinions I have advanced ... are the effect of the most clear and long-established conviction that the Bible and the Testament are impositions upon the world, that the fall of man, the account of Jesus Christ being the Son of God, and of his dying to appease the wrath of God, and of salvation, by that strange means, are all fabulous inventions, dishonorable to the wisdom and power of the Almighty; that the only true religion is Deism, by which I then meant, and mean now, the belief of one God, and an imitation of his moral character, or the practice of what are called moral virtues and that it was upon this only (so far as religion is concerned) that I rested all my hopes of happiness hereafter. So say I now and so help me God.

Paine is often credited with writing "African Slavery in America", the first article proposing the emancipation of African slaves and the abolition of slavery. It was published on March 8, 1775 in the ''Postscript to the Pennsylvania Journal and Weekly Advertiser'' (aka ''The Pennsylvania Magazine'' and ''American Museum''). Citing a lack of evidence that Paine was the author of this anonymously published essay, some scholars (Eric Foner and Alfred Owen Aldridge) no longer consider this one of his works. Others believe it bears the hallmarks of Paine's rhetorical style with its Biblical cadences and plain language. By contrast, John Nichols speculates that his "fervent objections to slavery" led to his exclusion from power during the early years of the Republic.

His last, great pamphlet, ''Agrarian Justice'', he published in winter of 1795, further developing the ideas in the ''Rights of Man'', about how land ownership separated the majority of people from their rightful, natural inheritance, and means of independent survival. Contemporarily, his proposal is deemed a form of basic Income Guarantee. The US Social Security Administration recognizes ''Agrarian Justice'' as the first American proposal for an old-age pension; per ''Agrarian Justice'':

In advocating the case of the persons thus dispossessed, it is a right, and not a charity ... [Government must] create a national fund, out of which there shall be paid to every person, when arrived at the age of twenty-one years, the sum of fifteen pounds sterling, as a compensation in part, for the loss of his or her natural inheritance, by the introduction of the system of landed property. And also, the sum of ten pounds per annum, during life, to every person now living, of the age of fifty years, and to all others as they shall arrive at that age.

Note that £10 and £15 would be worth about £800 and £1,200 when adjusted for inflation.

Religious views

About religion, ''The Age of Reason'' says:

Though there is no evidence he was himself a Freemason, Paine also wrote "An Essay on the Origin of Free-Masonry" (1803–1805), about the Bible being allegorical myth describing astrology:

He described himself as deist, saying:

How different is [Christianity] to the pure and simple profession of Deism! The true Deist has but one Deity, and his religion consists in contemplating the power, wisdom, and benignity of the Deity in his works, and in endeavoring to imitate him in everything moral, scientifical, and mechanical.

and again, in ''The Age of Reason:''

Legacy

Thomas Paine's writing greatly influenced his contemporaries and, especially, the American revolutionaries. His books provoked only a brief upsurge in Deism in America, but in the long term inspired philosophic and working-class radicals in the UK, and US liberals, libertarians, feminists, democratic socialists, social democrats, anarchists, freethinkers, and progressives often claim him as an intellectual ancestor. Paine's critique on institutionalized religion and advocation of rational thinking influenced many British freethinkers of the nineteenth and twentieth centuries, such as William Cobbett, George Holyoake, Charles Bradlaugh and Bertrand Russell.

Many of Paine's works have also been an inspiration for rapidly expanding secular humanism. His Deism and his writings on Deism have inspired the creation of the World Union of Deists and the writing of the book ''Deism: A Revolution in Religion, A Revolution in You''.

The quote "Lead, follow, or get out of the way" is widely but incorrectly attributed to Paine. This can be found nowhere in his published works.

Lincoln

Abraham Lincoln's law partner, William Herndon, reports that Lincoln wrote a defense of Paine's deism in 1835, and friend Samuel Hill burned it to save Lincoln's political career. Historian Roy Basler, the editor of Lincoln's papers, said Paine had a strong influence on Lincoln's style: :No other writer of the eighteenth century, with the exception of Jefferson, parallels more closely the temper or gist of Lincoln's later thought. In style, Paine above all others affords the variety of eloquence which, chastened and adapted to Lincoln's own mood, is revealed in Lincoln's formal writings.

Edison

The inventor Thomas Edison said:

I have always regarded Paine as one of the greatest of all Americans. Never have we had a sounder intelligence in this republic ... It was my good fortune to encounter Thomas Paine's works in my boyhood ... it was, indeed, a revelation to me to read that great thinker's views on political and theological subjects. Paine educated me, then, about many matters of which I had never before thought. I remember, very vividly, the flash of enlightenment that shone from Paine's writings, and I recall thinking, at that time, 'What a pity these works are not today the schoolbooks for all children!' My interest in Paine was not satisfied by my first reading of his works. I went back to them time and again, just as I have done since my boyhood days.

Memorials

The first and longest standing memorial to Thomas Paine is the carved and inscribed 12 foot marble column in New Rochelle, New York organized and funded by publisher, educator and reformer Gilbert Vale (1791–1866) and raised in 1839 by the American sculptor and architect James Frazee—The Thomas Paine Monument (see image below). New Rochelle is also the original site of Paine's 300 acre farm, confiscated by the State of New York from the Tory and monarchist Frederick Davoe and awarded to Paine for his services in the American Revolution. The same site is the home of the Thomas Paine Museum, whose holdings—the subject of a sell-off controversy—were temporarily relocated to the New York Historical Society and are now safely and more permanently archived in the Iona College Library.

In England a statue of Paine, quill pen and inverted copy of ''Rights of Man'' in hand, stands in King Street, Thetford, Norfolk, his birth place. Moreover, in Thetford, the Sixth form is named after him. Thomas Paine was ranked #34 in the ''100 Greatest Britons'' 2002 extensive Nationwide poll conducted by the BBC

Bronx Community College includes Paine in its Hall of Fame of Great Americans, and there are statues of Paine in Morristown and Bordentown, New Jersey, and in the Parc Montsouris, in Paris.

Also in Paris, there is a plaque in the street where he lived from 1797 to 1802, that says: "Thomas PAINE / 1737–1809 / Englishman by birth / American by adoption / French by decree".

Yearly, between July 4 and 14, the Lewes Town Council in the United Kingdom celebrates the life and work of Thomas Paine.

In the early 1990s, largely through the efforts of citizen activist David Henley of Virginia, legislation (S.Con.Res 110, and H.R. 1628) was introduced in the 102nd Congress by ideological opposites Sen. Steve Symms (R-ID) and Rep. Nita Lowey (D-NY). With over 100 formal letters of endorsement by US and foreign historians, philosophers, and organizations, including the Thomas Paine National Historical Society, the legislation garnered 78 original co-sponsors in the Senate and 230 original co-sponsors in the House of Representatives, and was consequently passed by both houses unanimous consent. In October, 1992 the legislation was signed into law (PL102-407 & PL102-459) by President George H.W. Bush authorizing the construction, using private funds, of a memorial to Thomas Paine in "Area 1" of the grounds of the US Capitol. , the memorial has not yet been built.

In popular culture

Jack Shepherd's stage play ''In Lambeth'' dramatised a visit by Thomas Paine to the Lambeth home of William and Catherine Blake in 1789, first performed at the East Dulwich Tavern in London in July 1989. The play was later adapted for television in the BBC Two ''Encounters'' series - which featured similar fictionalised meetings between historical figures - and was first broadcast on 4 July 1993. It was directed by Sebastian Graham-Jones, and featured Bob Peck as Paine, Mark Rylance as William, and Lesley Claire O'Neill as Katherine (sic).

See also

American Enlightenment

American philosophy

American Revolution

Asset-based egalitarianism

Common Sense

Contributions to liberal theory

Deism

English philosophy

Founding Fathers of the United States

Liberalism

Liberty

List of American philosophers

List of British philosophers

Political philosophy

Society of the Friends of Truth

United States Bill of Rights

United States Declaration of Independence

United States history

References

;Notes

;Bibliography

Aldridge, A. Owen, 1959. ''Man of Reason: The Life of Thomas Paine.'' Lippincott. Regarded by British authorities as the standard biography.

Aldridge, A. Owen, 1984. ''Thomas Paine's American Ideology''. University of Delaware Press.

Ayer, A. J., 1988. ''Thomas Paine''. University of Chicago Press.

Bailyn, Bernard, 1990. "Common Sense", in Bailyn, ''Faces of Revolution: Personalities and Themes in the Struggle for American Independence''. Alfred A. Knopf.

Bernstein, R. B. "Review Essay: Rediscovering Thomas Paine". ''New York Law School Law Review,'' 1994 – valuable blend of historiographical essay and biographical/analytical treatment.

Butler, Marilyn, 1984. ''Burke Paine and Godwin and the Revolution Controversy''.

Claeys, Gregory, 1989. ''Thomas Paine, Social and Political Thought''. Unwin Hyman. Excellent analysis of Paine's thought.

Conway, Moncure Daniel, 1892. ''The Life of Thomas Paine'', 2 vols. G.P. Putnam's Sons. Vol. 1, Vol. 2, Facsimile. Long hailed as the definitive biography, and still valuable.

Fast, Howard, 1946. ''Citizen Tom Paine'' (historical novel, though sometimes mistaken as biography).

Ferguson, Robert A. "The Commonalities of Common Sense", ''William and Mary Quarterly,'' July 2000, Vol. 57#3 pp 465–504 in JSTOR

Foner, Eric, 1976. ''Tom Paine and Revolutionary America''. Oxford University Press. The standard monograph treating Paine's thought and work with regard to America.

Foot, Michael, and Kramnick, Isaac, 1987. ''The Thomas Paine Reader''. Penguin Classics.

Hawke, David Freeman, 1974. ''Paine''. Regarded by many American authorities as the standard biography.

Hitchens, Christopher, 2006. ''Thomas Paine's "Rights of Man": A Biography''.

Ingersoll, Robert G., 1892, "Thomas Paine," ''North American Review''.

Kates, Gary, 1989, "From Liberalism to Radicalism: Tom Paine's Rights of Man", ''Journal of the History of Ideas'': 569–587.

Kaye, Harvey J., 2005. ''Thomas Paine and the Promise of America''. Hill and Wang.

Keane, John, 1995. ''Tom Paine: A Political Life''. London. One of the most valuable recent studies.

Larkin, Edward, 2005. ''Thomas Paine and the Literature of Revolution.'' Cambridge University Press.

Lessay, Jean. L'américain de la Convention, Thomas Paine: Professeur de révolutions. Paris, éditions Perrin, 1987, 241 p.

Lewis, Joseph, 1947, "Thomas Paine: The Author of the Declaration of Independence". Freethought Association Press Assn.: New York.

Nelson, Craig, 2006. ''Thomas Paine: Enlightenment, Revolution, and the Birth of Modern Nations''. Viking. ISBN 0-670-03788-5.

Paine, Thomas (Foner, Eric, editor), 1993. ''Writings.'' Library of America. Authoritative and scholarly edition containing ''Common Sense,'' the essays comprising the ''American Crisis'' series, ''Rights of Man,'' ''The Age of Reason,'' ''Agrarian Justice,'' and selected briefer writings, with authoritative texts and careful annotation.

Paine, Thomas (Foner, Philip S., editor), 1944. ''The Complete Writings of Thomas Paine,'' 2 volumes. Citadel Press. We badly need a complete edition of Paine's writings on the model of Eric Foner's edition for the Library of America, but until that goal is achieved, Philip Foner's two-volume edition is a serviceable substitute. Volume I contains the major works, and volume II contains shorter writings, both published essays and a selection of letters, but confusingly organized; in addition, Foner's attributions of writings to Paine have come in for some criticism in that Foner may have included writings that Paine edited but did not write and omitted some writings that later scholars have attributed to Paine.

Powell, David, 1985. ''Tom Paine, The Greatest Exile''. Hutchinson.

Vincent, Bernard, 2005. ''The Transatlantic Republican: Thomas Paine and the age of revolutions''.

Williams, Walton, July, 1994. "The Declaration of Independence: Was it Written by Thomas Paine?" The Crooked Lake Review (Reprinted from the Hammondsport Herald, July 6, 1906), crookedlakereview.com

Wheeler, Daniel, ''Life and Writings of Thomas Paine,'' Vincent & Parke, 1908.

''The Popular Encyclopedia'' London: Blackie & Sons 1875. "Thomas Paine"

External links

The Thomas Paine Society

Who was Thomas Paine?

Essays on the Religious and Political Philosophy of Thomas Paine

Thomas Paine's Memorial

Thomas Paine Quotations

Books of Our Time: Thomas Paine and the Promise of America by Harvey Kaye (video)

Take a video tour of Thomas Paine's birthplace

Office location while in Alford

Thomas Paine-Passionate Pamphleteer for Liberty by Jim Powell

Thomas Paine on Paper Money, 1786

Thomas Paine, Liberty's Hated Torchbearer

Lesson plan – ''Common Sense'': The Rhetoric of Popular Democracy

Books of Our Time: Thomas Paine and the Promise of America (video)

Correspondence between Paine and Samuel Adams regarding the charge of ''infidelity''

One Life: Thomas Paine, the Radical Founding Father exhibition from the National Portrait Gallery, Smithsonian Institution

;Works

Complete Works of Thomas Paine

Deistic and Religious Works of Thomas Paine

The theological works of Thomas Paine

The theological works of Thomas Paine to which are appended the profession of faith of a savoyard vicar by J.J. Rousseau

''Common Sense'' by Thomas Paine; HTML format, indexed by section

Rights of Man book on Google books (full-view)

Listen to Common Sense at Americana Phonic. AAC audio format

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