A brass instrument is a musical instrument whose sound is produced by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones, literally meaning "lip-vibrated instruments".

There are several factors involved in producing different pitches on a brass instrument: One is alteration of the player's lip tension (or "embouchure"), and another is air flow. Also, slides (or valves) are used to change the length of the tubing, thus changing the harmonic series presented by the instrument to the player.

The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus, as exceptional cases one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some woodwind instruments are made of brass, like the saxophone.

Families of brass instruments

Modern brass instruments generally come in one of two families:

Valved brass instruments use a set of valves (typically three or four but as many as seven or more in some cases) operated by the player's fingers that introduce additional tubing, or crooks, into the instrument, changing its overall length. This family includes all of the modern brass instruments except the trombone: the trumpet, horn (also called the French horn), euphonium, and tuba, as well as the cornet, flügelhorn, tenor horn (alto horn), baritone horn, sousaphone, mellophone, and the old saxhorn. As valved instruments are predominant among the brasses today, a more thorough discussion of their workings can be found below. The valves are usually piston valves, but can be rotary valves. Rotary valves are the norm for the horn and are also prevalent on the tuba.

Slide brass instruments use a slide to change the length of tubing. The main instruments in this category are the trombone family, though valve trombones are occasionally used, especially in jazz. The trombone family's ancestor, the sackbut, and the folk instrument bazooka are also in the slide family.

There are two other families that have, in general, become functionally obsolete for practical purposes. Instruments of both types, however, are sometimes used for period-instrument performances of Baroque- or Classical-era pieces. In more modern compositions, they are occasionally used for their intonation or tone color.

Natural brass instruments, on which only notes in the instrument's harmonic series are available. Such instruments include the bugle and older variants of the trumpet and horn. The trumpet was a natural brass instrument prior to about 1795, and the horn before about 1820. In the 18th century different-length interchangeable crooks were developed which enabled a single instrument to be used for more than one key. Natural instruments are still played for period performances and some ceremonial functions, and are occasionally found in more modern scores, such as those by Richard Wagner and Richard Strauss.

Keyed or Fingered brass instruments used holes along the body of the instrument, which were covered by fingers or by finger-operated pads (keys) in a similar way to a woodwind instrument. These included the cornett, serpent, ophicleide, keyed bugle and keyed trumpet. They are more difficult to play than valved instruments.

Bore taper and diameter

Brass instruments may also be characterised by two generalizations about geometry of the bore, that is, the tubing between the mouthpiece and the flaring of the tubing into the bell. Those two generalizations are with regard to

the degree of taper or conicity of the bore and

the diameter of the bore with respect to its length.

Cylindricality vs. conicality

While all modern valved and slide brass instruments consist in part of conical and in part of cylindrical tubing, they are divided as follows:

Cylindrical bore brass instruments are those in which approximately constant diameter tubing predominates. Cylindrical bore brass instruments are generally perceived as having a brighter, more penetrating tone quality compared to conical bore brass instruments. The trumpet, baritone horn and all trombones are cylindrical bore. In particular, the slide design of the trombone necessitates this.

Conical bore brass instruments are those in which tubing of constantly increasing diameter predominates. Conical bore instruments are generally perceived as having a more mellow tone quality than the cylindrical bore brass instruments. The "British brass band" group of instruments fall into this category. This includes the flugelhorn, cornet, tenor horn (alto horn), horn, euphonium and tuba. Some conical bore brass instruments are more conical than others. For example, the flugelhorn differs from the cornet by having a higher percentage of its tubing length conical than does the cornet, in addition to possessing a wider bore than the cornet. In the 1910s and 1920s, the E.A. Couturier company built brass band instruments utilizing a patent for a continuous conical bore without cylindrical portions even for the valves or tuning slide.

Whole-tube vs. half-tube

The second division, that based on bore diameter in relation to the length, determines whether it is the fundamental tone or the first overtone which is the lowest partial practically available to the player: . long. Half its length was practically useless ... it was found that if the calibre of tube was sufficiently enlarged in proportion to its length, the instrument could be relied upon to give its fundamental note in all normal circumstances. – Cecil Forsyth, Orchestration, p. 86 }}

Whole-tube instruments are ones in which the fundamental tone can be played with ease and precision. Their bore is the larger with relation to the length of the tubing. The tuba and the euphonium are instances of whole-tube brass instruments.

Half-tube instruments are ones in which the fundamental tone cannot easily or accurately be played. Their bore is the smaller with relation to the length of the tubing. The second partial (first overtone) is the lowest note of each tubing length practical to play on half-tube instruments. The trumpet and horn are instances of half-tube brass instruments.

Some other brass instruments

The instruments in this list fall for various reasons outside the scope of much of the discussion above regarding families of brass instruments.

Alphorn (wood)

Conch (shell)

Didgeridoo (wood, Australia)

Natural horn (no valves or slides—except tuning crook)

Keyed bugle (keyed brass)

Keyed trumpet (keyed brass)

Serpent (keyed brass)

Ophicleide (keyed brass)

Shofar (animal horn)

Vladimirskiy rozhok (wood, Russia)

Vuvuzela (simple short horn, origins disputed but achieved fame or notoriety through many plastic examples in the 2010 World Cup)

Valves

Valves are used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Designs exist, although rare, in which this behaviour is reversed, i.e., pressing a valve removes a length of tubing rather than adding one. One modern example of such an ascending valve is the Yamaha YSL-350C trombone, in which the extra valve tubing is normally engaged to pitch the instrument in Bb, and pressing the thumb lever removes a whole step to pitch the instrument in C. Valves incidentally require regular lubrication.

A core standard valve layout based on the action of three valves had become almost universal by (at latest) 1864 as witnessed by Arban's Method published in that year. The effect of a particular combination of valves may be seen in the table below. This table is correct for the core 3-valve layout on almost any modern valved brass instrument. The most common four-valve layout is a superset of the well-established 3-valve layout and is noted in the table, despite the exposition of four-valve and also five-valve systems (the latter used on the tuba) being incomplete in this article.

+ Valve combination and effect on pitch	!Valve combination	!Effect on pitch	!Interval	!Tuning problems
2	1/2 step	Minor second
1	1 step	Major second
1+2 or 3	1½ step	Minor third	Flat *
2+3 or 1+4	2 steps	Major third	Slightly sharp if 2+3
1+3 or 4	2½ steps	Perfect fourth	Sharp *
1+2+3 or 2+4	3 steps	Tritone	Very sharp
1+4	3 ½ steps	Perfect fifth
1+2+4 or 3+4	4 steps	Augmented fifth
2+3+4	4 ½ steps	Major sixth
1+3+4	5 steps	Minor seventh
1+2+3+4	5 ½ steps	Major seventh

: * Note that since valves lower the pitch, a valve which causes a pitch to be too low (flat) creates an interval which is wider than desired, while a valve which causes sharp pitches creates an interval which is narrower than desired.

Deficiencies in the intonation of brass instruments which are independent of the tuning or temperament system in use are inherent in the physics of the most popular valve design, which uses a small number of valves in combination to avoid redundant and heavy lengths of tubing (this is entirely separate from the slight deficiencies between Western music's dominant equal (even) temperament system and the just (not equal) temperament of the harmonic series itself). Since each lengthening of the tubing has an inversely proportional effect on pitch (Pitch of brass instruments), while pitch perception is logarithmic, there is no way for a simple, uncompensated addition of length to be correct in every combination when compared with the pitches of the open tubing and the other valves.

For example, given a length of tubing equaling 100 inches when open, one may obtain the following tuning discrepancies:

+ Valve combination and creation of pitch discrepancies	!Valve(s)	!Desired pitch	!Necessary valve length	!Component tubing length	!Difference	!Slide positions
Open tubing	A/B	0"	–	–	1
2	A	5.9"	–	–	2
1	G/A	12.2"	–	–	3
1+2 or 3	G	18.9"	18.1"	0.8"	4
2+3 or 1+4	F/G	25.9"	24.8"	1.1"	5
1+3 or 4	E/F	33.5"	31.1"	2.4"	6
1+2+3 or 2+4	E/F	41.4"	37"	4.4"	7
1+4	D/E		45.7"
1+2+4 or 3+4	D		52.4"
2+3+4	C/D		51.6"
1+3+4	B/C		64.6"
1+2+3+4	B/C		70.5"

Playing notes using valves (notably 1st + 3rd and 1st + 2nd + 3rd) requires compensation to adjust the tuning appropriately, either by the player's lip-and-breath control, via mechanical assistance of some sort, or, in the case of horns, by the position of the stopping hand in the bell.

Valve tuning compensation

The additional tubing for each valve usually features a short tuning slide of its own for fine adjustment of the valve's tuning, except when it is too short to make this practicable. For the first and third valves this is often designed to be adjusted as the instrument is played, to account for the deficiencies in the valve system.

In most trumpets and cornets, the compensation must be provided by extending the third valve slide with the third or fourth finger, and the first valve slide with the left hand thumb (see Trigger or throw below). This is used to lower the pitch of the 1-3 and 1-2-3 valve combinations. On the trumpet and cornet, these valve combinations correspond to low D, low C, low G, and low F, so chromatically, to stay in tune, one must use this method.

In instruments with a fourth valve, such as tubas, euphoniums, horns, piccolo trumpets, etc. that valve lowers the pitch by a perfect fourth; this is used to compensate for the sharpness of the valve combinations 1-3 and 1-2-3 (4 replaces 1-3, 2-4 replaces 1-2-3). All three normal valves may be used in addition to the fourth to increase the instrument's range downwards by a perfect fourth, although with increasingly severe intonation problems.

When four-valved models without any kind of compensation play in the corresponding register, the sharpness becomes so severe that players must finger the note a half-step below the one they are trying to play. This eliminates the note a half-step above their open fundamental.

Manufacturers of low brass instruments may choose one or a combination of four basic approaches to compensate for the tuning difficulties, whose respective merits are subject to debate:

Compensation system

In the Compensation system, each of the first two (or three) valves has an additional set of tubing extending from the back of the valve. When the third (or fourth) valve is depressed in combination with another one, the air is routed through both the usual set of tubing plus the extra one, so that the pitch is lowered by an appropriate amount. This allows compensating instruments to play with accurate intonation in the octave below their open second partial, which is critical for tubas and euphoniums in much of their repertoire.

The compensating system was applied to horns to serve a different purpose. It was used to allow a double horn in F and B flat to ease playing difficulties in the high register. In contrast to the system in use in tubas and euphoniums, the default 'side' of the horn is the longer F horn, with secondary lengths of tubing coming into play when the first, second or third valves are pressed; pressing the thumb valve takes these secondary valve slides and the extra length of main tubing out of play to produce a shorter B-flat horn. A later "full double" design has completely separate valve section tubing for the two sides, and is considered superior, although rather heavier in weight.

Additional valves

Initially, compensated instruments tended to sound stuffy and blow less freely due to the air being doubled back through the main valves. In early designs, this led to sharp bends in the tubing and other obstructions of the air-flow. Some manufacturers therefore preferred adding more 'straight' valves instead, which for example could be pitched a little lower than the 2nd and 1st valves and were intended to be used instead of these in the respective valve combinations. While no longer featured in euphoniums for decades, professional tubas are still built like this, with five valves being the norm on CC- and BB-tubas and five or six valves on F-tubas.

Compensating double horns can also suffer from the stuffiness resulting from the air being passed through the valve section twice, but as this really only affects the longer F side, a compensating double can be very useful for a 1st or 3rd horn player, who uses the F side less.

Additional sets of slides on each valve

Another approach was the addition of two sets of slides for different parts of the range. There used to be euphoniums and tubas built like this, but today, this approach has become highly exotic for all instruments – except horns for which it is the norm, usually in a double, sometimes even triple configuration.

Trigger or throw

Triggers or throws are sometimes provided on valved brass instruments to allow during performance the manual lengthening (or, less commonly, shortening) of the main tuning slide, a valve slide, or the main tubing. These mechanisms are used to alter the pitch of notes that are naturally sharp in a specific register of the instrument, or to shift the instrument to another playing range. As such, triggers and throws and are designed for speedy adjustment while playing.

Trigger is used in two senses:

A trigger can be a mechanical lever that lengthens a slide when pressed in a contrary direction. Triggers are sprung in such a way to that they return the slide to its original position when released.

The term "trigger" is also used to describe the device lengthening certain brass instruments' main length of tubing to shift its range to another playing range, as is the case with certain trombones.

A throw is a simple metal grip for the player's finger or thumb, attached to a valve slide. The general term "throw" can be used to describe a u-hook, a saddle (u-shaped grips), or a ring (ring-shape grip) in which a player's finger or thumb rests. A player extends their finger or thumb to lengthen a slide, and retracts their finger to return the slide to its original position.

Some examples of instruments that utilize triggers or throws are:

Trumpet or cornet

Triggers or throws are sometimes found on the first valve slide. They are operated by the player's thumb and are used to adjust a large range of notes using the first valve, most notably the player's written top line F, the A above directly above that, and the B above that. Other notes that require the first valve slide, but are not as problematic with out it include the first line E, the F above that, the A above that, and the third line B.

Triggers or throws are often found on the third valve slide. They are operated by the player's fourth finger, and are used to adjust the lower D and C. Trumpets typically use throws, whilst cornets may have a throw or trigger.

Trombone

Trombone triggers are primarily but not exclusively installed on the F-trigger, bass, and contrabass trombones to alter the length of tubing, thus making certain ranges and pitches more accessible.

Euphoniums

A euphonium occasionally has a trigger on valves other than 2 (especially 3), although many professional quality euphoniums, and indeed other brass band instruments, have a trigger for the main tuning slide.

Valve mechanism

The two major types of valve mechanisms are rotary valves and piston valves. The first piston valve instruments were developed just after the start of the 19th century. The Stölzel valve (invented by Heinrich Stölzel in 1814) was an early variety. In the mid 19th century the Vienna valve was an improved design. However many professional musicians preferred rotary valves for quicker, more reliable action, until better designs of piston valves were mass manufactured towards the end of the 19th century. Since the early decades of the 20th century, piston valves have been the most common on brass instruments except for the orchestral horn and the tuba. See also the article Brass Instrument Valves.

Sound production in brass instruments

Because the player of a brass instrument has direct control of the prime vibrator (the lips), brass instruments exploit the player's ability to select the harmonic at which the instrument's column of air will vibrate. By making the instrument about twice as long as the equivalent woodwind instrument and starting with the second harmonic, players can get a good range of notes simply by varying the tension of their lips (see embouchure).

Most brass instruments are fitted with a removable mouthpiece. Different shapes, sizes and styles of mouthpiece may be used to suit different embouchures, or to more easily produce certain tonal characteristics. Trumpets, trombones, and tubas are characteristically fitted with a cupped mouthpiece, while horns are fitted with a conical mouthpiece.

One interesting difference between a woodwind instrument and a brass instrument is that woodwind instruments are non-directional. This means that the sound produced propagates in all directions with approximately equal volume. Brass instruments, on the other hand, are highly directional, with most of the sound produced traveling straight outward from the bell. This difference makes it significantly more difficult to record a brass instrument accurately. It also plays a major role in some performance situations, such as in marching bands.

Manufacture

Brass instruments are made of a lacquered or plated metal. Traditionally the instruments are normally made of brass, polished and then lacquered to prevent corrosion. Some higher quality and higher cost instruments use gold or silver plating to prevent corrosion. A few specialty instruments are made from wood.

Alternatives to brass include other alloys containing significant amounts of copper or silver. These alloys are biostatic due to the oligodynamic effect, and thus suppress growth of molds, fungi or bacteria. Brass instruments constructed from stainless steel or aluminum have good sound quality but are rapidly colonized by microorganisms and become unpleasant to play.

Most higher quality instruments are designed to prevent or reduce galvanic corrosion between any steel in the valves and springs, and the brass of the tubing. This may take the form of desiccant design, to keep the valves dry, sacrificial zincs, replaceable valve cores and springs, plastic insulating washers, or nonconductive or noble materials for the valve cores and springs. Some instruments use several such features.

The process of making the large open end of a brass instruments by a process of metal beating. In making the bells (open ends) of brass instruments, for example, trumpets, a person lays out a pattern and shapes sheet metal into a bell-shape using templates, machine tools, handtools, and blueprints. The maker cuts out the bell blank, using hand or power shears. He hammers the blank over a bell-shaped mandrel, and butts the seam, using a notching tool. The seam is brazed, using a torch and smoothed using a hammer or file. A draw bench or arbor press equipped with expandable lead plug is used to shape and smooth the bell and bell neck over a mandrel. A lathe is used to spin the bell head and to form a bead at tip of bell head. Previously shaped bell necks are annealed, using a hand torch to soften the metal for further bending. Scratches are removed from the bell using abrasive-coated cloth.

Ensembles

Brass instruments are one of the major classical instrument families and are played across a range of musical ensembles.

Orchestras include a varying number of brass instruments depending on music style and era, typically:

Classical symphony orchestra:

:*two to five trumpets :*two to eight horns :*two tenor trombones :*one bass trombone :*one tuba

Baroque orchestras may include valveless trumpets or bugles, or trumpets/cornets playing these parts.

Romantic, modern, and contemporary orchestras may include larger numbers of brass including more exotic instruments.

British brass bands are made entirely up of brass, mostly conical bore instruments. Typical membership is:

one soprano cornet

five to ten cornets

one flugelhorn

three to five tenor horns (alto horns)

two baritones

two to three tenor trombones

one bass trombone

two euphoniums

two E tubas two B tubas

quintets are common small brass ensembles, a quintet typically contains:

two trumpets

one horn

one trombone

one tuba or bass trombone

Big Bands and other jazz bands commonly contain cylindrical bore brass instruments

A Big band typically includes:

:*three to five trumpets :*three or four tenor trombones and sometimes a bass trombone

Smaller jazz ensembles may include a single trumpet or trombone soloist.

Concert bands have similar brass instrumentation to an orchestra, typically:

two to four trumpets or cornets

two to four horns

two to three tenor trombones (and occasionally an additional bass trombone)

one or two baritones or euphoniums

one or two tubas

Mexican Bandas have:

three trumpets

three trombones

two alto horns, also called "charchetas" and "saxores"

one sousaphone, called "tuba"

Single brass instruments are also often used to accompany other instruments or ensembles such as an organ, or a choir.

See also

List of brass instruments

Brass band

Bandstand

Concert band

Drum and bugle corps (modern)

Electronic tuner

Marching band

Military band

Pitch of brass instruments

Orchestra

Horn section

Sudrophone

Brass Instrument Valves

References

External links

Brass Instruments Information on individual Brass Instruments

The traditional manufacture of brass instruments, a 1991 video (Real Player format) featuring maker Robert Barclay; from the web site of the Canadian Museum of Civilization.

The Orchestra: A User's Manual – Brass

Brass-Forum.co.uk UK based brass discussion forum.

Brassmusic.Ru – Russian Brass Community

Acoustics of Brass Instruments from Music Acoustics at the University of New South Wales

Early Valve designs, John Ericson

3-Valve and 4-Valve Compensating Systems, David Werden

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Coordinates

3°8′51″N101°41′36″N

{{infobox historical event |event name

The French Revolution |Image_Name Prise de la Bastille.jpg |Image_Caption The storming of the Bastille, 14 July 1789 |Participants French society |Location France |Date 1789–1799 |Result Abolition and replacement of the French monarchy with a radical democratic republic. Radical social change to forms based on Enlightenment principles of citizenship and inalienable rights. Rise of Napoleon Bonaparte Armed conflicts with other European countries }}

The French Revolution (; 1789–1799) was a period of radical social and political upheaval in French and European history. The absolute monarchy that had ruled France for centuries collapsed in three years. French society underwent an epic transformation as feudal, aristocratic and religious privileges evaporated under a sustained assault from left-wing political groups and the masses on the streets. Old ideas about hierarchy and tradition succumbed to new Enlightenment principles of citizenship and inalienable rights.

The French Revolution began in 1789 with the convocation of the Estates-General in May. The first year of the Revolution saw members of the Third Estate proclaiming the Tennis Court Oath in June, the assault on the Bastille in July, the passage of the Declaration of the Rights of Man and of the Citizen in August, and an epic march on Versailles that forced the royal court back to Paris in October. The next few years were dominated by tensions between various liberal assemblies and a right-wing monarchy intent on thwarting major reforms. A republic was proclaimed in September 1792 and King Louis XVI was executed the next year. External threats also played a dominant role in the development of the Revolution. The French Revolutionary Wars started in 1792 and ultimately featured spectacular French victories that facilitated the conquest of the Italian peninsula, the Low Countries and most territories west of the Rhine – achievements that had defied previous French governments for centuries. Internally, popular sentiments radicalized the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins and virtual dictatorship by the Committee of Public Safety during the Reign of Terror from 1793 until 1794 during which between 16,000 and 40,000 people were killed. After the fall of the Jacobins and the execution of Robespierre, the Directory assumed control of the French state in 1795 and held power until 1799, when it was replaced by the Consulate under Napoleon Bonaparte.

The modern era has unfolded in the shadow of the French Revolution. The growth of republics and liberal democracies, the spread of secularism, the development of modern ideologies and the invention of total war all mark their birth during the Revolution. Subsequent events that can be traced to the Revolution include the Napoleonic Wars, two separate restorations of the monarchy and two additional revolutions as modern France took shape. In the following century, France would be governed at one point or another as a republic, constitutional monarchy and two different empires (the First and Second).

Causes

Adherents of most historical models identify many of the same features of the Ancien Régime as being among the causes of the Revolution. Economic factors included hunger and malnutrition in the most destitute segments of the population, due to rising bread prices (from a normal 8 sous for a four-pound loaf to 12 sous by the end of 1789), after several years of poor grain harvests. Bad harvests (caused in part by extreme weather from El Niño along with volcanic activity at Laki and Grímsvötn), rising food prices, and an inadequate transportation system that hindered the shipment of bulk foods from rural areas to large population centers contributed greatly to the destabilization of French society in the years leading up to the Revolution.

Another cause was the state's effective bankruptcy due to the enormous cost of previous wars, particularly the financial strain caused by French participation in the American Revolutionary War. The national debt amounted to some 1,000–2,000 million livres. The social burdens caused by war included the huge war debt, made worse by the loss of France's colonial possessions in North America and the growing commercial dominance of Great Britain. France's inefficient and antiquated financial system was unable to manage the national debt, something which was both partially caused and exacerbated by the burden of an inadequate system of taxation. To obtain new money to head off default on the government's loans, the king called an Assembly of Notables in 1787.

Meanwhile, the royal court at Versailles was seen as being isolated from, and indifferent to, the hardships of the lower classes. While in theory King Louis XVI was an absolute monarch, in practice he was often indecisive and known to back down when faced with strong opposition. While he did reduce government expenditures, opponents in the parlements successfully thwarted his attempts at enacting much needed reforms. Those who were opposed to Louis' policies further undermined royal authority by distributing pamphlets (often reporting false or exaggerated information) that criticized the government and its officials, stirring up public opinion against the monarchy.

Many other factors involved resentments and aspirations given focus by the rise of Enlightenment ideals. These included resentment of royal absolutism; resentment by peasants, laborers and the bourgeoisie toward the traditional seigneurial privileges possessed by the nobility; resentment of the Church's influence over public policy and institutions; aspirations for freedom of religion; resentment of aristocratic bishops by the poorer rural clergy; aspirations for social, political and economic equality, and (especially as the Revolution progressed) republicanism; hatred of Queen Marie-Antoinette, who was falsely accused of being a spendthrift and an Austrian spy; and anger toward the King for firing finance minister Jacques Necker, among others, who were popularly seen as representatives of the people.

Pre-revolution

Financial crisis

Louis XVI ascended to the throne amidst a financial crisis; the state was nearing bankruptcy and outlays outpaced income. This was because of France’s financial obligations stemming from involvement in the Seven Years War and its participation in the American Revolutionary War. In May 1776, finance minister Turgot was dismissed, after he failed to enact reforms. The next year, Jacques Necker, a foreigner, was appointed Comptroller-General of Finance. He could not be made an official minister because he was a Protestant. Necker realized that the country's extremely regressive tax system subjected the lower classes to a heavy burden, while numerous exemptions existed for the nobility and clergy. He argued that the country could not be taxed higher; that tax exemptions for the nobility and clergy must be reduced; and proposed that borrowing more money would solve the country's fiscal shortages. Necker published a report to support this claim that underestimated the deficit by roughly 36 million livres, and proposed restricting the power of the parlements. This was not received well by the King's ministers and Necker, hoping to bolster his position, argued to be made a minister. The King refused, Necker was fired, and Charles Alexandre de Calonne was appointed to the Comptrollership. Calonne initially spent liberally, but he quickly realized the critical financial situation and proposed a new tax code. The proposal included a consistent land tax, which would include taxation of the nobility and clergy. Faced with opposition from the parlements, Calonne organised the summoning of the Assembly of Notables. But the Assembly failed to endorse Calonne's proposals and instead weakened his position through its criticism. In response, the King announced the calling of the Estates-General for May 1789, the first time the body had been summoned since 1614. This was a signal that the Bourbon monarchy was in a weakened state and subject to the demands of its people.

Estates-General of 1789

The Estates-General was organized into three estates: the clergy, the nobility, and the rest of France. On the last occasion that the Estates-General had met, in 1614, each estate held one vote, and any two could override the third. The Parlement of Paris feared the government would attempt to gerrymander an assembly to rig the results. Thus, they required that the Estates be arranged as in 1614. The 1614 rules differed from practices of local assemblies, where each member had one vote and third estate membership was doubled. For example, in the Dauphiné the provincial assembly agreed to double the number of members of the third estate, hold membership elections, and allow one vote per member, rather than one vote per estate. The "Committee of Thirty," a body of liberal Parisians, began to agitate against voting by estate. This group, largely composed of the wealthy, argued for the Estates-General to assume the voting mechanisms of Dauphiné. They argued that ancient precedent was not sufficient, because "the people were sovereign." Necker convened a Second Assembly of Notables, which rejected the notion of double representation by a vote of 111 to 333. The King, however, agreed to the proposition on 27 December; but he left discussion of the weight of each vote to the Estates-General itself.

Elections were held in the spring of 1789; suffrage requirements for the Third Estate were for French-born or naturalised males only, at least 25 years of age, who resided where the vote was to take place and who paid taxes.

Pour être électeur du tiers état, il faut avoir 25 ans, être français ou naturalisé, être domicilié au lieu de vote et compris au rôle des impositions.

Strong turnout produced 1,201 delegates, including: "291 nobles, 300 clergy, and 610 members of the Third Estate." To lead delegates, "Books of grievances" (cahiers de doléances) were compiled to list problems. The books articulated ideas which would have seemed radical only months before; however, most supported the monarchical system in general. Many assumed the Estates-General would approve future taxes, and Enlightenment ideals were relatively rare. Pamphlets by liberal nobles and clergy became widespread after the lifting of press censorship. The Abbé Sieyès, a theorist and Catholic clergyman, argued the paramount importance of the Third Estate in the pamphlet Qu'est-ce que le tiers état? ("What is the Third Estate?"), published in January 1789. He asserted: "What is the Third Estate? Everything. What has it been until now in the political order? Nothing. What does it want to be? Something." The Estates-General convened in the Grands Salles des Menus-Plaisirs in Versailles on 5 May 1789 and opened with a three-hour speech by Necker. The Third Estate demanded that the verification of deputies' credentials should be undertaken in common by all deputies, rather than each estate verifying the credentials of its own members internally; negotiations with the other estates failed to achieve this. The commoners appealed to the clergy who replied they required more time. Necker asserted that each estate verify credentials and "the king was to act as arbitrator." Negotiations with the other two estates to achieve this, however, were unsuccessful.

National Assembly (1789)

On 10 June 1789, Abbé Sieyès moved that the Third Estate, now meeting as the Communes (English: "Commons"), proceed with verification of its own powers and invite the other two estates to take part, but not to wait for them. They proceeded to do so two days later, completing the process on 17 June. Then they voted a measure far more radical, declaring themselves the National Assembly, an assembly not of the Estates but of "the People." They invited the other orders to join them, but made it clear they intended to conduct the nation's affairs with or without them.

In an attempt to keep control of the process and prevent the Assembly from convening, Louis XVI ordered the closure of the Salle des États where the Assembly met, making an excuse that the carpenters needed to prepare the hall for a royal speech in two days. Weather did not allow an outdoor meeting, so the Assembly moved their deliberations to a nearby indoor real tennis court, where they proceeded to swear the Tennis Court Oath (20 June 1789), under which they agreed not to separate until they had given France a constitution. A majority of the representatives of the clergy soon joined them, as did 47 members of the nobility. By 27 June, the royal party had overtly given in, although the military began to arrive in large numbers around Paris and Versailles. Messages of support for the Assembly poured in from Paris and other French cities.

National Constituent Assembly (1789–1791)

Storming of the Bastille

By this time, Necker had earned the enmity of many members of the French court for his overt manipulation of public opinion. Marie Antoinette, the King's younger brother the Comte d'Artois, and other conservative members of the King's privy council urged him to dismiss Necker as financial advisor. On 11 July 1789, after Necker published an inaccurate account of the government's debts and made it available to the public, the King fired him, and completely restructured the finance ministry at the same time.

Many Parisians presumed Louis's actions to be aimed against the Assembly and began open rebellion when they heard the news the next day. They were also afraid that arriving soldiers – mostly foreign mercenaries – had been summoned to shut down the National Constituent Assembly. The Assembly, meeting at Versailles, went into nonstop session to prevent another eviction from their meeting place. Paris was soon consumed by riots, chaos, and widespread looting. The mobs soon had the support of some of the French Guard, who were armed and trained soldiers. On 14 July, the insurgents set their eyes on the large weapons and ammunition cache inside the Bastille fortress, which was also perceived to be a symbol of royal power. After several hours of combat, the prison fell that afternoon. Despite ordering a cease fire, which prevented a mutual massacre, Governor Marquis Bernard de Launay was beaten, stabbed and decapitated; his head was placed on a pike and paraded about the city. Although the fortress had held only seven prisoners (four forgers, two noblemen kept for immoral behavior, and a murder suspect), the Bastille served as a potent symbol of everything hated under the Ancien Régime. Returning to the Hôtel de Ville (city hall), the mob accused the prévôt des marchands (roughly, mayor) Jacques de Flesselles of treachery and butchered him.

The King, alarmed by the violence, backed down, at least for the time being. The Marquis de la Fayette took up command of the National Guard at Paris. Jean-Sylvain Bailly, president of the Assembly at the time of the Tennis Court Oath, became the city's mayor under a new governmental structure known as the commune. The King visited Paris, where, on 17 July he accepted a tricolore cockade, to cries of Vive la Nation ("Long live the Nation") and Vive le Roi ("Long live the King").

Necker was recalled to power, but his triumph was short-lived. An astute financier but a less astute politician, Necker overplayed his hand by demanding and obtaining a general amnesty, losing much of the people's favour.

As civil authority rapidly deteriorated, with random acts of violence and theft breaking out across the country, members of the nobility, fearing for their safety, fled to neighboring countries; many of these émigrés, as they were called, funded counter-revolutionary causes within France and urged foreign monarchs to offer military support to a counter-revolution.

By late July, the spirit of popular sovereignty had spread throughout France. In rural areas, many commoners began to form militias and arm themselves against a foreign invasion: some attacked the châteaux of the nobility as part of a general agrarian insurrection known as "la Grande Peur" ("the Great Fear"). In addition, wild rumours and paranoia caused widespread unrest and civil disturbances that contributed to the collapse of law and order.

Working toward a constitution

On 4 August 1789, the National Constituent Assembly abolished feudalism (although at that point there had been sufficient peasant revolts to almost end feudalism already), in what is known as the August Decrees, sweeping away both the seigneurial rights of the Second Estate and the tithes gathered by the First Estate. In the course of a few hours, nobles, clergy, towns, provinces, companies and cities lost their special privileges.

On 26 August 1789, the Assembly published the Declaration of the Rights of Man and of the Citizen, which comprised a statement of principles rather than a constitution with legal effect. The National Constituent Assembly functioned not only as a legislature, but also as a body to draft a new constitution.

Necker, Mounier, Lally-Tollendal and others argued unsuccessfully for a senate, with members appointed by the crown on the nomination of the people. The bulk of the nobles argued for an aristocratic upper house elected by the nobles. The popular party carried the day: France would have a single, unicameral assembly. The King retained only a "suspensive veto"; he could delay the implementation of a law, but not block it absolutely. The Assembly eventually replaced the historic provinces with 83 départements, uniformly administered and roughly equal in area and population.

Amid the Assembly's preoccupation with constitutional affairs, the financial crisis had continued largely unaddressed, and the deficit had only increased. Honoré Mirabeau now led the move to address this matter, and the Assembly gave Necker complete financial dictatorship.

Women's March on Versailles

Fueled by rumors of a reception for the King's bodyguards on 1 October 1789 at which the national cockade had been trampled upon, on 5 October 1789 crowds of women began to assemble at Parisian markets. The women first marched to the Hôtel de Ville, demanding that city officials address their concerns. The women were responding to the harsh economic situations they faced, especially bread shortages. They also demanded an end to royal efforts to block the National Assembly, and for the King and his administration to move to Paris as a sign of good faith in addressing the widespread poverty.

Getting unsatisfactory responses from city officials, as many as 7,000 women joined the march to Versailles, bringing with them cannons and a variety of smaller weapons. Twenty thousand National Guardsmen under the command of La Fayette responded to keep order, and members of the mob stormed the palace, killing several guards. La Fayette ultimately persuaded the king to accede to the demand of the crowd that the monarchy relocate to Paris.

On 6 October 1789, the King and the royal family moved from Versailles to Paris under the "protection" of the National Guards, thus legitimizing the National Assembly.

Revolution and the Church

The Revolution caused a massive shift of power from the Roman Catholic Church to the state. Under the Ancien Régime, the Church had been the largest single landowner in the country, owning about 10% of the land in the kingdom. The Church was exempt from paying taxes to the government, while it levied a tithe—a 10% tax on income, often collected in the form of crops—on the general population, which it then redistributed to the poor. The power and wealth of the Church was highly resented by some groups. A small minority of Protestants living in France, such as the Huguenots, wanted an anti-Catholic regime and revenge against the clergy who discriminated against them. Enlightenment thinkers such as Voltaire helped fuel this resentment by denigrating the Catholic Church and destabilizing the French monarchy. As historian John McManners argues, "In eighteenth-century France throne and altar were commonly spoken of as in close alliance; their simultaneous collapse ... would one day provide the final proof of their interdependence."

This resentment toward the Church weakened its power during the opening of the Estates General in May 1789. The Church composed the First Estate with 130,000 members of the clergy. When the National Assembly was later created in June 1789 by the Third Estate, the clergy voted to join them, which perpetuated the destruction of the Estates General as a governing body. The National Assembly began to enact social and economic reform. Legislation sanctioned on 4 August 1789 abolished the Church's authority to impose the tithe. In an attempt to address the financial crisis, the Assembly declared, on 2 November 1789, that the property of the Church was "at the disposal of the nation." They used this property to back a new currency, the assignats. Thus, the nation had now also taken on the responsibility of the Church, which included paying the clergy, caring for the poor, the sick and the orphaned. In December, the Assembly began to sell the lands to the highest bidder to raise revenue, effectively decreasing the value of the assignats by 25% in two years. In autumn 1789, legislation abolished monastic vows and on 13 February 1790 all religious orders were dissolved. Monks and nuns were encouraged to return to private life and a small percentage did eventually marry.

The Civil Constitution of the Clergy, passed on 12 July 1790, turned the remaining clergy into employees of the state. This established an election system for parish priests and bishops and set a pay rate for the clergy. Many Catholics objected to the election system because it effectively denied the authority of the Pope in Rome over the French Church. Eventually, in November 1790, the National Assembly began to require an oath of loyalty to the Civil Constitution from all the members of the clergy. This led to a schism between those clergy who swore the required oath and accepted the new arrangement and those who remained loyal to the Pope. Overall, 24% of the clergy nationwide took the oath. Widespread refusal led to legislation against the clergy, "forcing them into exile, deporting them forcibly, or executing them as traitors." Pope Pius VI never accepted the Civil Constitution of the Clergy, further isolating the Church in France. During the Reign of Terror, extreme efforts of de-Christianization ensued, including the imprisonment and massacre of priests and destruction of churches and religious images throughout France. An effort was made to replace the Catholic Church altogether, with civic festivals replacing religious ones. The establishment of the Cult of Reason was the final step of radical de-Christianization. These events led to a widespread disillusionment with the Revolution and to counter-rebellions across France. Locals often resisted de-Christianization by attacking revolutionary agents and hiding members of the clergy who were being hunted. Eventually, Robespierre and the Committee of Public Safety were forced to denounce the campaign, replacing the Cult of Reason with the deist but still non-Christian Cult of the Supreme Being. The Concordat of 1801 between Napoleon and the Church ended the de-Christianization period and established the rules for a relationship between the Catholic Church and the French State that lasted until it was abrogated by the Third Republic via the separation of church and state on 11 December 1905. The persecution of the Church led to a counter-revolution known as the Revolt in the Vendée, whose suppression is considered by some to be the first modern genocide.

Intrigues and radicalism

Factions within the Assembly began to clarify. The aristocrat Jacques Antoine Marie de Cazalès and the abbé Jean-Sifrein Maury led what would become known as the right wing, the opposition to revolution (this party sat on the right-hand side of the Assembly). The "Royalist democrats" or monarchiens, allied with Necker, inclined toward organising France along lines similar to the British constitutional model; they included Jean Joseph Mounier, the Comte de Lally-Tollendal, the comte de Clermont-Tonnerre, and Pierre Victor Malouet, comte de Virieu.

The "National Party", representing the centre or centre-left of the assembly, included Honoré Mirabeau, La Fayette, and Bailly; while Adrien Duport, Barnave and Alexandre Lameth represented somewhat more extreme views. Almost alone in his radicalism on the left was the Arras lawyer Maximilien Robespierre. Abbé Sieyès led in proposing legislation in this period and successfully forged consensus for some time between the political centre and the left. In Paris, various committees, the mayor, the assembly of representatives, and the individual districts each claimed authority independent of the others. The increasingly middle-class National Guard under La Fayette also slowly emerged as a power in its own right, as did other self-generated assemblies. The Assembly abolished the symbolic paraphernalia of the Ancien Régime— armorial bearings, liveries, etc. – which further alienated the more conservative nobles, and added to the ranks of the émigrés. On 14 July 1790, and for several days following, crowds in the Champ de Mars celebrated the anniversary of the fall of the Bastille with the Fête de la Fédération; Talleyrand performed a mass; participants swore an oath of "fidelity to the nation, the law, and the king"; the King and the royal family actively participated.

The electors had originally chosen the members of the Estates-General to serve for a single year. However, by the terms of the Tennis Court Oath, the communes had bound themselves to meet continuously until France had a constitution. Right-wing elements now argued for a new election, but Mirabeau prevailed, asserting that the status of the assembly had fundamentally changed, and that no new election should take place before completing the constitution.

In late 1790, the French army was in considerable disarray. The military officer corps was largely composed of noblemen, who found it increasingly difficult to maintain order within the ranks. In some cases, soldiers (drawn from the lower classes) had turned against their aristocratic commanders and attacked them. At Nancy, General Bouillé successfully put down one such rebellion, only to be accused of being anti-revolutionary for doing so. This and other such incidents spurred a mass desertion as more and more officers defected to other countries, leaving a dearth of experienced leadership within the army.

This period also saw the rise of the political "clubs" in French politics. Foremost among these was the Jacobin Club; 152 members had affiliated with the Jacobins by 10 August 1790. The Jacobin Society began as a broad, general organization for political debate, but as it grew in members, various factions developed with widely differing views. Several of these fractions broke off to form their own clubs, such as the Club of '89.

Meanwhile, the Assembly continued to work on developing a constitution. A new judicial organisation made all magistracies temporary and independent of the throne. The legislators abolished hereditary offices, except for the monarchy itself. Jury trials started for criminal cases. The King would have the unique power to propose war, with the legislature then deciding whether to declare war. The Assembly abolished all internal trade barriers and suppressed guilds, masterships, and workers' organisations: any individual gained the right to practice a trade through the purchase of a license; strikes became illegal.

In the winter of 1791, the Assembly considered, for the first time, legislation against the émigrés. The debate pitted the safety of the Revolution against the liberty of individuals to leave. Mirabeau prevailed against the measure, which he referred to as "worthy of being placed in the code of Draco". But Mirabeau died on 2 April 1791 and, before the end of the year, the new Legislative Assembly adopted this draconian measure.

Royal flight to Varennes

Louis XVI, egged on by Marie Antoinette and other members of his family, opposed the course of the Revolution, but rejected the potentially treacherous aid of the other monarchs of Europe. He cast his lot with General Bouillé, who condemned both the emigration and the Assembly, and promised him refuge and support in his camp at Montmédy. On the night of 20 June 1791, the royal family fled the Tuileries Palace dressed as servants, while their servants dressed as nobles.

However, late the next day, the King was recognised and arrested at Varennes (in the Meuse département). He and his family were brought back to Paris under guard, still dressed as servants. Pétion, Latour-Maubourg, and Antoine Pierre Joseph Marie Barnave, representing the Assembly, met the royal family at Épernay and returned with them. From this time, Barnave became a counselor and supporter of the royal family. When they returned to Paris, the crowd greeted them in silence. The Assembly provisionally suspended the King. He and Queen Marie Antoinette remained held under guard.

Completing the constitution

As most of the Assembly still favoured a constitutional monarchy rather than a republic, the various groups reached a compromise which left Louis XVI as little more than a figurehead: he was forced to swear an oath to the constitution, and a decree declared that retracting the oath, heading an army for the purpose of making war upon the nation, or permitting anyone to do so in his name would amount to abdication.

However, Jacques Pierre Brissot drafted a petition, insisting that in the eyes of the nation Louis XVI was deposed since his flight. An immense crowd gathered in the Champ de Mars to sign the petition. Georges Danton and Camille Desmoulins gave fiery speeches. The Assembly called for the municipal authorities to "preserve public order". The National Guard under La Fayette's command confronted the crowd. The soldiers responded to a barrage of stones by firing into the crowd, killing between 13 and 50 people.

In the wake of this massacre the authorities closed many of the patriotic clubs, as well as radical newspapers such as Jean-Paul Marat's L'Ami du Peuple. Danton fled to England; Desmoulins and Marat went into hiding.

Meanwhile, a new threat arose from abroad: Holy Roman Emperor Leopold II, Frederick William II of Prussia, and the King's brother Charles-Philippe, comte d'Artois, issued the Declaration of Pillnitz, which considered the cause of Louis XVI as their own, demanded his absolute liberty and implied an invasion of France on his behalf if the revolutionary authorities refused its conditions. The French people expressed no respect for the dictates of foreign monarchs, and the threat of force merely hastened their militarisation.

Even before the "Flight to Varennes", the Assembly members had determined to debar themselves from the legislature that would succeed them, the Legislative Assembly. They now gathered the various constitutional laws they had passed into a single constitution, showed remarkable strength in choosing not to use this as an occasion for major revisions, and submitted it to the recently restored Louis XVI, who accepted it, writing "I engage to maintain it at home, to defend it from all attacks from abroad, and to cause its execution by all the means it places at my disposal". The King addressed the Assembly and received enthusiastic applause from members and spectators. With this capstone, the National Constituent Assembly adjourned in a final session on 30 September 1791.

Mignet argued that the "constitution of 1791... was the work of the middle class, then the strongest; for, as is well known, the predominant force ever takes possession of institutions... In this constitution the people was the source of all powers, but it exercised none."

Legislative Assembly (1791–1792)

Failure of the constitutional monarchy

Under the Constitution of 1791, France would function as a constitutional monarchy. The King had to share power with the elected Legislative Assembly, but he still retained his royal veto and the ability to select ministers. The Legislative Assembly first met on 1 October 1791, and degenerated into chaos less than a year later. In the words of the 1911 Encyclopædia Britannica: "In the attempt to govern, the Assembly failed altogether. It left behind an empty treasury, an undisciplined army and navy, and a people debauched by safe and successful riot." The Legislative Assembly consisted of about 165 Feuillants (constitutional monarchists) on the right, about 330 Girondists (liberal republicans) and Jacobins (radical revolutionaries) on the left, and about 250 deputies unaffiliated with either faction. Early on, the King vetoed legislation that threatened the émigrés with death and that decreed that every non-juring clergyman must take within eight days the civic oath mandated by the Civil Constitution of the Clergy. Over the course of a year, such disagreements would lead to a constitutional crisis.

Constitutional crisis

On the night of 10 August 1792, insurgents and popular militias, supported by the revolutionary Paris Commune, assailed the Tuileries Palace and massacred the Swiss Guards who were assigned for the protection of the king. The royal family ended up prisoners and a rump session of the Legislative Assembly suspended the monarchy; little more than a third of the deputies were present, almost all of them Jacobins.

What remained of a national government depended on the support of the insurrectionary Commune. The Commune sent gangs into the prisons to try arbitrarily and butcher 1400 victims, and addressed a circular letter to the other cities of France inviting them to follow this example. The Assembly could offer only feeble resistance. This situation persisted until the Convention, elected by universal male suffrage and charged with writing a new constitution, met on 20 September 1792 and became the new de facto government of France. The next day it abolished the monarchy and declared a republic. This date was later retroactively adopted as the beginning of Year One of the French Republican Calendar.

War and Counter-Revolution (1792–1797)

The politics of the period inevitably drove France towards war with Austria and its allies. The King, many of the Feuillants and the Girondins specifically wanted to wage war. The King (and many Feuillants with him) expected war would increase his personal popularity; he also foresaw an opportunity to exploit any defeat: either result would make him stronger. The Girondins wanted to export the Revolution throughout Europe and, by extension, to defend the Revolution within France. The forces opposing war were much weaker. Barnave and his supporters among the Feuillants feared a war they thought France had little chance to win and which they feared might lead to greater radicalization of the revolution. On the other end of the political spectrum, Robespierre opposed war, preferring to consolidate and expand the Revolution at home. The Austrian emperor Leopold II, brother of Marie Antoinette, may have wished to avoid war, but he died on 1 March 1792. France preemptively declared war on Austria (20 April 1792) and Prussia joined on the Austrian side a few weeks later. The invading Prussian army faced little resistance until checked at the Battle of Valmy (20 September 1792), and forced to withdraw.

The new-born Republic followed up on this success with a series of victories in Belgium and the Rhineland in the fall of 1792. The French armies defeated the Austrians at the Battle of Jemappes on 6 November, and had soon taken over most of the Austrian Netherlands. This brought them into conflict with Britain and the Dutch Republic, which wished to preserve the independence of the southern Netherlands from France. After the king's execution in January 1793, these powers, along with Spain and most other European states, joined the war against France. Almost immediately, French forces faced defeat on many fronts, and were driven out of their newly conquered territories in the spring of 1793. At the same time, the republican regime was forced to deal with rebellions against its authority in much of western and southern France. But the allies failed to take advantage of French disunity, and by the autumn of 1793 the republican regime had defeated most of the internal rebellions and halted the allied advance into France itself.

The stalemate was broken in the summer of 1794 with dramatic French victories. They defeated the allied army at the Battle of Fleurus, leading to a full Allied withdrawal from the Austrian Netherlands. They followed up by a campaign which swept the allies to the east bank of the Rhine and left the French, by the beginning of 1795, conquering Holland itself. The House of Orange was expelled and replaced by the Batavian Republic, a French satellite state. These victories led to the collapse of the coalition against France. Prussia, having effectively abandoned the coalition in the fall of 1794, made peace with revolutionary France at Basel in April 1795, and soon thereafter Spain, too, made peace with France. Of the major powers, only Britain and Austria remained at war with France. It was during this time, that La Marseillaise, originally Chant de guerre pour l'Armée du Rhin ("War Song for the Army of the Rhine"), was written and composed by Claude Joseph Rouget de Lisle in 1792 and adopted in 1795 as the nation's first anthem.

National Convention (1792–1795)

Execution of Louis XVI

In the Brunswick Manifesto, the Imperial and Prussian armies threatened retaliation on the French population if it were to resist their advance or the reinstatement of the monarchy. This made Louis appear to be conspiring with the enemies of France. 17 January 1793 saw Louis condemned to death for "conspiracy against the public liberty and the general safety" by a close majority in Convention: 361 voted to execute the king, 288 voted against, and another 72 voted to execute him subject to a variety of delaying conditions. The former Louis XVI, now simply named Citoyen Louis Capet (Citizen Louis Capet), was executed by guillotine on 21 January 1793 on the Place de la Révolution, former Place Louis XV, now called the Place de la Concorde. Royalty across Europe was horrified and many heretofore neutral countries soon joined the war against revolutionary France.

Economy

When war went badly, prices rose and the sans-culottes — poor labourers and radical Jacobins – rioted; counter-revolutionary activities began in some regions. This encouraged the Jacobins to seize power through a parliamentary coup, backed up by force effected by mobilising public support against the Girondist faction, and by utilising the mob power of the Parisian sans-culottes. An alliance of Jacobin and sans-culottes elements thus became the effective centre of the new government. Policy became considerably more radical, as "The Law of the Maximum" set food prices and led to executions of offenders. This policy of price control was coeval with the Committee of Public Safety's rise to power and the Reign of Terror. The Committee first attempted to set the price for only a limited number of grain products but, by September 1793, it expanded the "maximum" to cover all foodstuffs and a long list of other goods. Widespread shortages and famine ensued. The Committee reacted by sending dragoons into the countryside to arrest farmers and seize crops. This temporarily solved the problem in Paris, but the rest of the country suffered. By the spring of 1794, forced collection of food was not sufficient to feed even Paris and the days of the Committee were numbered. When Robespierre went to the guillotine in July of that year the crowd jeered, "There goes the dirty maximum!"

Reign of Terror

The Committee of Public Safety came under the control of Maximilien Robespierre, a lawyer, and the Jacobins unleashed the Reign of Terror (1793–1794). According to archival records, at least 16,594 people died under the guillotine or otherwise after accusations of counter-revolutionary activities. A number of historians note that as many as 40,000 accused prisoners may have been summarily executed without trial or died awaiting trial.

On 2 June 1793, Paris sections — encouraged by the enragés ("enraged ones") Jacques Roux and Jacques Hébert – took over the Convention, calling for administrative and political purges, a low fixed price for bread, and a limitation of the electoral franchise to sans-culottes alone. With the backing of the National Guard, they managed to persuade the Convention to arrest 31 Girondin leaders, including Jacques Pierre Brissot. Following these arrests, the Jacobins gained control of the Committee of Public Safety on 10 June, installing the revolutionary dictatorship. On 13 July, the assassination of Jean-Paul Marat — a Jacobin leader and journalist known for his bloodthirsty rhetoric — by Charlotte Corday, a Girondin, resulted in further increase of Jacobin political influence. Georges Danton, the leader of the August 1792 uprising against the King, undermined by several political reversals, was removed from the Committee and Robespierre, "the Incorruptible", became its most influential member as it moved to take radical measures against the Revolution's domestic and foreign enemies.

Meanwhile, on 24 June, the Convention adopted the first republican constitution of France, variously referred to as the French Constitution of 1793 or Constitution of the Year I. It was progressive and radical in several respects, in particular by establishing universal male suffrage. It was ratified by public referendum, but normal legal processes were suspended before it could take effect.

War in the Vendée

In Vendée, peasants revolted against the French Revolutionary government in 1793. They resented the changes imposed on the Roman Catholic Church by the Civil Constitution of the Clergy (1790) and broke into open revolt in defiance of the Revolutionary government's military conscription. This became a guerrilla war, known as the War in the Vendée. North of the Loire, similar revolts were started by the so-called Chouans (royalist rebels).

After the defeat at Savenay, when regular warfare in the Vendée was at an end, the French general Francois Joseph Westermann penned a letter to the Committee of Public Safety stating

"There is no more Vendée. It died with its wives and its children by our free sabres. I have just buried it in the woods and the swamps of Savenay. According to the orders that you gave me, I crushed the children under the feet of the horses, massacred the women who, at least for these, will not give birth to any more brigands. I do not have a prisoner to reproach me. I have exterminated all. The roads are sown with corpses. At Savenay, brigands are arriving all the time claiming to surrender, and we are shooting them non-stop... Mercy is not a revolutionary sentiment."

However, some historians doubt the authenticity of this document and others point out that the claims in it were patently false — there were in fact thousands of (living) Vendean prisoners, the revolt had been far from crushed, and the Convention had explicitly decreed that women, children and unarmed men were to be treated humanely. It has been hypothesized that if the letter is authentic, that may have been Westermann's attempt to exaggerate the intensity of his actions and his success, because he was eager to avoid being purged for his incompetent military leadership and for his opposition to sans-culotte generals (he failed to avoid that, since he was guillotined together with Danton's group).

The revolt and its suppression (including both combat casualties and massacres and executions on both sides) are thought to have taken between 117,000 and 250,000 lives (170,000 according to the latest estimates). Because of the extremely brutal forms that the Republican repression took in many places, certain historians such as Reynald Secher have called the event a "genocide". This description has become popular in the mass media, but it has attracted much criticism in academia as being unrealistic and biased.

Facing local revolts and foreign invasions in both the East and West of the country, the most urgent government business was the war. On 17 August, the Convention voted for general conscription, the levée en masse, which mobilized all citizens to serve as soldiers or suppliers in the war effort.

The result was a policy through which the state used violent repression to crush resistance to the government. Under control of the effectively dictatorial Committee, the Convention quickly enacted more legislation. On 9 September, the Convention established sans-culottes paramilitary forces, the revolutionary armies, to force farmers to surrender grain demanded by the government. On 17 September, the Law of Suspects was passed, which authorized the charging of counter-revolutionaries with vaguely defined crimes against liberty. On 29 September, the Convention extended price-fixing from grain and bread to other household goods and declared the right to set a limit on wages.

The guillotine as a symbol

The guillotine became the symbol of a string of executions. Louis XVI had already been guillotined before the start of the terror; Queen Marie Antoinette, Barnave, Bailly, Brissot and other leading Girondins, Philippe Égalité (despite his vote for the death of the King), Madame Roland and many others were executed by guillotine. The Revolutionary Tribunal summarily condemned thousands of people to death by the guillotine, while mobs beat other victims to death.

At the peak of the terror, the slightest hint of counter-revolutionary thoughts or activities (or, as in the case of Jacques Hébert, revolutionary zeal exceeding that of those in power) could place one under suspicion, and trials did not always proceed according to contemporary standards of due process. Sometimes people died for their political opinions or actions, but many for little reason beyond mere suspicion, or because some others had a stake in getting rid of them. Most of the victims received an unceremonious trip to the guillotine in an open wooden cart (the tumbrel). In the rebellious provinces, the government representatives had unlimited authority and some engaged in extreme repressions and abuses. For example, Jean-Baptiste Carrier became notorious for the Noyades ("drownings") he organized in Nantes; his conduct was judged unacceptable even by the Jacobin government and he was recalled.

Another anti-clerical uprising was made possible by the installment of the Republican Calendar on 24 October 1793. Against Robespierre's concepts of Deism and Virtue, Hébert's (and Chaumette's) atheist movement initiated a religious campaign to dechristianize society. The climax was reached with the celebration of the flame of Reason in Notre Dame Cathedral on 10 November. The Reign of Terror enabled the revolutionary government to avoid military defeat. The Jacobins expanded the size of the army, and Carnot replaced many aristocratic officers with younger soldiers who had demonstrated their ability and patriotism. The Republican army was able to throw back the Austrians, Prussians, British, and Spanish. At the end of 1793, the army began to prevail and revolts were defeated with ease. The Ventôse Decrees (February–March 1794) proposed the confiscation of the goods of exiles and opponents of the Revolution, and their redistribution to the needy.

In the spring of 1794, both extremist enragés such as Hébert and moderate Montagnard indulgents such as Danton were charged with counter-revolutionary activities, tried and guillotined. On 7 June Robespierre, who had previously condemned the Cult of Reason, advocated a new state religion and recommended the Convention acknowledge the existence of the "Supreme Being".

Thermidorian Reaction

On 27 July 1794, the Thermidorian Reaction led to the arrest and execution of Robespierre, Louis de Saint-Just, and other leading Jacobins. The new government was predominantly made up of Girondists who had survived the Terror, and after taking power, they took revenge as well by persecuting even those Jacobins who had helped to overthrow Robespierre, banning the Jacobin Club, and executing many of its former members in what was known as the White Terror.

In the wake of excesses of the Terror, the Convention approved the new "Constitution of the Year III" on 22 August 1795. A French plebiscite ratified the document, with about 1,057,000 votes for the constitution and 49,000 against. The results of the voting were announced on 23 September 1795, and the new constitution took effect on 27 September 1795.

The Constitutional Republic: The Directory (1795–1799)

The new constitution created the Directoire () and the first bicameral legislature in French history. The parliament consisted of two houses: the Conseil des Cinq-Cents (Council of the Five Hundred), with 500 representatives, and the Conseil des Anciens (Council of Elders), with 250 senators. Executive power went to five "directors," named annually by the Conseil des Anciens from a list submitted by the Conseil des Cinq-Cents. Furthermore, the universal suffrage of 1793 was replaced by limited suffrage based on property.

With the establishment of the Directory, contemporary observers might have assumed that the Revolution was finished. Citizens of the war-weary nation wanted stability, peace, and an end to conditions that at times bordered on chaos. Those who wished to restore the monarchy and the Ancien Régime by putting Louis XVIII on the throne, and those who would have renewed the Reign of Terror were insignificant in number. The possibility of foreign interference had vanished with the failure of the First Coalition. The earlier atrocities had made confidence or goodwill between parties impossible. The same instinct of self-preservation which had led the members of the Convention to claim so large a part in the new legislature and the whole of the Directory impelled them to keep their predominance. However, many French citizens distrusted the Directory, and the directors could achieve their purposes only by extraordinary means. They habitually disregarded the terms of the constitution, and, even when the elections that they rigged went against them, the directors routinely used draconian police measures to quell dissent. Moreover, to prolong their power the directors were driven to rely on the military, which desired war and grew less and less civic-minded.

Other reasons influenced them in the direction of war. State finances during the earlier phases of the Revolution had been so thoroughly ruined that the government could not have met its expenses without the plunder and the tribute of foreign countries. If peace were made, the armies would return home and the directors would have to face the exasperation of the rank-and-file who had lost their livelihood, as well as the ambition of generals who could, in a moment, brush them aside. Barras and Rewbell were notoriously corrupt themselves and screened corruption in others. The patronage of the directors was ill-bestowed, and the general maladministration heightened their unpopularity.

The constitutional party in the legislature desired toleration of the nonjuring clergy, the repeal of the laws against the relatives of the émigrés, and some merciful discrimination toward the émigrés themselves. The directors baffled all such endeavours. On the other hand, the socialist conspiracy of Babeuf was easily quelled. Little was done to improve the finances, and the assignats continued to fall in value.

The new régime met opposition from remaining Jacobins and the royalists. The army suppressed riots and counter-revolutionary activities. In this way the army and its successful general, Napoleon Bonaparte eventually gained total power.

On 9 November 1799 (18 Brumaire of the Year VIII) Napoleon Bonaparte staged the coup of 18 Brumaire which installed the Consulate. This effectively led to Bonaparte's dictatorship and eventually (in 1804) to his proclamation as Empereur (emperor), which brought to a close the specifically republican phase of the French Revolution.

Symbolism in the French Revolution

The French Revolution was a time of upheaval, especially towards traditional ideology, in almost every sense: the current monarch, King Louis XVI, was executed; the Catholic Church was all but abolished; a new calendar was created; and a new Republican government was established. In order to effectively illustrate the differences between the new Republic and the old regime, the leaders needed to implement a new set of symbols to be celebrated instead of the old religious and monarchical symbolism. To this end, symbols were borrowed from historic cultures and redefined, while those of the old regime were either destroyed or reattributed acceptable characteristics. These revised symbols were used to instill in the public a new sense of tradition and reverence for the Enlightenment and the Republic.

Fasces

Fasces, likes many other symbols of the French Revolution, are Roman in origin. Fasces are a bundle of birch rods containing an axe. In Roman times, the fasces symbolized the power of magistrates who could order the beating of a criminal, representing union and accord with the Roman Republic. The French Republic continued this Roman symbol to represent state power, justice, and unity. During the French Revolution the fasces image is seen in conjunction with many other symbols. This is seen with many emblems of the French Revolution. Though seen throughout the French Revolution, perhaps the most well known French reincarnation of the fasces is the Fasces surmounted by a Phrygian cap. This image has no display of an axe or a strong central state; rather, it symbolizes the power of the liberated people by placing the Liberty Cap on top of the classical symbol of power.

Liberty cap

The Liberty cap, also known as the Phrygian cap, or pileus, is a brimless, felt cap that is conical in shape with the tip pulled forward. The cap was originally worn by ancient Romans and Greeks. The cap implies ennobling effects, as seen in its association with Homer’s Ulysses and the mythical twins, Castor and Pollux. The emblem’s popularity during the French Revolution is due in part to its importance in ancient Rome: its use alludes to the Roman ritual of manumission of slaves, in which a freed slave receives the bonnet as a symbol of his newfound liberty. The Roman tribune Lucius Appuleius Saturninus incited the slaves to insurrection by displaying a pileus as if it were a standard. The pileus cap is often red in color. This type of cap was worn by revolutionaries at the fall of the Bastille. According to the Revolutions de Paris, it became "the symbol of the liberation from all servitudes, the sign for unification of all the enemies of despotism." The pileus competed with the Phrygian cap, a similar cap that covered the ears and the nape of the neck, for popularity. The Phrygian cap eventually supplanted the pileus and usurped its symbolism, becoming synonymous with republican liberty.

Liberty Tree

The Liberty Tree, officially adopted in 1792, is a symbol of the everlasting Republic, national freedom, and political revolution. It has historic roots in revolutionary France as well as America, as a symbol that was shared by the two nascent republics. The tree was chosen as a symbol of the French Revolution because it is a symbol of fertility in French folklore, which provided a simple transition from revering it for one reason to another. The American colonies also used the idea of a Liberty Tree to celebrate their own acts of insurrection against the British, starting with the Stamp Act riot in 1765. The riot culminated in the hanging in effigy of two Stamp Act politicians on a large elm tree. The elm tree began to be celebrated as a symbol of Liberty in the American colonies. It was adopted as a symbol that needed to be living and growing, along with the Republic. To that end, the tree is portrayed as a sapling, usually of an oak tree in French interpretation. The Liberty Tree serves as a constant celebration of the spirit of political freedom.

Hercules

The symbol of Hercules was first adopted by the Old Regime to represent the monarchy. Hercules was an ancient Greek hero who symbolized strength and power. The symbol was used to represent the sovereign authority of the King over France during the reign of the Bourbon monarchs. However, the monarchy was not the only ruling power in French history to use the symbol of Hercules to declare its power.

During the Revolution, the symbol of Hercules was revived to represent nascent revolutionary ideals. The first use of Hercules as a revolutionary symbol was during a festival celebrating the National Assembly’s victory over federalism on 10 August 1793. This Festival of Unity consisted of four stations around Paris which featured symbols representing major events of the Revolution which embodied revolutionary ideals of liberty, unity, and power. The statue of Hercules, placed at the station commemorating the fall of Louis XVI, symbolized the power of the French people over their former oppressors. The statue’s foot was placed on the throat of the Hydra, which represented the tyranny of federalism which the new Republic had vanquished. In one hand, the statue grasped a club, a symbol of power, while in the other grasping the fasces which symbolized the unity of the French people. The image of Hercules assisted the new Republic in establishing its new Republican moral system. Hercules thus evolved from a symbol of the sovereignty of the monarch into a symbol of the new sovereign authority in France: the French people. This transition was made easily for two reasons. First, because Hercules was a famous mythological figure, and had previously been used by the monarchy, he was easily recognized by educated French observers. It was not necessary for the revolutionary government to educate the French people on the background of the symbol. Additionally, Hercules recalled the classical age of the Greeks and the Romans, a period which the revolutionaries identified with republican and democratic ideals. These connotations made Hercules an easy choice to represent the powerful new sovereign people of France.

During the more radical phase of the Revolution from 1793 to 1794, the usage and depiction of Hercules changed. These changes to the symbol were due to revolutionary leaders believing the symbol was inciting violence among the common citizens. The triumphant battles of Hercules and the overcoming of enemies of the Republic became less prominent. In discussions over what symbol to use for the Seal of the Republic, the image of Hercules was considered but eventually ruled out in favor of Marianne. Hercules was on the coin of the Republic. However, this Hercules was not the same image as that of the pre-Terror phases of the Revolution. The new image of Hercules was more domesticated. He appeared more paternal, older, and wiser, rather than the warrior-like images in the early stages of the French Revolution. Unlike his 24 foot statue in the Festival of the Supreme Being, he was now the same size as Liberty and Equality. Also the language on the coin with Hercules was far different than the rhetoric of pre-revolutionary depictions. On the coins the words, "uniting Liberty and Equality" were used. This is opposed to the forceful language of early Revolutionary rhetoric and rhetoric of the Bourbon monarchy. By 1798, the Council of Ancients had discussed the "inevitable" change from the problematic image of Hercules, and Hercules was eventually phased out in favor of an even more docile image.

Role of women

Women had no political rights in pre-Revolutionary France; they couldn’t vote or hold any political office. They were considered "passive" citizens; forced to rely on men to determine what was best for them in the government. It was the men who defined these categories, and women were forced to accept male domination in the political sphere. The Encyclopédie, published by a group of philosophers over the years 1751–1777, summarized French male beliefs of women. A woman was a "failed man," the fetus not fully developed in the womb. "Women’s testimony is in general light and subject to variation; this is why it is taken more seriously than that of men" as opposed to men, upon whom "Nature seems to have conferred… the right to govern." In general, "men are more capable than women of ably governing particular matters". Instead, women were taught to be committed to their husbands and "all his interests… [to show] attention and care… [and] sincere and discreet zeal for his salvation." A woman’s education often consisted of learning to be a good wife and mother; as a result women were not supposed to be involved in the political sphere, as the limit of their influence was the raising of future citizens.

When the Revolution opened, some women struck forcefully, using the volatile political climate to assert their active natures. In the time of the Revolution, women could not be kept out of the political sphere; they swore oaths of loyalty, "solemn declarations of patriotic allegiance, [and] affirmations of the political responsibilities of citizenship." Throughout the Revolution, women such as Pauline Léon and her Society of Revolutionary Republican Women fought for the right to bear arms, used armed force and rioted.

Even before Léon, some liberals had advocated equal rights for women including women's suffrage. Nicolas de Condorcet was especially noted for his advocacy, in his articles published in the Journal de la Société de 1789, and by publishing De l'admission des femmes au droit de cité ("For the Admission to the Rights of Citizenship For Women") in 1790.

Feminist agitation

The March to Versailles is but one example of feminist militant activism during the French Revolution. While largely left out of the thrust for increasing rights of citizens, as the question was left indeterminate in the Declaration of the Rights of Man, activists such as Pauline Léon and Théroigne de Méricourt agitated for full citizenship for women. Women were, nonetheless, "denied political rights of ‘active citizenship’ (1791) and democratic citizenship (1793)."

Pauline Léon, on 6 March 1792, submitted a petition signed by 319 women to the National Assembly requesting permission to form a garde national in order to defend Paris in case of military invasion. Léon requested permission be granted to women to arm themselves with pikes, pistols, sabers and rifles, as well as the privilege of drilling under the French Guards. Her request was denied. Later in 1792, Théroigne de Méricourt made a call for the creation of "legions of amazons" in order to protect the revolution. As part of her call, she claimed that the right to bear arm would transform women into citizens.

On 20 June 1792 a number of armed women took part in a procession that "passed through the halls of the Legislative Assembly, into the Tuilleries Gardens, and then through the King’s residence." Militant women also assumed a special role in the funeral of Marat, following his murder on 13 July 1793. As part of the funeral procession, they carried the bathtub in which Marat had been murdered as well as a shirt stained with Marat’s blood.

The most radical militant feminist activism was practiced by the Society of Revolutionary Republican Women, which was founded by Léon and her colleague, Claire Lacombe on 10 May 1793. The goal of the club was "to deliberate on the means of frustrating the projects of the enemies of the Republic." Up to 180 women attended the meetings of the Society. Of special interest to the Society was "combating hoarding [of grain and other staples] and inflation."

Later, on 20 May 1793, women were at the fore of a crowd that demanded "bread and the Constitution of 1793." When their cries went unnoticed, the women went on a rampage, "sacking shops, seizing grain and kidnapping officials."

Most of these outwardly activist women were punished for their actions. The kind of punishment received during the Revolution included public denouncement, arrest, execution, or exile. Théroigne de Méricourt was arrested, publicly flogged and then spent the rest of her life sentenced to an insane asylum. Pauline Léon and Claire Lacombe were arrested, later released, and continued to receive ridicule and abuse for their activism. Many of the women of the Revolution were even publicly executed for "conspiring against the unity and the indivisibility of the Republic".

These are but a few examples of the militant feminism that was prevalent during the French Revolution. While little progress was made toward gender equality during the Revolution, the activism of French feminists was bold and particularly significant in Paris.

Women writers

While some women chose a militant, and often violent, path, others chose to influence events through writing, publications, and meetings. Olympe de Gouges wrote a number of plays, short stories, and novels. Her publications emphasized that women and men are different, but this shouldn’t stop them from equality under the law. In her "Declaration on the Rights of Woman" she insisted that women deserved rights, especially in areas concerning them directly, such as divorce and recognition of illegitimate children. De Gouges also expressed non-gender political views; even before the start of the terror, Olympe de Gouges addressed Robespierre using the pseudonym "Polyme" calling him the Revolution’s "infamy and shame." She warned of the Revolution’s building extremism saying that leaders were "preparing new shackles if [the French people’s liberty were to] waver." Stating that she was willing to sacrifice herself by jumping into the Seine if Robespierre were to join her, de Gouges desperately attempted to grab the attention of the French citizenry and alert them to the dangers that Robespierre embodied. In addition to these bold writings, her defense of the king was one of the factors leading to her execution. An influential figure, one of her suggestions early in the Revolution, to have a voluntary, patriotic tax, was adopted by the National Convention in 1789.

Madame Roland (aka Manon or Marie Roland) was another important female activist. Her political focus was not specifically on women or their liberation. She focused on other aspects of the government, but was a feminist by virtue of the fact that she was a woman working to influence the world. Her personal letters to leaders of the Revolution influenced policy; in addition, she often hosted political gatherings of the Brissotins, a political group which allowed women to join. While limited by her gender, Madame Roland took it upon herself to spread Revolutionary ideology and spread word of events, as well as to assist in formulating the policies of her political allies. Though unable to directly write policies or carry them through to the government, Roland was able to influence her political allies and thus promote her political agenda. Roland attributed women’s lack of education to the public view that women were too weak or vain to be involved in the serious business of politics. She believed that it was this inferior education that turned them into foolish people, but women "could easily be concentrated and solidified upon objects of great significance" if given the chance. As she was led to the scaffold, Madame Roland shouted "O liberty! What crimes are committed in thy name!" Witnesses of her life and death, editors, and readers helped to finish her writings and several editions were published posthumously. While she did not focus on gender politics in her writings, by taking an active role in the tumultuous time of the Revolution, Roland took a stand for women of the time and proved they could take an intelligent active role in politics.

Though women did not gain the right to vote as a result of the Revolution, they still greatly expanded their political participation and involvement in governing. They set precedents for generations of feminists to come.

Legacy

The French Revolution has received enormous amounts of historical attention, both from the general public and from scholars and academics. The views of historians, in particular, have been characterized as falling along ideological lines, with liberal, conservative, communist, and anarchist scholars—among others—disagreeing over the significance and the major developments of the Revolution. Alexis de Tocqueville argued that the Revolution was a manifestation of a more prosperous middle class becoming conscious of its social importance. Other thinkers, like the conservative Edmund Burke, maintained that the Revolution was the product of a few conspiratorial individuals who brainwashed the masses into subverting the old order—a claim rooted in the belief that the revolutionaries had no legitimate complaints. Other historians, influenced by Marxist thinking, have emphasized the importance of the peasants and the urban workers in presenting the Revolution as a gigantic class struggle. In general, scholarship on the French Revolution initially studied the political ideas and developments of the era, but it has gradually shifted towards social history that analyzes the impact of the Revolution on individual lives.

Historians widely regard the Revolution as one of the most important events in human history, and the end of the early modern period, which started around 1500, is traditionally attributed to the onset of the French Revolution in 1789. The Revolution is, in fact, often seen as marking the "dawn of the modern era". Within France itself, the Revolution permanently crippled the power of the aristocracy and drained the wealth of the Church, although the two institutions survived despite the damage they sustained. After the collapse of the First Empire in 1815, the French public lost the rights and privileges earned since the Revolution, but they remembered the participatory politics that characterized the period, with one historian commenting: "Thousands of men and even many women gained firsthand experience in the political arena: they talked, read, and listened in new ways; they voted; they joined new organizations; and they marched for their political goals. Revolution became a tradition, and republicanism an enduring option." Some historians argue that the French people underwent a fundamental transformation in self-identity, evidenced by the elimination of privileges and their replacement by rights as well as the growing decline in social deference that highlighted the principle of equality throughout the Revolution. Outside France, the Revolution captured the imagination of the world. It had a profound impact on the Russian Revolution and its ideas were imbibed by Mao Zedong in his efforts at constructing a communist state in China.

See also

Related pages

Biens nationaux

Dual revolution

History of democracy

Jean-Nicolas Pache – Liberté, égalité, fraternité

La Révolution française (film)

List of people granted honorary French citizenship during the French Revolution

List of revolutions and rebellions

Military career of Napoleon Bonaparte

Napoleonic code

Rise of nationalism in Europe

Timeline of the French Revolution

Audio files

Other revolutions or rebellions in French history

Camisard Rebellion, French Huguenots (1710–1715)

Haitian Revolution, Haiti colony (1791–1804)

July Revolution (1830)

Canut revolts of the July Monarchy

French Revolution of 1848

Resistance to the coup of 1851

Paris Commune of 1871

French Army Mutinies (1917)

French Resistance during World War II

May 1968 in France, a noteworthy rebellion, though not quite a revolution

References

Works cited

Levy, Darline Gay and Harriet B. Applewhite. "Women and Militant Citizenship in Revolutionary Paris," in Rebel Daughters, ed. Sara e. Melzer and Leslie W. Rabine (New York: Oxford University Press 1992).

Marquise de Maintenon "Instruction to the Nuns of St. Louis," in Writings by Pre-Revolutionary French Women. ed. Anne R. Larsen and Colette H Winn. (New York: Garland Publishing Inc., 2000), 321.

Scott, Joan Wallach. "A Woman Who Has Only Paradoxes to Offer," in Rebel Daughters, ed. Sara e. Melzer and Leslie W. Rabine (New York: Oxford University Press 1992).

Walker, Leslie H. "Sweet and Consoling Virtue: The Memoirs of Madame Roland" Eighteenth-Century Studies, French Revolutionary Culture (2001): 403–419.

"Women." The Encyclopedia of Diderot and d’Alembert. University of Michigan Library, n.d. Web. 10/29/09. < http://quod.lib.umich.edu/d/did/>.

Further reading

Baker, Keith M. ed. The French Revolution and the Creation of Modern Political Culture (Oxford, 1987–94) vol 1: The Political Culture of the Old Regime, ed. K.M. Baker (1987); vol. 2: The Political Culture of the French Revolution, ed. C. Lucas (1988); vol. 3: The Transformation of Political Culture, 1789–1848, eds. F. Furet & M. Ozouf (1989); vol. 4: The Terror, ed. K.M. Baker (1994). excerpt and text search vol 4

Blanning, T.C.W. The French Revolutionary Wars 1787–1802 (1996).

Censer, Jack R. "Amalgamating the Social in the French Revolution." Journal of Social History 2003 37(1): 145–150. Issn: 0022-4529 Fulltext: in Project Muse and Ebsco

Doyle, William. The Oxford History of the French Revolution (1989). online complete edition; also excerpt and online search from Amazon.com

Doyle, William. The French Revolution: A Very Short Introduction. (2001), 120pp; online edition

Doyle, William. Origins of the French Revolution (3rd ed. 1999) online edition

Dunne, John. "Fifty Years of Rewriting the French Revolution: Signposts Main Landmarks and Current Directions in the Historiographical Debate," History Review. (1998) pp 8+ online edition

Englund, Steven. Napoleon: A Political Life. (2004). 575 pages; the best political biography excerpt and text search

Fremont-Barnes, Gregory. ed. The Encyclopedia of the French Revolutionary and Napoleonic Wars: A Political, Social, and Military History (ABC-CLIO: 3 vol 2006)

Frey, Linda S. and Marsha L. Frey. The French Revolution. (2004) 190pp online edition

Furet, François. The French Revolution, 1770–1814 (1996) excerpt and text search

Furet, François and Mona Ozouf, eds. A Critical Dictionary of the French Revolution (1989), 1120pp; long essays by scholars; conservative perspective; stress on history of ideas excerpt and online search from Amazon.com

Hunt, Lynn. The Family Romance of the French Revolution. (1992)

Hunt, Lynn. "Politics, Culture, and Class in the French Revolution." (1984)

Germani, Ian and Robin Swayles. Symbols, myths and images of the French Revolution. University of Regina Publications. 1998. ISBN 9780889771086

Griffith, Paddy. The Art of War of Revolutionary France 1789–1802, (1998); 304 pp; excerpt and text search

Jones, Colin. The Longman Companion to the French Revolution (1989)

Jones, Colin. The Great Nation: France from Louis XV to Napoleon (2002) excerpt and text search

Kates, Gary. The French Revolution (2nd ed. 2005), 308pp; essays by scholars; excerpts and online search from Amazon.com

Lefebvre, Georges. The French Revolution (2 vol 1957) classic Marxist synthesis. complete online edition vol 1; also excerpt and online search from Amazon.com

Neely, Sylvia. A Concise History of the French Revolution (2008)

Palmer, Robert R. The Age of the Democratic Revolution: A Political History of Europe and America, 1760–1800. (2 vol 1959), highly influential comparative history; vol 1 online

Paxton, John. Companion to the French Revolution (1987), hundreds of short entries.

Rothenberg, Gunther E. "The Origins, Causes, and Extension of the Wars of the French Revolution and Napoleon," Journal of Interdisciplinary History, Vol. 18, No. 4, (Spring, 1988), pp. 771–793 in JSTOR

Rude, George F. and Harvey J. Kaye. Revolutionary Europe, 1783–1815 (2000), scholarly survey excerpt and text search

Schroeder, Paul. The Transformation of European Politics, 1763–1848. 1996; Thorough coverage of diplomatic history; hostile to Napoleon; online edition

Schwab, Gail M., and John R. Jeanneney, eds. The French Revolution of 1789 and Its Impact (1995) online edition

Scott, Samuel F. and Barry Rothaus. Historical Dictionary of the French Revolution, 1789–1799 (2 vol 1984), short essays by scholars

Schama, Simon. Citizens. A Chronicle of the French Revolution (1989), highly readable narrative by scholar excerpt and text search

Sutherland, D.M.G. France 1789–1815. Revolution and Counter-Revolution (2nd ed. 2003, 430pp excerpts and online search from Amazon.com

External links

"French Revolution" in the Catholic Encyclopedia

Open University course

Entry on Encyclopedia.com from the Columbia Encyclopedia

Primary source documents from The Internet Modern History Sourcebook

Liberty, Equality, Fraternity: Exploring the French Revolution, a collaborative site by the Center for History and New Media (George Mason University) and the American Social History Project (City University of New York)

The Origins of the French Revolution, The French Revolution: The Moderate Stage, 1789–1792, and The French Revolution: The Radical Stage, 1792–1794, three essays from The History Guide: Lectures on Modern European Intellectual History

Vancea, S. The Cahiers de Doleances of 1789, Clio History Journal, 2008.

english.republique.de A large collection of links

Category:Republicanism in France Category:18th-century rebellions Category:18th-century revolutions

af:Franse Rewolusie als:Französische Revolution ar:الثورة الفرنسية an:Revolución francesa ast:Revolución Francesa gn:Ñorairõ Hyãsia az:Böyük Fransa inqilabı bn:ফরাসি বিপ্লব zh-min-nan:Hoat-kok Kek-bēng be:Вялікая французская рэвалюцыя be-x-old:Француская рэвалюцыя bar:Französische Revolution bs:Francuska revolucija br:Dispac'h Gall bg:Френска революция ca:Revolució Francesa ceb:Rebolusyong Pranses cs:Velká francouzská revoluce cy:Y Chwyldro Ffrengig da:Den Franske Revolution de:Französische Revolution et:Suur Prantsuse revolutsioon el:Γαλλική Επανάσταση es:Revolución francesa eo:Franca revolucio de 1789 eu:Frantziako Iraultza fa:انقلاب فرانسه hif:French Revolution fr:Révolution française fy:Frânske revolúsje ga:Réabhlóid na Fraince (1789) gv:Irree Magh ny Frank (1789) gl:Revolución Francesa ko:프랑스 혁명 hy:Ֆրանսիական հեղափոխություն hi:फ़्रान्सीसी क्रान्ति hr:Francuska revolucija id:Revolusi Perancis ia:Revolution francese ie:Francés Revolution is:Franska byltingin it:Rivoluzione francese he:המהפכה הצרפתית jv:Revolusi Prancis kn:ಫ್ರೆಂಚ್ ಕ್ರಾಂತಿ krc:Уллу француз революция ka:საფრანგეთის რევოლუცია kk:Француз революциясы kw:Domhwelans Frynkek sw:Mapinduzi ya Ufaransa ku:Şoreşa Fransayê la:Res Novae Francicae lv:Franču revolūcija lb:Franséisch Revolutioun lt:Didžioji Prancūzų revoliucija hu:Francia forradalom mk:Француска револуција ml:ഫ്രഞ്ച് വിപ്ലവം mt:Rivoluzzjoni Franċiża mr:फ्रेंच राज्यक्रांती arz:الثوره الفرنسيه ms:Revolusi Perancis mwl:Reboluçon Francesa mn:Францын хувьсгал my:ပြင်သစ် တော်လှန်ရေး nl:Franse Revolutie ja:フランス革命 no:Den franske revolusjon nn:Den franske revolusjonen oc:Revolucion Francesa pnb:انقلاب فرانس pms:Rivolussion fransèisa nds:Franzöösche Revolutschoon pl:Rewolucja francuska pt:Revolução Francesa kaa:Fransuz ko'terilisi ro:Revoluția franceză rm:Revoluziun franzosa ru:Великая французская революция rue:Велика французьска револуція sc:Revolutzione frantzesa sq:Revolucioni Francez scn:Rivuluzzioni francisa si:ප්‍රංශ විප්ලවය simple:French Revolution sk:Francúzska revolúcia sl:Francoska revolucija szl:Francusko rewolucyja sr:Француска револуција sh:Francuska revolucija fi:Ranskan suuri vallankumous sv:Franska revolutionen tl:Himagsikang Pranses ta:பிரெஞ்சுப் புரட்சி te:ఫ్రెంచ్ విప్లవం th:การปฏิวัติฝรั่งเศส tr:Fransız Devrimi uk:Велика французька революція ur:انقلاب فرانس vi:Cách mạng Pháp fiu-vro:Suur Prantsusõ riigipööreq war:Rebolusyon Pranses yi:פראנצויזישע רעוואלוציע yo:Ìjídìde Fránsì zh-yue:法國大革命 bat-smg:Dėdliuojė Prancūzu revuoliocėjė zh:法国大革命