A 'black market' is a market in goods or services which operates outside the formal one(s) supported by established state power. Typically the totality of such activity is referred to with the definite article as a complement to the official economies, by market for such goods and services, e.g. "the black market in bush meat" or the state jurisdiction "the black Market in China". Although markets in the regular economy are not given a "white" attribute, markets that have borderline status are called "grey".
Worldwide, the underground economy is estimated to provide 1.8 billion jobs.
There is no single underground economy, there are many. These underground economies are omnipresent, existing in market oriented as well as in centrally planned nations, be they developed or developing. Those engaged in underground activities circumvent, escape or are excluded from the institutional system of rules, rights, regulations and enforcement penalties that govern formal agents engaged in production and exchange. Different types of underground activities are distinguished according to the particular institutional rules that they violate. Four specific underground economies can be identified:
# the illegal economy, # the unreported economy, # the unrecorded economy, and # the informal economy.
The "illegal economy" consists of the income produced by those economic activities pursued in violation of legal statutes defining the scope of legitimate forms of commerce. Illegal economy participants engage in the production and distribution of prohibited goods and services. The black market is trade, goods, or Service (economics) in illegal activities, such as drug trafficking, arms trafficking, and prostitution.
The "unreported economy" consists of those economic activities that circumvent or evade the institutionally established fiscal rules as codified in the tax code. A summary measure of the unreported economy is the amount of income that should be reported to the tax authority but is not so reported. A complementary measure of the unreported economy is the "tax gap", namely the difference between the amount of tax revenues due the fiscal authority and the amount of tax revenue actually collected. In the U.S. unreported income is estimated to be $2 trillion resulting in a "tax gap" of $450–$500 billion.
The "unrecorded economy" consists of those economic activities that circumvent the institutional rules that define the reporting requirements of government statistical agencies. A summary measure of the unrecorded economy is the amount of unrecorded income, namely the amount of income that should (under existing rules and conventions) be recorded in national accounting systems (e.g. National Income and Product Accounts) but is not recorded. Unrecorded income is a particular problem in transition countries that switched from a socialist accounting system to the western norms of National Income and Product Accounts. New methods have been proposed for estimating the size of the unrecorded (non-observed) economy. But there is still little consensus concerning the size of the unreported economies of transition countries.
The "informal economy" comprises those economic activities that circumvent the costs and are excluded from the benefits and rights incorporated in the laws and administrative rules covering property relationships, commercial licensing, labor contracts, torts, financial credit and social security systems. A summary measure of the informal economy is the income generated by economic agents that operate informally.
Black markets can form part of border trade near the borders of neighboring jurisdictions with little or no border control if there are substantially different tax rates, or where goods are legal on one side of the border but not on the other. Products that are commonly smuggled like this include alcohol and tobacco. However, not all border trade is illegal.
However, in some situations, consumers can actually be in a better situation when using black market services, particularly when government regulations and monopolies hinder what would otherwise be a legitimate competitive service. For example: Unlicensed taxicabs. In Baltimore, it has been reported that many consumers actively prefer illegal taxis, citing that they are more available, convenient, and priced fairly.
Although law enforcement officers do capture a small proportion of the illegal drugs, the high and very stable demand for such drugs ensures that black market prices will simply rise in response to the decrease in supply—encouraging new distributors to enter the market. Many drug legalization activists draw parallels between the illegal drug trade and the Prohibition of alcohol in the United States in the 1920s.
In the United Kingdom, it is not illegal to take drugs, but it is illegal to possess them. This can lead to the unintended consequence that those in possession may swallow the evidence; once in the body they are committing no crime.
Prostitutes in the black market generally operate with some degree of secrecy, sometimes negotiating prices and activities through codewords and subtle gestures. In countries such as the Netherlands, where prostitution is legal but regulated, illegal prostitutes exist whose services are offered cheaper without regard for the legal requirements or procedures— health checks, standards of accommodation, and so on.
In other countries such as Nicaragua where legal prostitution is regulated, hotels may require both parties to identify themselves, to prevent the rise of child prostitution.
In England and Wales some kinds of arms designed for shooting animals may be kept at home but must be registered with the local police force and kept in a locked cabinet. Some people buy on the black market if they would not meet the conditions for registration— for example if they have a record of committing a criminal offense, however minor.
In some jurisdictions, collectors may legally keep antique weapons. Sometimes they must be disarmed (incapable of being fired); but sometimes they are so ineffective by modern standards that they are allowed to be kept intact. For example a blunderbuss or cannon is hardly likely to be used for a drive-by shooting.
In the UK it has been reported that "27% of cigarettes and 68% of roll your own tobacco [is] purchased on the black market".
Providing the goods are for personal consumption, "booze cruises" are entirely legal. Because there are no customs restrictions between European Union countries it is not strictly a black market, but closer to a grey market. The UK and Ireland are both European Union members and are both in a Common Travel Area so there are neither customs nor passport checks between the two countries.
There is however a thriving black market in goods, rubbing tobacco in particular, which have avoided the payment of excise duty. This is partly supplied by "booze cruises".
This has proved very difficult for copyright holders to combat through the law courts, because the operations are distributed and widespread— there is no "Mr. Big". Since digital information can be duplicated repeatedly with no loss of quality, and distributed electronically at little to no cost, the effective underground market value of media is zero, differentiating it from nearly all other forms of underground economic activity. The issue is compounded by widespread indifference to enforcing copyright law, both with governments and the public at large. To steal a car is seen as a crime in most people's eyes, but to obtain illicit copies of music or a game is not.
Yet, the preceding comparison, although common, is not truly analogous. Automobile theft results in an item being removed from the owner with the ownership transferred to a second party. Media piracy is a crime of duplication, with no physical property being stolen. Copyright infringement law goes as far as to deem illegal "mix-tapes" and other such material copied to tape or disk. Copyright holders typically attest the act of theft to be in the profits forgone to the pirates. However, this makes the unsubstantiated assumption that the pirates would have bought the copyrighted material if it had not been available through file sharing or other means. Many artists and film producers have accepted the role of piracy in media distribution. The spread of material through file sharing is a major source of publicity for artists and has been shown to build fan bases that may be more inclined to see the performer live (live performances make up the bulk of successful artists' revenues).
A government may officially set the rate of exchange of its currency with that of other currencies— typically the US dollar. When it does, it is often pegged at an exchange rate that is artificially low— that is, below what would be the market value if it were a floating currency. Others in possession of the foreign currency, for example expatriate workers, will sell the foreign currency to buy local currency at higher exchange rates than they can get officially.
In situations of financial instability and inflation, citizens may substitute a foreign currency for the local currency. The U.S. dollar is viewed as a relatively stable and safe currency and is often used abroad as a second currency. At the present time, $340 billion dollars, roughly 37 percent of all U.S. currency is believed to be circulating abroad. The widespread substitution of U.S. currency for local currency is known as defacto dollarization, and has been observed in transition countries and in some Latin American countries. Some countries, such as Ecuador, abandoned their local currency and now use US dollars, essentially for this reason, a process known as de jure dollarization. See also the example of the Ghanaian cedi from the 1970s and 1980s.
If foreign currency is difficult or illegal for local citizens to acquire, they will pay a premium to acquire it. U.S. currency is viewed as a relatively stable store of value and since it does not leave a paper trail, it is also a convenient medium of exchange for both illegal transactions and for unreported income (tax evasion) both in the U.S and abroad.
Between the Republic of Ireland and Northern Ireland there has often been a black market in petrol and diesel. The direction of smuggling can change depending on the variation of the taxes and the exchange rate between the Euro and Pound Sterling; indeed sometimes diesel will be smuggled in one direction and petrol the other.
In some countries diesel fuel for agricultural vehicles or domestic use is taxed at a much lower rate than that for other vehicles. This is known as dyed fuel, because a coloured dye is added so it can be detected if used in other vehicles (e.g. a red dye in the UK, a green dye in Ireland). Nevertheless, the saving is attractive enough to make a black market in agricultural diesel. In 2007 it was estimated that £350 million was not gained in potential revenue this way in the UK.
Some, for example in the marijuana-trade debate, argue for removing the underground markets by making illegal products legal. This would, in their view:
During the Vietnam war, soldiers would spend Military Payment Certificates on maid service and sexual entertainment, thus supporting their partners and their families. If the Vietnamese civilian wanted something that was hard to get, he would buy it at double the price from one of the soldiers, who had a monthly ration card and thus had access to the military stores. The transactions ran through the on-base maids to the local populace. Although these activities were illegal, only flagrant or large-scale black-marketeers were prosecuted by the military.
A classic example of creating a black market is the Prohibition of alcohol during the 1920s in the United States. Many organized crime syndicates took advantage of the lucrative opportunities in the resulting black market in banned alcohol production and sale. Most people did not think drinking alcohol was particularly harmful nor that its buyers and sellers should be treated like common criminals. So illegal speakeasies prospered, and organizations such as the Mafia grew tremendously more powerful through their black market activities distributing alcohol. This lasted until repeal of Prohibition.
Although Prohibition ended in 1933, there are still some parallels today with evasion of the drinking age of 21 in the United States, which is high compared to other industrialized countries and three years above the age of majority in nearly all states. Like Prohibition, this law is widely (but more covertly) disobeyed as well. Though social sources of supply predominate for underage drinkers, some bars and stores knowingly serve and sell to those who are underage, and some may even make deals with local police. Many college towns especially have a vast network of fraternities and sororities (and others) that run what can be considered modern-day speakeasies in their houses, in which age is irrelevant. Since the substance in question, alcohol, is legal for those over 21, it can be considered more of a gray market than a black market.
This phenomenon is very prevalent in many US state jurisdictions with smoking bans, including California, Philadelphia, Utah,, Seattle, Ohio, and Washington, D.C..
!Country | !Estimated size of shadow economy in percent of GDP, average over 1990-93 |
Developing economies | |
Africa | |
Nigeria and Egypt | 68-76% |
Tunisia and Morocco | 39-45% |
Central and South America | |
Guatemala, Mexico, Peru and Panama | 40-60% |
Chile, Costa Rica, Venezuela, Brazil, Paraguay and Colombia | 25-35% |
Asia | |
Thailand | 70% |
Philippines, Sri Lanka and Malaysia | 38-50% |
Transition economies | |
Central Europe | |
Hungary, Bulgaria and Poland | 20-28% |
Romania, Slovakia and Czech Republic | 7-16% |
Former Soviet Union | |
Georgia, Azerbaijan, Ukraine and Belarus | 28-43% |
Russia, Lithuania, Latvia and Estonia | 20-27% |
Developed economies | |
Greece, Italy, Portugal and Belgium | 24-30% |
Sweden, Norway, Denmark, Ireland, France, Spain, The Netherlands, Germany and Great Britain | 13-23% |
Japan, United States, Austria and Switzerland | 8-10% |
Hong Kong and Singapore | 13% |
Category:Informal economy Category:Underground culture Category:Crime Category:Anti-globalization Category:Organized crime terminology Category:Retail markets Category:Ethically disputed business practices Category:Financial crimes Category:Tax evasion Category:Corruption
ar:اقتصاد تحتي bn:কালোবাজার ca:Mercat negre cs:Černý trh da:Undergrundsøkonomi de:Schwarzmarkt el:Μαύρη αγορά es:Mercado negro eo:Nigra merkato eu:Merkatu beltz fa:بازار سیاه fr:Marché noir ko:지하경제 hi:काला बाजार id:Pasar gelap he:שוק שחור kn:ಕಪ್ಪು ಹಣ lt:Juodoji rinka ml:കരിഞ്ചന്ത my:မြေအောက် စီးပွားရေး nl:Zwarte markt ja:闇市 kk:Көлеңкелі экономика no:Svartebørs nn:Svartebørs pl:Czarny rynek pt:Mercado negro (economia) ru:Чёрный рынок fi:Musta pörssi (kaupankäynti) sv:Svart marknad tr:Karaborsa uk:Чорний ринок vi:Kinh tế ngầm zh:黑市This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Brotha Lynch Hung |
---|---|
background | solo_singer |
birth name | Kevin Danell Mann |
born | January 10, 1969 (Age 42) |
origin | Sacramento, California, United States |
associated acts | X-Raided, C-Bo, MC Eiht, Snoop Dogg, Yukmouth, Tech N9ne, Spice 1 |
genre | Horrorcore Hip hop |
occupation | Rapper, producer |
years active | 1986–present |
label | Strange Music, Black Market |
website | TheRealBrothaLynchHung.com }} |
Kevin Danell Mann (born January 10, 1969), better known by his stage name Brotha Lynch Hung, is an American rapper and record producer from Sacramento, California. Since the release of his debut album ''24 Deep'' in 1993, Brotha Lynch Hung has sold 1.4 million CDs independently, and has been described as an innovator of horrorcore.
Mann appeared on and produced 11 of the 12 tracks on X-Raided's 1992 debut album ''Psycho Active''. He was also featured on the song "Ho's E Schemin Too" as well as a skit with his brother Sicx on KRD's album ''Sac-Town Funk''. Performing as the Street Talk Crew, Brotha Lynch Hung, X-Raided, and Sicx released the cassette ''Niggaz In Black'' in 1991. It is regarded by Mann as "some of my best work."
In 1992, Brotha Lynch Hung formed the label Black Market Records and released his first EP, ''24 Deep'', in 1993. The album reached No. 91 on ''Billboard'''s R&B;/Hip-Hop Albums chart, the first of the label's albums to chart.
His album, ''Season of da Siccness'', was released in 1995.
In September 1996, Joseph Edward Gallegos, an 18-year-old Colorado man, listened to Brotha Lynch Hung's song "Locc 2 da Brain" repeatedly before fatally shooting three of his friends. Gallegos was himself subsequently killed in a police shootout. Although Gallegos' motive was determined to be depression over a breakup with his girlfriend, his friends and minister suggested that the music played a role in the killings.
In May 2009, Mann signed a deal with Midwest rapper Tech N9ne's Strange Music label. In March 2010, he released his Strange Music debut, ''Dinner and a Movie'', selling around 7,000 copies during its first week. His second Strange album, ''Coathanga Strangla'', was released a year later in April 2011.
Brotha Lynch Hung has performed at the Gathering of the Juggalos.
His fiancee, Lauren Yvettea Brinson, with whom he had been in a relationship for six years, is featured on "Snuff Tapes", " The Gas Station", ''Dinner and a Movie'', as well as ''Coathanga Strangla'', released on, April 5, 2011.
Category:1972 births Category:Living people Category:African American rappers Category:African American record producers Category:American hip hop record producers Category:American shooting survivors Category:Crips Category:Date of birth missing (living people) Category:Horrorcore artists Category:People from Sacramento, California Category:Rappers from California Category:Underground rappers Category: American atheists
de:Brotha Lynch Hung es:Brotha Lynch Hung fr:Brotha Lynch Hung it:Brotha Lynch Hung pl:Brotha Lynch Hung pt:Brotha Lynch Hung ru:Brotha Lynch Hung fi:Brotha Lynch Hung tr:Brotha Lynch HungThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Blitz the Ambassador |
---|---|
Background | solo_singer |
Birth name | Samuel Bazawule |
Origin | Accra, Ghana |
Born | 1982 |
Genres | Hip hop, Hip Life |
Years active | 2000–Present |
Label | Embassy MVMT |
Associated acts | Public Enemy, The Roots |
Website | www.myspace.com/blitztheambassador }} |
After graduation, Blitz moved to New York City to pursue his dream. In NYC, Blitz recorded another album, Double Consciousness (2005), and more recently he released Stereotype, a live-instrument-heavy musical exploration, that tests the limits of Hip Hop. Drawing from his diverse musical background, he immersed himself in the project with explicit intent of changing Hip Hop forever. In order to achieve the live sound he was looking for, he formed a band, The Embassy Ensemble, and brushed off his own djembe skills.
After three long years of recording, Blitz took the album to several major labels. Getting the major label run around one too many times, Blitz decided to go it alone. He established a label, Embassy MVMT and is now connected to The Roots community initiative Okayplayer.
In late 2009, he was chosen as of one ''Beyond Race Magazine'''s "50 Emerging Artists," resulting in a spot in the publication's #11 issue (with Bodega Girls and J. Cole on the cover), as well as an exclusive Q&A; for the magazine's site.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
alt | Portrait photograph of Bear McCreary |
---|---|
name | Bear McCreary |
background | non_performing_personnel |
born | February 17, 1979 Fort Lauderdale, Florida, United States |
years active | 1998–present |
label | La La Land Records |
occupation | Composer |
spouse | Raya Yarbrough }} |
Bear McCreary (born 17 February 1979) is an American composer and musician living in Los Angeles, California. He is known for his work on the re-imagined ''Battlestar Galactica'' television series.
From 1998 until 2005, McCreary built up a body of work scoring short films. McCreary is a pianist and a self-taught accordionist, and plays in the avant-jazz band 17 Billion Miles of DNA.
McCreary is married to singer/songwriter Raya Yarbrough, with whom he worked on the music of Battlestar Galactica.
McCreary composed for ''Caprica'', a prequel series set in the fictional ''Battlestar Galactica'' universe, and is a highly potential candidate for composing the Battlestar Galactica: Blood and Chrome, should it become a series.
The score to the finale of season 1, "Christopher Chance", utilized the largest orchestra ever assembled for episodic television, and he took the opportunity to re-record the main title theme with a new orchestration with this larger ensemble.
In July 2010, he received his first Emmy nomination for the ''Human Target'' theme.
In a post on his blog on July 25, 2010, Bear announced the new creative leadership brought in for season 2 had not asked him to return for it, and he would be leaving the series.
Bear is currently working on ''The Knights of Badassdom'', his second movie with director Joe Lynch (of ''Wrong Turn 2'') and third time for actress Summer Glau.
He has made an 8-bit rendition of the ''Dark Void'' theme, which was originally an April Fools joke. However, the theme was used for the 8-bit prequel, ''Dark Void Zero''. He composed all the songs in a 8-bit fashion by connecting the wires on an actual NES console and cartridge to create authenticity.
Bear composed the soundtrack for SOCOM 4: U.S. Navy SEALs for the PS3, which came out in 2011.
He arranged James Rolfe's Angry Video Game Nerd 2010 Christmas video for the You're a Mean One, Mr. Grinch song parody, with orchestra and 8-bit audio elements.
Title | Type | Released | Tracks | Notes | |
Television Soundtrack | 16 March 2004 | 26 | Credited for 8 tracks | ||
Television Soundtrack | 21 June 2005 | 30 | |||
Television Soundtrack | 20 June 2006 | 23 | |||
Motion Picture Soundtrack | 12 December 2006 | 17 | |||
Motion Picture Soundtrack | 18 September 2007 | 16 | |||
Television Soundtrack | 23 October 2007 | 21 | |||
Television Soundtrack | 26 August 2008 | 28 | |||
''Rest Stop: Don't Look Back'' | Motion Picture Soundtrack | 21 October 2008 | 20 | ||
Television Soundtrack | 16 December 2008 | 24 | |||
Television Soundtrack | 16 June 2009 | 18 | |||
Television Soundtrack | 28 July 2009 | 34 | 2-disc edition | ||
''Dark Void'' | Video Game Soundtrack | 9 February 2010 | 27 | ||
Motion Picture Soundtrack | 23 February 2010 | 19 | |||
Television Soundtrack | 19 October 2010 | 63 | 3-disc limited edition (2000 copies) CD album, 2-disc online edition | ||
''SOCOM 4'' | Video Game Soundtrack | 12 April 2011 | 19 | iTunes Release, On May 10 a 2-Disc album with expanded track listing will be released | |
''Play For Japan: The Album'' | Charity Album | May 2011 | Unknown | To be released on the iTunes store; features several other video game composers | |
''The Cape'' | Television Soundtrack | TBA | TBA | ||
Television Soundtrack | TBA | TBA |
Category:1979 births Category:American accordionists Category:American film score composers Category:American television composers Category:Living people Category:Musicians from Florida Category:Musicians from Washington (state) Category:People from Bellingham, Washington Category:People from Fort Lauderdale, Florida Category:Thornton School of Music alumni
de:Bear McCreary fr:Bear McCreary hr:Bear McCreary hu:Bear McCreary ms:Bear McCreary pl:Bear McCreary sr:Бер Макрири sv:Bear McCrearyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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