Coordinates	28°36′50″N77°12′32″N
Name	Sanskrit
Nativename	''''
Pronunciation
Region	Greater India
Speakers	14,135 native speakers in India (2001)
Familycolor	Indo-European
Fam2	Indo-Iranian
Fam3	Indo-Aryan
Script	Devanāgarī. Originally written in various Brāhmī-based scripts; a standard Latin transcription exists.
Nation	, Uttarakhandone of the 22 scheduled languages of India
Iso1	sa
Iso2	san
Iso3	san
Notice	Indic
Notice2	IPA }}

Sanskrit ( '''' , originally '''', "refined speech"), is a historical Indo-Aryan language and the primary liturgical language of Hinduism. It is also used in some of the religious texts in Jainism and Buddhism. Today, it is listed as one of the 22 scheduled languages of India and is an official language of the state of Uttarakhand. In western classical linguistics, Sanskrit occupies a pre-eminent position along with Greek and Latin in Indo-European studies.

Sanskrit originated as the spoken language of the Indo-Aryan peoples of c. 1500 BCE, and was codified as a literary language by the composition of the Rigveda, the earliest religious text of the historical Vedic religion (the ancestor of Hinduism). It continued to be the predominant literary language in the Indian subcontinent for the next 3,000 years or so, only replaced by Hindi-Urdu within the last few hundred years.

The position of Sanskrit in the cultures of Greater India is akin to that of Latin and Greek in Europe and Arabic in the Islamic world, and Sanskrit has significantly influenced most modern languages of the Indian subcontinent. The corpus of Sanskrit literature encompasses a rich tradition of poetry and drama as well as scientific, technical, philosophical and Hindu religious texts. Sanskrit continues to be widely used as a ceremonial language in Hindu religious rituals in the forms of hymns and mantras. Spoken Sanskrit is still in use in a few traditional institutions in India and there are many attempts at revival.

Development

The earliest recorded form of Sanskrit is known as Vedic Sanskrit, one of the Old Indo-Aryan languages and the language in which the primary texts of the historical Vedic religion (the ancestor of Hinduism) were recorded. The oldest and most archaic stage of the language is preserved in the Rigveda, the oldest core of which dates back to around 1500 BCE. This qualifies Rigvedic Sanskrit as one of the oldest attestations of any Indo-Iranian language, and one of the earliest attested members of the Indo-European language family, the family which includes English and most European languages.

The composition of the Rigveda (c. 1700-1200 BCE) established Vedic Sanskrit as a literary language. During this time period, Vedic Sanskrit was the actual spoken language of the Indo-Aryan peoples. Later Vedic works continued to be composed in the same language, with a gradual linguistic evolution due to influence from the spoken language. As the spoken language changed, literary Vedic Sanskrit — despite its evolution — steadily become more and more archaic. (This is similar to what happened with Classical Latin and Classical Arabic.) By the 4th century BCE, the inhabitants of northern India spoke Middle Indo-Aryan languages, and Sanskrit was nearly incomprehensible to the uneducated. To remedy this, a standard descriptive grammar of the literary language of the time was created by ; the resulting standardized register is known as Classical Sanskrit.

During the late centuries BCE, Sanskrit gradually fell out of favor as a literary language due to the difficulty in understanding it, replaced by various ''Prakrit'' languages based on the spoken languages of the time. For example, Buddhist texts during this period were written in Pali, and Jain texts in Ardhamagadhi. Around the 1st century AD, however, Classical Sanskrit was revived, and became the predominant literary language for at least the next millenium. This trend came to influence Buddhism, and later Buddhist works were written in a "Sanskritized" version of Pali known as Buddhist Hybrid Sanskrit.

Name

The Sanskrit verbal adjective '''' may be translated as "put together, constructed, well or completely formed; refined, adorned, highly elaborated". It is derived from the root '''' "to put together, compose, arrange, prepare", where '''' "together" (as English ''same'') and '''' "do, make".

The term in the generic meaning of "made ready, prepared, completed, finished" is found in the Rigveda. Also in Vedic Sanskrit, as nominalized neuter '''', it means "preparation, prepared place" and thus "ritual enclosure, place for a sacrifice".

As a term for "refined or elaborated speech" the adjective appears only in Epic and Classical Sanskrit, in the Manusmriti and in the Mahabharata. The language referred to as '''' "the cultured language" has by definition always been a "sacred" and "sophisticated" language, used for religious and learned discourse in ancient India, and contrasted with the languages spoken by the people, '''' "natural, artless, normal, ordinary".

History

Sanskrit is a member of the Indo-Iranian sub-family of the Indo-European family of languages. Its closest ancient relatives are the Iranian languages Old Persian and Avestan. Within the wider Indo-European language family, Sanskrit shares characteristic sound changes with the Satem languages (particularly the Slavic and Baltic languages), and also with Greek.

In order to explain the common features shared by Sanskrit and other Indo-European languages, many scholars have proposed migration hypotheses asserting that the original speakers of what became Sanskrit arrived in what is now India and Pakistan from the north-west some time during the early second millennium BCE. Evidence for such a theory includes the close relationship of the Indo-Iranian tongues with the Baltic and Slavic languages, vocabulary exchange with the non-Indo-European Uralic languages, and the nature of the attested Indo-European words for flora and fauna.

The earliest attested Sanskrit texts are Hindu texts of the Rigveda, which date to the mid-to-late second millennium BCE. No written records from such an early period survive. However, scholars are confident that the oral transmission of the texts is reliable: they were ceremonial literature whose correct pronunciation was considered crucial to its religious efficacy.

From the Rigveda until the time of (fl. 4th century BCE) the development of the Sanskrit language may be observed in other Vedic texts: the Samaveda, Yajurveda, Atharvaveda, Brahmanas, and Upanishads. During this time, the prestige of the language, its use for sacred purposes, and the importance attached to its correct enunciation all served as powerful conservative forces resisting the normal processes of linguistic change. However, there is a clear, five-level linguistic development of Vedic from the Rigveda to the language of the Upanishads and the earliest Sutras (such as Baudhayana)

The oldest surviving Sanskrit grammar is 's '''' ("Eight-Chapter Grammar"). It is essentially a prescriptive grammar, i.e., an authority that defines correct Sanskrit, although it contains descriptive parts, mostly to account for some Vedic forms that had become rare in 's time.

The term "Sanskrit" was not thought of as a specific language set apart from other languages, but rather as a particularly refined or perfected manner of speaking. Knowledge of Sanskrit was a marker of social class and educational attainment in ancient India and the language was taught mainly to members of the higher castes, through close analysis of Sanskrit grammarians such as . Sanskrit, as the learned language of Ancient India, thus existed alongside the Prakrits (vernaculars), also called Middle Indic dialects, and eventually into the contemporary modern Indo-Aryan languages.

Vedic Sanskrit

Sanskrit, as defined by , had evolved out of the earlier "Vedic" form. The beginning of Vedic Sanskrit can be traced as early as 1500-1200 BCE (for Rg-vedic and Indo-Aryan superstrate in Mitanni). Scholars often distinguish Vedic Sanskrit and Classical or "Pāṇinian" Sanskrit as separate 'dialects'. Though they are quite similar, they differ in a number of essential points of phonology, vocabulary, grammar and syntax. Vedic Sanskrit is the language of the Vedas, a large collection of hymns, incantations (Samhitas), theological and religio-philosophical discussions in the Brahmanas and Upanishads. Modern linguists consider the metrical hymns of the Rigveda Samhita to be the earliest, composed by many authors over several centuries of oral tradition. The end of the Vedic period is marked by the composition of the Upanishads, which form the concluding part of the Vedic corpus in the traditional view; however the early Sutras are Vedic, too, both in language and content. Around the mid 1st millennium BCE, Vedic Sanskrit began the transition from a first language to a second language of religion and learning.

Classical Sanskrit

For nearly 2,000 years, a cultural order existed that exerted influence across South Asia, Inner Asia, Southeast Asia, and to a certain extent, East Asia. A significant form of post-Vedic Sanskrit is found in the Sanskrit of the Hindu Epics—the Ramayana and Mahabharata. The deviations from in the epics are generally considered to be on account of interference from Prakrits, or "innovations" and not because they are pre-Paninean. Traditional Sanskrit scholars call such deviations ''ārṣa'' (आर्ष), meaning 'of the ṛṣis', the traditional title for the ancient authors. In some contexts, there are also more "prakritisms" (borrowings from common speech) than in Classical Sanskrit proper. Buddhist Hybrid Sanskrit is a literary language heavily influenced by Middle Indic, based on early Buddhist prakrit texts which subsequently assimilated to the Classical Sanskrit standard in varying degrees.

According to , there were four principal dialects of classical Sanskrit: '''' (Northwestern, also called Northern or Western), '''' (lit., middle country), '''' (Eastern) and '''' (Southern, arose in the Classical period). The predecessors of the first three dialects are even attested in Vedic '''', of which the first one was regarded as the purest ('').

Decline

There are a number of sociolinguistic studies of spoken Sanskrit which strongly suggest that oral use of Sanskrit is limited, with its development having ceased sometime in the past. Accordingly, says , "most observers would agree that, in some crucial way, Sanskrit is dead". He describes it in comparison with the "dead" language of Latin:

Both died slowly, and earliest as a vehicle of literary expression, while much longer retaining significance for learned discourse with its universalist claims. Both were subject to periodic renewals or forced rebirths, sometimes in connection with a politics of translocal aspiration… At the same time… both came to be ever more exclusively associated with narrow forms of religion and priestcraft, despite centuries of a secular aesthetic.

The decline of Sanskrit use in literary and political circles was likely due to a weakening of the political institutions that supported it, and to heightened competition with vernacular languages seeking literary-cultural dignity. There was regional variation in the forcefulness of these vernacular movements and Sanskrit declined in different ways across the Indian subcontinent. For example, in Kashmir, Kashmiri was used alongside Sanskrit as the language of literature after the 13th century. Sanskrit works from the Vijayanagara Empire failed to circulate outside their place and time of composition. By contrast, works in Kannada and Telugu flourished.

Despite this presumed "death" of Sanskrit and the literary use of vernacular languages, Sanskrit continued to be used in literary cultures in India, and those who could read vernacular languages could also read Sanskrit. It did mean that Sanskrit was not used to express changing forms of subjectivity and sociality embodied and conceptualized in the modern age. Instead, it was reduced to "reinscription and restatements" of ideas already explored, and any creativity in Sanskrit was restricted to religious hymns and verses. When the British imposed a Western-style education system in India in the nineteenth century, knowledge of Sanskrit and ancient literature continued to flourish as the study of Sanskrit changed from a more traditional style into a form of analytical and comparative scholarship mirroring that of Europe.

and contest Pollock's characterization, pointing out that modern works continue to be produced in Sanskrit: }} argues that modern works in Sanskrit are either ignored or their "modernity" contested. The Sahitya Akademi has had, since 1967, an award for the best creative work written that year in Sanskrit. In 2009, Satyavrat Shastri became the first Sanskrit author to win the Jnanpith Award, India's highest literary award.

European scholarship

European scholarship in Sanskrit, begun by Heinrich Roth (1620–1668) and Johann Ernst Hanxleden (1681–1731), is regarded as responsible for the discovery of the Indo-European language family by Sir William Jones. This scholarship played an important role in the development of Western philology, or historical linguistics.

Sir William Jones, speaking to the Asiatic Society in Calcutta (now Kolkata) on February 2, 1786, said:

The Sanskrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and in the forms of grammar, than could possibly have been produced by accident; so strong, indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists.

Phonology

Classical Sanskrit distinguishes about 36 phonemes. There is, however, some allophony and the writing systems used for Sanskrit generally indicate this, thus distinguishing 48 sounds.

The sounds are traditionally listed in the order vowels (''Ach''), diphthongs (''Hal''), anusvara and visarga, plosives (Sparśa) and nasals (starting in the back of the mouth and moving forward), and finally the liquids and fricatives, written in IAST as follows (see the tables below for details):

:; : : :; An alternate traditional ordering is that of the Shiva Sutra of .

Vowels

The vowels of Classical Sanskrit with their word-initial Devanagari symbol, diacritical mark with the consonant (), pronunciation (of the vowel alone and of /p/+vowel) in IPA, equivalent in IAST and (approximate) equivalents in English are listed below:

{|class="wikitable" |- ! Letter !! !! Pronunciation !! Pronunciation with !! IAST equiv. !! English equivalent (GA unless stated otherwise) |- | |||| or || or ||a|| short near-open central vowel or schwa: ''u'' in bunny or ''a'' in about |- | ||||||||ā||long open back unrounded vowel: ''a'' in father (RP) |- | ||||||||i||short close front unrounded vowel: ''e'' in england |- | ||||||||ī||long close front unrounded vowel: ''ee'' in feet |- | ||||||||u||short close back rounded vowel: ''oo'' in foot |- | ||||||||ū|| long close back rounded vowel: ''oo'' in cool |- | |||||||||| short retroflex approximant: ''r'' in run |- | |||||||||| long retroflex approximant ''r'' in run |- | |||||||||| short retroflex lateral approximant (no English equivalent) |- | |||||||||| long retroflex lateral approximant |- | ||||||||e|| long close-mid front unrounded vowel: ''a'' in bane (some speakers) |- | ||||||||ai|| a long diphthong: ''i'' in ice, ''i'' in kite (Canadian and Scottish English) |- | ||||||||o|| long close-mid back rounded vowel: ''o'' in bone (some speakers) |- | ||||||||au|| a long diphthong: Similar to the ''ou'' in h''ou''se (Canadian English) |}

The long vowels are pronounced twice as long as their short counterparts. Also, there exists a third, extra-long length for most vowels, called pluti, which is used in various cases, but particularly in the vocative. The ''pluti'' is not accepted by all grammarians.

The vowels and continue as allophonic variants of Proto-Indo-Iranian , and are categorized as diphthongs by Sanskrit grammarians even though they are realized phonetically as simple long vowels. (See above).

Additional points:

There are some additional signs traditionally listed in tables of the Devanagari script:

The diacritic called ''anusvāra'', (IAST: ). It is used both to indicate the nasalization of the vowel in the syllable ( and to represent the sound of a syllabic or ; e.g. .

The diacritic called ''visarga'', represents (IAST: ); e.g. .

The diacritic called ''chandrabindu'', not traditionally included in Devanagari charts for Sanskrit, is used interchangeably with the ''anusvāra'' to indicate nasalization of the vowel, primarily in Vedic notation; e.g. .

If a lone consonant needs to be written without any following vowel, it is given a ''halanta/virāma'' diacritic below (). The vowel in Sanskrit is realized as being more central and less back than the closest English approximation, which is . But the grammarians have classified it as a back vowel. The ancient Sanskrit grammarians classified the vowel system as velars, retroflexes, palatals and plosives rather than as back, central and front vowels. Hence and are classified respectively as palato-velar (a+i) and labio-velar (a+u) vowels respectively. But the grammarians have classified them as diphthongs and in prosody, each is given two ''mātrās''. This does not necessarily mean that they are proper diphthongs, but neither excludes the possibility that they could have been proper diphthongs at a very ancient stage (see above). These vowels ''are'' pronounced as long and respectively by learned Sanskrit Brahmans and priests of today. Other than the "four" diphthongs, Sanskrit usually disallows any other diphthong—vowels in succession, where they occur, are converted to semivowels according to sandhi rules.

Consonants

IAST and Devanagari notations are given, with approximate IPA values in square brackets.

{|class="wikitable" |- !colspan="2"| !colspan="2"| LabialŌshtya ! LabiodentalDantōshtya !colspan="2"| DentalDantya !colspan="2"| RetroflexMūrdhanya !colspan="2"| PalatalTālavya !colspan="2"| VelarKanthya !colspan="2"| Glottal |- !rowspan="2"| StopSparśa ! UnaspiratedAlpaprāna | || || || || || || || || || || |colspan="2"| |- ! AspiratedMahāprāna | || || || || || || || || || || |colspan="2"| |- !colspan="2"| NasalAnunāsika |colspan="2" style="font-weight: normal"| m | |colspan="2" style="font-weight: normal"| |colspan="2" style="font-weight: normal"| |colspan="2" style="font-weight: normal"| |colspan="2" style="font-weight: normal"| |colspan="2"| |- !colspan="2"| SemivowelAntastha |colspan="2"| |style="font-weight: normal"| v |colspan="2"| |colspan="2"| |colspan="2" style="font-weight: normal"| y |colspan="2"| |colspan="2"| |- !colspan="2"| LiquidDrava |colspan="2"| | |colspan="2" style="font-weight: normal"| l |colspan="2" style="font-weight: normal"| r |colspan="2"| |colspan="2"| |colspan="2"| |- !colspan="2"| FricativeŪshman |colspan="2"| | |colspan="2" style="font-weight: normal"| |colspan="2" style="font-weight: normal"| |colspan="2" style="font-weight: normal"| |colspan="2"| |style="font-weight: normal"| |style="font-weight: normal"| |}

The table below shows the traditional listing of the Sanskrit consonants with the (nearest) equivalents in English (as pronounced in General American and Received Pronunciation) and Spanish. Each consonant shown below is deemed to be followed by the neutral vowel schwa (), and is named in the table as such.

{|class="wikitable" |+ Plosives—Sprshta |- ! !UnaspiratedVoiceless Alpaprāna Śvāsa !AspiratedVoicelessMahāprāna Śvāsa !UnaspiratedVoiced Alpaprāna Nāda !AspiratedVoiced Mahāprāna Nāda !Nasal Anunāsika Nāda |-align="center" !VelarKanthya | ; English: skip | ; English: cat | ; English: game | ; somewhat similar to English: doghouse | ; English: ring |-align="center" !PalatalTālavya | ; English: exchange | ; English: church | ; ≈English: jam | ; somewhat similar to English: hedgehog | ; English: bench |-align="center" !RetroflexMūrdhanya | ; No English equivalent | ; No English equivalent | ; No English equivalent | ; No English equivalent | ; No English equivalent |-align="center" !Apico-DentalDantya | ; Spanish: tomate | ; Aspirated | ; Spanish: donde | ; Aspirated | ; English: name |-align="center" !Labial Ōshtya | ; English: spin | ; English: pit | ; English: bone | ; somewhat similar to English: clubhouse | ; English: mine |}

{|class="wikitable" |+ Non-Plosives/Sonorants |- ! !PalatalTālavya !RetroflexMūrdhanya !DentalDantya !Labial/Glottal Ōshtya |-align="center" !ApproximantAntastha | ; English: you | ; English: trip | ; English: love | (labio-dental); English: vase |-align="center" !Sibilant/Fricative Ūshman | ; English: ship | ; Retroflex form of | ; English: same | (glottal); English behind |}

Phonology and Sandhi

The Sanskrit vowels are as discussed in the section above. The long syllabic l () is not attested, and is only discussed by grammarians for systematic reasons. Its short counterpart occurs in a single root only, "to order, array". Long syllabic r () is also quite marginal, occurring in the genitive plural of r-stems (e.g. '''' "mother" and '''' "father" have gen.pl. '''' and ''''). are vocalic allophones of consonantal . There are thus only 5 invariably vocalic phonemes, :.

Visarga is an allophone of and , and anusvara , Devanagari of any nasal, both in pausa (i.e., the nasalized vowel). The exact pronunciation of the three sibilants may vary, but they are distinct phonemes. An aspirated voiced sibilant was inherited by Indo-Aryan from Proto-Indo-Iranian but lost shortly before the time of the Rigveda (aspirated fricatives are exceedingly rare in any language). The retroflex consonants are somewhat marginal phonemes, often being conditioned by their phonetic environment; they do not continue a PIE series and are often ascribed by some linguists to the substratal influence of Dravidian or other substrate languages. The nasal is a conditioned allophone of ( and are distinct phonemes— 'minute', 'atomic' [nom. sg. neutr. of an adjective] is distinctive from 'after', 'along'; phonologically independent occurs only marginally, e.g. in 'directed forwards/towards' [nom. sg. masc. of an adjective]). There are thus 31 consonantal or semi-vocalic phonemes, consisting of four/five kinds of stops realized both with or without aspiration and both voiced and voiceless, three nasals, four semi-vowels or liquids, and four fricatives, written in IAST transliteration as follows: : or a total of 36 unique Sanskrit phonemes altogether.

The phonological rules which are applied when combining morphemes to a word, and when combining words to a sentence, are collectively called ''sandhi'' "composition". Texts are written phonetically, with sandhi applied (except for the so-called '''').

Writing system

Sanskrit was spoken in an oral society, and the oral tradition was maintained through the development of early classical Sanskrit literature. Writing was not introduced to India until after Sanskrit had evolved into the Prakrits; when it was written, the choice of writing system was influenced by the regional scripts of the scribes. Therefore, Sanskrit has no native script of its own. As such, virtually all of the major writing systems of South Asia have been used for the production of Sanskrit manuscripts. Since the late 19th century, ''devanāgari'' has become the ''de facto'' standard writing system for Sanskrit publication, quite possibly because of the European practice of printing Sanskritic texts in this script. Devanāgari is written from left to right, lacks distinct letter cases, and is recognizable by a distinctive horizontal line running along the tops of the letters that links them together.

The earliest known inscriptions in Sanskrit date to the 1st century BCE. They are in the Brahmi script, which was originally used for Prakrit, not Sanskrit. It has been described as a "paradox" that the first evidence of written Sanskrit occurs centuries later than that of the Prakrit languages which are its linguistic descendants. When Sanskrit was written down, it was first used for texts of an administrative, literary or scientific nature. The sacred texts were preserved orally, and were set down in writing, "reluctantly" (according to one commentator), and at a comparatively late date.

Brahmi evolved into a multiplicity of scripts of the Brahmic family, many of which were used to write Sanskrit. Roughly contemporary with the Brahmi, the Kharosthi script was used in the northwest of the subcontinent. Later (around the 4th to 8th centuries CE) the Gupta script, derived from Brahmi, became prevalent. From ca. the 8th century, the Sharada script evolved out of the Gupta script. The latter was displaced in its turn by Devanagari from ca. the 11/12th century, with intermediary stages such as the Siddham script. In Eastern India, the Bengali script and, later, the Oriya script, were used. In the south where Dravidian languages predominate, scripts used for Sanskrit include Kannada, Telugu, Tamil, Malayalam and Grantha.

thumb|300px|Sanskrit in modern Indian and other Brahmi scripts. ''May [[Shiva|Śiva bless those who take delight in the language of the gods.'' (Kalidasa)]]

Romanization

Since the late 18th century, Sanskrit has been transliterated using the Latin alphabet. The system most commonly used today is the IAST (International Alphabet of Sanskrit Transliteration), which has been the academic standard since 1888/1912. ASCII-based transliteration schemes have evolved due to difficulties representing Sanskrit characters in computer systems. These include Harvard-Kyoto and ITRANS, a transliteration scheme that is used widely on the Internet, especially in Usenet and in email, for considerations of speed of entry as well as rendering issues. With the wide availability of Unicode aware web browsers, IAST has become common online.

It is also possible to type using an alphanumeric keyboard and transliterate to devanagari using software like Mac OS X's international support.

European scholars in the 19th century generally preferred Devanagari for the transcription and reproduction of whole texts and lengthy excerpts. However, references to individual words and names in texts composed in European languages were usually represented with Roman transliteration. From the 20th century onwards, due to production costs, textual editions edited by Western scholars have mostly been in Romanized transliteration.

Grammar

Grammatical tradition

Sanskrit grammatical tradition (, one of the six Vedanga disciplines) began in late Vedic India and culminated in the of , which consists of 3990 sutras (ca. 5th century BCE). About a century after (around 400 BCE) Kātyāyana composed Vārtikas on Pāṇinian sũtras. Patañjali, who lived three centuries after Pāṇini, wrote the '''', the "Great Commentary" on the and Vārtikas. Because of these three ancient Sanskrit grammarians this grammar is called Trimuni Vyākarana. To understand the meaning of sutras Jayaditya and Vāmana wrote the commentary named Kāsikā 600 CE. Pāṇinian grammar is based on 14 Shiva sutras (aphorisms). Here whole Mātrika (alphabet) is abbreviated. This abbreviation is called Pratyāhara.

Verbs

Sanskrit has ten classes of verbs divided into in two broad groups: athematic and thematic. The thematic verbs are so called because an ''a'', called the theme vowel, is inserted between the stem and the ending. This serves to make the thematic verbs generally more regular. Exponents used in verb conjugation include prefixes, suffixes, infixes, and reduplication. Every root has (not necessarily all distinct) zero, , and grades. If V is the vowel of the zero grade, the -grade vowel is traditionally thought of as a + V, and the -grade vowel as ā + V.

The verb tenses (a very inexact application of the word, since more distinctions than simply tense are expressed) are organized into four 'systems' (as well as gerunds and infinitives, and such creatures as intensives/frequentatives, desideratives, causatives, and benedictives derived from more basic forms) based on the different stem forms (derived from verbal roots) used in conjugation. There are four tense systems: Present (Present, Imperfect, Imperative, Optative)

Perfect

Aorist

Future (Future, Conditional)

Nouns

Sanskrit is a highly inflected language with three grammatical genders (masculine, feminine, neuter) and three numbers (singular, plural, dual). It has eight cases: nominative, vocative, accusative, instrumental, dative, ablative, genitive, and locative.

The number of actual declensions is debatable. Pāṇini identifies six ''karakas'' corresponding to the nominative, accusative, dative, instrumental, locative, and ablative cases. Pāṇini defines them as follows (Ashtadhyayi, I.4.24–54):

# ''Apadana'' (lit. 'take off'): "(that which is) firm when departure (takes place)." This is the equivalent of the ablative case, which signifies a stationary object from which movement proceeds. # ''Sampradana'' ('bestowal'): "he whom one aims at with the object". This is equivalent to the dative case, which signifies a recipient in an act of giving or similar acts. # ''Karana'' ("instrument") "that which effects most." This is equivalent to the instrumental case. # ''Adhikarana'' ('location'): or "substratum." This is equivalent to the locative case. # ''Karman'' ('deed'/'object'): "what the agent seeks most to attain". This is equivalent to the accusative case. # ''Karta'' ('agent'): "he/that which is independent in action". This is equivalent to the nominative case. (On the basis of Scharfe, 1977: 94)

Personal pronouns and determiners

Sanskrit pronouns are declined for case, number, and gender. The pronominal declension applies to a few adjectives as well. Many pronouns have alternative enclitic forms.

The first and second person pronouns are declined for the most part alike, having by analogy assimilated themselves with one another. Where two forms are given, the second is enclitic and an alternative form. Ablatives in singular and plural may be extended by the syllable -''tas''; thus ''mat'' or ''mattas'', ''asmat'' or ''asmattas''. Sanskrit does not have true third person pronouns, but its demonstratives fulfill this function instead by standing independently without a modified substantive.

There are four different demonstratives in Sanskrit: ''tat'', ''etat'', ''idam'', and ''adas''. ''etat'' indicates greater proximity than ''tat''. While ''idam'' is similar to ''etat'', ''adas'' refers to objects that are more remote than ''tat''. ''eta'', is declined almost identically to ''ta''. Its paradigm is obtained by prefixing ''e-'' to all the forms of ''ta''. As a result of ''sandhi'', the masculine and feminine singular forms transform into '''' and ''''.

The enclitic pronoun ''ena'' is found only in a few oblique cases and numbers. Interrogative pronouns all begin with ''k-'', and decline just as ''tat'' does, with the initial ''t-'' being replaced by ''k-''. The only exception to this are the singular neuter nominative and accusative forms, which are both ''kim'' and not the expected ''*kat''. For example, the singular feminine genitive interrogative pronoun, "of whom?", is ''''. Indefinite pronouns are formed by adding the participles ''api'', ''cid'', or ''cana'' after the appropriate interrogative pronouns. All relative pronouns begin with ''y-'', and decline just as ''tat'' does. The correlative pronouns are identical to the ''tat'' series.

In addition to the pronouns described above, some adjectives follow the pronominal declension. Unless otherwise noted, their declension is identical to ''tat''.

''eka'': "one", "a certain". (singular neuter nominative and accusative forms are both ''ekam'')

''anya'': "another".

''sarva'': "all", "every". (singular neuter nominative and accusative forms are both ''sarvam'')

''para'': "the other". (singular neuter nominative and accusative forms are both ''param'')

''sva'': "self" (a reflexive adjective). (singular neuter nominative and accusative forms are both ''svam'')

Compounds

One other notable feature of the nominal system is the very common use of nominal compounds, which may be huge (10+ words) as in some modern languages such as German and Finnish. Nominal compounds occur with various structures, however morphologically speaking they are essentially the same. Each noun (or adjective) is in its (weak) stem form, with only the final element receiving case inflection. The four principle categories of nominal compounds are:

; (co-ordinative) : These consist of two or more noun stems, connected in sense with 'and'. Examples are ''rāma-lakşmaņau''—Rama and Lakshmana, ''rāma-lakşmaņa-bharata-śatrughnāh''—Rama, Lakshmana, Bharata and Satrughna, and ''pāņipādam''—limbs, literally hands and feet, from pāņi = hand and pāda = foot. ; (determinative) : There are many ; in a the first component is in a case relationship with another. For example, a doghouse is a dative compound, a house ''for'' a dog; other examples include instrumental relationships ("thunderstruck") and locative relationships ("towndwelling"). ; (descriptive) : A compound where the relation of the first member to the last is appositional, attributive or adverbial; e.g., uluka-yatu (owl+demon) is a demon in the shape of an owl. are considered by some to be . ; (possessive/exocentric) : Bahuvrīhi compounds refer to a compound noun that refers to a thing which is itself not part of the compound. For example the word bahuvrīhi itself, from bahu = much and vrīhi = rice, denotes a rich person—one who has much rice.

Syntax

Because of Sanskrit's complex declension system the word order is free. In usage, there is a strong tendency toward subject–object–verb (SOV), which was the original system in place in Vedic prose. However, there are exceptions when word pairs cannot be transposed.

Numerals

The numbers from one to ten:

# # # # # # # # # #

The numbers one through four are declined. Éka is declined like a pronominal adjective, though the dual form does not occur. Dvá appears only in the dual. Trí and catúr are declined irregularly:

tisrás tisrás

	Three	Four
Masculine !! Neuter !! Feminine !! Masculine !! Neuter !! Feminine
! Nominative	tráyas		|	catvā́ras	catvā́ri	cátasras
Accusative	trīn		|	catúras	catvā́ri	cátasras
! Instrumental
! Dative
! Ablative
! Genitive
! Locative

Influence

Modern-day India

Influence on vernaculars

Sanskrit's greatest influence, presumably, is that which it exerted on languages of India that grew from its vocabulary and grammatical base; for instance, Hindi is a "Sanskritized register" of the Khariboli dialect. However, all modern Indo-Aryan languages, as well as Munda and Dravidian languages, have borrowed many words either directly from Sanskrit (''tatsama'' words), or indirectly via middle Indo-Aryan languages (''tadbhava'' words). Words originating in Sanskrit are estimated to constitute roughly fifty percent of the vocabulary of modern Indo-Aryan languages, and the literary forms of (Dravidian) Malayalam and Kannada. Literary texts in Telugu are lexically Sanskrit or Sanskritized to an enormous extent, perhaps seventy percent or more

Sanskrit is prized as a storehouse of scripture and as the language of prayers in Hinduism. Like Latin's influence on European languages and Classical Chinese's influence on East Asian languages, Sanskrit has influenced most Indian languages. While vernacular prayer is common, Sanskrit mantras are recited by millions of Hindus, and most temple functions are conducted entirely in Sanskrit, often Vedic in form. Of modern day Indian languages, Nepali, Bengali, Assamese, Konkani and Marathi still retain a largely Sanskrit and Prakrit vocabulary base, while Hindi and Urdu tend to be more heavily weighted with Arabic and Persian influence. The Indian national anthem, Jana Gana Mana, is written in a literary form of Bengali (known as ''sadhu bhasha''); it is Sanskritized to be recognizable but is still archaic to the modern ear. The national song of India, Vande Mataram, which was originally a poem composed by Bankim Chandra Chattopadhyay and taken from his book called 'Anandamath', is in a similarly highly Sanskritized Bengali. Malayalam, Telugu and Kannada also combine a great deal of Sanskrit vocabulary. Sanskrit also has influence on Chinese through Buddhist Sutras. Chinese words like 剎那 ''chànà'' (Skt. क्षन '''' 'instantaneous period of time') were borrowed from Sanskrit.

Revival attempts

The 1991 and 2001, census of India recorded 49,736 and 14,135 persons, respectively, with Sanskrit as their native language. Since the 1990s, efforts to revive spoken Sanskrit have been increasing. Many organizations like the ''Samskrta Bharati'' are conducting Speak Sanskrit workshops to popularize the language. The state of Uttarakhand in India has ruled Sanskrit as its second official language. The ''CBSE'' (Central Board of Secondary Education) of India has made Sanskrit a third language (though it is an option for the school to adopt it or not, the other choice being the state's own official language) in the schools it governs. In such schools, learning Sanskrit is an option for grades 5 to 8 (Classes V to VIII). This is true of most schools affiliated to the ICSE board too, especially in those states where the official language is Hindi. Sudharma, the only daily newspaper in Sanskrit has been published out of Mysore in India since the year 1970. Since 1974, there has been a short daily news broadcast on state-run All India Radio.

In these Indian villages, inhabitants of all castes speak Sanskrit natively since childhood: #Mattur in Karnataka, #Jhiri, District: Rajgadh, Madhya Pradesh, #Ganoda, District: Banswada, Rajasthan, #Bawali, District: Bagapat, Uttar Pradesh #Mohad, District: Narasinhpur, Madhya Pradesh #Shyamsundarpur,District: Kendujhar, Odisha.

Symbolic usage

In the Republic of India, in Nepal and Indonesia, Sanskrit phrases are widely used as mottoes for various educational and social organizations (much as Latin is used by some institutions in the West). The motto of the Republic is also in Sanskrit.

; Republic of India: '' ''Satyameva Jayate'' "Truth alone triumphs" ; Nepal: '' ''Janani Janmabhūmisca Svargādapi garīyasi'' "Mother and motherland are greater than heaven" ; Goa: '' ''Sarve Bhadrāni Paśyantu Mā Kaścid Duhkhabhāg bhavet'' "May all perceive good, may not anyone attain unhappiness" ; Life Insurance Corporation of India: '', ''Yogakshemam Vahāmyaham'' "I shall take care of welfare" (taken from the Bhagavad Gita) ; Indian Navy: '' ''Shanno Varuna'' "May Varuna be peaceful to us" ; Indian Air Force: '' '''' "Touching the Sky with Glory" ; Mumbai Police: '' ''Sadrakshanaaya Khalanigrahanaaya'' "For protection of the good and control of the wicked" ; Indian Coast Guard: '' ''Vayam Rakshāmaha'' "We protect" ; All India Radio: '' ''Bahujana-hitāya bahujana-sukhāya'' "For the benefit of all, for the comfort of all" ; Indonesian Navy: '' ''Jalesveva Jayamahe'' "On the Sea We Are Glorious" ; Rajputana Rifles: '' ''Veerabhogya Vasundhara'' "The earth is fit to be ruled by the brave" ; Aceh Province: '' ''Pancacita'' "Five Goals"

Many of the post–Independence educational institutions of national importance in India and Sri Lanka have Sanskrit mottoes. For a fuller list of such educational institutions, see List of educational institutions which have Sanskrit phrases as their mottoes.

Interaction with other languages

Sanskrit and related languages have also influenced their Sino-Tibetan-speaking neighbors to the north through the spread of Buddhist texts in translation. Buddhism was spread to China by Mahayanist missionaries sent by Emperor Ashoka mostly through translations of Buddhist Hybrid Sanskrit and Classical Sanskrit texts, and many terms were transliterated directly and added to the Chinese vocabulary. (Although Buddhist Hybrid Sanskrit is not Sanskrit, properly speaking, its grammar and vocabulary are substantially the same, both because of genetic relationship, and because of conscious implementation of Pāṇinian standardizations on the part of composers. Buddhist texts composed in Sanskrit proper were primarily found in philosophical schools like the Madhyamaka.) The situation in Tibet is similar; many Sanskrit texts survive only in Tibetan translation (in the Tanjur).

The Thai language contains many loan words from Sanskrit. For example, in Thai, the Rāvana—the emperor of Sri Lanka is called 'Thosakanth' which is a derivation of his Sanskrit name 'Dashakanth' ("of ten necks"). Many Sanskrit loanwords are also found in traditional Malay, Modern Indonesian, and numerous Philippine languages, Old Javanese language (nearly half) and to a lesser extent, Cambodian, Vietnamese, through Sinified hybrid Sanskrit.

Usage in modern times

Many of India's and Nepal's scientific and administrative terms are named in Sanskrit, as a counterpart of the western practice of naming scientific developments in Latin or Greek. The Indian guided missile program that was commenced in 1983 by DRDO has named the five missiles (ballistic and others) that it has developed as Prithvi, Agni, Akash, Nag and Trishul. India's first modern fighter aircraft is named HAL Tejas.

Recital of Sanskrit shlokas as background chorus in films, television advertisements and as slogans for corporate organizations has become a trend. The opera ''Satyagraha'' by Philip Glass uses texts from the ''Bhagavad Gita'', sung in the original Sanskrit.

Recently, Sanskrit also made an appearance in Western pop music in two recordings by Madonna. One, "Shanti/Ashtangi", from the 1998 album "Ray of Light", is the traditional Ashtanga Vinyasa Yoga chant referenced above set to music. The second, "Cyber-raga", released in 2000 as a B-side to Madonna's album "Music", is a Sanskrit-language ode of devotion to a higher power and a wish for peace on earth. The climactic battle theme of The Matrix Revolutions features a choir singing a Sanskrit prayer from the Brihadaranyaka Upanishad in the closing titles of the movie. Composer John Williams also featured choirs singing in Sanskrit for Indiana Jones and the Temple of Doom and in Star Wars Episode I: The Phantom Menace.

The Sky1 version of the title sequence in season one of Battlestar Galactica 2004 features the Gayatri Mantra, taken from the Rig Veda (3.62.10). The composition was written by miniseries composer Richard Gibbs.

Sanskrit has also seen a significant revival in China. Musicians such as Sa Dingding have written pop songs in Sanskrit.

Computational linguistics

There have been suggestions to use Sanskrit as a metalanguage for knowledge representation in e.g. machine translation, and other areas of natural language processing because of its relatively high regular structure. This is due to Classical Sanskrit being a regularized, prescriptivist form abstracted from the much more complex and richer Vedic Sanskrit. This leveling of the grammar of Classical Sanskrit began during the Brahmana phase, and had not yet completed by the time of Pāṇini, when the language had fallen out of popular use.

See also

Notes

Footnotes

Citations

References

Further reading

Introductions

Grammars

Whitney, William Dwight ''The Roots, Verb-Forms and Primary Derivatives of the Sanskrit Language: (A Supplement to His Sanskrit Grammar)''

Wackernagel, Debrunner, ''Altindische Grammatik'', Göttingen.

*vol. I. Phonology Jacob Wackernagel (1896)

*vol. II.1. Introduction to morphology, nominal composition, Wackernagel (1905)

*vol. II.2. nominal suffixes, J. Wackernagel and Albert Debrunner (1954)

*vol. III. nominal inflection, numerals, pronouns, Wackernagel and Debrunner (1930)

Delbrück, B. ''Altindische Tempuslehre'' (1876)

Dictionaries

Otto Böhtlingk, Rudolph Roth, ''Petersburger Wörterbuch'', 7 vols., 1855–75

Otto Böhtlingk, ''Sanskrit Wörterbuch in kürzerer Fassung'' 1883–86 (1998 reprint, Motilal Banarsidass, Delhi)

Manfred Mayrhofer, ''Kurzgefasstes etymologisches Wörterbuch des Altindischen'', 1956–76

Manfred Mayrhofer, ''Etymologisches Wörterbuch des Altindoarischen'', 3 vols., 2742 pages, 2001, ISBN 3-8253-1477-4

External links

Sanskrit Central is where you can read Sanskrit Blogs, do discussions about Sanskrit, watch Sanskrit Videos, look at Sanskrit Dictionary and do many more things.

Academic Courses on Sanskrit Around The World

Samskrita Bharati, organization promoting Sanskrit

Sanskrit Alphabet in Devanagari, Gujarati, Bengali, and Thai scripts with an extensive list of Devanagari, Gujarati, and Bengali conjuncts

Snskrit for more about Sanskrit Language]

Free Sanskrit Books, Sanskrit PDF books collection for download

Software

Romanized Nepali Unicode Keyboard developed by OOPSLite Technologies

Sanskrit transliteration software with font conversion to Latin and other Indian Languages

Sanskrit documents

Sanskrit Documents — Documents in ITX format of Upanishads, Stotras etc. and a metasite with links to translations, dictionaries, tutorials, tools and other Sanskrit resources.

Digital Sanskrit Buddhist Canon

Gretil: Göttingen Register of Electronic Texts in Indian Languages — a cumulative register of the numerous download sites for electronic texts in Indian languages.

Gaudiya Grantha Mandira — A Sanskrit Text Repository. This site also provides encoding converter.

Sanskrit texts at Sacred Text Archive

Digital Library of India at Ernet.in and IIIT.in — scanned/OCRed copies of public-domain books

Primers

A Practical Sanskrit Introductory by Charles Wikner

Sanskrit Self Study by Chitrapur Math

An Analytical Cross Referenced Sanskrit Grammar By Lennart Warnemyr

Category:Ancient languages Category:Classical languages of India Category:Indo-Aryan languages Category:Languages written in Devanagari

af:Sanskrit als:Sanskrit am:ሳንስክሪት ar:لغة سنسكريتية an:Sanscrito ast:Sánscritu bn:সংস্কৃত ভাষা zh-min-nan:Hoân-gí be:Санскрыт be-x-old:Санскрыт bh:संस्कृत bcl:Sanskrito bar:Sanskrit bo:ལེགས་སྦྱར་སྐད། bs:Sanskrit br:Sañskriteg bg:Санскрит ca:Sànscrit ceb:Pinulongang Sanskrito cs:Sanskrt cy:Sansgrit da:Sanskrit de:Sanskrit dv:ސަންސްކްރިއްތް et:Sanskriti keel el:Σανσκριτική γλώσσα es:Sánscrito eo:Sanskrito eu:Sanskrito fa:زبان سانسکریت hif:Sanskrit fr:Sanskrit fy:Sanskryt ga:An tSanscrait gl:Lingua sánscrita gan:梵語 gu:સંસ્કૃત ભાષા hak:Fan-vun xal:Эндкгин келн ko:산스크리트어 hy:Սանսկրիտ hi:संस्कृत भाषा hr:Sanskrt io:Sanskrita linguo bpy:সংস্কৃত id:Bahasa Sanskerta ia:Sanscrito is:Sanskrít it:Lingua sanscrita he:סנסקריט jv:Basa Sangskreta kn:ಸಂಸ್ಕೃತ ka:სანსკრიტი kk:Санскрит kw:Sanskrytek rw:Igisansikiriti sw:Kisanskrit ku:Sanskrît la:Lingua Sanscrita lv:Sanskrits lt:Sanskritas lij:Lengua sànscrïa li:Sanskriet lmo:Sanscrit hu:Szanszkrit nyelv mk:Санскритски јазик mg:Sanskrity ml:സംസ്കൃതം mr:संस्‍कृत भाषा arz:سانسكريتى ms:Sanskrit nah:Sanscritotlahtōlli nl:Sanskriet ne:संस्कृत new:संस्कृत ja:サンスクリット no:Sanskrit nn:Sanskrit oc:Sanscrit pnb:سنسکرت ps:سانسګریت ژبه nds:Sanskrit pl:Sanskryt pt:Sânscrito ro:Limba sanscrită rmy:संस्कृतीकानी छीब qu:Sanskrit simi rue:Санскріт ru:Санскрит sah:Санскрит sa:संस्कृतम् sco:Sanskrit scn:Lingua sanscrita simple:Sanskrit sk:Sanskrit sl:Sanskrt sr:Санскрит sh:Sanskrit su:Basa Sangsakerta fi:Sanskrit sv:Sanskrit tl:Wikang Sanskrito ta:சமசுகிருதம் roa-tara:Lènga sanscrite tt:Санскрит te:సంస్కృతము th:ภาษาสันสกฤต tr:Sanskritçe uk:Санскрит ur:سنسکرت vi:Tiếng Phạn war:Sinanskrit yi:סאנסקריט zh-yue:梵文 bat-smg:Sanskrita kalba zh:梵语

Imee Ooi (pronounce as English "E-ME WOO --E" (connected) - Ch: 黃慧音, pinyin: Huáng Huìyīn, which means HUANG-Yellow - HUI-Wisdom - YIN-Sound/Music, being her original name by birth) is a Malaysian music producer, composer, arranger and vocalist who brings traditional Buddhist chants, mantras and dharanis (typically from the Sanskrit, Pali, Tibetan or Mandarin languages) into sung versions with accompanying musical scores. She also is a classical pianist by training.

Ooi is the musical director and composer of two highly-acclaimed stage musicals; ''Siddhartha'' and ''Above Full Moon'', and is currently working on a musical entitled ''Jewel of Tibet''. The musical is set during the Tang Dynasty and is about a Tang princess who marries a Tibetan king and how she brings Buddhism to Tibet.

Imee Ooi established I.M.M Musicworks in 1997, and to date has released over 20 albums.

Discography

''Jayamangalagatha Mantra''

''The Chant of Metta''

''Great Compassionate Mantra''

''Mantra of Guanyin''

''Mantras of the Sanskrit''

''Namo Amitabha (Mandarin)''

''Diamond Sutra (Mandarin)''

''Arya Ekdasa-Mukha Dharani''

''Medicine Buddha Dharani''

''Amitabha (Mandarin)''

''Usnisa Vijaya Dharani Sutra''

''Karaniya Metta Sutta''

''Ratana Sutta, Discourse of the Jewels''

''The Wisdom of Manjusri Bodhisattva''

''Series of 10 Short Mantras, Volume 1''

''Series of 10 Short Mantras, Volume 2''

''Series of 10 Short Mantras, Volume 3''

''Series of 10 Short Mantras, Volume 4''

''Tisarana''

''Heart Sutra''

''Om Mani Padme Hum''

''Green Tara Mantra''

''The Mantra of Guru Rinpoche''

''Chants from Heart to Heart''

References

Meet Imee the mantra musician

I.M.M. Music Works

An interview by 劉潔芬 in Chinese: 俗世慧音

Category:Year of birth missing (living people) Category:Living people Category:Malaysian Buddhists Category:Malaysian Chinese people Category:Malaysian female singers Category:Malaysian musicians Category:Performers of Buddhist music

es:Imee Ooi

Coordinates	28°36′50″N77°12′32″N
{{infobox person | name	Dr. Vagish Shastri | image shastriji.jpg | image_size 170px | caption | birth_date July 24, 1934 | birth_place Khurai, India | occupation Sanskrit grammarian, linguist, yogi. | spouse Late Rekha Tripathi }}

Vagish Shastri (also known as B P T Vagish Shastri) is an international Sanskrit grammarian, eminent linguist, Tantric and yogi. He was born in the city of Khurai, in Madhya Pradesh in 1934. His primary education was in Khurai, followed by his education in Vrindavan and Benaras. He started his teaching career as a lecturer of Sanskrit at Tikmani Sanskrit College, Varanasi in 1959 and soon he became the Director and Professor of the Research Institute at Sampurnanand Sanskrit University, Varanasi in the year 1970. He served this prestigious academic post for about three decades. He received his Master degree Vyākaraņa Āchārya (1959); Ph.D. Vidyāvāridhi in Grammar and Historical Linguistics (1964) and D.Litt. Vāchaspati (1969) from Sampurnanand Sanskrit University.

Contribution

Dr. Vagish Shastri started to write essays at the age of 19. His more than 200 essays and Research papers were published in different journals nationally and internationally. He was Secretary President of one section in fifth world Sanskrit conferences. He has been chief editor of many series such as Sarasvati Bhavana Granthamala he edited more than 300 manuscripts which took form of books. He also was chief editor of famous Sanskrit journal Sarasvati Susama. He has written books on different subjects which includes grammatical and philological research work, drama, history, poetry, satire, historical research work and metaphysical writings.

Honors and awards

Senior Research fellowship, University Grants Commission, 1964-67.

Kālidasa Award, Highest literary Award, Uttar Pradesh, 1966-67.

Honored 6 times by Uttar Pradesh Sanskrit Academy, 1968, 1971, 1981, 1985, 1995, 1996.

Mahāmahopādhyāya, Śri Kashi Pandit Parishad, 1982.

Bāņa Bhatţţ Award, Uttar Pradesh Sanskrit Academy, 1990.

Veda-Vedānga Award, Rajasthan Sanskrit Academy, 1994.

Anusansdhan Puraskāra (Research Award), Utkal Pāti trust, 1995

Swami Vishnu Tirth Sammāna (Spiritual writing Award), Indore, 2002

Special Award, Govt. of Uttar Pradesh Sanskrit Sansthan, 2005.

Books authored

Whitney's principal target in accusing Pāṇini and Pāṇiniyas of unreliability was the Dhatupatha. He set forth his views that of nearly 2000 roots of Dhatupatha published by Westergaard and Bohtlingk more than half of these are not attested in literature. The most ambitious work in the direction noted is ''Pāniniya Dhātupātha Samikşhā''(1965) wherein the author gives an alphabetically arranged catalogue of roots found in different Dhatupathas together with attestation - verbal and nominal forms - in Sanskrit, Pali, Apabhramsa and other Prakrits. BPT Vagish Shastri professed aim is to refute Whitney's Claim.

The radio drama ''Krişakānām Nāgpāshah'' is a symbolic play with the tone and tenor of patriotism which aims at common harmony, pride in one's own nation, and sacrifice for one's motherland which is highly relevant. This is a creative work from the vibrant pen of BPT Vagish Shastri.

Grammatical and philological research work

# ''Pāniniya Dhātupātha Samikşhā'', Sampurnanand Sanskrit University, 1965 # ''Taddhitantah Kechana Sabdah'', Motilal Banarsidass, Delhi, 1967. # ''Anusandhana Paddhatih'', Sampurnanand Sanskrit University, 1969 (Presently this book is being translated into Telugu, by Sanskrit Department, Waltair University) # ''Dhātvartha-Vijnanam'', Sampurnanand Sanskrit University, 1980, This is the most ambitious work in the semantics of verbal roots # ''Sabda Nirvachana aur Sabdartha'', Yogic Voice Consciousness Institute, Varanasi, 2004. # ''Gypsy language and Grammar'', Yogic Voice Consciousness Institute, Varanasi, 2005. # ''Upsahityam'', Yogic Voice Consciousness Institute, Varanasi, 2007.

Creative writing in Sanskrit, Hindi and English

His creative writing of drama, story, poetry, satire is present in his books # ''Krişakānām Nāgpāshah'': A drama concerned with National Awakening, Chaukhamba Vidya Bhavan, Varanasi, 1958. # ''Katha Samvartika'', (Original Sanskrit Stories), Chaukhamba Vidya Bhavan, Varanasi, 1959. # ''Tolstoy Kathasaptakam'', (Translation in Sanskrit), Chaukhamba Vidya Bhavan, Varanasi, 1970. (In Sampurnanand Sanskrit University curriculum). # ''Bharat Mein Sanskrit ki Anivaryata Kyon'', Choukhamba Vidya Bhavan, Varanasi, 1977. # ''Sri Ganga Stavana Chayanika'', Yogic Voice Consciousness Institute, Varanasi, 1987. # ''Sri Siva Stavana Chayanika'', Yogic Voice Consciousness Institute, Varanasi, 1989. # ''Narma-Saptasati'' : verse-satires, Education ministry, Uttar Pradesh Sanskrit Academy, 1994. # ''Sanskrit Vangmaya Manthanam'', Financial support by Ministry of Education, Govt of India, 1990. # ''Atankavada Satakam'' : Verse critique on Terrorism, Yogic Voice Consciousness Institute, Varanasi, 1992. # ''Sasvata Kavya ki Atma'', Yogic Voice Consciousness Institute, Varanasi, 2000. # ''Jagatika Prema aur Sasvta Ananda'', Yogic Voice Consciousness Institute, Varanasi, 2004. # ''Humour in Ancient India'', Yogic Voice Consciousness Institute, Varanasi, 2004.

Historical research work

# ''Bundelkhand Ki Prachinata'', Self Publication, 1965. This book describes an etymological identification of the mystries 'pulindas' mentioned in later Vedic, Epic, pauranika and inscriptional literature. # ''Gypsy Bhasa'' : An historical and grammatical study, Yogic Voice Consciousness Institute, Varanasi, 1986. # ''Mahakunmbh evam Sangama Snanana'' : Ek Vaijnanika Vivechana, Yogic Voice Consciousness Institute, Varanasi, 1988. # ''Nadiya Ek Ghat Bahutere'', Yogic Voice Consciousness Institute, Varanasi, 2001. # ''Migration of Aryans from India'', Yogic Voice Consciousness Institute, Varanasi, 2007. # Autobiography of the Vagyogi, Yogic Voice Consciousness Institute, Varanasi, 2003.

Metaphysical writing

# 'Parachetana ki Yatra'' (Journey to Superconsciousness), Yogic Voice Consciousness Institute, Varanasi, 2000. He trained more than 1000 students from all over the world in Kundalini Meditation, Tantra, Yoga and Philosophy. # ''Sakti, Siva and Yoga'', Yogic Voice Consciousness Institute, Varanasi, 2000. # ''Yogachudamani Upnishad'', Yogic Voice Consciousness Institute, Varanasi, 2004. # ''Samvit Prakasa'', Yogic Voice Consciousness Institute, Varanasi, 2006 # ''Trayambakam Yajamahe'', Yogic Voice Consciousness Institute, Varanasi, 2006.

New Sanskrit grammar

Dr. B P T Vagish Shastri has published three books on his invented Sanskrit Grammar "Vagyoga Technique". # ''Sanskrit Sikahne ki Saral aur Vaijnanika Vidhi'', Yogic Voice Consciousness Institute, Varanasi, 1990. # ''Vagyoga : Mnemonic Sasnkrit Technique'', Yogic Voice Consciousness Institute, Varanasi, 2000. # ''Vagyoga : Conversational Sanskrit'', Yogic Voice Consciousness Institute, Varanasi, 2001.

Dictionary

# ''Vamana-Purana Visayanukrama Sabdakosa'', Sampurnanand Sanskrit University, 1996. # ''Etymological Bundeli Dictionary'', Yogic Voice Consciousness Institute, Varanasi, (In Press).

Research papers

More than 200 research papers are published # Rakshnadyastadasharthakah: Root Av, All India Oriental Conference, Vol. XXVII, Kurukshetra University, 1975 # The Science of Abbreviation in Ancient India, Third World Sanskrit Conference, Paris, 1977. # Some Pāṇinian roots used only in Persian and European languages, V world Sanskrit Conference, Weimar, 1979. # Padma Purana and Raghuvamsa, Ganganath Jha Research Journal, Vol. XXXViii, January 1982, Allahabad.

Supervision

Being Director, Research Institute, Sampurnanand Sanskrit University he has guided students for Ph.D. And D.Litt degree in different subjects.

! S.No.	! Subject	! Degree	! No. of Students
1.		Ph.D.	20
2.	Poetics & Poetry	Ph.D.	20
3.	Philosophy & Tantra	Ph.D.	06
4.	Veda	Ph.D.	02
5.	Purana	Ph.D.	02
6.		Ph.D.	01
7.	Ayurveda	Ph.D.	02
8.		D.Litt	01
9.	Poetics & Poetry	D.Litt	03
10.	Philosophy & Tantra	D.Litt	01
11.	Purana	D.Litt	01

Vagyoga: natural law and mnemonic technique

Dr. Vagish Shastri has invented a unique technique of teaching Sanskrit grammar called 'Vagyoga'. This is a mnemonic method to enter in the soul of words, it is based upon natural law, which does not requires learning by heart any sutras. This is a mathematical way of learning Sanskrit Grammar. Many scholars from all over the world learned Sanskrit in very short time and they made translation of Sanskrit texts in their own language.

Taught pronunciation to Madonna

Pop singer Madonna sang Yoga Taravali; Dr. Vagish Shastri found mistakes in her singing. Madonna came in touch of Dr. Shastri through BBC radio and learned pronunciation.

External links

Official Site

Video

Photos of Vagish Shastri in Banares, February 1996

Autobiography of the VagYogi: The Life of Kundalini Experiences

"Vagyoga: Kundalini Meditation: Spiritual Experiences of Meditators" by Vagish Shastri (in English)

"Shakti, Shiva and Yoga" by Vagish Shastri (in English)

Vagyoga Association Europe

References

Category:Indian educators Category:Sanskrit grammarians Category:Indian writers Category:People from Bhopal Category:People from Sagar Category:1934 births Category:Living people Category:Sanskrit scholars

hi:वागीश शास्त्री ka:ვაგიშ შასტრი