Category:Days of the year Category:January
af:9 Januarie ang:9 Æfterra Ȝēola ar:ملحق:9 يناير an:9 de chinero frp:9 janviér ast:9 de xineru gn:9 jasyteĩ az:9 yanvar bn:জানুয়ারি ৯ bjn:9 Januari zh-min-nan:1 goe̍h 9 ji̍t be:9 студзеня be-x-old:9 студзеня bcl:Enero 9 bs:9. januar br:9 Genver bg:9 януари ca:9 de gener cv:Кăрлач, 9 ceb:Enero 9 cs:9. leden co:9 di ghjennaghju cy:9 Ionawr da:9. januar de:9. Januar dv:ޖެނުއަރީ 9 et:9. jaanuar el:9 Ιανουαρίου eml:9 ed znèr myv:Якшамковонь 9 чи es:9 de enero eo:9-a de januaro eu:Urtarrilaren 9 fa:۹ ژانویه hif:9 January fo:9. januar fr:9 janvier fy:9 jannewaris fur:9 di Zenâr ga:9 Eanáir gv:9 Jerrey Geuree gd:9 am Faoilleach gl:9 de xaneiro gan:1月9號 gu:જાન્યુઆરી ૯ xal:Туула сарин 9 ko:1월 9일 hy:Հունվարի 9 hi:९ जनवरी hsb:9. januara hr:9. siječnja io:9 di januaro ig:Önwa mbu 9 ilo:Enero 9 bpy:জানুয়ারী ৯ id:9 Januari ia:9 de januario ie:9 januar os:9 январы is:9. janúar it:9 gennaio he:9 בינואר jv:9 Januari kl:Jannuaari 9 kn:ಜನವರಿ ೯ pam:Eneru 9 krc:9 январь ka:9 იანვარი csb:9 stëcznika kk:Қаңтардың 9 sw:9 Januari kv:9 тӧв шӧр ht:9 janvye ku:9'ê rêbendanê la:9 Ianuarii lv:9. janvāris lb:9. Januar lt:Sausio 9 li:9 jannewarie jbo:pavma'i 9moi lmo:09 01 hu:Január 9. mk:9 јануари mg:9 Janoary ml:ജനുവരി 9 mr:जानेवारी ९ xmf:9 ღურთუთა arz:9 يناير ms:9 Januari mn:1 сарын 9 nah:9 Tlacēnti nl:9 januari nds-nl:9 jannewaori ne:९ जेनवरी new:ज्यानुवरी ९ ja:1月9日 nap:9 'e jennaro no:9. januar nn:9. januar nrm:9 Janvyi nov:9 de januare oc:9 de genièr mhr:9 Шорыкйол uz:9-yanvar pa:੯ ਜਨਵਰੀ koi:Январ 9’ лун nds:9. Januar pl:9 stycznia pnt:9 Καλανταρί pt:9 de janeiro ksh:9. Jannowaa ro:9 ianuarie qu:9 ñiqin qhulla puquy killapi rue:9. януар ru:9 января sah:Тохсунньу 9 se:Ođđajagimánu 9. sco:9 Januar sq:9 Janar scn:9 di jinnaru simple:January 9 sk:9. január sl:9. januar ckb:٩ی کانوونی دووەم sr:9. јануар sh:9.1. su:9 Januari fi:9. tammikuuta sv:9 januari tl:Enero 9 ta:ஜனவரி 9 kab:9 yennayer tt:9 гыйнвар te:జనవరి 9 th:9 มกราคม tg:9 январ tr:9 Ocak tk:9 ýanwar uk:9 січня ur:9 جنوری vec:9 de genaro vi:9 tháng 1 vo:Yanul 9 fiu-vro:9. vahtsõaastakuu päiv wa:9 di djanvî vls:9 januoari war:Enero 9 yi:9טן יאנואר yo:9 January zh-yue:1月9號 bat-smg:Sausė 9 zh:1月9日This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 12°2′36″N77°1′42″N |
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alt | Gary Jules performing live at the Hotel Café on December 9, 2008 |
name | Gary Jules |
background | solo_singer |
birth name | Gary Jules Aguirre, Jr. |
birth date | March 19, 1969San Diego, California, |
instrument | Vocals, guitar, piano, mandolin, harmonica, ukulele |
genre | Rock, folk, alternative rock |
website | www.garyjules.com }} |
Gary Jules (born March 19, 1969 as Gary Jules Aguirre, Jr.) is an American singer-songwriter, best known for his cover of Tears for Fears' third single "Mad World", which he recorded together with friend Michael Andrews for the film Donnie Darko. It became the UK Christmas Number One single of 2003. Since then it has been used on popular American TV shows, in a commercial for the critically acclaimed video game Gears of War, an episode of CSI: Las Vegas, and a Season 5 episode of the medical drama House.
Some of Jules' early projects/bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, Invisible, No poetry, and Heroes and Heroin. His 2003 residency at the Los Angeles Hotel Café helped develop the venue as a successful singer/songwriter venue.
Gary Jules recorded a cover of the song "Mad World" (by Tears For Fears) for the film Donnie Darko and later released it as a single in December 2003. It was a huge success becoming the Christmas No. 1 in the UK. It has also become a popular choice for background music in numerous television dramas. The song was used repeatedly during James Franco's acting stint on General Hospital, playing the part of a homicidal artist named Franco. In one episode of the television show Without a Trace, the Jules' version of Mad World was played during the last part of the episode and into the credits. The song was also featured in the TV series Smallville, and during the beginning of the CSI: Crime Scene Investigation episode, the trailer for The Crazies," as well as in The Cavaliers Drum and Bugle Corps' 2010 Production "Mad World." Most recently, it was used on the new series Stolen voices, Buried secrets from Investigation Discovery and also in Silent Witness episode 61 (3rd episode of season 10), part one of Terminus.
American Idol contestant Adam Lambert sang Jules's version of "Mad World" for the top 8 performance, which was highly praised by the judges and viewers, and repeated the song in a different dramatic presentation for the top 2 performance, as well as during the American Idols Live! 2009 tour. Following the performance, Jules's version of "Mad World" shot up to #11 on the iTunes store. Jules has stated he did well until he added a long drawn out note at the end.
His song "Gone Daddy" is based upon his family and himself relocating to North Carolina. When living in L.A. a neighbor was gunned down at night. While the police were investigating the shooting, Gary approached one of the officers and explained that his child was trying to take a nap. Gary asked if the officer knew when they would be finished. The officer told Gary he did not know, but he could always leave L.A. So, Gary did.
His song "Wichita" was inspired by a class Gary took at UCLA regarding Native American history. There was a story about how the Native Americans followed the buffalo around the nation to survive, and when the "white men" finished the intercontinental railroad, the buffalo started to head back south. When they came upon the railroad, the buffalo would not cross it, and millions of them died. Gary has only spent one night in the actual city of Wichita.
Gary has stated that "No Poetry" is possibly his favorite song he has written. His song "Something Else" was featured on the Season 5 episode "My Fallen Idol" of the NBC TV show Scrubs.
Gary also sang on the Esquimaux song "Honey & Dear" from their album Perfecto!.
Act one, scene three: NADINE hits Play. It’s “Little Greenie” by Gary Jules. NADINE:Okay...One time, I was gonna kill myself, but then I played this Gary Jules song like twenty-seven times.
"I think one could make a very good argument that a lot of art, particularly music, is born of suffering. I think the person who writes songs with a deeper resonance makes it their business to think about things like that."
"As far as advice for struggling artists, I'd say separating your art from struggle is the worst mistake you can make. If you really want to be an artist, expect to be struggling forever. You'll struggle to get recognition and once you get recognition you'll have to struggle to change people's opinion when you want to do something slightly different. You have to love exactly what it is you're doing. You have to love the work in order to get by. If you do love it, it doesn't matter what the rest of the world thinks, which is the greatest part."
"I found out that people through the ages are exactly the same as now, they had the same issues, the same desires. One thing that's clear when you read old literature is that there are some great universal truths — things like fart jokes, guys screwing other people's wives and the hunger for power."
Category:1969 births Category:People from Fresno, California Category:People from San Diego, California Category:Living people Category:University of California, Los Angeles alumni Category:American male singers Category:American rock singers Category:Songwriters from California Category:American musicians Category:American singer-songwriters Category:American acoustic guitarists Category:Musicians from California Category:Ivor Novello Award winners
de:Gary Jules es:Gary Jules fr:Gary Jules hr:Gary Jules it:Gary Jules nl:Gary Jules pt:Gary Jules simple:Gary Jules fi:Gary Jules sv:Gary JulesThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 12°2′36″N77°1′42″N |
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Name | Jan Hammer |
Background | non_vocal_instrumentalist |
Birth name | Jan Hammer |
Birth date | April 17, 1948 |
Instrument | Keyboards, Drums |
Genre | Jazz fusion, Synthpop, Pop rock |
Occupation | Musician, Songwriter, Producer |
Years active | 1968–present |
Associated acts | Mahavishnu Orchestra, Jan Hammer Group, Jeff Beck, Al Di Meola, Mick Jagger, Carlos Santana, Stanley Clarke, Neal Schon, Steve Lukather, Elvin Jones |
Website | http://www.janhammer.com }} |
Jan Hammer () (born 17 April 1948, in Prague, then Czechoslovakia, today the Czech Republic) is a composer, pianist and keyboardist. He is probably best known for playing keyboards with the Mahavishnu Orchestra in the early 70s, as well as his "Miami Vice Theme" and "Crockett's Theme", from the popular 1980s US television program, Miami Vice.
Hammer has collaborated with some of the era's most influential jazz and rock musicians such as Jeff Beck, Al Di Meola, Mick Jagger, Carlos Santana, Stanley Clarke, Neal Schon, Steve Lukather, and Elvin Jones among many others. He has composed and produced at least 14 original motion picture soundtracks, the music for 90 episodes of Miami Vice and 20 episodes of the popular British television series Chancer.
His compositions have won him several Grammy awards.
When the Soviet Union invaded Czechoslovakia in 1968, Hammer's studies at the Academy were cut short, and he moved to the United States and resolved to become a citizen after receiving a scholarship at Berklee College of Music in Boston.
Upon completion of his studies, Hammer spent a year touring with Sarah Vaughan, recorded with Elvin Jones and Jeremy Steig, then moved to Lower Manhattan and joined the original lineup of the Mahavishnu Orchestra with guitarist John McLaughlin, violinist Jerry Goodman, bassist Rick Laird, and drummer Billy Cobham in 1971. A successful jazz fusion band, they performed some 530 shows before their farewell concert on December 30, 1973. Hammer was one of the early pioneers who played the Mini Moog synthesizer in a touring group.
After recording albums with Goodman and John Abercrombie (ECM session Timeless with Jack DeJohnette) in 1974, Hammer's solo career began with the release of The First Seven Days (1975). He produced and recorded the album at Red Gate Studio, which he'd built in his upstate New York farmhouse and which has been the location of his recordings ever since.
The Jan Hammer Group was formed in 1976 and supported The First Seven Days on tour, receiving good reviews from both jazz and rock critics. The group turned out three LPs the following year: their own Oh, Yeah? and, with Jeff Beck, the RIAA platinum Wired (with Jan's "Blue Wind"), and Jeff Beck with the Jan Hammer Group Live, a chronicle of their 100-show tour together, certified gold. One final album by the group followed in 1977, Melodies.
Hammer composed music for Czech fairy-tale Šíleně smutná princezna (The Incredibly Sad Princess).
The '80s arrived with concurrent (though highly contrasting) projects with two of today's most respected guitarists. In 1977 with Al Di Meola, Hammer recorded Elegant Gypsy. Casino, Splendido Hotel and Electric Rendezvous followed. He then joined Di Meola for a tour chronicled the same year on Tour De Force - Live; and finally appeared throughout Scenario, utilizing his new Fairlight CMI digital synthesizer and contributing to more than half of the album's compositions.
At the same time, the duo known as Schon & Hammer, with the mega-platinum band Journey's guitarist Neal Schon, recorded Untold Passion in 1981 and Here to Stay in 1982.
Despite his active schedule, Hammer took the stage with Jeff Beck in December 1983 for the nine U.S. benefit concerts that raised money for Ronnie Lane's A.R.M.S. (Action Research into Multiple Sclerosis), featuring Jimmy Page, Eric Clapton, Joe Cocker and a host of others. Into 1984, his various talents were employed on recordings as diverse as James Young's (Styx) first solo album, City Slicker for which he co-wrote and produced; John Abercrombie's Night; Mick Jagger's first solo album, She's the Boss; and Jeff Beck's Flash which included Hammer's song "Escape", winner of the 1985 Grammy award for "Best Rock Instrumental Performance".
The popular success of his music on the series was evident after just one season when, on November 2, 1985, the Miami Vice Soundtrack hit number one on the Billboard Top Pop album charts. The album achieved quadruple-platinum status with U.S. sales of more than four million copies.
At the Grammy awards in February 1986, "Miami Vice Theme" earned Hammer two awards; one for "Best Pop Instrumental Performance" and one for "Best Instrumental Composition". He also earned Emmy award nominations in 1985 and 1986, for "Outstanding Achievement in Musical Composition". At the end of 1986, Hammer won Keyboard Magazine's poll as "Best Studio Synthesist" for a second consecutive year. He had previously won the "Best Lead Synthesist" honor for seven years, at which time he was inducted into the Keyboard Hall of Fame.
In 1988, Hammer bowed out of full-time musical chores for Miami Vice.
The first project to spring from the new Red Gate was Hammer's original soundtrack for Clinton and Nadine for HBO Films.
Hammer's next two assignments contributed greatly to his next album. First, at the end of the summer, he was commissioned to compose and perform a theme entitled "The Runner" for a major series of television advertisements in England that starred Bob Geldof. Second, Hammer composed and performed the theme music for the top-rated new bi-weekly pan-European television series, Eurocops, which premiered in seven countries that November.
Snapshots was the first full album from the new Red Gate studio in 1989, with Hammer composing, performing and producing every track. The promo video for "Too Much to Lose," the album's first European single, featured Jeff Beck, David Gilmour of Pink Floyd, and Ringo Starr.
Hammer's next project was as composer and performer of the original score for the Miramar Productions video album, Beyond the Mind's Eye.
1994 was dominated by Hammer's recording of Drive, his first full-fledged album of original new non-soundtrack material under his name in several years. He was reunited with longtime partner Jeff Beck on "Underground", reminiscent of their collaborations of the past.
In 1995, Hammer returned to his scoring and soundtrack work. He began with the one hour Universal drama Vanishing Son, then went on to compose the theme and score for 13 episodes of the series. He composed and performed the original music for two feature films, both released in 1996: A Modern Affair and In the Kingdom of the Blind the Man with One Eye Is King. Hammer wrapped up the year scoring Beastmaster III: The Eye of Braxus.
In 1996, Hammer's scoring assignments included the NBC Movie of the Week, The Babysitter’s Seduction, The Secret Agent Club, and The Corporate Ladder.
Also in 1996 (and through 2000) Hammer was commissioned to compose all the original music for TV Nova, the first commercial television network in Eastern Europe, based in the Czech Republic. He composed everything—including themes for 23 original shows produced by the network, 50 separate station ID’s, the music for all of the network’s special broadcasts, plus the music for all the news, sports and weather programs.
In 1997, Hammer also composed the hard-driving rock soundtrack for the new CD-ROM game, Outlaw Racers (MegaMedia). His next project was the theme and original music score for the pilot and the series of Prince Street.
Hammer started off 1999 by writing, performing and producing a tune, "Even Odds" for Jeff Beck’s latest album Who Else! (Epic). Also, 1999 saw the release of The Lost Trident Sessions, the third (and last) studio album from his former group, the Mahavishnu Orchestra. The album was recorded in 1973 just prior to the band's breakup.
Also in the fall of 2004 Hammer released the album The Best of Miami Vice on the Reality label in the U.S. The Best of Miami Vice contains newly recorded versions of "Miami Vice Theme" and "Crockett’s Theme", as well as one bonus track never before released on CD.
In February 2005, after years of anticipation, Universal Studios Home Entertainment finally released the first season of Miami Vice on three double-sided DVDs. One of the package’s discs contained bonus material, including an extensive interview and archival footage of Hammer creating music for the show back in 1985.
To coincide with the release of the DVD, Reality Records released a newly recorded version of "Crockett’s Theme" to AC (Adult Contemporary) radio in America.
In 2006 Hammer was asked to collaborate with the singer/rapper TQ for a brand new version of his song "Crockett's Theme". The result of their work was The Jan Hammer Project Featuring TQ (Terrance Quaites): Crockett's Theme. A CD single of this new version climbed up the charts in Europe, hitting #1 on the iTunes Europe download list.
! Album | |||
The Jan Hammer Trio | Maliny Maliny (aka Make Love) | (1968) | MPS Records |
Jerry Goodman & Jan Hammer | Like Children | (1974) | Nemperor / Sony |
Jan Hammer | The First Seven Days (album)>The First Seven Days | (1975) | Nemperor / Sony |
Jan Hammer Group | Oh Yeah? (album)>Oh Yeah? | (1976) | Nemperor / Sony |
Jan Hammer Group | Jeff Beck with the Jan Hammer Group Live | (1977) | Epic |
Jan Hammer Group | Melodies | (1977) | Nemperor / Sony |
Hammer | Black Sheep | (1978) | Elektra / Asylum |
Hammer | Hammer | (1979) | Elektra / Asylum |
Neal Schon & Jan Hammer | Untold Passion | (1981) | Columbia |
Neal Schon & Jan Hammer | Here to Stay (Schon & Hammer album)>Here to Stay | (1983) | Columbia |
Jan Hammer | Miami Vice | (1985) | MCA |
Jan Hammer | The Early Years | (1986) | Nemperor / Sony |
Jan Hammer | Escape from Television | (1987) | MCA |
Jan Hammer | Snapshots | (1989) | MCA |
Jan Hammer | Police Quest 3 Soundtrack (PC game) | (1991) | Sierra |
Jan Hammer | BEYOND The Mind's Eye | (1992) | Miramar / MCA |
Jan Hammer | Drive | (1994) | Miramar |
Jan Hammer | Snaphots 1.2 | (2000) | One Way |
Jan Hammer | Miami Vice: The Complete Collection | (2002) | One Way |
Jan Hammer | The First Seven Days | (Remastered) (2003) | Columbia/Legacy |
Jan Hammer | The Best of Miami Vice | (2004) | Reality Records |
Jan Hammer | Black Sheep/Hammer (2 CD Set) | (2005) | Wounded Bird Records |
Jan Hammer Project (Featuring TQ) | "Crockett's Theme" | (2006) | LuckySong/Sony/BMG |
Jan Hammer | "Cocaine Cowboys" Soundtrack | (2007) | Red Gate Records |
Jan Hammer Group | "Live In New York" | (2008) | Red Gate Records |
|
! Album | |
John McLaughlin with The Mahavishnu Orchestra | The Inner Mounting Flame (1971) | |
The Mahavishnu Orchestra | Birds of Fire (1972) | |
The Mahavishnu Orchestra | Between Nothingness and Eternity (1973) | |
The Mahavishnu Orchestra | The Best of The Mahavishnu Orchestra (1980) | |
The Mahavishnu Orchestra | The Lost Trident Sessions (recorded 1973, released 1999) |
With Jeff Beck (Epic):
|
! Album | |
Jeff Beck | Wired (Jeff Beck album)>Wired (1976) | |
Jeff Beck | Jeff Beck With the Jan Hammer Group Live>Jeff Beck with the Jan Hammer Group Live (1977) | |
Jeff Beck | There and Back (Jeff Beck album)>There and Back (1980) | |
Jeff Beck | Flash (Jeff Beck album)>Flash (1985) | |
Jeff Beck | Beckology (1991) | |
Jeff Beck | The Best of Beck (1995) | |
Jeff Beck | Who Else! (1999) |
With Al Di Meola (Columbia):
! Album | |
Al Di Meola | Elegant Gypsy (1977) |
Al Di Meola | Splendido Hotel (1980) |
Al Di Meola | Electric Rendezvous (1982) |
Al Di Meola | Tour De Force - Live (1982) |
Al Di Meola | Scenario (album)>Scenario (1984) |
Al Di Meola | The Electric Anthology (1995) |
Al Di Meola | This Is Jazz Volume 31 (1997) |
Al Di Meola | Anthology (2000) |
With Carlos Santana (Columbia):
With Stanley Clarke (Nemperor):
With Billy Cobham (Atlantic):
With Lenny White (Nemperor):
With John Abercrombie (ECM):
With The Freelance Hellraiser (Sony/BMG):
With Tommy Bolin (Atlantic):
With Elvin Jones (Blue Note):
With Elvin Jones (P.M.):
With Glen Moore (Elektra):
With Joni Mitchell (Asylum):
With Tony Williams (Columbia):
With Mick Jagger (Columbia):
With James Young (Passport):
With Clarence Clemons (Columbia):
With Steve Lukather (Columbia):
With Charlie Mariano (MPS):
Category:1948 births Category:Living people Category:Berklee College of Music alumni Category:Czech expatriates Category:Czech musicians Category:Grammy Award winners Category:Miami Vice Category:Naturalized citizens of the United States Category:People from Prague Category:The Mahavishnu Orchestra members
ar:يان هامر cs:Jan Hammer da:Jan Hammer de:Jan Hammer es:Jan Hammer fr:Jan Hammer it:Jan Hammer nl:Jan Hammer ja:ヤン・ハマー no:Jan Hammer pl:Jan Hammer pt:Jan Hammer ru:Хаммер, Ян sq:Jan Hammer fi:Jan Hammer sv:Jan HammerThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 12°2′36″N77°1′42″N |
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Name | José José |
Background | solo_singer |
Birth name | José Rómulo Sosa Ortiz |
Alias | El Príncipe de la Canción (The Prince of the Song) |
Born | February 17, 1948Mexico City México |
Instrument | Vocals, Bass, Double bass, Guitar, Piano |
Genre | Latin pop, Mexican pop, bolero, bossa nova, jazz |
Occupation | Singer, musician, producer, actor |
Years active | 1963–present |
Label | RCA VictorAriola RecordsSony BMG |
Associated acts | Armando Manzanero, Manuel Alejandro, Paul Anka, José Feliciano, Lani Hall, Yanni |
Yearsactive | 1963–present |
Spouse | Natalia Herrera Calles (1971–1974)Ana Elena Noreña (1974–1991)Sara Salazar (1995–present) }} |
José Rómulo Sosa Ortiz (born February 17, 1948), known by his artistic name José José, is a Mexican singer.
Referred in the entertainment world as "El Príncipe de la Canción" ("The Prince of Song"), José José is best known for his romantic ballads and renowned for his vocals. He is recognizable by his pure vocal tone and his ability to sustain high and low notes.
Born into a family of musicians, José José started his musical career in his early teens playing guitar and singing in serenades. He later joined a jazz and bossa nova trio where he sang and played the bass and double bass. José became a successful solo artist in the early 1970s. Demonstrating his vocal ability with a masterful performance of the song "El Triste" in a Latin music festival in 1970, he climbed the Latin charts during the decade.
In the 1980s, after signing with Ariola Records, he gained international fame as a talented and successful performer. His 1983 album Secretos has sold over 11 million copies around the world. With a series of huge hits, he received several nominations to the Grammy and numerous recognitions worldwide. He sold out in venues such as the Madison Square Garden and the Radio City Music Hall. His music has reached non Spanish-speaking countries like Japan, Israel and Russia. During the 1990s, after several hits, his career began to decline as his voice started to falter due to his alcoholism and health issues. José has also forged a career as an actor, starring in movies like Gavilán o Paloma and Perdóname Todo.
In a career that has spanned more than four decades, his performance and distinctive vocal style have influenced a big number of Latin pop artists. Due to his wide-range vocals, his talent, his performance and the high popularity he achieved, he is considered by the media, the press and the people as an icon of the Latin pop music.
In 1967, searching for a solo career, he signed a small contract of two singles under the name of "Pepe Sosa", and released the songs "El mundo" (Jimmy Fontana's "Il Mondo") and "Ma Vie" without success. José returned to serenades and to play with "Los PEG" in night clubs. He left "Los PEG", took the artistic name "José José" (in honor of his father, who had recently died of alcoholism; he joined his first name "José" and the first name of his father "José", from whom he says, had inherited the voice), signed a contract with RCA Victor and recorded his first album: Cuidado. The album contains songs by Rubén Fuentes and Armando Manzanero. The sound of the album is a combination of boleros and romantic ballads with an influence of jazz and bossa nova. Because of the quality, his debut album was praised by the critics but did not achieve much popularity.
He struggled, but then during the late 1960s, his fame began to rise, as he was featured on various television shows. With songs like "Una mañana" and "Cuidado", José started to get attention from the people and the media.
During the early 1970s, José José became one of the best known romantic ballad singers in Latin America. He was featured constantly on the most popular Mexican television shows, where he used to sing live with old legends of the Hispanic music such as Pedro Vargas and Carlos Lico. In 1974, he performed a season in the Casino Royale & Hotel of Las Vegas.
He made various international number one hits and toured Latin America several times. His main hits were: "Del altar a la tumba", "Buscando una sonrisa", "De pueblo en pueblo", "Soy como quieras tú" (Mina's "Sono, come tu mi vuoi"), "Cuando tu me quieras", "Hasta que vuelvas", "Candilejas" (Charles Chaplin's "Terry's Theme"), "Paloma 'Cada mañana que te vas'", "Sentimientos" (Morris Albert's "Feelings"), "Vive", "Dejame conocerte" (Paul Anka's "Let Me Get To Know You"), "Divina ilusión" (an adaptation of Étude Op. 10, No. 3 of Chopin), "Sabrás que te quiero" and "El Príncipe" (The Prince) song earned him the nickname "El Príncipe de la canción" (The Prince of the song).
In 1977, José signed a contract with Ariola Records (Today part of Sony BMG). He recorded the album Reencuentro in London, England under the new record label. Reencuentro released the hits " El amar y el querer" and "Gavilán o paloma" that got him to the top of the lists of popularity. During 1978 and 1979, he achieved enormous success with the albums Volcán, Lo Pasado, Pasado and Si Me Dejas Ahora. His main hits were "O tú o yo", "Farolero", "Volcán", "Lo que un dia fué no será", "Lo pasado, pasado", "Si me dejas ahora", "Te quiero tal como eres" (Billy Joel's "Just The Way You Are") and the hit ballad "Almohada".
In 1983, José released what proved to be by far the biggest album of his career: Secretos. The album was recorded in Spain and was written and produced by Manuel Alejandro. It was his first album that released a video for each song. The main hits were "Lo dudo", "El amor acaba", "Lagrimas", "He renunciado a ti", and "A esa". Secretos was nominated for Best Latin Pop Performance in the Grammy Awards of 1985. It has sold over 11 million units until today. Following the hit of Secretos, José kept on with international success. He released the album Reflexiones in 1984. The production was written, produced and arranged by Rafael Pérez-Botija. The songs "Payaso", "Seré, "Tu ganas", "De hombre a hombre" and "¿Y qué" were the main hits. Reflexiones sold over 2 million copies worldwide, became his first number-one set on the Billboard Latin Pop Albums and was nominated for Best Latin Pop Performance in the 1986 Grammy Awards. Later, José José joined José Feliciano to release a duet that became a major hit for both singers: "Por ella". Their song was nominated for Best Latin Pop Performance in the Grammy Awards of 1986 as well.
In 1985, José José was asked to participate in the song "Cantaré, cantarás", along with other icons such as Placido Domingo, Julio Iglesias, Roberto Carlos, Jose Luis Rodriguez "El Puma", Pedro Vargas and Vicente Fernández among others. It was recorded in Los Angeles in April 1985, at the A&M; Studios, same studio used for "We Are The World". The same year, José starred his autobiographic film Gavilán o Paloma, alongside Christian Bach and the comedian Jorge Ortiz de Pinedo. Later that year, he released the album Promesas, written, produced and arranged by Pérez-Botija. Its main hits were "Amantes", "Me vas a echar de menos", "Más" and "Tu me estas volviendo loco". The single "Pruébame" was nominated for Best Latin Pop Performance at the 1987 Grammy Awards. Promesas became the second number-one set on the Billboard Latin Pop Albums by José José. He received two Billboard awards: Top Latin Artist and Top Latin Album of 1985. In his next album Siempre Contigo of 1986 he worked with the Spanish producer and guitarist Paco Cepero. The songs "Corre y ve con él", "Sin saber" and "¿Y Quién Puede Ser?" were its main hits. It was nominated for Best Latin Pop Performance in the Grammy Awards of 1988 and became the third number-one set on the Billboard Latin Pop Albums by José.
In 1987, he released the album Soy Así, written and produced by his working partner Rafael Pérez-Botija once more. It was nominated for Best Latin Pop Performance in the 1989 Grammy Awards and became his fourth number-one set on the Billboard Latin Pop Albums. Soy Así released four successful singles: the title track reached the number-one position in the Billboard Hot Latin Tracks chart while "Mi Hembra" peaked at number five, "Salúdamela Mucho" at number 22 and "Vergüenza Me Da Quererte" reached number eight.
During the 1980s, José José sold out Madison Square Garden, The Dunes and performed several seasons at the Las Vegas Hilton, Greek Theatre, and the Tropicana Casino and Resort Atlantic City among others. He was known as "Mexico's Top Singer" in his shows. In 1987, he sold out Radio City Music Hall. That same year, José traveled to Israel and performed in Tel Aviv and Jerusalem. In 1988, he played the role of the Mexican singer and composer Alvaro Carrillo in the movie Sabor A Mí, costarring Angelica Aragón. In 1989, José sold out with two massive concerts at the Plaza México, gathering over 100,000 people. The same year, he traveled to Japan, where he was featured on television shows and offered several performances. His album ¿Qué Es El Amor? released the pop songs "Piel de azucar" and "Como Tú", and José climbed to the top of the lists of popularity. The song "Como Tú" lasted ten weeks at number-one on Billboard Hot Latin Tracks.
In 1990, the late Raúl Velasco made a special television show to pay homage to José's 25th anniversary. The show lasted over five hours and featured very popular singers as special guests like Armando Manzanero, Libertad Lamarque, Vicente Fernández and Marco Antonio Muñiz. In 1991, he released the hit song "Amnesia" of the album En las Buenas... y en las Malas. The song lasted 21 weeks on the charts and peaked at number-one on Billboard Hot Latin Tracks, while his next single "Atrapado", spent 16 weeks and peaked at number seven. In 1992, he released another hit single: "40 y 20". From the self-titled album, the song speaks about men who fall in love with women that are much younger than them and the way society sees those situations. "40 y 20" lasted over 17 weeks on the charts and peaked at number four. His next single "Eso no más", spent 15 weeks and peaked at number five.
In 1993, to commemorate the thirtieth anniversary of José José as a singer, his record company BMG hosted a tribute in the city of Puerto Vallarta. It was called 30 Años de ser el Príncipe (30 years of being the Prince). The tribute included a number of the most prestigious artists of the Spanish music such as Rocío Dúrcal, Camilo Sesto, Armando Manzanero, Marco Antonio Muñiz and Raul di Blasio. The tribute coincided with his recent divorce, a serious relapse into alcoholism and a significant loss of vocal abilities; caused by his addictions and several respiratory problems suffered throughout his life. He appeared to be in poor physical shape, too thin and lacking energy. Camilo Sesto even took a break in the middle of the presentation to speak words of encouragement to José. The album was not released until 1994. At that time, José suffered the worst stage of alcoholism in his career. During 1993, he retired from the stage and went to rehab. Upon completion of his rehabilitation, he started seasons in places like the famous "Teatro Blanquita" of Mexico City, and the Gibson Amphitheatre of Los Angeles.
In 1994, after the great success he achieved ten years back with Secretos, José re-teamed with Manuel Alejandro and released the album Grandeza Mexicana. The title track peaked at number 12 on Billboard Hot Latin Tracks and spent over seven weeks on the charts. He did a duet with his son José Joél in the song "La fuerza de la sangre", second single of the album. In 1995, he played the lead role in the movie Perdóname Todo, a drama about an alcoholic has-been and how he tries to survive to himself and to the music business. That same year, his album "Mujeriego" was released. It sold more than 180,000 copies in its first two weeks and reached number 12 on the Billboard Latin charts. The song "Llora corazón" lasted 11 weeks on the charts and peaked at number six, while the second single, the title track, spent only two weeks on the charts.
In 1996, he performed a duet with Paul Anka on "Déjame Conocerte (Let me Get to Know You)" from Anka's Latin album Amigos. In 1997, he performed at the Bally's Atlantic City. His last album of the decade, Distancia, was released on 1998. A video of the single "Ojala que te mueras" was released. On September 1999, he joined fellow countrymen Armando Manzanero, Marco Antonio Muñiz and Argentine pianist Raúl di Blasio for a series of concerts dubbed "Noche Bohemia" (Bohemian Night) at the Gibson Amphitheatre in Los Angeles.
In the mid 2000s, José appeared briefly as the "Mystery Musician" in the movie Sueño and played the role of Erasmo Padilla (the father of Leticia "Lety" Padilla) in La Fea Más Bella, a very successful Mexican version of the Colombian production Betty la Fea (adapted in the US as Ugly Betty). In 2006, José participated as a singing professor in Televisa's high-rating show, Cantando por un sueño.
José released Mis Duetos in 2007, an album featuring duets he recorded in the past. However, it featured two new songs, "E-mail me" with his daughter, "Sarita" and "Aunque vivas con él" with Reyli. In 2008, José recorded an emotive song called "Volver a creer" (Believe again) with the world famous musician Yanni. The song is included in the album Yanni Voces. Yanni stated that he wanted to "help a true legend to fulfill his dream, to sing again". José José was invited by Yanni to sing their song live in Yanni's tour in Mexico. He released his autobiographic book, named "Esta es mi vida" (This is my life).
In 2010, he released José José Ranchero, another concept album with some of his greatest hits, separated from the original accompaniment, remastered and accompanied with mariachi, giving to his classics a traditional Mexican sound. The same year, José launched his own perfume, called simply "José José", the profit from the sales are to help women and children sick with HIV/AIDS.
José is still working in a new, untitled album, adding that it will consist of nine unreleased tracks and a melody he used to sing in serenades "Que viva mi tristeza", from songwriter Armando Manzanero. It has not been completed due to the ups and downs faced by his voice. He is currently on a national Mexican tour named "Jose Jose y sus amigos" (Jose Jose and friends), with Dulce, Carlos Cuevas, Celso Piña and Chamin Correa.
He told the magazine Selecciones that from 1985 to 1987, he underwent a serious personal crisis because "my life was spent on airplanes, tour buses and locked in a hotel room". In 1991, he divorced his then wife. In the same year, he also ended his work relationship with his manager, who also was his brother-in-law.
In 1995, he married Sara Salazar, his third wife. That same year, during a Latin American tour, Sara, his third daughter was born. On November 2008, his current wife suffered from a cerebral haemorrhage. She recovered after spending several months in the hospital and receiving therapy. José stated that the medical bills nearly lead him to bankruptcy. He lives in Coral Gables, Florida with his wife and his youngest daughter.
José stated that his addiction was because he "was frail, weak, innocent, ignorant, weak-willed and did not know how to say no". In the early 1970s, after the huge success of "El Triste", with the quick fame and money, like his father, he fell into alcoholism, but with help of his friends and his family he managed to stop drinking for a while. His ongoing battle against alcoholism continued during the 1970s and 1980s. He attended AA meetings and stopped drinking for periods of time, but he fell steadily into the addiction. His alcoholism caused him serious financial problems and he claims that during his career he was constantly defrauded by his managers, including the brother of his second wife.
After his divorce from his second wife in 1991, he reached his lowest point, reportedly declaring that he wanted to die drinking. With the help of his friends, family, his personal friend Ricardo Rocha and other artists, he decided to go to rehab. He went to the Hazelden clinic in Minnesota for rehab. He remains a sober recovering alcoholic.
In 1987, he underwent an operation to remove nodes in his vocal fold as a consequence of the excessive use of cortisol, alcohol and the lack of rest after many of his performances. José would suffer dire consequences from his problem with alcoholism, as his health faltered dearly during the 1990s. He developed diabetes.
In 2001, he suffered from a case of emphysema. The effect of alcoholism, the abuse of cortisol and his hiatus hernia, have not only affected his ability to sing, but also to talk. In 2007, he suffered from Bell's palsy. As a result of all these problems he has fought a very serious depression over the recent years. He acknowledged this during an interview on the Univision program "Don Francisco Presenta..." hosted by popular TV host Don Francisco.
He has recently struggled with a diabetic retinopathy in one of his eyes, he underwent a successful operation.
His voice is often considered one of the most influential in Latin pop music. Over time, because of his alcoholism and excesses, his voice and vocal style changed noticeably. By inherit the qualities of his father for singing, in his prime, he achieved high and low notes and his intonation was practically perfect. Upon his performance of "El Triste", many critics had welcomed his vocal inflections, and he was praised for his technical virtuosity and intensity. One of the most peculiar qualities of his voice, is his handling of the breathing and lung capacity, that to sustain long notes in tune, without losing power, or show any signs of suffocation.
In 1996, he was awarded a special concession by the Mexican government. The Mexican government deemed him deserving of this award based on the cultural impact José José has had on the country. In 2002 he achieved "El Premio a la Excelencia" (Prize to Excellence) in the Premios Lo Nuestro ( Lo Nuestro Awards). The Billboard Magazine awarded him for "Mejor Artista Latino" (Best Latin Artist) and "Mejor Disco Latino" (Best Latin Album) several times. In 2005 he received the "Personalidad del Año" (Person of the Year) by the Latin Grammy Award Recording Association; he has been nominated nine times to the Grammy.
In 2006, the TV network Televisa, made a special television show in Acapulco to pay homage to José José's career. Singers like Manoella Torres, Francisco Céspedes, Dulce and Gualberto Castro performed several of José Jose's greatest hits.
In July 2008, Univision and the Latin Grammy, recorded in Miami at the BankUnited Center a special TV tribute to José José, called Latin Grammy Celebra: José José (Latin Grammy Celebrates: José José). Stars such as Marco Antonio Solís, Ana Bárbara, Cristian Castro, Alicia Villarreal, Reyli, Olga Tañon, Luis Fonsi, David Bisbal and Aventura performed his greatest hits live; stars such as Plácido Domingo, Ricky Martin, Enrique Iglesias, Pepe Aguilar, Pedro Fernández, and RBD, sent him special messages congratulating him and showing their admiration. In the show, Univision described José José as: "One of the most beloved singers in Latin music".
In 2007, a bronze statue was unveiled on his honor at the Azcapotzalco area in Mexico City, where he grew up. He was honored by the Las Vegas Walk of Stars with a celebrity star and booksigning at The Rio in Las Vegas on November 20, 2008.
For his contribution to the recording industry, José José has a star on the Hollywood Walk of Fame at 7036 Hollywood Blvd.
Marc Anthony released the album Iconos (Icons), which covers Latin ballads from the past, among them "El Triste" and "Almohada". About the difficulty of singing "El Triste", Anthony stated that "once you start to sing it you realize the magnitude, of that spectacular voice and special phrasing of José José and his incredible way to perform."
Cristian Castro recently released the album Viva el Principe (Long Live the Prince), his tribute to José José. The album includes a duet with José José on "Lo Pasado, Pasado" and a poem recited by him. Rafael Pérez-Botija is involved with the production of the album. Due to its high sales, Viva el Principe has achieved Gold Certification in Mexico.
TOTAL OF 22 GOLD AND PLATINUM RECORDS FOR "Secretos"
Category:1948 births Category:Living people Category:Mexican expatriates in the United States Category:Mexican film actors Category:Mexican male singers Category:Mexican musicians Category:People from Mexico City Category:Spanish-language singers Category:Latin Recording Academy Person of the Year Honorees
es:José José fr:José José it:José José pt:José José fi:José JoséThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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