music festival name | Live Aid |
---|---|
location | Wembley Stadium in London, England, United KingdomJohn F. Kennedy Stadium in Philadelphia, Pennsylvania, United States |
years active | 1985 |
founders | Midge UreBob Geldof |
dates | |
genre | Pop musicRock music |
website | Live 8 Site }} |
Live Aid was a dual-venue concert that was held on 13 July 1985. The event was organized by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the "global jukebox", the event was held simultaneously in Wembley Stadium in London, England, United Kingdom (attended by 72,000 people) and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States (attended by about 100,000 people). On the same day, concerts inspired by the initiative happened in other countries, such as Australia and Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time: an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast.
The concert grew in scope, as more acts were added on both sides of the Atlantic. As a charity fundraiser, the concert far exceeded its goals: on a television programme in 2001, one of the organisers stated that while initially it had been hoped that Live Aid would raise £1 million with the help of Wembley tickets costing £25.00 each, the final figure was £150 million (approx. $283.6 million). Partly in recognition of the Live Aid effort, Geldof received an honorary knighthood. Music promoter Harvey Goldsmith was also instrumental in bringing the plans of Geldof and Ure to fruition.
It was the original intention for Mick Jagger and David Bowie to perform an intercontinental duet, with Bowie in London and Jagger in Philadelphia. Problems of synchronization meant that the only remotely practical solution was to have one artist, likely Bowie at Wembley, mime along to prerecorded vocals broadcast as part of the live sound mix for Jagger's performance from Philadelphia. Veteran music engineer David Richards (Pink Floyd and Queen) was brought in to create footage and sound mixes that Jagger and Bowie could perform to in their respective venues. The BBC would then have had to ensure that those footage and sound mixes were in synch while also performing a live vision mix of the footage from both venues. The combined footage would then have had to be bounced back by satellite to the various broadcasters around the world. Due to the time lag (the signal would take several seconds to be broadcast twice across the Atlantic Ocean) Richards concluded there would be no practical way for Jagger to be able to hear or see Bowie's performance, meaning there could be no interaction between the artists, which would defeat the whole point of the exercise. On top of this both artists objected to the idea of miming at what was perceived as an historic event. Instead, Jagger and Bowie worked with Richards to create a video clip for the song they would have performed, a cover of "Dancing in the Street". The video was shown on the screens of both stadiums and also broadcast as part of many TV networks coverage.
Each of the two main portions of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid's "Do They Know It's Christmas?" closing the UK concert, and USA for Africa's "We Are the World" closing the US concert (and thus the day's proceedings).
Concert organizers have subsequently said that they were particularly keen to ensure that at least one surviving member of The Beatles, ideally Paul McCartney, took part in the concert as they felt that having an 'elder statesman' from British music would give it greater legitimacy in the eyes of the political leaders whose opinions the performers were trying to shape. McCartney agreed to perform and has said that it was "the management" – his children – that persuaded him to take part. In the event, he was the last performer (aside from the Band Aid finale) to take to the stage and one of the few to be beset by technical difficulties; his microphone was turned off for the first two minutes of his piano performance of "Let It Be", making it difficult for television viewers and impossible for those in the stadium to hear him. He later jokingly thought about changing the lyrics to "There will be some feedback, let it be".
Phil Collins performed at both Wembley Stadium and JFK, utilising Concorde to get him from London to Philadelphia. UK TV personality Noel Edmonds piloted the helicopter that took Collins to Heathrow Airport to catch his flight. Aside from his own set at both venues, he also provided drums for Eric Clapton and the reunion of the former members of Led Zeppelin at JFK. On the Concorde flight, Collins encountered actress and singer Cher, who later claimed not to know anything about the Live Aid concerts. Upon reaching the USA however she did attend the Philadelphia concert and can be seen performing as part of that concert's "We Are the World" finale.
An official book was produced by Bob Geldof in collaboration with photographer Denis O'Regan.
The concert was the most ambitious international satellite television venture that had ever been attempted at the time. In Europe, the feed was supplied by the BBC, whose broadcast was opened by Richard Skinner, co-hosted by Andy Kershaw, and included numerous interviews and chats in between the various acts. The BBC's television sound feed was mono, but the BBC Radio 1 feed was stereo and was simulcast in sync with the TV pictures. Unfortunately, in the rush to set up the transatlantic feeds, the sound feed from Philadelphia was sent to London via transatlantic cable, while the video feed was bounced the much longer distance via satellite, which meant a gross lack of synchronisation on British television receivers. Due to the constant activities in both London and Philadelphia, the BBC producers omitted the reunion of Crosby, Stills, Nash & Young from their broadcast. The BBC, however, did supply a 'clean feed' to various television channels in Europe.
ABC was largely responsible for the US broadcast (although ABC themselves only telecast the final three hours of the concert from Philadelphia, hosted by Dick Clark, with the rest shown in syndication through Orbis Communications, acting on behalf of ABC). An entirely separate and simultaneous US feed was provided for cable viewers by MTV, whose broadcast was presented in stereo, and accessible as such for those with special receivers of the time, as there were very few stereo sets in the summer of 1985, and few television stations were able to broadcast in stereo. While the BBC telecast was run commercial-free (as it is a public broadcaster), both the MTV and syndicated/ABC broadcasts included advertisements and interviews. As a result, many songs were omitted due to the commercial breaks, as these songs were played during these slots.
The biggest caveat of the syndicated/ABC coverage is that the network had wanted to reserve some of the biggest acts that had played earlier in the day for certain points in the entire broadcast, particularly in the final three hours in prime time; thus, Orbis Communications had some sequences replaced by others, especially those portions of the concert that had acts from London and Philadelphia playing simultaneously. For example, while the London/Wembley finale was taking place at 22:00 (10:00 pm) London time, syndicated viewers saw segments that had been recorded earlier, so that ABC could show the UK finale during its prime-time portion.
The ABC Radio Network broadcast the American domestic feed of the concert, and later broadcast many of the acts that were missing from the original live radio broadcast.
At one point midway through the concert, Billy Connolly announced he had just been informed that 95% of the television sets in the world were tuned to the event, though this can of course not be verified. In 1995, VH1 and MuchMusic aired a re-edited ten-hour re-broadcast of the concert for its 10th Anniversary.
The Live Aid concert in London was also the first time that the BBC outside broadcast sound equipment had been used for an event of such a scale. In stark contrast to the mirrored sound systems commonly used by the rock band touring engineers, with two 40–48 channel mixing consoles at the Front of house, and another pair for monitors, the BBC sound engineers had to use multiple 12 channel desks. Some credit this as the point where the mainstream entertainment industry realised that the rock concert industry had overtaken them in technical expertise.
Bob Geldof himself performed with the rest of the Boomtown Rats, singing "I Don't Like Mondays". He stopped just after the line: "The lesson today is how to die" to loud applause with the lyrics taking on a whole other meaning. He finished the song and left the crowd to say the final words.
Elvis Costello appeared singing a simple but touching version of the Beatles' "All You Need Is Love", which he introduced by asking the audience to "help [him] sing this old northern English folk song".
U2's performance established them as a pre-eminent live group for the first time – something for which they would eventually become superstars. The band played a 14-minute rendition of "Bad", during which lead vocalist Bono jumped off the stage to join the crowd and dance with a girl. The length of their performance of "Bad" limited them to playing just two songs; the third, "Pride (In the Name of Love)", had to be ditched. In July 2005, the girl with whom he danced revealed that he actually saved her life at the time. She was being crushed by the throngs of people pushing forwards; Bono saw this, and gestured frantically at the ushers to help her. They did not understand what he was saying, and so he jumped down to help her himself.
Queen galvanised the stadium with some of their greatest hits, in which lead singer Freddie Mercury at times led the entire crowd of 72,000 in thundering unison refrains. In their 20 minute set the band opened with "Bohemian Rhapsody" and closed with "We Are the Champions". They extensively rehearsed their performance at London's Shaw Theatre. Queen's performance on that day has since been voted by more than 60 artists, journalists and music industry executives as the greatest live performance in the history of rock music. Mercury and fellow band member Brian May later sang the first song of the three-part Wembley event finale.
Another moment that garnered a huge crowd response was when David Bowie performed "Heroes" and dedicated it to his son, as well as "All our children, and the children of the world".
The transatlantic broadcast from Wembley Stadium suffered technical problems and failed during The Who's performance of their song "My Generation", immediately after Roger Daltrey sang "Why do not you all fade..." (the last word was cut off when a blown fuse caused the Wembley stage TV feed to temporarily fail). The Who were playing with Kenney Jones on drums, who was still an official member of The Who at this time, although this was their first performance since they'd officially disbanded after their 1982 'farewell' tour. The Who's performance included an at times chaotic but still blistering version of "Won't Get Fooled Again", which was extremely popular with the audience in Wembley Stadium. The band's performance was described as "rough but right" by Rolling Stone magazine, but they would not perform together again until the 1988 BPI Awards.
While performing "Let it Be" near the end of the show, the microphone mounted to Paul McCartney's piano failed for the first two minutes of the song, making it difficult for television viewers and the stadium audience to hear him. As a result, organiser and performer Bob Geldof, accompanied by earlier performers David Bowie, Alison Moyet, and Pete Townshend, returned to the stage to sing with him and back him up.
At the conclusion of the Wembley performances, Bob Geldof was raised heroically onto the shoulders of The Who's guitarist Pete Townshend and Paul McCartney – symbolising his great achievement in unifying the world for one day, in the spirit of music and charity.
When Madonna got on stage, despite the 95°F ambient temperature, she proclaimed "I'm not taking shit off today!" referring to the recent release of early nude photos of her in Playboy and Penthouse magazines.
During his opening number, "American Girl", Tom Petty flipped the middle finger to somebody off stage about one minute into song. Petty stated the song was a last minute addition when the band realised that they would be the first act to play the American side of the concert after the London finale and "since this is, after all, JFK Stadium".
When Bob Dylan broke a guitar string, Ronnie Wood took off his own guitar and gave it to Dylan. Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitar, even mimicking The Who's Pete Townshend by swinging his arm in wide circles, until a stagehand brought him a replacement. Although this moment was left off the DVD, the performance itself was included, featuring footage focusing solely on Keith Richards.
During their duet on "It's Only Rock 'n' Roll", Mick Jagger ripped away part of Tina Turner's dress, leaving her to finish the song in what was, effectively, a leotard.
The JFK portion included reunions of Crosby, Stills, Nash & Young, the original Black Sabbath with Ozzy Osbourne, and former members of Led Zeppelin, with Phil Collins and Chic member Tony Thompson sharing duties on drums (although they were not officially announced by their group name from the stage, but were announced as Led Zeppelin on the VH1 10th Anniversary re-broadcast in 1995).
Teddy Pendergrass made his first public appearance since his near-fatal car accident in 1982 which paralysed him. Pendergrass, along with Ashford & Simpson, performed "Reach Out and Touch".
Also, Duran Duran performed a four-song set. The five original band members would not perform together publicly again until 2003. Their set is also memorable for an incredibly weak, off-key falsetto note hit by frontman Simon Le Bon during "A View to a Kill". The error was trumpeted by some media outlets as "The Bum Note Heard Round The World", in contrast to Freddie Mercury's powerful, sustained note during the acappela section of Queen's Wembley set, which was dubbed as "The Note Heard Round The World". Simon later recalled that it was the most embarrassing moment of his career.
Nearly seven hours into the concert in London, Bob Geldof enquired how much money had been raised; he was told £1.2 million. He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen that he later called "absolutely amazing", Geldof gave an infamous interview in which he used the word 'fuck'. The BBC presenter David Hepworth, conducting the interview, had attempted to provide a list of addresses to which potential donations should be sent; Geldof interrupted him in mid-flow and shouted: "Fuck the address, let's get the numbers!" It has passed into folklore that he yelled at the audience, "Give us your fucking money!" although Geldof has stated that this phrase was never uttered. Private Eye magazine made great capital out of these outbursts, emphasising Geldof's accent which meant the profanities were heard as "fock" and "focking". After the outburst, giving increased to £300 per second.
Later in the evening, following David Bowie's set, a video shot by the CBC (Video Editor: Colin Dean) was shown to the audiences in London and Philadelphia, as well as on televisions around the world (though notably neither USA feed, ABC or MTV chose to show the film), showing starving and diseased Ethiopian children set to the song "Drive" by The Cars. (This would also be shown at the London Live 8 concert in 2005.) The rate of giving became faster in the immediate aftermath of the moving video. Ironically, Geldof had previously refused to allow the video to be shown, due to time constraints, and had only relented when Bowie offered to drop the song "Five Years" from his set as a trade-off.
As Geldof mentioned during the concert, the Republic of Ireland gave the most donations per capita, despite being in the throes of a serious economic recession at the time. The single largest donation came from the ruling family of Dubai. They donated £1m in a phone conversation with Geldof.
The next day, news reports stated that between £40 and £50 million had been raised. Now, it is estimated that around £150m has been raised for famine relief as a direct result of the concerts.
Michael Jackson and Prince also did not play (although Prince did send a pre-taped video of an acoustic version of "4 the Tears in Your Eyes", which was played during the concert. The original version appears on the We Are the World album, while the video version was released in 1993 on Prince's compilation The Hits/The B-Sides.)
Billy Joel, Boy George, Waylon Jennings, Kris Kristofferson, Tears for Fears, and Stevie Wonder, along with Huey Lewis and the News and Paul Simon, were all included in the initial promotional material for the Philadelphia concert, but failed to appear at the show itself. The final poster for the Philadelphia show features the acts Peter, Paul and Mary and Rod Stewart (who also featured in the Philadelphia concert programme). Peter, Paul and Mary were to have joined Bob Dylan for a rendition of "Blowing In The Wind" which on the day failed to happen (though they can be spotted taking part in the concert's finale), while Rod Stewart was not touring at the time and was ultimately unable to put together a band in time for the concert.
Tears for Fears did not appear at the Philadelphia leg of the concert, though listed on the bill. According to band member Roland Orzabal, Bob Geldof "gave us so much gip for not turning up at Live Aid. All those millions of people dying, it was our fault. I felt terrible. I tell you, I know how Hitler must have felt." The group made up for the absence by contributing a re-recording of "Everybody Wants to Rule the World" (entitled "Everybody Wants to Run the World") for Geldof's Sport Aid charity event in 1986.
Cat Stevens wrote a song for the Live Aid concert, which he never got to perform – had he done so, he would have made his first public concert appearance since converting to Islam and changing his name to Yusuf Islam. However according to the official book that was released after the event, he arrived at Wembley Stadium on the day without prior warning, and Geldof was unable to fit him into the schedule.
Liza Minnelli, Yoko Ono, and Cyndi Lauper were taped to present at JFK Stadium, but due to scheduling conflicts the singers backed out. Lauper did appear in a commercial for the "Live Aid Book" that aired during the concert.
A reunited Deep Purple were also due to appear from Switzerland via satellite, but pulled out after guitarist Ritchie Blackmore refused to take part in the event. Eurythmics were scheduled to play Wembley but cancelled after Annie Lennox suffered serious throat problems. Huey Lewis and the News and Paul Simon both accepted requests to play the Philadelphia concert but later issued press statements stating they had chosen not to appear after all, citing disagreements with promoter Bill Graham. Deep Purple (minus Blackmore, who left the band in 1993) appeared at Geldof's Live 8 sequel 20 years later, performing at the Toronto leg of the event while Annie Lennox appeared at the London leg of the same event.
There were wild rumours at the time that George Harrison, Paul McCartney and Ringo Starr would reunite as The Beatles; for the first time since the band's dissolution in 1970. There was also frenzied speculation that Julian Lennon would join the three former Beatles. There were no grounds for the rumours or speculation from any of the musicians referred to and there is no evidence that the rumours were anything but fan fantasy. Paul McCartney appeared at the event in his own right.
Bob Geldof also invited Def Leppard to perform at the event, but due to Rick Allen's car accident and uncertain future of the next album, they turned it down. Def Leppard appeared at the Philadelphia leg of Geldof's Live 8 sequel 20 years later.
AC/DC were also invited to play at the event, however they declined the invitation.
Frank Zappa was invited to perform, but refused because he believed that money raised by Live Aid did not address the core problems facing the developing world. He also questioned the legitimacy of Live Aid, saying "I think Live Aid was the biggest cocaine money laundering scheme of all time."
"I hope that some of the money…maybe they can just take a little bit of it, maybe…one or two million, maybe…and use it, say, to pay the mortgages on some of the farms and, the farmers here, owe to the banks…"He is often misquoted, as on the Farm Aid website, as saying:
"Wouldn't it be great if we did something for our own farmers right here in America?"In his best-selling autobiography, Is That It? (published in 1986), Geldof was extremely critical of the remark; he states:
"He displayed a complete lack of understanding of the issues raised by Live Aid…. Live Aid was about people losing their lives. There is a radical difference between losing your livelihood and losing your life. It did instigate Farm Aid, which was a good thing in itself, but it was a crass, stupid, and nationalistic thing to say."
Geldof was apparently not happy about The Hooters being tacked onto the bill as the opening band in Philadelphia. He felt pressured into it by Graham and local promoter Larry Magid. Magid, promoting the concert through Electric Factory Concerts, argued that the band was hugely popular in Philadelphia, despite their first major label album Nervous Night being released less than three months beforehand. Geldof let his feelings be known during an interview for Rolling Stone saying: "Who the fuck are The Hooters?" The Hooters did get their revenge in December 2004, when Geldof appeared on the bill with the Hooters in Germany as their opening act.
The anarcho-punk band Chumbawamba dedicated their first album Pictures of Starving Children Sell Records to criticize Live Aid.
Arguing that Live Aid accomplished good ends while inadvertently causing harm at the same time, David Rieff gave a more balanced presentation of similar concerns in The Guardian at the time of Live 8. Tim Russert, when interviewing Bono on Meet the Press shortly after O'Reilly's comments, addressed these concerns to the singer. Bono responded that corruption, not disease or famine, was the greatest threat to Africa, agreeing with the belief that foreign relief organizations should decide how the money is spent. On the other hand, the singer said that it was better to spill some funds into nefarious quarters for the sake of those who needed it, than to stifle aid because of possible theft.
The decision to finally release it was taken by Bob Geldof nearly 20 years after the original concerts, after he found a number of pirate copies of the concert on the Internet (see full story here ). There has been controversy over the DVD release because a decision had been taken for a substantial number of tracks not to be included in this edited version.
The most complete footage that exists is used from the BBC source, and this was the main source of the DVD. During production on the official DVD, MTV lent Woodcharm Ltd. their B-roll and alternate camera footage where MTV provided extra footage of the Philadelphia concert (where ABC had erased the tapes from the command of Bob Geldof), and those songs that were not littered with ads were used on the official DVD.
Working from the BBC and MTV footage, several degrees of dramatic license were taken, in order to release the concert on DVD. For example, many songs on the official DVD had their soundtracks altered, mainly in sequences where there were originally microphone problems. In one of those instances, Paul McCartney had re-recorded his failed vocals for "Let It Be" in a studio the day after the concert (14 July 1985) but it was never used until the release of the DVD. Also, in the USA finale, the original 'USA for Africa' studio track for "We Are the World" was overlaid in places where the microphone was absent (in fact, if you listen closely, you can hear the vocals of Kenny Rogers and James Ingram, two artists who did not even take part in Live Aid).
Judicious decisions were also made on which acts would be included and which ones would not, due to either technical difficulties in the original performances, the absence of original footage, or for music rights reasons. For example, Rick Springfield, The Four Tops, The Hooters, Power Station, and Crosby, Stills, Nash & Young were among those acts that were left off the DVD. Many of the artists' songs that were performed were also omitted. For example, Madonna performed three solo songs in the concert, but only two were included on the DVD ("Love Makes the World Go Round" was omitted). Phil Collins played "Against All Odds" and "In the Air Tonight" at both Wembley and JFK, but only the London performance of the former and the Philadelphia performance of the latter were included on the DVD. The JFK performance of "Against All Odds" was later included on Phil Collins' Finally...The First Farewell Tour DVD.
There were also issues with the artists themselves. Two such performers were left off at their own request: Led Zeppelin and Santana. The former defended their decision not to be included on the grounds that their performance was 'sub-standard', but to lend their support, Jimmy Page and Robert Plant have pledged to donate proceeds from an upcoming DVD release of Led Zeppelin to the campaign, and John Paul Jones has pledged proceeds from his current American tour with Mutual Admiration Society.
In 2007, Queen released a special edition of Queen Rock Montreal on Blu-ray and DVD formats containing their 1981 concert from The Forum in Montreal, Canada, and their complete Live Aid performance, along with Freddie Mercury and Brian May performing "Is This The World We Created...?" from the UK Live Aid finale, all re-mixed in DTS 5.1 sound by Justin Shirley-Smith. Also included is their Live Aid rehearsal, and an interview with the band, from earlier in the week.
On its release, the then British Chancellor of the Exchequer, Gordon Brown, decided the VAT collected on sales of the Live Aid DVD would be given back to the charity, which would raise an extra £5 for every DVD sold.
The official DVD is the only authorized video release in which proceeds go directly to famine relief, the cause that the concert was originally intended to help.
Acts omitted from the official DVD release, which are available from the unofficial sources include:
Category:Musical advocacy groups Category:Development charities Category:Benefit concerts Category:1985 in music Category:1985 in London Category:1985 in Pennsylvania Category:1985 television specials Category:British popular music Category:British music history Category:History of Brent Category:Music from London Category:Culture of Philadelphia, Pennsylvania Category:History of Philadelphia, Pennsylvania Category:American popular music Category:American music history Category:Rock music Category:Simulcasts Category:American Broadcasting Company network shows Category:MTV television series Category:BBC television programmes Category:ABC Radio Networks Category:BBC Radio 1 Category:Orbis Communications
ast:Live Aid bg:Live Aid ca:Live Aid cs:Live Aid da:Live Aid de:Live Aid et:Live Aid es:Live Aid eo:Live Aid fr:Live Aid ga:Live Aid ko:라이브 에이드 hr:Live Aid id:Live Aid it:Live Aid he:לייב אייד ka:Live Aid hu:Live Aid mk:Лајв Еид nah:Live Aid nl:Live Aid ja:ライヴエイド no:Live Aid pl:Live Aid pt:Live Aid ro:Live Aid ru:Live Aid simple:Live Aid sk:Live Aid sl:Live Aid sr:Лајв ејд fi:Live Aid sv:Live Aid th:คอนเสิร์ตไลฟ์เอดThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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