''The Blueprint'' is the sixth studio album by American rapper Jay-Z, released September 11, 2001 on Roc-A-Fella Records in the United States. Its release was set a week earlier than initially planned in order to combat bootlegging. Recording sessions for the album took place during 2001 at Manhattan Center Studios and Baseline Studios in New York City. Contrasting the radio-friendly sound of Jay-Z's previous work, ''The Blueprint'' features soul-based sampling and production handled primarily by Kanye West and Just Blaze. At the time of its recording, Jay-Z was awaiting two criminal trials, one for gun possession and another for assault, and had become one of hip hop's most dissed artists, receiving insults from rappers such as Nas, Prodigy, and Jadakiss.

In spite of its release coinciding with the 9/11 attacks, ''The Blueprint'' sold over 426,000 copies in its opening week, becoming Jay-Z's fourth consecutive album to reach number one on the ''Billboard'' 200 chart. It was certified double platinum as sales stand at over two million units in the U.S. The album received a perfect "XXL" rating from ''XXL'' magazine, while ''The Source'' awarded ''The Blueprint'' a classic 5 mic rating. ''The Blueprint'' received general acclaim from most music critics, based on an aggregate score of 88/100 from Metacritic. In 2003, the album was ranked number 464 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time. In 2010, Pitchfork Media ranked it number 5 on their The Top 200 Albums of the 2000s list

Background

Blueprint Lounge Tour

Reception and impact

Accolades

Track listing

Bonus tracks

Personnel

Chart history

Chart positions

; Singles

Chart procession and succession

See also

References

External links

Category:2001 albums Category:Jay-Z albums Category:Albums produced by Bink Category:Albums produced by Eminem Category:Albums produced by Just Blaze Category:Albums produced by Kanye West Category:Albums produced by Timbaland Category:Albums produced by Trackmasters Category:English-language albums Category:Roc-A-Fella Records albums

Alicia Augello Cook (born January 25, 1981), better known by her stage name Alicia Keys, is an American R&B; singer-songwriter, record producer, and actress. Keys was raised by a single mother in the Hell's Kitchen area of Manhattan in New York City. At age seven, Keys began playing the piano. She attended Professional Performing Arts School and graduated at 16 as valedictorian. Keys released her debut album with J Records, having had previous record deals first with Columbia and then Arista Records.

Keys' debut album, ''Songs in A Minor'', was a commercial success, selling over 12 million copies worldwide. She became the best-selling new artist and best-selling R&B; artist of 2001. The album earned Keys five Grammy Awards in 2002, including Best New Artist and Song of the Year for "Fallin'". Her second studio album, ''The Diary of Alicia Keys'', was released in 2003 and was also another success worldwide, selling eight million copies. The album garnered her an additional four Grammy Awards in 2005. Later that year, she released her first live album, ''Unplugged'', which debuted at number one in the United States. She became the first female to have an ''MTV Unplugged'' album to debut at number one and the highest since Nirvana in 1994.

Keys made guest appearances on several television series in the following years, beginning with ''Charmed''. She made her film debut in ''Smokin' Aces'' and went on to appear in ''The Nanny Diaries'' in 2007. Her third studio album, ''As I Am'', was released in the same year and sold six million copies worldwide, earning Keys an additional three Grammy Awards. The following year, she appeared in ''The Secret Life of Bees'', which earned her a nomination at the NAACP Image Awards. She released her fourth album, ''The Element of Freedom'', in December 2009, which became Keys' first chart-topping album in the United Kingdom. Throughout her career, Keys has won numerous awards and has sold over 30 million albums worldwide and 25 million singles, which makes her one of the best selling artists of all time. ''Billboard'' magazine named her the top R&B; artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. In 2010, VH1 included Keys on its list of the 100 Greatest Artists of All Time. ''Billboard'' magazine placed her number ten on their list of Top 50 R&B;/Hip-Hop Artists of the Past 25 Years.

Life and career

1981–96: Early life

In 1994 Keys met long-term manager Jeff Robinson after she enrolled in his brother's after-school program. The following year Robinson introduced Keys to her future A&R; at Arista Records, Peter Edge, who later described his first impressions to HitQuarters: "I had never met a young R&B; artist with that level of musicianship. So many people were just singing on top of loops and tracks, but she had the ability, not only to be part of hip-hop, but also to go way beyond that." Edge helped Robinson create a showcase for Keys and also got involved in developing her demo material. He was keen to sign Keys himself but was unable to do so at that time due to being on the verge of leaving his present record company. Keys signed to Columbia Records soon after. At the same time as signing a recording contract with Columbia Records, Keys was accepted into Columbia University. At first, Keys attempted to manage both but after four weeks dropped out of college to pursue her musical career fulltime.

1997–2000: Career beginnings

2001–2002: ''Songs in A Minor''

Keys released her first studio album, ''Songs in A Minor'', in June 2001. It debuted at number one on the ''Billboard'' 200 and sold 236,000 copies in its first week. The album sold over 6.2 million copies in the United States, where it was certified six times Platinum by the Recording Industry Association of America (RIAA). It went on to sell over 12 million copies worldwide, establishing Keys' popularity both inside and outside the United States, where she became the best-selling new artist and best-selling R&B; artist of 2001. The album's lead single, "Fallin'", spent six weeks at number one on the ''Billboard'' Hot 100. The album's second single, "A Woman's Worth", was released in February 2002 and peaked at number 7 on the ''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs'', as her second Top 10 single in both charts. The album's third single, "How Come You Don't Call Me", was released in June 2002 and peaked at number 59 on the ''Billboard Hot 100'' and number 30 on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth single, "Girlfriend", was released in November 2002 in UK and peaked at number 82 on the ''Hot R&B;/Hip-Hop Songs''. The following year, the album was reissued as ''Remixed & Unplugged in A Minor'', which included eight remixes and seven unplugged versions of the songs from the original.

''Songs in A Minor'' led Keys to win five awards at the 2002 Grammy Awards: Song of the Year, Best Female R&B; Vocal Performance, and Best R&B; Song for "Fallin'", Best New Artist, and Best R&B; Album; "Fallin'" was also nominated for Record of the Year. Keys became the second female solo artist to win five Grammy Awards in a single night, following Lauryn Hill at the 41st Grammy Awards. That same year, she collaborated with Christina Aguilera for the latter's upcoming album ''Stripped'' on a song entitled "Impossible", which Keys wrote, co-produced, and provided with background vocals. During the early 2000s, Keys also made small cameos in television series ''Charmed'' and ''American Dreams''.

2003–2005: ''The Diary of Alicia Keys'' and ''Unplugged''

Keys won Best R&B; Video for "If I Ain't Got You" at the 2004 MTV Video Music Awards; she performed the song and "Higher Ground" with Lenny Kravitz and Stevie Wonder. Later that year, Keys released her novel ''Tears for Water: Songbook of Poems and Lyrics'', a collection of unreleased poems from her journals and lyrics. The title derived from one of her poems, "Love and Chains" from the line: "I don't mind drinking my tears for water." She said the title is the foundation of her writing because "everything I have ever written has stemmed from my tears of joy, of pain, of sorrow, of depression, even of question". The book sold over US$500,000 and Keys made ''The New York Times'' bestseller list in 2005. The following year, she won a second consecutive award for Best R&B; Video at the MTV Video Music Awards for the video "Karma". Keys performed "If I Ain't Got You" and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960 at the 2005 Grammy Awards. That evening, she won four Grammy Awards: Best Female R&B; Vocal Performance for "If I Ain't Got You", Best R&B; Song for "You Don't Know My Name", Best R&B; Album for ''The Diary of Alicia Keys'', and Best R&B; Performance by a Duo or Group with Vocals" for "My Boo" with Usher.

Keys performed and taped her installment of the ''MTV Unplugged'' series in July 2005 at the Brooklyn Academy of Music. During this session, Keys added new arrangements to her original songs and performed a few choice covers. The session was released on CD and DVD in October 2005. Simply titled ''Unplugged'', the album debuted at number one on the U.S. ''Billboard'' 200 chart with 196,000 units sold in its first week of release. The album sold one million copies in the United States, where it was certified Platinum by the RIAA, and two million copies worldwide. The debut of Keys' ''Unplugged'' was the highest for an ''MTV Unplugged'' album since Nirvana's 1994 ''MTV Unplugged in New York'' and the first ''Unplugged'' by a female artist to debut at number one. The album's first single, "Unbreakable", peaked at number 34 on the ''Billboard'' Hot 100 and number four on the Hot R&B;/Hip-Hop Songs. It remained at number one on the ''Billboard'' Hot Adult R&B; Airplay for 11 weeks. The album's second and final single, "Every Little Bit Hurts", was released in January 2006, it failed to enter the U.S. charts.

Keys opened a recording studio in Long Island, New York, called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers. The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises, a production and songwriting team who assisted Keys in creating her albums as well as create music for other artists.

2006–2008: Film debut and ''As I Am''

Keys made her film debut in early 2007 in the crime film ''Smokin' Aces'', co-starring as an assassin named Georgia Sykes opposite Ben Affleck and Andy García. Keys received much praise from her co-stars in the film; Reynolds said that Keys was "so natural" and that she would "blow everybody away". ''Smokin' Aces'' had a hit moderate performance at the box office, earning only $57,103,895 worldwide during its theatrical run. In the same year, Keys earned further praise for her second film, ''The Nanny Diaries'', based on the 2002 novel of the same name, where she co-starred alongside Scarlett Johansson and Chris Evans. ''The Nanny Diaries'' had a hit moderate performance at the box office, earning only $44,638,886 worldwide during its theatrical run. She also guest starred as herself in the "One Man Is an Island" episode of the drama series ''Cane''.

Keys released her third studio album, ''As I Am'', in November 2007; it debuted at number one on the ''Billboard'' 200, selling 742,000 copies in its first week. It gained Keys her largest first week sales of her career and became her fourth consecutive number one album, tying her with Britney Spears for the most consecutive number-one debuts on the ''Billboard'' 200 by a female artist. The week became the second largest sales week of 2007 and the largest sales week for a female solo artist since singer Norah Jones' album ''Feels like Home'' in 2004. The album has sold nearly four million copies in the United States and has been certified three times Platinum by the RIAA. It has sold nearly six million copies worldwide. Keys received five nominations for ''As I Am'' at the 2008 American Music Award and ultimately won two. The album's lead single, "No One", peaked at number one on the ''Billboard'' Hot 100 for fifth consecutive weeks and Hot R&B;/Hip-Hop Songs for ten consecutive weeks, became her first number-one single in ''Hot 100'' since 2004's "My Boo" and becoming Keys' third and fifth number-one single on each chart, respectively. The album's second single, "Like You'll Never See Me Again", was released in late 2007 and peaked at number 12 on the ''Billboard'' Hot 100 and number one on the ''Hot R&B;/Hip-Hop Songs'' for seven consecutive weeks. From October 27, 2007, when "No One" reached No. 1, through February 16, 2008, the last week "Like You'll Never See Me Again" was at No. 1, the Keys was on top of the chart for 17 weeks, more consecutive weeks than any other artist in ''Hot R&B;/Hip/Hop Songs'' chart. The album's third single, "Teenage Love Affair", which peaked at number 54 on the '''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth and final single, "Superwoman", which peaked at number 82 on the ''Billboard Hot 100'' and number 12 on the ''Hot R&B;/Hip-Hop Songs''.

"No One" earned Keys the awards for Best Female R&B; Vocal Performance and Best R&B; Song at the 2008 Grammy Awards. Keys opened the ceremony singing Frank Sinatra's 1950s song "Learnin' the Blues" as a "duet" with archival footage of Sinatra in video and "No One" with John Mayer later in the show. Keys also won Best Female R&B; Artist during the show. She starred in "Fresh Takes", a commercial micro-series created by Dove Go Fresh, which premiered during ''The Hills'' on MTV from March to April 2008. The premiere celebrated the launch of new Dove Go Fresh. She also signed a deal as spokesperson with Glacéau's VitaminWater to endorse the product, and was in an American Express commercial for the "Are you a Cardmember?" campaign. Keys, along with The White Stripes' guitarist and lead vocalist Jack White, recorded the theme song to ''Quantum of Solace'', the first duet in Bond soundtrack history. In 2008, Keys was ranked in at number 80 the ''Billboard'' Hot 100 All-Time Top Artists. She also starred in ''The Secret Life of Bees'', a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller novel of the same name alongside Jennifer Hudson, Dakota Fanning, Paul Bettany and Queen Latifah, released in October 2008 via Fox Searchlight. ''The Secret Life of Bees'' had a hit moderate performance at the box office, earning only $39,947,322 worldwide during its theatrical run. Her role earned her a nomination for Outstanding Supporting Actress in a Motion Picture at the NAACP Image Awards. She also received three nominations at the 2009 Grammy Awards and won Best Female R&B; Vocal Performance for "Superwoman".

In an interview with ''Blender'' magazine, Keys allegedly said "'Gangsta rap' was a ploy to convince black people to kill each other, 'gangsta rap' didn't exist" and went on to say that it was created by "the government". The magazine also claimed she said that Tupac Shakur and The Notorious B.I.G. were "essentially assassinated, their beefs stoked by the government and the media, to stop another great black leader from existing". Keys later wrote a statement clarifying the issues and saying her words were misinterpreted. Later that year, Keys was criticized by anti-smoking campaigners after billboard posters for her forthcoming concerts in Indonesia featured a logo for the A Mild cigarette brand sponsored by tobacco firm Philip Morris. She apologized after discovering that the concert was sponsored by the firm and asked for "corrective actions". In response, the company withdrew its sponsorship.

2009–2010 ''The Element of Freedom'', marriage and motherhood

Keys collaborated with the record producer Swizz Beatz to write and produce "Million Dollar Bill" for Whitney Houston's seventh studio album, ''I Look to You''. Keys had approached Clive Davis for permission to submit a song for the album. Keys also collaborated with the recording artist Jay-Z on the song "Empire State of Mind" from his 2009 album, ''The Blueprint 3''. The song topped the ''Billboard'' Hot 100 and became her fourth number-one single on that chart. At the 53rd Grammy Awards ceremony, "Empire State of Mind" won Best Rap/Sung Collaboration and Best Rap Song. It had also been one of the five nominees for Record of the Year. The following month, the American Society of Composers, Authors and Publishers honored Keys with the Golden Note Award, an award given to artists "who have achieved extraordinary career milestones". She collaborated with Spanish recording artist Alejandro Sanz for "Looking for Paradise", which topped the Hot Latin Songs chart, this was Keys' first number one on all three charts, which also made her the first African-American of non-Hispanic origin to reach #1 on the ''Hot Latin Tracks''. Keys released her fourth studio album, ''The Element of Freedom'', in December 2009. It debuted at number two on the ''Billboard'' 200, selling 417,000 copies in its first week. As part of the promotional drive for the album, she performed at the Cayman Island Jazz Festival on December 5, the final night of the three day festival which will be broadcast on Black Entertainment Television (BET). The album's lead single, "Doesn't Mean Anything", has peaked at number 60 on the ''Billboard'' Hot 100 and number 14 on the ''Hot R&B;/Hip-Hop Songs''. Keys was ranked as the top R&B; recording artist of the 2000–2009 decade by ''Billboard'' magazine and ranked at number five as artist of the decade, while her song, "No One", was ranked at number six on the magazine's songs of the decade. In the United Kingdom, ''The Element of Freedom'' became Keys' first album to top the UK Albums Chart. The album's second single, "Try Sleeping with a Broken Heart", was released in November 2009 and peaked at number 27 on the ''Billboard Hot 100'' and number two on the ''Hot R&B;/Hip-Hop Songs''. The album's third single, "Put It in a Love Song", featuring Grammy-winner Beyoncé, peaked at number 60 on the ''Hot R&B;/Hip-Hop Songs''. The music video for the single, which was filmed in Rio de Janeiro, Brazil, has been postponed several times, and later it was confirmed that Alicia Keys' team made a decision not to release the video. The album's fourth single, "Empire State of Mind (Part II) Broken Down", was released in February 2010 and peaked at number 55 on the ''Billboard Hot 100'' and number 76 on the ''Hot R&B;/Hip-Hop Songs''. The album's fifth single, "Un-Thinkable (I'm Ready)", was released in May 2010 and peaked at number 21 on the ''Billboard Hot 100'' and number one on the ''Hot R&B;/Hip-Hop Songs'', for twelve consecutive weeks and became the album's most successful single, becoming Keys' eighth number-one single on ''Hot R&B;/Hip-Hop Songs'' chart. The album's sixth and final single, "Wait Til You See My Smile", was released in December 2010 in the U.K only.

In May 2009, Swizz Beatz announced that he and Keys were romantically involved, and in May 2010, a representative for Keys and Swizz Beatz confirmed that they were engaged and expecting a child together. During the time of the 2010 FIFA World Cup, the couple took part of a union and had the unborn child blessed in a Zulu ceremony, which took place in the Illovo suburb of Johannesburg, South Africa. Keys and Swizz Beatz were married on the French island of Corsica on July 31, 2010. On October 14, 2010, Keys gave birth to a son, Egypt Daoud Ibarr Dean, in New York City.

2011-Present: Ten Year Celebration, Project 5, Stick Fly and Upcoming New Album

On September 23, she performed at ''iHeart Music Festival'' and sang her new song "A Place Of My Own", which is present in her fifth studio album. On October 7, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Keys (and all other artists previously signed to these three labels) will release her future material on the RCA Records brand.

Musical style

Keys has a vocal range of a contralto, which spans three octaves. She can sing from B flat over an octave below middle C (B₂) to B below soprano C (B₅). Often referred to as the "Princess of Soul", Keys has been commended as having a strong, raw and impassioned voice; others feel that her voice is "emotionally manufactured" at times and that she pushes her voice out of its natural range. Keys' songwriting is often criticized for lack of depth, which has led to her writing abilities being called limited. Her lyrics have been called generic, clichéd and that her songs revolve around generalities. Greg Kot of the ''Chicago Tribune'' feels that she "[pokes] around for multi-format hits rather than trying to project any sort of artistic vision". Diversely, Jon Pareles of ''Blender'' magazine stated that the musical composition of her songs makes up for their lyrical weakness, while Gregory Stephen Tate of ''The Village Voice'' compared Keys' writing and production to 1970s music.

Joanna Hunkin of ''The New Zealand Herald'' reviewed one of Keys' performances, where Kylie Minogue also attended. She described Minogue's reaction to Keys' performance, saying "it was obvious she was just as much of a fan as the 10,000 other people at Vector Arena". She went on to say that Minogue was "the original pop princess bowing down to the modern-day queen of soul". Hunkin characterized Keys' opening performance as a "headbanging, hip-gyrating performance" and her energy as "high-octane energy most bands save for their closing finale". At the end of her two-hour performance, fans "screamed, stomped and begged for a second encore". Hillary Crosley and Mariel Concepcion of ''Billboard'' magazine noted that her shows are "extremely coordinated" with the audience's attention span "consistently maintained". The show ended with a standing ovation and Keys "proved that a dynamic performance mixed with superior musicianship always wins". Throughout her career, Keys has won numerous awards and is listed on the Recording Industry Association of America's best-selling artists in the United States, with 15 million certified albums. She has sold over 30 million albums worldwide and has established herself as one of the best-selling artists of her time.

Philanthropy

Keys has also donated to Frum tha Ground Up, a non-profit organization that aids children and teenagers with scholarships. She performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts to raise awareness of the poverty in Africa and to pressure the G8 leaders to take action. In 2005, Keys performed on ''ReAct Now: Music & Relief'' and ''Shelter from the Storm: A Concert for the Gulf Coast'', two benefit programs that raised money for those affected by Hurricane Katrina. In July 2007, Keys and Keith Urban performed The Rolling Stones' 1969 song "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.

Keys performed Donny Hathaway's 1973 song "Someday We'll All Be Free" at the ''America: A Tribute to Heroes'' televised benefit concert following the September 11 attacks. She participated in the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway, on December 11, 2007, along with other various artists. She recorded a theme song for Democratic presidential nominee Barack Obama. She joined Joss Stone and Jay-Z on the effort, which served as a theme song for Obama's campaign. For her work, Keys was honored at the 2009 BET Awards with the Humanitarian Award. Keys performed the song "Prelude to a Kiss", retitled "Send Me an Angel", from her 2007 album ''As I Am'' for the "Hope for Haiti Now: A Global Benefit for Earthquake Relief" telethon in response to the 2010 Haiti earthquake.

Discography

Tours

Biography

Wolf was married to the former Clinton speechwriter David Shipley. They had two children, Rosa (b. 1995) and Joseph (b. 2000). Wolf and Shipley divorced in 2005.

Works

''The Beauty Myth''

Wolf posits the idea of an "iron-maiden," an intrinsically unattainable standard that is then used to punish women physically and psychologically for their failure to achieve and conform to it. Wolf criticized the fashion and beauty industries as exploitative of women, but claimed the beauty myth extended into all areas of human functioning. Wolf writes that women should have "the choice to do whatever we want with our faces and bodies without being punished by an ideology that is using attitudes, economic pressure, and even legal judgments regarding women's appearance to undermine us psychologically and politically". Wolf argues that women were under assault by the "beauty myth" in five areas: work, religion, sex, violence, and hunger. Ultimately, Wolf argues for a relaxation of normative standards of beauty. In her introduction, Wolf positioned her argument against the concerns of second-wave feminists and offered the following analysis:

Wolf's book was a bestseller, receiving polarized responses from the public and mainstream media, but winning praise from most feminists. Second-wave feminist Germaine Greer wrote that ''The Beauty Myth'' was "the most important feminist publication since ''The Female Eunuch'', and Gloria Steinem wrote, "''The Beauty Myth'' is a smart, angry, insightful book, and a clarion call to freedom. Every woman should read it." British novelist Fay Weldon called the book "essential reading for the New Woman". Betty Friedan wrote in ''Allure'' magazine that "'The Beauty Myth' and the controversy it is eliciting could be a hopeful sign of a new surge of feminist consciousness."

However, Camille Paglia, whose Sexual Personae was published the same year as ''The Beauty Myth'', derided Wolf as unable to perform "historical analysis", and called her education "completely removed from reality". Her comments touched off a series of contentious debates between Wolf and Paglia in the pages of The New Republic.

Likewise, Christina Hoff Sommers criticized Wolf for publishing the claim that 150,000 women were dying every year from anorexia. Sommers wrote that the actual number is closer to 100, a figure which others, such as Jennifer Baumgardner and Amy Richards, claimed to be much too low. In the same interview, Sommers stated that Wolf had retracted the figure.

In the mainstream press, ''The New York Times'' published a harshly critical assessment of Wolf's work: Caryn James lambasted the book as a "sloppily researched polemic as dismissible as a hackneyed adventure film...Even by the standards of pop-cultural feminist studies, 'The Beauty Myth' is a mess." In a comparatively positive review, The Washington Post called the book "persuasive" and praised its "accumulated evidence."

''Promiscuities''

''Promiscuities'' received, in general, negative reviews. The New York Times published a review that characterized Wolf as a "frustratingly inept messenger: a sloppy thinker and incompetent writer. She tries in vain to pass off tired observations as radical aperçus, subjective musings as generational truths, sappy suggestions as useful ideas". Two days earlier, however, a different ''Times'' reviewer praised the book, writing, "Anyone--particularly anyone who, like Ms. Wolf, was born in the 1960s--will have a very hard time putting down 'Promiscuities'. Told through a series of confessions, her book is a searing and thoroughly fascinating exploration of the complex wildlife of female sexuality and desire." In contrast, The Library Journal excoriated the work, writing, "Overgeneralization abounds as she attempts to apply the microcosmic events of this mostly white, middle-class, liberal milieu to a whole generation....There is a desperate defensiveness in the tone of this book which diminishes the force of her argument."

''Misconceptions''

''The End of America''

#Invoke a terrifying internal and external enemy. #Create secret prisons where torture takes place. #Develop a thug caste or paramilitary force not answerable to citizens. #Set up an internal surveillance system. #Harass citizens' groups. #Engage in arbitrary detention and release. #Target key individuals. #Control the press. #Treat all political dissidents as traitors. #Suspend the rule of law.

The book details how this pattern was implemented in Nazi Germany, Fascist Italy, and elsewhere, and analyzes its emergence and application in American political affairs since the September 11 attacks.

The End of America was adapted for the screen as a documentary by filmmakers Annie Sundberg and Ricki Stern, best known for ''The Devil Came on Horseback'' and ''The Trials of Darryl Hunt''. It had its worldwide premiere at the Hamptons International Film Festival on October 17, 2008. It has since been screened at Sheffield DocFest in the UK, as well as in limited release at New York City's IFC Center. The film became available online on October 21, 2008 at SnagFilms.com. End of America was favorably reviewed in the New York Times by Stephen Holden as well as in Variety Magazine.

''Give Me Liberty''

In the book, Ms. Wolf looks at times and places in history where citizens were faced with the closing of an open society and successfully fought back, and looks back at the ordinary people of the Founding Fathers of the United States' generation, the ones not named by history, all of whom had this "vision of liberty" and moved it forward by putting their lives on the line to make the vision real. She is an outspoken advocate for citizenship and wonders whether younger Americans have the skills and commitment to act as true citizens. She wrote in 2007:

Other writings

In 2005, Wolf published ''The Treehouse: Eccentric Wisdom from my Father on How to Live, Love, and See,'' which chronicled her midlife crisis attempt to reclaim her creative and poetic vision and revalue her father's love, and her father's force as an artist and a teacher.

Feminist positions

;Abortion In publishing an article in ''The New Republic'' that criticized contemporary pro-choice positions, Wolf argued that the movement had "developed a lexicon of dehumanization" and urged feminists to accept abortion as a form of homicide and defend the procedure within the ambiguity of this moral conundrum. She continues, "Abortion should be legal; it is sometimes even necessary. Sometimes the mother must be able to decide that the fetus, in its full humanity, must die."

Wolf concluded by speculating that in a world of "real gender equality," passionate feminists "might well hold candlelight vigils at abortion clinics, standing shoulder to shoulder with the doctors who work there, commemorating and saying goodbye to the dead." More recently, in an article on the subtle manipulation of George W. Bush's image among women, Wolf wrote "Abortion is an issue not of Ms. Magazine-style fanaticism or suicidal Republican religious reaction, but a complex issue."

Pro-life commentators said Wolf "fails to carry through fully in her analysis...this simply is not, or should not be, the unqualified response of our society to the destruction of innocent life."

;Pornography Wolf suggested in 2003 that the ubiquity of Internet pornography tends to enervate the sexual attraction of men toward typical real women. She writes, "The onslaught of porn is responsible for deadening male libido in relation to real women, and leading men to see fewer and fewer women as 'porn-worthy.' Far from having to fend off porn-crazed young men, young women are worrying that as mere flesh and blood, they can scarcely get, let alone hold, their attention." Wolf advocates abstaining from porn not on moral grounds, but because "greater supply of the stimulant equals diminished capacity."

;Assange assault allegations The 20 December 2010 airing of Democracy Now! featured a segment titled "Naomi Wolf vs. Jaclyn Friedman: Feminists Debate the Sexual Allegations Against Julian Assange" in which Jaclyn Friedman argues the sexual assault allegations against WikiLeaks founder Julian Assange shouldn't be dismissed just because they may be politically motivated. Wolf argues that the alleged victims should have said no, that they consented to having sex with Assange, that the charges are politically motivated and demean the cause of legitimate rape victims. The discussion took place shortly after the leaking of the Swedish police report on the incident.

;Sexual harassment In 2004, Wolf wrote an article for New York Magazine accusing acclaimed literary scholar Harold Bloom of sexual harassment more than two decades earlier. Explaining why she had finally gone public with the charges, Wolf wrote, "I began, nearly a year ago, to try-privately-to start a conversation with my alma mater that would reassure me that steps had been taken in the ensuing years to ensure that unwanted sexual advances of this sort weren't still occurring. I expected Yale to be responsive. After nine months and many calls and e-mails, I was shocked to conclude that the atmosphere of collusion that had helped to keep me quiet twenty years ago was still intact-as secretive as a Masonic lodge."

Reflecting on Yale University's sexual harassment guidelines, Wolf writes, "Sexual encroachment in an educational context or a workplace is, most seriously, a corruption of meritocracy; it is in this sense parallel to bribery. I was not traumatized personally, but my educational experience was corrupted. If we rephrase sexual transgression in school and work as a civil-rights and civil-society issue, everything becomes less emotional, less personal. If we see this as a systemic-corruption issue, then when people bring allegations, the focus will be on whether the institution has been damaged in its larger mission."

A federal investigation of Yale University began in March, 2011 in response to complaints that it has a sexually hostile environment. A formal complaint had been filed to the Department of Education Office for Civil Rights on March 15, 2011 by 16 current and former Yale students describing a sexually hostile environment at Yale.

;Women in Islamic countries and Israel Wolf has spoken about the dress required of women living in Muslim countries:

The West interprets veiling as repression of women and suppression of their sexuality. But when I traveled in Muslim countries and was invited to join a discussion in women-only settings within Muslim homes, I learned that Muslim attitudes toward women's appearance and sexuality are not rooted in repression, but in a strong sense of public versus private, of what is due to God and what is due to one's husband. It is not that Islam suppresses sexuality, but that it embodies a strongly developed sense of its appropriate channeling - toward marriage, the bonds that sustain family life, and the attachment that secures a home.

Political consultant

In an interview with Melinda Henneberger in the ''New York Times'', Wolf denied ever advising Gore on his wardrobe. Wolf herself claimed she mentioned the term "alpha male" only once in passing and that "[it] was just a truism, something the pundits had been saying for months, that the vice president is in a supportive role and the President is in an initiatory role... I used those terms as shorthand in talking about the difference in their job descriptions".

Selected books

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