Coordinates	45°47′45″N24°09′08″N
name	Pat Robertson
birth name	Marion Gordon Robertson
birth date	March 22, 1930
birth place	Lexington, Virginia, United States
occupation	Televangelist
spouse	Adelia Elmer
children	Timothy Bryan Robertson Elizabeth Faith Robertson Gordon Perry Robertson Anne Carter Robertson
parents	Absalom Willis Robertson Gladys Churchill }}

Marion Gordon "Pat" Robertson (born March 22, 1930) is a media mogul, television evangelist, ex-Baptist minister and businessman who is politically aligned with the Christian Right in the United States.

He is the founder of numerous organizations and corporations, including the American Center for Law and Justice (ACLJ), the Christian Broadcasting Network (CBN), the Christian Coalition, Flying Hospital, International Family Entertainment Inc., Operation Blessing International Relief and Development Corporation, CBN Asia and Regent University. He is the host of ''The 700 Club,'' a Christian TV program airing on channels throughout the United States and on CBN network affiliates worldwide.

The son of U.S. Senator A. Willis Robertson, Robertson is a Southern Baptist and was active as an ordained minister with that denomination for many years, but holds to a charismatic theology not traditionally common among Southern Baptists. He unsuccessfully campaigned to become the Republican Party's nominee in the 1988 presidential election. As a result of his seeking political office, he no longer serves in an official role for any church. His media and financial resources make him a recognized, influential, and controversial public voice for conservative Christianity in the United States.

Life and career

Family

Robertson was born in Lexington, Virginia, into a prominent political family. His parents were Absalom Willis Robertson, a conservative Democratic United States Senator, and his wife Gladys Churchill (née Willis). He married Adelia "Dede" Elmer on August 26, 1954. His family includes four children, among them Gordon P. Robertson and Tim Robertson and, as of mid-2005, 14 grandchildren.

At a young age, Robertson was nicknamed ''Pat'' by his six-year-old brother, Willis Robertson, Jr., who enjoyed patting him on the cheeks when he was a baby while saying "pat, pat, pat". As he got older, Robertson thought about which first name he would like people to use. He considered "Marion" to be effeminate, and "M. Gordon" to be affected, so he opted for his childhood nickname "Pat". His strong awareness for the importance of names in the creation of a public image showed itself again during his presidential run when he threatened to sue NBC news for calling him a "television evangelist", which later became "televangelist", at a time when Jimmy Swaggart and Jim Bakker were objects of scandal.

Education and military service

When he was eleven, Robertson was enrolled in the preparatory McDonogh School outside Baltimore, Maryland. From 1940 until 1946 he attended The McCallie School in Chattanooga, Tennessee. He graduated with honors and enrolled at Washington and Lee University, where he majored in history. The claim that he was elected to Phi Beta Kappa is not substantiated by the Phi Beta Kappa membership directory. He also joined Sigma Alpha Epsilon fraternity. Robertson has said, "Although I worked hard at my studies, my real major centered around lovely young ladies who attended the nearby girls schools."

In 1948, the draft was reinstated and Robertson was given the option of joining the Marine Corps or being drafted into the army; he opted for the first.

In his words, "We did long, grueling marches to toughen the men, plus refresher training in firearms and bayonet combat." In the same year, he transferred to Korea, "I ended up at the headquarters command of the First Marine Division," says Robertson. "The Division was in combat in the hot and dusty, then bitterly cold portion of North Korea just above the 38th Parallel later identified as the 'Punchbowl' and 'Heartbreak Ridge.' For that service in the Korean War, the Marine Corps awarded me three battle stars for 'action against the enemy.'"

However, former Republican Congressman Paul "Pete" McCloskey, Jr., who served with Robertson in Korea, wrote a public letter which said that Robertson was actually spared combat duty when his powerful father, a U.S. Senator, intervened on his behalf, and that Robertson spent most of his time in an office in Japan. According to McCloskey, his time in the service was not in combat but as the "liquor officer" responsible for keeping the officers' clubs supplied with liquor. Robertson filed a $35 million libel suit against McCloskey in 1986. He dropped the case in 1988, before it came to trial and paid McCloskey's court costs.

Robertson was promoted to first lieutenant in 1952 upon his return to the United States. He then went on to receive a Bachelor of Laws degree from Yale University Law School in 1955. However, he failed to pass the bar exam, shortly thereafter underwent his religious conversion, and decided against pursuing a career in law. Instead, Robertson attended the New York Theological Seminary, and was awarded a Master of Divinity degree in 1959.

Religious career

In 1956 Robertson found his faith through Dutch missionary Cornelius Vanderbreggen, who impressed Robertson both by his lifestyle and his message. Vanderbreggen quoted Proverbs (3:5, 6), "Trust in the Lord with all thine heart; and lean not unto thine own understanding. In all thy ways acknowledge Him, and He shall direct thy paths", which Robertson considers to be the "guiding principle" of his life. He was ordained as a minister of the Southern Baptist Convention in 1961.

In 1960, Robertson established the Christian Broadcasting Network in Virginia Beach, Virginia. He started it by buying a small UHF station in nearby Portsmouth. Later in 1977 he purchased a local Leased access cable TV channel in the Hampton Roads area and called it CBN. Originally he went door-to-door in Virginia Beach, Hampton Roads, and other surrounding areas asking Christians to buy cable boxes so that they could receive his new channel. He also canvassed local churches in the Virginia Beach area to do the same, and solicited donations through public speaking engagements at local churches and on CBN. One of his friends, John Giminez, the pastor of Rock Church Virginia Beach, was influential in helping Robertson establish CBN with donations, as well as offering the services of volunteers from his church.

CBN is now seen in 180 countries and broadcast in 71 languages. He founded the CBN Cable Network, which was renamed the CBN Family Channel in 1988 and later simply the Family Channel. When the Family Channel became too profitable for Robertson to keep it under the CBN umbrella without endangering CBN's non-profit status, he formed International Family Entertainment Inc. in 1990 with the Family Channel as its main subsidiary. Robertson sold the Family Channel to the News Corporation in 1997, which renamed it Fox Family. A condition of the sale was that the station would continue airing Robertson's television program, ''The 700 Club'', twice a day in perpetuity, regardless of any changes of ownership. The channel is now owned by Disney and run as "ABC Family". On December 3, 2007, Robertson resigned as chief executive of CBN; he was succeeded by his son, Gordon.

Robertson founded CBN University in 1977 on CBN's Virginia Beach campus. It was renamed Regent University in 1989. Robertson serves as its chancellor. He is also founder and president of the American Center for Law and Justice, a public interest law firm that defends Christians whose First Amendment rights have allegedly been violated. The law firm, headquartered in the same building that houses Regent's law school, focuses on "pro-family, pro-liberty and pro-life" cases nationwide.

Robertson is also an advocate of Christian dominionism — the idea that Christians have a right to rule.

In 1994, he was a signer of the document Evangelicals and Catholics Together.

Pat Robertson was a fundraiser for the Nicaraguan Contras. In March 1986, he told ''Israeli Foreign Affairs'' that South Africa was a major contributor to the Reagan administration's efforts to help the anti-Sandinista forces.

1988 presidential bid

In September 1986, Robertson announced his intention to seek the Republican nomination for President of the United States. Robertson said he would pursue the nomination only if three million people signed up to volunteer for his campaign by September 1987. Three million responded, and by the time Robertson announced he would be running in September 1987, he also had raised millions of dollars for his campaign fund. He surrendered his ministerial credentials and turned leadership of CBN over to his son, Tim. His campaign, however, against incumbent Vice President George H. W. Bush, was seen as a long shot.

Robertson ran on a standard conservative platform. Among his policies, he wanted to ban pornography, reform the education system, and eliminate departments such as the Department of Education and the Department of Energy. He also supported a constitutional amendment requiring a balanced federal budget.

Robertson's campaign got off to a strong second-place finish in the Iowa caucus, ahead of Bush. He did poorly in the subsequent New Hampshire primary, however, and was unable to be competitive once the multiple-state primaries began. Robertson ended his campaign before the primaries were finished. His best finish was in Washington, winning the majority of caucus delegates. He later spoke at the 1988 Republican National Convention in New Orleans and told his remaining supporters to cast their votes for Bush, who ended up winning the nomination and the election. He then returned to CBN and has remained there as a religious broadcasting broadcaster.

Books

Episcopalian professor of theology Ephraim Radner accuses Robertson of espousing anti-semitic beliefs in the book:

Business interests

Robertson is the founder and chairman of The Christian Broadcasting Network (CBN) Inc., and founder of International Family Entertainment Inc., Regent University, Operation Blessing International Relief and Development Corporation, American Center for Law and Justice, The Flying Hospital, Inc. and several other organizations and broadcast entities. Robertson was the founder and co-chairman of International Family Entertainment Inc. (IFE).

Formed in 1990, IFE produced and distributed family entertainment and information programming worldwide. IFE's principal business was The Family Channel, a satellite delivered cable-television network with 63 million U.S. subscribers. IFE, a publicly held company listed on the New York Stock Exchange, was sold in 1997 to Fox Kids Worldwide, Inc. for $1.9 billion, whereupon it was renamed Fox Family Channel. Disney acquired FFC in 2001 and its name was changed again, to ABC Family.

Robertson is a global businessman with media holdings in Asia, the United Kingdom, and Africa. He struck a deal with Pittsburgh, Pennsylvania-based General Nutrition Center to produce and market a weight-loss shake he created and promoted on ''The 700 Club''.

In 1999, Robertson entered into a joint venture with the Bank of Scotland to provide financial services in the United States. However, the move was met with criticism in the UK due to Robertson's views on homosexuality. Robertson commented that “In Europe, the big word is tolerance. You tolerate everything. Homosexuals are riding high in the media ... And in Scotland, you can't believe how strong the homosexuals are." Shortly afterward, the Bank of Scotland canceled the venture.

Robertson's extensive business interests have earned him a net worth estimated between $200 million and $1 billion.

A fan of Thoroughbred horse racing, Robertson paid $520,000 for a colt he named Mr. Pat. Trained by John Kimmel, Mr. Pat was not a successful runner. He was nominated for, but did not run in, the 2000 Kentucky Derby.

According to a June 2, 1999, article in ''The Virginian-Pilot'', Robertson had extensive business dealings with Liberian president Charles Taylor. According to the article, Taylor gave Robertson the rights to mine for diamonds in Liberia's mineral-rich countryside. According to two Operation Blessing pilots who reported this incident to the state of Virginia for investigation in 1994, Robertson used his Operation Blessing planes to haul diamond-mining equipment to Robertson's mines in Liberia, despite the fact that Robertson was telling his ''700 Club'' viewers that the planes were sending relief supplies to the victims of the genocide in Rwanda. In response to Taylor's alleged crimes against humanity, the United States Congress passed a bill In November 2003 that offered two million dollars for his capture. Robertson accused President George W. Bush of "undermining a Christian, Baptist president to bring in Muslim rebels to take over the country." At the time Taylor was harboring Al Qaeda operatives who were funding their operations through the illegal diamond trade. On February 4, 2010, at his war crimes trial in the Hague, Taylor testified that Robertson was his main political ally in the U.S., and that he had volunteered to make Liberia's case before U.S. administration officials in exchange for concessions to Robertson's Freedom Gold, Ltd., to which Taylor gave a contract to mine gold in southeast Liberia. In 2010, a spokesman for Robertson said that the company's arrangements — in which the Liberian government got a 10 percent equity interest in the company and Liberians could purchase at least 15 percent of the shares after the exploration period — were similar to many American companies doing business in Africa at the time.

Political activism

After his unsuccessful presidential campaign, Robertson started the Christian Coalition, a 1.7 million member Christian right organization that campaigned mostly for conservative candidates. It was sued by the Federal Election Commission "for coordinating its activities with Republican candidates for office in 1990, 1992 and 1994 and failing to report its expenditures".

In 1994, the Coalition was fined for "improperly [aiding] then Representative Newt Gingrich (R-GA) and Oliver North, who was then the Republican Senate nominee in Virginia." Robertson left the Coalition in 2001.

Robertson has been a governing member of the Council for National Policy (CNP): Board of Governors 1982, President Executive Committee 1985–86, member, 1984, 1988, 1998.

On November 7, 2007, Robertson announced that he was endorsing Rudy Giuliani to be the Republican nominee in the 2008 Presidential election.

While usually associated with the political right, Pat Robertson has recently begun endorsing environmental causes. He appears in a commercial with Al Sharpton, joking about this, and urging people to join the We can Solve it Campaign against global warming.

In January 2009, on a broadcast of ''The 700 Club'', Robertson stated that he is "adamantly opposed" to the division of Jerusalem between Israel and the Palestinians. He also stated that Armageddon is "not going to be fought at Megiddo" but will be the "battle of Jerusalem," when "the forces of all nations come together and try to take Jerusalem away from the Jews. Jews are not going to give up Jerusalem — they shouldn't — and the rest of the world is going to insist they give it up." Robertson added that Jerusalem is a "spiritual symbol that must not be given away" because "Jesus Christ the Messiah will come down to the part of Jerusalem that the Arabs want," and that's "not good."

Controversies and criticisms

Controversies surrounding Robertson include his earlier work as a faith healer, his claim that some Protestant denominations harbor the spirit of the Antichrist, and his claims of having the power to deflect hurricanes through prayer; he has also denounced Hinduism as "demonic" and Islam as "Satanic." Robertson has issued multiple condemnations of feminism, homosexuality, abortion and liberal college professors. Robertson also had financial ties to former presidents Charles Taylor of Liberia and Mobutu Sese Seko of Zaire, both internationally denounced for their human rights violations. Robertson was criticized worldwide for his call for Hugo Chavez’s assassination and for his remarks concerning Ariel Sharon's health as an act of God.

The week of September 11, 2001, Robertson discussed the terror attacks with Jerry Falwell, who said that "the ACLU has to take a lot of blame for this" in addition to "the pagans, and the abortionists, and the feminists, and the gays, and the lesbians [who have] helped [the terror attacks of September 11th] happen." Robertson replied, "I totally concur." Both evangelists came under attack from President George W. Bush for their statements, for which they later issued apologies.

Less than two weeks after Hurricane Katrina killed 1,836 people, Robertson implied on the September 12th broadcast of ''The 700 Club'' that the storm was God's punishment in response to America's abortion policy. He suggested that September 11 and the disaster in New Orleans "could... be connected in some way".

On November 9, 2009, Robertson said that Islam is "a violent political system bent on the overthrow of the governments of the world and world domination." He went on to elaborate that "you're dealing with not a religion, you're dealing with a political system, and I think we should treat it as such, and treat its adherents as such as we would members of the communist party, members of some fascist group."

Robertson's response to the 2010 Haiti earthquake also drew controversy and condemnation. Robertson claimed that Haiti's founders had sworn a "pact to the Devil" in order to liberate themselves from the French slave owners and indirectly attributed the earthquake to the consequences of the Haitian people being "cursed" for doing so. CBN later issued a statement saying that Robertson's comments "were based on the widely-discussed 1791 slave rebellion led by Dutty Boukman at Bois Caiman, where the slaves allegedly made a famous pact with the devil in exchange for victory over the French." Various prominent voices of mainline and evangelical Christianity promptly denounced Robertson's remarks as false, untimely, insensitive, and not representative of Christian thought on the issue.

In 1995 Sita Ram Goel sent him Goel's book "Jesus Christ: An Artifice for Aggression", and a letter in protest to Robertson's remarks towards the religion of Hinduism.

Predictions

Several times near New Year, Robertson has announced that God told him several truths or events that would happen in the following year. "I have a relatively good track record," he said. "Sometimes I miss."

1982: Doomsday

In late 1976, Robertson predicted that the end of the world was coming in October or November 1982. In a May 1980 broadcast of ''The 700 Club'' he stated, "I guarantee you by the end of 1982 there is going to be a judgment on the world."

2006: Pacific Northwestern tsunami

In May 2006, Robertson declared that storms and possibly a tsunami would hit America's coastline sometime in 2006. Robertson supposedly received this revelation from God during an annual personal prayer retreat in January. The claim was repeated four times on ''The 700 Club''.

On May 8, 2006, Robertson said, "If I heard the Lord right about 2006, the coasts of America will be lashed by storms." On May 17, 2006, he elaborated, "There well may be something as bad as a tsunami in the Pacific Northwest." While this claim didn't garner the same level of controversy as some of his other statements, it was generally received with mild amusement by the Pacific Northwest media. The History Channel's initial airing of its new series, ''Mega Disasters'', debut episode "West Coast Tsunami", was broadcast the first week of May.

2007: Terror attack

On the January 2, 2007, broadcast of ''The 700 Club'', Robertson said that God spoke to him and told him that "mass killings" were to come during 2007, due to a terrorist attack on the United States. He added, "The Lord didn't say nuclear. But I do believe it will be something like that." When a terrorist attack failed to happen in 2007, Robertson said, in January 2008, "All I can think is that somehow the people of God prayed and God in his mercy spared us."

2008: Worldwide violence and American recession

On the January 2, 2008 episode of ''The 700 Club'', Pat Robertson predicted that 2008 would be a year of worldwide violence. He also predicted that a recession would occur in the United States that would be followed by a stock market crash by 2010. However, there was a decrease in overall deaths for the period, and the American economy had already entered a recession in 2007, with increased household debt and the collapse of financial institutions.

2008: Mideast meltdown

In October 2008, Robertson posted a press release on the Georgian Conflict speculating that the conflict is a Russian ploy to enter the Middle East, and that instability caused by a predicted pre-emptive strike by Israel on Iran would result in Syria's and Iran's launching nuclear strikes on other targets. He also said that if the United States were to oppose Russia's expansion, nuclear strikes on American soil are also pending. "We will suffer grave economic damage, but will not engage in military action to stop the conflict. However, we may not be spared nuclear strikes against coastal cities. In conclusion, it is my opinion that we have between 75 and 120 days before the Middle East starts spinning out of control."

2009: Economic chaos and recovery

On the January 1, 2009 broadcast of ''The 700 Club'', Robertson said, "If I'm hearing [God] right, gold will go to about $1900 dollars an ounce and oil to $300 a barrel." He also suggested that Americans would broadly accept socialism. Despite these predictions, he also said that economically, "things are getting ready to turn around."

Works

''Shout it from the Housetops'' an autobiography with Jamie Buckingham (1972, repr 1995)

''The Secret Kingdom'' (1982)

''Answers to 200 of Life's Most Probing Questions'' (c1984)

''Beyond Reason: How Miracles can Change your Life'' (1985)

''America's Dates with Destiny'' (1986)

''The Plan'' (1989)

''The New Millennium'' (1990)

''The New World Order'' (1991)

''Turning Tide: The Fall of Liberalism and the Rise of Common Sense'' (c1993)

''The End of the Age'' (1995, fiction)

''Bring It On'' (2003)

''The Ten Offenses'' (2004)

''Courting Disaster'' (2004)

See also

''The 700 Club''

Christian Broadcasting Network

Christian right

Christian fundamentalism

Christian Coalition of America

Christian Zionism

Moral majority

Operation Blessing

References

Further reading

Rob Boston. ''The Most Dangerous Man in America? Pat Robertson and the Rise of the Christian Coalition''

Harrell Jr., David Edwin ''Pat Robertson: A Life and Legacy'' (2010) 442 pages. Scholarly biography draws on documents and interviews in seven countries

David John Marley. ''Pat Robertson: An American Life'' -

External links

Official Pat Robertson Website

Brian Ross. Some Question Robertson's ''Katrina'' Charity, ABC News, September 9, 2005.

"Preacher: God told him about storms, tsunami"

Robertson Denounces Hinduism as 'Demonic'"

2000 lbs. leg press

Robertson talks about his prostate cancer surgery with Laparoscopic Radical Prostatectomy

NPR Audio Report: Televangelist Robertson Urges U.S. Hit on Chavez

Archive of American Television interview with Pat Robertson

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Coordinates	45°47′45″N24°09′08″N
name	Frank Zappa
background	solo_singer
birth name	Frank Vincent Zappa
born	December 21, 1940Baltimore, Maryland, U.S.
died	December 04, 1993Los Angeles, California, U.S.
instrument	Guitar, vocals, bass, keyboards, drums, synclavier, bicycle
genre	Progressive rock, jazz fusion,
occupation	Composer, musician, conductor, producer
years active	1950s–1993
label	Verve, Bizarre, Straight, DiscReet, Barking Pumpkin
associated acts	The Mothers of InventionCaptain BeefheartSteve Vai
website
notable instruments	}}

Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, orchestral and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist.

While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands; he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with The Mothers of Invention, ''Freak Out!'', combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.

Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.

Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the ''Zappa Family Trust''.

Early life

Frank Zappa was born in Baltimore, Maryland, on December 21, 1940. His mother, Rose Marie Colimore, was of Italian and French descent; his father, Francesco Vincente Zappa, was a native of Partinico, Sicily. Zappa was the eldest of four children. The family moved often because his father, a chemist and mathematician, worked in the defense industry. After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground. Due to their home's nearness to the arsenal, which stored mustard gas, gas masks were kept in the home. This had a profound effect on Zappa, and references to germs, germ warfare and the defense industry occur throughout his work.

Zappa was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils; little was known about the potential dangers of even small amounts of therapeutic radiation. Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel.

Many of Zappa's childhood diseases may have been due to exposure to mustard gas. His health worsened when he lived in Baltimore. In 1952, his family relocated for reasons of health. They moved next to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School. They soon moved to Claremont, then to El Cajon, before finally settling San Diego.

Musical influences

Zappa joined his first band, the Ramblers, at Mission Bay High School in San Diego. He was the band's drummer. About the same time his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. R&B; singles were early purchases, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age 12, he had obtained a snare drum and began learning the basics of orchestral percussion. Zappa's deep interest in modern classical music began when he read a ''LOOK'' magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as ''The Complete Works of Edgard Varèse, Volume One''. The article described Varèse's percussion composition ''Ionisation'', produced by EMS Recordings, as "a weird jumble of drums and other unpleasant sounds". Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the "mad scientist" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Thus began his lifelong passion for Varèse's music and that of other modern classical composers.

Zappa grew up influenced by avant-garde composers such as Varèse, Igor Stravinsky and Anton Webern, R&B; and doo-wop groups (including the Medallions and local pachuco groups), and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards "mainstream" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works.

Youth and beginning of career (1955–1960)

By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base, in northern Los Angeles County. Zappa's mother encouraged him in his musical interests. Although she disliked Varèse's music, she was indulgent enough to give her son a long distance call to the composer as a 15th birthday present. Unfortunately, Varèse was in Europe at the time, so Zappa spoke to the composer's wife. He later received a letter from Varèse thanking him for his interest, and telling him about a composition he was working on called "Déserts". Living in the desert town of Lancaster, Zappa found this very exciting. Varèse invited him to visit if he ever came to New York. The meeting never took place (Varèse died in 1965), but Zappa framed the letter and kept it on display for the rest of his life.

At Antelope Valley High School, Zappa met Don Vliet (who later expanded his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B; records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, The Blackouts. The band was racially diverse, and included Euclid James "Motorhead" Sherwood who later became a member of The Mothers of Invention. Zappa's interest in the guitar grew, and in 1957 he was given his first guitar. Among his early influences were Johnny "Guitar" Watson, Howlin' Wolf and Clarence "Gatemouth" Brown. (In the 1970s and '80s, he invited Watson to perform on several albums.) Zappa considered soloing as the equivalent of forming "air sculptures", and developed an eclectic, innovative and highly personal style.

Zappa's interest in composing and arranging proliferated in his last high-school years. By his final year, he was writing, arranging and conducting avant-garde performance pieces for the school orchestra. He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album ''Freak Out!'' Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. He left community college after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college.

Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After meeting Kathryn J. "Kay" Sherman during his short stay at Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising. His sojourn in the commercial world was brief, but gave him valuable insights into how it works. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos.

Early 1960s: Studio Z

Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of The Blackouts. Financially more rewarding were Zappa's earliest professional recordings, two soundtracks for the low-budget films ''The World's Greatest Sinner'' (1962) and ''Run Home Slow'' (1965). The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album ''The Lost Episodes'' (1996).

During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their "Memories of El Monte" was recorded by The Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. With Captain Beefheart, Zappa recorded some songs under the name of The Soots. They were rejected by Dot Records for having "no commercial potential", a verdict Zappa subsequently quoted on the sleeve of ''Freak Out!''

In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This set a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James "Motorhead" Sherwood. Zappa started performing as guitarist with a power trio, The Muthers, in local bars in order to support himself.

An article in the local press describing Zappa as "the Movie King of Cucamonga" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. The press was tipped off beforehand, and next day's ''The Daily Report'' wrote that "Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer". Zappa was charged with "conspiracy to commit pornography". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His brief imprisonment left a permanent mark, and was key in the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police only returned 30 out of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966.

Late 1960s: The Mothers of Invention

In 1965, Zappa was approached by Ray Collins who asked him to take over as the guitarist in local R&B; band The Soul Giants, following a fight between Collins and the group's original guitarist. Zappa accepted, and soon he assumed leadership and the role as co-lead singer (even though he never considered himself a singer). He convinced the other members that they should play his music to increase the chances of getting a record contract. The band was renamed The Mothers, coincidentally on Mother's Day. The group increased their bookings after beginning an association with manager Herb Cohen, while they gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing "Trouble Every Day", a song about the Watts Riots. Wilson had earned acclaim as the producer for singer-songwriter Bob Dylan and the folk-rock act Simon & Garfunkel, and was notable as one of the few African Americans working as a major label pop music producer at this time.

Wilson signed The Mothers to the Verve Records division of MGM Records, which had built up a strong reputation in the music industry for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially re-title themselves "The Mothers of Invention" because "Mother", in slang terminology, was short for "motherfucker" — a term that apart from its profane meanings can denote a skilled musician.

Debut album: ''Freak Out!'' (1966)

With Wilson credited as producer, The Mothers of Invention, augmented by a studio orchestra, recorded the groundbreaking ''Freak Out!'' (1966) which, preceded by Bob Dylan's ''Blonde on Blonde'', was the second rock double album ever released. It mixed R&B;, doo-wop, musique concrète, and experimental sound collages that captured the "freak" subculture of Los Angeles at that time. Although he was dissatisfied with the final product—in a late '60s radio interview (included in the posthumous ''MOFO Project/Object'' compilation) Zappa recounted that the side-long closing track "Return of the Son of Monster Magnet" was intended to be the basic track for a much more complex work which Verve did not allow him to complete – ''Freak Out'' immediately established Zappa as a radical new voice in rock music, providing an antidote to the "relentless consumer culture of America". The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music. The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections to get the group the financial resources needed.

During the recording of ''Freak Out!'', Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. The house became a meeting (and living) place for many LA musicians and groupies of the time, despite Zappa's disapproval of their illicit drug use. He labeled people on drugs "assholes in action", and he tried cannabis only a few times, but without any pleasure. He was a regular tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. After a short promotional tour following the release of ''Freak Out!'', Zappa met Adelaide Gail Sloatman. He fell in love within "a couple of minutes", and she moved into the house over the summer. They married in 1967, had four children and remained together until Zappa's death.

Wilson nominally produced The Mothers' second album ''Absolutely Free'' (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in ''de facto'' control of most facets of the production. It featured extended playing by The Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements. Examples are "Plastic People" and "Brown Shoes Don't Make It", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, "[W]e're satirists, and we are out to satirize everything." At the same time, Zappa had recorded material for a self-produced album based on orchestral works to be released under his own name. Due to contractual problems, the recordings were shelved and only made ready for release late in 1967. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue to finalize what became his first solo album (under the name ''Francis Vincent Zappa''), ''Lumpy Gravy'' (1968). It is an "incredible ambitious musical project", a "monument to John Cage", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques.

New York period (1966–1968)

The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife, along with The Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa's famous hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a "gook baby".

Situated in New York, and only interrupted by the band's first European tour, The Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, ''We're Only in It for the Money'' (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by The Mothers of Invention and as a solo artist. ''We're Only in It for the Money'' featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. The cover photo parodied that of The Beatles' ''Sgt Pepper's Lonely Hearts Club Band''. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a life-long collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums.

Reflecting Zappa's eclectic approach to music, the next album, ''Cruising with Ruben & the Jets'' (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa has noted that the album was conceived in the way Stravinsky's compositions were in his neo-classical period: "If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?" A theme from Stravinsky's ''The Rite of Spring'' is heard during one song.

In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album ''Uncle Meat'' (1969), where the track "King Kong" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process "xenochrony" (strange synchronizations) — reflecting the Greek "xeno" (alien or strange) and "chrono" (time). Zappa also evolved a compositional approach which he called "conceptual continuity," meaning that any project or album was part of a larger project. Everything was connected, and musical themes and lyrics reappeared in different form on later albums. Conceptual continuity clues are found throughout Zappa's entire œuvre.

During the late 1960s, Zappa continued to develop the business sides of his career. He and Herb Cohen formed the Bizarre Records and Straight Records labels, distributed by Warner Bros. Records, as ventures to aid the funding of projects and to increase creative control. Zappa produced the double album ''Trout Mask Replica'' for Captain Beefheart, and releases by Alice Cooper, Wild Man Fischer, and The GTOs, as well as Lenny Bruce's last live performance.

Disbanding the original Mothers of Invention (1969)

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Zappa and The Mothers of Invention returned to Los Angeles in the summer of 1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive in the autumn. This was to be Zappa's home for the rest of his life. Despite being a success with fans in Europe, The Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music". In 1969 there were nine band members and Zappa was supporting the group himself from his publishing royalties whether they played or not. 1969 was also the year Zappa, fed up with MGM's interference, left MGM Records for Warner Bros. Records' Reprise Records subsidiary where Zappa/Mothers recordings would bear the Bizarre Records imprint. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members would, however, play for Zappa in years to come. Remaining recordings with the band from this period were collected on ''Weasels Ripped My Flesh'' and ''Burnt Weeny Sandwich'' (both released in 1970).

After he disbanded The Mothers of Invention, Zappa released the acclaimed solo album ''Hot Rats'' (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. It was backed by jazz, blues and R&B; session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and previous member of Mothers of Invention Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart (providing vocals to the only non-instrumental track, "Willie the Pimp"). It became a popular album in England, and had a major influence on the development of the jazz-rock fusion genre.

1970s: From The Mothers to Zappa

In 1970 Zappa met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. According to Zappa, the music was mostly written in motel rooms while on tour with The Mothers of Invention. Some of it was later featured in the movie ''200 Motels''. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings.

Rebirth of The Mothers and filmmaking (1970)

Later in 1970, Zappa formed a new version of The Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of The Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".

This version of The Mothers debuted on Zappa's next solo album ''Chunga's Revenge'' (1970), which was followed by the double-album soundtrack to the movie ''200 Motels'' (1971), featuring The Mothers, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process which allowed for novel visual effects. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.

After ''200 Motels'', the band went on tour, which resulted in two live albums, ''Fillmore East - June 1971'' and ''Just Another Band From L.A.''; the latter included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on ''200 Motels'' scenes as well as new situations often portraying the band members' sexual encounters on the road.

Accident, attack and their aftermath (1971–1972)

In December 1971, there were two serious setbacks. While performing at Casino de Montreux in Switzerland, The Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song "Smoke on the Water", the event and immediate aftermath can be heard on the bootleg album ''Swiss Cheese/Fire'', released legally as part of Zappa's ''Beat the Boots II'' compilation. After a week's break, The Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member pushed Zappa off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. This left him wheelchair bound, forcing him off the road for over half a year. Upon his return to the stage in September 1972, he was still wearing a leg brace, had a noticeable limp and could not stand for very long while on stage. Zappa noted that one leg healed "shorter than the other" (a reference later found in the lyrics of songs "Zomby Woof" and "Dancin' Fool"), resulting in chronic back pain. Meanwhile, The Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own.

During 1971–1972 Zappa released two strongly jazz-oriented solo LPs, ''Waka/Jawaka'' and ''The Grand Wazoo'', which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. Musically, the albums were akin to ''Hot Rats''. Zappa began touring again in late 1972. His first effort was a series of concerts in September 1972 with a 20-piece big band referred to as the Grand Wazoo. This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972.

Top 10 album (1973–1975)

Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner Bros. Zappa continued a high rate of production through the first half of the 1970s, including the solo album ''Apostrophe (')'' (1974), which reached a career-high No. 10 on the Billboard pop album charts helped by the chart single "Don't Eat The Yellow Snow". Other albums from the period are ''Over-Nite Sensation'' (1973), which contained several future concert favorites, such as "Dinah-Moe Humm" and "Montana", and the albums ''Roxy & Elsewhere'' (1974) and ''One Size Fits All'' (1975) which feature ever-changing versions of a band still called The Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as "Inca Roads", "Echidna's Arf (Of You)" and "Be-Bop Tango (Of the Old Jazzmen's Church)". A live recording from 1974, ''You Can't Do That on Stage Anymore, Vol. 2'' (1988), captures "the full spirit and excellence of the 1973–75 band". Zappa released ''Bongo Fury'' (1975), which featured live recordings from a tour the same year that reunited him with Captain Beefheart for a brief period. They later became estranged for a period of years, but were in contact at the end of Zappa's life.

Business breakups and touring (1976–1979)

Zappa's relationship with long-time manager Herb Cohen ended in 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented ''Zoot Allures'' (1976) directly to Warner Bros., thereby bypassing DiscReet.

In the mid-1970s Zappa prepared material for ''Läther'' (pronounced "leather"), a four-LP project. ''Läther'' encapsulated all the aspects of Zappa's musical styles — rock tunes, orchestral works, complex instrumentals, and Zappa's own trademark distortion-drenched guitar solos. Wary of a quadruple-LP, Warner Bros. Records refused to release it. Zappa managed to get an agreement with Mercury-Phonogram, and test pressings were made targeted at a Halloween 1977 release, but Warner Bros. prevented the release by claiming rights over the material. Zappa responded by appearing on the Pasadena, California radio station KROQ, allowing them to broadcast ''Läther'' and encouraging listeners to make their own tape recordings. A lawsuit between Zappa and Warner Bros. followed, during which no Zappa material was released for more than a year. Eventually, Warner Bros. issued major parts of ''Läther'' against Zappa's will as four individual albums with limited promotion. ''Läther'' was released posthumously in 1996.

Although Zappa eventually gained the rights to all his material created under the MGM and Warner Bros. contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and original Mothers of Invention bassist Roy Estrada joined. Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist Eddie Jobson. In December 1976, Zappa appeared as a featured musical guest on the NBC television show ''Saturday Night Live''. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece "The Purple Lagoon". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's song, "I'm the Slime", was performed with a voice-over by ''SNL'' booth announcer Don Pardo, who also introduced "Peaches En Regalia" on the same airing.

Zappa's band at the time, with the additions of Ruth Underwood and a horn section (featuring Michael and Randy Brecker), performed during Christmas in New York, recordings of which appear on one of the albums released by Warner Bros., ''Zappa in New York'' (1978). It mixes intense instrumentals such as "The Black Page" and humorous songs like "Titties and Beer". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure, radical changes of tempo and meter, and short, densely arranged passages.

''Zappa in New York'' featured a song about sex criminal Michael H. Kenyon, "The Illinois Enema Bandit", which featured Don Pardo providing the opening narrative in the song. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: "What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?" The remaining albums released by Warner Bros. Records without Zappa's consent were ''Studio Tan'' in 1978 and ''Sleep Dirt'' in 1979, which contained complex suites of instrumentally-based tunes recorded between 1973 and 1976, and whose release was overlooked in the midst of the legal problems. Also released by the label without the artist's consent was ''Orchestral Favorites'' in 1979, which featured recordings of a concert with orchestral music from 1975.

Zappa as an independent artist (1979)

Resolving the lawsuits successfully, Zappa ended the 1970s "stronger than ever", by releasing two of his most successful albums in 1979: the best selling album of his career, ''Sheik Yerbouti'', and the "bona fide masterpiece", ''Joe's Garage''. The double album ''Sheik Yerbouti'' was the first release on Zappa Records, and contained the Grammy-nominated single "Dancin' Fool", which reached No. 45 on the ''Billboard'' charts, and "Jewish Princess", which received attention when a Jewish lobby group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. Zappa vehemently denied any anti-Semitic sentiments and dismissed the ADL as a "noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time". The album's commercial success was attributable in part to "Bobby Brown". Due to its explicit lyrics about a young man's encounter with a "dyke by the name of Freddie", the song did not get airplay in the U.S., but it topped the charts in several European countries where English is not the primary language. The triple LP ''Joe's Garage'' featured lead singer Ike Willis as the voice of the character "Joe" in a rock opera about the danger of political systems, the suppression of freedom of speech and music — inspired in part by the Islamic revolution that had made music illegal within its jurisdiction at the time — and about the "strange relationship Americans have with sex and sexual frankness". The album contains rock songs like "Catholic Girls" (a riposte to the controversies of "Jewish Princess"), "Lucille Has Messed My Mind Up", and the title track, as well as extended live-recorded guitar improvisations combined with a studio backup band dominated by drummer Vinnie Colaiuta (with whom Zappa had a particularly good musical rapport) adopting the xenochrony process. The album contains one of Zappa's most famous guitar "signature pieces", "Watermelon in Easter Hay".

On December 21, 1979, Zappa's movie ''Baby Snakes'' premiered in New York. The movie's tagline was "A movie about people who do stuff that is not normal". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which later become available on the video ''The Dub Room Special'' (1982)). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. The Zappa Family Trust released it on DVD, and it has been available since 2003.

Zappa later expanded on his television appearances in a non-musical role. He was an actor or voice artist in episodes of ''Shelley Duvall's Faerie Tale Theatre'', ''Miami Vice'' and ''The Ren and Stimpy Show''. A voice part in ''The Simpsons'' never materialized, to creator Matt Groening's disappointment.

1980s: Productive as ever

After spending most of 1980 on the road, Zappa released ''Tinsel Town Rebellion'' in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of ''sprechstimme'' (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg — showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). While some lyrics still raised controversy among critics, in the sense that some found them sexist, the political and sociological satire in songs like the title track and "The Blue Light" have been described as a "hilarious critique of the willingness of the American people to believe anything". The album is also notable for the presence of guitar virtuoso Steve Vai, who joined Zappa's touring band in the fall of 1980.

The same year the double album ''You Are What You Is'' was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, thereby giving him complete freedom to work. The album included one complex instrumental, "Theme from the 3^rd Movement of Sinister Footwear", but focused mainly on rock songs with Zappa's sardonic social commentary—satirical lyrics targeted at teenagers, the media, and religious and political hypocrisy. "Dumb All Over" is a tirade on religion, as is "Heavenly Bank Account", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like "Society Pages" and "I'm a Beautiful Guy" show Zappa's dismay with the Reagan era and its "obscene pursuit of wealth and happiness". In 1981, Zappa also released three instrumental albums, ''Shut Up 'N Play Yer Guitar'', ''Shut Up 'N Play Yer Guitar Some More'', and ''The Return of the Son of Shut Up 'N Play Yer Guitar'', which were initially sold via mail order, but later released through the CBS label due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979–1980; they highlight Zappa's improvisational skills with "beautiful performances from the backing group as well". Another guitar-only album, ''Guitar'', was released in 1988, and a third, ''Trance-Fusion'', which Zappa completed shortly before his death, was released in 2006.

From hit single to classical performances

In May 1982, Zappa released ''Ship Arriving Too Late to Save a Drowning Witch'', which featured his biggest selling single ever, the Grammy Award-nominated song "Valley Girl" (topping out at No. 32 on the ''Billboard'' charts). In her improvised lyrics to the song, Zappa's daughter Moon Unit satirized the vapid speech of teenage girls from the San Fernando Valley, which popularized many "Valspeak" expressions such as "gag me with a spoon," "fer sure, fer sure," "grody" (gross), and "barf out". Most Americans who only knew Zappa from his few singles successes now thought of him as a person writing "novelty songs", even though the rest of the album contained highly challenging music. Zappa was irritated by this and never played the song live.

In 1983, two different projects were released, beginning with ''The Man from Utopia,'' a rock-oriented work. The album is eclectic, featuring the vocal-led "Dangerous Kitchen" and "The Jazz Discharge Party Hats", both continuations of the sprechstimme excursions on ''Tinseltown Rebellion.'' The second album, ''London Symphony Orchestra, Vol. 1'', contained orchestral Zappa compositions conducted by Kent Nagano and performed by the London Symphony Orchestra (LSO). A second record of these sessions, ''London Symphony Orchestra, Vol. 2'' was released in 1987. The material was recorded under a tight schedule with Zappa providing all funding, helped by the commercial success of "Valley Girl". Zappa was not satisfied with the LSO recordings. One reason is "Strictly Genteel", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Conductor Nagano, who was pleased with the experience, noted that in "fairness to the orchestra, the music is humanly very, very difficult". Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of ''A Zappa Affair'' with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice. Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University. It was there Zappa delivered his famous "Bingo! There Goes Your Tenure" address, and had two of his orchestra pieces, "Dupree's Paradise" and "Naval Aviation in Art?" performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus.

Synclavier

For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier as a compositional and performance tool. Even considering the complexity of the music he wrote, the Synclavier could realize anything he could dream up. The Synclavier could be programmed to play almost anything conceivable, to perfection: "With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with ''one-millisecond'' accuracy—every time". Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate. In 1984, he released four albums. ''Boulez Conducts Zappa: The Perfect Stranger,'' contains orchestral works commissioned and conducted by world-renowned conductor Pierre Boulez (who was listed as an influence on ''Freak Out!'') and performed by his Ensemble InterContemporain, juxtaposed with premiere Synclavier pieces. Again, Zappa was not satisfied with the performances of his orchestral works as he found them under-rehearsed, but in the album liner notes he respectfully thanks Boulez's demands for precision. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.

The album ''Thing-Fish'' was an ambitious three-record set in the style of a Broadway play dealing with a dystopian "what-if" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; "the work is an extraordinary example of bricolage". Finally, in 1984, Zappa released ''Francesco Zappa'', a Synclavier rendition of works by 18th century composer Francesco Zappa (no known relation), and ''Them or Us,'' a two-record set of heavily edited live and session pieces.

Senate testimony

On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. Zappa saw their activities as on a path towards censorship, and called their proposal for voluntary labelling of records with explicit content "extortion" of the music industry. In his prepared statement, he said:

The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow "J" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?

Zappa set excerpts from the PMRC hearings to Synclavier music in his composition "Porn Wars" on the 1985 album ''Frank Zappa Meets the Mothers of Prevention'', and the full recording was released in 2010 as ''Congress Shall Make No Law...''. Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who claimed, at the hearing, to be a Zappa fan), and in an exchange with Florida Senator Paula Hawkins over what toys Zappa's children played with. Zappa expressed opinions on censorship when he appeared on CNN's ''Crossfire TV series'' and debated issues with ''Washington Times'' commentator John Lofton in 1986. Zappa's passion for American politics was becoming a bigger part of his life. He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for President of the United States.

Digital medium and last tour

Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were, however, criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace "phonographic record merchandising" of music by "direct digital-to-digital transfer" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a "miserable flop".

The album ''Jazz From Hell,'' released in 1986, earned Zappa his first Grammy Award in 1987 for Best Rock Instrumental Performance. Except for one live guitar solo (St. Etienne), the album exclusively featured compositions brought to life by the Synclavier. Although an instrumental album, containing no lyrics whatsoever, Meyer Music Markets sold ''Jazz from Hell'' featuring an "explicit lyrics" sticker — a warning label introduced by the Recording Industry Association of America in an agreement with the PMRC.

Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums ''Broadway the Hard Way'' (new material featuring songs with strong political emphasis), ''The Best Band You Never Heard in Your Life'' (Zappa "standards" and an eclectic collection of cover tunes, ranging from Maurice Ravel's ''Boléro'' to Led Zeppelin's "Stairway to Heaven"), and ''Make a Jazz Noise Here'' (mostly instrumental and avant-garde music). Parts are also found on ''You Can't Do That on Stage Anymore'', volumes 4 and 6.

1990s: Classical music and death

In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel, and was asked to serve as consultant for the government on trade, cultural matters and tourism. Havel was a lifelong fan of Zappa who had great influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song "Plastic People"). Zappa enthusiastically agreed and began meeting with corporate officials interested in investing in Czechoslovakia. Within a few weeks, however, the U.S. administration put pressure on the Czech government to withdraw the appointment. Havel made Zappa an unofficial cultural attaché instead. Zappa also planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Most of Zappa's projects came to a halt in 1990, when he was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for ten years and was considered inoperable. After his diagnosis, Zappa devoted most of his energy to modern orchestral and Synclavier works. In 1993 he completed ''Civilization, Phaze III'' shortly before his death. It was a major Synclavier work which he had begun in the 1980s.

In 1991, Zappa was chosen to be one of four featured composers at the world-acclaimed Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen and Alexander Knaifel). Zappa was approached by the German chamber ensemble, Ensemble Modern, which was interested in playing his music for the event. Although ill, Zappa invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. In addition to being satisfied with the ensemble's performances of his music, Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for the fall. In September 1992, the concerts went ahead as scheduled, but Zappa could only appear at two in Frankfurt due to illness. At the first concert, he conducted the opening "Overture", and the final "G-Spot Tornado" as well as the theatrical "Food Gathering in Post-Industrial America, 1992" and "Welcome to the United States" (the remainder of the program was conducted by the ensemble's regular conductor Peter Rundel). Zappa received a 20-minute ovation. It would become his last professional public appearance, as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found "exhilarating". Recordings from the concerts appeared on ''The Yellow Shark'' (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous ''Everything Is Healing Nicely'' (1999).

Frank Zappa died on Saturday, December 4, 1993 in his home surrounded by his wife and children. At a private ceremony the following day, Zappa was interred in an unmarked grave at the Westwood Village Memorial Park Cemetery in Westwood, Los Angeles, next to the grave of actor Lew Ayres. On Monday, December 6 his family publicly announced that "Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday".

Legacy

Acclaim and honors

Zappa earned widespread critical acclaim in his lifetime and after his death. ''The Rolling Stone Album Guide'' (2004) writes: "Frank Zappa dabbled in virtually all kinds of music — and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable". Even though his work drew inspiration from many different genres, Zappa was seen establishing a coherent and personal expression. In 1971, biographer David Walley noted that "The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: "It was all one; all part of his 'conceptual continuity. ''Guitar Player'' devoted a special issue to Zappa in 1992, and asked on the cover "Is FZ America's Best Kept Musical Secret?" Editor Don Menn remarked that the issue was about "The most important composer to come out of modern popular music". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said "I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music." Conductor Kent Nagano remarked in the same issue that "Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that". Pierre Boulez stated in ''Musician'' magazine's posthumous Zappa tribute article that Zappa "was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive." Many music scholars acknowledge Zappa as one of the most influential composers of his generation. As an electric guitarist, he has become highly regarded.

In 1994, jazz magazine ''Down Beat'''s critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that "Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres — rock, jazz, classical, avant-garde and even novelty music — with masterful ease". He received the Grammy Lifetime Achievement Award in 1997. In 2005, the U.S. National Recording Preservation Board included ''We're Only in It for the Money'' in the National Recording Registry as "Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it". The same year, ''Rolling Stone'' magazine ranked him at No. 71 on its list of the 100 Greatest Artists of All Time. In 2011, he was ranked at No. 45 on the list of the 100 Greatest Guitarists of All Time by the same magazine.

Artists influenced by Zappa

A number of notable musicians, bands and orchestras from diverse genres have been influenced by Frank Zappa's music. Rock artists like Alice Cooper, Primus, Fee Waybill of The Tubes all cite Zappa's influence, as do progressive rock artists like Henry Cow, Trey Anastasio of Phish, and John Frusciante. Paul McCartney regarded ''Sgt. Pepper's Lonely Hearts Club Band'' as The Beatles' ''Freak Out!'' Heavy rock and metal acts like Black Sabbath, Mike Portnoy, Warren DeMartini, Steve Vai, Strapping Young Lad, System of a Down, Clawfinger, and Devin Townsend acknowledge Zappa's inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists whose work is affected by Zappa include new age pianist George Winston, electronic composer Bob Gluck, parody singer "Weird Al" Yankovic, industrial music pioneer Genesis P-Orridge, and noise music artist Masami Akita of Merzbow.

References in arts and sciences

Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr. identified an extinct mollusc in Nevada and named it ''Amaurotoma zappa'' with the motivation that, "The specific name, ''zappa'', honors Frank Zappa". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea ''Zappa'', with a species named ''Zappa confluentus''. Biologist Ferdinando Boero named a Californian jellyfish ''Phialella zappai'' (1987), noting that he had "pleasure in naming this species after the modern music composer". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named ''Pachygnatha zappa'' because "the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache". A gene of the bacterium ''Proteus mirabilis'' that causes urinary tract infections was in 1995 named ''zapA'' by three biologists from Maryland. In their scientific article, they "especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature". In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it ''Spygori zappania'' to honor "the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason".

In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: ''3834 Zappafrank''. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brozek, and the citation for its naming says that "Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia".

In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in the Lithuanian capital Vilnius. A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, with the bust installed at the Southeast Anchor Branch Library in Baltimore's Highlandtown. Speakers at the event included Gail Zappa and Baltimore Mayor Stephanie Rawlings-Blake In 2002, a bronze bust was installed in German city Bad Doberan, since 1990 location of the ''Zappanale'', an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district "Frank-Zappa-Straße" in 2007. The same year, Baltimore's mayor Sheila Dixon proclaimed August 9 as the city's official "Frank Zappa Day" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.

Discography

References

Notes

External links

The official Frank Zappa website

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Coordinates	45°47′45″N24°09′08″N
Name	Charlie Rose
Birthname	Charles Peete Rose, Jr.
Birth date	January 05, 1942
Birth place	Henderson, North Carolina, U.S.
education	Duke University B.A. (1964) Duke University J.D. (1968)
occupation	Talk show hostJournalist
years active	1972–present
credits	''Charlie Rose'', ''60 Minutes II'', ''60 Minutes'', ''CBS News Nightwatch'', ''CBS This Morning''
url	http://www.charlierose.com/ }}

Charles Peete "Charlie" Rose, Jr. (born January 5, 1942) is an American television talk show host and journalist. Since 1991 he has hosted ''Charlie Rose'', an interview show distributed nationally by PBS since 1993. He has also co-anchored ''CBS This Morning'' since January 2012. Charlie, along with Lara Logan, has revamped the CBS classic Person to Person, a news program during which celebrities are interviewed in their homes, originally hosted by the legendary Edward R. Murrow.

Early life

Rose was born in Henderson, North Carolina, the only child of Margaret Frazier and Charles Peete Rose, Sr., tobacco farmers who owned a country store. As a child, Rose lived above his parents' store in Henderson and helped out with the family business from age seven.. Rose admitted in a Fresh Dialogues interview that as a child his insatiable curiosity was constantly getting him in trouble. A high school basketball star, Rose entered Duke University intending to pursue a degree with a pre-med track, but an internship in the office of Democratic North Carolina Senator B. Everett Jordan got him interested in politics. Rose graduated in 1964 with a bachelor's degree in history. At Duke, he was a member of the Kappa Alpha Order fraternity. He earned a Juris Doctor from the Duke University School of Law in 1968. He met his wife, Mary (''née'' King), while attending Duke.

Career

After his wife was hired by the BBC (in New York), Rose handled some assignments for the BBC on a freelance basis. In 1972, while continuing to work at Bankers Trust, he landed a job as a weekend reporter for WPIX-TV. His break came in 1974, after Bill Moyers hired Rose as managing editor for the PBS series ''Bill Moyers' International Report''. In 1975, Moyers named Rose executive producer of ''Bill Moyers Journal''. Rose soon began appearing on camera. "A Conversation with Jimmy Carter," one installment of Moyers's series ''U.S.A.: People and Politics'', won a 1976 Peabody Award. Rose worked at several networks honing his interview skills until KXAS-TV in Dallas-Fort Worth hired him as program manager and gave him the late-night time slot that would become the ''Charlie Rose'' show.

Rose worked for CBS News (1984–1990) as the anchor of ''CBS News Nightwatch'', the network's first late-night news broadcast. The ''Nightwatch'' broadcast of Rose's interview with Charles Manson won an Emmy Award in 1987. In 1990, Rose left CBS to serve as anchor of ''Personalities'', a syndicated program produced by Fox Broadcasting Company, but he got out of his contract after six weeks because of the tabloid-style content of the show. ''Charlie Rose'' premiered on PBS station Thirteen/WNET on September 30, 1991, and has been nationally syndicated since January 1993. In 1994, Rose moved the show to a studio owned by Bloomberg Television, which allowed for improved satellite interviewing.

Rose was a correspondent for ''60 Minutes II'' from its inception in January 1999 until its cancellation in September 2005, and was later named a correspondent on ''60 Minutes''.

Rose was a member of the board of directors of Citadel Broadcasting Corporation from 2003 to 2009. In May 2010, Charlie Rose delivered the commencement address at North Carolina State University.

On November 15, 2011, it was announced that Rose would return to CBS to help anchor ''CBS This Morning'', replacing ''The Early Show'', commencing January 9, 2012, along with co-anchors Erica Hill and Gayle King.

Cameo appearances

Rose has appeared as himself in the 1998 film ''Primary Colors'', in a 2000 episode of ''The Simpsons'' and in the 2008 movie ''Elegy''. He and his show were also used in the Wes Anderson film The Royal Tenenbaums. He also appears as himself in the 2011 George Clooney directed film, ''The Ides of March''.

Accusations of conflict of interest

While hosting the 2002 Coca-Cola Company shareholders' meeting, Rose said "few companies are able to connect as completely with consumers in the way that Coca-Cola is. It is a privilege to be associated with [The Coca-Cola family] ... This is the business of Coca-Cola: being part of a family, being worldwide, doing well and doing good at the same time." Afterward, Coca-Cola agreed to become what Rose called "a leading underwriter" of ''The Charlie Rose Show'', paying "six or possibly seven figures." Even the Charlie Rose mugs used on his PBS show feature a Coca-Cola logo on one side. Although CBS News policy bars correspondents from doing commercials and product endorsements, the ''Washington Post'' reported CBS was "comfortable" with Rose's actions. Rose insists he "would never do a story on ''60 Minutes II'' about anybody who underwrites my PBS show."

Quiet influence

''The New York Times'' reported that Rose encouraged a discussion between the leaders of NBC and Fox, that led eventually to a mutual reduction in ad hominem attacks between Keith Olbermann and Bill O'Reilly on their respective news programs.

Rose has attended several Bilderberg Group conference meetings, including meetings held in the United States in 2008; Spain in 2010; and Switzerland in 2011. These unofficial conferences hold guests from North America and Western Europe, most of whom are political leaders and businessmen. Details of meetings are closed off to the public and strictly invitation-only, and critics speculate the controversial nature of these meetings of highly influential people. Accusations from conspiracy theorists against The Charlie Rose show claim that it has become the US media outlet for Bilderberg.

Personal life

Rose's twelve-year marriage to Mary Rose (née King) ended in divorce in 1980. Mary is the sister-in-law of Morgan Stanley Chairman John J. Mack. Since 1993, his companion has been socialite and city-planning advocate Amanda Burden, a stepdaughter of CBS founder William S. Paley.

On March 29, 2006, after experiencing shortness of breath in Syria, Rose was flown to Paris and underwent surgery for mitral valve repair in the Georges-Pompidou European Hospital. His surgery was performed under the supervision of Alain F. Carpentier, a pioneer of the procedure. Rose returned to the air on June 12, 2006, with Bill Moyers and Yvette Vega (the show's executive producer), to discuss his surgery and recuperation.

In a 2009 Fresh Dialogues interview Rose described his life as "great and glorious." He added, '"I get up every morning with a new adventure. The adventure is fueled by interesting people. I get a chance to control my own destiny. I do something that is immediately either appreciated or not. I get feedback."

Rose owns a farm in Oxford, North Carolina, an apartment overlooking Central Park in New York City, a beach house in Bellport, New York, an apartment in Washington D.C..and an apartment in Paris, France.

References

External links

Charlie Rose Official website of his eponymous show

Charlie Rose official channel on ''YouTube''

Charlie Rose collected news and commentary at the ''Los Angeles Times''

Charlie Rose shows on Hulu

celebritynetworth.com, Celebrity Net Worth, Charlie Rose

Why Business Loves Charlie Rose David A. Kaplan, ''Fortune'', September 28, 2009

Category:American journalists Category:American television talk show hosts Category:New York television reporters Category:CBS News Category:60 Minutes correspondents Category:Duke University alumni Category:New York University alumni Category:People from Henderson, North Carolina Category:1942 births Category:Living people

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