In orthography and typography, letter case (or just case) is the distinction between the larger ''majuscule'' (''capital'', ''caps'', ''upper-case'', ''upper case'', or ''uppercase'') and smaller ''minuscule'' (''lower-case'', etc.) letters. The term originated with the shallow drawers called ''type cases'' still used to hold the movable type for letterpress printing.

In the Roman alphabet, majuscules ( or ) are ''A'', ''B'', ''C'', etc.; minuscules are ''a'', ''b'', ''c'', etc.

Most occidental languages (certainly those based on the Latin, Cyrillic, Greek, Armenian alphabets, and Coptic alphabets) use multiple letter-cases in their written form as an aid to clarity. Scripts using two separate cases are also called "bicameral scripts". Many other writing systems (such as those used in the Georgian language, Glagolitic, Arabic, Hebrew, and Devanagari) make no distinction between capital and lowercase letters – a system called unicase. If an alphabet has case, all or nearly all letters have both forms. Both forms in each pair are considered to be the same letter: they have the same name, same pronunciation, and will be treated identically when sorting in alphabetical order. An example of a letter without both forms is the German ß (''ess-tsett''), which exists only in minuscule. When capitalized it normally becomes two letters ("SS"), but the ß letter may be used as a capital to prevent confusion in special cases, such as names. This is because ß was originally a ligature of the two letters "ſs" (a long s and an s), both of which become "S" when capitalized. It later evolved into a letter in its own right. (ß is also occasionally referred to as a ligature of "sz", which recalls the way this consonant was pronounced in some medieval German dialects. The original spelling ''sz'' is preserved in Hungarian and pronounced [s].)

Languages have capitalization rules to determine whether majuscules or minuscules are to be used in a given context. In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective, and for initials or abbreviations. The first-person pronoun "I" and the interjection "O" are also capitalized. Lower-case letters are normally used for all other purposes. There are however situations where further capitalization may be used to give added emphasis, for example in headings and titles or to pick out certain words (often using small capitals). There are also a few pairs of words of different meanings whose only difference is capitalization of the first letter. Other languages vary in their use of capitals. For example, in German the first letter of all nouns is capitalized, while in Romance languages the names of days of the week, months of the year, and adjectives of nationality, religion and so on generally begin with a lower-case letter.

Case comparison

Here is a comparison of the majuscule and minuscule versions of each letter used in the English language. The exact representation will vary according to the font used.

{|align="center" |Upper Case:||A||B||C||D||E||F||G||H||I||J||K||L||M||N||O||P||Q||R||S||T||U||V||W||X||Y||Z |- |Lower Case:||a||b||c||d||e||f||g||h||i||j||k||l||m||n||o||p||q||r||s||t||u||v||w||x||y||z |}

History

Originally alphabets were written entirely in capital letters, spaced between well-defined upper and lower bounds. When written quickly with a pen, these tended to turn into rounder and much simpler forms, like uncials. It is from these that the first minuscule hands developed, the half-uncials and cursive minuscule, which no longer stay bound between a pair of lines. These in turn formed the foundations for the Carolingian minuscule script, developed by Alcuin for use in the court of Charlemagne, which quickly spread across Europe.

European languages, except for Ancient Greek and Latin, did not make the case distinction before about 1300. In Latin, papyrii from Herculaneum dating before 79 have been found which include lower-case letters a, b, d, h, p, and r. According to papyrologist Knut Kleve, "The theory, then, that the lower-case letters have been developed from the fifth century uncials and the ninth century Carolingian miniscules seems to be wrong."

Both "majuscule" and "minuscule" letters existed, but the printing press had not yet been invented, and a given handwritten document could use either one size/style or the other. However, before about 1700 literacy was very low in Europe and the Americas, hence even handwriting was not used or understood by more than about 1% of people. Therefore, there was not any motivation to use both upper case and lower case letters in the same document as all documents were used by only a small number of scholars.

The timeline of writing in Western Europe can be divided into four eras:

Greek majuscule (9th – 3rd century B.C.) in contrast to the Greek uncial script (3rd century B.C. – 12 century A.D.) and the later Greek minuscule

Roman majuscule (7th century B.C. – 4th century A.D.) in contrast to the Roman uncial (4th – 8th century B.C.), Roman Half Uncial, and minuscule

Carolingian majuscule (4th – 8th century A.D.) in contrast to the Carolingian minuscule (around 780 – 12th century)

Gothic majuscule (13th and 14th century), in contrast to the early Gothic (end of 11th to 13th century), Gothic (14th century), and late Gothic (16th century) minuscules.

Traditionally, certain letters were rendered differently according to a set of rules. In particular, those letters that began sentences or nouns were made larger and often written in a distinct script. There was no fixed capitalization system until the early 18th century. The English language eventually dropped the rule for nouns, while the German language kept it.

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835. The modern practice of capitalizing the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

The Samaritan alphabet also had lower-case letters, making it relatively unusual among abjads such as Hebrew, Syriac and Arabic, which tend to be written without case.

Terminology

The term ''lower case'' originated in the early days of the printing press used with movable type in letterpress printing. The individual type blocks used in hand typesetting are stored in shallow wooden or metal drawers, known as cases, with subdivisions into compartments known as boxes to store each individual letter. In many countries the majuscules and minuscules are stored separately, with a pair of boxes for each typeface at a specific size. For typesetting, the two cases are taken out of the storage rack and placed on a rack on the compositor's desk. By convention, the case containing the capitals (and small capitals) stands at a steeper angle at the back of the desk, with the case for the small letters, punctuation and spaces, at a shallower angle below it to the front of the desk, hence upper and lower case. The term "upper case" is a backformation and not used by printers to classify capital letters. The upper case contained accented letters, numbers and capital ligatures in addition to capital letters and comes from the antique age of setting type for printing presses, when printers kept the type for these letters in the upper drawers of a desk or in the upper type case, while keeping the type for the more frequently-used smaller letters in the lower type case within easy reach.

Various patterns of cases are available, often with the compartments for lower-case letters varying in size according to the frequency of use of letters, so that the commonest letters are grouped together in larger boxes at the centre of the case. The compositor takes the letter blocks from the compartments and places them in a composing stick, working from left to right and placing the letters upside down with the nick to the top, then sets the assembled type in a galley.

The Oxford Universal Dictionary on Historical Advanced Proportional Principles (reprinted 1952) indicates that this usage of "case" (as the box or frame used by a compositor in the printing trade) was first used in 1588. Originally one large case was used for each typeface, then "divided cases", pairs of cases for upper and lower case, were introduced in the region of today's Belgium by 1563, England by 1588, and France before 1723. Though pairs of cases were used in English-speaking countries and many European countries in Germany and Scandinavia the single case continued in use.

For paleographers, a majuscule script is any script in which the letters have very few or very short ascenders and descenders, or none at all (for example, the majuscule scripts used in the Codex Vaticanus Graecus 1209, or the Book of Kells).

The word ''minuscule'' is often spelled ''miniscule'', by association with the unrelated word ''miniature'' and the prefix ''mini-''. This has traditionally been regarded as a spelling mistake (since ''minuscule'' is derived from the word ''minus''), but is now so common that some dictionaries tend to accept it as a nonstandard or variant spelling. However, ''miniscule'' is still less likely to be used for lower-case letters.

Other forms of case

The distinction between hiragana and katakana in Japanese is similar to, but not the same as, case; it may also be considered analogous to upright and italics characters. While each sound has both a hiragana and katakana, any given word will use only one of the two scripts normally. If a word is written with hiragana, it is not normally considered correct to write it with katakana, and vice versa. However, katakana may be substituted for hiragana or kanji to add emphasis or make them stand out, similar to the use of capitalization or italics in English.

Also similar to case is recent usage in Georgian, where some authors use isolated letters from the Asomtavruli alphabet within a text otherwise written in Mkhedruli in a fashion that is reminiscent of modern usage of letter case in the Latin, Greek, and Cyrillic alphabets.

==Usage==

In scripts with a case distinction, lower case is generally used for the majority of text; capitals are used for capitalization, acronyms, medial capitals, and emphasis (in some languages).

Capital letters were sometimes used for typographical emphasis in text made on a typewriter. However, long spans of Latin-alphabet text in all upper-case are harder to read because of the absence of the ascenders and descenders found in lower-case letters, which can aid recognition. With the advent of modern computer editing technology and the Internet, emphasis is usually indicated by use of a single word Capital, italic, or bold font, similar to what has long been common practice in print. In typesetting, when an acronym or initialism requires a string of upper-case letters, it is frequently set in small capitals, to avoid overemphasizing the word in mostly lower-case running text. In electronic communications, it is often considered very poor "netiquette" to type in all capitals, because it can be harder to read and because it is seen as tantamount to shouting. Indeed, this is the oft-used name for the practice. Larry Trask states that "it is possible to write an entire word or phrase in capital letters in order to emphasize it", but adds that "on the whole, though, it is preferable to express emphasis, not with capital letters, but with italics."

Capitalization is the writing of a word with its first letter in uppercase and the remaining letters in lowercase. Capitalization rules vary by language and are often quite complex, but in most modern languages that have capitalization, the first word of every sentence is capitalized, as are all proper nouns. Some languages, such as German, capitalize the first letter of all nouns; this was previously common in English as well. (See the article on capitalization for a detailed list of norms).

In English, a variety of case styles are used in various circumstances:

Capitalization in English, in terms of the general orthographic rules independent of context (e.g., title vs heading vs text), is universally standardized for formal writing. For example, it is universal to begin a sentence with a cap, and to cap proper nouns, wherever formal orthography is in force. (Informal communication, such as texting, IM, or a handwritten sticky note, may not bother, of course; but that's because its users usually do not expect it to be formal.)

* Sentence case: The most common in English prose. Generally equivalent to the baseline universal standard of formal English orthography mentioned above; that is, only the first word is capitalized, except for proper nouns and other words which are generally capitalized by a more specific rule.

* Title case: All words are capitalized except for certain subsets defined by rules that are not universally standardized. The standardization is only at the level of house styles and individual style manuals. (See further explanation below at Headings and publication titles.)

* ALL CAPS: Only capital letters are used.

: Capital letters are used which are the size of the lower-case "x". Slightly larger small caps can be used in a fashion. Used for initialisms, names, mathematical entities, computer commands in printed text, and other situations where a given phrase needs to be distinguished from the main text.

* lowercase only: Sometimes used for artistic effect, such as in poetry. Also commonly seen in computer commands and SMS language, to avoid pressing the shift key in order to speed typing.

In some traditional forms of poetry, capitalization has been conventionally used as a marker to indicate the beginning of a line of verse independent of any other grammatical feature.

===Headings and publication titles=== In English-language publications, varying conventions are used for capitalizing words in publication titles and headlines, including chapter and section headings. The rules differ substantially between individual house styles. The main examples are (from most to least capitals used): {| ! colspan="8" | Example ! Rule |- | bgcolor="#c0c0c0" | THE | bgcolor="#c0c0c0" | VITAMINS | bgcolor="#c0c0c0" | ARE | bgcolor="#c0c0c0" | IN | bgcolor="#c0c0c0" | MY | bgcolor="#c0c0c0" | FRESH | bgcolor="#c0c0c0" | CALIFORNIA | bgcolor="#c0c0c0" | RAISINS | All-uppercase letters |- | bgcolor="#e0e0e0" | The | bgcolor="#e0e0e0" | Vitamins | bgcolor="#e0e0e0" | Are | bgcolor="#e0e0e0" | In | bgcolor="#e0e0e0" | My | bgcolor="#e0e0e0" | Fresh | bgcolor="#e0e0e0" | California | bgcolor="#e0e0e0" | Raisins | "Start case" — capitalization of all words, regardless of the part of speech |- | bgcolor="#e0e0e0" | The | bgcolor="#e0e0e0" | Vitamins | bgcolor="#e0e0e0" | Are | in | bgcolor="#e0e0e0" | My | bgcolor="#e0e0e0" | Fresh | bgcolor="#e0e0e0" | California | bgcolor="#e0e0e0" | Raisins | Capitalization of all words, except for articles, prepositions, and conjunctions |- | bgcolor="#e0e0e0" | The | bgcolor="#e0e0e0" | Vitamins | are | in | bgcolor="#e0e0e0" | My | bgcolor="#e0e0e0" | Fresh | bgcolor="#e0e0e0" | California | bgcolor="#e0e0e0" | Raisins | Capitalization of all words, except for articles, prepositions, conjunctions, and forms of to be |- | bgcolor="#e0e0e0" | The | bgcolor="#e0e0e0" | Vitamins | are | in | my | bgcolor="#e0e0e0" | Fresh | bgcolor="#e0e0e0" | California | bgcolor="#e0e0e0" | Raisins | Capitalization of all words, except for closed-class words |- | bgcolor="#e0e0e0" | The | bgcolor="#e0e0e0" | Vitamins | are | in | my | fresh | bgcolor="#e0e0e0" | California | bgcolor="#e0e0e0" | Raisins | Capitalization of all nouns |- | bgcolor="#e0e0e0" | The | vitamins | are | in | my | fresh | bgcolor="#e0e0e0" | California | raisins | Sentence case – Capitalization of only the first word, proper nouns and as dictated by other specific English rules |- | the | vitamins | are | in | my | fresh | bgcolor="#e0e0e0" | California | raisins | Mid-sentence case – capitalization of proper nouns only |- | the | vitamins | are | in | my | fresh | california | raisins | All-lowercase letters (unconventional in formal English) |}

Among U.S. book publishers (but not newspaper publishers), it is a common typographic practice to capitalize "important" words in titles and headings. This is an old form of emphasis, similar to the more modern practice of using a larger or boldface font for titles. Most capitalize all words except for closed-class words, or articles, prepositions and conjunctions. Some capitalize longer prepositions such as "between", but not shorter ones. Some capitalize only nouns, others capitalize all words. This family of typographic conventions is usually called title case. Of these various styles, only the practice of capitalizing nouns, pronouns, verbs, adverbs and adjectives but not articles, conjunctions or prepositions (though some styles except long prepositions) is considered correct in formal American English writing, according to most style guides, though others are found in less formal settings.

As for whether hyphenated words are capitalized not only at the beginning but also after the hyphen, there is no universal standard; variation occurs in the wild and among house styles (e.g., ''The Letter-Case Rule in My Book''; ''Short-term Follow-up Care for Burns''). Traditional copyediting makes a distinction between "temporary compounds" (such as many nonce [novel instance] compound modifiers), in which every word is capped (e.g., ''How This Particular Author Chose To Style His Autumn-Apple-Picking Heading''), and "permanent compounds", which are terms that, although compound and hyphenated, are so well established that dictionaries enter them as headwords (e.g., ''Short-term Follow-up Care for Burns'').

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like ''The Economist'' and ''New Scientist'', and newspapers, like ''The Guardian'' and ''The Times'') is to use sentence-style capitalization in titles and headlines, where capitalization follows the same rules that apply for sentences. This convention is sometimes called sentence case. It is also widely used in the United States, especially in newspaper publishing, bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

In creative typography, such as music record covers and other artistic material, all styles are commonly encountered, including all-lowercase letters and mixed case (StudlyCaps).

One British style guide mentions a form of title case: R.M. Ritter's "Oxford Manual of Style" (2002) suggests capitalizing "the first word and all nouns, pronouns, adjectives, verbs and adverbs, but generally not articles, conjunctions and short prepositions".

Computers

Some sentence cases are not used in standard English, but are common in computer programming, as well as in product branding and in other specialised fields:

CamelCase: First letter of each word is capitalized, spaces and punctuation removed. If the very first letter is capitalized, as in "CamelCase" (or "PowerPoint"), the term "upper camel case" may be used; this is also known as "Pascal case" or "Bumpy case". "Lower camel case" describes a variation, as in "camelCase" (or "iPod" or "eBay"), in which the very first letter is in lower case.

Start case: First letter of each word capitalized, spaces separate words. All words including short articles and prepositions start with a capital letter. For example: "This Is A Start Case".

Snake case: punctuation is removed and spaces are replaced by single underscores. Normally the letters share the same case (either UPPER_CASE_EMBEDDED_UNDERSCORE or lower_case_embedded_underscore) but the case can be mixed.

Studly caps: Mixed case, as in "StUdLyCaPs", with no semantic or syntactic significance to the use of the capitals. Sometimes only vowels are upper-case, at other times upper and lower case are alternated, but often it is just random. The name comes from the fact that it was used to imply coolness on the part of the writer, although nowadays it is more often used ironically. (It is also used to mock the violation of standard English case conventions by marketers in the naming of computer software packages, even when there is no technical requirement to do so—e.g., Sun Microsystems' naming of a windowing system NeWS.)

Case folding

The conversion of letter case in a string is common practice in computer applications, for instance to make case-insensitive comparisons. Many high-level programming languages provide simple methods for case folding, at least for the ASCII character set.

Methods

In word processing

Most modern word processors provide automated case folding with a simple click or keystroke. For example, in Microsoft Office Word, there is a dialog box for toggling the selected text through UPPERCASE, then lowercase, then Title Case (actually start caps; exception words must be lowercased individually). The keystroke shift-F3 does the same thing.

Adding another option, "smart title case", in which certain classes of words would be exceptions and remain lowercase, is an obvious opportunity for feature improvement in future versions. Although some words would inevitably be borderline members of the exception subset and could be ignored (e.g., long prepositions such as ''without'' and ''between'']), there is a core population of words that everyone can agree should be programmed to remain lowercase (e.g., ''a, an, the, of, for'').

In programming

In some forms of BASIC there are two methods for case folding:

UpperA$ = UCASE$("a") LowerA$ = LCASE$("A")

C and C++, as well as any C-like language that conforms to its standard library, provide these functions in the file ctype.h:

char upperA = toupper('a'); char lowerA = tolower('A');

Case folding is different with different character sets. In ASCII or EBCDIC, case can be folded in the following way, in C:

#define toupper(c) (islower(c) ? (c) - 'a' + 'A' : (c)) #define tolower(c) (isupper(c) ? (c) - 'A' + 'a' : (c))

This only works because the letters of upper and lower cases are spaced out equally. In ASCII they are consecutive, whereas with EBCDIC they are not; nonetheless the upper case letters are arranged in the same pattern and with the same gaps as are the lower case letters, so the technique still works.

Some computer programming languages offer facilities for converting text to a form in which all words are first-letter capitalized. Visual Basic calls this "proper case"; Python calls it "title case". This differs from usual title casing conventions, such as the English convention in which minor words are not capitalized.

Unicode case folding and script identification

Unicode defines case folding through the three case-mapping properties of each character: uppercase, lowercase and titlecase. These properties relate all characters in scripts with differing cases to the other case variants of the character.

As briefly discussed in Unicode Technical Note #26, "In terms of implementation issues, any attempt at a unification of Latin, Greek, and Cyrillic would wreak havoc [and] make casing operations an unholy mess, in effect making all casing operations context sensitive [...]". In other words, while the shapes of letters like A, B, E, H, K, M, O, P, T, X, Y and so on are shared between the Latin, Greek, and Cyrillic alphabets (and small differences in their canonical forms may be considered to be of a merely typographical nature), it would still be problematic for a multilingual character set or a font to provide only a ''single'' codepoint for, say, uppercase letter B, as this would make it quite difficult for a wordprocessor to change that single uppercase letter to one of the three different choices for the lower case letter, b (Latin), β (Greek), or в (Cyrillic). Without letter case, a 'unified European alphabet'—such as ABБCГDΔΕZЄЗFΦGHIИJ...Z, with an appropriate subset for each language—is feasible; but considering letter case, it becomes very clear that these alphabets are rather distinct sets of symbols.

Special cases

The German letter ß exists only in lowercase (but see Capital ß), and is capitalized as "SS".

The Greek letter Σ has two different lowercase forms: "ς" in word-final position and "σ" elsewhere.

The Cyrillic letter Ӏ usually has only a capital form, which is also used in lowercase text.

Unlike most Latin-script languages that use uppercase "I" and lowercase "i", Turkish has dotted and dotless I independent of case.

Related phenomena

Similar orthographic conventions are used for emphasis or following language-specific rules, including:

Font effects such as italic type or oblique type, boldface, and choice of serif vs. sans-serif

Typographical conventions in mathematical formulae include the use of Greek letters and the use of Latin letters with formatting such as blackboard bold and blackletter

Choice of character set, for example switching between kanji, hiragana, katakana, and rōmaji in the Japanese writing system.

See also

All caps

CamelCase

Capitalization

Case folding

Roman cursive

Roman square capitals

Sentence case

Shift key

Small caps

StudlyCaps

Unicase

References

External links

SongCase.com, Online tool for capitalizing song titles

Change Text Case Upper to Lower and Lower to Upper case

Convert text to title case

Printing capitals worksheet

Codex Vaticanus B/03 Detailed description of Codex Vaticanus Graecus 1209 with many images.

All-caps is harder to read

''Capitals, a Primer of Information About Capitalization With Some Practical Typographic Hints as to The Use Of Capitals'' by Frederick W. Hamilton, 1918, from Project Gutenberg

Lower Case Definition by The Linux Information Project; also includes information on lower case as it relates to computers.

Category:Alphabetic writing systems Category:Orthography Category:Typography

als:Majuskel be:Маюскул be-x-old:Маюскул bar:Majuskel ca:Majúscula cs:Majuskule da:Majuskel de:Majuskel es:Mayúscula eo:Majusklo fr:Capitale et majuscule gl:Maiúscula hr:Verzal it:Maiuscolo lt:Majuskulai hu:Verzál nl:Kapitaal (typografie) ja:大文字 no:Majuskel nn:Majuskel pl:Majuskuła pt:Caixa alta ro:Majusculă ru:Заглавные буквы sq:Shkrimi verzal sr:Верзал fi:Suuraakkonen sv:Versal th:อักษรตัวใหญ่ uk:Маюскул war:Bahol nga agi zh:大寫字母 io:Minuskulo mk:Мала буква

Name	Kid Rock
Landscape	Yes
Background	solo_singer
Birth name	Robert James Ritchie
Born	January 17, 1971Romeo, Michigan, U.S.
Genre	Rock, hip hop, heavy metal, country
Occupation	Musician, Songwriter, Actor
Years active	1988–present
Associated acts	Uncle Kracker, Joe C., Champtown, Yelawolf, Lynyrd Skynyrd
Label	Atlantic, Jive, Top Dog
Website	}}

Robert James "Bob" Ritchie (born January 17, 1971), known by his stage name Kid Rock, is an American singer-songwriter, musician and rapper with five Grammy Awards nominations. Kid Rock released several studio albums that mostly went unnoticed before his 1998 record ''Devil Without a Cause'', released with Atlantic Records, sold 11 million albums behind the hits, "Bawitdaba", "Cowboy", and "Only God Knows Why". In 2000, he released ''The History of Rock,'' a compilation of remixed and remastered versions of songs from previous albums as well as the hit single, "American Bad Ass" and the previously unreleased "Abortion".

Kid Rock released the follow-up in 2001, ''Cocky''. After a slow start, his country-flavored hit "Picture" with Sheryl Crow resurrected the album and it went gold as a single and pushed the album's sales over 5 million. It was followed by 2003's self-titled release, which did not chart a major hit. In 2006 he released ''Live Trucker'', a live album.

In 2007 Kid Rock released ''Rock n Roll Jesus'', which produced a hit in "All Summer Long". It was his first worldwide smash hit, charting #1 in eight countries across Europe and in Australia. ''Rock N Roll Jesus'' sold 5 million albums worldwide and was certified triple platinum in the U.S. He released ''Born Free'' on November 16, 2010. It was announced on June 16, 2011 that "Born Free" was certified platinum by the 'Recording Industry Association Of America' (RIAA) for selling more than one million copies. This gives Kid Rock his sixth Platinum album certification.

Early life

Robert James "Bob" Ritchie was born on January 17, 1971 in Romeo, Michigan to William "Bill" Ritchie, a car dealer who owned several local dealerships, and Susan Ritchie. His family also owned a six-acre orchard and Ritchie regularly helped pick apples and cared for the family's horses. He has three siblings: two are older, brother William "Billy" Ritchie and sister Carol Ritchie; and one is younger, sister Jill Ritchie who is an actress. Ritchie found small-town life dull; he became interested in rap music, learned how to breakdance and participated in talent shows in the Detroit area. At age eleven he joined a breakdance crew called the Furious Funkers, and taught himself to work a cheap belt-driven turntable. In high school, Ritchie DJed at parties for beer. He eventually joined Bo Wisdom of Groove Time Productions, in Mt. Clemens, Michigan to perform basement parties for thirty dollars a night. He was then given his stage name; club goers dubbed him "Kid Rock" after they had enjoyed watching "that white kid rock."

Rock started rapping and joined a local hip hop group, The Beast Crew. It was composed of The Blackman, Champtown, KDC, Chris "Doc Roun-Cee" Pouncy. Rock befriended producer D-Nice of the legendary hip-hop group Boogie Down Productions. When Rock opened for BDP one night, D-Nice invited an A&R; representative from Jive Records to see him perform. This meeting led to a demo deal, which developed into a full record contract.

Against his parents' wishes, Rock signed the deal at age seventeen. Despite his new record deal, he had a falling out with The Beast Crew when he signed over fellow member Champtown (the two have become friends again since). They left his vocals on the tracks of their debut underground album "Chapter 1: He Don't Want Us No More," against his wishes. Rock later became part of the Straight From The Underground Tour alongside several heavyweights of rap including Ice Cube, Too Short, D-Nice, Mac Dre, and Yo-Yo.

Career

On December 30, 1990 Kid Rock released his debut album ''Grits Sandwiches for Breakfast''. As noted by Insane Clown Posse member Violent J, this album made Kid Rock one of the two biggest rap stars in Detroit in 1990, along with local independent rapper Esham. Though Jive Records did not push the album it gained infamy when radio station WSUC-FM (90.5) of Cortland, NY was fined $23,700 by the FCC for playing the song Yo Da-Lin In the Valley then the largest fine against a radio station. Kid Rock's career had began to decline towards the end of 1990. Jive Records released Kid Rock from his contract in 1991. Once back in Detroit he became friends with Uncle Kracker after battling his brother in a freestyle rapping competition; Uncle Kracker became Kid Rock's DJ.

In late 1991 Kid Rock was picked up by an independent record label called Continuum Records. Though Insane Clown Posse's Violent J disliked Kid Rock's rapping style, he paid Kid Rock to appear on his group's first album, ''Carnival of Carnage'', in an attempt to gain notice for the album. Kid Rock showed up to record the song "Is That You?" intoxicated, but re-recorded his vocals and record scratching the following day. In March 1993, Continuum released his second album ''The Polyfuze Method'', which featured a more rock music-oriented sound with Kid Rock teaching himself how to play several different instruments including guitar, drums, keyboard and organ. The album saw some local college radio success at Central Michigan University with the tracks "Back From The Dead" and "Balls In Your Mouth". He released "U Don't Know Me" as the first single off the album, but it failed to chart, and the music video received little airplay on major music video channels. Kid Rock re-released "Back From The Dead" as a single to mainstream radio, but that too failed as a single. The album has sold around 15,000 copies. In 1992 Kid Rock appeared in the song "Is That You?" of the Carnival of Carnage by the Insane Clown Posse.

He released an Extended play EP called Fire It Up (EP) in 1993 The EP featured the song I Am the Bullgod which wouldn't be a hit until six years later Continuum didn't see a future with Kid Rock after this and released him from his contract in 1994

He moved back to Detroit where his on again off again relationship with Kelly South resulted in a son Robert James Ritchie Jr. Kid Rock released monthly demo tapes dubbed The Bootleg Series which featured demos of him and other up-and coming rappers and garage rock bands in the Detroit area Around the same time Kid Rock formed his back up band Twisted Brown Trucker Band later recruiting Joseph Joe C. Calleja who he met at a 1994 concert as part of the group In 1995 Rock took a job as a janitor at Whiterooms Studios to pay studio fees When he wasn't working, Kid Rock recorded the material that eventually made up his fourth album Early Morning Stoned Pimp which Rock released on his own label Top Dog Records During the recording process he met piano player Jimmie Bones who joined the band soon after The album was released February 12, 1996. A loan from his father aided the release. Kid Rock sold 6,000 copies from the trunk of his car including after his concerts With EMSP local success he released The Polyfuze Method in 1993 with I Am The Bullgod

Lava/Atlantic Records A&R; man Andy Karp was interested, after seeing Kid Rock in Cleveland in December 1996 and again in March 1997 Following a two song demo tape containing Somebody's Gotta Feel This and I Got One For Ya [Jason Flom] supported Karp in signing Kid Rock for $100,000 However when recording sessions began Atlantic wanted more of a rock sound and didn't initially like Cowboy Devil Without A Cause and Only God Knows Why They asked Rock to take out I'm going platinum on Devil Without A Cause's chorus but he refused The conflict slowed down production however the album was completed on schedule with Rock mostly playing all the instruments himself

''Devil Without a Cause'' (1997–2002)

In 1997, Kid Rock added drummer/vocalist Stefanie Eulinberg to his band, joining Kenny Olson, Jason Krause, Jimmie Bones, Uncle Kracker, Misty Love, Shirley Hayden and Joe C.. On August 18, 1998, Atlantic released ''Devil Without a Cause'' behind the single "Welcome 2 The Party." Kid Rock went on the Vans Warped Tour to support the album, performing one of his first New York City shows at Luna Lounge on the Lower East Side during the CMJ convention. "Devil Without Cause Im Goin Platinum" Sales of "Welcome 2 The Party" and ''Devil'' were slow, though the 1998 Warped Tour in Northampton, Massachusetts stimulated regional interest in Massachusetts and New England. This led to substantial airplay in the summer and fall of 1998 on rock staples in Massachusetts WZLX and WAAF for the single "I Am The Bullgod." In December 1998, while dj'ing at a club he met and became friends with MTV host Carson Daly. He performed on ''MTV Fashionably Loud'' in Miami, then on MTV's ''Wanna B A VJ'' doing "My Name Is Rock" and was the DJ for ''TRL'' on the Spring Break Special as well as a judge on ''Say What Karaoke''. This raised his profile so by April 1999 ''Devil Without a Cause'' had achieved a gold disc. In May 1999 the single "Bawitdaba" off the album was released to radio outlets, and by June, ''Devil'' had gone platinum. Kid Rock went on his first major tour, Limptropolis, with Limp Bizkit and Staind. By the time he made his career defining performance at Woodstock 1999 on July 24, 1999, he was double platinum. The following single "Cowboy" was an even bigger hit. It was a mix of southern rock, country and rap that made the Top 40. Rock's next single, the rock ballad "Only God Knows Why", was the biggest hit off the album charting at No 19 on the Billboard Hot 100. By the time the final single "Wasting Time" was released the album had sold 7 million albums, ''Devil Without A Cause'' was certified 11 times platinum by the RIAA on April 17, 2003.

Rock was nominated as Best New Artist at the 2000 Grammy Awards, but lost to Christina Aguilera. He was nominated for "Bawitdaba" for Best Hard Rock Performance, but lost to Metallica's "Whiskey in the Jar."

After reacquiring the rights to his early material in 2000, Rock released ''The History of Rock'', a collection of remixed and re-recorded songs from The Polyfuze Method and Early Mornin Stoned Pimp. "American Bad Ass", one of two new tracks, was released as a single. It sampled the Metallica track "Sad But True".

On May 27 Kid Rock appeared on ''Saturday Night Live'' performing "American Bad Ass" and an acoustic version of "Only God Knows Why" that featured Phish's Trey Anastasio. Kid Rock joined Phish later in the year in Las Vegas, Nevada, for a set of cover songs.

A 2000 tour in which David Allan Coe performed as an opening act for Kid Rock was the subject of criticism from journalist Neil Strauss, who alleged that Coe's songs were racist.

From June 30 to August 22, 2000, Kid Rock joined the Summer Sanitarium Tour with Metallica, Korn, Powerman 5000, and System of a Down. Kid Rock filled in for James Hetfield of Metallica, singing vocals on the songs "Enter Sandman", "Sad But True", and "Nothing Else Matters" and the turntables for "Fuel", for three shows after Hetfield injured his spine riding a jet ski on Lake Lanier the day before the July 7 Atlanta concert.

On November 16, 2000 Joseph "Joe C" Calleja died in his sleep from Coeliac disease in Taylor, MI. The disease stunted his growth and forced him to take 60 pills a day. Joe C's final song was "Cool Daddy Cool" for the ''Osmosis Jones'' soundtrack. The band made a cameo in the movie as the band playing in the club scene. Kid Rock was referred to as Kidney Rock to go along with the cartoon aspect of being a cell in the body of Frank played by Bill Murray.

In early 2001, Rock inducted Aerosmith into the Rock and Roll Hall of Fame and performed "Sweet Emotion" at the induction ceremony. The same year, Rock landed his first acting role in the David Spade white trash comedy ''Joe Dirt''. His character was Robbie a redneck bully to Joe Dirt who was chasing after Joe's unaware love interest Brandy.

"American Bad Ass" was nominated for Best Hard Rock Performance at the 2001s Grammy Awards. Losing out to Rage Against The Machine's "Guerilla Radio". The ''History of Rock'' would go on to be certified double platinum.

In November, Kid Rock released ''Cocky'', which was marketed as the official follow up to ''Devil Without a Cause''. With the era of rap metal on the decline, Kid Rock included several southern rock and country ballads on the album. The first single, "Forever", featured his standard brash rap-rock sound, but lacked the selling power of "Devil Without A Cause". The songs "Lonely Road of Faith"and "You Never Met a Motherfucker Quite Like Me" were released as singles, but were not successful, and the album struggled to reach platinum a year later. Rock had problems with the release of "Picture", a country-influenced duet with Sheryl Crow: his label felt it was wrong for his image, and was not keen to spend more money promoting a flagging album; then, when they agreed to release it, Sheryl Crow's label initially refused to give permission. Rock, meanwhile, made a radio version with Allison Moorer, which was gaining airplay. When "Picture" was released it introduced Kid Rock to a wider audience, and was ultimately the most successful single on the album. The song would chart at No 4 on the Billboard Hot 100 and No 17 on Country radio. The song remains his most successful pop song in the U.S. to date.

On December 14, 2001, CMT aired an episode of ''Crossroads'' featuring Rock with Hank Williams, Jr. The episode drew 2.1 million viewers, a record on CMT. He would perform for troops in January 2002 on an MTV USO Special at Germany's Ramstein Air Base along with Ja Rule and Jennifer Lopez.

At the end of 2002, Uncle Kracker left the band to pursue a solo career, and Detroit underground rapper Paradime replaced him. Kid Rock made his second movie, ''Biker Boyz'', with Laurence Fishburne.

''Kid Rock'' to ''Rock n Roll Jesus'' (2003–2009)

In 2003, Kid Rock returned with an eponymous album, almost stripping away the accustomed rap metal sound he had created, opting for southern rock and several country ballads in the wake of "Picture"'s success. The album's lead single was a cover of Bad Company's "Feel Like Makin' Love". A media blitz accompanied the single capped off by the VH-1 special called ''A Kid Rock Christmas'', which aired on December 14, 2003. He would release "Cold and Empty", "Jackson, Mississippi" and "I Am" I Am (Kid Rock song) to minor success on radio. The David Allan Coe-penned "Single Father", became his second charting country song, although like the other singles it was minor hit at #50. Kid Rock would be his lowest selling mainstream studio album of his career with 1.4 million copies sold.

Kid Rock was involved in the halftime show controversy at Super Bowl XXXVIII in Houston, Texas on February 1, 2004. He was criticized by the Veterans of Foreign Wars for desecrating the American flag, by wearing one slit in the middle as a poncho.

The following month, Kid inducted Bob Seger into the Rock and Roll Hall of Fame. In September 2005, Kid Rock filled in for Johnny Van Zant, the lead singer of Lynyrd Skynyrd on the band's hit "Sweet Home Alabama" at the Hurricane Katrina benefit concert.

He performed the theme song for Spike TV's ''Striperella'', which featured Pamela Anderson in 2003, the song was entitled "Erotica".

On February 28, 2006, Kid Rock released his first live album, ''Live Trucker'', comprising songs from his homestead performances in Clarkston (on September 1, 2000, and August 26 through August 28, 2004), and Detroit's Cobo Hall (March 26, 2004). The album contained the last two performances of Joe C. on "Devil Without a Cause" and "Early Mornin' Stoned Pimp," as well as Kid dueting with country star Sheryl Crow on "Picture."

He brought Bob Seger back from semi-retirement during his pre-Super Bowl concerts on February 2 and 3, 2006 in Detroit. The two performed a version of Seger's "Rock 'n' Roll Never Forgets" on both nights. Kid Rock would appear on Bob Seger's album, ''Face the Promise'', on a Vince Gill cover of "Real Mean Bottle," a tribute to country legend Merle Haggard. He would make a cameo in the movie ''Larry the Cable Guy: Health Inspector'' and was in an episode of ''CSI: New York'' in 2006.

He inducted Lynyrd Skynyrd into the 2006 Rock 'n' Roll Hall of Fame and performed "Sweet Home Alabama" with them.

''Rock n Roll Jesus'' was released on October 9, 2007, becoming Kid Rock's first album to go number 1, selling 172,000 copies in its first week. He made the cover of ''Rolling Stone'' magazine for the second time, and appeared for the first time on ''Larry King Live'' to discuss the new album.

The album's first two singles were successful on rock radio in "So Hott" and "Amen". The album's third single "All Summer Long", became a global hit. It utilized a mash up of Lynyrd Skynyrd's "Sweet Home Alabama" and Warren Zevon's "Werewolves of London". "All Summer Long" would chart at No. 23 on the Billboard Hot 100.

"Rock n Roll Jesus" returned to the Top 10 for 17 straight weeks. Both "Roll On" and the title track were released as follow-up singles. The album's final single was "Blue Jeans and a Rosary" which was a minor country hit at No. 50.

In 2008, Kid Rock recorded "Warrior" for a National Guard advertising campaign. Kid Rock performed on VH1 ''Storytellers'' on November 27, 2008, giving an insight to how he wrote some of his hit songs. On April 5, 2009 he performed a 5-song medley at WrestleMania XXV.

He was nominated for best rock album and best male pop/rock performance for "All Summer Long" at the 2009 Grammys. He lost to Coldplay's ''Viva La Vida'' for best Rock Album and John Mayer's "Say" for Best Male Pop/Rock Performance. He achieved his first country award winning for Best Wide Open Country Video for "All Summer Long" at the 2009 CMT Awards.

On May 22 Kid Rock's June 8, 2008 concert at Germany's Rock AM Festival was aired on every MTV affiliate around the world on their debut show "World Stage".

At the 2008 Download Festival Kid Rock was meant to appear between Seether and Disturbed on the Main Stage but pulled out at the last minute. It was first announced that this was due to illness. Rock later claimed he left the festival grounds after becoming dissatisfied with the amenities. But, the following year, Download's booker theorized that it had been due to a broken heart.

On July 3, 2009 "Rock N Roll Jesus" was certified triple platinum by the RIAA.

Kid Rock held the largest headline concert of his career the weekend of July 17 and 18, 2009, at Comerica Park in Detroit. 80,000 people attended the two shows.

''Born Free'' (2009–present)

In April 2010 Kid Rock started the Born Free era off with a spring cruise dubbed "The Chillin The Most Cruise". Then he followed that up by hosting the CMT Awards in June and performed "Cowboy".

Kid Rock released ''Born Free'' on November 16, 2010 and it debuted at No 5 selling 189,000 copies in its first week. The album was produced by Rick Rubin and featured David Hildago and Matt Sweeney on guitar as well as Chad Smith on drums and Benmont Tench on keys and piano. The album became his first album without a parental advisory sticker on it. The album's lead single was the patriotic "Born Free."It peaked at No 14 on the mainstream rock charts, it also charted on the country and hot ac chart. It was the theme song to the 2010 MLB playoffs on TBS as well as WWE's Tribute To The Troops Special. The album reached gold status on December 15, 2010. The follow up single was the southern working man's anthem "God Bless Saturday", which peaked at no 37 on the mainstream rock tracks. It is the secondary theme song for College Gameday on ESPN. The third single was "Collide", Sheryl Crow rejoined him along with Bob Seger (on piano). They then went on a joint tour together the song peaked at No 26 on the hot ac chart and no 51 on the country chart. The next single "Purple Sky" a cover of Jason Boland would fail to chart. In November 2011, Kid Rock released "Care" a protest song about current politics in D.C. There were multiple versions released for the single. The album version feat. Martina McBride and T.I., the international single feat. Mary J Blidge. The last version which was released when Martina McBride's label wouldn't let her in on the music video, and the video was shot with the Pistol Annie's Angeleena Pressley. It's currently no 28 on the hot ac chart and no 58 on the country chart. An ep was released in the Detroit area along with the album called the Racing Father Time EP feat. It included remixes of Slow My Roll and Lonely Road Of Faith along with "The Midwest Fall" and "Forty". Born Free went platinum in July 2011.

On January 15, 2011 Kid Rock celebrated his 40th birthday with a performance at Ford Field in Detroit. The marathon concert featured Uncle Kracker, Peter Wolfe, Rev Run, Sheryl Crow, Cindy Crawford, Jimmie Johnson and Anita Baker. In December he went a 12 city club tour and donated proceeds to various charties in each city.

Kid Rock is currently writing songs for his successor to ''Born Free''. "We've already started writing for the next record and talking about the feel and where we want to go with it," Rock told Billboard.com during a press conference Thursday announcing an Aug. 12 stadium show in his home town of Detroit. "I think 'Born Free' was kind of a transitional record with [producer] Rick Rubin and going into the rootsy, American blues/rock 'n' roll vibe. I'd kind of like to go back to something like maybe a 'Cocky' feel -- that record, but knowing more now and trying to put those elements together." Rock's other future plan includes coming to terms with video footage he has accumulated over the years and possibly making some commercially available in the near future. "It's something I struggle with," he acknowledged. "I've probably shot six DVDs, professionally, had them edited and everything. But it's like anything; if you go see a sporting event or whatever, it's always better live. It's just tough to capture it on tape." Rock promised that "there will be something... I think for Christmas" and possibly from his recent show at the New Orleans Jazz & Heritage Festival, which he called "one of my best performances to date." He added that he may also consider releasing live footage via his web site.

In 2010 he filmed the Born Free video for his song at the Pictured Rocks National Lakeshore.

On December 7, 2011, Kid Rock joined Metallica on-stage at The Fillmore San Francisco during the ''30 Years of Metallica'' celebration (Day 2) to perform Seger's Turn the Page.

Musical style and influences

Kid Rock's musical style ranges from Midwest hip hop and heavy metal to country rock and rap rock. His influences include Warren Zevon, Jim Croce, Johnny Cash, David Allan Coe, Bob Seger, Run-DMC, Beastie Boys, Whodini, Too Short, Eric B. & Rakim and Esham.

Twisted Brown Trucker

Twisted Brown Trucker is Kid Rock's band, formed in 1994 in Sterling Heights, Michigan. The original lineup included Kenny Olson on lead guitar, Uncle Kracker on turntables, Andy Gould and George Metropolous on guitar, Paul Anthony on bass and Bob Ebeling on drums. The band's first involvement was on the 1994 demo of "Dark & Gray" on his Bootleg Series Tapes, they would make three more appearances on the tapes in Watch Me Come, Only a Dog and Box #10. Trucker became both Rock's studio and live band in 1997.

Chris Peters was the studio guitarist for The Polyfuze Method and Fire It Up. Matt O'Brien (Bass) and Kenny Tudrick (Guitar, Drums) were studio musicians for Devil Without a Cause.

Kenny Olson went on to form numerous bands for more creative outlets. A Pack of Wolves, The Flask, Five Star Carni, The Motorfly's, and most recent (2010) 7 Day Binge. He has also made appearances on many other recordings such as the song "I Love You More Than You'll Ever Know" which can be found on the Les Paul & Friends CD as well as a version of "Little Wing" with Chaka Khan on "The Power of Soul: A Tribute to Jimi Hendrix" among numerous others.

Tudrick is with the band Detroit Cobras, who he was with before touring on Kid Rock's 'Live' Trucker tour.

Percussionist Larry Frantangelo won a Detroit Music Award in 2009 for Outstanding Urban/Funk Musician.

;Current members

Jimmie "Bones" Trombley – keyboards, piano, organ, harmonica, backing vocals (1996–present)

Marlon Young – lead & rhythm guitar (1996–1997, 2007–present)

Jason Krause – rhythm & lead guitar (1997–present)

Stefanie Eulinberg – drums, percussion, backing vocals (1998–present)

Paradime – turntables, programming, keyboards (2002–present)

Aaron Julison – bass guitar, backing vocals (2003–present)

Shannon Curfman – backing vocal & guitar (2010–present)

''with:''

Larry Frantangelo – percussion (2007–present)

David McMurray – saxophone (2007–present)

Jessica Wagner;– backing vocals (2007–present)

Tyra Juliette -backing vocals (2007–present)

;Former members

Barbara Payton- backing vocals (2007–2009, on and off)

Stacy Michelle- backing vocals (2007–2009)

Kenny Olson – lead guitar (1994–2005)

Uncle Kracker – turntables (1994–2002)

Joe C – backing vocals (1994–2000)

Andy Gould – rhythm guitar (1994–1995)

George Metropolous – rhythm guitar (1994–1995)

Paul Anthony – bass (1994–1995)

Bob Ebeling – drums (1994–1995)

Bill Keros – drums (1995)

Eric Hogemeyer – drums (1995)

Jeff Hall – rhythm guitar (1995–1996)

Chris Zuccaro – drums (1995–1998)

Ray Echlin – bass (1996)

Lonnie Motley – bass (1996–1998)

Chris Lebroux – bongos (1997)

Thornetta Davis – backing vocals (1997–1998)

Mike Bradford – bass (1998–2001)

Misty Love – backing vocals (1998–2001)

Shirley Hayden – backing vocals (1998–2001)

Bobby East – bass (2001–2003)

Smith Curry – dobro (2004–2005)

Karen Newman – backing vocals (2004–2005)

Lauren Creamer – backing vocals (2004–2005)

Kenny Tudrick – lead guitar (2005–2006)

Personal life

Marriage to Pamela Anderson

In 2001 Kid Rock began dating actress Pamela Anderson, after the two met at a VH1 tribute to Aretha Franklin. By April 2002, he and Anderson were engaged, but the engagement was later called off. They later got married in a surprise wedding in July 2006 after it was reported Anderson was pregnant. They divorced five months later because Rock wanted to live in Detroit and Anderson wanted to stay in Los Angeles. It has been suggested that his no-show at the Download Festival 2008 was due to a broken heart.

Kid Rock has stated in numerous interviews that he is a lover of hunting and fishing. He has hunted with his good friend Hank Williams Jr. several times. When Rock and Pamela Anderson divorced, it was rumored that Rock's hunting passion was the cause of the relationship's end, Anderson being a keen animal rights activist.

Rock later claimed, however, that the divorce was due to Anderson openly criticizing his mother and sister in front of his son from a previous relationship, Robert Jr., which Rock took offense to. Rock has actively raised Robert Jr., born in 1993, as a single father since birth, and continues to live with him in Michigan. On July 6, 2011, Kid Rock appeared on CNN's ''Piers Morgan Tonight'' show where he said he has no regrets about anything he has done in the past. He declined to say whether his marriage to Pamela Anderson had taught him any lessons.

Legal troubles

Kid Rock has had multiple run-ins with law enforcement:

In March 1991 and September 1997, Kid Rock was arrested in Michigan for alcohol related incidents.

In February 2005, he was arrested on assault charges for punching DJ Jay Campos in 'Christies Cabaret' strip club. Rock pleaded no contest and was sued for $575,000 by Campos.

Kid Rock was cited for assault on Mötley Crüe drummer Tommy Lee on September 9, 2007 at MTV's Video Music Awards, and pled guilty.

In October 2007, Kid Rock was involved in a brawl at a Waffle House in Atlanta and charged with simple battery. He pleaded nolo contendere ("no contest") to one count, was fined $1,000, required to perform 80 hours of community service and complete a 6-hour course on anger management.

Sex tape

Kid Rock and Scott Stapp, singer of the band Creed, appear in a sex tape from 1999 in which the two have sex with four groupies. California pornography company Red Light District planned to release the tape in 2006, but one of the women involved filed to block it. Ritchie also filed an injunction, called Stapp an "idiot," and blamed him for the tape's leak.

Activism

Kid Rock has been involved with many charitable organizations but his main support has gone to Operation Homefront. Kid Rock has frequently partnered with Jim Beam to make large donations to the organization. He is close friends with Tony Stewart as he helps with charity events, and Kid Rock narrated ''Tony Stewart: Smoke'', a documentary of Stewart's 2002 championship season. Kid Rock has performed for American service men and women in countries such as Iraq, Afghanistan, Kuwait and Kosovo, and has performed for U.S. servicemembers in Great Britain at R.A.F. bases such as RAF Lakenheath.

Discography

1990: ''Grits Sandwiches for Breakfast''

1993: ''The Polyfuze Method''

1996: ''Early Mornin' Stoned Pimp''

1998: ''Devil Without a Cause''

2000: ''The History of Rock''

2001: ''Cocky''

2003: ''Kid Rock''

2006: ''Live Trucker''

2007: ''Rock n Roll Jesus''

2010: ''Born Free''

Tours

1989: Straight From the Underground Tour (opened for Ice Cube, Too $hort, D Nice and Yo-Yo)

1998: Lollapalooza Tour

1998: Vans Warped Tour

1998–99: White Thrash on Dope Tour (with Monster Magnet and Hed PE)

1999: Destroy Your Liver Tour

1999: Limptropolis Tour (with Limp Bizkit and Staind)

1999: European Tour (with Blink-182)

1999: Between the Legs Tour (with Powerman 5000, Professional Murder Music)

1999-00: Millennium Tour (with Metallica, Sevendust and Creed)

2000: Summer Sanitarium Tour (with Metallica, Korn, System of a Down, Powerman 5000)

2000: The History of Rock Tour (with Dope)

2001: The American Bad Ass Tour (with Buckcherry, Fuel and David Allan Coe)

2002: The Cocky Tour (with Lit, Tenacious D and Saliva)

2002: Girls of Summer Tour (opening for Aerosmith with Run-D.M.C.)

2004: Rock n Roll Pain Train Tour (with Puddle of Mudd, Gov't Mule, Jerry Cantrell)

2005: Lazy Muthafuga Tour (only 6 concert dates)

2006: 'Live' Trucker Tour (with Ty Stone, Peter Frampton (opened in Auburn Hills, Michigan) and Whitestarr)

2007–2008: Rock n Roll Revival Tour (with Reverend Run, Dicky Betts, Duane Betts, Peter Wolf, Lynyrd Skynyrd, in a revue style)

2008: Rock n Roll Revival Tour: European Tour

2008: Rock n Rebels Tour (with Lynyrd Skynyrd and Backdoor Slam)

2008: European Tour (with Finger Eleven)

2008: All Summer Long Tour (4 nights at Pine Knob with Uncle Kracker & Rev Run)

2009: Rock n Rebels Tour II (with Lynyrd Skynyrd, Cross Canadian Ragweed, Jonathan Tyler and the Northern Lights, Black Stone Cherry, Alice in Chains, Cypress Hill, Robert Randolph and the Family Band)

2010: The Circle Tour (opening for Bon Jovi)

2011: Ford field, Detroit Michigan 40th Birthday Bash-January

2011: Born Free Tour (with Sheryl Crow)

2011: (Fall) Care - Club Tour for charity

Filmography

''The Howard Stern Show'' (8 episodes, 1999–2008)

''Saturday Night Live'' (Musical Guest, 2000)

''The Simpsons'' (1 episode, 2000)

''WWF Raw is War'' (Musical Guest, 2000)

''Joe Dirt'' (2001)

''Osmosis Jones'' (Voice, 2001)

''Kid Rock: Lonely Road of Faith'' (2001)

''King of the Hill'' (2002)

''Punk'd'' (1 episode, 2003)

''Biker Boyz'' (2003)

''Stripperella'' (You Only Lick Twice, 2003)

''CMT Outlaws'' (2003)

''South Park'' (2004)

''CSI: NY'' (1 episode, 2005)

''Larry the Cable Guy: Health Inspector'' (2005)

''Motorcycle Mania 3'' (2005)

''Coors Light Mountain Jam'' (2005)

''Stacked'' (1 episode, 2002)

''The 2006 Billboard Music Awards'' (2006)

''VH1 Storytellers'' (2008)

''WrestleMania XXV'' (Musical Guest, 2009)

''2010 Spike Guy Choice Awards'' (Presenter, 2009)

''Top Gear (U.S. TV series)'' (1 episode, 2010)

''Late Night with Jimmy Fallon'' (1 episode, 2011)

''Diners, Drive-Ins and Dives'' (1 episode, 2011)

Awards and nominations

Grammy Awards

*2000 Best New Artist (Nominated)

*2000 Best Hard Rock Performance for "Bawitdaba" (Nominated)

*2001 Best Hard Rock Performance for "American Bad Ass" (Nominated)

*2009 Best Rock Album for ''Rock n Roll Jesus'' (Nominated)

*2009 Best Male Pop Vocal Performance for "All Summer Long" (Nominated)

Academy of Country Music

*2003, Vocal Event of the Year: "Picture" (Nominated)

American Music Awards

*2008, Favorite Male Pop/Rock Artist (Nominated)

*2003, Favorite Male Pop/Rock Artist: (Winner)'''

*2003, Favorite Pop/Rock Album: ''Cocky'' (Nominated)

*2001, Favorite Male Pop/Rock Artist: (Winner)'''

*2000, Favorite Alternative Artist: (Nominated)

*2000, Favorite Pop/Rock New Artist: (Nominated)

Billboard Music Awards

*1999 Best New Artist (Winner)

*1999 Best Hard Rock Performance for "Bawitdaba" (Winner)

*1999 Best New Hard Rock Artist (Winner)

MTV Video Music Awards

*2001, Best Male Video: "Cowboy" (Nominated)

*2001, Best Rock Video: "Cowboy" (Nominated)

*2000, Best Male Video: "Bawitdaba" (Nominated)

*2000, Best New Artist: "Bawitdaba" (Nominated)

Teen Choice Awards

*2003, Choice Love Song: "Picture" (Nominated)

*2003 Choice Hookup Song: "Picture" (Nominated)

Detroit Music Awards

*1999

**Outstanding National Album for ''Devil Without a Cause'' (Winner)

**Outstanding National Single for "I Am the Bullgod" (Winner)

**Outstanding National Single for "Bawitdaba" (Nominee)

**Outstanding National Hip Hop Writer/Producer (Winner)

*2000

**Outstanding National Album for ''History of Rock'' (Nominee)

**Outstanding National Single for "American Bad Ass" (Winner)

**Outstanding National Single for "Cowboy" (Nominee)

**Outstanding National Duet for "Higher" with Robert Bradley (Winner)

**Outstanding National Spokesperson (Winner)

*2001

**Outstanding National Album for ''Cocky'' (Nominated)

**Outstanding National Single for "Forever" (Nominated)

*2003

**Outstanding National Single for "Picture" (Nominated)

*2004

**Outstanding National Album for Kid Rock (Nominated)

**Outstanding National Single for "Cold and Empty" (Nominated)

**Outstanding National Single for "Jackson, Mississippi" (Nominated)

*2006

**Outstanding National Album for ''Live Trucker'' (Nominated)

*2008

**Outstanding National Album for ''Rock n Roll Jesus'' (Winner)

**Outstanding National Single for "So Hott" (Nominated)

**Outstanding National Single for "Amen" (Nominated)

*2009

**Outstanding National Single for ''All Summer Long'' (Winner)

**Outstanding National Single for ''Roll On'' (Nominated)

MTV European Music Awards

*2008 Most Attictive Track for "All Summer Long" (Nominated)

BMI Songwriting Award

*2002 "Picture" (Winner)

CMT Music Awards

*2003 Choice Male Video for "Picture" (Nominated)

*2009 Video of The Year for "All Summer Long" (Nominated)

*2009 Wide Open Country Video of the Year for "All Summer Long" (Winner)

World Music Awards

*2008 Worlds Best Male Pop Artist (Winner)

*2008 Worlds Best Pop/Rock Artist (Winner)

People's Choice Awards

*2009 Best Rock Song for "All Summer Long" (Winner)

Kid's Choice Awards

*2009 Favorite Male Singer (Current Nominee)

Echo Award (Germany)

*2009 Hit Of The Year for "All Summer Long" (Winner)

Other ventures and honors

He has his own clothing line called Made in Detroit which he purchased from its creator, Detroit designer Robert Stanzler, in 2003. Stanzler, a longtime friend of Kid Rock, is mentioned by name in Rock's song "Early Mornin' Stoned Pimp". Wayne State University named a scholarship after Kid Rock for musicians. Kid Rock is using his clothing line to fund it. He was Grand Marshal of the Krewe of Endymion Mardi Gras parade in New Orleans on February 21, 2009 and was accompanied by The Chee-Weez, a local area cover band.

He released his own beer called Bad Ass Beer on July 17, 2009 released over the entire midwestern part of the U.S.

Kid Rock is a steadfast loyal supporter of the United States military. He gave proceeds of a concert to the families affected by the bombing of the USS Cole in 2000. He has quietly made numerous trips with the USO, and on his own, to play concerts for soldiers overseas in Iraq, Afghanistan, and Kuwait. He also made his album ''Born Free'' available to military members to download for free.

References

Sources

Christe, Ian (2003). ''Sound of the Beast: The Complete Headbanging History of Heavy Metal''. HarperCollins. ISBN 0-380-81127-8

External links

Kid Rock at Imeem.com

Kid Rock Interview on ''The Hour'' with George Stroumboulopoulos

UK Interview (11/8/2008)http://www.thrashhits.com/2008/08/kid-rock-%E2%80%9Ci-was-the-kid-with-the-vial-full-of-rocks%E2%80%A6%E2%80%9D/

Category:1971 births Category:American rock singers Category:American male singers Category:Atlantic Records artists Category:Living people Category:People from Macomb County, Michigan Category:Rap rock musicians Category:Rappers from Detroit, Michigan Category:World Music Awards winners

bg:Кид Рок cs:Kid Rock da:Kid Rock de:Kid Rock es:Kid Rock fa:کید راک fr:Kid Rock it:Kid Rock lv:Kid Rock nl:Kid Rock ja:キッド・ロック no:Kid Rock pl:Kid Rock pt:Kid Rock ru:Кид Рок simple:Kid Rock sk:Kid Rock fi:Kid Rock sv:Kid Rock th:คิด ร็อก tr:Kid Rock

name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Tin Machine
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.

Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

History

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones, was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: Neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny

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name	Dean Martin
background	solo_singer
birth name	Dino Paul Crocetti
alias	Dean MartinThe King of CoolDinoDino Martini
born	June 07, 1917Steubenville, Ohio, U.S.
died	December 25, 1995Beverly Hills, California, U.S.
genre	Big band, easy listening, pop standard, country
years active	1939–1995
occupation	Musician, singer-songwriter, actor, comedian, film producer
label	Capitol, Reprise }}

Dean Martin (June 7, 1917 – December 25, 1995), born Dino Paul Crocetti, was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and smash hit "Ain't That a Kick in the Head?". Nicknamed the "King of Cool", he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven." For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch.

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York, when he succeeded Frank Sinatra in 1943, but it was the setting for their meeting.

Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly because of a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.

Mafia connections

A biography on Martin entitled ''Dean Martin: King of the Road'' by Michael Freedland alleged he had links to the Mafia early in his career. According to this book, Martin was given help with his singing career by the Chicago Outfit who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony ("Joe Batters") Accardo and Sam Giancana. Freedland suggests Martin felt little sympathy for the Mafia and did them small favors only if it was not inconvenient for him. Another book, ''The Animal in Hollywood'' by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters "Handsome Johnny" Roselli and Anthony ("The Animal") Fiato. Smith suggests that Fiato did Martin many favors, such as getting back money from two swindlers who had cheated Martin's ex-wife Betty out of thousands of dollars of her alimony.

Career

Teaming with Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's ''Toast of the Town'' (later called ''The Ed Sullivan Show'') with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie ''My Friend Irma''.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In ''Dean & Me'', Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, ''Ten Thousand Bedrooms'' (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

The CBS film, ''Martin and Lewis'', a made-for-TV movie about the famous comedy duo, starred Jeremy Northam as Martin, and Sean Hayes as Lewis. It depicted the years from 1946–1956.

Solo career

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, ''The Young Lions'' (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, ''Some Came Running'' (1958). By the mid '60s, Martin was a top movie, recording, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in ''Rio Bravo'' (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in ''The Sons of Katie Elder'' (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play ''Bells Are Ringing''. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy ''Kiss Me, Stupid'' (1964) with Kim Novak, and he was not above poking fun at his image in films such as the ''Matt Helm'' spy spoofs of the 1960s, in which he was a co-producer.

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as ''Dean "Tex" Martin,'' ''The Hit Sound Of Dean Martin,'' ''Welcome To My World'' and ''Gentle On My Mind'' were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in ''Ocean's Eleven'' that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences. It was all good-natured male bonding, never vicious, rarely foul-mouthed, and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin steadfastly refused to appear anywhere that barred Davis, forcing the casinos to open their doors to African-American entertainers and patrons, and to drop restrictive covenants against Jews.

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy. An HBO film, ''The Rat Pack'', starred Joe Mantegna as Martin, Ray Liotta as Sinatra and Don Cheadle as Davis. It depicted their contribution to JFK's election in 1960.

The 1960s to 1980s

In 1965, Martin launched his weekly NBC comedy-variety series, ''The Dean Martin Show'', which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines. He disliked rehearsing because he firmly believed his best performances were his first. The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined. He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in ''Some Came Running'' and Howard Hawks's ''Rio Bravo'' led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, ''The Ravagers'', was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre the film was never made.

By the early 1970s, ''The Dean Martin Show'' was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.

Martin retreated from show business. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air the ''Dean Martin Celebrity Roast'' format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - ''Once In A While,'' released in 1978. His last recording sessions were for Warner Brothers Records. An album titled ''The Nashville Sessions'' was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film ''Mr. Ricco'' marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis. This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship but only performed together again once, in 1989, on Martin's 72nd birthday.

Personal life

Martin was married three times. Martin's first wife, Betty McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism . It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted twenty-four years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956).

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special. By early 1995, Martin had officially retired from performing.

Martin, a life-long smoker, was diagnosed with lung cancer at Cedars Sinai Medical Center on 16 September 1993. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78. The lights of the Las Vegas Strip were dimmed in his honor.

Tributes and legacy

In 1996, Ohio Rte. 7, through Steubenville, was re-dedicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Las Vegas renamed Industrial Road as ''Dean Martin Drive.'' A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for ''Dino: The Essential Dean Martin'', his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R; AC chart. It also went to #36 on the R&R; Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, ''Forever Cool'', was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: One at 6519 Hollywood Boulevard, for movies; one at 1817 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy award for Lifetime Achievement. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning ''Logorama'', ''A Bronx Tale'', ''Casino'', ''Goodfellas'', and ''Return to Me''), television series (such as ''American Dad!'', ''Friends'', and ''House MD''), video games (such as ''The Godfather: The Game'', ''The Godfather II'', ''Fallout: New Vegas'', and ''Mafia II''), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television

In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"

In the movie ''A Bronx Tale'', Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.

A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".

British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, ''Martin and Lewis'', alongside Will & Grace's Sean Hayes as Jerry Lewis.

Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled ''The Rat Pack''. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.

In the movie ''Return to Me'', three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".

Danny Gans portrayed Martin in the miniseries ''Sinatra''.

In the pilot episode of ''White Collar'', Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".

In the movie ''Pulp Fiction'', Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.

In the movie ''Moonstruck'', Martin's recording of "That's Amore" plays over both the opening and closing credits.

In a Royal Automobile Club commercial, "Memories are Made of This" is sung.

In games and gambling

Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.

The 2010 video game, ''Fallout: New Vegas'', features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when you enter the Vegas Strip. The first quest of the game is also ironically named after the same song, as the player character is inflicted with a headshot wound.

Dean Martin's music is featured on the radios in the game Mafia II and Godfather II.

In music

A compilation album called, ''Amore!'', debuted at Number One on ''Billboard magazine'''s Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other

In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography

Filmography

Features: {|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role ! style="background:#B0C4DE;" | Notes |- |1946 |''Film Vodvil: Art Mooney and Orchestra'' | |Short |- |1949 |''My Friend Irma'' |Steve Laird | |- |rowspan=3|1950 |''My Friend Irma Goes West'' |Steve Laird | |- |''At War with the Army'' |1st Sgt. Vic Puccinelli | |- |''Screen Snapshots: Thirtieth Anniversary Special'' | |Short |- |1951 |''That's My Boy'' |Bill Baker | |- |rowspan=4|1952 |''Sailor Beware'' |Al Crowthers | |- |''Jumping Jacks'' |Corp. Chick Allen | |- |''Road to Bali'' |Man in Lala's dream |Cameo (uncredited) |- |''The Stooge'' |Bill Miller | |- |rowspan=3|1953 |''Scared Stiff'' |Larry Todd | |- |''The Caddy'' |Joe Anthony | |- |''Money from Home'' |Herman 'Honey Talk' Nelson | |- |rowspan=2|1954 |''Living It Up'' |Dr. Steve Harris | |- |''3 Ring Circus'' |Peter 'Pete' Nelson | |- |rowspan=2|1955 |''You're Never Too Young'' |Bob Miles | |- |''Artists and Models'' |Rick Todd | |- |rowspan=3|1956 |''Screen Snapshots: Hollywood, City of Stars'' | |Short |- |''Pardners'' |Slim Mosely Jr. / Slim Mosely Sr. | |- |''Hollywood or Bust'' |Steve Wiley | |- |1957 |''Ten Thousand Bedrooms'' |Ray Hunter | |- |rowspan=2|1958 |''The Young Lions'' |Michael Whiteacre | |- |''Some Came Running'' |Bama Dillert (professional gambler) | |- |rowspan=2|1959 |''Rio Bravo'' |Dude ('Borachón') | |- |''Career'' |Maurice 'Maury' Novak | |- |rowspan=4|1960 |''Who Was That Lady?'' |Michael Haney |Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |- |''Bells Are Ringing'' |Jeffrey Moss | |- |''Ocean's Eleven'' |Sam Harmon | |- |''Pepe'' | |Cameo |- |rowspan=2|1961 |''All in a Night's Work'' |Tony Ryder | |- |''Ada'' |Bo Gillis | |- |rowspan=4|1962 |''Something's Got to Give'' |Nicholas 'Nick' Arden |(unfinished) |- |''Sergeants 3'' |Sgt. Chip Deal | |- |''The Road to Hong Kong'' |The 'Grape' on plutonium |Cameo (uncredited) |- |''Who's Got the Action?'' |Steve Flood | |- |rowspan=5|1963 |''38-24-36'' |Self | |- |''Come Blow Your Horn'' |The Bum |(uncredited) |- |''Toys in the Attic'' |Julian Berniers | |- |''4 for Texas'' |Joe Jarrett | |- |''Who's Been Sleeping in My Bed?'' |Jason Steel | |- |rowspan=3|1964 |''What a Way to Go!'' |Leonard 'Lennie' Crawley | |- |''Robin and the 7 Hoods'' |Little John | |- |''Kiss Me, Stupid'' |Dino | |- |rowspan=2|1965 |''The Sons of Katie Elder'' |Tom Elder | |- |''Marriage on the Rocks'' |Ernie Brewer | |- |rowspan=3|1966 |''The Silencers'' |Matt Helm | |- |''Texas Across the River'' |Sam Hollis | |- |''Murderers' Row'' |Matt Helm | |- |rowspan=2|1967 |''Rough Night in Jericho'' |Alex Flood | |- |''The Ambushers'' |Matt Helm | |- |rowspan=4|1968 |''How to Save a Marriage and Ruin Your Life'' |David Sloane | |- |''Bandolero!'' |Dee Bishop | |- |''Rowan & Martin at the Movies'' | |Short |- |''5 Card Stud'' |Van Morgan | |- |1969 |''The Wrecking Crew'' |Matt Helm | |- |1970 |''Airport'' |Capt. Vernon Demerest | |- |1971 |''Something Big'' |Joe Baker | |- |1973 |''Showdown'' |Billy Massey | |- |1975 |''Mr. Ricco'' |Joe Ricco | |- |1981 |''The Cannonball Run'' |Jamie Blake | |- |rowspan=2|1984 |''Cannonball Run II'' |Jamie Blake | |- |''Terror in the Aisles'' | |archival footage |}

References

Further reading

Arthur Marx. ''Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis'', New York, NY: Hawthorn Books, 1974, ISBN 978-0801524301

Lewis, Jerry and James Kaplan. ''Dean & Me (A Love Story)''. Doubleday, New York, 2005. ISBN 0-7679-2086-4

Tosches, Nick. ''Dino: Living High in the Dirty Business of Dreams''. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X

Smith, John L. ''The Animal in Hollywood: Anthony Fiato's Life in the Mafia''. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links

Dean Martin at The Biography Channel

Cleveland.com: Homegrown Heroes: Dean Martin Timeline

Dean Works the room at the Sands

Jerry Lewis interview for the Archive of American Television

Dean Martin biography/discography on The Interlude Era site

Radio interview with Deana Martin WSLR

Dean Martin Roasts Johnny Carson

Dean Martin Roast Frank Sinatra

Dean Martin Roasts Don Rickles

Category:1917 births Category:1995 deaths Category:Actors from Ohio Category:Actors from Pittsburgh, Pennsylvania Category:American baritones Category:American military personnel of World War II Category:American comedians Category:American crooners Category:American film actors Category:American jazz musicians of Italian descent Category:American people of Sicilian descent Category:Burials at Westwood Village Memorial Park Cemetery Category:California Republicans Category:Cancer deaths in California Category:Capitol Records artists Category:Deaths from emphysema Category:Deaths from lung cancer Category:Deaths from respiratory failure Category:Musicians from Ohio Category:Musicians from Pittsburgh, Pennsylvania Category:Ohio Republicans Category:People from Steubenville, Ohio Category:Traditional pop music singers

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Name	The Dogs
Background	group_or_band
Origin	Miami, Florida
Genre	Hip-Hop, Miami Bass
Years active	1990–1996
Label	Joey Boy Records
Associated acts	The Puppies, Bass Patrol
Current members	Disco RickKeith BellLabrant DennisCracked Up }}

The Dogs were a 1990s hip hop group consisting of Disco Rick, Keith Bell, Labrant Dennis and Fergus "Cracked Up" Smith, best known for "Crack Rock," their hit single with the chant "Yo' Mama's on Crack Rock!" The group released three studio albums ''The Dogs'' in 1990, ''Beware of The Dogs'' in 1991 and ''K-9 Bass'' in 1992.

Labrant Dennis was arrested in May 1996 for the double murder of Marlin Barnes, a University of Miami football player, and Timwaneka Lumpkin, his exgirlfriend.

Discography

Year	Album	Chart Position
		Top R&B;/Hip-Hop Albums>US Hip-Hop
1990	align="left"	37
1991		55
1992		95

External links

Birchmeier, Jason "[ The Dogs Biography]", ''Allmusic'', Macrovision Corporation

Category:American hip hop groups Category:Southern hip hop groups Category:People from Miami, Florida