Coordinates	20°34′00″N103°40′35″N
name	Léon
alt	Léon: The Professional
director	Luc Besson
producer	Patrice Ledoux
writer	Luc Besson
starring	Jean RenoGary OldmanNatalie PortmanDanny Aiello
music	Éric Serra
cinematography	Thierry Arbogast
editing	Sylvie Landra
distributor	Columbia Pictures Gaumont Film Company
released
runtime	Theatrical cut: 110 minutes Director's cut 133 minutes International cut: 136 minutes
country	United StatesFrance
language	English
budget	$16 million
gross	$45,284,974 }}

Léon (also known as The Professional and Léon: The Professional) is a 1994 French/American thriller film written and directed by Luc Besson. It stars Jean Reno as a mob hitman, Gary Oldman as a corrupt DEA agent, and a young Natalie Portman, in her feature film debut, as a 12-year-old girl who is taken in by the hitman after her family is murdered.

Plot

Leone "Léon" Montana (Jean Reno) is a hitman (or "cleaner," as he refers to himself) living a solitary life in New York City's Little Italy. His work comes from a mafioso named Tony (Danny Aiello), who operates from the "Supreme Macaroni Company" restaurant. Léon spends his idle time engaging in calisthenics, nurturing a houseplant that early on he describes as his "best friend," and (in one scene) watching old Gene Kelly musicals.

On a particular day, he meets Mathilda Lando (Natalie Portman), a twelve-year-old girl with a black eye and smoking a cigarette, living with her dysfunctional family in an apartment down the hallway. Her abusive father and self-absorbed mother have not even noticed that Mathilda has stopped attending class at her upscale school. Mathilda's father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to store cocaine in his residence, after they discover that he has been stealing some of the drugs for himself. A cadre of DEA agents storm the building, led by a sharp-suited and drug-addicted Norman "Stan" Stansfield (Gary Oldman), who murders Mathilda's entire family, missing her only because she was out shopping when they arrived. When she returns and notices the carnage, she calmly continues down the hallway and receives sanctuary from a reluctant Léon.

Mathilda discovers that Léon is a hitman. She begs him to become her caretaker and to teach her his skills as a "cleaner;" she wants to avenge the murder of her four-year-old brother, claiming that he was the only member of her family she loved, though she clearly regrets the deaths of her other family members. Léon shows her how to use firearms, including a scoped rifle. In return, she offers her services as a maid and teacher, remedying Léon's illiteracy. Mathilda tells Léon several times that she is falling in love with him, but he says nothing back. After increasing her experience with firearms, Mathilda fills a shopping bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery person, only to be ambushed by Stansfield in a bathroom. Mathilda learns from Stansfield and one of his men that Léon has killed one of the corrupt DEA agents in Chinatown. Léon, after discovering her intentions in a note left for him, rushes to rescue Mathilda, shooting two more of Stansfield's men in the process.

Stansfield is enraged the "Italian hitman" has gone rogue. He beats Tony, forcing him to surrender Léon's whereabouts. As soon as Mathilda returns home from grocery shopping, an NYPD ESU team, sent by Stansfield, takes her hostage and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and frees Mathilda. In the apartment, Léon creates a quick escape for Mathilda by chopping a hole in a slender air shaft. He reassures her and tells her that he loves her and that she has given him "a taste for life", moments before the police come for him. In the chaos that follows, Léon sneaks out of the apartment building disguised as a wounded ESU officer. He is unnoticed save for Stansfield, who recognizes the hitman and shoots him. Léon then places an object in Stansfield's hands, which he explains is "from Mathilda," and dies. Opening his hands, Stansfield finds the pin from a grenade. He rips open Léon's vest to discover several active grenades on his chest right before a massive explosion kills both of them.

Mathilda heads to Tony's place as she was instructed to do by Léon. Tony will not give Mathilda more than a small amount of the fortune Léon had amassed, which Tony was holding for him. He offers a monthly allowance and says school should be her priority for now. Mathilda asks Tony to give her a job, insisting that she can "clean" as Léon had. Tony sternly informs her that he "ain't got no work for a 12-year-old kid!" Having nowhere else to go, Mathilda makes her way to New Jersey in an attempt to return to school. After telling her and Léon's story to the headmistress, and seemingly being readmitted, Mathilda walks into a field near the school with Léon's houseplant in hand. She digs a hole and plants it, as she had told Léon he should, to give it roots.

Cast

Jean Reno as Léon, a professional hitman

Gary Oldman as Stansfield, a corrupt DEA agent

Natalie Portman as Mathilda, a twelve-year old girl

Danny Aiello as Tony, a mafioso who gives Léon hit jobs

Michael Badalucco as Mathilda's father

Ellen Greene as Mathilda's mother

Peter Appel as Malky

Willi One Blood as Blood

Don Creech as Neal

Keith A. Glascoe as Benny

Randolph Scott as Jordon

Elizabeth Regen as Mathilda's Sister

Carl J. Matusovich as Mathilda's Brother

Frank Senger as Fatman

Lucius Wyatt Cherokee as Tonto

Production

Léon is to some extent an expansion of an idea in Besson's earlier 1990 film, La Femme Nikita (in some countries Nikita). In La Femme Nikita Jean Reno plays a similar character named Victor. Besson described Léon as "Now maybe Jean is playing the American cousin of Victor. This time he's more human."

While most of the interior footage was shot in France, the rest of the film was shot on location in New York. The final scene at the school was filmed at Stevens Institute of Technology in Hoboken, New Jersey.

Critical response

The film received generally favorable reviews from critics. As of January 2011, the film holds a "Certified Fresh" rating on Rotten Tomatoes, with an aggregate rating of 78% based on 40 critical reviews. However, the inclusion of the 12-year-old Mathilda character, and Gary Oldman's deliberately overstated portrayal of corrupt DEA officer Norman Stansfield, polarized critics.

Richard Schickel lauded the film, writing, "this is a Cuisinart of a movie, mixing familiar yet disparate ingredients, making something odd, possibly distasteful, undeniably arresting out of them." He praised Oldman's performance as "divinely psychotic." Mark Deming at Allmovie awarded the film four stars out of five, describing it as "As visually stylish as it is graphically violent", and featuring "a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman." Roger Ebert awarded the film two-and-a-half stars out of four, writing: "It is a well-directed film, because Besson has a natural gift for plunging into drama with a charged-up visual style. And it is well acted." However, he was not entirely complimentary: "Always at the back of my mind was the troubled thought that there was something wrong about placing a 12-year-old character in the middle of this action." "In what is essentially an exercise—a slick urban thriller—it seems to exploit the youth of the girl without really dealing with it." The Deseret News' Chris Hicks awarded the film one-and-a-half stars out of five, describing it as "all style, no substance", and a "superficial yarn". He opined, "What Besson really seems interested in is balletic violence - slow-motion explosions, starkly lit bodies flying through the air. However, Sam Peckinpah he ain't". Hicks described Oldman's performance as "utterly ridiculous." While Oldman's performance divided critical opinion, Director Luc Besson was pleased with it, leading to his hiring Oldman for 1997's The Fifth Element, and in 2002, Stansfield was ranked #43 in the Online Film Critics Society's "Top 100 Villains of All Time."

Extended version

There is also an extended version of the film, referred to as "international version" or "version intégrale". Containing 25 minutes of additional footage, it is sometimes called the "Director's Cut" but Besson refers to the original version as the Director's Cut and the new version as "The Long Version". According to Luc Besson, this is the version he wanted to release, but for the fact that the extra scenes tested poorly with Los Angeles preview audiences. The additional material is found in the film's second act, and it depicts more of the interactions and relationship between Léon and Mathilda, as well as explicitly demonstrating how Mathilda accompanies Léon on several of his hits as "a full co-conspirator," to further her training as a contract killer.

The additional scenes include: # Mathilda telling Léon she is 18 years old. # Mathilda threatening to shoot herself playing Russian roulette if Léon doesn't teach her how to become a killer. # Léon taking Mathilda to meet Tony. # Léon and Mathilda hitting a drug dealer's home, with Mathilda setting fire to his supply of drugs with rubbing alcohol. # A montage of training missions where Mathilda learns the ropes of becoming an assassin. # Léon and Mathilda celebrating her first hit at a restaurant, where she gets drunk. # Léon explaining why he left Italy and went to New York at the age of 19. # Mathilda asking Léon to be her lover (with Léon refusing, saying "I wouldn't be a very good lover"). # Mathilda and Léon sleeping next to each other in a bed.

Léon: Version Intégrale was released in France in 1996; in the U.S. it was released on DVD as Léon: The Professional in 2000. Both versions contain the additional footage.

Legacy

The Bollywood movie Bichhoo was inspired by Léon.

Some claimed that the sequel script had been written by Luc Besson, in partnership with Oliver Megaton, but that the creation of Europacorp and estrangement from the Gaumont made ​​the sequence could not be made because the studio was the former who had the rights the film.

References

External links

Category:1990s thriller films Category:1994 films Category:American crime films Category:American drama films Category:American thriller films Category:Buddy films Category:Coming-of-age films Category:English-language films Category:Films directed by Luc Besson Category:Films about orphans Category:Films set in New York City Category:Films shot anamorphically Category:Films shot in New Jersey Category:Films shot in New York City Category:Films shot in Paris Category:French crime films Category:French drama films Category:French thriller films Category:Heroic bloodshed films Category:Mafia films

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