Name	Disco
Bgcolor	gold
Color	black
Stylistic origins	Funk • Various soul styles • Psychedelic • Latin (especially salsa) • Pop rockSecondary: Afro-Cuban music (furthest Soca) • Classical • Gospel • Swing • Blues
Cultural origins	Late 1960s – early 1970s; US and Canada
Instruments	Violin • Electric guitar • Bass guitar • Piano • Keyboard • Drums (or drum machine) • String section • Horn section • Orchestral solo instruments (e.g., flute) • Percussion
Popularity	Most popular in the mid-1970s to early 1980s
Derivatives	Afro-funky • Hi-NRG • House • Post-disco • Hip-hop • New Wave • Garage • Nu-disco
subgenrelist	List of disco music genres
subgenres	Italo disco • Eurodisco • Space disco • Disco polo
Fusiongenres	Disco-punk • Disco house • Manila Sound
Regional scenes	US: NYC • Philadelphia • Atlanta • Miami • LACanada: Toronto • Montreal • Vancouver • Ottawa
Other topics	Discothèque • NightclubsOrchestration • Disco artists }}

Disco is a genre of dance music. Disco acts charted high during the mid-1970s, and the genre's popularity peaked during the late 1970s. It had its roots in clubs that catered to African American, gay, psychedelic, and other communities in New York City and Philadelphia during the late 1960s and early 1970s. Disco also was a reaction by New York City's gay, as well as black and Latino communities against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. Women embraced disco as well, and the music eventually expanded to several other popular groups of the time. In what is considered a forerunner to disco style clubs, in February 1970, the New York City DJ David Mancuso opened The Loft, a members-only private dance club set in his own home. Allmusic claims some have argued that Isaac Hayes and Barry White were playing what would be called disco music as early as 1971. According to the music guide there is disagreement as to what the first disco song was. Claims have been made for Giorgio Moroder's "Son Of My Father" (1972) Manu Dibango's "Soul Makossa" (1972), Jerry Butler's "One Night Affair" (1972), the Hues Corporation's "Rock the Boat" (1974), George McCrae's "Rock Your Baby" (1974). and "Kung Fu Fighting" (1974) by Biddu and Carl Douglas. The first article about disco was written in September 1973 by Vince Aletti for Rolling Stone Magazine. In 1974 New York City's WPIX-FM premiered the first disco radio show.

Musical influences include funk, Latin and soul music. The disco sound has soaring, often reverberated vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or 16th note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line sometimes consisting of octaves. The Fender Jazz Bass is often associated with disco bass lines, because the instrument itself has a very prominent "voice" in the musical mix. In most disco tracks, strings, horns, electric pianos, and electric guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and unlike in rock, lead guitar is rarely used. Some disco songs employ the use of electronic instruments such as synthesizers.

Well-known late 1970s disco performers included Donna Summer, The Bee Gees, KC and the Sunshine Band, The Trammps, Van McCoy, Gloria Gaynor, The Village People, Chic, and The Jacksons. Summer would become the first well-known and most popular disco artist (eventually having the title "The Queen of Disco" bestowed upon her by various critics) and would also play a part in pioneering the electronic sound that later became a prominent element of disco. While performers and singers garnered the lion's share of public attention, producers working behind the scenes played an equal, if not more important role in disco, since they often wrote the songs and created the innovative sounds and production techniques that were part of the "disco sound." Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as ''Saturday Night Fever'' and ''Thank God It's Friday'' contributed to disco's rise in mainstream popularity. According to music writer Piero Scaruffi the disco phenomenon spread quickly because the "collective ecstasy" of disco was cathartic and regenerative and led to freedom of expression. Disco was the last mass popular music movement that was driven by the baby boom generation.

An angry backlash against disco music and culture emerged in the United States, hitting its peak with the July 1979 Disco Demolition Night riot. While the popularity of disco in the United States declined markedly as a result of the backlash, the genre continued to be popular elsewhere during the 1980s. Because the term "disco" became unfashionable at the start of the 1980s it was replaced by "dance music" and "dance pop" which described music powered by the basic disco beat. In the decades since, dance clubs have remained highly popular, and the disco beat has informed the sound of many of music's biggest stars. Disco has been influential on several dance music genres that have emerged since, such as House, Nu-Disco, Hi-NRG, Italo Disco, Eurodisco, Disco-Funk and Latin Freestyle.

History

1966–1974: Early history

The term "discotheque" was coined in Europe to describe clubs where there was no live music played. These types of clubs emerged in the United States where they were also described as "Discotheques" following the 1960 popularity of dance "The Twist" which emerged from a Chubby Checker hit of the same name. "Disco" which is shorthand for "Discotheque" emerged as the preferred name for this type of club and the music genre associated with these clubs after the Rolling Stone magazine article described above.

During the 1960s and 70s in New York City, musicians and audiences from the female, gay, black, and Latino communities, who were marginalized at the time, adopted several traits from the hippies and psychedelia. They included overwhelming sound, free-form dancing, "trippy" lighting, colorful costumes, and hallucinogens Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound. In addition, the positivity, lack of irony, and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message".

Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion and lush strings, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Bla, Bla Diddly" (Giorgio Moroder (1966), "You Keep Me Hangin' On" (The Supremes, 1966), "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972), Eddie Kendricks' Keep on Truckin' (1973) and "The Love I Lost" by Harold Melvin & The Blue Notes, 1973).

The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), West End Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few.

The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus creating the extended mix or "Remix". This has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (that is,, re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Other influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.

Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 to 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.

Disco hit the television airwaves with Soul Train in 1971 hosted by Don Cornelius, then Marty Angelo's ''Disco Step-by-Step Television Show'' in 1975, Steve Marcus' ''Disco Magic/Disco 77'', Eddie Rivera's ''Soap Factory'' and Merv Griffin's ''Dance Fever'', hosted by Deney Terrio, who is credited with teaching actor John Travolta to dance for his upcoming role in the hit movie ''Saturday Night Fever''.

1974–1978: Chart-topping songs

From 1974 through 1978, Disco music continued to increase in popularity as many disco songs topped the charts. The Hues Corporation's 1974 "Rock The Boat", a U.S. #1 single and million-seller, was one of the early disco songs to hit #1. The same year saw the release of "Kung Fu Fighting", produced by Biddu and sung by Carl Douglas, which reached #1 in both the U.K. and U.S., and became the best-selling single of the year and one of the best-selling singles of all time with eleven million records sold worldwide, helping to popularize disco music to a great extent. Other chart-topping disco hits that year included "Walking in Rhythm" by The Blackbyrds, "Rock Your Baby" by George McCrae, and "Love's Theme" by Barry White's Love Unlimited Orchestra. Also in 1974, Gloria Gaynor released the first side-long disco mix vinyl album, which included a remake of The Jackson 5's "Never Can Say Goodbye" and two other songs, "Honey Bee" and "Reach Out (I'll Be There)". MFSB (Mother, Father, Sister, Brother) released TSOP (The Sound of Philadelphia), a 1974 hit recording featuring vocals by The Three Degrees, which became the first disco song to reach number one on the Billboard Hot 100. Also significant during this early disco period was Miami's KC and the Sunshine Band. Formed by Harry Wayne Casey ("KC") and Richard Finch, KC and the Sunshine Band had a string of disco-definitive top-five hits between 1975 and 1977, including "Get Down Tonight", "That's the Way (I Like It)", "(Shake, Shake, Shake) Shake Your Booty", "I'm Your Boogie Man" and "Keep It Comin' Love".

The Bee Gees used Barry Gibb's falsetto to garner hits such as "You Should Be Dancing", "Stayin' Alive", "Night Fever" and "More Than A Woman". Andy Gibb, a younger brother to the Bee Gees, followed with similarly-styled solo hits such as "I Just Want to Be Your Everything," "(Love Is) Thicker Than Water" and "Shadow Dancing." In 1975, hits such as Van McCoy's "The Hustle" and Donna Summer's "Love to Love You Baby" and "Could It Be Magic" brought disco further into the mainstream. Other notable early disco hits include The Jacksons’s "Dancing Machine" (1974), Barry White’s "You're the First, the Last, My Everything" (1974), LaBelle’s "Lady Marmalade" (1975) and Silver Convention’s "Fly Robin Fly" (1975). Chic's "Le Freak" (1978) became a classic and is heard almost everywhere disco is mentioned; other hits by Chic include the often-sampled "Good Times" (1979) and "Everybody Dance" (1978). Michael Jackson also scored his first chart-topping solo hit in the disco genre with "Don't Stop 'til You Get Enough" (1979). Martin Dow, an influential DJ at the time in Key West, FL was the resident DJ at The Monster, who pioneered the NYC sound across the state and was a recipient of the IRAA Gold Record for the Atlantic Records hit single "Dance, Dance, Dance" by Chic. He was influenced by Roy Thode, a NYC DJ who played in many NYC clubs at the time and was a close friend of Jim Burgess. Roy and Martin were notable for their ability to phase and mix three turntables simultaneously.

Diana Ross was one of the first Motown artists to embrace the disco sound with her hugely successful 1976 outing "Love Hangover" from her self-entitled album. Ross would continue to score disco hits for the rest of the Disco era, including the 1980 dance classics "Upside Down" and "I'm Coming Out", (the latter immediately becoming a favorite in the gay community). Ironically enough, the group Ross led to superstardom during the 1960s, The Supremes, scored a handful of hits in the disco clubs themselves, most notably 1976's "I'm Gonna Let My Heart Do The Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel". Also noteworthy are Cheryl Lynn's "Got to Be Real" (1978), Evelyn "Champagne" King's "Shame", (also 1978), Cher's "Take Me Home" (1979), Sister Sledge's "We Are Family" (also 1979), Geraldine Hunt's "Can't Fake The Feeling" and Walter Murphy's various attempts to bring classical music to the mainstream, most notably his hit "A Fifth of Beethoven" (1976).

The rich orchestral accompaniment that became identified with the disco era conjured up the memories of the big band era which brought out several artists that recorded and disco-ized some big band arrangements including Perry Como, who re-recorded his 1929 and 1939 hit, Temptation, in 1975, as well as Ethel Merman, who released an album of disco songs entitled ''The Ethel Merman Disco Album'' in 1979. The disco fad was even picked up by more unexpected musicians, such as country artists Bill Anderson (Double S), Connie Smith (with her cover of Andy Gibb's "I Just Want to Be Your Everything" and Ronnie Milsap (High Heel Sneakers). Myron Floren, second-in-command on ''The Lawrence Welk Show'', released a recording of the Clarinet Polka entitled "Disco Accordion." Even the ''I Love Lucy'' theme wasn't spared from being disco-ized. Other notable disco hits based on movie and television themes included the medley from Star Wars, "Star Wars Theme/Cantina Band" (1977), by Meco, and "Twilight Zone/Twilight Tone" by The Manhattan Transfer (1979).

Prominent European pop and disco groups were Luv' from the Netherlands and Boney M, a group of four West Indian singers and dancers masterminded by West German record producer Frank Farian. Boney M charted worldwide hits with such songs as "Daddy Cool", "Ma Baker" and "Rivers of Babylon". In France, Claude Francois who re-invented himself as the king of French disco, released "La plus belle chose du monde" a French version of the Bee Gees hit record, "Massachusetts" which became a big hit in Canada and Europe and "Alexandrie Alexandra" was posthumously released on the day of his burial which became a worldwide hit; "Dalida released "J'attendrai", which became a big hit in Canada and Japan, and Cerrone's early hit songs – "Love In C Minor", "Give Me Love" and "Supernature" – became major hits in the U.S. and Europe.

As one of the first movies to be scored with disco music before ''Saturday Night Fever'', the James Bond film ''The Spy Who Loved Me'' garnered great popularity from composer Marvin Hamlisch's score, especially the disco-flavored ''Bond 77'' opening track.

Eurodisco

Eurodisco was not as funky, more pop oriented, and less soul influenced than American styled disco. European acts Silver Convention, Love and Kisses, Munich Machine, and American acts Donna Summer, and the Village People were acts that defined the late 1970s Eurodisco sound. Producers Giorgio Moroder whom Allmusic described as "one of the principal architects of the disco sound" and Jean-Marc Cerrone were involved with Eurodisco. The highly influential German group Kraftwerk is regarded by some as the first Eurodisco act.

1978–1980: Pop pre-eminence

In December 1977 the film ''Saturday Night Fever'' was released. The film was marketed specifically to broaden disco's popularity beyond its primarily gay and black audience. It was a huge success, helping to make disco a worldwide phenomenon, and became the best-selling soundtrack of all time.

Disco's popularity led many non-disco artists to record disco songs at the height of its popularity. Many of their songs were not "pure" disco, but were instead rock or pop songs with (sometimes inescapable) disco influence or overtones. Notable examples include Blondie's ""Heart of Glass" (1978), Cher's "Hell on Wheels" (1979), The Rolling Stones' "Miss You" (1978), Barry Manilow’s "Copacabana" (1978), David Bowie "John I'm Only Dancing (Again)" (1975), Rod Stewart's "Da Ya Think I'm Sexy?" (1979), The Kinks's "(Wish I Could Fly Like) Superman" (1979), Electric Light Orchestra’s "Shine a Little Love", "Don't Bring Me Down", and "Last Train to London" (1979), George Benson's "Give Me the Night" (1980), Queen's "Another One Bites the Dust" (1980), Paul McCartney & Wings' "Goodnight Tonight" (1979), and Kiss' "I Was Made For Lovin' You" (1979).

Several parodies of the disco style were created, most notably "Disco Duck" and "Dancin' Fool". Rick Dees, at the time a radio DJ in Memphis, Tennessee, recorded "Disco Duck"; Frank Zappa parodied the lifestyles of disco dancers in "Dancin' Fool" on his 1979 Sheik Yerbouti album.

1979–1981 Backlash and decline

Though disco music had enjoyed several years of popularity, an anti-disco sentiment manifested itself, particularly in America. Many musicians and fans of a variety of rock music styles expressed strong disapproval of disco throughout the height of its popularity. Among these critics, the slogans "disco sucks" and "death to disco" were common by the late 1970s and appeared in written form in places ranging from tee shirts to graffiti. Radio DJs organized mass burnings of Bee Gees albums and posters. Rock artists such as Rod Stewart and David Bowie who added disco elements to their music were accused of being sell outs.

The punk subculture both in the United States and United Kingdom was often very critical, and even downright hostile towards disco. Jello Biafra of The Dead Kennedys likened disco to the cabaret culture of Weimar Germany for its apathy towards government policy and its escapism (which Biafra saw as delusional). He sang about this in the song "Saturday Night Holocaust", the B-side of the song "Halloween". Mark Mothersbaugh of Devo has said that Disco was "like a beautiful woman with a great body and no brains" and a product of political apathy of that era. Aside from Mothersbaugh's and Biafra's criticism, punk fans shared the "disco sucks" sentiment of other rock fans. New Jersey rock critic Jim Testa wrote "Put a Bullet Through The Jukebox", a vitriolic screed attacking disco that was a punk call to arms.

July 12, 1979 became known as "the day disco died" because of an anti-disco demonstration that was held in Chicago. Rock station DJs Steve Dahl and Garry Meier, along with Michael Veeck, son of Chicago White Sox owner Bill Veeck, staged ''Disco Demolition Night,'' a promotional event with an anti-disco theme, between games at a White Sox doubleheader for disgruntled rock fans. During this event, which involved exploding disco records, the raucous crowd tore out seats and turf in the field and did other damage to Comiskey Park. It ended in a riot in which police made numerous arrests. The damage done to the field forced the Sox to forfeit the second game to the Detroit Tigers who won the first game. The stadium suffered thousands of dollars in damage.

On July 21, six days after the riot, the top six records on the U.S. charts were of the disco genre. By September 22, there were no disco records in the top 10. The media, in celebratory tones, declared disco dead and rock revived.

The anti-disco backlash, combined with other societal and radio industry factors, changed the face of pop radio in the years following disco-demolition night. Top 40 radio stations avoided playing music by black artists in an effort to prevent their stations from being labeled with the dreaded "disco" tag. One of the more popular of these formats, country music, rose into favor when ''Saturday Night Fever'' star John Travolta had a hit with the film ''Urban Cowboy'', a movie that has been perceived as a rejection of disco.

The television industry, taking a cue from the music industry, responded with an anti-disco agenda as well. A recurring theme on the television show ''WKRP in Cincinnati'' was a hateful attitude towards disco music.

It was during this backlash and decline that several record companies were folded, reorganized or sold. In 1979, MCA Records bought ABC Records and shut it down. Casablanca Records' founder Neil Bogart was forced out in 1980 by label owner PolyGram. RSO Records founder Robert Stigwood left the label in 1981. TK Records closed in 1981. Salsoul Records managed to hang on until 1984.

Factors

A bad economy, political chaos that would lead to the election of Ronald Reagan, and burnout brought on by the hedonistic lifestyles led by participants (along with the emergence of AIDS) also have been cited as factors leading to the decline of the genre . According to Gloria Gaynor, the music industry supported the destruction of disco because rock music producers were losing money and rock musicians were losing the spotlight. Disco was criticized for being elitist. Songs such as Frank Zappa's satirical song "Dancin' Fool" and Steve Dahl's "Do Ya Think I'm Disco?" described patrons of exclusive discos as being overdressed and vapid.

In January 1979 [?]rock critic Robert Christgau wrote that homophobia and most likely racism were reasons behind the backlash. a conclusion seconded by John Rockwell in ''The New York Times''. In the years since Disco Demolition night, social critics have described the backlash as implicitly macho and bigoted and an attack on non-white and non-heterosexual cultures. Legs McNeil, founder of the fanzine ''Punk'', was quoted in an interview as saying, "the hippies always wanted to be black. We were going, 'fuck the blues, fuck the black experience'." He said that disco was the result of an unholy union between gays and blacks. Harold Childs senior vice president at A&M; Records told the ''Los Angeles Times'' "radio is really desperate for rock product", "they're all looking for some white rock-n-roll". Steve Dahl has denied the charges, saying "It's really easy to look at it historically, from this perspective, and attach all those things to it. But we weren't thinking like that." It has been noted that United Kingdom punk rock critics of disco were very supportive of the pro-black/anti-racist reggae genre. And both Christgau and Testa acknowledged that there were legitimate artistic reasons for being critical of disco.

1990–Present: Resurgence

In the late 1980s and increasingly through the 1990s, a revival of the original disco style began to emerge. The disco influence can be heard in such songs as Rick Astley's "Never Gonna Give You Up" (1988), Deee-Lite's Groove Is in the Heart (1990), Kylie Minogue's "Step Back In Time" (1990), Gloria Estefan's "Get On Your Feet" (1991), Paula Abdul's "Vibeology" (1992), Whitney Houston's "I'm Every Woman" (1993), U2’s "Lemon" (1993), Diana Ross's "Take Me Higher" (1995), France Joli's "Touch" (1996), Spice Girls' "Who Do You Think You Are" & "Never Give Up On The Good Times" (1997), Gloria Estefan's "Heaven's What I Feel" (1998) & "Don't Let This Moment End" (1999), George Michael's Outside (1998), Cher’s "Strong Enough" (1998), and Jamiroquai's "Canned Heat" (1999).

The trend continued in the 2000s with hit songs such as Kylie Minogue's "Spinning Around" (2000) as well as her album "Light Years" (2000), Sheena Easton's "Givin' Up, Givin' In" (2001), Michael Jackson's "You Rock My World" (2001), Cher's album ''Living Proof'' (2001), Sophie Ellis-Bextor's "Murder on the Dancefloor" (2001), Mýa's "Free" (2001) RuPaul's "Looking Good, Feeling Gorgeous", (2004) Janet Jackson's "R&B; Junkie", (2004) La Toya Jackson's "Just Wanna Dance" (2004) & "Free the World" (2005). Madonna's 2005 album ''Confessions on a Dance Floor'' echoes traditional disco themes, particularly in the single "Hung Up", which samples ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)". Madonna continued doing disco music in her 2008 release, "Hard Candy", this time experimenting with the old days of funk- and soul-influenced disco in songs like "Beat Goes On" and "Dance 2nite".

In the early 2000s, the genre of music known as dance-punk enjoyed increased popularity. Dance-punk bands like The Rapture, !!!, and LCD Soundsystem fused elements of punk rock with different forms of dance music, especially disco.

In the mid-late part of the decade, many disco songs have been released, becoming hits, including (2005) Gorillaz's "Dare", Ultra Nate's "Love's The Only Drug" (2006), Gina G's "Tonight's The Night" (2006), The Shapeshifters' "Back To Basics" (2006), Michael Gray's "Borderline" (2006), Irene Cara's "Forever My Love" (2006), Bananarama's "Look on the Floor (Hypnotic Tango)", the Freemasons "Rain Down Love" (2007), Claudja Barry's "I Will Stand" (2006), Pepper Mashay's "Lost Yo Mind" (2007), Sophie Ellis-Bextor’s "Me and My Imagination" (2007), Maroon 5's "Makes Me Wonder" (2007) Justice’s "D.A.N.C.E.", "Phantom (Part II)" (2007), Dannii Minogue's "Touch Me Like That" (2007), Cerrone's "Misunderstanding" and "Tattoo Woman" (2008), Sean Ensign's "I Wanna Be With You" (2008), Donna Summer's "I'm a Fire" (2008), Jody Watley's "A Beautiful Life" (2008), Crystal Waters's "Dancefloor" (2008), Alcazar's comeback single "We Keep on Rockin'" (2008), RuPaul's "Jealous Of My Boogie" (2009)", Shakira's "She Wolf" (2009), Whitney Houston's "Million Dollar Bill" (2009), Lady Gaga's and "Alejandro" (2010). Music producer, Ian Levine has also produced many new songs with such singers as George Daniel Long, Hazell Dean, Sheila Ferguson, Steve Brookstein and Tina Charles among others for the compilation album titled, ''Disco 2008'', a tribute to Disco music using original material. In the 2000s, artists such as Duck Sauce, DE SIGNER, Ali Love, Hercules and Love Affair and producer JMV have revived the disco sound helping bring further mainstream interest and success.

Disco tributes continue to be popular draws. The World's Largest Disco, an annual celebration held over Thanksgiving weekend in Buffalo, New York, draws thousands of disco fans in 1970s-era attire. In addition to playing disco hits of the era, live performers from the 1970s make appearances. One surprising place disco arrived and then never went away is English Junior schools. By 1975 discos began for young children and are still an annual feature in many schools today.

Musical characteristics

The "disco sound", while unique, almost defies a unified description, as it is an ultra-inclusive art form that draws on as many influences as it produces interpretations. Jazz, classical, calypso, rock, Latin, soul, funk, and new technologies — just to name a few of the obvious — were all mingled with aplomb. Vocals can be frivolous or serious love intrigues — all the way to extremely serious socially-conscious commentary.

The music tended to layer soaring, often-reverberated vocals, which are often doubled by horns, over a background "pad" of electric pianos and wah-pedaled "chicken-scratch" guitars. Other backing keyboard instruments include the piano, organ (during early years), string synth, and electroacoustic keyboards such as the Fender Rhodes piano, Wurlitzer electric piano, and Hohner Clavinet. Synthesizers are also fairly common in disco, especially in the late 1970s. The rhythm is laid down by prominent, syncopated basslines (with heavy use of octaves) played on the bass guitar and by drummers using a drum kit, African/Latin percussion, and electronic drums such as Simmons and Roland drum modules). The sound is enriched with solo lines and harmony parts played by a variety of orchestral instruments, such as harp, violin, viola, cello, trumpet, saxophone, trombone, clarinet, flugelhorn, French horn, tuba, English horn, oboe, flute (sometimes especially the alto flute and occasionally bass flute), piccolo, timpani and synth strings or a full-blown string orchestra.

Most disco songs have a steady four-on-the-floor beat, a quaver or semi-quaver hi-hat pattern with an open hi-hat on the off-beat, and a heavy, syncopated bass line. This basic beat would appear to be related to the Dominican merengue rhythm. Other Latin rhythms such as the rhumba, the samba and the cha-cha-cha are also found in disco recordings, and Latin polyrhythms, such as a rhumba beat layered over a merengue, are commonplace. The quaver pattern is often supported by other instruments such as the rhythm guitar and may be implied rather than explicitly present. It often involves syncopation, rarely occurring on the beat unless a synthesizer is used to replace the bass guitar. In general, the difference between a disco, or any dance song, and a rock or popular song is that in dance music the bass hits ''four to the floor'', at least once a beat (which in 4/4 time is 4 beats per measure), whereas in rock the bass hits on one and three and lets the snare take the lead on two and four. Disco is further characterized by a 16th note division of the quarter notes established by the bass as shown in the second drum pattern below, after a typical rock drum pattern.

The orchestral sound usually known as "disco sound" relies heavily on strings and horns playing linear phrases, in unison with the soaring, often reverberated vocals or playing instrumental fills, while electric pianos and chicken-scratch guitars create the background "pad" sound defining the harmony progression. Typically, a rich "wall of sound" results. There are, however, more minimalistic flavors of disco with reduced, transparent instrumentation, pioneered by Chic.

In 1977, Giorgio Moroder again became responsible for a development in disco. Alongside Donna Summer and Pete Bellotte he wrote the song "I Feel Love" for Summer to perform. It became the first well-known disco hit to have a completely synthesised backing track. The song is still considered to have been well ahead of its time. Other disco producers, most famously Tom Moulton, grabbed ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in the seventies) to provide alternatives to the four on the floor style that dominated. Larry Levan utilized style keys from dub and jazz and more as one of the most successful remixers of all time to create early versions of house music that sparked the genre.

Production

The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece band sound of the funk, soul of the late 1960s, or the small jazz organ trios, disco music often included a large pop band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of "classical" solo instruments (for example,, flute, piccolo, and so on.).

Disco songs were arranged and composed by experienced arrangers and orchestrators, and producers added their creative touches to the overall sound. Recording complex arrangements with such a large number of instruments and sections required a team that included a conductor, copyists, record producers, and mixing engineers. Mixing engineers had an important role in the disco production process, because disco songs used as many as 64 tracks of vocals and instruments. Mixing engineers compiled these tracks into a fluid composition of verses, bridges, and refrains, complete with orchestral builds and breaks. Mixing engineers helped to develop the "disco sound" by creating a distinctive-sounding disco mix.

Early records were the "standard" 3 minute version until Tom Moulton came up with a way to make songs longer, wanting to take a crowd to another level that was impossible with 45-RPM vinyl discs of the time (which could usually hold no more than 5 minutes of good-quality music). With the help of José Rodriguez, his remasterer, he pressed a single on a 10" disc instead of 7". They cut the next single on a 12" disc, the same format as a standard album. This method fast became the standard format for all DJs of the genre.

Because record sales were often dependent on floor play in clubs, DJs were also important to the development and popularization of disco music. Notable DJs include Rex Potts (Loft Lounge, Sarasota, Florida), Karen Cook, Jim Burgess, Walter Gibbons, John "Jellybean" Benitez, Richie Kaczar of Studio 54, Rick Gianatos, Francis Grasso of Sanctuary, Larry Levan, Ian Levine, Neil "Raz" Rasmussen & Mike Pace of L'amour Disco in Brooklyn, Preston Powell of Magique, Jennie Costa of Lemontrees, Tee Scott, Tony Smith of Xenon, John Luongo, Robert Ouimet of The Limelight, and David Mancuso.

Disco clubs and culture

In October 1975 notable discos included "Studio One" in Los Angeles, "Leviticus" in New York and "The Library" in Atlanta.

By the late 1970s most major U.S. cities had thriving disco club scenes, but the largest scenes were in San Francisco, Miami, and most notably New York City. The scene was centered on discotheques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the patrons who came to dance. The DJs played "...a smooth mix of long single records to keep people 'dancing all night long'". Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music.

At the height of the disco era, McFaddin Ventures were operating many successful and profitable nightclubs. In an effort to maximize profit, McFaddin Ventures in Houston, Texas commissioned a study on the stimulation of males and females during the playing of music. They accordingly custom tuned their speakers to make their numerous clubs more exciting. Their programmer/disc jockey, Karen Cook, was the first female disco DJ in the states and trained other McFaddin Ventures discjockeys to work their music format (6 up, 3 down) which was designed to sell more drinks. Karen is currently Producer/Director at VividMix.

In the late 1970s, Studio 54 was arguably the most well known nightclub in the world. This club played a major formative role in the growth of disco music and nightclub culture in general.

Disco dancing

In the early years dancers in discos danced in a "hang loose" style. Popular dances included "Bump", "Penguin", "Boogaloo, "Watergate" and the "Robot". By October 1975 The Hustle reigned. It was highly stylized, sophisticated and sexy. Variations included the Brooklyn Hustle, New York Hustle and Latin Hustle.

During the disco era, many nightclubs would commonly host disco dance competitions or offer free instructional lessons. Some cities had disco dance instructors or dance schools which taught people how to do popular disco dances such as "touch dancing", "the hustle" and "the cha cha". The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in 1973. Her book The Complete Guide to Disco Dancing (Warner Books, 1978) was the first to name, break down and codify popular disco dances as a dance form and distinguish between disco freestyle, partner and line dances. The book hit the New York Times Best Seller List for 13 weeks and was translated into Chinese, German and French.

Some notable professional dance troupes of the 1970s included Pan's People and Hot Gossip. For many dancers, the primary influence of the 1970s disco age is still predominantly the film ''Saturday Night Fever'' (1977). This developed into the music and dance style of such films as ''Fame'' (1980), ''Flashdance'' (1983),"The Last Days of Disco"(1998). It also helped spawn dance competition TV shows such as Dance Fever (1979).

Disco fashion

Disco fashions were very trendy in the late 1970s. Discothèque-goers often wore expensive and extravagant fashions for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men with pointy collars, preferably open at the chest, often worn with double-knit polyester shirt jackets with matching trousers known as the leisure suit. Necklaces and medallions were a common fashion accessory.

Hedonism: drug subculture and sexual promiscuity

In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine (nicknamed "blow"), amyl nitrite "poppers", and the "...other quintessential 1970s club drug Quaalude, which suspended motor coordination and gave the sensation that one’s arms and legs had turned to Jell-O." According to Peter Braunstein, the "massive quantities of drugs ingested in discotheques produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of 'main course' in a hedonist’s menu for a night out."

Famous disco bars included the very important Paradise Garage and Crisco Disco as well as "...cocaine-filled celeb hangouts such as Manhattan's Studio 54", which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon.

Influence on other music

1982–1990: Post disco and dance

The transition from the late-1970s disco styles to the early-1980s dance styles was marked primarily by the change from complex arrangements performed by large ensembles of studio session musicians (including a horn section and an orchestral string section), to a leaner sound, in which one or two singers would perform to the accompaniment of synthesizer keyboards and drum machines.

In addition, dance music during the 1981–83 period borrowed elements from blues and jazz, creating a style different from the disco of the 1970s. This emerging music was still known as disco for a short time, as the word had become associated with any kind of dance music played in discothèques. Examples of early 1980s dance sound performers include D. Train, Kashif, and Patrice Rushen. These changes were influenced by some of the notable R&B; and jazz musicians of the 1970s, such as Stevie Wonder, Kashif and Herbie Hancock, who had pioneered "one-man-band"-type keyboard techniques. Some of these influences had already begun to emerge during the mid-1970s, at the height of disco’s popularity.

Songs such as Gloria Gaynor’s "Never Can Say Goodbye" (1974), Thelma Houston’s "Don't Leave Me This Way" (1976), Donna Summer’s "Spring Affair" (1977), Rod Stewart’s "Do Ya Think I'm Sexy? (1978), Donna Summer’s "Bad Girls" (1979), and The Bee Gees’ "Love You Inside Out" (1979) foreshadowed the dramatic change in dance music styles which was to follow in the 1980s.

During the first years of the 1980s, the "disco sound" began to be phased out, and faster tempos and synthesized effects, accompanied by guitar and simplified backgrounds, moved dance music toward the funk and pop genres. This trend can be seen in singer Billy Ocean's recordings between 1979 and 1981. Whereas Ocean's 1979 song ''American Hearts'' was backed with an orchestral arrangement played by the Los Angeles Symphony Orchestra, his 1981 song ''"One of Those Nights (Feel Like Gettin' Down)"'' had a more bare, stripped-down sound, with no orchestration or symphonic arrangements. This drift from the original disco sound is called post-disco. In this music scene there are rooted sub-genres, such as italo-disco, techno, house, dance-pop, boogie, and early alternative dance.

During the early 1980s, dance music dropped the complicated melodic structure and orchestration which typified the "disco sound". Examples of well-known songs which illustrate this difference include Kool & the Gang’s "Celebration" (1980), Rick James’ "Super Freak" (1981), Grace Jones's "Pull Up to the Bumper" (1981), Carol Jiani's "Hit N' Run Lover" (1981), Laura Branigan's "Gloria" (1982), The Pointer Sisters’ "I'm So Excited" (1982), Prince’s "1999" (1982), The Weather Girls's "It's Raining Men" (1982), Madonna’s "Holiday" (1983), Irene Cara's "Flashdance (What A Feeling)" (1983), Angela Bofill's "Too Tough" (1983), Miquel Brown's "So Many Men, So Little Time" (1983), Michael Jackson’s "Thriller" (1983), Stevie Nicks' "Stand Back" (1983), Cerrone's "Back Track" (1984), Jocelyn Brown's "Somebody Else's Guy" (1984), and Klymaxx's "Meeting in the Ladies Room" (1984).

TV themes

During the 1970s, many TV theme songs were produced (or older themes updated) with disco influenced music. Examples include ''S.W.A.T.'' (1975), ''Charlie's Angels'' (1976), ''NBC Saturday Night At The Movies'' (1976), ''The Love Boat'' (1977), ''The Donahue Show'' (1977), ''CHiPs'' (1977), ''The Professionals'' (1977), ''Dallas'' (1978), ''Kojak'' (1978), and ''20/20'' or Mike Post & Pete Carpenter's ''Showtime'' (1983) from ''The A-Team'', which kept the disco sound throughout the 1980s. The British Science Fiction program ''Space: 1999'' (1975) also featured a soundtrack strongly influenced by disco. This was especially evident in the show's second season.

DJ culture

The rising popularity of disco came in tandem with developments in turntablism and the use of records to create a continuous mix of songs. The resulting DJ mix differed from previous forms of dance music, which were oriented towards live performances by musicians. This in turn affected the arrangement of dance music, with songs since the disco era typically containing beginnings and endings marked by a simple beat or riff that can be easily slipped into the mix.

Rave culture

As the Disco era came to a close in the late 1970s, Rave culture began to see significant growth. Rave culture incorporated Disco culture's same love of dance music, drug exploration, sexual promiscuity, and hedonism. Although disco culture had thrived in the mainsteam, the rave culture would make an effort to stay underground to avoid the animosity that was still surrounding disco and dance music.

Hip hop and electro

The disco sound had a strong influence on early hip hop. Most of the early rap/hip-hop songs were created by isolating existing disco bass-guitar lines and dubbing over them with MC rhymes. The Sugarhill Gang used Chic's "Good Times" as the foundation for their 1979 hit "Rapper's Delight", generally considered to be the song that first popularized Rap music in the United States and around the world. In 1982, Afrika Bambataa released the single "Planet Rock", which incorporated electronica elements from Kraftwerk's "Trans-Europe Express" and "Numbers" as well as YMO's "Riot in Lagos". The "Planet Rock" sound also spawned a hip-hop electronic dance trend, electro music, which included songs such as Planet Patrol's "Play At Your Own Risk" (1982), C Bank's "One More Shot" (1982), Cerrone's "Club Underworld" (1984), Shannon's "Let the Music Play" (1983), Freeez's "I.O.U." (1983), Midnight Star's "Freak-A-Zoid" (1983), Chaka Khan's "I Feel For You" (1984).

Post Punk

The Post Punk movement that originated in the late 1970s both supported Punk Rock's rule breaking while rejecting its back to raw rock music element. Post Punk's mantra of constantly moving forward lent itself to both openness to and experimentation with elements of disco and other styles. Public Image Limited is considered the first Post Punk group. The group's second album Metal Box fully embraced the studio as instrument methodology of disco. The group's founder John Lydon told the press that disco was the only music he cared for at the time. No Wave was a sub genre of post punk centered in New York City. For shock value, James Chance who was a notable member of the No Wave scene penned an article in the East Village Eye urging his readers to move uptown and get "trancin' with some superadioactive disco voodoo funk". His band James White and the Blacks wrote a disco album Off White. Their performances resembled those of disco performers (horn section, dancers and so on.). In 1981 ZE Records led the transition from No Wave into the more subtle Mutant disco (post-disco/punk) genre. Mutant disco acts such as Kid Creole and the Coconuts, Was Not Was, ESG and Liquid Liquid influenced several British Post Punk acts such as New Order, Orange Juice and A Certain Ratio.

Nu-disco

Nu-disco is a 21st century dance music genre associated with the renewed interest in 1970s and early 1980s disco, mid-1980s Italo disco, and the synthesizer-heavy Eurodisco aesthetics. The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. These vendors often associate it with re-edits of original-era disco music, as well as with music from European producers who make dance music inspired by original-era American disco, electro and other genres popular in the late 1970s and early 1980s. It is also used to describe the music on several American labels that were previously associated with the genres electroclash and deep house.

See also

Number-one dance hits of 1978 (USA)

Number-one dance hits of 1979 (USA)

Philadelphia International Records

Stealth disco

References and notes

Further reading

Michaels, Mark (1990). ''The Billboard Book of Rock Arranging''. ISBN 978-0-8230-7537-9.

Jones, Alan and Kantonen, Jussi (1999). ''Saturday Night Forever: The Story of Disco''. Chicago, Illinois: A Cappella Books. ISBN 978-1-55652-411-0.

Article on the 30th Annversary of Saturday Night Fever DVD, re-mastered by writer John Reed.

Campion, Chris. ''Walking on the Moon:The Untold Story of the Police and the Rise of New Wave Rock''. John Wiley & Sons, 2009. ISBN 978-0470282403

Brewster, Bill and Broughton, Frank (1999) ''Last Night a DJ Saved my Life: the History of the Disc Jockey'' Headline Book Publishing Ltd. ISBN 978-0-7472-6230-5

Lawrence, Tim (2004) ''Love Saves the Day: A History of American Dance Music Culture, 1970–1979''. Duke University Press. ISBN 978-0-8223-3198-8.

Angelo, Marty (2006) ''Once Life Matters: A New Beginning''. Impact Publishing. ISBN 978-0-9618954-4-0.

Shapiro, Peter (2005) ''Turn The Beat Around – The Secret History of Disco''. Faber And Faber. ISBN 978-0-86547-952-4 ISBN 978-0-86547-952-4

Echols, Alice (Professor of American studies and history Rutgers University) (2010) ''Hot Stuff – Disco and the Remaking of American Culture''. W. W. Norton and Company, Inc.. ISBN 978-0-393-06675-3

Gillian, Frank (2007) ''Discophobia: Antigay Prejudice and the 1979 Backlash against Disco Journal of the History of Sexuality – Volume 15, Number 2, May 2007, pp. 276–306'' E-ISSN: 1535-3605 Print ISSN: 1043-4070

Disco Inferno 2.0: A Slightly Less Hedonistic Comeback Charting the DJs, labels, and edits fueling an old new craze article by Andy Beta for ''The Village Voice'' (November 2008)

Can you feel the force? by Paul Lester for The Guardian February 23, 2007

When ‘Disco Sucks!’ echoed around the world by Tony Sclafani for MSNBC July 10, 2009

Aletti, Vince (2009) ''THE DISCO FILES 1973–78: New York's underground week by week'' DJhistory.com ISBN 978-0-9561896-0-8

External links

Sexy Days of Disco – slideshow by ''Life magazine''

Category:Disco Category:LGBT culture Category:Women and the arts Category:Crossover (music) Category:African American music Category:1970s in music

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name	Kylie Minogue
background	solo_singer
birth name	Kylie Ann Minogue
birth date	May 28, 1968
birth place	Melbourne, Australia
genre	Pop, synthpop, rock, dance, electronic
occupation	Singer, songwriter, actress, record producer, fashion designer, author, entrepreneur, philanthropist
years active	1979–present
label	PWL, Deconstruction, Parlophone
website	}}

Kylie Ann Minogue, OBE (; born 28 May 1968), is an Australian pop singer, songwriter, and actress. After beginning her career as a child actress on Australian television, she achieved recognition through her role in the television soap opera ''Neighbours'', before commencing her career as a recording artist in 1987. Her first single, "Locomotion", spent seven weeks at number one on the Australian singles chart and became the highest selling single of the decade. This led to a contract with songwriters and producers Stock, Aitken & Waterman. Her debut album, ''Kylie'' (1988), and the single "I Should Be So Lucky", each reached number one in the United Kingdom, and over the next two years, her first 13 singles reached the British top ten. Her debut film, ''The Delinquents'' (1989) was a box-office hit in Australia and the UK despite negative reviews.

Initially presented as a "girl next door", Minogue attempted to convey a more mature style in her music and public image. Her singles were well received, but after four albums her record sales were declining, and she left Stock, Aitken & Waterman in 1992 to establish herself as an independent performer. Her next single, "Confide in Me", reached number one in Australia and was a hit in several European countries in 1994, and a duet with Nick Cave, "Where the Wild Roses Grow", brought Minogue a greater degree of artistic credibility. Drawing inspiration from a range of musical styles and artists, Minogue took creative control over the songwriting for her next album, ''Impossible Princess'' (1997). It failed to attract strong reviews or sales in the UK, but was successful in Australia.

Minogue returned to prominence in 2000 with the single "Spinning Around" and the dance-oriented album ''Light Years'', and she performed during the closing ceremonies of the 2000 Sydney Olympics. Her music videos showed a more sexually provocative and flirtatious personality and several hit singles followed. "Can't Get You Out of My Head" reached number one in more than 40 countries, and the album ''Fever'' (2001) was a hit in many countries, including the United States, a market in which Minogue had previously received little recognition. Minogue embarked on a concert tour but cancelled it when she was diagnosed with breast cancer in May 2005. After surgery and chemotherapy treatment, she resumed her career in 2006 with ''Showgirl: The Homecoming Tour''. Her tenth studio album ''X'' was released in 2007 and was followed by the ''KylieX2008'' tour. In 2009, she embarked upon her ''For You, For Me Tour'', her first concert tour of the United States and Canada, and the following year released her eleventh studio album, ''Aphrodite''.

Minogue has achieved worldwide record sales of more than 68 million, and has received notable music awards, including multiple ARIA and Brit Awards and a Grammy Award. She has mounted several successful concert tours and received a Mo Award for "Australian Entertainer of the Year" for her live performances. She was awarded the Order of the British Empire "for services to music", and an Ordre des Arts et des Lettres in 2008. In 2011, I Should Be So Lucky was added to the National Film and Sound Archive of Australia's Sounds of Australia registry.

Life and career

1968–86: Early life and career beginnings

Kylie Ann Minogue was born 28 May 1968 in Melbourne, Australia, the eldest child of Ronald Charles Minogue, an accountant of Irish ancestry and Carol Ann (née Jones), a former dancer from Maesteg, Wales. Her sister, Dannii Minogue, is also a pop singer and is a judge on The X Factor, and her brother, Brendan, works as a news cameraman in Australia. The Minogue children were raised in Surrey Hills, Melbourne, and educated at Camberwell High School.

The Minogue sisters began their careers as children on Australian television. From the age of 11, Kylie appeared in small roles in soap operas such as ''The Sullivans'' and ''Skyways'', and in 1985 was cast in one of the lead roles in ''The Henderson Kids''. Interested in following a career in music, she made a demo tape for the producers of the weekly music programme ''Young Talent Time'', which featured Dannii as a regular performer. Kylie gave her first television singing performance on the show in 1985 but was not invited to join the cast. Dannii's success overshadowed Kylie's acting achievements, until Kylie was cast in the soap opera ''Neighbours'' in 1986, as Charlene Mitchell, a schoolgirl turned garage mechanic. ''Neighbours'' achieved popularity in the UK, and a story arc that created a romance between her character and the character played by Jason Donovan, culminated in a wedding episode in 1987 that attracted an audience of 20 million British viewers.

Her popularity in Australia was demonstrated when she became the first person to win four Logie Awards in one event, and the youngest recipient of the "Gold Logie" as the country's "Most Popular Television Performer", with the result determined by public vote.

1987–92: Stock, Aitken and Waterman and ''Kylie''

During a Fitzroy Football Club benefit concert with other ''Neighbours'' cast members, Minogue performed "I Got You Babe" as a duet with the actor John Waters, and "The Loco-Motion" as an encore, and was subsequently signed to a recording contract with Mushroom Records in 1987. Her first single, "The Loco-Motion", spent seven weeks at number one on the Australian music charts. It sold 200,000 copies, became the highest selling single of the 1980s, and Minogue received the ARIA Award for the year's highest selling single. Its success resulted in Minogue travelling to England with Mushroom Records executive Gary Ashley to work with Stock, Aitken & Waterman. They knew little of Minogue and had forgotten that she was arriving; as a result, they wrote "I Should Be So Lucky" while she waited outside the studio. The song reached number one in the UK, Australia, Germany, Finland, Switzerland, Israel and Hong Kong. Minogue won her second consecutive ARIA Award for the year's highest selling single, and received a "Special Achievement Award". Her debut album, ''Kylie'', a collection of dance-oriented pop tunes spent more than a year on the British album charts, including several weeks at number one. The album went gold in the United States, and the single, "The Loco-Motion", reached number three on the U.S. ''Billboard'' Hot 100 chart, and number one on the Canadian Singles Chart. "It's No Secret", released only in the U.S., peaked at number 37 in early 1989, and "Turn It Into Love" was released as a single in Japan, where it reached number one.

In July 1988, "Got To Be Certain" became Minogue's third consecutive number one single on the Australian music charts, and later in the year she left ''Neighbours'' to focus on her music career. Jason Donovan commented "When viewers watched her on screen they no longer saw Charlene the local mechanic, they saw Kylie the pop star." A duet with Donovan, titled "Especially for You", sold almost one million copies in the UK in early 1989, but critic Kevin Killian wrote that the duet was "majestically awful ...[it] makes the Diana Ross, Lionel Richie 'Endless Love' sound like Mahler." She was sometimes referred to as "the Singing Budgie" by her detractors over the coming years, however Chris True's comment about the album ''Kylie'' for Allmusic suggests that Minogue's appeal transcended the limitations of her music, by noting that "her cuteness makes these rather vapid tracks bearable".

Her follow-up album ''Enjoy Yourself'' (1989) was a success in the United Kingdom, Europe, New Zealand, Asia and Australia, and contained several successful singles, including the British number one "Hand on Your Heart", but it failed throughout North America, and Minogue was dropped by her American record label Geffen Records. She embarked on her first concert tour, the Enjoy Yourself Tour, in the United Kingdom, Europe, Asia and Australia, where Melbourne's ''Herald Sun'' wrote that it was "time to ditch the snobbery and face facts—the kid's a star." In December 1989, Minogue was one of the featured vocalists on the remake of "Do They Know It's Christmas", and her debut film, ''The Delinquents'', premiered in London. It was poorly received by critics, and the ''Daily Mirror'' reviewed Minogue's performance with the comment that she "has as much acting charisma as cold porridge", but it proved popular with audiences; in the UK it grossed more than £200,000, and in Australia it was the fourth-highest grossing local film of 1989 and the highest grossing local film of 1990.

''Rhythm of Love'' (1990) presented a more sophisticated and adult style of dance music and also marked the first signs of Minogue's rebellion against her production team and the "girl-next-door" image. Determined to be accepted by a more mature audience, Minogue took control of her music videos, starting with "Better the Devil You Know", and presented herself as a sexually aware adult. Her relationship with Michael Hutchence was also seen as part of Minogue's departure from her earlier persona; Hutchence was quoted as saying that his hobby was "corrupting Kylie", and that the INXS song "Suicide Blonde" had been inspired by her. The singles from ''Rhythm of Love'' sold well in Europe and Australia and were popular in British nightclubs. Pete Waterman later reflected that "Better the Devil You Know" was a milestone in her career and said that it made her "the hottest, hippest dance act on the scene and nobody could knock it as it was the best dance record around at the time". "Shocked" became Minogue's thirteenth consecutive British top-10 single.

In May 1990, Minogue performed her band's arrangement of The Beatles's "Help!" before a crowd of 25,000 at the ''John Lennon: The Tribute Concert'' on the banks of the River Mersey in Liverpool. Yoko Ono and Sean Lennon offered Minogue their thanks for her support of The John Lennon Fund, while the media commented positively on her performance. ''The Sun'' wrote "The soap star wows the Scousers — Kylie Minogue deserved her applause". Her fourth album, ''Let's Get to It'' (1991), reached number 15 on the British album charts and was the first of her albums to fail to reach the Top 10; her fourteenth single "Word Is Out" was the first to miss the Top 10 singles chart, though subsequent singles "If You Were with Me Now" and "Give Me Just a Little More Time" reached number four and number two respectively. Minogue had fulfilled the requirements of her contract and elected not to renew it. She later expressed her opinion that she was stifled by Stock, Aitken and Waterman, and said, "I was very much a puppet in the beginning. I was blinkered by my record company. I was unable to look left or right."

A ''Greatest Hits'' album was released in 1992. It reached number one in the UK and number three in Australia, and the singles "What Kind of Fool (Heard All That Before)" and her cover version of Kool & The Gang's "Celebration" each reached the UK Top 20.

1993–98: Deconstruction, ''Kylie Minogue'' and ''Impossible Princess''

Minogue's subsequent signing with Deconstruction Records was highly touted in the music media as the beginning of a new phase in her career, but the eponymous ''Kylie Minogue'' (1994) received mixed reviews. It sold well in Europe and Australia, where the single "Confide in Me" spent four weeks at number one. She performed a striptease in the video for her next single, "Put Yourself in My Place", inspired by Jane Fonda in the film ''Barbarella''. This single and her next, "Where Is the Feeling?" each reached the British top 20, and the album peaked at number four, eventually selling 250,000 copies. During this period she made a guest appearance as herself, in an episode of the comedy ''The Vicar of Dibley''. The director Steven E. de Souza was intrigued by Minogue's cover photo in Australia's ''Who Magazine'' as one of "The 30 Most Beautiful People in the World", and offered her a role opposite Jean-Claude Van Damme in ''Street Fighter'' (1994). The film was a moderate success, earning USD$70 million in the U.S., but received poor reviews with ''The Washington Post'''s Richard Harrington calling Minogue "the worst actress in the English-speaking world". She co-starred with Pauly Shore and Stephen Baldwin in ''Bio-Dome'' (1996), but it was a failure, dismissed by ''Movie Magazine International'' as the "biggest waste of celluloid space". Minogue returned to Australia where she appeared in the short film, ''Hayride to Hell'' (1995), and then to the UK where she filmed a cameo role as herself in the film ''Diana & Me'' (1997).

Australian artist Nick Cave had been interested in working with Minogue since hearing "Better the Devil You Know", saying it contained "one of pop music's most violent and distressing lyrics" and "when Kylie Minogue sings these words, there is an innocence to her that makes the horror of this chilling lyric all the more compelling". They collaborated on "Where the Wild Roses Grow" (1995), a brooding ballad whose lyrics narrated a murder from the points of view of both the murderer (Cave), and his victim (Minogue). The video was inspired by John Everett Millais's painting ''Ophelia'' (1851–1852), and showed Minogue as the murdered woman, floating in a pond as a serpent swam over her body. The single received widespread attention in Europe, where it reached the top 10 in several countries, and acclaim in Australia where it reached number two on the singles chart, and won ARIA Awards for "Song of the Year" and "Best Pop Release". Following concert appearances with Cave, Minogue recited the lyrics to "I Should Be So Lucky" as poetry in London's Royal Albert Hall "Poetry Jam", at the suggestion of Cave, and later described it as a "most cathartic moment". She credited Cave with giving her the confidence to express herself artistically, saying: "He taught me to never veer too far from who I am, but to go further, try different things, and never lose sight of myself at the core. For me, the hard part was unleashing the core of myself and being totally truthful in my music." By 1997, Minogue was in a relationship with the French photographer Stéphane Sednaoui, who encouraged her to develop her creativity. Inspired by a mutual appreciation of Japanese culture, they created a visual combination of "geisha and manga superheroine" for the photographs taken for the album ''Impossible Princess'' and the video for "German Bold Italic", Minogue's collaboration with Towa Tei. Minogue drew inspiration from the music of artists such as Shirley Manson and Garbage, Björk, Tricky and U2, and Japanese pop musicians such as Pizzicato Five and Towa Tei.

''Impossible Princess'' featured collaborations with musicians such as James Dean Bradfield and Sean Moore of the Manic Street Preachers. Mostly a dance album, its style was not represented by its first single "Some Kind of Bliss", and Minogue countered suggestions that she was trying to become an indie artist. She told ''Music Week'', "I have to keep telling people that this isn't an indie-guitar album. I'm not about to pick up a guitar and rock." Acknowledging that she had attempted to escape the perceptions of her that had developed during her early career, Minogue commented that she was ready to "forget the painful criticism" and "accept the past, embrace it, use it". Her video for "Did It Again" paid homage to her earlier incarnations, as noted in her biography, ''La La La'', "Dance Kylie, Cute Kylie, Sex Kylie and Indie Kylie all struggled for supremacy as they battled bitchily with each other." ''Billboard'' described the album as "stunning" and concluded that "it's a golden commercial opportunity for a major [record company] with vision and energy [to release it in the United States]. A sharp ear will detect a kinship between ''Impossible Princess'' and Madonna's hugely successful album, ''Ray of Light''". In the UK, ''Music Week'' gave a negative assessment, commenting that "Kylie's vocals take on a stroppy edge ... but not strong enough to do much". Retitled ''Kylie Minogue'' in the UK following the death of Diana, Princess of Wales, it became the lowest-selling album of her career. At the end of the year a campaign by ''Virgin Radio'' stated, "We've done something to improve Kylie's records: we've banned them." A poll conducted by ''Smash Hits'' voted her the "worst-dressed person, worst singer and second-most very horrible thing—after spiders".

In Australia, ''Impossible Princess'' spent 35 weeks on the album chart and peaked at number four, to become her most successful album since ''Kylie'' in 1988, and her Intimate and Live tour was extended due to demand. The Victorian Premier, Jeff Kennett, hosted a civic reception for Minogue in Melbourne, and she maintained her high profile in Australia with live performances, including the 1998 Sydney Gay and Lesbian Mardi Gras, the opening ceremonies of Melbourne's Crown Casino and Sydney's Fox Studios in 1999, where she performed Marilyn Monroe's "Diamonds Are a Girl's Best Friend", and a Christmas concert in Dili, East Timor in association with the United Nations Peace-Keeping Forces. During this time she filmed a small role for the Australian-made Molly Ringwald film, ''Cut'' (2000).

1999–2005: ''Light Years'', ''Fever'' and ''Body Language''

Minogue and Deconstruction Records parted company. She performed a duet with the Pet Shop Boys' on their ''Nightlife'' album and spent several months in Barbados performing in Shakespeare's ''The Tempest''. Returning to Australia, she appeared in the film ''Sample People'' and recorded a cover version of Russell Morris's "The Real Thing" for the soundtrack. She signed with Parlophone Records in April 1999. According to Miles Leonard, her new A&R; at Parlophone, it was the label and not Minogue that was responsible for her career downturn, believing that her talent hadn't been tapped into by Deconstruction. Leonard later told HitQuarters: "I believed that she was still very strong vocally, and still definitely a star ... and I knew that with the right project, the right songwriters, the right producers, the right team, she would still have a fanbase out there." Parlophone wanted to reestablish Minogue as the pop artist they felt she essentially was, but that had been lost. Leonard said: "But I didn't want to make a throwaway pop record, I wanted it to have an edge and some depth."

Her album ''Light Years'' (2000) was a collection of dance songs, influenced by disco music. Minogue said that her intention was to present dance-pop music in a "more exaggerated form" and to make it "fun". It generated strong reviews and was successful throughout Asia, Australia, New Zealand and Europe, selling over one million copies in the UK. The single "Spinning Around" became her first British number one in ten years, and its accompanying video featured Minogue in revealing gold hot pants, which came to be regarded as a "trademark". The single was described by a 2009 The Times article as heralding a new era in synthpop that was continuing. Her second single, "On a Night Like This" reached number one in Australia and number two in the UK. "Kids", a duet with Robbie Williams, was also included on Williams's album ''Sing When You're Winning'', and peaked at number two in the UK.

In 2000, Minogue performed ABBA's "Dancing Queen" and her single "On a Night like This" at the 2000 Sydney Olympics closing ceremony. She then embarked upon a concert tour, On A Night like This Tour, which played to sell-out crowds in Australia and the United Kingdom. Minogue was inspired by Madonna's 1993 world tour The Girlie Show which incorporated Burlesque and theatre, William Baker also cited the style of Broadway shows such as ''42nd Street'', films such as ''Anchors Aweigh'', ''South Pacific'', the Fred Astaire and Ginger Rogers musicals of the 1930s and the live performances of Bette Midler. Minogue was praised for her new material and her reinterpretations of some of her greatest successes, turning "I Should Be So Lucky" into a torch song and "Better the Devil You Know" into a 1940s big band number. She won a "Mo Award" for Australian live entertainment as "Performer of the Year". Following the tour she was asked by a ''Seattle Post-Intelligencer'' journalist what she thought was her greatest strength, and replied, "[That] I am an all-rounder. If I was to choose any one element of what I do, I don't know if I would excel at any one of them. But put all of them together, and I know what I'm doing."

She appeared as "The Green Fairy" in ''Moulin Rouge!'' (2001), shortly before the release of ''Fever'', an album containing disco elements combined with 1980s electropop and synthpop. ''Fever'' reached number one in Australia, the UK, and throughout Europe, eventually achieving worldwide sales in excess of eight million. Its lead single "Can't Get You Out of My Head" became the biggest success of her career, reaching number one in more than 40 countries. She won four ARIA Awards including a "Most Outstanding Achievement" award, and two Brit Awards, for "Best international female solo artist" and "Best international album". ''Rolling Stone'' states that "Can't Get You out of My Head" "was easily the best and most omnipresent dance track of the new century", and following extensive airplay by American radio, Capitol Records released it and the album ''Fever'' in the U.S. in 2002. ''Fever'' debuted on the ''Billboard'' 200 albums chart at number three, and "Can't Get You out of My Head" reached number seven on the Hot 100. The subsequent singles "In Your Eyes", "Love at First Sight" and "Come into My World" were successful throughout the world, and Minogue established a presence in the mainstream North American market, particularly in the club scene. Minogue followed the success of the album by touring the United States with the Jingle Ball festival, visiting Miami, Anaheim, New York City, Philadelphia and Houston. In 2003 she received a Grammy Award nomination for "Best Dance Recording" for "Love at First Sight", and the following year won the same award for "Come into My World".

Minogue's stylist and creative director William Baker explained that the music videos for the ''Fever'' album were inspired by science fiction films—specifically those by Stanley Kubrick—and accentuated the electropop elements of the music by using dancers in the style of Kraftwerk. Alan MacDonald, the designer of the 2002 KylieFever tour, brought those elements into the stage show which drew inspiration from Minogue's past incarnations. The show opened with Minogue as a space age vamp, which she described as "Queen of Metropolis with her drones", through to scenes inspired by Kubrick's ''A Clockwork Orange'', followed by the various personas of Minogue's career. Minogue said that she was finally able to express herself the way she wanted, and that she had always been "a showgirl at heart". During 2002 she worked on the animated film ''The Magic Roundabout'', released in 2005 in Europe and 2006 in the U.S.; she voiced one of the principal characters, Florence.

Minogue began a relationship with the French actor, Olivier Martinez, after meeting him at the 2002 Grammy Awards ceremony. Her next album, ''Body Language'' (2003), was released following an invitation-only concert, titled ''Money Can't Buy'', at the Hammersmith Apollo in London. The event marked the presentation of a new visual style, designed by Minogue and Baker, inspired in part by Brigitte Bardot, about whom Minogue commented: "I just tended to think of BB [Bardot] as, well, she's a sexpot, isn't she? She's one of the greatest pinups. But she was fairly radical in her own way at that time. And we chose to reference the period, which was ... a perfect blend of coquette and rock and roll." The album downplayed the disco style and Minogue said she was inspired by 1980s artists such as Scritti Politti, The Human League, Adam and the Ants and Prince, blending their styles with elements of hip hop. It received positive reviews with ''Billboard Magazine'' writing of "Minogue's knack for picking great songs and producers". Allmusic described it as "a near perfect pop record... ''Body Language'' is what happens when a dance-pop diva takes the high road and focuses on what's important instead of trying to shock herself into continued relevance". Sales of ''Body Language'' were lower than anticipated after the success of ''Fever'', though the first single, "Slow", was a number-one hit in the UK and Australia. After reaching number one on the US club chart, "Slow" received a Grammy Award nomination in the Best Dance Recording category.

''Body Language'' achieved first week sales of 43,000 in the U.S., and declined significantly in the second week. ''The Wall Street Journal'' described Minogue as "an international superstar who seems perpetually unable to conquer the U.S. market". Minogue commented that she had told her American record company that she was not willing to invest the time needed to establish herself in the U.S. and that she would rather enhance the success she had already achieved in other parts of the world, an attitude endorsed by ''Billboard'' analyst Geoff Mayfield as a "business decision... If I were her accountant, I couldn't blame her for making that call." Minogue later commented that she was not concerned by her limited success in the U.S. and was more frustrated by assumptions that she considered her career incomplete without it.

Minogue played a guest role in the season finale of the comedy series ''Kath & Kim'', in which she referenced her earlier role as Charlene in ''Neighbours'', during a wedding sequence. The episode achieved the Australian Broadcasting Corporation's highest ratings of the year.

She released her second official greatest hits album in November 2004, entitled ''Ultimate Kylie'', along with her music videos on a DVD compilation of the same title. The album introduced her singles "I Believe in You", co-written with Jake Shears and Babydaddy from the Scissor Sisters, and "Giving You Up". "I Believe in You" reached the U.S. Hot Dance Club Play top three, and Minogue was nominated for a Grammy Award for the fourth consecutive year when the song was nominated in the category of "Best Dance Recording".

Early in 2005, Kylie : The Exhibition opened in Melbourne. The free exhibition featured costumes and photographs spanning Minogue's career and went on to tour Australian capital cities receiving over 300,000 visitors, and was exhibited at the Victoria and Albert Museum in London in February 2007. Minogue commenced her Showgirl: The Greatest Hits Tour, and after performing in Europe, travelled to Melbourne, where she was diagnosed with breast cancer.

2006–09: Showgirl: The Homecoming Tour, ''X'', KylieX2008 and For You, for Me Tour

In November 2006, Minogue resumed her Showgirl: The Homecoming Tour with a performance in Sydney. She had told journalists before the concert that she would be highly emotional, and she cried before dedicating the song "Especially for You" to her father, a survivor of prostate cancer. Her dance routines had been reworked to accommodate her medical condition, and slower costume changes and longer breaks were introduced between sections of the show to conserve her strength. The media reported that Minogue performed energetically, with the ''Sydney Morning Herald'' describing the show as an "extravaganza" and "nothing less than a triumph". The following night, Minogue was joined by Bono, who was in Australia as part of U2's ''Vertigo'' tour, for the duet "Kids", but Minogue was forced to cancel a subsequent planned appearance at U2's show, because of exhaustion. Minogue's shows throughout Australia continued to draw positive reviews, and after spending Christmas with her family, she resumed the European leg of her tour with six sold-out shows in Wembley Arena, before taking her tour to Manchester for a further six shows.

In February 2007, Minogue and Olivier Martinez announced that they had ended their relationship, but remained on friendly terms. Minogue was reported to have been "saddened by false [media] accusations of [Martinez's] disloyalty". She defended Martinez, and acknowledged the support he had given during her treatment for breast cancer, commenting "He was always there, helping with the practical stuff and being protective. He was incredible. He didn't hesitate in cancelling work and putting projects on hold so he could be with me. He's the most honourable man I have ever met."

Minogue released ''X'', her tenth studio album and much-discussed "comeback" album, in November 2007. The electro-styled album included contributions from Guy Chambers, Cathy Dennis, Bloodshy & Avant and Calvin Harris. For the overarching visual look of ''X'', including the music video for first single "2 Hearts", Minogue and William Baker developed a combination of the style of Kabuki theatre and the aesthetics originating from London danceclubs including BoomBox. The album received some criticism for the triviality of its subject matter in light of Minogue's experiences with breast cancer; she responded by explaining the personal nature of some of the album's songs, and said "My conclusion is that if I'd done an album of personal songs it'd be seen as 'Impossible Princess 2' and be equally critiqued." ''Rolling Stone'''s reviewer described Minogue as "pop divadom's party planner in chief", and said of her breast cancer, "thankfully, the experience hasn't made her music discernibly deeper". Minogue later said, "In retrospect we could definitely have bettered it [the album], I'll say that straight up. Given the time we had, it is what it is. I had a lot of fun doing it." ''X'' and "2 Hearts" entered at number one on the Australian albums and singles charts respectively. In the UK, ''X'' initially attracted lukewarm sales, although its commercial performance eventually improved, and Minogue won a Brit Award for "International solo female". ''X'' was released in the U.S. in April 2008, and debuted outside the top 100 on the albums chart despite some promotion. Minogue called the U.S. market "notoriously difficult ... [Y]ou have so many denominations with radio. To know where I fit within that market is sometimes difficult." ''X'' was nominated for the 2009 Grammy Award for Best Electronic/Dance Album, Minogue's fifth Grammy Award nomination.

In December 2007, Minogue participated in the ''Nobel Peace Prize Concert'' in Oslo, Norway, and later performed in the final of the UK talent show ''The X Factor'' with the eventual winner, Leon Jackson, whose mentor was Dannii Minogue. From May 2008, Minogue promoted ''X'' with a European tour, KylieX2008, which is her most expensive tour to date with production costs of £10 million. Although she described the rehearsals as "grim" and the set list went through several overhauls, the tour was generally acclaimed and sold well.

Minogue was featured in ''White Diamond'', a documentary filmed during 2006 and 2007 as she resumed her Showgirl Homecoming Tour. She appeared in ''The Kylie Show'', which featured highly stylised set-piece song performances from Minogue as well as comedy sketches with Mathew Horne, Dannii Minogue, Jason Donovan and Simon Cowell. She co-starred in the 2007 ''Doctor Who'' Christmas special episode, "Voyage of the Damned", as Astrid Peth, a waitress on a spaceship ''Titanic''. The episode aired on 25 December 2007, with 13.31 million viewers, the show's highest viewing figures since 1979.

It was announced in late December 2007 that Minogue was to be among those honoured in Queen Elizabeth II's 2008 New Years Honours list, with an OBE for services to music. Minogue commented "I am almost as surprised as I am honoured. I feel deeply touched to be acknowledged by the UK, my adopted home, in this way." She received the OBE officially from The Prince of Wales in July 2008. In May, 2008 Minogue was awarded the French Ordre des Arts et des Lettres, France's highest cultural honour. Culture Minister Christine Albanel described Minogue as a "midas of the international music scene who turns everything she touches into gold", and saluted her for publicly discussing her breast cancer. In July, Minogue was named the UK's "Best Loved Celebrity" by a tabloid newspaper, who commented that she "won the hearts of the nation as she bravely battled breast cancer", and won the "Best International Female Solo Artist" award at the 2008 BRIT Awards.

In late September 2008, Minogue made her Middle East debut as the headline act at the opening of Atlantis, The Palm, an exclusive hotel resort in Dubai, and from November, she continued with her ''KylieX2008'' tour, taking the show to cities across South America, Asia and Australia. The tour visited 21 countries, and was considered a success, with ticket sales estimated at $70,000,000. She hosted the ''2009 BRIT Awards'' on 18 February 2009 with James Corden and Mathew Horne.

In September and October 2009, Minogue embarked on the For You, For Me Tour, her first North American concert tour, which included shows in the U.S. and Canada. She was also featured in the Bollywood film, ''Blue'', performing an A.R. Rahman song, and had confirmed that she was working on her eleventh studio album, commenting that it would be an album of dance and pop music. On 13 September 2009, Minogue performed "Super Trouper" and "When All Is Said and Done" with Benny Andersson at the ABBA tribute concert "Thank You for the Music... a Celebration of the Music of ABBA" at London's Hyde Park, her only live performance in the UK in 2009. On 14 December 2009, Minogue released a download-only concert album entitled ''Kylie: Live in New York''. The album was recorded at New York's Hammerstein Ballroom and contains 25 live version songs.

2010–present: ''Aphrodite''

Minogue's eleventh studio album, ''Aphrodite'', was released in Japan on 30 June 2010 and worldwide in July 2010. The lead single, "All the Lovers", premiered on radio in May 2010 and was made available for purchase in June 2010. The album debuted at number one in the UK charts, exactly twenty two years after her first UK number one hit. On 3 June 2010, she hosted the inaugural AmfAR "Inspiration Gala" at the New York Public Library honouring Jean Paul Gaultier for his lifelong contribution to men's fashion and the fight against AIDS. Minogue appeared on BBC1's ''Friday Night With Jonathan Ross'' on 25 June 2010, during which she confirmed she is a UK resident, and announced that she will tour in 2011.

In July 2010, Minogue filmed a cameo performance as a rock star in the American independent film ''Jack and Diane''. The movie stars Juno Temple, Riley Keough and Jena Malone. She also recorded a duet titled "Devotion" with British synthpop duo Hurts for their debut album ''Happiness'', released on 6 September 2010. The second single from ''Aphrodite'', titled "Get Outta My Way" was released on 27 September 2010. In October 2010, Minogue performed in front of the Sphinx and the Pyramids at Giza, Egypt to celebrate the anniversary of "Enigma" magazine, with profits going to the We Owe It To Egypt Foundation. A third single, "Better Than Today", was released on 6 December 2010.

Minogue's singles, "All the Lovers" and "Get Outta My Way", were popular in U.S. clubs, each reaching number one on the ''Billboard'' Hot Dance Club Songs chart. On March 5, 2011 "Better Than Today" was at number one on the chart, and her collaboration with Taio Cruz, "Higher", was at number three, making her the first artist in the chart's history to have two singles simultaneously in the top three. On 1 December 2010, Minogue and Parlophone records released the EP ''A Kylie Christmas'' on iTunes, which included a cover of the 1945 song "Let It Snow" as well as "Santa Baby" which was previously available as a b-side to her 2000 single "Please Stay". In August 2011, "Put Your Hands Up (If You Feel Love)", also reached number one on the Billboard dance chart, where Minogue has now achieved five consecutive number one spots on the chart for her last five releases - including her collaboration with Taio Cruz on the track, "Higher".

In 2011, Minogue embarked on the ''Aphrodite World Tour'', travelling to Europe, North America, Canada, Africa, Asia and Australia.

Image and celebrity status

Minogue's efforts to be taken seriously as a recording artist were initially hindered by the perception that she had not "paid her dues" and was no more than a manufactured pop star exploiting the image she had created during her stint on ''Neighbours''. Minogue acknowledged this viewpoint, saying, "if you're part of a record company, I think to a degree it's fair to say that you're a manufactured product. You're a product and you're selling a product. It doesn't mean that you're not talented and that you don't make creative and business decisions about what you will and won't do and where you want to go." In 1993, Baz Luhrmann introduced Minogue to the photographer Bert Stern, notable for his work with Marilyn Monroe. Stern photographed her in Los Angeles and, comparing her to Monroe, commented that Minogue had a similar mix of vulnerability and eroticism. During her career Minogue has chosen photographers who attempt to create a new "look" for her, and the resulting photographs have appeared in a variety of magazines, from the cutting edge ''The Face'' to the more traditionally sophisticated ''Vogue'' and ''Vanity Fair'', making the Minogue face and name known to a broad group of people. Stylist William Baker has suggested that this is part of the reason she has entered in the mainstream pop culture of Europe more successfully than many other pop singers who concentrate solely on selling records.

By 2000, when Minogue returned to prominence, she was considered to be have achieved a degree of musical credibility for having maintained her career longer than her critics had expected. That same year, ''Birmingham Post'' noted "[o]nce upon a time, long before anybody had even heard of Britney, Christina, Jessica or Mandy, Australian singer Kylie Minogue ruled the charts as princess of pop. Back in 1988 her first single, I Should Be So Lucky, spent five weeks at number one, making her the most successful female artist in the UK charts with 13 successive Top 10 entries." Her progression from the wholesome "girl next door" to a more sophisticated performer with a flirtatious and playful persona attracted new fans to her. Her "Spinning Around" video led to some media outlets referring to her as "SexKylie", and sex became a stronger element in her subsequent videos. William Baker described her status as a sex symbol as a "double edged sword" observing that "we always attempted to use her sex appeal as an enhancement of her music and to sell a record. But now it has become in danger of eclipsing what she actually is: a pop singer." After 20 years as a performer, Minogue was described as a fashion "trend-setter" and a "style icon who constantly reinvents herself". She has been acknowledged for mounting successful tours, and for worldwide record sales of more than 60 million.

Minogue is regarded as a gay icon, which she encourages with comments such as "I am not a traditional gay icon. There's been no tragedy in my life, only tragic outfits..." and "My gay audience has been with me from the beginning ... they kind of adopted me." Minogue has explained that she first became aware of her gay audience in 1988, when several drag queens performed to her music at a Sydney pub and she later saw a similar show in Melbourne. She said that she felt "very touched" to have such an "appreciative crowd" and this had encouraged her to perform at gay venues throughout the world, as well as headlining the 1994 Sydney Gay and Lesbian Mardi Gras. Minogue has been inspired by and compared to Madonna throughout her career. Her producer, Pete Waterman recalled Minogue during the early years of her success, with the observation, "She was setting her sights on becoming the new Prince or Madonna... What I found amazing was that she was outselling Madonna four to one, but still wanted to be her." Minogue received negative comments that her Rhythm of Love tour in 1991 was too similar visually to Madonna's Blond Ambition World Tour of the previous year for which the critics labelled her a Madonna wannabe. Kathy McCabe for ''The Telegraph'' notes that Minogue and Madonna follow similar styles in music and fashion, and concludes, "Where they truly diverge on the pop-culture scale is in shock value. Minogue's clips might draw a gasp from some but Madonna's ignite religious and political debate unlike any other artist on the planet... Simply, Madonna is the dark force; Kylie is the light force." ''Rolling Stone'' comments that, with the exception of the U.S., Minogue is regarded throughout the world as "an icon to rival Madonna", and says, "Like Madonna, Minogue was not a virtuosic singer but a canny trend spotter." Minogue has said of Madonna, "Her huge influence on the world, in pop and fashion, meant that I wasn't immune to the trends she created. I admire Madonna greatly but in the beginning she made it difficult for artists like me, she had done everything there was to be done...", and "Madonna's the Queen of Pop, I'm the princess. I'm quite happy with that."

In January 2007 Madame Tussauds in London unveiled its fourth waxwork of Minogue; only Queen Elizabeth II has had more models created. During the same week a bronze cast of her hands was added to Wembley Arena's "Square of Fame". On 23 November 2007, a bronze statue of Minogue was unveiled at Melbourne Docklands for permanent display.

In March 2010, Minogue was declared by researchers as the "most powerful celebrity in Britain". The study examined how marketers identify celebrity and brand partnerships. Mark Husak, head of Millward Brown's UK media practice, said: "Kylie is widely accepted as an adopted Brit. People know her, like her and she is surrounded by positive buzz".

Cancer

Minogue was diagnosed with breast cancer on 17 May 2005, leading to the postponement of the remainder of her Showgirl – The Greatest Hits Tour and her withdrawal from the Glastonbury Festival. Her hospitalisation and treatment in Melbourne resulted in a brief but intense period of media coverage, particularly in Australia, where Prime Minister John Howard issued a statement supporting Minogue. As media and fans began to congregate outside the Minogue residence in Melbourne, the Victorian Premier Steve Bracks warned the international media that any disruption of the Minogue family's rights under Australian privacy laws would not be tolerated. His comments became part of a wider criticism of the media's overall reaction, with particular criticism directed towards paparazzi. Minogue underwent surgery on 21 May 2005 at Cabrini Hospital in Malvern, and commenced chemotherapy treatment soon after.

On 8 July 2005, she made her first public appearance after her surgery, when she visited a children's cancer ward at Melbourne's Royal Children's Hospital. She returned to France where she completed her chemotherapy treatment at the Institut Gustave-Roussy in Villejuif, near Paris. In December 2005, Minogue released a digital-only single, "Over the Rainbow", a live recording from her Showgirl tour. Her children's book, ''The Showgirl Princess'', written during her period of convalescence, was published in October 2006, and her perfume, "Darling", was launched in November. This range was later augmented by eau de toilettes such as Pink Sparkle, Couture and Inverse. On her return to Australia for her concert tour, she discussed her illness, and said that her chemotherapy treatment had been like "experiencing a nuclear bomb". While appearing on ''The Ellen DeGeneres Show'' in 2008, Minogue said that her cancer had originally been misdiagnosed. She commented, "Because someone is in a white coat and using big medical instruments doesn't necessarily mean they're right", but she later spoke of her respect for the medical profession.

Minogue was acknowledged for the impact she had made by publicly discussing her cancer diagnosis and treatment; in May 2008, the French Cultural Minister Christine Albanel said, "Doctors now even go as far as saying there is a 'Kylie effect' that encourages young women to have regular checks."

Discography

''Kylie'' (1988)

''Enjoy Yourself'' (1989)

''Rhythm of Love'' (1990)

''Let's Get to It'' (1991)

''Kylie Minogue'' (1994)

''Impossible Princess'' (1997)

''Light Years'' (2000)

''Fever'' (2001)

''Body Language'' (2003)

''X'' (2007)

''Aphrodite'' (2010)

See also

List of awards and nominations received by Kylie Minogue

List of Kylie Minogue concert tours

Kylie Minogue filmography

Honorific nicknames in popular music

List of best-selling music artists

References

;Notes

;Bibliography

External links

 – owned and maintained by EMI and represents Kylie Minogue

Kylie Minogue Collection at the Performing Arts Collection

Category:1968 births Category:Living people Category:20th-century actors Category:21st-century actors Category:Actors from Melbourne Category:ARIA Award winners Category:Australian child actors Category:Australian dance musicians Category:Australian expatriates in the United Kingdom Category:Australian female singers Category:Australian film actors Category:Australian pop singers Category:Australian television actors Category:Australian people of Irish descent Category:Australian people of Welsh descent Category:Breast cancer survivors Category:BRIT Award winners Category:Capitol Records artists Category:Nu-disco musicians Category:Freestyle musicians Category:Gold Logie winners Category:Grammy Award winners Category:LGBT rights activists from Australia Category:Officers of the Order of the British Empire Category:Parlophone artists Category:Recipients of the Centenary Medal Category:Singers from Melbourne Category:The X Factor judges Category:The X Factor (UK) Category:Chevaliers of the Ordre des Arts et des Lettres

ang:Kylie Minogue ar:كايلي مينوغ an:Kylie Minogue bs:Kylie Minogue bg:Кайли Миноуг ca:Kylie Minogue cs:Kylie Minogue cy:Kylie Minogue da:Kylie Minogue de:Kylie Minogue et:Kylie Minogue el:Κάιλι Μινόγκ es:Kylie Minogue eo:Kylie Minogue eu:Kylie Minogue fa:کایلی مینوگ fo:Kylie Minogue fr:Kylie Minogue ga:Kylie Minogue gl:Kylie Minogue ko:카일리 미노그 hy:Քայլի Մինոուգ hi:काइली मिनोग hsb:Kylie Minogue hr:Kylie Minogue ilo:Kylie Minogue id:Kylie Minogue is:Kylie Minogue it:Kylie Minogue he:קיילי מינוג ka:კაილი მინოუგი sw:Kylie Minogue lv:Kailija Minoga lt:Kylie Minogue hu:Kylie Minogue mk:Кајли Миног ml:കൈലീ മിനോ mr:कायली मिनोग arz:كايلى مينوج ms:Kylie Ann Minogue nl:Kylie Minogue ja:カイリー・ミノーグ no:Kylie Minogue nn:Kylie Minogue pl:Kylie Minogue pt:Kylie Minogue ro:Kylie Minogue qu:Kylie Minogue ru:Миноуг, Кайли sq:Kylie Minogue scn:Kylie Minogue simple:Kylie Minogue sk:Kylie Minogue sl:Kylie Minogue sr:Kajli Minog sh:Kylie Minogue fi:Kylie Minogue sv:Kylie Minogue tl:Kylie Minogue ta:கைலி மினாக் te:కైలీ మినోగ్ th:ไคลี มิโนก tr:Kylie Minogue uk:Кайлі Міноуг vi:Kylie Minogue yi:קיילי מינא zh:凯莉·米洛

Vijay Benedict is an Indian former Bollywood playback singer who sang many songs for Bollywood films in the 1980s. He made his debut as a singer for the hit 1982 film ''Disco Dancer'' singing the popular title song "I Am a Disco Dancer" for actor Mithun Chakraborty. After this he was frequently used as the voice for songs of Mithun Chakraborty's films. He formed a successful collaboration with music director Bappi Lahiri and director Babbar Subhash subsequently singing songs for many of Babbar Subhash's films with Bappi Lahiri as music director. He also worked with other music directors like Laxmikant Pyarelal, Anand-Milind and Nadeem-Shravan and also sang for actors like Govinda, Jackie Shroff and Aamir Khan. In 1991 he quit playback singing for Bollywood films and is now a Gospel Singer.

Notable Bollywood Songs

''Disco Dancer'' (1982) - "I Am a Disco Dancer"

''Kasam Paida Karne Wale Ki'' (1984) - "Kasam Paida Karne Wale Ki"

''Aandhi-Toofan'' (1985) - "Banu Ko Mil Gaya Janu"

''Dance Dance'' (1987) - "Dance Dance", "Aa Gaya Aa Gaya Halwa Wala", "Everybody Dance with Papa"

''Pyaar Karke Dekho'' (1987) - "Its My Challenge"

''Commando'' (1988) - "O Mere Apne", " Maine Maine Tujhe"

''Love Love Love'' (1989) - "We Are in Love", "Jeene Hai Pyar Main Jeena", "Main Tujhse Pyaar Karta Hoon"

''Yaadon Ke Mausam'' (1990) - "Dil Dil Hindustan"

''Pyaar Ka Saaya'' (1991) - "Tu Chaahat Hai Tu Dhadkan Hai"

External Links

Official Site

Vijay Benedict at the Internet Movie Database

Interview with Vijay Benedict

Category:Indian film singers Category:Bollywood playback singers Category:Living people Category:Gospel singers Category:Indian Christians

Efraín David Fines Nevares (born October 5, 1981) age 29 known professionally as Tito "El Bambino" is recording artist from Puerto Rico. He rose to fame as Tito of the duo Héctor & Tito.

In 2010 his song, El Amor, written with Joan Ortiz Espada, was awarded Latin Song of the Year by the American Society of Composers, Authors and Publishers (ASCAP). He was awarded Songwriter of the Year at the 2011 ASCAP.

Musical career

1996–2004: Héctor & Tito

Tito and his partner released a number of hit songs in their native Puerto Rico, including "Amor de Colegio" (ft. Don Omar), "Felina", "Baila Morena" (ft. Glory), and "No Le Temas a Él", a song which not only raised their popularity, it helped raise popularity for the then up-and-coming Trébol Clan. After years of working together, they separated, but not before releasing a final album, ''Season Finale'', which featured some of their greatest hits. The duo broke up due to Tito's belief of disloyalty from Hector.

Héctor y Tito released their first album in 1998. Together they became reggaeton stars releasing several successful albums and making appearances in several compilations, becoming one of the most sought-out duos in the genre. Both became the first reggeaton artists to sell out a massive concert in Puerto Rico, opening the path to other artists such as Tego Calderón, Daddy Yankee and others. Bakalao stars

2004–2006: Solo career and Top of the Line

After much delay, his first solo album was released, ''Top of the Line''. The album was a hit, reaching #1 in Puerto Rico and knocking R.K.M & Ken-Y's album, ''Masterpiece'' to #2.

''Top of the Line'' featured 20 new songs, with collaboration from artists such as Daddy Yankee, Don Omar and Beenie Man. It featured quite a number of hits, such as "Caile", "Mía" (ft. Daddy Yankee), "Tu Cintura" (ft. Don Omar), "Flow Natural" (ft. Beenie Man and Deevani) "Secreto", "Máximo", "Tuve Que Morir" and "Me Da Miedo" among others.

''Top of the Line/El Internacional'' is a limited edition of Tito's first album ''Top of the Line''. It features 5 bonus new songs that were not included in the original version: "Siente El Boom (Remix)", "Enamorado", "Calentándote", "Bailarlo" and "Voy a Mí". The first single of the album is "Siente El Boom (Remix)" that is a big hit in Argentina. "Siente El Boom" is also on ''Chosen Few II: El Documental'' featuring Randy.

In ''Top of The Line: El Internacional'', the remix features Randy, along with his partner Jowell, & De La Ghetto. The second single recently released, "Enamorado", did not get a lot of airplay as "Siente El Boom" was still a hit on Puerto Rico's radio stations. "Siente El Boom" expanded throughout Latin America, peaking at #14 in the Billboard Hot Latin charts. Apparently "Enamorado" got cancelled and now the third single is "Bailarlo" that's starting to get airplay on the radio and a video has already been released.

2007–2008: It's My Time

''It's My Time'' is the second album by Tito "El Bambino" released October 2, 2007. The first single ''Solo dime que sí'' is already getting plenty of airplay on the radio. Artists featured on It's My Time are R.K.M & Ken-Y in "Fans", Pharrell in "Booty", Toby Love in "La Busco", Jadiel in "Sol, Playa y Arena" with Arcangel and Franco "El Gorila" on the remix and with many other hits like "En La Disco" Olga Tañón on the remix and "El Tra".

2009–2010: El Patron

''El Patron'' is Tito El Bambino's third solo CD. The hit, Vamos Pa'l Agua was released before the CD to let fans know what lay ahead, but was ultimately not included in the album. The CD includes his fellow reggaeton artists Zion y Lennox, and Plan B. Some chart toppers of this album include "El Amor" and "Under", which also have chart topping videos. "El Amor" was officially remixed four times with four different artists: Yolandita Monge, Jerry Rivera, Chiky Flow, and La India.

In February 2011 Tito El Bambino's label, On Fire Music, approached producer duo group GrüvStar to create the official dance remix of the song "Llueve El Amor" to support the record during mix show play at Latin Urban radio stations.

Tito is also trying his hand as a producer, with his label ON FIRE MUSIC.

2011-Present: El Patron:Invencible

His young brother now know in his last disc "Invencible" his artist name is Emanuel ''El Bambi''. for the other side Tito said that he will still be doing this type of music in 10 years from now

Personal life

Tito married Jessica Santiago in January 2005 after a seven year relationship and got a divorce in 2009. Tito has a daughter, Jeinaliz Fines, from a previous relationship.

Discography

''Top of the Line'' (2006)

''It's My Time'' (2007)

''El Patrón'' (2009)

''El Patrón: Invencible'' (2011)

References

External links

Official Website: English/Spanish

Official MySpace

Official Twitter

Official Youtube Channel

Official Facebook Profile

Official Facebook Page

Tito El Bambino, Artista Destacado - Billboard En Español

Tito El Bambino "Llueve El Amor GruvStar Remix"

Category:1981 births Category:Living people Category:Puerto Rican male singers Category:Puerto Rican reggaeton artists Category:Puerto Rican singers Category:Reggaeton musicians

de:Tito El Bambino es:Tito el Bambino fr:Tito El Bambino it:Tito El Bambino nl:Tito "El Bambino" pt:Tito El Bambino

Name	50 Cent
Background	solo_singer
Birth name	Curtis James Jackson III
Origin	South Jamaica, Queens, New York, United States
Birth date	July 06, 1975
Genre	Hip hop
Occupation	Rapper
Years active	1997–present
Label	Shady, Aftermath, Interscope
Former label	Jam Master Jay Records, Columbia Records
Associated acts	G-Unit, Dr. Dre, Eminem, Sha Money XL
Website	}}

Curtis James Jackson III (born July 6, 1975), better known by his stage name 50 Cent, is an American rapper, entrepreneur, investor, record producer, and actor.

He rose to fame with the release of his albums ''Get Rich or Die Tryin''' (2003) and ''The Massacre'' (2005). His album ''Get Rich or Die Tryin''' has been certified six times platinum by the RIAA.

Born in South Jamaica, Queens, Jackson began drug dealing at the age of twelve during the 1980s crack epidemic. After leaving drug dealing to pursue a rap career, he was shot at and struck by nine bullets during an incident in 2000.

After releasing his album ''Guess Who's Back?'' in 2002, Jackson was discovered by rapper Eminem and signed to Interscope Records. With the help of Eminem and Dr. Dre, who produced his first major commercial successes, Jackson became one of the world's highest selling rappers. In 2003, he founded the record label G-Unit Records, which signed several successful rappers such as Young Buck, Lloyd Banks, and Tony Yayo.

Jackson has engaged in feuds with other rappers including Ja Rule, Nas, Fat Joe, Jadakiss, Cam'ron, Puff Daddy, Rick Ross, and former G-Unit members The Game and Young Buck. He has also pursued an acting career, appearing in the semi-autobiographical film ''Get Rich or Die Tryin''' in 2005, the Iraq War film ''Home of the Brave'' in 2006, and ''Righteous Kill'' in 2008. 50 Cent was ranked as the sixth best artist of the 2000s by ''Billboard'' magazine. The magazine also ranked him as the fourth top male artist and as the third top rapper behind Eminem and Nelly. ''Billboard'' magazine also ranked him as the sixth best and most successful Hot 100 Artist of the 2000s and as the number one rap artist of the 2000s. ''Billboard'' ranked his album ''Get Rich or Die Tryin''' as the twelfth best album of the 2000s and his album ''The Massacre'' as the 37th best album of the 2000s. As of September 2011, 50 Cent is working on his yet-to-be-titled fifth studio album, which is set to be released in December 2011.

Early life

Curtis Jackson III grew up in the South Jamaica neighborhood of Queens, in New York City. He grew up without a father and was raised by his mother, Sabrina, who gave birth to him at the age of fifteen.

Sabrina, a cocaine dealer, raised Jackson until the age of twelve, when she was killed in 1988. Twenty-seven at the time, she became unconscious after someone drugged her drink. She was then left for dead after the gas in her apartment was turned on and the windows shut closed.

After her death, Jackson moved into his grandparents' house with his eight aunts and uncles. He recalls, "My grandmother told me, 'Your mother's not coming home. She's not gonna come back to pick you up. You're gonna stay with us now.' That's when I started adjusting to the streets a little bit".

Jackson began boxing around the age of eleven.

At fourteen, a neighbor opened a boxing gym for local kids.

"When I wasn't killing time in school, I was sparring in the gym or selling crack on the strip", he recalled. In the mid 1980s, he competed in the Junior Olympics as an amateur boxer. He recounts, "I was competitive in the ring and hip-hop is competitive too... I think rappers condition themselves like boxers, so they all kind of feel like they're the champ". At the age of twelve, Jackson began dealing narcotics when his grandparents thought he was at after-school programs. He also took guns and drug money to school. In the tenth grade, he was caught by metal detectors at Andrew Jackson High School. He later stated, "I was embarrassed that I got arrested like that... After I got arrested I stopped hiding it. I was telling my grandmother [openly], 'I sell drugs.'"

Following time spent in a correctional boot camp, Jackson adopted the nickname "50 Cent" as a metaphor for "change". The name was derived from Kelvin Martin, a 1980s Brooklyn robber known as "50 Cent". Jackson chose the name "because it says everything I want it to say. I'm the same kind of person 50 Cent was. I provide for myself by any means".

Music career

1996–2000: Early career

Jackson started rapping in a friend's basement where he used turntables to record over instrumentals. In 1996, a friend introduced him to Jam Master Jay of Run-DMC who was organizing his label Jam Master Jay Records.

Jay taught him how to count bars, write choruses, structure songs, and how to make a record. Jackson's first official appearance was on a song titled "React" with the group Onyx on their 1998 album ''Shut 'Em Down''. He credited Jam Master Jay as an influence who helped him improve his ability to write hooks. Jay produced Jackson's first album; however, it was never released.

In 1999, after leaving Jam Master Jay, the platinum-selling producers Trackmasters took notice of Jackson and signed him to Columbia Records. They sent him to a studio in Upstate New York where he produced thirty-six songs in two weeks. Eighteen were included on his unofficially released album, ''Power of the Dollar'' in 2000. He also started the now-defunct Hollow Point Entertainment with former G-Unit affiliate Bang 'Em Smurf.

Jackson's popularity started to increase after the successful but controversial underground single, "How to Rob", which he wrote in half an hour while in a car on the way to a studio. The track comically explains how he would rob famous artists. He explained the reasoning behind song's content as, "There's a hundred artists on that label, you gotta separate yourself from that group and make yourself relevant". Rappers Jay-Z, Kurupt, Sticky Fingaz, Big Pun, DMX, Wyclef Jean and the Wu-Tang Clan replied to the song and Nas, who received the track positively, invited Jackson to travel on a promotional tour for his ''Nastradamus'' album. The song was intended to be released with "Thug Love" featuring Destiny's Child, but two days before he was scheduled to film the "Thug Love" music video, Jackson was shot and confined to a hospital due to his injuries.

2000–01: Shooting

On May 24, 2000, Jackson was attacked by a gunman, alleged to be Darryl "Hommo" Baum, outside his grandmother's former home in South Jamaica, Queens. He went into a friend's car, but was asked to return to the house to get jewelry.

His son was in the house, while his grandmother was in the front yard. Upon returning to the back seat of the car and already seated, another car pulled up nearby. An assailant then walked up to Jackson's left side with a 9mm handgun and fired nine shots at close range. He was shot nine times: in the hand (around hit his right thumb, to where the bullet passed through and out his little finger), arm, hip, both legs, chest, and his face (his left cheek). The face wound resulted in a swollen tongue, the loss of a wisdom tooth, and a small slur in his voice. His friend also sustained a gunshot wound to the hand. They were driven to the hospital where Jackson spent thirteen days.

Baum, the alleged shooter, was killed three weeks later.

Baum was also Mike Tyson's close friend and bodyguard.

Jackson recalled the incident saying, "It happens so fast that you don't even get a chance to shoot back.... I was scared the whole time.... I was looking in the rear-view mirror like, 'Oh @#!*% , somebody shot me in the face! It burns, burns, burns.'" In his autobiography, ''From Pieces to Weight: Once upon a Time in Southside Queens'', he wrote, "After I got shot nine times at close range and didn't die, I started to think that I must have a purpose in life... How much more damage could that shell have done? Give me an inch in this direction or that one, and I'm gone". He used a walker for the first six weeks and fully recovered after five months. When he left the hospital, he stayed in the Poconos with his then-girlfriend and son. His workout regime helped him attain his muscular physique.

While in the hospital, Jackson signed a publishing deal with Columbia Records. However, he was dropped from the label and "blacklisted" in the recording industry because of his song "Ghetto Qu'ran".

Unable to find a studio to work with in the U.S, he traveled to Canada. Along with his business partner Sha Money XL, he recorded over thirty songs for mixtapes, with the purpose of building a reputation.

According to Shady Records A&R; Marc Labelle in an interview with HitQuarters, Jackson shrewdly used the mixtape circuit to his own advantage saying, "He took all the hottest beats from every artist and flipped them with better hooks. They then got into all the markets on the mixtapes and all the mixtape DJs were messing with them." Jackson's popularity rose and in 2002, he released material independently on the mixtape, ''Guess Who's Back?''. Beginning to attract interest, and now backed by G-Unit, Jackson continued to release music including ''50 Cent Is the Future''. The mixtape revisited material by Jay-Z and Raphael Saadiq.

2002–2009: Rise to fame

In 2002, Eminem listened to a copy of Jackson's ''Guess Who's Back?'' CD. He received the CD through Jackson's attorney, who was working with Eminem's manager Paul Rosenberg. Impressed with the album, Eminem invited Jackson to fly to Los Angeles, where he was introduced to Dr. Dre. After signing a $1 million record deal, Jackson released the mixtape, ''No Mercy, No Fear''. It featured one new track, "Wanksta", which was put on Eminem's ''8 Mile'' soundtrack. He was also signed to Chris Lighty's Violator Management and Sha Money XL's Money Management Group.

In February 2003, Jackson released his commercial debut album, ''Get Rich or Die Tryin'''. Allmusic described it as "probably the most hyped debut album by a rap artist in about a decade". ''Rolling Stone'' noted the album for its "dark synth grooves, buzzy keyboards and a persistently funky bounce" with Jackson complementing the production in "an unflappable, laid-back flow".

It debuted at number one on the ''Billboard'' 200, selling 872,000 copies in the first four days. The lead single, "In da Club", which ''The Source'' noted for its "blaring horns, funky organs, guitar riffs and sparse hand claps", broke a ''Billboard'' record as the most listened-to song in radio history within a week.

Interscope granted Jackson his own label, G-Unit Records in 2003. He signed Lloyd Banks, Tony Yayo, and Young Buck as the established members of G-Unit. The Game was later signed under a joint venture with Dr. Dre's Aftermath Entertainment.

In March 2005, Jackson's second commercial album, ''The Massacre'', sold 1.14 million copies in the first four days-the highest in an abbreviated sales cycle- and peaked at number one on the ''Billboard'' 200 for six weeks.

He became the first solo artist to have three singles on the ''Billboard'' top five in the same week with "Candy Shop", "Disco Inferno", and "How We Do". ''Rolling Stone'' noted that "50's secret weapon is his singing voice - the deceptively amateur-sounding tenor croon that he deploys on almost every chorus".

After The Game's departure, Jackson signed singer Olivia and rap veterans Mobb Deep to G-Unit Records. Spider Loc, M.O.P., 40 Glocc and Young Hot Rod later joined the label. Jackson expressed interest in working with rappers outside of G-Unit, such as Lil' Scrappy of BME, LL Cool J from Def Jam, Mase from Bad Boy, and Freeway of Roc-A-Fella, some of whom he recorded with. In September 2007, he released his third album ''Curtis'', which was inspired by his life before ''Get Rich or Die Tryin'''. It debuted at number two on the ''Billboard'' 200, selling 691,000 units in the first week, behind Kanye West's ''Graduation'', whom he had a sales competition with, as both albums were released on the same day.

He confirmed on TRL on September 10, 2008 that his fourth studio album, ''Before I Self Destruct'', will be "done and released in November".

On May 18, 2009, Jackson released a song entitled "Ok, You're Right". The song was produced by Dr. Dre and was included in ''Before I Self Destruct''.

In Fall 2009, 50 Cent appeared in the new season of VH1's Behind The Music.

On September 3, 2009 months upon the release of his "Before I Self Destruct" album 50 Cent posted a video for the Soundkillers' Phoenix produced track "Flight 187" which introduced his mixtape, the 50th LAW, and was also featured as a bonus track on his iTunes release of Before I Self Destruct. The song ignited speculation that there was tension between rapper 50 Cent and Jay Z for Jackson's comments in the song.

2010–present

In an interview with the British entertainment website ContactMusic, 50 Cent announced that he was working on a dance album named ''Black Magic''. 50 Cent said he was inspired by the European nightclubs. "First they played hip-hop which suddenly changed to uptempo songs, known as Eurodance". He went on The Invitation Tour in the summer of 2010, in support of ''Before I Self Destruct'' album, and the then shelved ''Black Magic'' album. He "recorded 20 songs to a whole different album concept" before he put those to the side and did something different.

50 Cent revealed that he wanted his new album to have the same "aggression" as his debut record, ''Get Rich or Die Tryin'''.

He later tweeted that the album was "80 percent done", and stated that fans can expect the album in the summer of 2011; however, the album has been delayed to 2012 at the earliest, due to tensions and disagreements at Interscope Records, Later 50 Cent said that he will release his album in November of 2011 and it has also been confirmed that "Black Magic" will not be the album's title. 50 Cent has already confirmed that Eminem will appear on the album, but he also confirmed that he has been working with new producers such as Boi-1da and Alex da Kid. Cardiak, who produced Lloyd Banks' “Start It Up”, also confirmed that he had produced a song for the upcoming album.

DJ Whoo Kid confirmed in an interview that 50 Cent was filming a new movie with Robert DeNiro in New Orleans.

50 Cent released the first song from his fifth studio album, titled "Outlaw", to the Internet on June 16, 2011.

The single was produced by Cardiak.

It was released to iTunes on July 19, 2011, although 50 Cent confirmed through his Twitter account that the song was not the album's first single.

50 Cent is set to release a book titled ''Playground''.

Unlike his previous literary efforts — which focus on his life story and the rules of power — this time he's aiming at a teen audience with a semi-autobiographical novel about bullying. According to a statement from the book's publisher, the first-person novel is slated for release in January 2012 and will tell the story of a 13-year-old schoolyard bully "who finds redemption as he faces what he's done."

50 Cent has promised to deliver his fifth studio album album over the past few years, but the LP may be delayed until 2012. In a series of tweets, 50 Cent explained that him and his label Interscope Records aren’t on the same page on how to roll out the album and that he’s delaying its release until they see eye to eye.

50 Cent later suggested that his album will be releasing in November 2011, along with his headphone line ''SMS by 50''.

50 Cent spoke to MTV in relation to the possibility of leaving Interscope Records. "I don't know," 50 told MTV News when asked if he would ink back with Interscope once his five-album deal was fulfilled. "It will all be clear in the negotiations following me turning this actual album in. And, of course, the performance and how they actually treat the work will determine whether you still want to stay in that position or not."

On June 20, 2011, 50 Cent announced that he will release an LP titled ''Before I Self Destruct II''. The announced sequel to his 2009 LP is suggested to be released after his fifth studio album.

On June 26, 2011, 50 Cent planned to shoot a music video for the lead single from his fifth studio album titled ''I'm On It''. However, the music video never surfaced.

50 Cent spoke to Shade45 in relation guest appearances for his fifth studio album. "I did four songs in Detroit with Eminem. I did two with Just Blaze, a Boi-1da joint, and I did something with Alex da Kid. We made two that are definite singles and the other two are the kinds of records that we been making, more aimed at my core audience, more aggressive, more of a different kind of energy to it."

In September 2011, 50 Cent released a song titled "Street King Energy Track #7" in attempt to promote his charitable energy drink ''Street King''.

On September 28, 2011, it was confirmed that 50 Cent is shooting a music video for his lead single from his fifth studio album titled "Girls Go Wild", which features Jeremih.

On October 26, 2011, 50 Cent announced that his fifth studio album will be released in December 2011.

Other ventures

Jackson has established himself in a variety of fields. In November 2003, he signed a five-year deal with Reebok to distribute a "G-Unit Sneakers" line as part of his G-Unit Clothing Company. He provided the voice-over as the protagonist in the video game ''50 Cent: Bulletproof'', which was released for PlayStation 2, Xbox, and the PlayStation Portable.

Its sequel, ''50 Cent: Blood on the Sand'', was released in early 2009. He worked with Glacéau to create a vitamin water drink called Formula 50. In 2007, Coca-Cola purchased Glacéau for US$4.1 billion. ''Forbes'' estimated Jackson, who owns a stake in the company, earned $100 million from the deal after taxes. He has teamed up with Right Guard to launch a body spray called Pure 50 RGX Body Spray and a condom line called Magic Stick Condoms, in which he planned to donate part of the proceeds to HIV awareness.

Jackson has signed a multi-year deal with Steiner Sports to sell his memorabilia.

In 2005, Jackson made a cameo appearance on ''The Simpsons'' episode "Pranksta Rap", in which he makes light of his legal troubles. The same year, he starred alongside Terrence Howard in the semi-autobiographical film ''Get Rich or Die Tryin'''. He starred in the 2006 film ''Home of the Brave'', as a soldier returning home from the Iraq War, traumatized after killing an Iraqi woman.

Jackson is working on a role as a fighter in an Angola State Prison in ''Spectacular Regret'' alongside Nicolas Cage, and starred opposite Al Pacino and Robert De Niro in 2008's ''Righteous Kill'', a movie regarding a police death.

He also started the film production companies G-Unit Films in 2007 and Cheetah Vision in 2008.

In August 2007, Jackson announced plans to launch a dietary supplement company in conjunction with his movie ''Spectacular Regret''.

In August 2005, shortly before appearing in ''Get Rich or Die Tryin''', Jackson published an autobiography entitled ''From Pieces to Weight: Once upon a Time in Southside Queens''. In it, Jackson explores the cultural and economic forces that led him to sell cocaine and crack, details his entrepreneurship as a drug-dealer and then as a rapper, and reflects on his own ethos and on society.

On January 4, 2007, Jackson launched his G-Unit Books imprint at the Time Warner Building. He also co-wrote ''The Ski Mask Way'', a novel about a small-time drug dealer who attempts to rob his employers, which is to be turned into a film. Jackson said he read Robert Greene's ''The 33 Strategies of War'' and worked with the author on a book titled ''The 50th Law'', an urban take on ''The 48 Laws of Power''. In May 2008, Jackson met billionaire Patrice Motsepe to forge a joint venture selling 50 Cent-branded platinum.

In 2008, Jackson started a reality television show on MTV titled ''50 Cent: The Money and the Power''; the winning contestant, Ryan Mayberry, won a $100,000 investment from Jackson.

On September 8, 2009, he published his book ''The 50th Law''.

In 2010, Jackson's film company Cheetah Vision landed $200 million in funding.

In July 2011, 50 Cent revealed his initiative to provide food for millions of people in Africa by 2016. 50 Cent teamed up with Pure Growth Partners to launch a charitable energy drink called ''Street King'' that will help aid in combating world hunger. For every purchase of Street King, a portion of the sales will go to providing a daily meal to an underprivileged child around the world. The partnership coincides with Fiddy’s mission statement of feeding a billion people in Africa over the next five years.

“50 Cent and I share a common vision: To address the world’s problems through smart and sustainable business models,” said Chris Clark, the founder and CEO of Pure Growth Partners. “With the rampant starvation in Africa and hunger afflicting children worldwide, we need socially responsible businesses that affect real change now more than ever.”

50 concurs, stating, “I’m inspired by Clarke’s vision and innovative approaches to tackling serious issues. It’s our mission with Street King to really change children’s lives around the world.”

Personal life

Jackson has a tattoo of "Marquise" with an axe on his right biceps. "The axe is 'cause I'm a warrior. I don't want him to be one, though," he explains. He also has "50", "Southside", and "Cold World" inscribed on his back because "I'm a product of that environment. It's on my back, though, so it's all behind me."

Family

On October 13, 1997, Jackson's then-girlfriend Shaniqua Tompkins gave birth to a son, Marquise Jackson.

The birth of his son changed Jackson's outlook on life: "When my son came into my life, my priorities changed, because I wanted to have the relationship with him, that I didn't have with my father." He credited his son for inspiring his career and being "motivation to go in a different direction".

Politics

In 2005, Jackson expressed support for President George Walker Bush after rapper Kanye West criticized him for the slow response in assisting the Hurricane Katrina victims.

If his felony convictions did not prevent him from voting, he claimed he would have voted for Bush.

He later stated that Bush "has less compassion than the average human. By all means, I don't aspire to be like George Bush."

Wealth

In 2007, Jackson was the second wealthiest performer in the rap industry, behind Jay-Z. He resides in Farmington, Connecticut, in the former mansion of ex-boxer Mike Tyson.

He put the mansion for sale at $18.5 million to move closer to his son who lives in Long Island with his ex-girlfriend. On October 12, 2007, the Mayor of Bridgeport, Connecticut declared it "50 Cent Curtis Jackson Day". He was honored with a key to the city and an official proclamation.

One of his homes in New York purchased for 2.4 million dollars in January 2007 and at the center of a lawsuit between Jackson and ex-girlfriend Shaniqua Tompkins caught fire on May 30, 2008 while he was out of town filming for a movie in Louisiana.

In December 2008 Jackson told the Canadian press that he had been affected by the recession, losing several million dollars in the stock market as an investor. He also went on to say that he had been unable to sell his Connecticut mansion and pushed ''Before I Self-Destruct'' back because of the recent economic downturn.

Legal issues

On June 29, 1994, Jackson was arrested for helping to sell four vials of cocaine to an undercover police officer. He was arrested again three weeks later when police searched his home and found heroin, ten ounces of crack cocaine, and a starter gun.

He was sentenced to three to nine years in prison, but managed to serve six months in a shock incarceration boot camp where he earned his GED. Jackson said that he did not use cocaine himself, he only sold it.

His ex-girlfriend Shaniqua Tompkins sued Jackson for $50 million, claiming that he said that he would take care of her for life; the suit, which includes 15 claims was later dismissed by a judge, calling it "an unfortunate tale of a love relationship gone sour."

50 Cent was sentenced to two years probation on July 22, 2005 from an incident in May 2004 when 50 Cent jumped into the audience after being hit with a water bottle. He was charged with three counts of assault and battery.

Lawsuits

On July 21, 2007, Jackson filed a $1 million lawsuit against advertising company Traffix Inc. of Pearl River, New York for using his image in a promotion which he claims threatens his safety.

He became aware of the internet ad after one of his staff members saw it on a MySpace page. According to court documents, the ad features a cartoon image of the rapper and the message: "shoot the rapper and you will win $5000 or five ring tones guaranteed".

Though the ad did not use his name, the image allegedly intended to resemble him, suggesting he endorsed the ad.

The lawsuit calls it a "vile, tasteless and despicable" use of 50 Cent's image that "quite literally calls for violence against him". The lawsuit seeks for unspecified punitive damages and a permanent injunction against the use of his image without permission.

In November 2009, 50 Cent won in a lawsuit against Taco Bell over the fast food chain using his name to promote the brand without his permission.

Feuds

How to Rob

50 Cent said that he intended the single to be a joke, and not meant to disrespect anybody. Nevertheless, a number of rappers mentioned on the song responded on record.

The comments made towards the Wu-Tang Clan were responded to on the Ghostface Killah album ''Supreme Clientele'' on a track called "Ghost Deini" and even more directly on a skit called "Clyde Smith" which included one of the Wu-Tang Clan members talking about how they intended to harm the rapper, which is identifiable as Raekwon when the track is sped up. A supposed diss song, "Who the @#!*% Is 50 Cent", which circulated the web in the beginning of 2001 was rumored to be by the Clan, but was proven to be recorded by Polite of American Cream Team (Raekwon's then-side project).

Jay-Z also reacted to the comments in the track called "It's Hot (Some Like It Hot)", off the album ''Vol. 3... Life and Times of S. Carter'':

"Go against Jigga yo' @#!*% is dense I'm about a dollar, what the @#!*% is 50 Cents?"

Sticky Fingaz responded to the diss with the track "Jackin' for Beats."

"The real 50 from Brooklyn god bless he got outed You just a fake clown who front and rout about it."

Big Pun responds to this track on his album ''Yeeeah Baby'', in the song "My Turn."

"And to the 50 Cent Rapper, very funny – get your nut off, 'cuz in real life, we all know I'd blow your @#!*% head off...If I'm gonna write a song, it'll be about how I had to beat your @#!*% ' @#!*% . And that'll be the name of the @#!*% : 'That's Why I Had To Beat Your @#!*% @#!*% ', featuring Tony Sunshine."

Kurupt responded on the diss track "Callin' Out Names."

"Now it's 50 mc's that ain't worth @#!*% Get ya @#!*% kicked 50 times, beat to 10 cent"

Wyclef Jean responded on the song "Low Income", from his 2000 album, ''The Ecleftic''.

"I stay so hungry that if 50 Cent came to rob me he'd be part of my charity."

Murder Inc.

Before signing with Interscope, Jackson engaged in a well-publicized dispute with rapper Ja Rule and his label The Inc. Records. Jackson claims that a friend robbed Ja Rule of his jewelry and that Ja Rule accused him of setting it up. However, Ja Rule claimed the conflict stemmed from a video shoot in Queens because Jackson did not like seeing him "getting so much love" from the neighborhood. In March 2000, while at The Hit Factory studio in New York, Jackson had an altercation with Murder Inc. associates. He was treated for three stitches after receiving a stab wound. Rapper Black Child claimed responsibility for the stabbing, saying he acted in self-defense because he thought someone reached for a gun.

An affidavit by an IRS agent suggested that Murder Inc. had ties to Kenneth "Supreme" McGriff, a New York drug lord who was suspected of being involved in the murder of Jam Master Jay and the shooting of Jackson. An excerpt of the affidavit read:

In an interview with MTV, Ja Rule acknowledged his defeat against 50 Cent and stated that his new album, The Mirror, will not be continuing any past feuds that he has engaged in. He said: There was a lot of things I wanted to say, and I didn't want there to be any bitter records on the album. Because I'm not bitter about anything that happened [in the past few years].

Fat Joe, Nas & Jadakiss

Before releasing ''The Massacre'', Jackson recorded a song "Piggy Bank", a response to Ja Rule's song "New York", which was leaked before the album's release. The song takes aim at rappers including Fat Joe, Nas, and Jadakiss. Fat Joe responded with a song, "My Fofo", accusing Jackson of taking steroids, hiding in his home, and being jealous of The Game. Jadakiss also responded with a song, "Checkmate", and said that Jackson was trying to "create a buzz for his new album". The "Piggy Bank" music video portrays animated caricatures of Jadakiss (as a Ninja turtle), Fat Joe (as King Hippo from ''Mike Tyson's Punch-Out''), Nas (as a kid chasing a "milkshake" truck in a Superman costume), and The Game (as Mr. Potato Head). He also disses all of them on the beef version of his single "Window Shopper" Kelis, Nas's wife, responded to the song on her single "Bossy". Nas later responded with "Don't Body Ya Self (MC Burial)." Nas later dissed 50 on the song "Street Ridaz" on Game's mixtape "Brake Lights".

Sean Combs

Jackson spoke negatively about Bad Boy Entertainment mogul Sean Combs and recorded a song, "Hip-Hop", revealing the reasons behind his negative feelings: primarily, a contract dispute over Mase. In the song, he implied that Diddy knew about The Notorious B.I.G.'s murder and threatened to expose him through former associates. The feud was resolved, with both rappers appearing on MTV's ''TRL'' and ''Sucker Free'', respectively, stating that there were no longer problems. The feud reignited in 2010 with 50 Cent dissing Diddy, saying his music "sucks".

Cam'ron

On February 1, 2007, Cam'ron and Jackson had a live argument on ''The Angie Martinez Show'' on Hot 97 radio. Jackson commented that Koch Entertainment was a "graveyard", meaning major record labels would not work with their artists. Cam'ron then ridiculed the record sales of G-Unit members Lloyd Banks and Mobb Deep by stating that Jim Jones outsold their albums despite being signed to an independent label and that his group, The Diplomats, had a distribution deal from several labels. Both rappers released "diss" songs with videos on YouTube. Jackson suggested in "Funeral Music" that Cam'ron is no longer able to lead The Diplomats and that Jim Jones should take his place. Cam'ron responded with "Curtis" and "Curtis Pt. II", in which he makes fun of Jackson's appearance, calling him "a gorilla, with rabbit teeth". Jackson responded by releasing "Hold On" with Young Buck.

Game

Although he was close with The Game, before The Game released his debut album ''The Documentary'', they soon became at odds. After its release, Jackson felt The Game was disloyal for saying he did not want to participate in G-Unit's feuds with other rappers and even wanting to work with artists they were feuding with. He also claimed that he wrote six songs on the album and was not receiving proper credit for his work, which The Game denied.

Jackson later dismissed The Game from G-Unit on Hot 97 radio. After the announcement, The Game, who was a guest earlier in the evening, attempted to enter the building with his entourage. After being denied entry, one of his associates was shot in the leg during a confrontation with a group of men leaving the building. When the situation escalated, both rappers held a press conference to announce their reconciliation. Fans had mixed feelings as to whether the rappers created a publicity stunt to boost the sales of the albums they had just released. Nevertheless, even after the situation deflated, G-Unit criticized The Game's street credibility. The group denounced The Game and announced that they will not be featured on his albums. During a Summer Jam performance, The Game launched a boycott of G-Unit called "G-Unot".

After the performance at Summer Jam, The Game responded with "300 Bars and Runnin'", an extended "diss" aimed at G-Unit as well as members of Roc-A-Fella Records on the mixtape ''You Know What It Is Vol. 3''. Jackson responded through his "Piggy Bank" music video, which features The Game as a Mr. Potato Head doll and also parodies other rivals. Since then both groups continued to attack each other. The Game released two more mixtapes, ''Ghost Unit'' and a mixtape/DVD called ''Stop Snitchin, Stop Lyin''.

Jackson posted a cover of The Game's head on the body of a male stripper for "Hate It or Love It (G-Unit Radio Part 21)" mixtape, as a response to The Game displaying pictures of G-Unit dressed as Village People. Although he was signed to Aftermath Entertainment, The Game left the label and signed with Geffen Records to terminate his contractual obligations with G-Unit (although others claim Jackson pressured Dr. Dre to kick him off). G-Unit member Spider Loc had also began to insult The Game on various songs. In addition, The Game released "240 Bars (Spider Joke)" and "100 Bars (The Funeral)" both attacking G-Unit, Spider Loc and others. Jackson's response was "Not Rich, Still Lyin'" where he mocks The Game. Lloyd Banks replied to the Game on a Rap City freestyle booth session. The Game quickly released a "diss" record called "SoundScan" where The Game pokes fun at Lloyd Banks' album ''Rotten Apple'' falling thirteen spots on the ''Billboard'' 200 chart and disappointing second week sales. Lloyd Banks replied on his mixtape ''Mo' Money In The Bank Pt. 5: Gang Green Season Continues'' with a song called "Showtime (The Game's Over)". Lloyd Banks states that Jackson wrote half of The Game's first album ''The Documentary'' and pokes fun at The Game's suicidal thoughts.

In October 2006, The Game extended a peace treaty to Jackson, which was not immediately replied to. However, a couple days later, on Power 106, he stated that the treaty was only offered for one day. On The Game's album, ''Doctor's Advocate'', he claims that the feud is over on a few of the songs.

In July 2009, The Game stated the beef was squashed with help from Michael Jackson and Diddy, and he apologized for his actions during the beef. Tony Yayo said that neither Jackson (50 Cent) or G-Unit would accept his apology. Since then, The Game continued his old "G-Unot" ways at live concerts. Jackson released "So Disrespectful" a diss song on ''Before I Self Destruct'' targeting Jay-Z, The Game and Young Buck. Game later responded with the song "Shake", poking fun of the music video for 50's single "Candy Shop", quote, "Me and 50 aint agreeing on @#!*% so I had to (Shake) Aint no telling what he putting in that protein (Shake) Seen the candy shop video look at this @#!*% (Shake) And thats the same @#!*% that made the @#!*% Young Buck (Shake)". He also takes shots at Lloyd Banks and Tony Yayo, in which he says, "I'm surprised that Lloyd Banks and Yayo didn't (Shake) Wasn't selling no records Jimmy Iovine said (Shake)". Game also dissed G-Unit several times on the song "400 Bars".

In September 2011, 50 Cent dissed Game on the song "Love, Hate, Love", in which Game responded to on his twitter, saying he was going to diss him back after his tour was finished, quote:

Rick Ross

In January 2009, Rick Ross started a feud with 50 Cent because he supposedly looked at him the wrong way at the BET Awards. However, Jackson told news sources that he did not even remember seeing Rick Ross there. In late January, a track entitled "Mafia Music" by Rick Ross, leaked onto the Internet. There were several lines that seem to diss Jackson. Days later, Jackson released "Officer Ricky (Go Head, Try Me)" in response to Rick Ross's disparaging remarks on his "Mafia Music" song. The next day Rick Ross appeared on Shade 45, and told Jackson to come up with something better in 24 hours.

Before going to Venezuela, Jackson uploaded a video entitled "Warning Shot", where he warns Rick Ross: ''"I'ma @#!*% your life up for fun"''. In addition, Jackson released the first of a series of "Officer Ricky" cartoons. Early February, Jackson once again made a video which he uploaded to YouTube where he interviews "Tia", the mother of one of Rick Ross's children. She verifies his being a correctional officer and claims his whole persona is fake and fraudulent. On Thursday, February 5, 2009, The Game, who Jackson has a long-standing "beef" with, called up Seattle's KUBE 93 Radio Station. When asked about the beef between Jackson and Rick Ross, The Game sided with Jackson and said that things are not looking good for Rick Ross. However, he offered to help Rick Ross get out of this situation, stating ''"Rick Ross, holla at your boy, man,"'' and ''"50 eating you'', boy."

On his album ''Deeper Than Rap'', Ross references Jackson in the song "In Cold Blood". A video for the song was released that portrayed Jackson's mock funeral. Upon release, Ross stated that he has ended Jackson's career.

In an interview, Jackson said: "Rick Ross is Albert From CB4. You ever seen the movie? He's Albert," he added. "It never gets worse than this. You get a guy that was a correctional officer come out and base his entire career on writing material from a drug dealer's perspective such as "Freeway" Ricky Ross."

Lil Wayne

After hearing word that Lil Wayne had prepared a song for him after 50 made some unkind remarks, 50 lashed out at Wayne first on August 17, 2007 with the song "Part Time Lover". Wayne never really responded to the song, although a 50 Cent diss track called "Louisianimal" did leak much later on November 17, 2008. Jackson responded to Lil Wayne in January 2009 in a song entitled "Play This On The Radio". As of August 14, 2009, the controversy between Jackson and Lil Wayne seems to have ended after Jackson appeared and performed at Lil Wayne's America's Most Wanted Musical Festival stop in Anaheim, California.

Young Buck

After numerous rumors of a "beef" within G-Unit, Jackson officially dismissed Young Buck from the group, in 2008. He later assured that he was still signed with the label. Numerous slander songs then arose on the internet from both camps, with Young Buck appearing in a music video of former rival The Game. Jackson then leaked a taped phone conversation between himself and Young Buck, which showed one of the true reasons for the falling out; Jackson was owed money by the Southern rapper. Young Buck later stated the conversation took place over a year before the leak. The two camps have since released a multitude of songs against each other, with the feud settling down by 2009, with Young Buck stating he's been working on his latest album, which is still to be released under the G-Unit label.

Discography

''Get Rich or Die Tryin''' (2003)

''The Massacre'' (2005)

''Curtis'' (2007)

''Before I Self Destruct'' (2009)

''Fifth studio album'' (TBA) ''Before I Self Destruct II (TBA)

Awards and nominations

Filmography

Year	Film	Role	Notes
2003	''50 Cent: The New Breed''	Himself	Documentary DVD
2005		Marcus	Film debut
2006		Jamal Aiken	Supporting Role
	''Righteous Kill''	Spider	Supporting Role
	Clarence	Supporting Role
''50 Cent: The Money and the Power''	Himself	TV series (one episode: "Choose Your Crew Wisely")
	''Streets of Blood''	Stan Johnson
	Himself	TV series (Season 6, Episode 3: "One Car, Two Car, Red Car, Blue Car")
	Thigo
''Caught in the Crossfire''	Tino	Executive producer
		Jimy
	Rich
	Lionel	Supporting Role
	Himself
		Black	Post-production
''Blood Out''	Hardwick
	Sonny
	''All Things Fall Apart''	Deon
	Malo
	-	Producer
	Shamus Cocobolo
		Pre-production

Voice work

Year	Film	Role	Notes
	''The Simpsons''	Himself	TV series (one episode: "Pranksta Rap")
''50 Cent: Bulletproof''	Himself	Video game, voice only
	''50 Cent: Blood on the Sand''	Himself	Video game, voice only
''Call of Duty: Modern Warfare 2''		Video game, voice only

References

External links

50 Cent at AOL Sessions

* Category:1975 births Category:Living people Category:Actors from New York City Category:African-American businesspeople Category:African American film actors Category:African-American film producers Category:African American rappers Category:African American record producers Category:Aftermath Entertainment artists Category:American investors Category:American music industry executives Category:American shooting survivors Category:American stock traders Category:American video game actors Category:Brit Award winners Category:Businesspeople from New York City Category:Grammy Award winners Category:G-Unit members Category:Hip hop singers Category:People convicted of drug offenses Category:People from Queens Category:Pseudonymous rappers Category:Rappers from New York City Category:Shady Records artists Category:Survivors of stabbing Category:Sony/ATV Music Publishing artists Category:World Music Awards winners

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