Coordinates	37°46′45.48″N122°25′9.12″N
name	Rodeo
union	PRCA
first	1872
mgender	Yes
category	Outdoor or indoor
paralympic	}}

Rodeo ( or ) is a competitive sport which arose out of the working practices of cattle herding in Spain, Mexico, and later the United States, Canada, South America and Australia. It was based on the skills required of the working vaqueros and later, cowboys, in what today is the western United States, western Canada, and northern Mexico. Today it is a sporting event that consists of events that involve horses and other livestock, designed to test the skill and speed of the human cowboy and cowgirl athletes who participate. Professional rodeos generally comprise the following events: Tie-down roping, Team Roping, Steer wrestling, Saddle bronc riding, Bareback Bronc-Riding, Bull riding and Barrel racing. The events are divided into two basic categories: the rough stock events and the timed events. Depending on sanctioning organization and region, other events such as breakaway roping, goat tying, or pole bending may also be a part of some rodeos.

Rodeo, particularly popular today within the Canadian province of Alberta and throughout the western United States, is the official state sport of Wyoming, South Dakota, and Texas. The iconic silhouette image of a "Bucking Horse and Rider" is a federal and state-registered trademark of the State of Wyoming. The Legislative Assembly of Alberta has considered making rodeo the official sport of that province; however, enabling legislation has yet to be passed.

In North America, professional rodeos are governed and sanctioned by the Professional Rodeo Cowboys Association (PRCA) and Women’s Professional Rodeo Association (WPRA), while other associations govern children's, high school, collegiate, and senior rodeos. Associations also exist for Native Americans and other minority groups. The traditional season for competitive rodeo runs from spring through fall, while the modern professional rodeo circuit runs longer, and concludes with the PRCA National Finals Rodeo (NFR) in Las Vegas, Nevada, now held in December.

Rodeo has provoked opposition from animal rights and animal welfare advocates, who argue that various competitions constitute animal cruelty. The American rodeo industry has made progress in improving the welfare of rodeo animals, with specific requirements for veterinary care and other regulations that protect rodeo animals. However rodeo is opposed by a number of animal welfare organizations in the United States and Canada. Some local and state governments in North America have banned or restricted rodeos, certain rodeo events, or types of equipment. Internationally, rodeo is banned in the United Kingdom and the Netherlands, with other European nations placing restrictions on certain practices.

Etymology

The American English word "rodeo" is taken directly from Spanish ''rodeo'' (). The most common English translation is "round up."

The Spanish word is derived from the verb ''rodear,'' meaning "to surround" or "go around," used to refer to "a pen for cattle at a fair or market," derived from the Latin ''rota'' or ''rotare,'' meaning to rotate or go around.

In Spanish America, the ''rodeo'' was the vaqueros' process of gathering up cattle for various purposes, such as moving them to new pastures, separating the cattle owned by different ranchers, or gathering in preparation for slaughter (''matanza''). The term was also used to refer to exhibitions of skills used in the working ''rodeo''. It was this latter usage which was adopted into the cowboy tradition of the United States and Canada.

The term ''rodeo'' was first used in English in approximately 1834 to refer to a cattle round-up. Today the word is used primarily to refer to a public exhibition of cowboy skills, usually in the form of a competitive event.

History of rodeo

Many rodeo events were based on the tasks required by cattle ranching. The working cowboy developed skills to fit the needs of the terrain and climate of the American west, and there were many regional variations. The skills required to manage cattle and horses date back to the Spanish traditions of the ''vaquero.''

Early rodeo-like affairs of the 1820s and 1830s were informal events in the western United States and northern Mexico with cowboys and ''vaqueros'' testing their work skills against one another. Following the American Civil War, rodeo competitions emerged, with the first held in Cheyenne, Wyoming in 1872. Prescott, Arizona claimed the distinction of holding the first professional rodeo, as it charged admission and awarded trophies in 1888. Between 1890 and 1910, rodeos became public entertainment, sometimes combined Wild West Shows featuring individuals such as Buffalo Bill Cody, Annie Oakley, and other charismatic stars. By 1910, several major rodeos were established in western North America, including the Calgary Stampede, the Pendleton Round-Up, and the Cheyenne Frontier Days.

Rodeo-type events also became popular for a time in the big cities of the Eastern United States, with large venues such as Madison Square Garden playing a part in popularizing them for new crowds. There was no standardization of events for a rodeo competition until 1929, when associations began forming.

In the 1970s, rodeo saw unprecedented growth. Contestants referred to as "the new breed" brought rodeo increasing media attention. These contestants were young, often from an urban background, and chose rodeo for its athletic rewards. By 1985, one third of PRCA members had a college education and one half of the competitors had never worked on a cattle ranch. Today, some professional rodeos are staged in large, air-conditioned arenas; offer large purses, and are often telecast. Many other professional rodeos are held outside, under the same conditions of heat, cold, dust or mud as were the original events.

Women

Historically, women have long participated in rodeo. "Prairie Rose" Henderson debuted at the Cheyenne rodeo in 1901, and, by 1920, women were competing in rough stock events, relay races and trick riding. But after Bonnie McCarrol died in the Pendleton Round-Up in 1929 and Marie Gibson died in a horse wreck in 1933, women's competitive participation was curbed. Rodeo women organized into various associations and staged their own rodeos. Today, women's barrel racing is included as a competitive event in professional rodeo, with breakaway roping and goat tying added at collegiate and lower levels. They compete equally with men in team roping, sometimes in mixed-sex teams. Women also compete in traditional roping and rough stock events at women-only rodeos.

Competitive events

Professional rodeos in the United States and Canada usually incorporate both timed events and "rough stock" events, most commonly calf roping, team roping, steer wrestling, saddle bronc and bareback bronc riding, bull riding, and barrel racing. Additional events may be included at the collegiate and high school level, including breakaway roping and goat tying. Some events are based on traditional ranch practices; others are modern developments and have no counterpart in ranch practice.

Rodeos may also offer western-themed entertainment at intermission, including music and novelty acts, such as trick riding.

Timed events

Roping

Roping competitions are based on the tasks of a working cowboy, who often had to capture calves and adult cattle for branding, medical treatment and other purposes. The cowboy must throw a type of rope with a loop, known as a lariat, ''riata'' or ''reata'', or lasso, over the head of a calf or onto the horns and around the hind legs of adult cattle, and secure the animal in a fashion dictated by its size and age. Calf Roping, also called Tie-down roping, is based on ranch work in which calves are roped for branding, medical treatment, or other purposes. It is the oldest of rodeo's timed events. The cowboy ropes a running calf around the neck with a lariat, and his horse stops and sets back on the rope while the cowboy dismounts, runs to the calf, throws it to the ground and ties three feet together. (If the calf falls when roped, the cowboy must lose time waiting for the calf to get back to its feet so that the cowboy can do the work. The job of the horse is to hold the calf steady on the rope. A well-trained calf-roping horse will slowly back up while the cowboy ties the calf, to help keep the lariat snug.

Breakaway roping - a form of calf roping where a very short lariat is used, tied lightly to the saddle horn with string and a flag. When the calf is roped about the neck, the horse stops, the flagged rope breaks free of the saddle, and the calf runs on without being thrown or tied. In most of the United States, this event is primarily for women of all ages and boys under 12. In some nations and states where traditional "tie-down" calf roping is not allowed, riders of both genders compete.

Team roping, also called "heading and heeling," is the only rodeo event where men and women riders compete together. Two people capture and restrain a full-grown steer. One horse and rider, the "header," lassos a running steer's horns, while the other horse and rider, the "heeler," lassos the steer's two hind legs. Once the animal is captured, the riders face each other and lightly pull the steer between them, so that it loses its balance and lies down. This technique originated from methods of capture and restraint for treatment used on a ranch.

Other timed events

Barrel racing - is a timed speed and agility event. In barrel racing, horse and rider gallop around a cloverleaf pattern of barrels, making agile turns without knocking the barrels over. In professional, collegiate and high school rodeo, barrel racing is an exclusively women's sport, though men and boys occasionally compete at local O-Mok-See competition.

Steer wrestling - Also known as "Bulldogging," is a rodeo event where the rider jumps off his horse onto a Corriente steer and 'wrestles' it to the ground by grabbing it by the horns. This is probably the single most physically dangerous event in rodeo for the cowboy, who runs a high risk of jumping off a running horse head first and missing the steer, or of having the thrown steer land on top of him, sometimes horns first.

Goat tying is usually an event for women or pre-teen girls and boys; a goat is staked out while a mounted rider runs to the goat, dismounts, grabs the goat, throws it to the ground and ties it in the same manner as a calf. The horse must not come into contact with the goat or its tether. This event was designed to teach smaller or younger riders the basics of calf roping without requiring the more complex skill of roping the animal. This event is not part of professional rodeo competition.

"Rough stock" competition

In spite of popular myth, most modern "broncs" are not in fact wild horses, but are more commonly spoiled riding horses or horses bred specifically as bucking stock. Rough stock events also use at least two well-trained riding horses ridden by "pick up men" (or women), tasked with assisting fallen riders and helping successful riders get safely off the bucking animal.

Bronc riding - there are two divisions in rodeo, bareback bronc riding, where the rider is only allowed to hang onto a bucking horse with a type of surcingle called a "rigging"; and saddle bronc riding, where the rider uses a specialized western saddle without a horn (for safety) and hangs onto a heavy lead rope, called a bronc rein, which is attached to a halter on the horse.

Bull riding - an event where the cowboys ride full-grown bulls instead of horses. Although skills and equipment similar to those needed for bareback bronc riding are required, the event differs considerably from horse riding competition due to the danger involved. Because bulls are unpredictable and may attack a fallen rider, rodeo clowns, now known as "bullfighters", work during bull-riding competition to distract the bulls and help prevent injury to competitors.

Less common events

Several other events may be scheduled on a rodeo program depending upon the rodeo's governing association. Steer roping - Not an official PRCA event, but quietly recognized in some areas, is rarely seen in the United States today because of the tremendous risk of injury to all involved, as well as animal cruelty concerns. A single roper ropes the steer around the horns, throws the rope around the steer's back hip, dallies, and rides in a ninety-degree angle to the roped steer (opposite side from the forementioned hip). This action brings the steer's head around toward the legs in such a manner as to redirect the steer's head towards its back legs. This causes the steer to "trip". Steers are too big to tie in the manner used for calves. Absent a "heeler," it is very difficult for one person to restrain a grown steer once down. However, the steer's "trip" causes it to be temporarily incapacitated allowing its legs to be tied in a manner akin to calf roping. The event has roots in ranch practices north of the Rio Grande, but is no longer seen at the majority of American rodeos. However, it is practiced at some rodeos in Mexico, and may also be referred to as "steer tripping." Steer daubing—Usually seen at lower levels of competition, an event to help young competitors learn skills later needed for steer wrestling. A rider carrying a long stick with a paint-filled dauber at the end attempts to run up alongside a steer and place a mark of paint inside a circle that has been drawn on the side of the animal.

Pole bending, is a speed and agility competition sometimes seen at local and high school rodeos. It is more commonly viewed as a gymkhana or O-Mok-See competition. In pole bending, the horse and rider run the length of a line of six upright poles, turn sharply and weave through the poles, turn again and weave back, then return to the start.

Other activities

Outside of competitive events, other activities are often associated with rodeos, particularly at local levels. A typical rodeo begins with a "Grand Entry", in which mounted riders, many carrying flags, including the American flag, state flags, banners representing sponsors, and others enter the arena at a gallop, circle once, come to the center of the arena and stop while the remaining participants enter. The grand entry is used to introduce some of the competitors, officials, and sponsors. It is capped by the presentation of the American flag, usually with a rendition of "The Star-Spangled Banner," and, depending on region, other ceremonies. If a rodeo queen is crowned, the contestants or winner and runners-up may also be presented.

Variety acts, which may include musicians, trick riders or other entertainment may occur halfway through the rodeo at intermission. Some rodeos may also include novelty events, such as steer riding for preteens or "mutton busting" for small children. In some places, various types of novelty races or events such as wild cow milking are offered for adults. Such contests often are unregulated, with a higher risk of injury to human participants and poor treatment of animals than in traditionally-sanctioned events, particularly if consumption of alcoholic beverages by participants is permitted.

Governing organizations in the United States

Formal organizations and detailed rules came late to rodeo. Until the mid-1930s, every rodeo was independent and selected its own events from among nearly one hundred different contests. Until World War I, there was little difference between rodeo and ''charreada''. Athletes from the US, Mexico and Canada competed freely in all three countries. Subsequently, ''charreada'' was formalized as an amateur team sport and the international competitions ceased. It remains popular in Mexico and Hispanic communities of the U.S. today.

Numerous organizations govern rodeo in the United States, each with slightly different rules and different events. The oldest and largest sanctioning body of professional rodeo is the Professional Rodeo Cowboys Association (PRCA) which governs about a third of all rodeos staged in the US annually. It was originally named the Cowboys Turtle Association, later became the Rodeo Cowboys Association, and finally the Professional Rodeo Cowboys Association in 1975. The PRCA crowns the World Champions at the National Finals Rodeo (NFR), in Las Vegas on the UNLV campus, featuring the top fifteen money-winners in seven events.

The Professional Bull Riders (PBR) is a more recent organization dedicated solely to bull riding. Rodeo gender bias was a problem for cowgirls and in response, women formed the Girls Rodeo Association in 1948 (now the Women's Professional Rodeo Association (WPRA)) and held their own rodeos. The Women's Professional Rodeo Association (WPRA) is open exclusively to women. Women’s barrel racing is governed by the WPRA, which holds finals for barrel racing along with the PRCA with the cowboys at the NFR. There are associations governing children's, teen, and college level rodeos as well as associations governing rodeo for gays, seniors, Native Americans and others.

There are also high-school rodeos, sponsored by the National High School Rodeo Association (NHSRA). Many colleges, particularly land grant colleges in the west, have rodeo teams. The National Intercollegiate Rodeo Association (NIRA) is responsible for the College National Finals Rodeo (CNFR) held each June in Casper, WY. Other rodeo governing bodies in the United States include American Junior Rodeo Association (AJRA) for contestants under twenty years of age; National Little Britches Rodeo Association (NLBRA), for youths ages eight to eighteen; Senior Pro Rodeo (SPR), for people forty years old or over; and the International Gay Rodeo Association. Each organization has its own regulations and its own method of determining champions. Athletes must participate only in rodeos sanctioned by their own governing body or one that has a mutual agreement with theirs. Rodeo committees must pay sanctioning fees to the appropriate governing bodies, and employ the needed stock contractors, judges, announcers, bull fighters, and barrel men from their approved lists. Other nations have similar sanctioning organizations.

Until recently, the most important was PRCA, which crowns the World Champions at the National Finals Rodeo (NFR), held since 1985 at Las Vegas, Nevada, featuring the top fifteen money-winners in seven events. The athletes who have won the most money, including NFR earnings, in each event are the World’s Champions. However, since 1992, Professional Bull Riders, Inc. (PBR) has drawn many top bull riders, and holds its own multi- million dollar finals in Las Vegas prior to the NFR. Women’s barrel racing is governed by the WPRA, and holds its finals along with the PRCA with the cowboys at the NFR.

Contemporary rodeo is a lucrative business. More than 7,500 cowboys compete for over thirty million dollars at 650 rodeos annually. Women’s barrel racing, sanctioned by the WRPA, has taken place at most of these rodeos. Over 2,000 barrel racers compete for nearly four million dollars annually. Professional cowgirls also compete in bronc and bull riding, team roping and calf roping under the auspices of the PWRA, a WPRA subsidiary. However, numbers are small, about 120 members, and these competitors go largely unnoticed, with only twenty rodeos and seventy individual contests available annually. The total purse at the PWRA National Finals is $50,000. Meanwhile, the PBR has 700 members from three continents and ten million dollars in prize money.

Canada

The first rodeo in Canada was held in 1902 in Raymond, Alberta when Raymond Knight funded and promoted a rodeo contest for bronc riders and steer ropers called the Raymond Stampede. Knight also coined the rodeo term "stampede" and built rodeo's first known shotgun style bucking chute. In 1903, Knight built Canada's first rodeo arena and grandstand and became the first rodeo producer and rodeo stock contractor.

In 1912, Guy Weadick and several investors put up $100,000 to create what today is the Calgary Stampede. The Stampede also incorporated mythical and historical elements, including Native Indians in full regalia, chuckwagon races, the Mounted Police, and marching bands. From its beginning, the event has been held the second week in July, and since 1938, attendees were urged to dress for the occasion in western hats to add to the event's flavour.

By 2003, it was estimated that 65 professional rodeos involving 700 members of the Canadian Professional Rodeo Association (CPRA) took place in Western Canada, along with professionals from the United States. Many Canadian contestants were part-timers who did not earn a significant living from rodeo.

Canadians made several significant contributions to the sport of rodeo. In 1916, at the Bascom Ranch in Welling, Alberta, John W. Bascom and his sons Raymond, Mel, and Earl designed and built rodeo's first side-delivery bucking chute for the ranch rodeos they were producing. In 1919, Earl and John made rodeo's first reverse-opening side-delivery bucking chute at the Bascom Ranch in Lethbridge, Alberta. This Bascom-style bucking chute is now rodeo's standard design. Earl Bascom also continued his innovative contributions to the sport of rodeo by designing and making rodeo's first hornless bronc saddle in 1922, rodeo's first one-hand bareback rigging in 1924, and the first high-cut rodeo chaps in 1928. Earl and his brother Weldon also produced rodeo's first night rodeo held outdoors under electric lights in 1935.

Minority participation in North America

Mexican Americans have had a long history with both rodeo and ''charreada''.

Native American and Hispanic cowboys compete in modern rodeos in small numbers. African Americans constitute a smaller minority of rodeo contestants, though many early rodeo champions, such as Nat Love, were African American. Bill Pickett and bronc rider Bill Stahl were both elected to the Cowboy Hall of Fame. During the 1940s and 1950s, African Americans created the Southwestern Colored Cowboys Association. Although the PRCA never formally excluded people of color, pre-1960s racism effectively kept many minority participants, particularly African Americans, out of white competitions. In the 1960s, bull rider Myrtis Dightman vied for national honors and qualified for the National Finals Rodeo. In the 1990s, the Black World Championship Rodeo was held in New York City and other locations across the United States.

In 1976, the first gay rodeo was held in Reno, Nevada as a charity fundraiser. Several regional gay rodeo organizations were formed in the following years, and, in 1985, the existing organizations formed the International Gay Rodeo Association as a national sanctioning body. The melding of homosexuality and straight cowboy culture in gay rodeo simultaneously embraces archetypal Cowboy Code traits and contemporary gay identity. Openly gay competitors stage their own rodeos because they are not welcomed in the straight circuit. "We can ride with the best of them," one person stated, "But they don't want us around."

Latin America

Mexico

The ''charreada'' is the national sport of Mexico. It is a display and contest of roping and riding with origins tracing to the cattle ranching life and culture of colonial Mexico. Over time, it became an event that included games, parades, foods, and contests involving humans, cattle, and horses. Following the Mexican Revolution of 1910, many rural Mexicans were displaced and took up residence in cities, where urban-based charros and others formed associations to establish and refine the charreada.

During the "Chicano Movement" of the 1970s, Mexican Americans revitalized their heritage by establishing the event in the United States. The event historically enjoys greater prestige in Mexico, however, and due to animal cruelty concerns, some ''charreada'' events have been banned in the US.

Unlike rodeos, most ''charreadas'' do not award money to the winners as ''charreada'' is considered an amateur sport, but trophies may be distributed. Until recently, the ''charreada'' was confined to men but a women's precision equestrian event called the ''escaramuza'' is now the tenth and final event in a ''charreada''. Unlike American rodeo, events are not timed, but judged and scored based on finesse and grace.

Brazil

Brazilian "rodeios" can be traced to the town of Barretos where the primary economic activities involved livestock and the transporting the livestock to other locations, where one of the ways the cowboys found to get some entertainment was riding the animals. In 1956 the first ever Festa do Peão de Boiadeiro was created and as the years went by this rodeo became the biggest in Brazil and in Latin America. Barretos is the most famous rodeo in Brazil; however, rodeos are very common in inner state towns in Brazil, especially in the state of São Paulo.

Argentina

In the twentieth century, rodeo's popularity increased in Argentina. Buenos Aires, Rosario, and other major cities hosted rodeos. In 1909, the Sociedad Sportiva Argentina (Argentina Sports Society) announced a rodeo competition in which the winners would eventually compete in the United States against rodeo performers from other countries.

Chile

Second to soccer, rodeo is the most popular sport in Chile, and became the national sport of Chile on January 10, 1962 by decree Nº269 of the National Council of Sports and the Comité Olímpico de Chile.

Chilean rodeo traces to the 16th century, beginning with the gathering together lost or stray cattle in the Plaza de Armas de Santiago for branding and selection. Rodeo began to see regulation in the 17th century and talented riders received honors and awards.

In Chilean rodeo, a team of two mounted men (called a ''collera'') attempt to pin a calf against large cushions lining the arena (medialuna). Points are earned for proper technique. Chilean Horses are employed to the exclusion of others and riders wear traditional ''huaso'' garb as a requirement. The sport has become so popular that in 2004, more spectators attended rodeo events than professional football matches. Chilean rodeo has experienced financial woes, lack of political support and poor promotion. Unlike other Chilean sports, rodeo does not receive any of the revenue from ''Chiledeportes'' because only sports that represent Chile overseas receive funds. The Chilean Rodeo Federation has criticized the lack of governmental funding and has pointed out that rodeo reaches a part of the population that does not have access to other Chilean sports.

Australia

Rodeos have long been a popular competitor and spectator sport in Australia, but were not run on an organized basis until the 1880s. The National Agricultural Society of Victoria ran one of the earliest recorded events in 1888, when a roughriding competition was held at their annual show. Travelling tent rodeo shows increased the popularity of roughriding throughout much of Australia. However, by 1930, the depression left only a few of these travelling shows on the road.

Bushmen's Carnivals, the Australian equivalents of American rodeos, originated in Northern New South Wales in the 1920s and were well established by the 1930s. Australian rodeo continued to grow following WWII, and by September 1978 riders from the USA, Canada, New Zealand and Australia competed in the World Rodeo Titles there for prize money totaling $60,000. In 1982, an Australian Bushmen's Carnival Association team competed in the North American Rodeo Commission's championships in Denver, Colorado, finishing sixth overall.

In August 1944 the Australian Bushmen's Carnival Association (ABCA) was formed by the Royal Agricultural Society of New South Wales, as a result of the increase in the number of bushmen's carnivals. The purpose of this formation was to standardize regulations and rules, but insufficient support was given and the association was terminated in 1947. The Australian Professional Rodeo Association (APRA) was also formed in 1944 and is the national governing body for professional rodeo competition. Also formed in 1944 was the Australian Rough-Riders Association (ARRA) in South Australia. On 28 March 1946 the Northern (N.S.W.) Bushmen's Carnival Association was founded at Maitland, New South Wales. These two associationsare now the Australian Bushmen’s Campdraft & Rodeo Association (ABCRA). The ABCRA is the largest rodeo and campdraft organization in Australia. In May 1992 the National Rodeo Council of Australia (NRCA) was formed to further the sport of rodeo and has represented ABCRA and several other associations.

Original events included buckjumping (saddle broncs), bullock riding, campdrafting, bulldogging, wild-cow milking, wild bullock races, wild horse races and releasing the surcingle. Other common sporting events such as flag and bending races (similar to pole bending) were held for the competitors’ horses.

Later the term "rodeo" became more commonly used, with American saddles used and the events took on American naming patterns. The ABCRA now affiliates the sports of campdrafting, roughriding (saddle bronc and bareback riding, steer and bull riding) and timed rodeo events: barrel races (ladies and junior), rope and tie, steer undecorating (ladies), steer wrestling, junior calf riding, team roping and breakaway roping (ladies).

There are strict standards for the selection, care and treatment of rodeo livestock, arenas, plus equipment requirements and specifications.

In 1992 the National Rodeo Queen Quest was founded by the National Rodeo Council of Australia to promote and encourage young women into the sport of Rodeo.

The carnivals and rodeos typically take place during the spring and summer, and are usually arranged to avoid date clashes, so that competitors may take part in as many events as possible. The prize money is obtained from donations and entry fees, with the main prize money being for the open campdraft event.

The biggest rodeos are in Queensland. Some large events are also held in New South Wales, where Sydney has the rodeo during the Royal Agricultural Society show and Walcha holds a four day campdrafting and rodeo competition annually. There also is a National Finals Rodeo.

Animal treatment controversies

Charges that rodeos are cruel to the animals involved are not new, and some practices justly warranted scrutiny. Protests were first raised regarding rodeo animal cruelty in the 1870s, and, beginning in the 1930s, some states enacted laws curtailing rodeo activities and other events involving animals. In the 1950s, the then Rodeo Cowboys Association (RCA, later the PRCA) worked with the American Humane Association (AHA) to establish regulations protecting the welfare of rodeo animals that were acceptable to both organizations. The PRCA realized that public education regarding rodeo and the welfare of animals was needed to keep the sport alive.

Over the years, conditions for animals in rodeo and many other sporting events improved. Today, the PRCA and other rodeo sanctioning organizations have stringent regulations to ensure rodeo animals' welfare. For example, these rules require, among other things, provisions for injured animals, a veterinarian's presence at all rodeos (a similar requirement exists for other equine events), padded flank straps, horn protection for steers, and spurs with dulled, free-spinning rowels. Rodeo competitors in general value and provide excellent care to the animals with which they work. Animals must also be protected with fleece-lined flank straps for bucking stock and horn wraps for roping steers.

Laws governing rodeo vary widely. In the American west, some states incorporate the regulations of the PRCA into their statutes as a standard by which to evaluate if animal cruelty has occurred. On the other hand, some events and practices are restricted or banned in other states, including California, Rhode Island, and Ohio.St. Petersburg, Florida is the only locality in the United States with a complete ban on rodeo. Canadian Humane Societies are careful in criticizing Canadian rodeo as the event as become so indigenous to Western Canada that criticism may jeopardize support for the organization's other humane goals. The Calgary Humane Society itself is wary of criticizing the famous Calgary Stampede. Internationally, Rodeo itself is banned in the United Kingdom and the Netherlands. with other European nations placing restrictions on certain practices.

However, a number of humane and animal rights organizations have policy statements that oppose many rodeo practices, and often the events themselves. Some also claim that regulations vary from vague to ineffective, and are frequently violated.

In response to these concerns, a number of cities and states, mostly in the eastern half of the United States, have passed ordinances and laws governing rodeo. Pittsburgh, for example, specifically prohibits electric prods or shocking devices, flank or bucking straps, wire tie-downs, and sharpened or fixed spurs or rowels. Pittsburgh also requires humane officers be provided access to any and all areas where animals may go—specifically pens, chutes, and injury pens. The state of Rhode Island has banned tie-down roping and certain other practices.Other locales have similar ordinances and laws.

Positions taken by animal welfare organizations

There are three basic areas of concern to various groups. The first set of concerns surround relatively common rodeo practices, such as the use of bucking straps, also known as flank straps, the use of metal or electric cattle prods, and tail-twisting. The second set of concerns surround non-traditional rodeo events that operate outside the rules of sanctioning organizations. These are usually amateur events such as mutton busting, calf dressing, wild cow milking, calf riding, chuck wagon races, and other events designed primarily for publicity, half-time entertainment or crowd participation. Finally, some groups consider some or all rodeo events themselves to be cruel.

Groups such as PETA, SHARK, and the Humane Society of the United States generally take a position of opposition to all rodeos and rodeo events. A more general position is taken by the ASPCA, only opposing rodeo events that "involve cruel, painful, stressful and potentially harmful treatment of livestock, not only in performance but also in handling, transport and prodding to perform." The group singles out children’s rodeo events such as goat tying, calf riding and sheep riding (“mutton busting”), "which do not promote humane care and respect for animals."

The American Humane Association (AHA) does not appear to oppose rodeos per se, though they have a general position on events and contests involving animals, stating that "when animals are involved in entertainment, they must be treated humanely at all times." The AHA also has strict requirements for the treatment of animals used for rodeo scenes in movies, starting with the rules of the PRCA and adding additional requirements consistent with the association's other policies.

Unique among animal protection groups, the ASPCA specifically notes that practice sessions are often the location of more severe abuses than competitions. However, many state animal cruelty laws provide specific exemptions for "training practices." The American Humane Association is the only organization addressing the legislative issue, advocating the strengthening of animal cruelty laws in general, with no exceptions for "training practices."

Myths and actual modern practice

Some accusations of cruelty are based on misunderstanding. For example, it is a myth that a bucking horse is a wild, terrified animal. The modern bronc is not a truly feral horse. A significant number of bucking horses are riding horses that learned to buck off their riders. Many bucking horses today are specifically bred for use in rodeos. A proven bucking horse can be sold for $8000 to $10,000, making "rough stock" a valuable investment worth caring for and keeping in good health for many years. Likewise, bucking bulls are also selectively bred. Most are allowed to grow up in a natural, semi-wild condition on the open range, but also have to be trained in order to be managed from the ground, safely loaded into trailers, vaccinated and wormed, and be loaded in and out of bucking chutes.

Young bucking horses are initially introduced to work with cloth dummies attached to the saddle. Others are already well-trained on the ground. Some champion bucking horses got their start as spoiled riding horses that learned to quickly and effectively unseat riders. Due to the rigors of travel and the short bursts of high intensity work required, most horses in a bucking string are at least 6 or 7 years old before they are used extensively, and are expected to be sound performers for many years. Awards are given to the owners of the best bucking horses, who are respected as equine athletes and perform for many years. Many are retired to pasture at the end of their careers. Many bucking horses understand their job well and reduce or stop their bucking, even while still wearing a flank strap, as soon as they either unseat the rider or hear the buzzer. Likewise, some bulls appear to understand that their "job" is to throw the rider; they learned not to buck when in the chute and buck far less once the rider is thrown.

Industry position

The PRCA oversees about a third of all rodeos held in the United States. The PRCA opposes animal rights, but supports animal welfare—the view that humans have the right to use animals but are responsible for their humane treatment and care. The PRCA takes the position that the organization does this and even goes beyond expectation. Not all rodeos are governed by the PRCA however, though organizations governing collegiate and high school rodeos base their rules on those of the PRCA. Nonetheless, certain amateur and "backyard" rodeos are unregulated, and do not follow PRCA rules.

The PRCA emphasizes that they first promulgated rules for proper and humane treatment of livestock in 1947, a full 7 years before the founding of the Humane Society of the United States. Participants are fined for animal abuse, and a study of 21 PRCA rodeos found only 15 animals injured in 26,584 performances, a 0.06 percent rate.

On the other hand, there are occasions of rule violations and animal mistreatment at sanctioned rodeos. However, the major national rodeos are also under the most intense scrutiny and are the most likely to rigorously follow the rules. Rodeos not subject to the rules of the PRCA or other organizations, and rodeos outside of the United States and Canada, where animal cruelty laws are weaker, are more likely to be the sites of abusive practices. However, animal rights groups are less likely to target these cases.

In mainstream culture

The largest state-of-the-art rodeos are professional, commercial athletic contests held in climate-controlled stadiums, with broadcasting by ESPN and other television networks.

Outside of the rodeo world itself, there is disagreement about exactly what rodeo "is." Professional competitors, for example, view rodeo as a sport and call themselves professional athletes while also using the title of cowboy. Fans view rodeo as a spectator sport with animals, having aspects of pageantry and theater unlike other professional sport. Non-westerners view the spectacle as a quaint but exciting remnant of the Wild West while animal activists view rodeo as a cruel Roman circus spectacle, or an Americanized bullfight.

Anthropologists studying the sport of rodeo and the culture surrounding it have commented that it is "a blend of both performance and contest", and that rodeo is far more expressive in blending both these aspects than attempting to stand alone on one or the other. Rodeo's performance level permits pageantry and ritual which serve to "revitalize the spirit of the Old West" while its contest level poses a man-animal opposition that articulates the transformation of nature and "dramatizes and perpetuates the conflict between the wild and the tame.""On its deepest level, rodeo is essentially a ritual addressing itself to the dilemma of man's place in nature."

Rodeo is a popular topic in country-western music, such as the 1991 Garth Brooks hit single "Rodeo", and has also been featured in numerous movies, television programs and in literature. ''Rodeo'' is a ballet score written by Aaron Copland in 1942, and choreographer Agnes de Mille's ballet, ''Rodeo'' was commissioned by the Ballet Russe de Monte Carlo in 1942 with the Copeland score. The late country singer Chris Ledoux competed in bareback riding and wrote many of his songs based on his experiences.

Rodeos worldwide

There are thousands of rodeos held worldwide each year.

Rodeo associations

Australian Professional Rodeo Association

All Indian Rodeo Cowboys Association

Canadian Cowboys Association

Canadian Professional Rodeo Association

Cowboy's Professional Rodeo Association

European Rodeo Cowboy Association

Federación Mexicana de Rodeo

International Professional Rodeo Association

International Gay Rodeo Association (IGRA)

National Finals Rodeo (NFR) information

National High School Rodeo Association (NHSRA)

National Intercollegiate Rodeo Association (NIRA)

National Senior Pro Rodeo Association (NSPRA)

New Zealand Rodeo Cowboys Association (NZRCA)

Professional Rodeo Cowboys Association (PRCA)

Professional Bull Riders (PBR)

United States Team Roping Championships

Women's Professional Rodeo Association

Working Ranch Cowboys Association (WPRA)

Related sports

Bullfighting

Campdrafting

Charreada

Chilean rodeo

Cutting (sport)

O-Mok-See ''or'' Gymkhana

Ranch sorting

Reining

Team penning

See also

Buckle bunny

Chilean rodeo

Cowboy

Cowboy church

Cowboy hat

Equestrianism

Indian rodeo

Ranch

Rodeo bareback rigging

Rodeo clown

Western riding

U.S. intercollegiate rodeo champions

Notes

References

Journal of American Veterinary Medical Association - "Welfare of animals are integral part of professional rodeos"

External links

National Cowboy and Western Heritage Museum - Oklahoma City, Oklahoma

Professional Bull Riders (PBR) - 'The Toughest Sport on Earth!'

Autry National Center - online rodeo photographs from the Gene Autry Collection

National Cowgirl Museum & Hall of Fame - Fort Worth, Texas

Professional Rodeo Cowboys Association - Colorado Springs, Colorado

Texas Rodeo Cowboy Hall of Fame - Walnut Springs, Texas

Texas Rodeo Hall of Fame - Pecos, Texas

* Category:Spanish loanwords

bg:Родео (спорт) ca:Rodeo cs:Rodeo cy:Rodeo de:Rodeo es:Rodeo estadounidense eo:Rodeo eu:Rodeo fa:رودیو fr:Rodéo bpy:রোডেইও it:Rodeo he:רודיאו nl:Rodeo (sport) ja:ロデオ no:Rodeo nn:Rodeo pl:Rodeo pt:Rodeio ro:Rodeio ru:Родео simple:Rodeo sk:Ródeo fi:Rodeo sv:Rodeo tr:Rodeo uk:Родео

Amber Marshall (born June 2, 1988) is a Canadian actress best known for playing Amy Fleming on the CBC series ''Heartland''.

Biography

Born and raised in London, Ontario Amber Marshall is a Canadian Actress. She has appeared in numerous film and television productions.

Marshall was nominated for a Los Angeles based Young Artist Award for Best Performance in a TV Movie, Miniseries or Special for Leading Young Actress for ''The Elizabeth Smart Story'', a movie-of-the-week based on the true story of the 2002 kidnapping of Utah teenager Elizabeth Smart.

She has had regular roles in television series, ''The Power Strikers'' and ''Dark Oracle'' and has guest appeared on different series, including ''Doc'' and ''Monk''.

A former veterinary assistant who is passionate about all animals, Marshall has been around horses as long as she can remember. She has been riding since a very young age and says that the two things she loves the most ' acting and horses ' have come together to create this dream role of Amy on the ''Heartland'' series.

In between wrapping Season One and the start of production of Season Two Amber returned to work at the veterinary clinic near her home. She also took raptor classes, where she learned to work with falcons and hawks.

Amber Marshall plays Amy Fleming on ''Heartland.'' The TV series is based on the 25-novel series written by Lauren Brooke. The series started in 2001 with Coming Home and is continuing with the latest book: "A Summer to Remember". The television series, filmed in High River, Alberta is about a 15-year-old girl named Amy Fleming living in the fictional town of Hudson, Alberta though the book series took place on a much smaller farm in Virginia. Her family owns a horse ranch called Heartland, where they have a long tradition of healing horses. The owners of Heartland attempt to help abused horses by using psychologically based therapies instead of rough handling or force. Throughout this series, the main character, Amy, finds healing along with the horses that she treats every day. Eventually, Amy is faced with tough decisions that puts Heartland's future and fate in her hands.

Filmography

! Year	! Title	! Role	Notes
2001	''Super Rupert''	Ally	TV series
2001		Renetta Moore	Episode: "Daddy's Girl"
2002			Episode: "Karate Kid"
2002		Second Girl	Episode: "Mr. Monk Meets Dale the Whale"
2002	''''	Lily Layton	TV movie
2003	''''	Elizabeth Smart	TV movie
2004	''Dark Oracle''	Rebecca	Episode: "It Happened at the Dance"
2005	''''	Tracey Battle	TV series
2007–present			Main Role

External links

Amber Marshall on the CBC website.

Category:1988 births Category:Canadian child actors Category:Canadian film actors Category:Canadian television actors Category:Living people Category:People from Toronto

de:Amber Marshall fr:Amber Marshall fi:Amber Marshall

Coordinates	37°46′45.48″N122°25′9.12″N
name	Yo-Yo Ma馬友友
background	non_vocal_instrumentalist
born	October 07, 1955Paris, France
instrument	Cello, Piano, Viola, Violin
genre	Classical
occupation	Cellist, composer, pedagogue
years active	''fl. ca.'' 1961–''present''
label	CBS, RCA, Sony Classical
associated acts	Silk Road Ensemble
website	yo-yoma.com
notable instruments	Violoncello''Davydov 1712'' StradivariusDomenico Montagnana 1733Luis and Clark }}

)}} Yo-Yo Ma (born October 7, 1955) is a French-born American cellist, virtuoso, orchestral composer of Chinese descent, and winner of multiple Grammy Awards, the National Medal of Arts in 2001 and the Presidential Medal of Freedom in 2011. He is one of the most famous cellists of the modern age.

Early life

Yo-Yo Ma was born in Paris on October 7, 1955, to Chinese parents and had a musical upbringing. His mother, Marina Lu, was a singer, and his father, Hiao-Tsiun Ma, was a violinist and professor of music. His family moved to New York when he was five years old.

At a very young age, Ma began studying violin, and later viola, before finding his true calling by taking up the cello in 1960 at age four. According to Ma, his first choice was the double bass due to its large size, but he compromised and took up cello instead. The child prodigy began performing before audiences at age five, and performed for Presidents John F. Kennedy and Dwight D. Eisenhower when he was seven. At age eight, he appeared on American television with his sister, Yeou-Cheng Ma, in a concert conducted by Leonard Bernstein. By fifteen years of age, Ma had graduated from Trinity School in New York and appeared as a soloist with the Harvard Radcliffe Orchestra in a performance of the Tchaikovsky ''Rococo Variations''.

Ma studied at the Juilliard School with Leonard Rose and briefly attended Columbia University before ultimately enrolling at Harvard University. Prior to entering Harvard, Ma played in the Marlboro Festival Orchestra under the direction of nonagenarian cellist and conductor Pablo Casals. Ma would ultimately spend four summers at the Marlboro Music Festival after meeting and falling in love with Mount Holyoke College sophomore and festival administrator Jill Hornor his first summer there in 1972.

However, even before that time, Ma had steadily gained fame and had performed with most of the world's major orchestras. His recordings and performances of Johann Sebastian Bach's Cello Suites recorded in 1983 and again in 1994–1997 are particularly acclaimed. He has also played a good deal of chamber music, often with the pianist Emanuel Ax, with whom he has a close friendship back from their days together at the Juilliard School of Music in New York.

Ma received his bachelor's degree from Harvard in 1976. In 1991, he received an honorary doctorate from Harvard.

Career

Ma currently plays with his own Silk Road Ensemble, which has the goal of bringing together musicians from diverse countries all of which are historically linked via the Silk Road, and records on the Sony Classical label. Ma's primary performance instrument is the cello nicknamed ''Petunia'', built by Domenico Montagnana in 1733. It was named this by a female student that approached him after one of his classes in Salt Lake City asking if he had a nickname for his cello. He said, "No, but if I play for you, will you name it?" She chose Petunia, and it stuck. This cello, more than 270 years old and valued at US$2.5 million, was lost in the fall of 1999 when Ma accidentally left the instrument in a taxicab in New York City. It was later recovered undamaged. Another of Ma's cellos, the ''Davidov Stradivarius'', was previously owned by Jacqueline du Pré who passed it to him upon her death, and owned by the Vuitton Foundation. Though Du Pré previously voiced her frustration with the "unpredictability" of this cello, Ma attributed the comment to du Pré's impassioned style of playing, adding that the Stradivarius cello must be "coaxed" by the player. It was until recently set up in a Baroque manner, since Ma exclusively played Baroque music on it. He also owns a cello made of carbon fiber by the Luis and Clark company of Boston.

In 1997 he was featured on John Williams' soundtrack to the Hollywood film, ''Seven Years in Tibet''. In 2000, he was heard on the soundtrack of ''Crouching Tiger, Hidden Dragon'', and in 2003 on that of ''Master and Commander: The Far Side of the World''. He collaborated with Williams again on the original score for the 2005 film ''Memoirs of a Geisha''. Yo-Yo Ma has also worked with world-renowned Italian composer Ennio Morricone and has recorded Morricone's compositions of the Dollars Trilogy including ''The Good, the Bad and the Ugly''. He also has over 75 albums, 15 of which are Grammy Award winners. Ma is a recipient of the International Center in New York's Award of Excellence.

Ma was named Peace Ambassador by UN then Secretary-General Kofi Annan in January 2006.

On November 3, 2009, President Obama appointed Ma to serve on the President's Committee on the Arts and Humanities. His music was featured in the 2010 documentary ''Jews and Baseball: An American Love Story'', narrated by Academy Award winner Dustin Hoffman.

Playing style

thumb|right|Ma with Condoleezza Rice after performing a duet at the presentation of the 2001 National Medal of Arts and National Humanities Medal Awards.Ma has been referred to as "omnivorous" by critics, and possesses a more eclectic repertoire than is typical for classical musicians. A sampling of his versatility in addition to numerous recordings of the standard classical repertoire would include his recordings of Baroque pieces using period instruments; American bluegrass music; traditional Chinese melodies including the soundtrack to the film ''Crouching Tiger Hidden Dragon''; the tangos of Argentinian composer Ástor Piazzolla; an eclectic and unusual collaboration with Bobby McFerrin (where Ma admitted to being terrified of the improvisation McFerrin pushed him toward); as well as the music of modern minimalist Philip Glass in such works as the 2002 piece ''Naqoyqatsi''. He is known for his smooth, rich tone as well as his considerable virtuosity, including a cello recording of Niccolò Paganini's 24th Caprice for solo violin, Zoltán Kodály's cello sonata, and other demanding works.

Notable live performances

Ma performed a duet with Condoleezza Rice at the presentation of the 2001 National Medal of Arts and National Humanities Medal Awards. Ma was the first performer on September 11, 2002, at the site of the World Trade Center, while the first of the names of the dead were read in remembrance on the first anniversary of the attack on the WTC. He played the Sarabande from Bach's ''Suite in C minor (#5)''. He performed a special arrangement of Sting's "Fragile" with Sting and the Mormon Tabernacle Choir during the opening ceremonies of the 2002 Winter Olympics in Salt Lake City, Utah.

He performed John Williams' "Air and Simple Gifts" at the inauguration ceremony for Barack Obama on January 20, 2009, along with Itzhak Perlman (violin), Gabriela Montero (piano) and Anthony McGill (clarinet). While the quartet did play live, the music played simultaneously over speakers and on television was a recording made two days prior due to concerns over the cold weather damaging the instruments. Ma was quoted as saying "A broken string was not an option. It was wicked cold."

On August 29, 2009, Ma performed at the funeral mass for Senator Edward M. Kennedy. Pieces he performed included the Sarabande movement from Bach's ''Cello Suite No. 6'', and Franck's ''Panis Angelicus'' with Placido Domingo.

On October 3, 2009, Ma appeared alongside Canadian Prime Minister Stephen Harper at the National Arts Centre gala in Ottawa. Harper, a noted Beatles fan, played the piano and sang a rendition of "With A Little Help From My Friends" while Ma accompanied him on his cello.

Media appearances

Ma has appeared in an episode of the animated children's television series, ''Arthur'', as well as on ''The West Wing'' (episode "Noël", in which he performed the prelude to the Bach Cello Suite No.1 at a Christmas dinner at the White House), ''Sesame Street'' and ''Mister Rogers' Neighborhood''. In ''The Simpsons'' episode "Missionary: Impossible", Ma, (voiced by Hank Azaria) runs after Homer Simpson along with many other frequent guests of PBS.

He also starred in the visual accompaniment to his recordings of Bach's ''Six Suites for Unaccompanied Cello''.

Ma has also been seen with Apple Inc. and former Pixar CEO Steve Jobs. Ma is often invited to press events for Jobs's companies, and has performed on stage during event keynote presentations, as well as appearing in a commercial for the Macintosh computer.

Ma was a guest on the Not My Job segment of ''Wait Wait... Don't Tell Me!'' on April 7, 2007, where he won for listener Thad Moore.

On October 27, 2008, Ma appeared as a guest and performer on ''The Colbert Report''.

According to research done by Professor Henry Louis Gates, Jr., of Harvard University, in 2010 for the PBS series ''Faces of America'', in which Ma made an appearance, a relative had hidden the Ma family genealogy in his home in China to save it from destruction during the Cultural Revolution. Ma's paternal ancestry can be traced back eighteen generations to the year 1217. This genealogy had been compiled in the 18th century by an ancestor, tracing everyone with the surname Ma, through the paternal line, back to one common ancestor in the 3rd century BC. Ma's generation name, "Yo", had been decided by his fourth great grand-uncle, Ma Ji Cang, in 1755.

Personal life

Ma married his long-time girlfriend Jill Hornor, a German language professor, in 1977. He proposed outside her apartment. They have two children, Nicholas and Emily, and reside in Cambridge, Massachusetts. Ma's elder sister, Yeou-Cheng Ma, who was also born in Paris, is a violinist married to Michael Dadap, a New York–based guitarist from the Philippines.

Discography

Awards and recognitions

Avery Fisher Prize

1978

Presidential Medal of Freedom

2011

Award of Distinction (International Cello Festival)

2007

Dan David Prize

2006

Doctor of Musical Arts (D.M.A.) (''honoris causa'')

2005 Princeton University

Grammy Award for Best Chamber Music Performance:

1996 ''Brahms/Beethoven/Mozart: Clarinet Trios'' (Sony 57499)

1993 ''Brahms: Sonatas for Cello & Piano'' (Sony 48191)

1992 ''Brahms: Piano Quartets Op. 25, Op. 26'' (Sony 45846)

1987 ''Beethoven: Cello and Piano Sonata No. 4 in C & Variations'' (CBS 42121)

1986 ''Brahms: Cello and Piano Sonatas in E Minor Op. 38, and F Op. 99'' (RCA 17022)

Grammy Award for Best Instrumental Soloist(s) Performance:

1998 ''Yo-Yo Ma Premieres – Danielpour, Kirchner, Rouse'' (Sony Classical 66299)

1995 ''The New York Album – Works of Albert, Bartók & Bloch'' (Sony 57961)

1993 ''Prokofiev: Sinfonia Concertante/Tchaikovsky: Variations on a Rococo Theme'' (Sony 48382)

1990 ''Barber: Cello Concerto, Op. 22/Britten: Symphony for Cello and Orchestra, Op. 68'' (CBS 44900)

Grammy Award for Best Instrumental Soloist Performance:

1985 ''Bach: The Unaccompanied Cello Suites'' (CBS 37867)

Grammy Award for Best Classical Contemporary Composition:

1995 ''The New York Album'', ''Stephen Albert: Cello Concerto'' (Sony 57961)

Grammy Award for Best Classical Album:

1998 ''Yo-Yo Ma Premieres – Danielpour, Kirchner, Rouse'' (Sony Classical 66299)

Grammy Award for Best Classical Crossover Album:

2010 ''Songs of Joy & Peace'' (Sony Classical B001BN1V8U)

2004 ''Obrigado Brazil'' (Sony 89935)

2001 ''Appalachian Journey'' (Sony 66782)

1999 ''Soul of the Tango – The Music of Ástor Piazzolla'' (Sony Classical 63122)

Glenn Gould Prize

1999

Latin Grammy for Best Instrumental Album

2004 ''Obrigado Brazil'' (Sony 89935)

National Medal of Arts 2001 Presidential Medal of Freedom

·Nominated: November 17, 2010

·Awarded: February 15, 2011

Cultural references

In the movie ''School of Rock'', Jack Black’s character tells the other teachers that he competed in a cello audition--and lost—to Yo-Yo Ma's cousin, who he describes as “Little Nepotiz”, a reference to the audition being on the same orchestral instrument as Yo-Yo Ma plays, and implying that Yo-yo Ma’s cousin won the audition simply by virtue of being related to Yo-Yo Ma. In the sitcom ''Seinfeld'', Kramer exclaims "Yo-Yo Ma!" in two episodes. When Kramer cries out "Yo-Yo Ma!" in The Ticket (Seinfeld), it is attributed to a suspected head injury caused by a kick from "Crazy" Joe Davola. In The Hamptons (Seinfeld), Kramer calls out "Yo-Yo Ma!" when he sees George Costanza's girlfriend, Jane, walking topless on the beach.

References

External links

Official Website

''About Us'', The Children's Orchestra Society, ChildrensOrch.org, 2007

Yo-Yo Ma in Conversation from WGBH Radio Boston

Yo-Yo Ma Interview on Time.com, October 2008

Yo-Yo Ma Podcast Series produced by Sony BMG Masterworks

Yo-Yo Ma TV Interview with Ennio Morricone from C Music TV

2006 Dan David Prize laureate

Category:American classical cellists Category:American musicians of Chinese descent Category:Contemporary classical music performers Category:Child classical musicians Category:Columbia University alumni Category:United States National Medal of Arts recipients Category:Emmy Award winners Category:French emigrants to the United States Category:Gemini Award winners Category:Grammy Award winners Category:Harvard University alumni Category:Juilliard School alumni Category:Musicians from Massachusetts Category:Naturalized citizens of the United States Category:People from Paris Category:Members of Committee of 100 Category:Honorary Members of the Royal Academy of Music Category:1955 births Category:Living people Category:United Nations Messengers of Peace Category:Presidential Medal of Freedom recipients Category:People from Belmont, Massachusetts Category:Child classical musicians

af:Yo-Yo Ma ar:يويو ما zh-min-nan:Yo-Yo Ma ca:Yo-Yo Ma de:Yo-Yo Ma es:Yo-Yo Ma eo:Yo-Yo Ma fa:یو-یو ما fr:Yo-Yo Ma ko:요요 마 id:Yo-Yo Ma it:Yo-Yo Ma he:יו-יו מה lv:Jo-Jo Ma hu:Yo-Yo Ma nl:Yo-Yo Ma ja:ヨーヨー・マ no:Yo-Yo Ma oc:Yo-Yo Ma pl:Yo-Yo Ma pt:Yo-Yo Ma ru:Йо-Йо Ма sq:Yo-Yo Ma simple:Yo-Yo Ma sl:Yo-Yo Ma fi:Yo-Yo Ma sv:Yo-Yo Ma th:โยโย มา zh:馬友友

Coordinates	37°46′45.48″N122°25′9.12″N
background	non_vocal_instrumentalist
name	Stuart Duncan
birth date	April 14, 1964
origin	Quantico, Virginia, U.S.
genres	Bluegrass, Country, Americana
instrument	Fiddle, mandolin, banjo, guitar
associated acts	Nashville Bluegrass Band, many others
website	}}

Stuart Duncan (born April 14, 1964) is a bluegrass musician who plays the fiddle, mandolin, guitar and banjo. Born in Quantico, Virginia and raised in Santa Paula, California, where he played in the school band, he has been a member of the Nashville Bluegrass Band since 1985, and is a much-in-demand session musician who has worked with such stars as George Strait, Dolly Parton, Reba McEntire and Barbra Streisand, to name a few.

As a member of the Nashville Bluegrass Band, he won the Grammy Award for Best Bluegrass Album in 1994 and 1996, and was named the Academy of Country Music Fiddle Player of the Year for 1996, 1998, 1999, 2001, and 2004, and Specialty Instrument Player of the Year for 2006. In 2006, he toured with the Mark Knopfler/Emmylou Harris ''Roadrunning'' tour and is on the ''All The Roadrunning'' and Real Live Roadrunning albums. In 2008, he toured with the Robert Plant/Alison Krauss ''Raising Sand'' tour, to much acclaim. He appeared on Transatlantic Sessions Series 4 broadcast by the BBC in September/October 2009.

Footnotes

References

http://www.mikecompton.net/Photos/Promo/NBB.Bio_TwentyYearBlues.doc

Category:1964 births Category:People from Prince William County, Virginia Category:American country guitarists Category:American bluegrass fiddlers Category:Living people Category:American country fiddlers Category:American bluegrass mandolinists

pl:Stuart Duncan simple:Stuart Duncan

Coordinates	37°46′45.48″N122°25′9.12″N
Name	Edgar Meyer
Birth date	November 24, 1960
Origin	Oak Ridge, Tennessee, U.S.
Instrument	Double BassPianoGuitarBanjoViolinMandolinDobro
Genre	ClassicalBluegrassProgressive bluegrassJazz, World music
Occupation	MusicianComposer
Label	SonyDeutsche GrammophonSugar Hill
Associated acts	Nickel Creek, Strength In Numbers
Website	edgarmeyer.com
background	non_vocal_instrumentalist }}

Edgar Meyer (born November 24, 1960) is a prominent contemporary bassist and composer. His styles include classical, bluegrass, newgrass, and jazz. Meyer has worked as a session musician in Nashville, part of various chamber groups, a composer, and an arranger. His collaborators have spanned a wide range of musical styles and talents; among them are Joshua Bell, Yo-Yo Ma, Béla Fleck, Zakir Hussain, Sam Bush, James Taylor, Chris Thile, Mike Marshall, Mark O'Connor, Alison Krauss, Mary Chapin Carpenter, and the trio Nickel Creek.

Biography

Meyer grew up in Oak Ridge, Tennessee. He learned to play the double bass from his father, the late Edgar Meyer, Sr., who directed the string orchestra program for the local public school system. Meyer later went on to Indiana University to study with Stuart Sankey.

Meyer is noted for achieving virtuosity on an instrument of unusual technical difficulty. Following in the footsteps of other bass players like Gary Karr and Mark Bernat before him, he has tried a hand at performing music originally composed for other instruments, such as Bach's unaccompanied cello suites.

Meyer has also composed a number of works, including two double bass concertos, a string quintet, a double concerto for bass and cello, and a violin concerto in 1999 composed specifically for Hilary Hahn.

In 2000, he won the Avery Fisher Prize, given once every few years to classical instrumentalists for outstanding achievement. In 2002, he was named a MacArthur Fellow. Meyer's collaboration with Yo-Yo Ma and Mark O'Connor on the widely acclaimed Sony Classical disc Appalachia Waltz reached the top of the United States pop charts for 16 weeks when it was released. Meyer collaborated again with Yo-Yo Ma and Mark O'Connor on Appalachian Journey, that earned a Grammy Award for Best Classical Crossover Album.

On Meyer's self-titled 2006 Sony Classical release, he performs accompanied only by himself on a wide variety of instruments besides his usual piano and double bass, including guitar, banjo, viola da gamba, mandolin and dobro.

Meyer is Adjunct Associate Professor of Double Bass at Vanderbilt University's Blair School of Music, as well as at the Curtis Institute.

Discography

;Solo work

''Unfolding'' (1986)

''Work in Progress'' (1990)

''Dreams of Flight'' (1996)

''Bach: Unaccompanied Cello Suites Performed on Double Bass'' (2000)

''Meyer and Bottesini Concertos'' (2002)

''Edgar Meyer'' (2006)

;With Jerry Douglas and Russ Barenberg

''Skip, Hop, and Wobble'' (1993)

;With Béla Fleck and Mike Marshall

''Uncommon Ritual'' (1997)

;With Yo-Yo Ma and Mark O'Connor

''Appalachia Waltz'' (1997)

''Appalachian Journey'' (2000)

* Won Grammy Award for Best Classical Crossover Album

;With Joshua Bell

''Short Trip Home'' (1999)

* Grammy nominated

;With David Grisman

''Dawg Duos'' (1999)

;With Béla Fleck

''Perpetual Motion'' (2001)

* Won two Grammys

''B Song'' (Live at Bonnaroo 2002)

''Music for Two'' (2004)

;With Béla Fleck and Zakir Hussain

''The Melody of Rhythm - Triple Concerto & Music for Trio'' (2009)

;With Chris Thile

''Edgar Meyer and Chris Thile'' (2008)

;With Emanuel Ax, Pamela Frank, Rebeca Young, and Yo-Yo Ma

Schubert: Quintet, Op. 114 "The Trout" (1996)

References

External links

Meyer Homepage

Edgar Meyer @ Boosey & Hawkes

Full Biography

Category:1960 births Category:Living people Category:American composers Category:American bluegrass musicians Category:American classical double-bassists Category:American double-bassists Category:MacArthur Fellows Category:Indiana University alumni Category:Grammy Award winners Category:People from Oak Ridge, Tennessee

de:Edgar Meyer (Musiker) it:Edgar Meyer simple:Edgar Meyer fi:Edgar Meyer