company name	Sony BMG Music Entertainment
company logo
company type	Joint venture
fate	Sony buys Bertelsmann's share
successor	Sony Music Entertainment
foundation	March 3, 2004
location city	New York City, New York
location country	USA
location
locations
defunct	October 1, 2008
key people	David Gordon: Chairman Sound & Vision
industry	Music & Entertainment
products	Music & Entertainment
parent	Bertelsmann AG (50%)Sony Corporation of America (50%)
homepage	sonybmg.com }}

Sony BMG Music Entertainment was a recorded music company, which was a 50–50 joint venture between the Sony Corporation of America and Bertelsmann AG. The venture’s successor, the again-active Sony Music Entertainment, is 100% owned by the Sony Corporation of America.

History

Sony BMG Music Entertainment began as the result of a 50–50 joint venture between Sony Music Entertainment (part of Sony) and Bertelsmann Music Group (part of Bertelsmann) completed on March 4, 2004. It is one of the Big Four music companies, and includes ownership and distribution of recording labels such as Arista Records, Columbia Records, Epic Records, J Records, Jive Records, RCA Victor Records, RCA Records, Legacy Recordings, Sonic Wave America, and others. The merger affected all Sony Music and Bertelsmann Music Group companies worldwide except for Japan, where it was felt that it would reduce competition in that country’s music industry significantly.

Financial analysts covering the merger anticipated that up to 2,000 jobs would be cut as a result, saving Sony BMG approximately $350 million annually.

The company's Chief Executive Officer (CEO) is Rolf Schmidt-Holtz, who succeeded Andrew Lack on February 10, 2006. In the first half of 2005, the company's share of new releases in the United States (US) declined from 33% to 26% according to Nielsen SoundScan. This, and Lack's negotiation of what some called an "ill-conceived" deal with Bruce Springsteen led to Bertelsmann informing Sony that it would not renew Lack's contract.

The company signed a content deal with the popular video sharing community YouTube.

On August 5, 2008 Sony Corp. agreed to buy Bertelsmann AG's 50 percent stake in the music company for $1.2 billion to get full control. The music company will be renamed Sony Music Entertainment Inc. and will become a unit of Sony Corporation of America. This will allow Sony the rights to artists on the current and historic BMG roster and would allow Sony Corporation to better integrate its functions with its PlayStation 3 and upcoming new media initiatives.

The merger

On March 27, 2006, the ''New York Times'' reported that Bertelsmann was in talks with Sony to possibly alter the current venture. Two executives close to Sony BMG said that Bertelsmann may offer Sony its half of the company in order to raise money by leveraging some of its media assets. Executives close to the label have stressed that any such agreement will likely take months to conclude.

On July 13, 2006, however, the European Court of First Instance annulled the European Commission's clearance decision as IMPALA (a trade association for independent labels in Europe) had applied for. This judgment was appealed by the merging parties. On October 3, 2007, after a new investigation, the European Commission upheld its prior approval of the merger.

It was also announced in 2006 that Sony BMG would dismantle the Sony Urban Music label. All of the artists will now be assigned to Epic or Columbia.

It was announced in March 2007 that Sony Music Entertainment Japan, which is not part of Sony BMG, would dismantle the Tofu Records label. All of the SMEJ artists will be now signed to Epic or Columbia.

The international media and entertainment companies Sony Corporation and Bertelsmann AG announced on August 5, 2008, that Sony has agreed to acquire Bertelsmann's 50% stake in Sony BMG. The music company, to be called Sony Music Entertainment Inc. (SME), will become a wholly owned subsidiary of Sony Corporation of America.

On October 1, 2008, Sony Corporation completed the acquisition of Bertelsmann's 50% stake in the companies' joint venture. The music company is now a wholly owned subsidiary of Sony Corporation of America and operates music labels such as Arista Records, Upstate Records, Columbia Records, Epic Records, J Records, Jive Records, RCA Records and Zomba Records. The sale price was not disclosed when the deal was announced in August, but news reports valued it at $1.5 billion.

Controversies

2005

July

Sony BMG was fined 10 million dollars after the New York Attorney General's office determined that they had been practicing payola mostly in the form of direct payments to radio stations and bribes to disc jockeys to promote various artists including Franz Ferdinand, Audioslave, and mainly Jessica Simpson.

Epic Records, one of their labels, was specifically cited for using fake contests in order to hide the fact that the gifts were going to disc jockeys rather than listeners .

October and November

A controversy over digital rights management (DRM) software that automatically installed itself on people's computers and made them more vulnerable to computer viruses that was produced and shipped by Sony BMG ensued. The scandal caused numerous lawsuits and Sony BMG ended up recalling all affected CDs.

November 16 - US-CERT, the United States Computer Emergency Readiness Team, part of the United States Department of Homeland Security, issued an advisory on Extended Copy Protection DRM, citing the XCP use of rootkit technology to hide certain files from the computer user as a security threat to computer users and saying that one of the uninstallation options provided by Sony also introduced vulnerabilities to a system.

US-CERT advised, "Do not install software from sources that you do not expect to contain software, such as an audio CD." In its "Top Flops of '05" issue, the enterprise newsweekly eWeek had to create a new category for the "Sony BMG root-kit fiasco." Peter Coffee, of eWeek Labs reported, "The Sony brand name was already in trouble—it lost 16 percent of its value between 2004 and 2005....

Now it has taken a blow among tech-product opinion leaders. "We've never done it before, and we hope we'll never have [an] occasion to do it again but, for 2005, eWeek Labs awards a Stupid Tech Trick grand prize to Sony." eWeek Vol. 22, No.50

2007

In October 2007, it was announced that Sony BMG successfully sued Jammie Thomas. The single mother, who made US$36,000 a year, was ordered to pay US$222,220 in damages for making 24 songs available for download on the Kazaa file-sharing network.

2008

The Federal Trade Commission sued Sony BMG for collecting and displaying personal data of 30,000 minors without parental consent via its websites since 2004, violating the Federal Trade Commission Act and the Children's Online Privacy Protection Act. Sony did not restrict minor children's participation in its websites. Sony paid a $1 million fine.

See also

Sony Music Entertainment

Bertelsmann Music Group

Big Four

Sony Music Entertainment Japan, which was not part of Sony BMG, distributed Japanese Music in the US through Columbia or Epic, since around March 2007 when previous distributor, Tofu Records, was closed down

List of record labels

List of Sony Music Entertainment labels

List of Sony Music Entertainment artists

Columbia House

References

Leonard, Devin (Nov. 28, 2005). "Music Lessons." ''Fortune'', pp. 31–32.

External links

SonyBMG.com - now redirects to Sony Music Entertainment

Sony Commercial Music Group (CMG) – Official Site

Sony Music Entertainment, Incorporated – Company Profile on Yahoo!

Music Press Coverage of Sony BMG Merger Completion

Business press coverage of merger completion

Groklaw Page on Sony BMG DRM Issues and Litigation

Sony BMG Litigation and Rootkit Info

Sony BMG Sued for Software Piracy – Assets Seized

Category:American record labels Category:Defunct record labels Category:Bertelsmann subsidiaries Category:Sony Music Entertainment Category:Companies based in New York City Category:Record label distributors Category:Recording Industry Association of America Category:Companies established in 2004 Category:Record labels established in 2004 Category:Companies disestablished in 2008 Category:Record labels disestablished in 2008

ca:Sony BMG Music Entertainment cs:Sony BMG da:Sony BMG es:Sony BMG Music Entertainment fr:Sony BMG Music Entertainment hr:Sony BMG id:Sony BMG Music Entertainment it:Sony Music lt:Sony BMG nl:Sony BMG no:Sony BMG Music Entertainment pl:Sony BMG Music Entertainment pt:Sony BMG Music Entertainment ro:Sony BMG ru:Sony BMG fi:Sony BMG Music Entertainment sv:Sony Music th:โซนี่ บีเอ็มจี uk:Sony BMG Music Entertainment

name	I Muvrini
background	group_or_band
origin	Corsica
genre	Folk
years active	1979–present
notable instruments	}}

I Muvrini is a Corsican folk music group who sing traditional Corsican music in their native Corsican language.

History

The group was formed in the early 1980s by the brothers Jean-François Bernardini and Alain Bernardini who were born in the village of Tagliu-Isulacciu in the north of Corsica. They are named after a type of wild sheep which live in the mountains of Corsica.

The Bernardini brothers were introduced to traditional Corsican music at an early age by their father, Ghjuliu, who was a well known poet and singer. They recorded their first single with their father in collaboration with the group ''Canta u Populu Corsu''. Ghjuliu Bernardini died in December 1977 and ''I Muvrini'''s first album, ''I Muvrini ... ti ringrazianu'', which was released in 1979, was dedicated to their father's memory.

In 2000, I Muvrini joined up with Sting to record their most famous song, "Terre d'Oru" ().

Throughout their career they have promoted the Corsican language and culture.

Group Members

:Jean François Bernardini - vocals :Alain Bernardini - vocals :Stephane Mangantini - vocals :Achim Meier - synthesizer & piano :Patrick Manouguian/Manu Vergeade/César Anot/Mao Otayeck/Abdenour Djemai - guitars :Batterie: Paco Sery :César Anot - bass & vocals :Amar Mohali - drums :1er violon Nicolas Stevens/2ème violon Laurence Ronveaux/alto Marc Pijpops/violoncelle Jean-François Assy, Paul de Rocca Serra/violons Djamel Benyeles,Bertrand Cervera, Florina,Dragan Urlic, Dominique Miletti

Selected discography

Studio albums

1979 - ''Ti Ringrazianu''

1989 - ''Anu Da Vulta''

1984 - ''E campà quì''

1985 - ''lacrime''

1987 - ''A l'encre rouge''

1988 - ''Pe l'amore di tè''

1989 - ''Quorum''

1991 - ''A voce rivolta''

1993 - ''Noi''

1995 - ''Curagiu''

1998 - ''Leia''

2000 - ''Pulifunie''

2000 - ''A strada''

2002 - ''Umani''

2005 - ''Alma''

2007 - ''I Muvrini et les 500 choristes''

2010 - ''Gioia''

Compilations

1998 - ''Sò''

Live albums

1990 - ''In core''

1994 - ''Zenith 93''

1996 - ''Bercy 96''

2006 - ''ALMA 2005''

Videos / DVDs

''I Muvrini at Bercy '96''

''Giru FR3 ''

''Zenith '92''

''Terra''

''Alma 2005''

Collaborations

1999 - ''Άσε την εικόνα να μιλάει'' (Let the picture speak) with Pyx Lax.

External links

I Muvrini official web site (in English)

Terracorsa, information on Muvrini and Corsica (in English)

Curagiu, information (in French)

www.IMuvrini.eu, information on I Muvrini (in English, French, German and Dutch]

References

Category:Corsican musical groups Category:French folk music groups

ca:I Muvrini co:Muvrini de:I Muvrini es:I Muvrini eu:I Muvrini fr:I Muvrini gl:I Muvrini it:I Muvrini nl:I Muvrini oc:I Muvrini pl:I Muvrini

name	Rick Astley
background	solo_singer
birth name	Richard Paul Astley
born	February 06, 1966Newton-le-Willows, (then Lancashire, now Merseyside), England
instrument	Vocals, guitar, drums, keyboards
genre	Pop, dance-pop, blue-eyed soul
occupation	Singer-songwriter, musician
years active	1985–19932000–present
label	RCA, Polydor, Cruz
associated acts	FBIStock Aitken Waterman
website	rickastley.co.uk
notable instruments	}}

Richard Paul "Rick" Astley (; born 6 February 1966) is an English singer-songwriter, musician, and radio personality. He is known for his 1987 song, "Never Gonna Give You Up", which was a #1 hit single in 25 countries. Astley holds the record for being the only male solo artist to have his first 8 singles reach the Top 10 in the UK and by retirement in 1993 had sold approximately 40 million records worldwide.

After retiring from the music industry in 1993, Astley made a comeback in 2007 when he became an Internet phenomenon, as his video for "Never Gonna Give You Up" became part of a popular Internet meme known as "Rickrolling". Astley was voted "Best Act Ever" by Internet users at the MTV Europe Music Awards 2008.

Early life

Richard Paul Astley was born on 6 February 1966 in Newton-le-Willows, Lancashire, England, becoming the fourth child of his family. His parents divorced when he was five, and Astley was brought up by his father. His musical career started when he was ten, singing in the local church choir. During his schooldays, Astley formed and played the drums in a number of local bands, where he met guitarist David Morris. After leaving school at sixteen, Astley was employed during the day as a driver in his father's market-gardening business and played drums on the Northern club circuit at night in bands such as “Give Way” - specialising in covering Beatles and Shadows songs - and “FBI”, which won several local talent competitions.

Signing to Stock Aitken Waterman

In 1985, Astley was performing as a drummer with a soul band named FBI, with Morris on guitar. They were a well known local band writing and performing their own music, gigging in pubs and clubs. When FBI's lead singer left the band, and Morris left to concentrate on his career in hairdressing, Astley offered to be the lead vocalist. This was when he was noticed by the record producer Pete Waterman, who persuaded him to come to London to work at the PWL recording studio, with RCA Records publishing his records. Under the tutelage of the production team of Mike Stock, Matt Aitken and Pete Waterman, known as Stock Aitken Waterman, Astley was taught about the recording process and groomed for his future career, supposedly starting off as the recording studio 'tea boy'. The reason for Astley to be hired initially as a 'tape op', was to overcome his shyness. SAW also hired most of FBI, including Morris as a guitarist/songwriter.

Success

His first single was the little-known "When You Gonna", released as a collaboration with Lisa Carter, with little promotion. It did not chart. His first solo offering was "Never Gonna Give You Up", recorded on New Year's Day 1987, and released eight months later, in August. Astley's distinctive rich, deep voice combined with dance pop, made the song an immediate success, spending five weeks at the top of the British charts and becoming the year's highest-selling single. The song was also a worldwide number one hit, topping the charts in 24 other countries, including the U.S., Australia, and Germany. It would become the first of 13 (worldwide) top 30 hit singles for him. "Never Gonna Give You Up" won Best British single at the 1988 BPI awards (now called the ''BRIT Awards''), and he performed the hit in front of a global audience of 100 million.

His next single was "Whenever You Need Somebody", which was released in October. The single was a recycled Stock, Aitken, Waterman song, originally recorded by O'Chi Brown in 1985. It became a successful European hit, reaching #1 in seven countries, including Germany and Sweden, following up the success of his debut single. It also reached #3 in the UK. It was not released in North America.

In November 1987, the album ''Whenever You Need Somebody'', containing four Astley written tracks, also reached number one in the UK and Australia, and #10 in the U.S. It was certified 4x Platinum in the UK and Canada, and 2x Platinum in the US. Overall ''Whenever You Need Somebody'' sold 15.2 million copies worldwide, making him the top selling British act of the year.

In the run up to Christmas 1987, Astley released a cover version of the Nat King Cole classic "When I Fall in Love". This single is mainly remembered for a closely fought contest for UK Christmas Number 1. Rivals EMI hoping to see their act, the Pet Shop Boys, reach #1, re-released the version by Nat King Cole. This led to a slow down of purchases of Astley's version, allowing the Pet Shop Boys to reach the coveted top spot. Despite selling over 200,000 copies and gaining a Silver certification from the BPI, it peaked in the UK at #2 for two weeks. The re-release of Nat King Cole's version reached #4. The B side was a dance number "My Arms Keep Missing You", which was successful in Mainland Europe.

Astley's fourth single release would be "Together Forever" in 1988, reaching #2 in the UK. It was denied the top spot by ''Neighbours'' sensation Kylie Minogue's debut "I Should Be So Lucky". "Together Forever" was more successful state-side, topping the U.S charts, making it his second U.S chart topper, which meant Astley was one of the few British acts to crack the American market. In 1989 he was nominated for a Grammy Award for Best New Artist, but lost to Tracy Chapman.

His fifth and final release from his debut album was "It Would Take a Strong Strong Man". It was a more soulful song, when compared to his other releases, and was mainly intended for the North American market. Thus, it was not released in Britain. It was another hit for Astley, reaching #10 on the U.S ''Billboard Hot 100'', and #1 in Canada. During the period between his debut release and his fifth single, Astley outsold every other artist in the world. In the UK, he was in the Top 40 every week for the first 6 months of his career.

A fire in the PWL studios destroyed much of Astley's new material, causing a delay in the release of his second album. ''Hold Me In Your Arms'' was eventually released in January 1989, containing five singles, and reached #8 in the UK and #19 in the US, being certified Platinum in the UK and Gold in the US.

Astley's relationship with British media, deteriorated significantly after the release of ''Whenever You Need Somebody'', with the media calling him a 'puppet' of Stock Aitken Waterman. This was despite Astley writing five of his new album's tracks. The negative press inevitably affected the sales of his singles. The first single from the album to be released was "She Wants To Dance With Me", a number penned by Astley himself. It was another successful single reaching #6 in both the UK and US charts. "Take Me to Your Heart" was the next single to be released from the album. It reached #8 in the UK and was not released in the US. The Astley written ballad "Hold Me in Your Arms" reached #10 in the UK and was also not released in North America. The next two singles released from the album were intended for the North American market. "Giving Up On Love" and a cover of The Temptations song "Ain't Too Proud To Beg" charted #38 and #89 in the US respectively.

In December 1989, Astley set off on his first world tour, touring 15 countries including the UK, US, Australia, and Japan. By the end of the tour, Astley was tiring of the negative press, and wanted to explore alternate paths as a musician. Thus, he left his producers Stock Aitken Waterman, with RCA records buying out his contract with PWL.

Switching to soul and AC

By 1990, Astley had parted company with Stock, Aitken, and Waterman. He also decided to leave his dance-pop days behind him, moving towards his passion, soul. This shift in musical genre lead him to change his image too, ditching the boy next door look, presenting himself as a mature and passionate musician. His third album, ''Free'', was released in 1991 containing collaborations with Elton John. The album contained three singles, and reached #9 in the UK and #31 in the US.

He achieved one more major success with the 1991 ballad "Cry for Help", which reached #7 in both the UK and the US. This would place Astley in The Guinness Book of Records, as he became the first male solo to have his first eight singles to all chart in the UK Top 10. This record still stands to this day. The other two singles from ''Free'' were not as successful. "Move Right Out" reached #58 in the UK and #81 in the US; and "Never Knew Love" reached #70 in the UK and did not chart in the US. ''Free'' would mark the end of Astley's successful period, and "Cry For Help" would be the last Astley single to make the Top 10 in either the UK or US (as of May 2010).

His next album, ''Body and Soul'', was released in 1993, and was largely an Adult Contemporary album. By the time the album was released, Astley decided to retire from the music industry. As a result, the album did not get a lot of promotion, not charting in the UK but managing to make the Billboard 200, peaking at #182. The two singles, "The Ones You Love" and "Hopelessly", performed very well on the US adult contemporary chart, peaking at #19 and #4 respectively. "The Ones You Love" peaked at #48 in the UK but did not chart in the US. "Hopelessly" also crossed over and peaked at #28 on the US Billboard 100, staying in the US top 40 for five weeks, and #33 in the UK. It was named as one of the most performed songs at the 1994 BMI Awards, and is one of the few songs to achieve BMI 'Million-Air' status.

Retirement

After 1993, Astley decided to retire from the music industry at the young age of 27 deciding that family life was more important. During Astley's time out of the music business, he raised his daughter Emilie, born in 1992. Thus, for much of the 1990s and early 2000s, Astley remained largely out of the spotlight. One notable musical appearance by Astley during retirement was as a backing singer on The Lion King soundtrack in 1994.

Return to singing

Almost 10 years after ''Body and Soul'', Astley finally returned to the music world signing a co-publishing deal with Polydor and released ''Keep It Turned On'' in 2002. The album featured the single "Sleeping", which became a minor club hit, thanks to a set of remixes from U.S. house producer Todd Terry. ''Keep It Turned On'' was only released in Continental Europe.

Astley's first compilation album, ''Greatest Hits'', was released in 2002, and reached 16 on the UK Albums Chart. With no promotion from Astley, it sold over 100,000 copies and was certified Gold by the BPI. After retirement in 1993, Astley continued to song write for various acts and in 2003 he managed to chart at #10 in the UK as a songwriter with "Shakespeare's (Way With) Words" performed by short lived boyband One True Voice.

In 2004, Astley toured for the first time in 14 years, which lead him to a record contract with Sony BMG. In March 2005, Astley released the album ''Portrait'' in which he covered many classic standards such as "Vincent", "Nature Boy" and "Close to You". Both Astley and Sony BMG were unhappy with the end result so the album was poorly promoted, yet managed to reach 26 on the UK Albums Chart.

In April 2008, the album "The Ultimate Collection: Rick Astley" was released by Sony BMG and by early May it had reached #17 on the UK Top 40 Albums Chart, again with no promotion from Astley.

In September 2008, Rick was nominated for the 'Best Act Ever' award at the MTV Europe Music Awards The push to make Astley the winner of the award continued after the announcement, as well as efforts to encourage MTV to personally invite Astley to the awards ceremony. On 7 November, following a massive internet campaign by fans, Rick won the award in Liverpool, but was not there in person to receive it. Perez Hilton collected the prize on his behalf. On the back of this, "Never Gonna Give You Up" returned to the UK charts, over 21 years after it was released, peaking at #73 during the Christmas period.

During the late 2000s, Astley continued touring across the globe, touring with various other 80s acts, such as Boy George and Belinda Carlisle in the ''Here and Now Tour''. In April 2009, he wrote an article for ''Time'' about moot.

Astley today

Astley was a special guest throughout Peter Kay's new tour, ''The Tour That Doesn't Tour Tour...Now On Tour'', from 27 April to 22 May 2010. To mark the occasion, Rick Astley released a new single "Lights Out" on his own label. It was released on 7 June 2010. This was Astley's first release in the UK Singles Chart in 17 years. It was well received by radio peaking #15 on the UK Airplay Charts, but failed to become a commercial hit, reaching only #97 on the UK Singles Chart.

During the summer 2010, Astley became a radio DJ for London's Magic FM, presenting a Sunday show. Initially the contract was 8 weeks but he proved popular with listeners and his contract was extended till the end of the year. In December 2010, Astley co-hosted with Peter Kay the Chris Evans Breakfast Show on BBC Radio 2, and in March 2011 appeared in Comic Relief's Red Nose Day telethon on the BBC.

Personal life

Rick Astley is married to Lene Bausager, and the couple have one daughter, Emilie, who was born in 1992. Astley met Lene when she was working as a promoter with RCA in 1988. Lene is a film producer, and was nominated for the 2006 Academy Award for Best Live Action Short Film for the Sean Ellis film ''Cashback'', where she was the main producer. The family lives in the London suburb of Richmond.

Discography

Canada Top data: for singles and albums from The Record magazine. US Top data: for singles from The Billboard Hot 100, for albums from The Billboard 200; UK Top data for singles and albums is from UK Singles Chart. Based on various music charts in the UK, US and Canada, Astley has charted a grand total of 14 different hit singles and 6 different hit albums, as of April 2010.

Studio albums

''Whenever You Need Somebody'' (1987)

''Hold Me in Your Arms'' (1989)

''Free'' (1991)

''Body & Soul'' (1993)

''Keep It Turned On'' (2001)

''Portrait'' (2005)

Rickroll internet phenomenon

In 2007, Rick Astley became the subject of a viral Internet meme known as Rickrolling. This is where internet users are tricked into watching Rick Astley's video "Never Gonna Give You Up" by following a link that claims to be something else. Views of this video on various websites are now in their millions. The phenomenon became so popular that on 1 April 2008, YouTube pranked its users by making every single featured video on its front page a Rickroll.

On November 27, 2008, Astley himself participated in a live Rickroll during the ''Macy's Thanksgiving Day Parade'' while the ''Foster's Home for Imaginary Friends'' characters were singing "Best Friend", the theme from the 1970s TV series ''The Courtship of Eddie's Father''. Midway through the song, Astley emerged from the float and began to lip sync his signature hit. At the end of Astley's performance, Cheese (a character from ''Foster's'') shouted out "I like Rickrolling!".

Despite the video garnering millions of hits on YouTube, Astley has earned almost no money from the meme, receiving only US$12 in royalties from YouTube for his performance share.

See also

List of artists who reached number one on the Hot 100 (U.S.)

List of artists who reached number one on the U.S. Dance chart

List of Number 1 Dance Hits (United States)

List of number-one albums (UK)

List of number-one singles (UK)

List of number-one hits (United States)

List of songs by British artists which reached number-one on the Hot 100 (USA)

The Rickrollerz

References

External links

Official Rick Astley website

Official Rick Astley MySpace

Official Rick Astley YouTube channel (1987-93) (country restricted)

Official Rick Astley YouTube channel (2010-)

Category:1966 births Category:Blue-eyed soul singers Category:BRIT Award winners Category:English-language singers Category:English male singers Category:English pop singers Category:Living people Category:People from Newton-le-Willows Category:Polydor Records artists Category:RCA Records artists

ay:Rick Astley bg:Рик Астли ca:Rick Astley cs:Rick Astley cy:Rick Astley da:Rick Astley de:Rick Astley es:Rick Astley eo:Rick Astley fr:Rick Astley ko:릭 애슬리 id:Rick Astley it:Rick Astley he:ריק אסטלי nl:Rick Astley ja:リック・アストリー no:Rick Astley pl:Rick Astley pt:Rick Astley ro:Rick Astley ru:Эстли, Рик simple:Rick Astley sk:Rick Astley fi:Rick Astley sv:Rick Astley tl:Rick Astley th:ริก แอสต์ลีย์ tr:Rick Astley uk:Рік Естлі zh:理查德·艾斯利

Sibel Alaş is a Turkish pop music singer. She was born in February 13, 1973 in İzmit. She graduated from American Culture and Literature Department in İstanbul University. Her first hit was 'Adam' (Man) from her album of the same name in 1995. She was both vocalist and dancer of Yonca Evcimik before solo career. She released second album, Fem (Not opened rose in Turkish or short of female in English) in 1996. She broke music career after releasing Çocuk ("Child" in Turkish) albüm in 1998 due to marrying with Zeki Aköz, who is her manager in 1996 and her disease, Aneurysm. She released fourth album, "Carpe Diem" ("Seize the day" in Latin) in 2006.

Albums

Adam (1995)

Fem (1996)

Çocuk (1998)

Carpe Diem (2006)

Video Clips

Adam (At Adam) Adam

Bende Hüküm Sür (At Adam) Bende Hüküm Sür

Neyleriz (At Adam) Neyleriz

Firarım Ben (At Fem) Firarım Ben

Fem (At Fem) Fem

Bin Yıldız (At Fem) Bin Yıldız

Çok Ayıp (At Çocuk) Çok Ayıp

Tanrı Korusun (At Çocuk) Tanrı Korusun

Av (At Carpe Diem) Av

References

External links

Listen to samples + digital download

Category:1973 births Category:Living people Category:Turkish female singers Category:Turkish pop singers

tr:Sibel Alaş

years active	1992–present
background	solo_singer
birth name	Britney Jean Spears
birth date	December 02, 1981
birth place
genre	Pop, dance
occupation	Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director
instrument	Vocals, piano
label	Jive
associated acts	InnosenseThe New Mickey Mouse Club
website	}}

Britney Jean Spears (born 1981) is an American recording artist and entertainer. Born in McComb, Mississippi, and raised in Kentwood, Louisiana, Spears began performing as a child, landing acting roles in stage productions and television shows. She signed with Jive Records in 1997 and released her debut album ''...Baby One More Time'' in 1999. During her first decade within the music industry, she became a prominent figure in mainstream popular music and popular culture, followed by a much-publicized personal life. Her first two albums established her as a pop icon and broke sales records, while title tracks "...Baby One More Time" and "Oops!... I Did It Again" became international number-one hits. Spears was credited with influencing the revival of teen pop during the late 1990s.

In 2001, she released her third studio album ''Britney'' and expanded her brand, playing the starring role in the film ''Crossroads''. She assumed creative control of her fourth studio album, ''In the Zone'' (2003), which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, ''Blackout'', was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behavior and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album ''Circus'' was released, with the global chart-topping lead single "Womanizer". She embarked on her highest-grossing global concert tour, The Circus Starring Britney Spears, in 2009. Her seventh studio album ''Femme Fatale'', released in 2011, has become the first of her albums to yield three top ten singles in the United States.

Spears has sold over 100 million records worldwide. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 33 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000s by ''Billboard''. In June 2010, Spears was ranked sixth on ''Forbes'' list of the 100 Most Powerful and Influential celebrities in the world; she is also the third most mentioned musician on the internet, according to ''Forbes''.

Biography

1981–97: Early life and career beginnings

Britney Jean Spears was born on December 2, 1981, the second child of Lynne Irene (née Bridges) and James Parnell Spears. She is of English heritage through her maternal grandmother, who was born in London, and of distant Maltese descent. Her siblings are Bryan James and Jamie Lynn. At age three, she started to attend dance lessons in her hometown of Kentwood, Louisiana, and was selected to perform a solo at the annual recital. During her childhood, she also attended gymnastics and voice lessons, and won many state-level competitions and children's talent shows. Spears made her local stage debut at age five, singing "What Child Is This?" at her kindergarten graduation. She said about her ambition as a child, "I was in my own world, [...] I found out what I'm supposed to do at an early age". At age eight, Spears and her mother Lynne traveled to Atlanta for an audition in the 1990s revival of ''The Mickey Mouse Club''. Casting director Matt Cassella rejected her for being too young to join the series at the time, but introduced her to Nancy Carson, a New York City talent agent. Carson was impressed with Spears's vocals and suggested enrolling her at the Professional Performing Arts School; shortly after, Lynne and her daughters moved to a sublet apartment in New York. Spears was hired for her first professional role as the understudy for the lead role of Tina Denmark in the Off-Broadway musical ''Ruthless!''. She also appeared as a contestant on the popular television show ''Star Search'', as well as being cast in a number of commercials. In December 1992, she was finally cast in ''The Mickey Mouse Club'', but returned to Kentwood after the show was canceled. She enrolled at Parklane Academy in nearby McComb, Mississippi. Although she made friends with most of her classmates, she compared the school to "the opening scene in ''Clueless'' with all the cliques. [...] I was so bored. I was the point guard on the basketball team. I had my boyfriend, and I went to homecoming and Christmas formal. But I wanted more."

In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears traveled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." They appointed her to work with producer Eric Foster White for a month, who reportedly shaped her voice from "lower and less poppy" delivery to "distinctively, unmistakably Britney." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt all right with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami Yacoub, among others.

1998–00: ''...Baby One More Time'' and ''Oops!... I Did It Again''

After Spears returned to the United States, she embarked on a shopping mall promotional tour to promote her forthcoming album. Her show was a four song set and she was accompanied by two back up dancers. Her first concert tour followed, as an opening act for 'N Sync. Her debut album, ''...Baby One More Time'', was released on January 1999. It debuted at number one on the U.S. ''Billboard'' 200 and was certified two-times platinum by the Recording Industry Association of America after a month. Worldwide, the album topped the charts in fifteen countries and sold over ten million copies in a year. It became the biggest selling album ever by a teenage artist. The title track was released as the lead single from the album. Originally, Jive Records wanted its music video to be animated; however, Spears rejected it, and suggested the final idea of a Catholic schoolgirl. The single sold 500,000 copies on its first day, and peaked at number one on the Billboard Hot 100, topping the chart for two consecutive weeks. "...Baby One More Time" later received a Grammy nomination for Best Female Pop Vocal Performance. The title track also topped the singles chart for two weeks in the United Kingdom, and became the fastest-selling single ever by a female artist, shipping over 460,000 copies. It would later become the 25th most successful song of all time in British chart history. Spears is also the youngest female artist to have a million seller in the country. "(You Drive Me) Crazy" was released as the third single from the album. It became a top-ten hit worldwide and propelled ''...Baby One More Time'' to sell 26 million copies.

The April 1999 cover of ''Rolling Stone'' featured Spears lying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. On June 28, 1999, Spears began her first headlining ...Baby One More Time Tour in North America, which was positively received by critics, but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. ''Oops!... I Did It Again'', her second studio album, was released in May 2000. It debuted at number one in the US, selling 1,3 million copies, breaking the SoundScan record for the highest debut sales by any solo artist. The album sold over 20 million copies worldwide. Rob Sheffield of ''Rolling Stone'' said that "the great thing about ''Oops!'' – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively.

The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, ''Britney Spears' Heart-to-Heart'', co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped off her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake.

2001–03: ''Britney'', ''Crossroads'' and ''In the Zone''

In February 2001, Spears signed a $7–8 million promotional deal with Pepsi, and released another book co-written with her mother, entitled ''A Mother’s Gift''. Her third studio album, ''Britney'', was released in November 2001. While on tour, she felt inspired by hip hop artists such as Jay-Z and The Neptunes and wanted to create a record with a funkier sound. The album debuted at number one in the ''Billboard'' 200 and reached top five positions in Australia, the United Kingdom and mainland Europe and sold over 12 million copies worldwide. Stephen Thomas Erlewine of Allmusic called ''Britney'' "the record where she strives to deepen her persona, making it more adult while still recognizably Britney. [...] It does sound like the work of a star who has now found and refined her voice, resulting in her best record yet." The album was honored with two Grammy nominations—Best Pop Vocal Album and Best Female Pop Vocal Performance for "Overprotected"— and was listed in 2008 as one of ''Entertainment Weekly'''s "100 Best Albums from the Past 25 Years". The album's first single, "I'm a Slave 4 U", became a top-ten hit worldwide.

Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. To support the album, Spears embarked on the Dream Within a Dream Tour. The show was critically praised for its technical innovations, the ''pièce de résistance'' being a water screen that pumped two tons of water into the stage. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's Farewell Tour. Her career success was highlighted by ''Forbes'' in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in ''Crossroads'', released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. ''Crossroads'', which had a $11 million budget, went on to gross over $57 million worldwide. In June 2002, Spears opened her first restaurant, Nyla, in New York City, but terminated her relationship in November, citing mismanagement and "management's failure to keep her fully apprised". In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized.

Spears released her fourth studio album, ''In the Zone'', in November 2003. She assumed more creative control by writing and co-producing most of the material. ''Vibe'' called it "A supremely confident dance record that also illustrates Spears's development as a songwriter." NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." ''In the Zone'' sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. It also debuted at the top of the charts in France and the top ten in Belgium, Denmark, Sweden and the Netherlands. ''In the Zone'' sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous".

2004–07: Compilation albums, motherhood, personal struggles and ''Blackout''

On January 3, 2004, Spears married childhood friend Jason Allen Alexander at The Little White Wedding Chapel in Las Vegas, Nevada. The marriage was annulled 55 hours later, stating that Spears "lacked understanding of her actions". She began The Onyx Hotel Tour in support of ''In the Zone'' in March 2004. On June 8, 2004, Spears fell and injured her left knee during the music video shoot for "Outrageous". She was taken immediately to a local hospital, where doctors performed an MRI scan and found floating cartilage. The following day, Spears underwent arthroscopic surgery. She was forced to remain six weeks with a thigh brace, followed by eight to twelve weeks of rehabilitation, which caused The Onyx Hotel Tour to be canceled. During 2004, Spears became involved in the Kabbalah Centre through her friendship with Madonna.

In July 2004, she announced her engagement to American dancer Kevin Federline, whom she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. The initial stages of their relationship were chronicled in Spears's first reality show ''Britney & Kevin: Chaotic''. They held a wedding ceremony on September 18, 2004, but were not legally married until three weeks later on October 6 due to a delay finalizing the couple's prenuptial agreement. Shortly after, she released her first fragrance with Elizabeth Arden, ''Curious'', which broke the company's first-week gross for a perfume. In October 2004, Spears announced she would be taking another career break to start a family. ''Greatest Hits: My Prerogative'', her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, ''Greatest Hits: My Prerogative'' sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.

In November 2005, she released her first remix compilation, ''B in the Mix: The Remixes'', which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. The following month, she guest-starred on the ''Will & Grace'' episode "Buy, Buy Baby" as closeted lesbian Amber Louise. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." Two months later, Spears posed nude for the cover of ''Harper's Bazaar''. The picture was heavily compared to Demi Moore's August 1991 ''Vanity Fair'' cover. She gave birth to her second child, Jayden James Federline, on September 12, 2006. On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, Los Angeles. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." In May 2007, she produced a series of promotional concerts at House of Blues venues, titled The M+M's Tour. Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.

Her fifth studio album, ''Blackout'', was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. ''Billboard'' 200,—held off from the top spot by Eagles's ''Long Road out of Eden''— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. ''Blackout'' sold over 3.1 million copies worldwide. Peter Robinson of ''The Observer'' said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's ''Shock Value'' and her own back catalogue." Dennis Lim of ''Blender'' commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." ''Blackout'' won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by ''The Times''. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzo Adnan Ghalib.

2008–10: Conservatorship and ''Circus''

On January 3, 2008, Spears refused to relinquish custody of her sons to Federline's representatives. She was hospitalized at Cedars-Sinai Medical Center, after police that arrived at her house noted she appeared to be under the influence of an illicit substance. The following day, Spears's visitation rights were suspended at an emergency court hearing, and Federline was given sole physical and legal custody of the children. On January 31, 2008, Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and put on 5150 involuntary psychiatric hold. The court placed her under temporary conservatorship of her father James Spears and attorney Andrew Wallet, giving them complete control of her assets. Spears was released on February 6, 2008. Her parents expressed disappointment and concern at the decision to release her. The following month, she guest-starred on the ''How I Met Your Mother'' episode "Ten Sessions" as receptionist Abby. She received positive reviews for her performance, as well as bringing the series its highest ratings ever. In July 2008, Spears regained some visitation rights after coming to an agreement with Federline and his counsel. On September 7, 2008, Spears opened the MTV Video Music Awards with a pre-taped comedy sketch with Jonah Hill and an introduction speech. She won Best Female Video, Best Pop Video and Video of the Year for "Piece of Me". A 60-minute introspective documentary, ''Britney: For the Record'', was produced to chronicle Spears' return to the recording industry. Directed by Phil Griffin, ''For the Record'' was entirely shot in Beverly Hills, Hollywood, and New York City during the third quarter of 2008. Main shooting began on September 5, 2008, two days before Spears' appearance at the MTV Video Music Awards. ''For the Record'' was broadcast on MTV on November 30, 2008 to 5.6 million viewers for the two airings on the premiere night. MTV reported that Spears' documentary garnered on average, the highest rating in its Sunday night timeslot, in the network's history.

Her sixth studio album ''Circus'', was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. ''Circus'' debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the ''Guinness Book of World Records''. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. ''Circus'' became one of the fastest-selling albums of the year, and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the ''Billboard'' Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.

She released her second greatest hits album, ''The Singles Collection'' in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's, which was released in stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show ''Glee'', titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew ''Glee'''s second largest audience, as well as the show's highest ratings ever.

2011–present: ''Femme Fatale''

In March 2011, Spears released her seventh studio album ''Femme Fatale''. Max Martin and Dr. Luke executive produced the album and the album's first single "Hold It Against Me". The single debuted at number-one on the ''Billboard'' Hot 100. This gave Spears her fourth number-one single on the chart, and made her only the second artist in history to have two consecutive singles debut at number-one, after Mariah Carey. The album peaked at number one in the United States(selling 276,000 copies), Canada, and Australia, and peaked inside the top ten on nearly every other chart. The album's peak in the United States ties Britney with Mariah Carey and Janet Jackson for the third-most number ones among women. ''Femme Fatale'' has sold over 590,000 copies in the United States and has been certified platinum by the RIAA. The album received positive critical reviews after its release, receiving a score of 67 on Metacritic, her highest critical score since ''Oops!... I Did It Again,'' with many critics naming the album one of Spears's best. In April 2011, Spears appeared in a remix to the song "S&M;" by Rihanna after Rihanna asked her fans via Twitter who they wanted her to collaborate with. The song reached number one in the US in mid-April 2011, giving Britney her fifth number one on the chart. In early May, Spears' second single from ''Femme Fatale'', "Till The World Ends", reached number three on the ''Billboard'' Hot 100 and had ninety-eight million audience impressions on the ''Billboard'' chart, granting Spears the highest weekly audience of her 13-year chart career. ''Femme Fatale's'' third single "I Wanna Go" reached the top forty on the ''Billboard'' Hot 100 in June 2011. Among females in the last thirteen years, Spears now has the third-most top forty hits, with twenty-one. In August, the single managed to reach the top-ten on the ''Billboard'' Hot 100, which is the first time for Spears to have three songs from one album in the top-ten. On the week ending September 24, 2011, "I Wanna Go" moved 2-1 on the mainstream top 40, becoming her sixth number-one on that chart (making her tied for third all-time) and her first number-one and third top-ten pop song for ''Femme Fatale.'' Spears now has the longest span of number ones on the mainstream top 40, with a length of twelve years, seven months, and four days.

On March 2011, Spears announced that she would tour throughout the United States during summer 2011 The Femme Fatale Tour opened June 16 at the Power Balance Pavilion in Sacramento, California to positive reviews. Many critics noted that Spears sang more of the concert live in response to lip-synching accusations during The Circus Starring Britney Spears, and that the dancing is some of her best in years. The first ten US dates of the tour grossed $6.2 million, landing the fifty-fifth spot on Pollstar's Top 100 North American Tours list for the half-way point of the year. The tour will travel to Europe and South and Central America later in 2011. On August 12, Spears announced that her performances at the Air Canada Centre in Toronto will be taped to air on the EPIX television channel and for a DVD release, resulting in the doubling of traffic to EPIX social sites and 'Britney Spears' becoming a worldwide trending topic on Twitter. Her first televised concert since the Onyx Hotel Tour in 2004, the show, ''Britney Spears: Femme Fatale,'' was shot in 2D and 3D on August 13 and 14 and will premiere on Epix in November.

On June 15, 2011, it was announced by ''Billboard'' that the RCA/Jive Label Group would be splitting, with Jive Records going to a restructured Epic Records, and RCA Records staying intact. In August it was announced that Spears had officially joined the RCA's roster. During the 2011 MTV Video Music Awards on August 28 2011, MTV played tribute to Spears with a group of young female dancers that memorialised Britney's music videos, performances, and style. Following which, Spears accepted the MTV Video Vanguard Award from Lady Gaga, who said that "industry wouldn't be the same without [her]".

On September 9, 2011, Spears announced that her second remix album, ''B in the Mix: The Remixes Vol. 2'', will be released on October 11, along with the tracklist.

Musical style and performance

Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. ''The Daily Yomiuri'' reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson." ''Rolling Stone'' wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene." Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice." Following the release of her debut album, Chuck Taylor of ''Billboard'' observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... "(You Drive Me) Crazy", her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice." Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry." Spears later commented, "With ''...Baby One More Time'', I didn't get to show my voice off. The songs were great, but they weren't very challenging".

''Oops!...I Did It Again'' and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, ''Britney'' derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of ''The Age'' wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."

Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of ''Entertainment Weekly'' observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she ''can'' indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."

Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book ''Natural selection: Gary Giddins on comedy, film, music, and books'' (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of ''The Baltimore Sun'' observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert."

In Australia, NSW Fair Trading Minister Virginia Judge has advised disclaimers be printed on any ticket for concerts which contain any prerecorded vocals. She commented: "There could have been some instances where people actually go and purchase a ticket thinking that they're going to have a live performance ... for some people that means that everything is live, it's fresh, it happens instantaneously, it's not something that's been pre-recorded. You want to make sure that they're actually paying for what they think they're getting." Noting on the prevalence of lip-syncing, ''Los Angeles Daily News'' reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the ''Orlando Sentinel'' remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.

Influences

Throughout her career, Spears has drawn frequent comparisons to Madonna and Janet Jackson, in terms of vocals, choreography and stage presence, citing both as influences in her work. She has also named Michael Jackson as a source of inspiration. According to Spears: "I know when I was younger, I looked up to people... like, you know, Janet Jackson and Madonna. And they were major inspirations for me. But I also had my own identity and I knew who I was, you know." In the 2002 book ''Madonnastyle'' by Carol Clerk, she is quoted saying: "I have been a huge fan of Madonna since I was a little girl. She's the person that I've really looked up to. I would really, really like to be a legend like Madonna."

Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the ''Rocky Mountain Collegian'' observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." However, in examining her level of skill as an artist, it is questioned that "[a]lthough she has been classified among female elites such as Janet Jackson and Madonna, what does Ms. Spears really have in common with these divas of rock?" Joan Anderman of ''The Boston Globe'' remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."

Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album ''Britney'' "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [''Britney''] feels like [Spears's] attempt at 'Control'."

Citing Jackson's resolve to incorporate personal and social issues into her work and Madonna's ability to constantly redefine the boundaries of socially acceptable material in the industry, Spears's catalog ultimately pales in comparison, because "[w]hile Jackson and Madonna wrote their own music about subjects of importance, [Spears's] music sounds like an upbeat version of either, 'I want to grow up but the media won't let me,' or 'Here kitty, kitty, I'm wearing my underwear outside of my leather pants'-type ballads." In contrast, Guy Blackman argues that although "no one would argue that Spears is some kind of pioneering pop auteur, there’s still a lot to like about her back catalogue. During her world-conquering peak, she was just about as cutting edge as you could get in the world of global pop superstardom. Spears didn’t just work with big names, she gave big names their names, and maintained her high currency in the world’s most fickle industry for years, when most aspiring starlets are lucky to manage months."

After meeting Spears face to face, Janet Jackson stated: "she said to me, 'I'm such a big fan; I really admire you.' That's so flattering. Everyone gets inspiration from some place. And it's awesome to see someone else coming up who's dancing and singing, and seeing how all these kids relate to her. A lot of people put it down, but what she does is a positive thing." Madonna's respect for Spears has also been a subject of observation. Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of ''Madonna's drowned worlds: new approaches to her cultural transformations, 1983-2003'' (2004) note that the most well known cross-generational relationship exists between Spears and Madonna in which "the entertainment newsmedia almost became obsessed with their relationship of mutual admiration." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act."

Legacy

Spears became an international pop culture icon immediately after launching her recording career. ''Rolling Stone'' magazine wrote: "One of the most controversial and successful female vocalists of the 21st century," she "spearheaded the rise of post-millennial teen pop ... Spears early on cultivated a mixture of innocence and experience that broke the bank". She is listed by the ''Guinness World Records'' as having the "Best-selling album by a teenage solo artist" for her debut album ''...Baby One More Time'' which sold over thirteen million copies in the United States. Melissa Ruggieri of the ''Richmond Times-Dispatch'' reported, "She's also marked for being the best-selling teenage artist. Before she turned 20 in 2001, Spears sold more than 37 million albums worldwide".

Barbara Ellen of ''The Observer'' has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' was Yahoo!'s most popular search term between 2005 and 2008, and has been in a total of seven different years. Spears was named as Most Searched Person in the ''Guinness World Records'' book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & the Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.". Spears' personal breakdown was also cited as an inspiration for Barry Manilow's album "''15 Minutes''".

In 2011, Adam Markovitz of ''Entertainment Weekly'' commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's 'Toxic' and the candied funk of 2000's 'Oops!...I Did It Again.' Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls."

Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". She was cited as the inspiration of Gwyneth Paltrow's character in the 2010 film ''Country Strong''. Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". ''People'' magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.

Discography

''...Baby One More Time'' (1999)

''Oops!... I Did It Again'' (2000)

''Britney'' (2001)

''In the Zone'' (2003)

''Blackout'' (2007)

''Circus'' (2008)

''Femme Fatale'' (2011)

Tours

...Baby One More Time Tour (1999-2000)

Oops!... I Did It Again World Tour (2000)

Dream Within a Dream Tour (2001-02)

The Onyx Hotel Tour (2004)

The M+M's Tour (2007)

The Circus Starring Britney Spears (2009)

Femme Fatale Tour (2011)

See also

Britney Spears filmography

Britney Spears products

Honorific nicknames in popular music

List of best-selling music artists

List of best-selling music artists in the United States

Notes

References

Further reading

Dennis, Steve (2009). ''Britney: Inside the Dream''. Harper Collins. ISBN 978-0007317516.

Peters, Beth (1999). ''True Brit: The Story of Singing Sensation Britney Spears''. Ballantine Books. ISBN 978-0345436870.

Scott, Kieran (2001). ''I was a Mouseketeer!.'' Disney Press. ISBN 978-0786844708.

Smith, Sean (2006). ''Britney The Unauthorized Biography of Britney Spears.'' Pan Macmillan. ISBN 978-0330440776.

Spears, Britney (2000). ''Britney Spears's Heart to Heart''. Three Rivers Press. ISBN 978-0609807019.

Stevens, Amanda (2001). ''Britney Spears: the illustrated story.'' Billboard Books. ISBN 978-0823078677.

External links

Category:1981 births Category:21st-century actors Category:Actors from Louisiana Category:American child singers Category:American dance musicians Category:American dancers Category:American female pop singers Category:American female singers Category:American film actors Category:American music video directors Category:American musicians of English descent Category:American people of English descent Category:American people of Maltese descent Category:American pop singers Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Innosense members Category:Jive Records artists Category:RCA Records artists Category:Living people Category:Mouseketeers Category:Musicians from Louisiana Category:Parklane Academy alumni Category:Participants in American reality television series Category:People from Kentwood, Louisiana Category:Sony BMG artists Category:World Music Awards winners

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