Monday, September 26, 2011

The Movements - Grains Of Oats (Swe 2006) [Alternate Cover], [Bonus Tracks]

The Movements - Grains of Oats (Swe 2006) [Alternate Cover], [Bonus Tracks]

Formed: 2001,   Gothenburg, Sweden

Members:
* David Henriksson (vocals),
* Gustaf Gimstedt (organ, piano, vocals),
* Christian "Krita" Johansson (guitar, vocals),
* Daniel "Dolly" Pettersson (bass),
* Thomas Widholm (drums)

Also Known As: The Lost Movements
Genres: Psychedelic Rock, Space Rock, Garage Rock, Garage Rock Revival

Tracks:
01. It Starts With a Whisper   3:42
02. Cry for You   2:49
03. Looking for a Change   2:51
04. Being   4:42
05. Five Steps Ahead   3:16
06. Instead of Catching a Disease   3:33
07. Image in the Mirror   2:03
08. Conceptual Love   4:24
09. Circle Ain't Round   2:55
10. Ain't Gonna Let You Mess Me Up   5:02
11. Space Autopsy   6:19
BONUS:
12. Ragdoll   
13. I Don't Wanna Be Like You   

Reviews:
“Yes, Yes and thrice Yes!! This bunch are a Swedish group and if you liked Sweden’s The Strollers
then you will want this disc without doubt. The Movements have a strong affinity to the ‘Paint It Black’ school of minor key modal scale lead lines, but played on farfisa organ rather than guitar. Add some strong fuzztone guitar, well mixed back, leaving the keyboard to carry the melody and add a confident vocal, cleanly recorded and you have a perfect modern ’60s album. It is also not unduly reminsent of Sean Bonniwell’s Music Machine at times, and that’s no small compliment! This is a blinding set from start to finish. The Swedes and the Spanish (see Winnerys review further on) seem to be the global hubs for inventively modern 60s rooted music. From the opener ‘It Starts With A Whisper’, you know you will be on this ride until the end. The end comes 11 songs later with ‘Space Autopsy’ which is a great whirlwind of a number coloured by bleeps and various noises which conjure up a late 60s episode of the popular British science programme Tomorrow’s World take on what the future will sound like. I recommend this one very strongly and you can find out how to get it via their website, don’t hesitate!”
 ~ Paul Martin (Shindig magazine)

Dwnload Links:
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...and also...

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...and also...

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The Movements - Grains Of Oats (Swe 2006) [Alternate Cover], [Bonus Tracks].rar (102.98 MB)
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Monday, September 19, 2011

Teina - Touched By The Sun (us 1969)

Teina - Touched by the Sun (us 1969, Perception Lp - PLP 015)

Credits:
* John Trivers (Bass)
* Thom Kennett (Drums)
* Dan Bloch (Lead, Guitar)
* J.C. (11) (Rhythm Guitar)
* Bill Chelf (Piano)

- Neil Schwartz (Engineer)

Tracklist:
A1. The Facts Of Life  2:50  
A2. Words Of Honor  3:25  
A3. Savage Child  2:40  
A4. 8 Million  3:11  
A5. Pity The Child  4:05  
B1. This Moment In My Life  2:53  
B2. Look Into The Faces  3:05  
B3. Do You Know Me Now  2:57  
B4. Hear Me Well My People  2:50  
B5. Too Soon  2:55  

Teina Richardson was one of Jimmy Curtiss’ discoveries when he launched his Perception label in 1969, her music was described as “Psychedelic Soul”, but it’s safe to label it folk, a nice "change of pace" lp.
Here’s a snippet about her and the record from GGP:
Around the turn of the decade, Curtiss fell heavy for the Native American trip. Where his motivation came from is unclear. “His real name might be Curtiz or Cortez or something like that, because the rare photos of the man, that I've seen, point to a Latin-American or Spanish origin.” That dubious sleuthing aside, there just may’ve been some new world blood a’mingling with the old, cuz Jimmy turned out to be one helluva scout. His first discovery was Teina, a dark-skinned fox of indefinite ethnic descent and the treacley voice of a sure thing. Teina’s sole offering, Touched by the Sun, showcased the young beauty, decked out in beaded garb and cradling what appears to be a stuffed (maybe it’s just sleeping) eagle against a Santa Fe sunset backdrop. The music was smooth, vaguely psychedelic soul dealing with themes of abandonment, unfairness towards her people, etc.. As impressive as it was, the Teina LP was merely a warmup for the indigenous dirty bomb that Curtiss was about to drop on the handful of record-buying young people that actually followed Perception’s sporadic release schedule. When the sun rose on the morning of June 12, 1970 and record store clerks threw open their doors, the shelves were lined with shiny new copies of Custer Died For Your Sins by a real-life American native with the pretty-unhip name of Floyd Westerman.
 ~ http://www.greatgodpan.com/2007/09/little_big_men.htm

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Teina - Touched By The Sun (us 1969, Perception).rar (54.8 MB)
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Sunday, September 11, 2011

Montreal - A summer's Night (Can 1970)

Montreal - A Summer's Night (Can 1970)

Montreal:
* Jean Cousineau,
* Gilles Losier,
* Fran Losier.
Personel:
* Richie Havens (koto, sitar);
* Jeremy Steig (flute);
* Gilles Losier (piano);
* Buzzy Linhart (vibraphone);
* Skeeter Camera (percussion).

Tracks:
01. What About the Wind?  2:28
02. Summer's Night  3:37
03. Circles and Lines  2:45
04. Sometimes in Stillness  3:00
05. Third Floor Walk-Up  5:30
06. Every Passing Moment  2:59
07. Summertime  4:11
08. Round and Round  3:05
09. Infinity  7:58

- Genre: Psychedelic Rock

- Audio Remixers: Al Manger; Bernard Fox.
- Liner Note Author: Richie Havens.
- Photographer: Mark Roth.

This project led by canadian musicians Fran & Gilles Losier, Jean Cousineau was recorded in New York with the help of the four top US musicians Jeremy Steig, Buzz Linhart, Skeeter Camera and Richie Havens. The result is a beautiful folk album with occasional jazz and psych influences. Check the songs for one of the freshest version of "Summertime" and the dark "Infinity".
 ~ by dj fanis.
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The very aptly titled A Summer's Night is a lost slice of turn-of-the-'70s Quebec psychedelia.
After the October Crisis (October 1970), French Canadian music will take a resolutely national turn, leading to the rise of French-singing groups like Harmonium and Beau Dommage in 1973-1974 (prog rock group Morse Code will even switch from English to French around that time). However, A Summer's Night was recorded a little prior to the terrorist events that will precipitate the Quebec sovereignty movement. As a result, the music is lighthearted and the lyrics sung in English -- the title track is the only song with French lyrics, and these are sung with a fake English accent! The lush voice of singer Fran Losier was Montreal's main asset. Comfortable in folk ("Circles and Line"), acid folk ("Infinity"), and jazz settings ("Summertime," "Third Floor Walkup"), she comes off as a surprisingly strong performer with good singing technique to boot (a rarity when dealing with...psychedelic-era rarities).
Guitarist Jean Cousineau and pianist/bassist Gilles Losier round up the core of the band, which has a very pleasant kind of camaraderie going on ("A Summer's Night," "Sometimes in Stillness"). Recorded in 1970, the album was produced by Richie Havens, who also contributes sitar on the eight-minute acid-laced closer "Infinity." Definitely strong enough for the mainstream, this debut and sole album by Montreal should have been a hit. History decided otherwise. A very nice album, particularly for "What About the Wind?," "A Summer's Night," and "Infinity."
 ~ François Couture
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The very aptly titled A Summer's Night is a lost slice of turn-of-the-seventies Quebec psychedelia. After the October Crisis (October 1970), French Canadian music will take a resolutely national turn, leading to the rise of French-singing groups like Harmonium and Beau Dommage in 1973-1974 (prog rock group Morse Code will even switch from English to French around that time). However, A Summer's Night was recorded a little prior to the terrorist events that will precipitate the Quebec sovereignty movement. As a result, the music is lighthearted and the lyrics sung in English -- the title track is the only song with French lyrics, and these are sung with a fake English accent! The lush voice of singer Fran Losier was Montreal's main asset.
Comfortable in folk ("Circles and Line"), acid folk ("Infinity") and jazz settings ("Summertime," "Third Floor Walkup"), she comes off as a surprisingly strong performer with good singing technique to boot (a rarity when dealing with…psychedelic-era rarities). Guitarist Jean Cousineau and pianist/bassist Gilles Losier round up the core of the band, which has a very pleasant kind of camaraderie going on ("A Summer's Night," "Sometimes in Stillness"). Recorded in 1970, the album was produced by Richie Havens, who also contributes sitar on the eight-minute acid-laced closer "Infinity." Definitely strong enough for the mainstream, this debut and sole album by Montreal should have been a hit. History decided otherwise. A very nice album, particularly for "What About the Wind?," "A Summer's Night" and "Infinity."
 ~ by error404.

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Montreal - A Summers Night (Can 1970).rar (74.64 MB)
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Tuesday, September 6, 2011

The Wild Poppies - Heroine (New Zealand 1987)

The Wild Poppies - Heroine (New Zealand 1987)

Formed: New Zealand

Members:
* Nick Taylor (guitar, vocals),
* Alan Carter (vocals, bass, percussion),
* Andrew Young (vocals, guitar, piano),
* IDH (Drums).

Tracks:
A1. What Is Mine   
A2. Colourdrift   
A3. I Don't Need You   
A4. Walkabout   
A5. Canon Over a Grey Sea   
B1. Here nor There   
B2. Fearless Man   
B3. This Person   
B4. Talking to Myself Again   
B5. Introduction

Label: Poppie Records – PR 01, Private Release (2) – PR 01
Engineer: A. Poppie, Malcolm Welsford
Notes: Recorded at Underground Music Studios

A Band I know practically nothing at all about other than the fact they were from New zealand and released this Jangly little gem of an lp sometime in 1987. Sounds similar to The Bats, Clean, Verlaines, Feelies, Sneaky feelings and The Chills but with their own slightly experimental tendencies in areas, Very good stuff deffinitely worth checking out if you're a fan of those mentioned bands.
 ~ By Gozz.
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The Wild Poppies were from New Zealand and released music sometime in the eighties. Although they were not on Flying Nun you can definitely hear that they shared a lot of influences with their artists. Sounds similar to The Bats, Clean, Verlaines, Feelies, Sneaky feelings and The Chills but with their own slightly experimental tendencies in areas.
 ~ By popheaven.
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Drunk on Poppy Milk
The Wild Poppies merge convoluted jangle pop with classic guitar psychedelia obtaining very musical arrangement. I wonder how many able bands appeared out of nowhere, shot with a single excellent album and then dissolved in eternity once again. Quite often such albums as Heroine are much better than commercially successful ones selling out in millions only as a result of immeasurable hype.
 ~ By Babe_N_Co (RYM).
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I really don't know much about this band so I guess I will start off with what I do know. The Wild Poppies were from New Zealand and released music sometime in the eighties. Although they were not on Flying Nun you can definitely hear that they shared a lot of influences with their artists. Other than that pretty much nothing is known about this band which is kind of cool in a mysterious way. Judging from the cover artwork and album title I wouldn't be surprised if substance abuse had something to do with them disappearing off the face of the earth. There has to be some reason they are completely unheard of because this record is solid front to back.
Most of the songs on "Heroine" have that signature New Zealand jangle on them and really strong pop song writing. For me its one of those records where every time you listen to it you walk away with a new favorite song. As far as I know none of the Wild Poppies catalogue ever made it to CD format and I think you would probably have a hard time finding a physical copy of any of their records on vinyl so I am going to post all of "Heroine".
Be warned, can cause physical dependence.
 ~ by matt.

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The Wild Poppies - Heroine (New Zealand 1987).rar (70.35 MB)
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Sunday, August 28, 2011

Pipe Dream - Pipe Dream (uk 1978)

Pipe Dream - Pipe Dream  (uk 1978) 

Formed: 1977,   Ashford, Kent, United Kingdom
Disbanded: 1978 //

Members:
* Paul Skingley  (bass, lead vocals),
* Alan Cork (guitar),
* Vern Mills (guitar, 1977-78),
* John Buckingham (keyboards, harmony vocals),
* Keith Baker (drums).

Biography:
Originally a five piece band with two guitarists, Mills left the band prior to their demos, which were recorded in Buckingham's bungalow in Willesborough, Ashford, Kent during summer '78.
Pipe Dream's music was a collaborative effort, with lyrics by Skingley.

Related Artists: Lusyd

Listen to Pipe Dream's unreleased rare bootleg recordings!

Tracks:
01. Mr Bright Eyes - 3:24 LYRICS by Paul Skingley
02. You Dont Know - 13:27 LYRICS by Paul Skingley
03. Fools Last Stand - 5:52 LYRICS by Paul Skingley
04. I Was a Winner - 11:07 LYRICS by Paul Skingley
Bonus Track:
05. Pipe Dream - 9:35 LYRICS by Paul Skingley (Recorded live at a practice)

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Pipe Dream was formed in 1977 and mainly came from Ashford in Kent. John Buckingham and Alan Cork had previously played together in the band Orpheus. John played keyboards this time and a bit of bass so that Paul could just sing on a couple of numbers.
Pipe Dream were originally a five piece band with two guitarists, unfortunately excellent guitarist and great friend Vern Mills left the band just before recording this demo.
All the following songs were co-written by Pipe Dream but the lyrics were written by Paul Skingley. They were Recorded live apart from the vocals in one afternoon at John's place at 6 Boys Hall Road, Willesborough, Ashford, Kent sometime during the summer of 1978.
Rate Your music.com have ranked Pipe Dream 12th for top bootlegs/unauthorized albums from 1978.
These recordings are probably 3rd generation but they are still generating a lot of interest.....
John last played keyboards in the band Lusyd with his son and sister. Three of these Pipe Dream songs have been recently covered by Lusyd plus the title song Pipe Dream that never made it onto the Pipe Dream demo.
John sends a special thanks to recording engineer Steve for providing the fantastic Wurlitzer electric piano and to Roland for the best hand's-on synth they have ever produced, the ultra cool System 100 - 101.


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Thursday, July 14, 2011

MH - Black Animal (us 2011)

MH - Black Animal (us 2011)

Credits:
- Released 01 February 2011
- Written, performed, recorded by MH
- 'Magazines' written by NP & MH
- Chicago IL 2010
- Mastered by JSC
- Brooklyn NY 2011

tags: experimental folk Chicago

You can contact or order a copy here:
http://www.purehighonthesea.com/

Self Description:
About dark, layered folk music recorded on the floor of the forest!

Tracks:
01. Gift 04:17 
02. The Meeting Of The Waters 01:44
03. Volume And Ocean 03:33
04. Aces 03:56
05. In The Blackness Of The Fire 05:42
06. The Shore 04:17
07. Blanket 04:10 
08. France 02:25 
09. Magazines 03:39 
10. Rifle 05:53 
11. Leave Me The Leaves 02:20

Very interesting, fresh, sweet and ablazing sound from a new psych-folk artist! I 'm happy to see that the old tree of folk music flourishes again continuously...
 ~ alfaios.
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Simple, psychedelic-ish folk from Chicago. No, it's not lo-fi - the production quality here is top notch, which is nice, because it makes you appreciate all the little elements in this man's music. The main instruments here are obviously an acoustic guitar and the voice, but there is some interesting experimentation with electric guitar and even the studio equipment - like "Aces" which sounds like something between early Animal Collective and Christian Fennesz.
The tracks range from typical singer-songwriter stuff (with a slight, SLIGHT delay) to relaxing guitar passages set to field recording (or maybe recorded in the middle of the forest)?
Recommended. You can download the album for free or e-mail the guy for a physical copy.
 ~ by Panzerfaust.
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This is the first in a (hopefully!) long series of reader inspired reviews. This review is actually on a completely original piece of work which I would highly suggest checking out.
This is a short 12 song EP which consists of a mix of folk and semi-experimental sounding tracks. Hayes does a great job of working his way around the guitar and creating deep, rich melodies that perfectly match his voice, creating a distinct Xavier Rudd-esque feel.
The experimental portions of the EP sound like a collaboration between Baths and Animal Collective, a mix of avant garde folk and bedroom pop. Either way, it is a very interesting listen and worth a look. The production quality is surprisingly good and none of the instruments seem to fight for the lime light.
 ~ by Gabriel Unger.

Download Links:
http://purehighonthesea.bandcamp.com/

...and also...

http://www.multiupload.com/CUAP6PIQWR
MH - Black Animal (us 2011).rar (99.06 MB)
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Saturday, July 9, 2011

Marc Jonson - Years (us 1972)

Marc Jonson - Years (us 1972)

Born:  NY, United States

Currently:    Nashville, TN, United States

Also Known As: Mark Johnson

Genres: Singer/Songwriter, Baroque Pop

Tracks:
A1. Rainy Dues  3:53
A2. Mary  5:52
A3. Mother Jane
A4. Fly  2:08
B1. Long Son  5:15
B2. Autopsy  1:38
B3. Return to the Relief  5:51
B4. Munich  2:37
B5. The Tredmill 2:42

This record is fascinating in so many ways that it would take too much space for my lowbrow writing abilities. Anyway, what really baffles me is how snobs and connoisseurs spend their life salibating at incredibly rare,hopelessly dull, "conazo" records while major label artists like David Stoughton, Bob Brown or Jonson himself are still undervalued by everyone (just google his name to check).
How odd!
It's good to know there are still records out there that thrill me the way they used to in my youth.
How great!
 ~ by CarlosCastro (RYM).
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I own the CD reissue signed by Mark Johnson, aka Marc Jonson, of this enchanting record originally released on Vanguard Records in 1972 and now available on Radioghost as a special product.
This is a truly magic listening experience that reflects the very peculiar recording process if we are to believe Marc/Mark Jonson/Johnson himself: "I used left over harpsichords from classical sessions the night before. I hired string players and a string arranger. I even met a street player named Steven Gardner who played the recorder and set him to task on a long instrumental part of one of the songs. It was very ahead of its time in many ways"
Amazing, isn't it?
By the way, Mark Johnson later recorded three powerpop CDs that are must-haves, even for earlier fans of the folk-psych-pop music to be found on 'Years'.
 ~ by popphil (RYM).

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Marc Jonson - Years (us 1972).rar (46.1 MB)
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Thursday, June 30, 2011

Riff Raff - Outside Looking In (uk 1999) (originally recorded in 1972)

Riff Raff - Outside Looking in (uk 1999)
(originally recorded in 1972)

Formed: 1972, United Kingdom

Members:
* Tommy Eyre (keyboards, Hammond organ, acoustic guitar),
* Alan Marshall (vocals),
* Roger Sutton (bass guitar, acoustic guitar, vocals),
* Rod Coombes (drums, percussion, acoustic guitar),
* Joe Czarnecki aka Joe Peters (2nd drums),
* Martin Ball (guitar),
* Richie Dalton (saxophones),
* Pete Kirtley (guitar 8 to 11),
* Kenny Slade (drums 8 to 11),
* Aurero De Souza (drums 8 to 11).

Related Artists: Mark-Almond, Nucleus, Blue Whale

Genres: Progressive Rock

Albums:
- Riff Raff (RCA SF 8351) 1973 (reissued on CD by Disconforme, DISC 1952 CD, 1999)
- Original Man (RCA LPLI 5023) 1974 (reissued on CD by Disconforme, DISC 1953 CD, 1999)
- Outside Looking In (never released before 1999; CD by Disconforme, DISC 1951 CD, 1999)
45:
- Copper Kettle/You Must Be Joking (RCA RCA 2396) 1973

Tracklist:
01. Outside Looking In – 9:17
02. The Blind Man – 8:18
03. Bach B. Minor Prelude – 2:58
04. Feeling Paranoic – 0:43
05. Buthelezi – 3:42
06. So You Want to Be Free – 10:56
07. Changes – 3:25
Bonus Tracks:
08. Child of the Summer – 6:02
09. For Every Dog – 4:08
10. Morning – 5:59
11. The Garden – 6:59

Riff Raff was a UK progressive rock band formed by keyboardist Tommy Eyre in 1972.The band was a continuation on the back of drummers (and Harrow School of Art friends) Rod Coombes (Juicy Lucy Strawbs and Stealers Wheel) and Joe Czarnecki's (Plainsmen) aka Joe Peter's project originally called 'Crikey' started in 1969 and completed in 1970 when Rod had to accept growing tour commitments with Juicy Lucy.These sessions comprise half of the Riff Raff album 'Outside Looking In' in which Rod wrote half the songs.Rod says that "the concept of the band was based around two drummers and afro-jazz (Rod and Joe were great fans of Ginger Baker and Miles Davis) and fusion(this album was one of the first true fusion albums to be recorded).I had worked with Roger with singer Paul Williams (Juicy Lucy)and Tommy previously and clearly we all enjoyed doing what we do best-playing freely".
Riff Raff later went on to release two albums to lukewarm response; however, their use of jazz and hard-edged rock garnered them a large underground following. Riff Raff also released the single "Copper Kettle". Although not typical of Riff Raff's repertoire, the band were unlucky not to get some chart coverage from the single.[citation needed]
NOTE: This band is not to be confused with a US rock band of the same name (Doug Lubahn: vocals, bass. Ned Liben: guitar. Werner Fritzsching: guitar. Mark Kaufman: drums) who released an album entitled Vinyl Futures (Atco SD-32-108) in 1981 (notable for having a Hipgnosis sleeve design). Also note, not to be confused with the Island recording artists "Riff Raff" 1978, Chris DeMarco, Ray Hennighan, Jimmy Lowell, Ned Liben, David Lanik.
 ~ From Wikipedia, the free encyclopedia.
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Riff Raff came together almost as a natural consequence of the member’s different paths crossing each others at times.
While the Eyre and Sutton pair where working with Mark-Almond progressive duet, they had the time to record an album with Alan Marshall (future Zzebra) and drummer Rod Coombes (future Strawbs), but Mark-Almond became successful in America, so their project (then-named Strabismus) got put on hold. There are also bonus tracks from a recording session of the future incarnation of Riff Raff, with Kirtley, De Souza (and second drummer Kenny Slade).
All tracks (including, bizarrely, the bonus tracks) are written by bassist Sutton and drummer Coombes self-produced, this album is much rockier than the next two Riff Raff albums, and the opening title track is certainly a lengthy energetic number, rather contrasting with its (also length) follow-up Blind Man with its choral middle-section (recorded in the Guilford cathedral).
The Bach piece is much in the line of Blind Man. The side ends with an ultra-short Paranoia (musically-linked to the previous track). Since this album never came out under the vinyl format, it is relatively hard to tell which track would’ve been on which side since Buthelezi is also linked to Paranoiac (and therefore to the Bach piece), but it quickly develops into a drum solo. So far, this unreleased album has reserved us a few surprises, being much more classically-influenced than the next two Riff Raff albums. A bluesier (almost 11-min) To Be Free is certainly still enjoyable.
As for the bonus tracks supposed to be making the link from this unreleased album to the next one, not much is specified as to when the sessions took place, who was still in the group (three drummers for the whole album and two for the bonus tracks). “Child of the summer” is a very nice jazz-laced with soul vocals really announcing the eponymous album and is a small gem, Morning being a bit soul-folk-like, but allowing for instrumental interplay (a good flute-guitar duet), while the 7-min The Garden is a reflective piece offering peaceful ballad-like ambiances.
This “debut” album is rather different-sounding to the classic Riff Raff and is more for the hardcore fans, but still offers a few interesting moments. The bonus tracks are of a bit more interest as they really represent the Riff Raff genesis.
 ~ (Review from progarchives.com).

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Riff Raff - Outside Looking In (uk 1999) (originally recorded in 1972).rar (116.64 MB)
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Tuesday, June 28, 2011

Farm - Farm (us 1971)

Farm - Farm (us 1971, Crusade Enterprises LPS-465)

Formed: 1969,    Mt. Vernon, IL, United States
Disbanded: 1973 // 

Members:
* Del Herbert (lead guitar),
* Gary Gordon (vocals, guitar, bottleneck guitar),
* Jim Elwyn (vocals, bass),
* Steve Evanchik (percussion, harmonica),
* Roger Greenwalt (keyboards),
* Mike Young (drums).

ALBUMS:
1 FARM (Crusade Enterprises LPS-465) 1971 R2
NB: (1) reissued as a 10" LP (Akarma AK2012) 2000.  

Tracks:
01. Jungle Song (instrumental)- 7:45
02. Let That Boy Boogie - 7:13
03. Sunshine In My Window  - 3:47
04. Cottonfield Woman  - 3:57
05. Statesboro Blues - 3:24

Farm was a late '60s band from Southern Illinois, whose bluesy, country rock style was very similar of that of The Allman Brothers, and Canned Heat. In fact, Farm did an excellent version of the The Allman Brothers' "Statesboro Blues", which is featured on their first and only album, and opened for some big name acts of the day such as Canned Heat. Farm so impressed Canned Heat's  manager at the time, he offered to represent them, but the band turned him down.
Sadly, Farm disbanded about a year after their debut album was released.
 ~ by RYM.
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Recorded at Golden Voice Recording Studios in South Pekin, Illinois and released on a small record label from Flora, Illinois, this Farm released a very obscure and rare album of heavy garage psych with fuzz guitars, congas, mouth harp, organ, bottleneck and timbales. The album contains five tracks including Jungle Song, Let That Boy Boogie and Sunshine In My Window.
They thank a certain George Leeman as their friend and spiritual guide.            
 ~ (Stephane Rebeschini) / Fuzz, Acid & Flowers
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The line up consisted of bassist Jim Elwyn, percussionist Steve Evanchik, singer/guitarist Gary Gordon, keyboard player  Roger Greenwalt, guitarist Del Herbert and drummer Mike Young.  I also know that their 1971 debut "Farm" was recorded at Golden Voice Studios in South Perkin, Illinois and was limited to a 500 copy pressing.  Featuring largely original material, the set's fairly varied.  The opening instrumental 'Jungle Song' and 'Sunshine In My Window' are both strong guitar-propelled numbers that sound heavily influenced by both The Allman Brothers and Santana.  Elsewhere, 'Cottonfield Woman' was a nice slice of blues-rock, while as you'd probably expect from the title 'Let the Boy Boogie' and a cover of 'Statesboro Blues' were okay slices of boogie. 
(Quoting from the liner notes - "Many thanks to George Leeman, our friend and spiritual guide"
- anyone know who Leeman is?)
 ~ Internet source.

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Farm - Farm (us 1971).rar (39.48 MB)
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Sunday, June 12, 2011

V.A. - Freakout U.S.A. (1967)

V.A. - Freakout U.S.A. (1967, Tower T-5901, Mono)

Tracks:
Side 1
A1. Freakout U.S.A. - The Aftermath (M. Curb)
A2. Psychotic Reaction - The Hands of Time (Ellner, Chaney, Atkison, Byrne, Michalski)
A3.Yellow Pill - Mom's Boys (Beckner, Hector, Martin, McClain, Wibier)
A4. Poisons in My Body - International Theatre Foundation (M. Cohen)
A5. I'm Losing It - The Glass Family (Parrett, Lamont)

Side 2
B1. Up and Down - Mom's Boys (Beckner, Hector, Martin, McClain, Wibier)
B2. Season of the Witch - The Mugwumps (Donovan)
B3. Number 1 Lover - Everybody's Children (J. Capps, M. Jay)
B4. Don't Try to Crawl Back - Jesters (Pittman, Fredrickson Jr.)
B5. I Like the Way You Freakout - The Hands of Time (H. Hatcher)

This is one of the better cash-in artifacts of the mid-60s teenquake. Released on the same label that produced soundtracks to American International Pictures biker flicks like The Wild Angels (on which The Hands of Time also appear), and featuring a title track written by an eventual California lieutenant governor. The Aftermath's segues from Standells' styled garage-punk to Jan & Dean sunshine harmonies and back are particularly winning. The Zappa-esque jazz freakout "Poisons in My Body" could be a serious bummer if your trip's not going well, but the fuzz guitar "I'm Losing It" will reel you back in.
 ~ Internet source.

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V.A. - Freakout U.S.A. (1967, Tower T-5901, Mono).rar (33.08 MB)
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Saturday, June 11, 2011

The Summer Sounds - Up Bown (us 1969)

The Summer Sounds - Up Down (us 1969)

Formed:  North Dartmouth, MA, United States

Tracks:
01. Small World - 2.49
02. Hard To Please - 3.55
03. Lonely Beach - 3.23
04. Gimme Some Lovin΄ - 2.58
05. One Last Kiss - 2.22
06. The Leaves Are Turning Brown - 4.20
07. Summer Girl - 4.22
08. I Love You - 3.42
09. First Date - 2.21
10. You Told Me - 2.42

Reviews:
"Mega rare album from the Dartmouth, Massachusetts fivepiece outfit which was released originally on the Laurel label (Laurel 331098) in 1969. Up-Down is an album of largely self-penned material (only 2 covers, one of which is a strong version of The Spencer Davis Group's hit, 'Gimme Some Lovin') with The Leaves Are Turning Brown, complete with cheesy psych organ and wonderful earnest vocals, is the stand out track. Up-Down is a beat-garage concept album detailing the highs and lows of a summer vacation romance, with, as you would expect, loads of moody teenage angst and lashings of self pity. The songs are all catchy, and there's a couple of good ballads. Mega rare album from the Dartmouth, Massachusetts five-piece outfit which was released originally on the Laurel label in 1969. Largely self-penned material (only 2 covers, one of which is a strong version of The Spencer Davis Group's hit, Gimme Some Lovin') with The Leaves Are Turning Brown, complete with cheesy psych organ and wonderfully-earnest vocals, is the stand out track. Up-Down is a beat-garage concept album detailing the highs and lows of a summer vocation romance, with, as you would expect, loads of moody teenage angst and lashings of self pity.First time that this album, with it's ultra-cool cover, has been reissued on CD.
~ by CGR.
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First off, let me underscore this is a copy of the mid-1990s 400 copy reissue.  It's expensive, but then an original copy will set you back $600 - $800.
These guys stands as another mid-1960s outfit that's been largely forgotten over the years. 
There certainly isn't a great deal of bibliographical data available on them.  A five piece (no surnames on the liner notes), they were apparently from Dartmouth, Massachusetts and got a recording contract as a result of having won a local talent contest.
Released in 1969 by the Laurel label, "Up-Down" must have already sounded hopelessly dated on its release.  Surrounded by a sea of acts pushing blues jams, psych meltdowns, and hard rock, these guys proudly stuck with a very retro sound.  Showcased lots of original, Farfisa-propelled ballads, to my untrained ears these hopelessly earnest performances sounded like something from the 1965-1966 timeframe rather than 1969.  Who knows, maybe they were going for a retro sound. 
Exemplified by tracks like 'Small World', 'Lonely Beach' and their cover of The Zombies 'I Love You' this was broken-hearted mid-1960s garage rock at its best.  Even the isolated up-tempo numbers such as their cover of The Spencer Davis Group's 'Gimme Some Lovin'', 'First Date', and the closer 'You Told Me' sounded like they'd been recorded with a broken heart, or at least under the effects of a codeine blanket.  Adding to the mystique, the album was apparently intended as a concept piece, most of the nine songs dealing with the subject of found-then-lost summer love - want to hear a heartbroken guy then check out the near suicidal 'Summer Girl'.  All told you wouldn't think this would be something to get all that excited about here.  The funny thing is this is a wonderful album.  The low tech, overly earnest feel was simply KILLER - I dare anyone to hear 'Hard To Please' or the organ-propelled 'The Leaves Are Turning Brown' (with a keyboard riff that will drill its way into your head and not let go) and not be won over.  Worth the asking price of an original?  I'll leave that decision up to each of you.
~ by RDTEN1 (RYM).

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The Summer Sounds - Up Bown (us 1969).rar (61.17 MB)
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Saturday, June 4, 2011

Nino Ferrer - Nino And Radiah (Fra 1974)

Nino Ferrer - Nino and Radiah (Fra 1974)

Born: August 15, 1934,    Genova, Liguria , Italy
Died: August 13, 1998 //    Montcuq, Midi-Pyrénées, France

Related Artists: Les Gottamou
Also Known As: Nino Agostino Arturo Maria Ferrari [birth name]

Genres:
Pop/Rock, Psychedelic Pop, French Pop, Chanson, Jazz-Rock

Members:
* Nino Ferrer - guitar & vocals
* Radiah Frye - vocals & sympathy
with:
* the American band ICE:
* Arthur Young & Ronnie James - trumpet
* Franck Abel - keyboards
* Larry Jones - electric guitar
* Lafayette Hudson - bass
* Danny Donath - drums
* Kino Speller - percussion

Tracks:
01. South (N. Ferrer) - 5:00**
02. Moses (N. Ferrer, D. Moses, R. Frye) - 4:45
03. Mint Julep (N. Ferrer, D. Moses, R. Frye) - 4:00
04. Hot Toddy (N. Ferrer, D. Moses, R. Frye) - 8:35
05. Vomitation (N. Ferrer, D. Moses, R. Frye) - 2:36
06. The Garden (N. Ferrer, D. Moses, R. Frye) - 4:20
07. Looking For You (N. Ferrer) - 5:47
08. New York (N. Ferrer) - 5:02
09. Le Sud (N. Ferrer) [Bonus Track] - 4:33***

**Track 01. members:
- Nino Ferrer - vocals
- Michel Bernholc - conducting & piano
- Claude Engel & Gérard Kawcsynski - guitars
- Christian Padovan - bass
- André Sitbon - drums
- Marc Chantereau - percussion

***Track 09.
- From: 537 732 - 2,  Barclay CD: Nino and Radiah et le Sud (1997)

A good album in English by an Italian-French artist. "South" was recorded in London Trident Studio with French and British musicians, all of the other song in Rueil (near Paris) with the group Gee and others. "Le Sud" is the French adaption of "South", and it has become a big hit in France, frequently heard on radios even now. Most of the album has a blues and progressive feeling, and a relaxed tone.
The (now) politically incorrect cover has been replaced on certain reissues by a view of a house in a garden ...
 ~ by chrismass61 (RYM).
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Taking into account Nino Ferrer's personal view of his discography, the album Nino and Radiah should be perceived as his third album (although chronologically this was in fact number seven). It followed the prog rock approach of 1971's Métronomie and the rock & roll leanings of the Mickey Finn collaboration Nino Ferrer & Leggs from 1973. The album is partly named after Afro-American singer Radiah Frye, and her pinup presence flanking Ferrer substantially upgraded the original album cover. Accompanied by the Lafayette Afro Rock Band (aka Ice), Ferrer set out on yet another shape-shifting exercise. Building on the groovy vibe of Métronomie, the album ultimately steers toward majestically orchestrated, laid-back funk. Entirely different from his earlier take on Southern soul, the result requires several listenings before it gently entangles your subconscious and reveals its addictive qualities. Reminiscent of the New Orleans-inspired funk of Little Feat and California singer/songwriters from the same era, it's perfect company for driving the French countryside or West Coast highways. It was recorded in November 1973 and sung in English with one exception. Ferrer's longtime accomplice Bernard Estardy rearranged the track "South," adding some widescreen organ touches. The resulting "Le Sud" had huge commercial appeal, much to the chagrin of Ferrer: he felt the artistic compromise of aiming at chart success had rendered everything else on the album pointless in a similar way to what had happened previously to Métronomie and its leadoff track, "La Maison Près de la Fontaine." However, the royalties did enable him to buy a 15th century fortress in the Quercy region, where he would retreat between albums and divide his time between his family and painting. "Le Sud"/"South" refers to a Louisiana-style mansion situated in Italy: a pleasant and idyllic place where the moody Ferrer seeks refuge from his dark side. Both versions serve as bookends to the album, which works best as a whole. Still, standout tracks are the funky "Mint Julep" (a relative of the Mojito cocktail) with its fuzzy guitar and the lengthy but mesmerizing "Hot Toddy." "The Garden" with its lazy organ and the bongo-laden "New York" sound fairly close to what the French band Air would build an entire career on. Remaining a relatively undiscovered gem, Nino and Radiah is in fact up there with classics like Melody Nelson and Polnareff's.
 ~ AMG.

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Nino Ferrer - Nino And Radiah Et Le Sud (Fra 1974).rar (98.86 MB)
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