A tributary or affluent is a stream or river that flows into a main stem (or parent) river or a lake. A tributary does not flow directly into a sea or ocean. Tributaries and the mainstem river serve to drain the surrounding drainage basin of its surface water and groundwater by leading the water out into an ocean or sea.

A confluence where two or more bodies of water meet together, usually referring to the joining of tributaries.

Reciprocal to a tributary is a distributary, a river that branches off of and flows away from the main stream. Distributaries are most often found in river deltas.

Terminology

'Right tributary' and 'left tributary' (or 'right-bank tributary' and 'left-bank tributary') are terms stating the position of the tributary relative to the flow of the mainstem river. These terms are defined from the perspective of looking downstream (in the direction the water current is going).

Ordering and enumeration

In geography, tributaries are sometimes ordered from those nearest to the source of the river to those nearest to the mouth of the river. For example, the Strahler Stream Order examines the arrangement of tributaries in a hierarchy of first, second, third, and higher orders, with the first order tributary being typically the least in size. For example, a second order tributary would be composed of two or more first order tributaries combining to form the second order tributary.

Another method is to organize tributaries from mouth to source, in the form of a tree structure, stored as a tree data structure.

See also

Estuary

References

External links

Category:Physical geography Category:Rivers Category:Water streams

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Cameron Mizell (born on September 28, 1983) is an American record producer and owner of the Chango Studios in Orlando, Florida. Cameron Mizell started recording in 2006. Mizell was also the lead singer for the band Last Winter in which he appeared on the albums Transmission: Skyline and Under The Silver Of Machines, both of which he produced.

Production discography

! Year	! Artist	! Album Title	! Label	! Credits
2011	The Last of Our Kind	''TBA''	TBA	Producer Mixing Mastering
2011	The Browning	''Burn This World''	Earache Records	Mixing
2011			n/a	Producer, Mixing, Mastering
2011		''Gentlemen's Brawl''	Uprising Records	Producer
2011		''TBA''	n/a	Producer
2011	Hands Like Houses	''Ground Dweller''	n/a	Producer
2011	Dream On, Dreamer	''Heartbound''	Rise Records	Producer, Engineer, Mixing, Mastering
2011		''[[Teenage Scream''	Rise Records	Producer, Engineer, Mixing, Mastering
2011		''My Life In Ruins EP''	Self-released	Producer
2011	Memphis May Fire		Rise Records	Producer, Mixing, Mastering
2011	Ten After Two	''Truth Is...''	Rise Records	Producer, Mixing. Mastered by Joey Sturgis
2011	I See Stars	''The End of the World Party''	Sumerian Records	Engineer, Producer, Mixing. Mastered by Joey Sturgis
2011			Rise Records	Pre-Production
2010	A Bullet For Pretty Boy	''Revision:Revise''	Artery Recordings	Producer, Engineer, Mixing
2010	Woe, Is Me			Producer, Engineer, Mixing. Mastered by Joey Sturgis
2010	For All Those Sleeping	''Cross Your Fingers''	Fearless Records	Producer, Engineer
2010	I, Artificial	''Demos''	Independant	Producer
2010	Scare Don't Fear		Self-released	Producer
2010	Letterbox Tragedy	''Breathe Beyond Skylines EP''	Self-released	Producer
2010	Lions!Tigers!Bears!	''Demos''	Independent	Producer, Engineer, Mixing
2010	We Are Danger	''Existence EP''	Self-released	Producer
2010	Jamie's Elsewhere	''They Said A Storm Was Coming''	Victory Records	Producer, Engineer, Mixing
2010	Sleeping with Sirens	''With Ears to See and Eyes to Hear''	Rise Records	Producer, Engineer, Mastering, Mixing, Additional programming and percussion
2009	Before We Sleep	''Between Dreams and Mayhem EP''	Self-released	Producer
2009	I See Stars		Sumerian Records	Producer, Mastering, Mixing. Pre-production by James Paul Wisner.
2009			Uprising Records	Producer, Mastering, Mixing
2009	Oceana	''Birth Eater''	Rise Records	Producer, Audio Engineer, Audio Production, Engineer, Mastering
2009	Of Machines	''As If Everything Was Held in Place''	Rise Records	Producer, Audio Production, Guest Appearance, Mastering, Producer, Vocals, Mixing
2009	The Year Ends in Arson		Indianola Records	Producer, Audio Production, Vocals, Mastering, Mixing, Guest Appearance
2009		''Decisions EP''	Self-released	Producer
2008	Oceana	''The Tide''	Rise Records	Producer, Engineer, Guest Appearance, Mastering, Vocals, Mastering
2008	Modern Day Escape	''Modern Day Escape EP''	Self-released	Producer
2008	Hand To Hand	''Breaking The Surface''	Lifeforce Records	Producer, Engineer, Mastering, Mixing
2007	Last Winter	''Under The Silver Of Machines''	Lifeforce Records	Producer, Engineer, Mastering, Mixing
2005	Last Winter	''Transmission: Skyline''	Lifeforce Records	Producer, Engineer, Mastering, Mixing

References

External links

Production Credits

Production Credits

Chango Studios

Chango Studios Myspace

Category:Living people Category:American record producers Category:1983 births

name	Bobby Dunn
birthname	Robert V. Dunn
birth date	28 August 1890
birth place	Milwaukee, Wisconsin, U.S.A.
death date	March 24, 1937
death place	Hollywood, California, U.S.A. }}

Bobby Dunn (28 August 1890 – 24 March 1937) was a comic actor who appeared in several Laurel & Hardy comedies, beginning with ''Duck Soup'', and notably as the shoplifter in ''Tit for Tat''.

Biography

Born Robert V. Dunn in Milwaukee, Wisconsin, to Richard P. Dunn and Melissa Dunn.

Career

A native of Milwaukee, Wisconsin, Dunn started his career at Keystone Film Company production. He worked in a number of American motion-picture producer and director Mack Sennett's comedies, and lost one of his eyes in a stunt that went wrong (while falling into a barrel of water, his eye was caught by a floating matchstick on top) and had to wear a glass eye, which gave him a somewhat cross-eyed appearance. He later supported such comedians as Harold Lloyd, W.C. Fields and Charley Chase, before his early death.

Filmography

Neighborhood House (1936)

The Lucky Corner (1936)

The Bohemian Girl (1936)

One Run Elmer (1935) (uncredited)

Tit for Tat (1935)

Me and My Pal (1933)

The Dentist (1932)

Honeymoon Beach (1932)

The Flirty Sleepwalker (1932)

Lady! Please! (1932)

The Last Ride (1931)

Half Holiday (1931)

The Phantom (1931)

Side Show (1931)

Pardon Us (1931)

Breed of the West (1930)

Trails of Danger (1930)

Canyon Hawks (1930)

America or Bust (1930)

The Canyon of Missing Men (1930)

Half-Pint Polly (1930)

Call of the Desert (1930)

Loose Ankles (1930) (uncredited)

Parade of the West (1930)

The Parting of the Trails (1930)

Neath Western Skies (1929)

Code of the West (1929)

The Racketeer (1929)

Bacon Grabbers (1929)

Riders of the Storm (1929)

The Wagon Master (1929)

Captain Cowboy (1929)

An Oklahoma Cowboy (1929)

The Royal Rider (1929)

Taxi Spooks (1929)

The Upland Rider (1928)

Speedy (1928) (uncredited)

Love in a Police Station (1927)

A Dozen Socks (1927)

Masked Mamas (1926)

The Divorce Dodger (1926)

When the Wife's Away (1926)

Alice Be Good (1926)

Wandering Willies (1926)

The Thrill Hunter (1926)

Whispering Whiskers (1926)

Tee for Two (1925)

Hello, 'Frisco (1924)

I'm Cured (1924)

The Cry Baby (1924)

Miners Over 21 (1924)

Case Dismissed (1924)

My Little Brother (1924)

Green Grocers (1924)

Politics (1924)

Flapper Fever (1924)

Ship Ahoy! (1924)

Keep Healthy (1924)

Unmounted Policemen (1924)

Easy Money (1924)

A Fake Alarm (1924)

Easy Work (1924)

This Way Out (1924)

Why Wait? (1924)

The General Store (1924)

The Plumber's Helper (1924)

The Rivals (1923)

All Is Lost (1923)

Hot Foot (1923)

Ain't Love Awful? (1923)

My Error (1923)

No Danger (1923)

Oh! Shoot (1923)

Our Alley (1923)

Give Me Air (1922)

Oh, Mabel Behave (1922)

All Wrong (1922)

Hands Up (1922)

Fresh Paint (1922)

The Fast Mailman (1922)

Be Reasonable (1921)

His Fiery Beat (1921)

His Naughty Wife (1919)

East Lynne with Variations (1919)

Lions and Ladies (1919)

A High Diver's Last Kiss (1918)

A Flyer in Folly (1918)

Barbarous Plots (1918)

Hero for a Minute (1917)

Are Waitresses Safe? (1917)

Two Crooks (1917)

A Maiden's Trust (1917)

Secrets of a Beauty Parlor (1917)

Villa of the Movies (1917)

His Busted Trust (1916)

The Winning Punch (1916/II)

Bubbles of Trouble (1916)

Bath Tub Perils (1916)

His Bread and Butter (1916)

His Last Laugh (1916)

By Stork Delivery (1916)

His Pride and Shame (1916)

His Auto Ruination (1916)

Fickle Fatty's Fall (1915)

A Game Old Knight (1915)

Fatty's Tintype Tangle (1915)

Those Bitter Sweets (1915)

A Versatile Villain (1915)

Hogan Out West (1915)

Hogan's Aristocratic Dream (1915)

Hogan's Romance Upset (1915)

Fatty's New Role (1915)

Hogan, the Porter (1915)

Hogan's Mussy Job (1915)

Hogan's Wild Oats (1915)

A Hash House Fraud (1915)

In and Out (1914)

Hoffmeyer's Legacy (1912)

Death

Bobby Dunn died in Hollywood, California, at the age of 46. Died on the 24 March 1937.

External links

F.V.H. (film virtual history person) B. Dunn

The Charlie Hall Picture Archive

Category:1890 births Category:1937 deaths Category:Burials at Hollywood Forever Cemetery Category:American silent film actors Category:People from Milwaukee, Wisconsin Category:Hal Roach Studios actors

Colman Robert Hardy Daniel Andrews (Colman Andrews) (born February 18, 1945) is an American writer and editor and authority on food and wine. In culinary circles, he is best known for his association with ''Saveur'' magazine, which he founded with Dorothy Kalins, Michael Grossman, and Christopher Hirsheimer in 1994 and where he served as editor-in-chief from 2001 until 2006. Since then, he has been the restaurant columnist for ''Gourmet''. He is considered one of the world’s foremost experts on Spanish cuisine, particularly that of the Catalonia region.

Early life

Born in Santa Monica, California. His father, Charles Robert Hardy Douglas Andrews, born in Effingham, Kansas, was a newspaperman, pioneering radio soap opera writer, novelist, and screenwriter. In a 1948 New Yorker article on the soaps, James Thurber mentioned Andrews and his ability to turn out “a hundred thousand words a week over a period of years, without losing a pound or a hair.” Writing speed and fecundity would eventually become something Bob’s son Colman was known for as well. Andrews’ mother was Irene Colman (née Bressette), an actress of French-Canadian descent born in Nashua, New Hampshire. She was featured as a chorus girl in ''Gold Diggers of 1937'' alongside Lucille Ball, and also appeared in ''Anthony Adverse'' with Fredric March and ''Tale of Two Cities'' with Ronald Colman (from whom she took her stage name, the second half of which she later passed on to her son). Andrews and his sister, Ann Merry Victoria Andrews (two years his junior), grew up on an estate in the West Los Angeles neighborhood of Holmby Hills, next door to Vincent Price. The family moved to Ojai, north of Los Angeles, in 1959, and Andrews attended Villanova Preparatory School in the same town. Even in those days, Andrews loved food; he relished dinners at the innovative Ranch House restaurant nearby and, living in a house rented from Loretta Young, he collected bags full of Ojai’s famed Valencia oranges from the small orchard out front and squeezed fresh juice from them. He also had his first job in journalism, writing community items for The Ojai Valley News for 35 cents a published column inch.

Early career

After high school, Andrews went on to Loyola Marymount University in Los Angeles as an English major. Kicked out of Loyola after one year for ignoring his studies in favor of the campus radio station, Andrews spent the next year-and-a-half working and traveling, at one point following a girlfriend to Atlanta and then Boston. Returning to Los Angeles, he enrolled at Los Angeles City College in 1965, studying philosophy, art history and Arabic. He took a job in the bookshop at the Los Angeles County Museum of Art the same year, and got to know many of the top Southern California artists of the time. In 1968, after a year-and-a-half at Los Angeles City College and a semester at California State University, Andrews was accepted at the University of California at Los Angeles. There he continued his philosophy training and also began studying European and Middle European history; he graduated in 1969 with degrees in history and philosophy, and his knowledge of both would eventually become hallmarks of his food writing.

It was during his college years that Andrews began paying attention to food in a serious way. His early inspiration was ''Holiday'' magazine’s annual restaurant awards, which were founded in 1952 and presided over by Silas Spitzer. Spitzer based the awards on reports from a squad of what he termed “anonymous scouts” around the country (one of whom was James Villas, who would become the food editor of ''Town & Country'' magazine for many years). At 25, aware of the fact that as a result of his privileged upbringing he had experienced “more restaurant meals…than many of my contemporaries would eat in a lifetime,” Andrews wrote to Spitzer in hopes of joining his team. Spitzer hired him to write about Dan Tana’s in West Hollywood, which was one of Andrews’ favorite places. Before the piece could run, the magazine was sold and the review was never published. It succeeded, however, in igniting a singular enthusiasm in its author.

Andrews’ first restaurant reviewing job was for ''The Staff'', an offshoot of the ''LA Free Press''. For the column, Andrews created a character called “Mr. Food” who had a distinctly Victorian voice and invoked a lot of food-related puns and homonyms. In early 1972, Andrews, a serious music lover and amateur singer and songwriter in addition to his interest in gastronomy, was hired by the publicity department of Atlantic Records; he penned press releases for such albums as Bette Midler’s and Jackson Browne’s debuts. Still writing restaurant reviews on the side, Andrews got his first expense account—and used it to visit LA’s newest restaurants. He began to seriously study wine and was a fan in particular of the wine writer Roy Brady, who espoused the notion that a wine should be judged not by its reputation or price but instead by what it smells and tastes like. Brady became his mentor in wine matters, and Andrews himself is known for his democratic approach to the seemingly fusty discipline.

Magazine Life

Andrews left Atlantic before a year had passed to accept his first leadership role on the staff of a consumer magazine. He became the editor of ''Coast'', a Los Angeles-based lifestyle magazine; he held the position until 1975. Meanwhile, Andrews continued his association with the music industry reviewing records for ''Creem'', where Lester Bangs was his editor, and covering live music in the LA area for ''The Hollywood Reporter'' and other publications. He also made radio commercials and wrote artists’ bios for several record companies and wrote liner notes for numerous albums, receiving a Grammy nomination in 1972 for notes on a special edition of Miles Davis reissues. In 1975, Lois Dwan, restaurant reviewer for The Los Angeles Times, who had read his Mr. Food pieces, asked Andrews to substitute for her while she went on vacation. This began his long association with the newspaper, in the course of which, though he was never officially on staff, he was alternately a restaurant reviewer and columnist, book reviewer and travel writer, and the editor of the paper’s travel magazine, ''Traveling in Style''. In 1978, Andrews was hired by ''Los Angeles'' magazine to write a monthly wine column. Once again, he took a pseudonym: Van Delanay (a pun on the phrase vin de l’année, or wine of the year). He was hired that same year as an associate editor at ''New West'' magazine, a bi-weekly California publication started by Clay Felker as a parallel to his seminal ''New York'' magazine. He was promoted a year later to senior editor. During this time he met Ruth Reichl, then the restaurant columnist for the Northern California edition of ''New West'', who would go on to become the restaurant critic of the ''New York Times'' from 1993 to 1999, and, later, the editor-in-chief of ''Gourmet'' magazine. For a period the two were lovers, their relationship chronicled in Reichl’s memoir ''Comfort Me with Apples'' (Random House, 2002).

Andrews left ''New West'' in 1980 and began writing for ''Apartment Life'', an urbane lifestyle magazine helmed by Dorothy Kalins. A year later that magazine was transformed into ''Metropolitan Home''. Over the course of that magazine’s first decade, Andrews wrote dozens of articles and columns, the majority of which were about food and wine (although he also occasionally wrote about art and design, including interviews with David Hockney, Terry Allen, and Charles Moore). During this time Andrews wrote about restaurants all over the world; he was the first American reporter to introduce readers to the great French chef Guy Savoy. Perhaps most significantly, Andrews got a contract to write a book on Catalan cuisine based on an article he’d written for ''Met Home''. Throughout the eighties he spent a great deal of time traveling to Barcelona and vicinity. The resulting book, ''Catalan Cuisine'', published in 1988 and still in print, has become the standard reference book for restaurant kitchens in that region, and is revered by the top local chefs, including the world-renowned Ferran Adria.

''Saveur''

After finishing his Catalan book, Andrews worked as a freelancer, writing articles for the ''Los Angeles Times'' and for ''Bon Appetit'', ''Food & Wine'', ''Travel & Leisure'', and many other publications. In 1992, Andrews published his second book, ''Everything on the Table: Plain Talk About Food and Wine'', a collection of new and revised short pieces, and shortly thereafter he began work on a book about the cuisines of Genoa and Nice, ''Flavors of the Riviera: Discovering Real Mediterranean Cuisine'', published in 1996. Meanwhile, in 1994, Andrews had become a founder of ''Saveur'' magazine, and in late 1995, he moved from Los Angeles to New York City. The magazine was a watershed publication, the first of its kind to delve beyond recipes and formulas and tell the stories of the people and cultures behind the food. During his tenure, Andrews won six James Beard Journalism Awards, and in 2000, ''Saveur'' became the first food magazine to win the American Society of Magazine Editors’ award for General Excellence. The following year, after the magazine changed ownership, Kalins left to work for ''Newsweek'' and Andrews took over as editor-in-chief. He left ''Saveur'' in 2006, becoming the restaurant columnist for ''Gourmet'' and undertaking new book projects—the first of which, ''The Country Cooking of Ireland'', will be published in 2009 by Chronicle Books.

Despite his association with Barcelona, the two cities that most shaped Andrews’ passion for food, he has said, were Paris and Rome. He first visited the former in 1965, during which he was guided by an old friend of his father’s, Claude Caspar-Jordan, the administrative director of Associated Press France. Meals with Caspar-Jordan forever changed Andrews, and the two would dine together in Paris at least once a year for 28 years more until the Frenchman’s death; Andrews wrote a moving account of their times together called ''Paris Authentique'' that appeared in the twelfth issue of ''Saveur'' (May/June 1996). On repeated trips to Rome throughout the 1970s and early ‘80s to visit an American friend who had moved to there, Andrews made a serious study of Italian food, paying particular attention to the Romans’ style and pace of eating, and it left an indelible impression. “Rome made me,” he has written.

Employment

2007–present: ''GOURMET'', restaurant columnist

1994–2007: ''SAVEUR'' (co-founder) 2001-2007: Editor-in-Chief 1996-2001: Editor 1994-1996: Executive Editor

1980–1993: Freelance editing and writing

1979: Senior Editor, ''NEW WEST'' (Los Angeles)

1978: Associate Editor, ''NEW WEST'' (Los Angeles)

1975–1978: Freelance writing and editing

1972–1975: Editor-in-Chief, ''COAST'' (Los Angeles)

1966–1972: Freelance writing and editing

Freelance Editing

1992—1994: Editor, Traveling in Style, the ''Los Angeles Times'' travel magazine (thrice yearly); editor, numerous ''Los Angeles Times'' travel section special editions

1976: Editor, “''The Hollywood Reporter Annual''”

1972–1977: Editorial consulting (clients included Filmex [the Los Angeles International Film Exposition], the ''Los Angeles Institute of Contemporary Art Journal'', and ''Picture'' Magazine)

Freelance Writing

Author of an estimated 2,500 freelance articles, essays, and reviews about food, wine, travel, music, art, architecture, design, the entertainment industry, social issues, etc., between 1966 and the present. Publications include ''Bon Appétit'', ''Chicago Sun-Times'', ''Christian Science Monitor'', ''Creem'', ''Food & Wine'', ''the Hollywood Reporter'', the ''Los Angeles Free Press'', ''Los Angeles Magazine'' (wine columnist, 1978–1988), the ''Los Angeles Times'' (variously restaurant news columnist, Friday restaurant reviewer, travel writer, and Sunday magazine contributor, 1972–1992), the ''Mail'' on Sunday (UK), ''Metropolitan Home'' (principal food writer and editor, 1982–1990), ''Musica Jazz'' (Italy), ''Phonograph Record Magazine'', the ''Radio Times'' (UK), the ''Sunday Telegraph Magazine'' (UK), and ''Travel & Leisure''.

Books

''Flavors of the Riviera: Discovering Real Mediterranean Cooking'', Bantam Books, 1996

''Everything on the Table: Plain Talk About Food and Wine'', Bantam Books, 1992

''Catalan Cuisine: Europe’s Last Great Culinary Secret'', Atheneum, 1988

''Saveur Cooks Authentic Italian'' (co-author and co-editor), Chronicle Books, 2001

''Saveur Cooks Authentic French'' (co-author and co-editor), Chronicle Books, 1999

''Saveur Cooks Authentic American'' (co-author and co-editor), Chronicle Books, 1998

''Malaparte: A House Like Me'' (contributor), Clarkson N. Potter, 1999

''Setting the American Table: Essays for the New Culture of Food and Wine'' (contributor), Copia/The American Center for Wine Food & the Arts, 2001

Awards and honors

2010 James Beard Foundation Award: Best International Cookbook (and) Cookbook of the Year. The Country Cooking of Ireland (Chronicle Books, 2009).

2007 James Beard Foundation Award: Best Magazine Feature Writing with Recipes. Ireland: Farm to Fork: Special Issue, ''Saveur'', Issue 91, March 2006.

2004 James Beard Foundation Award: Best Magazine Writing on Wine and Spirits. Article: Treasures of the Land, ''Saveur'', Issue 71, December 2003.

2000 James Beard Foundation Award: Best Magazine Series. Article: Venice special series, ''Saveur'', Issue 38, November 1999.

1999 James Beard Foundation Awards: Best Magazine Feature Writing with Recipes and Best American Cookbook (for ''Saveur Cooks Authentic American'', with co-author Dorothy Kalins). Burgundy: Special Issue; ''Saveur'', Issue 30, November 1998.

1998 James Beard Foundation M.F.K. Fisher Distinguished Writing Award. Article: ". ''Saveur'', Issue 18, April 1997.

1996 International Association of Cooking Professionals Bert Greene Award for magazine food journalism.

1985 Named to ''Who’s Who of Cooking in America'' (one of the first 50 figures to win this honor)

1976 Grammy nomination, National Academy of Recording Arts and Sciences, for Best Liner Notes

Personal life

Marriages: Leslie Ward, 1979–1989; Paula Fritz, 1989–2002; Erin Walker, 2006–present

Children: Madeleine Cartwright Andrews (born April 17, 1990); Isabelle Scott Andrews (born April 5, 1993)

Interesting facts

Andrews’ godmother was Kathryn Brown, wife of actor and comedian Joe E. Brown (''Show Boat'', ''Some Like It Hot'', etc.) While living in Atlanta, Andrews wrote some of his first (unsold) articles on a portable typewriter lent to him by Ralph McGill, the legendary editor of the ''Atlanta Constitution'', to whom a friend of Andrews’ father had introduced him. From 2000 to 2006, Andrews performed several times a year as a guest vocalist with the Texas-based chefs’ band The Barbwires.

References

External links

Oxford Symposium on Food, 2005

Colman Andrews speech at Good Food Ireland showcase event

Colman Andrews on Gourmet.com

http://www.thefoodsection.com/appetizers/2006/08/colman_andrews_.html

http://gawker.com/news/gourmet/andrews-exits-saveur-for-the-comfort-of-reichls-apples-191555.php

http://www.amazon.com/Catalan-Cuisine-Europes-Culinary-Secret/dp/1558321543

http://articles.latimes.com/writers/colman-andrews

http://www.wunc.org/tsot/archive/sot0605b.mp3/view

http://www.restaurantguysradio.com/sle/rg/content/shows/index.asp?show_id=180

http://www.jamesbeard.org/index.php?q=search/node/colman+andrews

http://www.tienda.com/table/products/bk-08.html

http://query.nytimes.com/gst/fullpage.html?res=9C0CE4DA1638F93BA35754C0A966958260

http://chowhound.chow.com/topics/440333

Category:Wine critics Category:American food writers Category:Los Angeles City College alumni Category:1945 births Category:Living people

ca:Colman Andrews

name	Kishore Kumar| image Gangulybros01.jpg
background	solo_singer
spouse	Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar
birth name	Abhas Kumar Ganguly
born	August 04, 1929Khandwa, Central Provinces and Berar
died	October 13, 1987Mumbai, Maharashtra
genre	Playback, Rabindra Sangeet, rock and roll
occupation	Singer, actor, director, musician, producer
years active	1946–1987 }}

Kishore Kumar (, , ; born Abhas Kumar Ganguly 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.

Early life

Kishore Kumar was born into the Bengali Brahmin Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly. His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy Bengali family. Kishore was the youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar.

While Kishore was still a child, Ashok Kumar became a Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and tried to follow Saigal's singing style.

Career

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Bombay regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. His first film as an actor was ''Shikari'' (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave him a chance to sing the song ''Marne ki duayen kyon mangu'' for the film ''Ziddi'' (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career. In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film ''Andolan'' (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.

He starred in Bimal Roy's ''Naukri'' (1954) and Hrishikesh Mukherjee's directorial debut ''Musafir'' (1957). Salil Chowdhury, the music director for ''Naukri'' was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song ''Chhota sa ghar hoga'', which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films ''New Delhi'''' (1957), ''Aasha'' (1957), ''Chalti Ka Naam Gaadi'' (1958), ''Half Ticket'' (1962), and ''Padosan'' (1968). ''Chalti Ka Naam Gaadi'', his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of ''Mashaal'' (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. Kishore Kumar did not have a formal training in music. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.

S. D. Burman recorded with Kishore for Dev Anand's ''Munimji'' (1954), ''Taxi Driver'' (1954), ''House No. 44'' (1955), ''Funtoosh'' (1956), ''Nau Do Gyarah'' (1957), ''Paying Guest'' (1957), ''Guide'' (1965), ''Jewel Thief'' (1967), ''Prem Pujari'' (1970), and ''Tere Mere Sapne'' (1971). He also composed music for Kishore Kumar's home production ''Chalti Ka Naam Gaadi'' (1958). Some of their initial films included the songs ''Maana Janaab Ne Pukara Nahin'' from ''Paying Guest'', ''Hum Hain Rahi Pyar Ke'' from ''Nau Do Gyarah'' (1957), ''Ai Meri Topi Palat Ke Aa'' from ''Funtoosh'', and ''Ek Ladki Bheegi Bhaagi Si'' and ''Haal Kaisa Hai Janaab Ka'' from ''Chalti Ka Naam Gaadi'' (1958). Asha Bhosle and Kishore Kumar performed duets composed by S. D. Burman including ''Chhod Do Aanchal'' from ''Paying Guest'' (1957), ''Ankhon Mein Kya Ji'' from ''Nau Do Gyarah'' (1957), ''Haal Kaisa Hai Janaab Ka'' and ''Paanch Rupaiya Baara Aana'' from ''Chalti Ka Naam Gaadi'' (1958), ''Chhedo Na Meri Zulfein'' from ''Ganga Ki Lahren'' (1964), and ''Arre Yaar Meri Tum Bhi Ho Gajab'' from ''[Teen Devian|Teen Deviyan]'' (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer. and their collaborations include ''Eena Meena Deeka'' from ''Aasha'' (1957). Kishore Kumar's work includes, ''Nakhrewaali'' from ''New Delhi'' (1956) by Shankar Jaikishan, and ''C.A.T. Cat Maane Billi'' and ''Hum To Mohabbat Karega'' from ''Dilli Ka Thug'' (1958) by Ravi.

Kishore Kumar produced, directed, and acted in the film ''Jhumroo'' (1961). He wrote the lyrics for the title song, ''Main Hoon Jhumroo'', and composed music for all the songs in the film. Later, he produced and directed the film ''Door Gagan Ki Chhaon Mein'' (1964). He also wrote the script and composed music for the film. The film is based on the relationship between a father (Kishore Kumar), and his deaf and mute son (played by his real-life son, Amit Kumar). He made another two films called ''Door Ka Rahi'' (1971) and ''Door Waadiyon Mein Kahin'' (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether. His films flopped frequently, and he also landed in income tax trouble. As a singer, his work in this period includes ''Zaroorat Hai Zaroorat Hai'' from ''Manmauji'' (1961), ''Gaata Rahe Mera Dil'' from ''Guide'' (1965), and ''Yeh Dil Na Hota Bechara'' from ''Jewel Thief'' (1967).

In the late 1960s, Rahul Dev Burman worked together on the soundtrack of the film ''Padosan'' (1968), in which Kishore Kumar sang the songs ''Mere Saamne Wali Khidki Mein'' and ''Kehna Hai''. ''Padosan'' was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar's character in the film was inspired by the personality of Kishore's own uncle, Dhananjay Bannerjee (a classical singer). The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood, ''Ek Chatur Nar Karke Singaar''.

1970's and 1980's

In 1969, Shakti Samanta produced and directed the film ''Aradhana'', for which the music was composed by S. D. Burman. S. D. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosle, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant Rahul Dev Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs ''Mere Sapno Ki Rani'' and ''Roop Tera Mastana''. Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana".

In 1970s & 1980s Kishore Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

S. D. Burman and Kishore Kumar continued to work together, including ''Phoolon Ke Rang Se'' and ''Shokhiyon Mein Ghola Jaaye'' from ''Prem Pujari'' (1969), ''Aaj Madhosh Hua Jaaye Re'', ''Khilte Hain Gul Yahan'' and ''O Meri Sharmilee'' from ''Sharmilee'' (1971), ''Meet na mila'' from ''Abhimaan'' (1973), ''Pyaar Ke Is Khel Mein'' from ''Jugnu''. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soon after Kishore recorded the song ''Badi Sooni Sooni Hai Zindagi'' for the film ''Mili''.

R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several songs with him in the 1970s. Some Kishore Kumar-R. D. Burman songs include ''O Maajhi Re'' from ''Khushboo'', ''Yeh Shaam Mastaani'' and ''Yeh Jo Mohabbat Hai'' from ''Kati Patang'' (1971), ''Kuchh To Log Kahenge'' from ''Amar Prem'' (1972), "Raat Kali Ek Khwab Mein Aayi" from ''Buddha Mil Gaya ''(1971), ''Musafir Hoon Yaaron'' from ''Parichay'' (1972), ''Diye Jalte Hain'' from ''Namak Haraam'' (1973), ''Meri Bheegi Bheegi Si'' from ''Anamika'' (1973), ''Zindagi Ke Safar Mein'' from ''Aap Ki Kasam'' (1974), ''Agar Tum Na Hote'', ''Humein Tum Se Pyaar Kitna'' from ''Kudrat'', "Mere Naina Saawan Bhadon" from ''Mehbooba'', and ''Chingari Koi Bhadke'' (''Amar Prem''), ''Jab Bhi Koi Kangana'' from ''Shaukeen'' (1986). R. D. Burman also recorded several duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include ''Panna Ki Tamanna'' from ''Heera Panna'' (1973), ''Neend Chura Ke Raaton Mein'' from the film ''Shareef Budmaash'', ''Kya Yehi Pyaar Hai'' from Sanjay Dutt's debut film ''Rocky'' (1981), ''Sagar Kinare'' from ''Sagar'' in [1985], ''Aap Ki Aankhon Mein Kuchh'' from ''Ghar'', ''Jaane Ja Dhoondta'' and ''Nahi Nahi'' from ''Jawani Diwani'', "Kharoshoo" from ''Harjai'' (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many songs sung by Kishore Kumar. Some of their songs include ''Mere Mehboob Qayamat Hogi'' from ''Mr. X In Bombay'', ''Mere Naseeb Mein Aye Dost'' from ''Do Raaste'', ''Yeh Jeevan Hai'' from ''Piya Ka Ghar'', ''Mere Dil Mein Aaj Kya Hai'' from ''Daag: A Poem of Love'', ''Nahi Mai Nahi Dekh Sakta'' from ''Majboor'', ''Mere diwanepan ki bhi'' from ''Mehboob Ki Mehndi'', ''Naach Meri Bulbul'' from ''Roti'', ''Chal Chal Mere Haathi'' from ''Haathi Mere Saathi'', ''Gaadi Bula Rahi Hai'' from ''Dost'', ''Ruk Jaana Nahi'' from ''Imtihaan'', ''Ek Ritu Aaye'' from ''Gautam Govinda'', ''My Name Is Anthony Gonsalves'' from ''Amar Akbar Anthony'' ''Bahut Khoobsurat Jawan Ek Ladki'' from ''Dostana'' and ''Om Shanti Om'' as well as ''Paisa Yeh Paisa'' from ''Karz''. Laxmikant-Pyarelal also composed several Kishore-Lata duets, including ''Achchha To Hum Chalte Hain'' from ''Aan Milo Sajna'', ''Gore Rang Pe Na Itna'' from ''Roti'', ''Main Solah Baras Ki'' from ''Karz'', and ''Din Mahine Saal'' from ''Avtaar'', ''Tu Kitne Baras Ki'' from ''Karz''. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films ''Dostana'', ''Ram Balram'' and ''Deedaar-E-Yaar''. L-P composed a duet with Kishore Kumar and Alisha Chinoy, ''I love you (Kaate Nahin Katate Yeh Din Yeh Raat)'' from ''Mr. India'' in (1987). Salil Chowdhury recorded songs like ''Koi Hota Jisko Apna'' from ''Mere Apne'' and ''Gujar Gaye Din Din'' from ''Annadata''. Ravindra Jain recorded ''Ghungroo Ki Tarah'', and the duet ''Tota Maina Ki Kahani'' from ''Fakira''. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as ''Hazar Rahein'' from ''Thodisi Bewafai'', ''Aankhon Mein Humne Aapke Sapne Sajaye Hain'', ''Chandani Raat Mein Ek Bar''. Hridaynath Mangeshkar recorded ''Zindagi Aa Raha Hoon Main'' from ''Mashaal''. Kalyanji-Anandji recorded several songs with Kishore Kumar including ''Zindagi Ka Safar'' and ''Jeevan Se Bhari Teri Aankhein'', from ''Safar'', ''Pal Pal Dil Ke Paas'' from ''Black Mail'', ''Apne Jeevan Ki Uljhan'' from ''Uljhan'', ''Mera Jeevan Kora Kagaz'' from ''Kora Kagaz'', ''O Saathi Re'' from ''Muqaddar Ka Sikandar'', ''Khaike Paan Banaraswala'' from ''Don'', ''Neele Neele Ambar Par'' from ''Kalakar'' and ''Pal Bhar Ke Liye'' from ''Johny Mera Naam''.

Other composers including Rajesh Roshan, Sapan Chakravarty, Jaidev, Chitragupta (composer), Usha Khanna, Sohnik Omi, Prem Dhawan, Vanraj Bhatia and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's film ''Julie'' featured songs sung by Kishore Kumar, ''Bhool Gaya Saab Kuchh'' (duet with Lata Mangeshkar) and ''Dil Kya Kare Jab Kisise''. Their other songs include ''Chhookar mere man ko'' from ''Yaarana'', ''Tune Abhi Dekha Nahin'' from ''Do Aur Do Paanch'' and ''Kahan Tak Ye Man Ko Andhere Chhalenge'' from ''Baaton Baaton Mein''. Bappi Lahiri also recorded many songs with Kishore Kumar, including ''Pag Ghunghroo Bandh'' from ''Namak Halal'' (1982), ''Manzilen Apni Jagah Hai'' from ''Sharaabi'' (1984) and ''Chalte Chalte Mere Ye Geet'' from ''Chalte Chalte'' (1976), ''Saason Se Nahi Kadmose Nahi'' from ''Mohabbat'' in (1987) and duets with (Lata Mangeshkar)) like ''Taa thaiya'' from ''Himmatwala'' in (1984), ''Albela Mausam'' from ''Tohfa'' in (1985) and another duet ''Pyar Ka Tohfa'' from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for an Indian National Congress rally in Mumbai, but Kishore Kumar refused. As a result, the government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.

Later years

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as ''Badhti Ka Naam Daadhi'' (1978), ''Zindagi'' (1981) and ''Door Wadiyon Mein Kahin'' (1980). His last appearance as an actor was in ''Door Wadiyon Mein Kahin''.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continued singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.

Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Bachchan did not do a guest appearance in a film produced by him but called a truce with him by singing for him in ''Toofan''. He also temporarily stopped singing for Mithun Chakraborty, after Yogeeta Bali divorced him and married Chakraborty. However, later Kumar sang for him in many films like ''Disco Dancer'', ''Muddat'', and ''Pyar Ka Mandir''.

In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, ''Woh Saat Din'' and also recorded ''Mr. India''. He sang a duet with Alka Yagnik, ''Tumse Badhkar Duniya Mein Na Dekha'' for ''Kaamchor'' in (1986). He also recorded some songs for the film ''Saagar'' with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.

On 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was ''Guru Guru'', a duet with Asha Bhosle, for the film ''Waqt Ki Aawaz'' (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song ''Pal Bhar Ke Liye'' from the film ''Johny Mera Naam'' (1970) was used in an episode of ''The Simpsons'' titled "Kiss Kiss, Bang Bangalore". His songs have also been featured in several films, including ''Such a Long Journey'' (1998) and ''Side Streets'' (1998). Sony TV organised the television singing contest ''K for Kishore'' to search for a singer like Kishore Kumar.

Personal life

Kishore Kumar married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kishore's second wife was actress Madhubala, who had worked with him on many films including his home production ''Chalti Ka Naam Gaadi'' (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore converted to Islam and took the name Karim Abdul. The doctors in London told Madhubala that she would not live for long. The marriage lasted for nine years, and ended with Madhubala's death on 23 February 1969.

Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. Kishore Kumar sired two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid. During recordings, he would sing only after his secretary confirmed that the producer had made the payment. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). On the sets of ''Bhai Bhai'', Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, ''Paanch Hazzar Rupaiya'' (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away. On another occasion, when producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore turned up at Talwar's residence one morning and started shouting "''Hey Talwar, de de mere aath hazaar''" ("Hey Talwar, give me my eight thousand"). He did this every morning until Talwar paid him.

The film ''Anand'' (1971) was originally supposed to star Kishore Kumar and Mehmood Ali in the lead. Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film ''Dal Mein Kala'' (1964). When actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Mukherjee was one of the first persons to appreciate Kishore's singing talent.

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior. Kishore Kumar had put a "''Beware of Kishore''" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Kishore Kumar was a loner, and in an interview with Pritish Nandy (1985), he said that he had no friends – he preferred talking to his trees instead. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.

According to another reported incident, once Kishore Kumar was to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". In the 1960s, a financier named Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of ''Half Ticket'', gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."

Awards

; Filmfare Awards

Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1969	''Roop tera mastaana''		Sachin Dev Burman	Anand Bakshi
1975	''Dil aisa kisi ne Mera''	''Amanush''	Shyamal Mitra	Indeevar
1978	''Khaike Pan Banaras Wala''		Kalyanji-Anandji	Anjaan
1980	''Hazaar raahen mudke dekheen''	''Thodisi Bewafaii''	Khayyam	Gulzar
1982	''Pag ghungroo baandh ke meera nachi''	''Namak Halaal''	Bappi Lahiri	Anjaan
1983	''Hamen aur jeene ki''	''Agar Tum Na Hote''	Rahul Dev Burman	Gulshan Bawra
1984	''Manzilen apni jagah''	''Sharaabi''	Bappi Lahiri	Anjaan
1985	''Saagar Kinaare''	''Saagar''	Rahul Dev Burman	Javed Akhtar

Nominated:

! Year	! Song	! Film	! Music Director	! Lyricist
1971	''Zindagi Ek Safar''		Shankar-Jaikishan	Hasrat Jaipuri
1971	''Yeh Jo Mohabbat Hai''	Kati Patang	Rahul Dev Burman	Anand Bakshi
1972	''Chingari Koi Bhadke''	Amar Prem	Rahul Dev Burman	Anand Bakshi
1973	''Mere Dil Mein Aaj''	''Daag: A Poem of Love''	Laxmikant-Pyarelal	Sahir Ludhianvi
1974	''Gaadi Bula Rahi Hai''	''Dost''	Laxmikant-Pyarelal	Anand Bakshi
1974	''Mera Jeevan Kora Kagaz''	''Kora Kagaz''	Kalyanji Anandji	M.G.Hashmat
1975	''Main Pyaasa Tum''	''Faraar''	Kalyanji Anandji	Rajendra Krishan
1975	''O Manjhi Re''		Rahul Dev Burman
1977	''Aap Ke Anurodh''	''Anurodh''	Laxmikant-Pyarelal	Anand Bakshi
1978	''O Saathi Re''	Muqaddar Ka Sikander	Kalyanji-Anandji	Anjaan
1978	''Hum Bewafa Harghiz''		Rahul Dev Burman	Anand Bakshi
1979	''Ek Rasta Hai Zindagi''	''Kaala Patthar''	Rajesh Roshan	Sahir Ludhianvi
1980	''Om Shanthi Om''		Laxmikant-Pyarelal	Anand Bakshi
1981	''Hameh Tumse Pyar''	''Kudrat''	Rahul Dev Burman	Majrooh Sultanpuri
1981	''Chhookar Mere Mann Ko''		Rajesh Roshan	Anjaan
1983	''Shayad Meri Shaadi''	''Souten''	Usha Khanna	Sawan Kumar
1984	''De De Pyar De''	Sharaabi	Bappi Lahiri	Anjaan
1984	''Inteha Ho Gayi''	Sharaabi	Bappi Lahiri	Anjaan
1984	''Log Kehete Hai Main''	Sharaabi	Bappi Lahiri	Anjaan

; Bengal Film Journalists' Association Awards

Winner: 1971 - Best Male Playback Singer for ''Aradhana'' 1972 - Best Male Playback Singer for ''Andaz'' 1973 - Best Male Playback Singer for ''Hare Rama Hare Krishna'' 1975 - Best Male Playback Singer for ''Kora Kagaz''

See also

Kishore Kumar filmography

List of Indian playback singers

Hindi songs

References

Further reading

External links

Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi-language film directors Category:Indian film directors Category:Indian film producers

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