name | Cars |
---|---|
director | John Lasseter |
producer | Darla K. Anderson |
screenplay | Dan FogelmanJohn LasseterJoe RanftKiel MurrayPhil LorinJorgen Klubien |
story | John LasseterJoe RanftJorgen KlubienBrenda Chapman |
starring | Owen WilsonDaniel Lawrence WhitneyPaul NewmanBonnie HuntTony ShalhoubJohn RatzenbergerGeorge CarlinJenifer LewisCheech MarinRichard PettyMichael Keaton |
music | Randy Newman |
cinematography | Jeremy LaskyJean Claude Kalache |
editing | Ken Schretzmann |
studio | Pixar |
distributor | Walt Disney Pictures |
released | |
runtime | 117 minutes |
country | |
language | English |
budget | $120 million |
gross | $461,983,149 }} |
''Cars'' premiered on May 26, 2006 at Lowe's Motor Speedway in Concord, North Carolina, and was released on June 9, 2006, to generally favorable reviews. It was nominated for two Academy Awards, including Best Animated Feature, and won the Golden Globe Award for Best Animated Feature Film. It was released on DVD November 7, 2006 and on Blu-ray Disc in late 2007. Related merchandise, including scale models of several of the cars, broke records for retail sales of merchandise based on a Disney·Pixar film, with an estimated $5 billion in sales.
A sequel, ''Cars 2'', was released on June 24, 2011.
After being arrested and impounded overnight, McQueen is ordered by the town's judge and doctor, Doc Hudson, to leave town immediately. The local lawyer Sally Carrera insists that McQueen be given community service to repave the road, which Doc agrees. McQueen tries to repave it quickly in a day, but the job is shoddy and McQueen is forced to restart the job again, taking several days to complete. During this time, he becomes friends with several of the cars, and learns that Radiator Springs was once a popular stopover along U.S. Route 66, but with the construction of Interstate 40 bypassing the town, it was effectively erased from the map. McQueen also discovers that Doc is really the Fabulous Hudson Hornet, a three-time Piston Cup winner forced out of racing after an accident, and quickly forgotten by the sport. McQueen finishes the road, which has invigorated the cars to improve their town, and spends an extra day in town with his new friends, before Mack and the media descend on the town, led by a tip to McQueen's location. McQueen reluctantly leaves with the media to get to California in time for the race, while Sally chastises Doc after discovering that he had tipped off the media to McQueen's whereabouts, not wanting to be discovered himself.
At the speedway, McQueen's mind is not fully on the race, and he soon falls into last place. He is surprised to discover that Doc Hudson, decked out in his old racing colors, has taken over as his crew chief, along with several other friends from Radiator Springs to help in the pit. Inspired and recalling tricks he learned from Doc and his friends, McQueen quickly emerges to lead the race into the final laps. Hicks, refusing to lose, sends Weathers into a dangerous accident. Seeing this and recalling Doc's fate, McQueen stops just short of the finish line, allowing Hicks to win, and drives back to push Weathers over the finish line. The crowd and media condemn Hicks' victory and give praise to McQueen's sportsmanship. Though offered the Dinoco sponsorship deal, McQueen declines, insisting on staying with his current sponsors as appreciation of their past support. Later, back at Radiator Springs, McQueen returns and announces that he will set up his headquarters there, helping to put Radiator Springs back on the map.
John Lasseter has said that the idea for ''Cars'' was born after he took a cross-country road trip with his wife and five sons in 2000. When he returned to the studio after vacation, he contacted Michael Wallis, a Route 66 historian. Wallis then led eleven Pixar animators in rented white Cadillacs on two different road trips across the route to research the film.
In 2001, the movie's working title was ''Route 66'' (after U.S. Route 66), but in 2002, the title was changed to prevent people from thinking it was related to the 1960 television show with the same name. In addition, Lightning McQueen's number was originally going to be 57 (Lasseter's birth year), but was changed to 95 (the year ''Toy Story'' was released).
Unlike most anthropomorphic cars, the eyes of the cars in this film were placed on the windshield (which resembles the Tonka Talking Trucks, and the characters from Tex Avery's ''One Cab's Family'' short and Disney's own ''Susie the Little Blue Coupe''), rather than within the headlights. According to production designer Bob Pauley, "From the very beginning of this project, John Lasseter had it in his mind to have the eyes be in the windshield. For one thing, it separates our characters from the more common approach where you have little cartoon eyes in the headlights. For another, he thought that having the eyes down near the mouth at the front end of the car feels more like a snake. With the eyes set in the windshield, the point of view is more human-like, and made it feel like the whole car could be involved in the animation of the character. The characters also use their tires as hands and feet, the exceptions being the various tow truck characters that sometimes use their tow hooks, and the various forklift characters, which use their forks. Some cars are shown shuffling sideways by moving their wheels about on their suspensions.
Computers used in the development of the film were four times faster than those used in ''The Incredibles'' and 1,000 times faster than those used in ''Toy Story''. To build the cars, the animators used computer platforms very similar to those used in the design of real-world automobiles.
The sign "City of Emeryville – Closed for the race" is a nod to Pixar's headquarters in Emeryville, California in the San Francisco Bay Area.
Lasseter told film critic Joe Williams of the St. Louis Post-Dispatch that much of the story is based on the recollections of barber Angel Delgadillo in the Route 66 town of Seligman, Arizona, where business withered soon after the opening of I-40.
Willy's Butte resembles the landmark of Mexican Hat, Utah, but also resembles a classic Pontiac hood ornament.
There is an "Ornament Valley" (a reference to Monument Valley).
The epilogue shows a map of the area of Arizona around Radiator Springs, including car-related place names such as "Carburetor County" and "Cadillac Range". The latter is a north-to-south mountain range with many fin-backed jagged peaks, a reference to the famous Cadillac Ranch sculpture in Amarillo, Texas.
Lizzie's Curio Shop in Radiator Springs resembles the crazy Route 66 jumble of memorabilia and knick-knacks at Hackberry General Store in Hackberry, Arizona and the Sand Hills Curiosity Shop, aka the City Meat Market building in Erick, Oklahoma.
The bridge that McQueen sees Sally driving on resembles several bridges on Route 66, including the Cyrus Avery Route 66 Memorial Bridge in Tulsa, the Colorado Street Bridge in Pasadena, California, and the now-closed bridge over Diablo Canyon at Two Guns, Arizona.
Flo's V8 cafe is designed to look like a V8 engine head on, with a circular air filter, tappet covers, spark plugs, pistons and connecting rods as the supports for the shelter. The blinking neon lights on the spark plugs blink in the firing order of a Ford flathead V8.
The railroad grade crossing at which Lightning McQueen outruns a passenger train on his way to Radiator Springs is protected by a pair of antique "upper-quadrant" wigwag crossing signals which accurately depict those once made by the Magnetic Signal Company in both appearance and start-up. Few are left in actual operation in the United States, and many have been replaced with modern crossing gates, red lights and bells.
There are a few sights of the front page of a newspaper named ''The Daily Exhaust''.
To quote the Pixar crew:
:"As we traveled on Route 66, we were privileged to visit many places and to meet a number of people who live and work alongside 'The Mother Road.' The following is a list of the places and people we wanted to honor by including their names in our 'Special Thanks' credits at the end of the film.
Among the many references to Route 66 landmarks and personalities:
Some critics expressed that ''Cars'' did not hold up to the standard of other Pixar films due to its lengthy story, especially after the acclaim received by ''The Incredibles'', Pixar's previous film. "The movie is great to look at and a lot of fun," wrote critic Roger Ebert, "but somehow lacks the extra push of the other Pixar films." Laura Clifford of website Reeling Reviews wrote that the film's "only real drawback is its failure to inspire awe with its visuals and to thoroughly transport with its storytelling.
Rotten Tomatoes gave Cars a fresh 74% (with an average of 6.9), yet no other Pixar film, until the release of ''Cars 2'', has ever scored less than 91%, but it still received a "Certified Fresh" rating, and it earned a 73/100 on Metacritic, both the second lowest attributed to a Pixar film.
The film was also nominated for AFI's 10 Top 10 in the "Animation" genre.
According to the Walt Disney Company, five million copies of the DVD were sold in the first two days it was available. In its first week it sold 6,250,856 units and 15,370,791 units in total ($246,198,859).
Unlike previous Pixar DVD releases, there is no two-disc special edition, and no plans to release one in the future. According to Sara Maher, DVD Production Manager at Pixar, John Lasseter and Pixar were preoccupied with productions like ''Ratatouille''. Additional extras not seen on the DVD have since been released on the official DVD website.
In the US and Canada, there were bonus discs available with the purchase of ''Cars'' at Wal-Mart and Target. Wal-Mart featured a ''Geared-Up Bonus DVD Disc'' that focused on the music of the film, including the "Life Is A Highway" video, ''The Making of "Life Is A Highway"'', ''Cars: The Making of the Music'', and ''Under The Hood'' (a special that originally aired on the ABC Family cable channel). Target's bonus was a ''Rev'd Up DVD Disc'' that featured material that was mostly already released as part of the official ''Cars'' podcast and focused on the inspiration and production of the movie.
''Cars'' was also released on Blu-ray Disc on November 6, 2007.
It has also been noted that the plot of ''Cars'' bears a striking resemblance to that of ''Doc Hollywood'', the 1991 romantic comedy which stars Michael J. Fox as a hotshot young doctor, who, after causing a traffic accident in a small town, is sentenced to work at the town hospital, falls in love with a local law student and eventually acquires an appreciation for small town values.
"''We had such a great time exploring the world of 'Cars' over the course of two films, so it seemed only natural for us to see where our imaginations would take us in a film where planes where the main characters, by expanding the Cars world, 'Planes' gave us a whole new set of fun-filles situations and a great oppertunity to introduce some fantastic new characters''".
Category:Cars (film) Category:2000s comedy films Category:2006 films Category:American comedy films Category:Films directed by John Lasseter Category:Films featuring anthropomorphic characters Category:Pixar feature films Category:Road movies
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name | Walt Disney |
---|---|
birth name | Walter Elias Disney |
birth date | December 05, 1901 |
birth place | Hermosa, Chicago, Illinois, U.S. |
death date | December 15, 1966 |
death place | Burbank, California, U.S.
Interred: Forest Lawn Memorial Park, Glendale, California, U.S. |
occupation | Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions |
yearsactive | 1920–1966 |
spouse | Lillian Bounds (1925–1966) |
parents | Elias DisneyFlora Call Disney |
relations | Herbert Arthur Disney (brother)Raymond Arnold Disney (brother)Roy Oliver Disney (brother)Ruth Flora Disney (sister)Ronald William Miller (son-in-law)Robert Borgfeldt Brown (son-in-law)Roy Edward Disney (nephew) |
children | Diane Marie DisneySharon Mae Disney |
religion | Christian (Congregationalist) |
party | Republican |
signature | Walt Disney Signature 2.svg }} |
Disney is particularly noted as a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most well-known fictional characters including Mickey Mouse, for whom Disney himself provided the original voice. During his lifetime he received four honorary Academy Awards and won twenty-two Academy Awards from a total of fifty-nine nominations, including a record four in one year, giving him more awards and nominations than any other individual in history. Disney also won seven Emmy Awards and gave his name to the Disneyland and Walt Disney World Resort theme parks in the U.S., as well as the international resorts Tokyo Disney, Disneyland Paris, and Disneyland Hong Kong.
The year after his December 15, 1966 death from lung cancer in Burbank, California, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.
In 1878, Disney's father Elias had moved from Huron County, Ontario, Canada to the United States at first seeking gold in California before finally settling down to farm with his parents near Ellis, Kansas, until 1884. Elias worked for the Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890, hometown of his brother Robert who helped Elias financially for most of his early life. In 1906, when Walt was four, Elias and his family moved to a farm in Marceline, Missouri, where his brother Roy had recently purchased farmland. In Marceline, Disney developed his love for drawing with one of the family's neighbors, a retired doctor named "Doc" Sherwood, paying him to draw pictures of Sherwood's horse, Rupert. His interest in trains also developed in Marceline, a town that owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through it. Walt would put his ear to the tracks in anticipation of the coming train then try and spot his uncle, engineer Michael Martin, running the train.
The Disneys remained in Marceline for four years, before moving to Kansas City in 1911 where Walt and his younger sister Ruth attended the Benton Grammar School. At school he met Walter Pfeiffer who came from a family of theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Before long Walt was spending more time at the Pfeiffers' than at home. As well as attending Saturday courses at the Kansas City Art Institute, Walt often took Ruth to Electric Park, 15 blocks from their home, which Disney would later acknowledge as a major influence of his design of Disneyland).
After his rejection by the army, Walt and a friend decided to join the Red Cross. Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918.
Hoping to find work outside the Chicago O-Zell factory, in 1919 Walt moved back to Kansas City to begin his artistic career. After considering whether to become an actor or a newspaper artist, he decided on a career as a newspaper artist, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio where he created advertisements for newspapers, magazines, and movie theaters. At Pesmen-Rubin he met cartoonist Ubbe Iwerks and when their time at the studio expired, they decided to start their own commercial company together.
In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at the Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run their business alone. While working for the Kansas City Film Ad Company, where he made commercials based on cutout animations, Disney became interested in animation, and decided to become an animator. The owner of the Ad Company, A.V. Cauger, allowed him to borrow a camera from work to experiment with at home. After reading the Edwin G. Lutz book ''Animated Cartoons: How They Are Made, Their Origin and Development'', Disney considered cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business, and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee. Walt and Harman then secured a deal with local theater owner Frank L. Newman, arguably the most popular "showman" in the Kansas City area at the time, to screen their cartoons at his local theater, which they titled ''Laugh-O-Grams''.
The new series, ''Alice Comedies'', proved reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice with Lois Hardwick also briefly assuming the role. By the time the series ended in 1927, its focus was more on the animated characters and in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.
Disney went to New York in February 1928 to negotiate a higher fee per short and was shocked when Mintz told him that not only did he want to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng—but not Iwerks, who refused to leave Disney—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Walt. Disney declined Mintz's offer and as a result lost most of his animation staff whereupon he found himself on his own again.
It subsequently took his company 78 years to get back the rights to the Oswald character when in 2006 the Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal, through a trade for longtime ABC sports commentator Al Michaels.
After losing the rights to Oswald, Disney felt the need to develop a new character to replace him, which was based on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City. Ub Iwerks reworked the sketches made by Disney to make the character easier to animate although Mickey's voice and personality were provided by Disney himself until 1947. In the words of one Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." Besides Oswald and Mickey, a similar mouse-character is seen in the ''Alice Comedies'', which featured "Ike the Mouse". Moreover, the first Flip the Frog cartoon called Fiddlesticks showed a Mickey Mouse look-alike playing fiddle. The initial films were animated by Iwerks with his name prominently featured on the title cards. Originally named "Mortimer", the mouse was later re-christened "Mickey" by Lillian Disney who thought that the name Mortimer did not fit. Mortimer later became the name of Mickey's rival for Minnie – taller than his renowned adversary and speaking with a Brooklyn accent.
The first animated short to feature Mickey, ''Plane Crazy'' was a silent film like all of Disney's previous works. After failing to find a distributor for the short and its follow-up, ''The Gallopin' Gaucho'', Disney created a Mickey cartoon with sound entitled ''Steamboat Willie''. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. ''Steamboat Willie'' became an instant success, and ''Plane Crazy'', ''The Galloping Gaucho'', and all future Mickey cartoons were released with soundtracks. After the release of ''Steamboat Willie'', Disney successfully used sound in all of his subsequent cartoons, and Cinephone also became the new distributor for Disney's early sound cartoons. Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character and by 1930, despite their having sound, cartoons featuring Felix had faded from the screen after failing to gain attention. Mickey's popularity would subsequently skyrocket in the early 1930s.
Iwerks was soon lured by Powers into opening his own studio with an exclusive contract, while Stalling would also later leave Disney to join Iwerks. Iwerks launched his ''Flip the Frog'' series with the first voiced color cartoon ''Fiddlesticks'', filmed in two-strip Technicolor. Iwerks also created two other cartoon series, ''Willie Whopper'' and the ''Comicolor''. In 1936, Iwerks shut down his studio in order to work on various projects dealing with animation technology. He would return to Disney in 1940 and go on to pioneer a number of film processes and specialized animation technologies in the studio's research and development department.
By 1932, although Mickey Mouse had become a relatively popular cinema character, ''Silly Symphonies'' was not as successful. The same year also saw competition increase as Max Fleischer's flapper cartoon character, Betty Boop, gained popularity among theater audiences. Fleischer, considered Disney's main rival in the 1930s, was also the father of Richard Fleischer, whom Disney would later hire to direct his 1954 film ''20,000 Leagues Under the Sea''. Meanwhile, Columbia Pictures dropped the distribution of Disney cartoons to be replaced by United Artists. In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to reshoot the black and white ''Flowers and Trees'' in three-strip Technicolor. ''Flowers and Trees'' would go on to be a phenomenal success and would also win the first 1932 Academy Award for Best Short Subject: Cartoons. After the release of ''Flowers and Trees'', all subsequent ''Silly Symphony'' cartoons were in color while Disney was also able to negotiate a two-year deal with Technicolor, giving him the sole right to use their three-strip process, a period eventually extended to five years. Through ''Silly Symphonies'', Disney also created his most successful cartoon short of all time, ''The Three Little Pigs'' (1933). The cartoon ran in theaters for many months, featuring the hit song that became the anthem of the Great Depression, "Who's Afraid of the Big Bad Wolf".
Following the creation of two cartoon series, in 1934 Disney began planning a full-length feature. The following year, opinion polls showed that another cartoon series, ''Popeye the Sailor'', produced by Max Fleischer, was more popular than Mickey Mouse. Nevertheless, Disney was able to put Mickey back on top as well as increase his popularity by colorizing and partially redesigning the character to become what was considered his most appealing design to date. When the film industry learned of Disney's plans to produce an ''animated'' feature-length version of ''Snow White'', they were certain that the endeavor would destroy the Disney Studio and dubbed the project "Disney's Folly". Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature, employing Chouinard Art Institute professor Don Graham to start a training operation for the studio staff. Disney then used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the multiplane camera – a new technique first used by Disney in the 1937 ''Silly Symphonies'' short ''The Old Mill''.
All of this development and training was used to increase quality at the studio and to ensure that the feature film would match Disney's quality expectations. Entitled ''Snow White and the Seven Dwarfs'', the feature went into full production in 1934 and continued until mid-1937, when the studio ran out of money. To obtain the funding to complete ''Snow White'', Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who then gave the studio the money to finish the picture. The film premiered at the Carthay Circle Theater on December 21, 1937 and at its conclusion the audience gave ''Snow White and the Seven Dwarfs'' a standing ovation. ''Snow White'', the first animated feature in America made in Technicolor, was released in February 1938 under a new distribution deal with RKO Radio Pictures. RKO had been the distributor for Disney cartoons in 1936, after it closed down the Van Beuren Studios in exchange for distribution. The film became the most successful motion picture of 1938 and earned over $8 million on its initial release.
''Pinocchio'' and ''Fantasia'' followed ''Snow White and the Seven Dwarfs'' into the movie theaters in 1940, but both proved financial disappointments. The inexpensive ''Dumbo'' was then planned as an income generator, but during production most of the animation staff went on strike, permanently straining relations between Disney and his artists.
Shortly after the release of ''Dumbo'' in October 1941, the United States entered World War II. The U.S. Army contracted most of the Disney studio's facilities where the staff created training and instruction films for the military, home-front morale-boosting shorts such as ''Der Fuehrer's Face'' and the 1943 feature film ''Victory Through Air Power''. However, military films did not generate income, and the feature film ''Bambi'' underperformed on its release in April 1942. Disney successfully re-issued ''Snow White'' in 1944, establishing a seven-year re-release tradition for his features. In 1945, ''The Three Caballeros'' was the last animated feature released by the studio during the war.
In 1944, ''Encyclopædia Britannica'' publisher William Benton, entered into unsuccessful negotiations with Disney to make six to twelve educational films per annum. Disney was asked by the US Coordinator of Inter-American Affairs, Office of Inter-American Affairs (OIAA), to make an educational film about the Amazon Basin, which resulted in the 1944 animated short, ''The Amazon Awakens''.
By the late 1940s, the studio had recovered enough to continue production on the full-length features ''Alice in Wonderland'' and ''Peter Pan'', both of which had been shelved during the war years. Work also began on ''Cinderella'', which became Disney's most successful film since ''Snow White and the Seven Dwarfs''. In 1948 the studio also initiated a series of live-action nature films, titled ''True-Life Adventures'', with ''On Seal Island'' the first. Despite its resounding success with feature films, the studio's animation shorts were no longer as popular as they once were, with people paying more attention to Warner Bros. and their animation star Bugs Bunny. By 1942, Leon Schlesinger Productions, which produced the Warner Bros. cartoons, had become the country's most popular animation studio. However, while Bugs Bunny's popularity rose in the 1940s, so did Donald Duck's, a character who would replace Mickey Mouse as Disney's star character by 1949.
During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957.
Disney also accused the Screen Actors Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood.
As Disney explained one of his earliest plans to Herb Ryman, who created the first aerial drawing of Disneyland presented to the Bank of America during fund raising for the project, he said, "Herbie, I just want it to look like nothing else in the world. And it should be surrounded by a train." Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.
As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. Although he was spending less time supervising the production of the animated films, he was always present at story meetings.. During Disney's lifetime, the animation department created the successful ''Lady and the Tramp'' ( the first animated film in CinemaScope) in 1955, ''Sleeping Beauty'' ( the first animated film in Super Technirama 70mm) in 1959, ''One Hundred and One Dalmatians'' (the first animated feature film to use Xerox cels) in 1961, and ''The Sword in the Stone'' in 1963.
Production of short cartoons kept pace until 1956, when Disney shut down the responsible division although special shorts projects would continue for the remainder of the studio's duration on an irregular basis. These productions were all distributed by Disney's new subsidiary, Buena Vista Distribution, which had taken over all distribution duties for Disney films from RKO by 1955. Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based on a number of successful Disney characters and films.
After 1955, the ''Disneyland'' TV show was renamed ''Walt Disney Presents''. It switched from black-and-white to color in 1961 and changed its name to ''Walt Disney's Wonderful World of Color'', at the same time moving from ABC to NBC, and eventually evolving into its current form as ''The Wonderful World of Disney''. The series continued to air on NBC until 1981, when it was picked up by CBS. Since then, it has aired on ABC, NBC, the Hallmark Channel and the Cartoon Network via separate broadcast rights deals. During its run, the Disney series offered some recurring characters, such as the newspaper reporter and sleuth "Gallegher" played by Roger Mobley with a plot based on the writings of Richard Harding Davis.
Disney had already formed his own music publishing division in 1949 and in 1956, partly inspired by the huge success of the television theme song The Ballad of Davy Crockett, he created a company-owned record production and distribution entity called Disneyland Records.
After decades of pursuit, Disney finally acquired the rights to P.L. Travers' books about a magical nanny. ''Mary Poppins'', released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the Sherman Brothers. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and a new theme park project which was to be established on the East Coast.
Although the studio would probably have proved major competition for Hanna-Barbera, Disney decided not to enter the race and mimic Hanna-Barbera by producing Saturday morning TV cartoon series. With the expansion of Disney's empire and constant production of feature films, the financial burden involved in such a move would have proven too great.
Disney was cremated on December 17, 1966, and his ashes interred at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney continued out with the Florida project, insisting that the name be changed to Walt Disney World in honor of his brother.
The final productions in which Disney played an active role were the animated features ''The Jungle Book'' and ''Winnie the Pooh and the Blustery Day'', as well as the live-action musical comedy ''The Happiest Millionaire'', both released in 1967. Songwriter Robert B. Sherman recalled of the last time he saw Disney: }}
A long-standing urban legend maintains that Disney was cryogenically frozen, and his frozen corpse stored beneath the Pirates of the Caribbean ride at Disneyland. However, the first known cryogenic freezing of a human corpse did not occur until January 1967, more than a month after his death.
After giving his dedication for Walt Disney World, Roy asked Lillian Disney to join him. As the orchestra played "When You Wish Upon a Star", she stepped up to the podium accompanied by Mickey Mouse. He then said, "Lilly, you knew all of Walt's ideas and hopes as well as anybody; what would Walt think of it [Walt Disney World]?". "I think Walt would have approved," she replied. Roy died from a cerebral hemorrhage on December 20, 1971, the day he was due to open the Disneyland Christmas parade. During the second phase of the "Walt Disney World" theme park, EPCOT was translated by Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living world's fair, different from the actual functional city that Disney had envisioned. In 1992, Walt Disney Imagineering took the step closer to Disney's original ideas and dedicated Celebration, Florida, a town built by the Walt Disney Company adjacent to Walt Disney World, that hearkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. However, the company later changed this policy and Disney characters can now be found throughout the park, often dressed in costumes reflecting the different pavilions.
In an early admissions bulletin, Disney explained: }}
The Walt Disney Family Museum acknowledges that Disney did have "difficult relationships" with some Jewish individuals, and that ethnic stereotypes common to films of the 1930s were included in some early cartoons, such as ''Three Little Pigs''. However, the museum points out that Disney employed Jews throughout his career and was named "1955 Man Of The Year" by the B'nai B'rith chapter in Beverly Hills.
Walt Disney received the Congressional Gold Medal on May 24, 1968 (P.L. 90-316, 82 Stat. 130–131) and the Légion d'Honneur awarded by France in 1935. In 1935, Walt received a special medal from the League of Nations for creation of Mickey Mouse, held to be Mickey Mouse award. He also received the Presidential Medal of Freedom on September 14, 1964. On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Walt Disney into the California Hall of Fame located at The California Museum for History, Women, and the Arts.
A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyudmila Georgievna Karachkina, is named after him.
The Walt Disney Concert Hall in Los Angeles, California, opened in 2003, was named in his honor.
In 1993, HBO began development of a Walt Disney biopic directed by Frank Pierson and featuring Lawrence Turman but the project never materialized and was soon abandoned. However, ''Walt - The Man Behind the Myth'', a biographical documentary about Disney, was later made.
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