birth date	March 09, 1964
birth place	Paris, France
years active	1983–present
other names	"La Binoche"
occupation	Actress, artist, dancer, poet, designer, human rights campaigner
partner	Leos Carax (1986–1991)André Hallé (1991–1993)Benoît Magimel (1998–2003)Santiago Amigorena (2005–2009)
children	Raphaël Hallé (b 1993)Hana Magimel (b 1999)
signature	Binochejuliette.svg }}

Juliette Binoche (French pronunciation: [ʒylˈjɛt biˈnɔʃ]; born 9 March 1964) is a French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international accolades, is a published author and has appeared on stage across the world. Coming from an artistic background, she began taking acting lessons during adolescence. After performing in several stage productions, she was propelled into the world of auteurs Jean-Luc Godard (Hail Mary, 1985), Jacques Doillon (Family Life, 1985) and André Téchiné, who made her a star in France with the leading role in his 1985 drama Rendez-vous. Her sensual performance in her English-language debut The Unbearable Lightness of Being (1988), directed by Philip Kaufman, launched her international career.

She sparked the interest of Steven Spielberg, who offered her several parts including a role in Jurassic Park which she declined, choosing instead to join Krzysztof Kieślowski on the set of Three Colors: Blue (1993), a performance for which she won the Venice Film Festival Award for Best Actress and a César. Three years later Binoche gained further acclaim in Anthony Minghella’s The English Patient (1996), for which she was awarded an Academy Award and a BAFTA for Best Supporting Actress in addition to the Best Actress Award at the 1997 Berlin Film Festival. For her performance in Lasse Hallström’s romantic comedy Chocolat (2000) Binoche was nominated for an Academy Award for Best Actress.

During the 2000s she maintained a successful, critically acclaimed career, alternating between French and English language roles in both mainstream and art-house productions. In 2010 she won the Best Actress Award at the Cannes Film Festival for her role in Abbas Kiarostami’s Certified Copy making her the first actress to win the European “best actress triple crown”.

Throughout her career Binoche has intermittently appeared on stage, most notably in a 1998 London production of Luigi Pirandello’s Naked and in a 2000 production of Harold Pinter's Betrayal on Broadway for which she was nominated for a Tony Award. In 2008 she began a world tour with a modern dance production in-i devised in collaboration with Akram Khan. Affectionately referred to as "La Binoche" by the French press, her other notable performances include: Mauvais Sang (1986), Les Amants du Pont-Neuf, Damage (1992), The Horseman on the Roof (1995), Code Unknown (2000), Caché (2005), Breaking and Entering (2006) and Flight of the Red Balloon (2007).

Biography

Early life and career

Juliette Binoche was born in Paris, the daughter of Jean-Marie Binoche, a director, actor and sculptor, and Monique Stalens, a teacher, director and actress. Her mother is of Polish descent. Her maternal Polish Catholic grandparents were imprisoned at Auschwitz because they were considered to be intellectuals by the Nazi occupiers. She also has French, Flemish, Brazilian and Moroccan ancestry. When her parents divorced in 1968, four year old Binoche and her sister Marion were sent to a provincial boarding school. During their teens, the Binoche sisters spent their school holidays with their maternal grandmother, not seeing either parent for months at a time. Binoche has stated that this perceived parental abandonment had a profound effect on her.

She was not particularly academic and in her teenage years she began acting at school in amateur stage productions. At 17, she directed and starred in a student production of the Eugène Ionesco play, Exit the King. She studied acting at the Conservatoire National Supérieur d'Art Dramatique (CNSAD), but quit after a short time as she disliked the curriculum. In the early 1980s, she found an agent through a friend and joined a theater troupe with which she toured France, Belgium and Switzerland under the pseudonym "Juliette Adrienne". Around this time she began lessons with the famed acting coach Vera Gregh.

Her first professional screen experience was as an extra in the three part TF1 television series Dorothée, danseuse de corde (1983) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard. Following this Binoche secured her first feature film appearance with a minor role in Pascal Kané's Liberty Belle (1983). Her role required just two days on set, but was enough to inspire Binoche to pursue a career in film.

1984–1991

Binoche's early films would see her established as a French star of some renown. In 1983, she auditioned for the female lead in Jean-Luc Godard's' controversial Hail Mary, a modern retelling of the Virgin birth. Godard requested a meeting with Binoche having seen a photo of her taken by her boyfriend of the time. She has said that she spent six months on the set of the film in Geneva, although her role in the final cut is contained to only a few scenes. Further supporting roles followed in a variety of French films: Annick Lanoë's Les Nanas was to give Binoche her most noteworthy role to date, playing opposite established stars Marie-France Pisier and Macha Meril, in a mainstream comedy. However, she has stated that the experience was not particularly memorable or influential. She gained more significant exposure in Jacques Doillon's critically acclaimed Family Life, which cast her as the volatile teenage step-daughter of Sami Frey's central character. This film was to set the tone of her early career. Doillon has commented that in the original screenplay her character was written to be 14 years old, he was so impressed with Binoche's audition he changed the character's age to 17 to allow her take the role. In April 1985, Binoche followed this with another supporting role in Bob Decout's Adieu Blaireau, a policier thriller starring Philippe Léotard and Annie Girardot. Adieu Blaireau failed to have much impact with critics or audiences.

It was to be later in 1985 that Binoche would fully emerge as a leading actress with her role in André Téchiné's Rendez-vous. She was cast at short notice when Sandrine Bonnaire had to abandon the film due to a scheduling conflict. Rendez-vous premiered at the 1985 Cannes Film Festival, winning Best Director. The film was a sensation and Binoche became the darling of the festival. Rendez-Vous is the story of a provincial actress, Nina (Binoche), who arrives in Paris and embarks on a series of dysfunctional liaisons with several men, including the moody, suicidal Quentin (Lambert Wilson). However it is her collaboration with theatre director Scrutzler, played by Jean-Louis Trintignant, which comes to define Nina. In a review of Rendez-Vous in Film Comment, Armond White described it as "Juliette Binoche's career defining performance". In 1986, Binoche was nominated for her first César for Best Actress in a Leading Role for her performance in the film. Following Rendez-Vous, she was unsure of what role to take next. She auditioned unsuccessfully for Yves Boisset's Bleu comme l'enfer and Robin Davis's Hors la loi, but was eventually cast in My Brother-in-law Killed My Sister (1986) by Jacques Rouffio opposite the popular French stars Michel Serrault and Michel Piccoli. This film was a critical and commercial failure. Binoche has commented that Rouffio's film is very significant to her career as it taught her to judge roles based on the quality of the screenplay and her connection with a director, not on the reputation of other cast members. Later in 1986, she again starred opposite Michel Piccoli in Leos Carax's Mauvais Sang. This film was a critical and commercial success, leading to Binoche's second César nomination. Mauvais Sang is an avant-garde thriller in which she plays Anna the vastly younger lover of Marc (Piccoli) who falls in love with Alex (Denis Lavant), a young thief. Binoche has stated that she, "discovered the camera", while shooting this film.

In August 1986, Binoche began filming Philip Kaufman's adaptation of Milan Kundera's The Unbearable Lightness of Being, portraying the young and innocent Tereza. Released in 1988, this was Binoche's first English language role and was a worldwide success with critics and audiences alike Set against the Russian invasion of Prague in 1968, the film tells the story of the relationships a Czech surgeon, Tomas (Daniel Day-Lewis), has with his wife Tereza and his lover Sabina (Lena Olin). Binoche has stated that at the time her English was very limited and that she relied on a French translation to fully grasp her role. After this success, Binoche decided to return to France rather than pursue an international career. In 1988, she filmed the lead in Pierre Pradinas's Un tour de manège, a little-seen French film opposite François Cluzet. She has stated that her attraction to this film was that it gave her the opportunity to work with close friends and family. Pradinas is the husband of her sister Marion Stalens who was set photographer on the film and appeared in a cameo role. In the summer of 1988, Binoche returned to the stage in an acclaimed production of Anton Checkov’s The Seagull directed by Russian director Andrei Konchalovsky at Théâtre De L'odéon in Paris. Later that year she began work on Léos Carax's Les Amants du Pont-Neuf. The film was beset by problems and took three years to complete, requiring investment from three producers and funds from the French government. When finally released in 1991, Les Amants du Pont-Neuf was a critical success. Binoche won a European Film Award as well as securing her third César nomination for her performance. In the film Binoche portrays an artist who lives rough on the famous Parisian bridge where she meets another young vagrant (Denis Lavant). This iconic part of the city becomes the backdrop for a wildly passionate love story and some of the most visually arresting images of the city ever created. The paintings featured in the film were Binoche's own work. She also designed the French poster for the film which features an ink drawing of the eponymous lovers locked in embrace. During a break in filming in 1990, Binoche spent five days shooting Mara for Mike Figgis, based on Henry Miller's Quiet Days at Clichy. This 30 minute film was part of HBO's anthology series Women & Men 2. The film became somewhat contentious when, according to Mike Figgis, HBO altered it once he had completed it. The film premiered on HBO in the U.S. on 18 August 1991.

At this point, Binoche seemed to be at a crossroads in her career. She was recognized as one of the most significant French actresses of her generation. However, the long production of Les Amants du Pont-Neuf had forced her to turn down several significant roles in international productions including The Double Life of Véronique by Krzysztof Kieślowski, Cyrano de Bergerac by Jean-Paul Rappeneau, Night and Day by Chantal Akerman and Beyond the Aegean an aborted project with Elia Kazan. Now Binoche chose to pursue an international career outside France.

1992–2000

The 1990s saw Juliette Binoche inaugurated as a European leading lady in a series of international films that were critical and commercial successes winning Binoche much praise and numerous awards for her performances. This period saw her persona develop from that of a young gamine to a more melancholic, tragic presence. Critics suggested that many of her roles were notable for her almost passive intensity in the face of tragedy and despair. In fact Binoche has nicknamed her characters from this period as her "sorrowful sisters". Following the long shoot of Les Amants du Pont-Neuf, Binoche relocated to London for the 1992 productions of Emily Brontë's Wuthering Heights and Damage, both of which considerably enhanced her international reputation. Yet, from a professional and personal point-of-view, both films were significant challenges for Binoche; Her casting opposite Ralph Fiennes's Heathcliff in Wuthering Heights, in favour of English actresses Helena Bonham Carter and Kate Beckinsale, was immediately contentious and drew derision from the British press, unimpressed that a uniquely English role had gone to a French Actress. The film had its world premiere at the 1992 Edinburgh International Film Festival. Reviews were poor, with Binoche being cynically dubbed "Cathy Clouseau" and being derided for her "franglais" accent. Both Binoche and director Peter Kosminsky distanced themselves from the film, with Binoche refusing to do any promotion for the film or to redub it into French. Damage, a UK and French co-production, is the story of a British Conservative Minister played by Jeremy Irons who embarks on a torrid affair with his son's fiancé (Binoche). Based on the novel by Josephine Hart and directed by veteran French director Louis Malle, Damage seemed to be the ideal international vehicle for Binoche, however the production was wrought with difficulties and dogged by rumours of serious conflict. In an on-set interview Louis Malle stated that it was the "most difficult" film he had ever made, while Binoche commented that "the first day was one big argument". Damage opened in the UK late in 1992 and debuted early in 1993 on U.S. screens. Reviews were somewhat mixed. For her performance Juliette Binoche received her fourth César nomination.

In 1993, she appeared in Krzysztof Kieślowski's Three Colors: Blue to much critical acclaim. The first film in a trilogy inspired by the ideals of the French republic and the colors of its flag, Three Colors: Blue is the story of a young woman who loses her composer husband and daughter in a car accident. Though devastated she learns to cope by rejecting her previous life in favour of conscious "nothing", rejecting all people, belongings and emotions. Three Colors: Blue premiered at the 1993 Venice Film Festival, landing Binoche the Best Actress Prize. She also won a César, and a nomination for the Golden Globe. Binoche has said her inspirations for the role were her friend and coach Vernice Klier who suffered a similar tragedy and the book The Black Veil by Anny Duperey which deals with the author's grief at losing her parents at a young age. Binoche made cameo appearances in the other two films in Kieślowski's trilogy, Three Colors: White and Three Colors: Red. Around this time, Steven Spielberg offered her roles in Jurassic Park and Schindler’s List. She turned down both parts. After the success of Three Colors: Blue, Binoche took a short sabbatical during which she gave birth to her son Raphaël in September 1993.

In 1995, Binoche returned to the screen in a big-budget adaptation of Jean Giono's The Horseman on the Roof directed by Jean-Paul Rappeneau. The film was particularly significant in France as it was the first French production to use digital special effects and was at the time the most expensive film in the history of French cinema. The film was a box-office success around the world and Binoche was again nominated for a César for Best Actress. This role, as a romantic heroine, was to color the direction of many of her subsequent roles in the late 1990s. In 1996, Binoche appeared in her first comedic role since My Brother-in-Law Killed My Sister a decade before; A Couch in New York was directed by Chantal Akerman and co-starred William Hurt. This screw-ball comedy tells the story of a New York psychiatrist who swaps homes with a Parisian dancer. The film was a critical and commercial failure. Three Colors: Blue, The Horseman on the Roof and A Couch in New York all gave Binoche the opportunity to work with prestigious directors she had turned down during the prolonged shoot of Les Amants du Pont-Neuf. Her next role would significantly reinforce her position as a bona-fide international movie star, The English Patient, based on the prize winning novel by Michael Ondaatje and directed by Anthony Minghella, was a worldwide hit. Produced by Saul Zaentz, producer of The Unbearable Lightness of Being, the film reunited Juliette Binoche with Ralph Fiennes, Heathcliff to her Cathy four years previously. Binoche has said that the shoot on location in Tuscany and at the famed Cinecitta in Rome was among the happiest professional experiences of her career. The film, which tells the story of a badly burned, mysterious man found in the wreckage of a plane during World War II, won nine Academy Awards, including Best Supporting Actress for Juliette Binoche. With this film, she became the second French actress to win an Oscar, following Simone Singnoret’s win for Room at the Top in 1960. After this international hit, Binoche returned to France and began work opposite Daniel Auteuil on Claude Berri’s Lucie Aubrac, the true story of a French Resistance heroine. Binoche was released from the film six weeks into the shoot due to differences with Berri regarding the authenticity of his script. Binoche has described this event as being like "an earthquake" to her.

Next Juliette Binoche was reunited with director André Téchiné for Alice et Martin (1998), the story of a relationship between an emotionally damaged Parisian musician and her younger lover who hides a dark family secret. The film failed to find an audience in France, although it was critically acclaimed in the UK. In February 1998 Binoche made her London stage debut in a new version of Luigi Pirandello’s Clothe the Naked retitled Naked and adapted by Nicolas Wright. The production, directed by Jonathan Kent, was very favorably received. Following this acclaimed performance, she returned to French screens with Children of the Century (1999), a big budget romantic epic, in which she played 19th-century French proto-feminist author George Sand. The film depicted Sand's affair with the poet and dandy Alfred de Musset played by Benoit Magimel. This lavish costume drama was filmed on location in Paris and Venice and featured couture costumes by the renowned fashion designer Christian Lacroix. The following year saw Binoche in four contrasting roles, each of which enhanced her reputation. La Veuve de Saint-Pierre (2000) by Patrice Leconte, for which she was nominated for a César for Best Actress, was a period drama which saw Binoche appear opposite Daniel Auteuil in the role of a woman who attempts to save a condemned man from the guillotine. The film won favourable reviews, particularly in the U.S. where it was nominated for a Golden Globe for Best Foreign Language Film. The film won the Audience Award at the 2000 Toronto Film Festival Next she appeared in Michael Haneke's Code Unknown, a film which was made following Binoche's approach to the Austrian director. The film premiered in competition at the 2000 Cannes Film Festival. This critically acclaimed role was a welcome change from playing the romantic heroine in a series of costume dramas. Later that year, Binoche made her Broadway debut in an adaptation of Harold Pinter's Betrayal for which she was nominated for a Tony Award. Staged by the Roundabout Theatre Company and directed by David Leveaux, the production also featured Liev Schreiber and John Slattery. Back on screen, Binoche was the heroine of the Lasse Hallstrom film Chocolat from the best selling novel by Joanne Harris. For her role Binoche won a European Film Audience Award for Best Actress and was nominated for an Academy Award and a BAFTA. Chocolat is the story of a mysterious stranger who opens a chocolaterie in a conservative French village in 1959. The film was a worldwide hit.

Between 1995 and 2000, Binoche was the advertising face of the Lancôme perfume Poème, her image adorning print campaigns photographed by Richard Avedon and a television advertising campaign, including an advert directed by Anthony Minghella and scored by Gabriel Yared.

By the end of this period and following roles in a number of prestige productions, critics were wondering if Binoche was typecast as the tragic, despairing muse. In a feature article entitled "The Erotic Face" in the June 2000 edition of British film criticism magazine Sight and Sound, Ginette Vincendeau pondered Binoche's persona; Vincendeau suggested that the fixation of numerous directors upon her face had led to an erasure of her body, and to her being perceived only as a romantic icon rather than a versatile actress.

2001–2006

Following the success of Chocolat, the early 2000s saw Juliette Binoche internationally recognized as an A-list movie star. However, her persona seemed to be somewhat fixed following a series of period roles where she played the always stoic heroine facing tragedy and desolation. Ever keen to try something new, Binoche returned to French cinema in 2002 for an unlikely role; Jet Lag opposite Jean Reno saw Binoche play a ditzy beautician. The film, directed by Daniele Thompson, was a box-office hit in France and saw Binoche once again nominated for a César for Best Actress. The film tells the story of a couple who meet at an airport during a strike. Initially the pair despises each other, but, over the course of one night, they find common ground and maybe even love. This playful spirit continued when Binoche featured in a 2003 Italian television commercial for the chocolates Ferrero Rocher. The advertisement played upon her Chocolat persona featuring Binoche handing out the chocolates to people on the streets of Paris.

In a more serious vein, Binoche travelled to South Africa to make John Boorman's In My Country (2004) opposite Samuel L. Jackson. Based on the book Country of My Skull by Antjie Krog, the film examines The Truth and Reconciliation Commission (TRC) hearings following the abolition of Apartheid in the mid 1990s. Although the film premiered at the 2004 Berlin Film Festival, it received much criticism for the inclusion of a fictional romantic liaison and for its depiction of black South Africans. Despite the negative reception, Binoche was extremely enthusiastic about the film and her connection with Boorman. Her sister, Marion Stalens, also travelled to South Africa to shoot a documentary, La reconciliation?, which explores the TRC process and follows Binoche's progress as she acts in Boorman's film. Next, Binoche re-teamed with Michael Haneke for Caché. The film was an immediate success, winning best director for Haneke at the 2005 Cannes Film Festival, while Binoche was nominated for a European Film Award for Best Actress for her role. The film tells the story of a bourgeois Parisian couple, played by Binoche and Daniel Auteuil, who begin to receive anonymous videotapes containing footage shot over long periods, surveying the outside of their home. Caché went on to feature in the number one position on the "Top 10 of the 2000s" list published by The Times at the end of the decade. Binoche's next film, Bee Season, based on the celebrated novel by Myla Goldberg, cast her opposite Richard Gere. The film was not a success at the box office taking less than $5 million worldwide. For many critics the film, although intelligent, was “distant and diffuse”. Bee Season depicts the emotional disintegration of a family just as their daughter begins to win national spelling bees. Mary (2005) featured Binoche in a somewhat unlikely collaboration with the controversial American director Abel Ferrara for an investigation of modern faith and Mary Magdalene's position within the Catholic Church. Featuring Forest Whittaker, Matthew Modine and Marion Cotillard, Mary was an immediate success, winning the Grand Prix at the 2005 Venice Film Festival. Despite these accolades and favorable reviews, particularly from the influential cultural magazine Les Inrockuptibles, Mary failed to secure a distributor in key markets such as the U.S. and the U.K.

The Cannes Film Festival in 2006 saw Binoche feature in the portmanteau film Paris, je t'aime appearing in a section directed by the Japanese director Nobuhiro Suwa. Suwa's Place des Victoires is the story of a grief stricken mother who manages to have a final brief moment with her dead son. The segment also features Willem Dafoe and Hippolyte Girardot. Paris, je t'aime was a popular success, taking over $17 million, at the world box-office. In September 2006, Binoche appeared at the Venice Film Festival to launch A Few Days in September, written and directed by Santiago Amigorena. Despite an impressive cast including John Turturro, Nick Nolte and up-coming French star Sara Forestier, the film was a failure. A Few Days in September is a thriller set between 5 and 11 September 2001, in which Binoche plays a French secret service agent, who may, or may not, have information relating to impending attacks on the U.S. The film was the recipient of harsh criticism from the press for its perceived trivialization of the events of 11 September 2001. While promoting the film in the U.K., Binoche told an interviewer she believed the CIA and other government agencies must have had foreknowledge of the 11 September attacks, as depicted in the film. Next Binoche traveled to the 2006 Toronto Film Festival for the premiere of Breaking and Entering, her second film with Anthony Minghella in the director's chair, based on his first original screenplay since his break-through film Truly, Madly, Deeply (1991). In Breaking and Entering, Binoche played a Bosnian refugee living in London, while Jude Law co-starred as a well-to-do businessman drawn into her life via an act of deception. In preparation for her role, Binoche travelled to Sarajevo where she met women who had survived the war of the 1990s. Lushly photographed by Benoît Delhomme, Breaking and Entering portrays intersecting lives amongst the flux of urban renewal in inner-city London. Despite the fact that Binoche was praised for her performance, the film did not ring true for critics and failed to find an audience. In a review in Variety, Todd McCarthy writes that, "Binoche, physically unchanged as ever, plays Amira's controlled anguish with skill". Breaking and Entering also featured Robin Wright, Vera Farmiga, Juliet Stevenson, Rafi Gavron and Martin Freeman.

Although Binoche began the decade on a professional high with an Academy Award nomination for Chocolat, she struggled at the beginning of the 2000s to secure roles that did not confine her to the tragic, melancholic persona developed in the 1990s. Despite the huge success of Caché, other high profile films such as In My Country, Bee Season and Breaking and Entering failed critically and commercially, Binoche seemed to be at a crossroads in her career.

2007–present

2007 was the start of a particularly busy period for Juliette Binoche, one that would see her take on diverse roles in a series of critically acclaimed international movies giving her film career a new impetus as she shed the restrictions that seemed to have stifled her career in the early part of the decade. The Cannes Film Festival saw the premiere of Flight of the Red Balloon (2007) by the widely acclaimed Taiwanese director Hou Hsiao-Hsien. It was originally conceived as a short film to form part of a 20th anniversary tribute to the Musée D'Orsay, to be produced by Serge Lemoine president of the museum. When that idea failed to find sufficient funding, Hou developed it into a feature length film and secured the necessary financing. The film was well received by international critics and went on to debut around the world early in 2008. Paying homage to Albert Lamorisse's 1957 short The Red Balloon, Hou's film tells the story of a woman's efforts to juggle her responsibilities as a single mother with her commitment to her career as a voice artist. Shot on location in Paris, the film was entirely improvised by the cast. The film was number one on the influential critic J. Hoberman's "Top 10 List" for 2008 published in The Village Voice. Disengagement by Amos Gitai premiered out-of-competition at the 2007 Venice Film Festival. Co-starring Liron Levo and Jeanne Moreau, Disengagement is a political drama charting the story of a French woman, of Dutch/Palestinian origin, who goes in search of a daughter she abandoned 20 years previously on the Gaza strip. She arrives in Gaza during the 2005 Israeli disengagement. The film won the prestigious Premio Roberto Rossellini and was critically acclaimed, particularly by the eminent Cahiers du Cinema. However the film proved more controversial in Israel where state television station Channel 1 withdrew financial support for the film citing the "right-wing nature of Gitaï's films".

In stark contrast, Peter Hedges co-wrote and directed the Disney produced Dan in Real Life, a romantic comedy featuring Binoche along side Steve Carell. It was released in October 2007, becoming a popular commercial success in the US, before debuting around the world in 2008. The film grossed over $65 million at the worldwide box-office. Dan in Real Life is the story of a widowed man (Carell) who meets, and instantly falls for, a woman (Binoche) only to discover she is the new girlfriend of his brother. The film also features Dane Cook, Emily Blunt and Diane Weist Back in France, Binoche was seen to popular and critical success in Paris directed by Cédric Klapisch. Paris is Klapisch's personal ode to the French capital and features an impressive ensemble of French talent including; Romain Duris, Fabrice Luchini and Melanie Laurent. Paris was one of the most successful French films internationally in recent years having grossed over $22 million at the world box office. Binoche and Klapisch had originally met on the set of Mauvais Sang in 1986, where Klapisch was working as a set electrician. Also in France, Summer Hours (2008), directed by Olivier Assayas, is the critically acclaimed story of three siblings who struggle with the responsibility of disposing of their late mother's valuable art collection following her death. The film premiered in France in March 2008 and had its U.S. debut at the 2008 New York Film Festival, before going on general release in the U.S. on 19 May 2009. Widely acclaimed, the film was nominated for the Prix Louis Delluc in France and appeared on numerous U.S. "Top 10 lists" including first place on David Edelstein's "Top 10 of 2009" list in New York Magazine, and J.R. Jones's list in the Chicago Reader. Summer Hours also features Charles Berling, Jérémie Renier and Edith Scob.

In the Autumn of 2008 Binoche starred in a theatrical dance production titled in-i co-created with renowned choreographer Akram Khan. The show, a love story told through dance and dialogue, featured stage design by Anish Kapoor and music by Philip Sheppard. It premiered at the National Theatre in London before embarking on a world tour. Writing in The Australian, John McCallum wrote that, “Binoche has radiant presence as an actor, her dancing is relaxed and naturalistic”, while The Sunday Times in the UK commented that, “Binoche’s physical achievement is incredible: Khan is a master mover”. The production was part of a ‘Binoche Season' titled Ju'Bi'lations, also featuring a retrospective of her film work and an exhibition of her paintings, which were also published in a bilingual book Portraits in Eyes. The book featured ink portraits of Binoche as each of her characters and of each director she had worked with to that time. She also penned a few lines to each director.

In April 2006 and again in December 2007, Binoche travelled to Tehran at the invitation of Abbas Kiarostami. While there in 2007 she shot a cameo appearance in his film Shirin (2008) which he was shooting at the time. Binoche’s visit proved controversial when two Iranian MPs raised the matter in parliament advising more caution be exercised in granting visas to foreign celebrities which might lead to “cultural destruction”. In June 2009 Binoche began work on Certified Copy directed by Kiarostami. The film was an Official Selection in competition at the 2010 Cannes Film Festival. Binoche won the Best Actress Award at the festival for her performance. The film went on general release in France on 19 May 2010 to very positive reviews. Her win at the 2010 Cannes Film festival makes Binoche the first actress to win the European “best actress triple crown”: Best Actress at Venice for Three Colors: Blue, Best Actress at Berlin for The English Patient and Best Actress at Cannes for Certified Copy. The Septemner 2010 UK release of the film was overshadowed when French actor Gérard Depardieu made disparaging comments about Binoche to the Austrian magazine Profil, "Please can you explain to me what the mystery of Juliette Binoche is meant to be?" he said. "I would really like to know why she has been so esteemed for so many years. She has nothing – absolutely nothing". In response Binoche spoke to movie magazine Empire saying, “I don't know him. I understand you don't have to like everyone and you can dislike someone's work. But I don't understand the violence [of his statements]... I do not understand why he is behaving like this. It is his problem.” Certified Copy proved to be controversial in Kiarostami's homeland when Iranian authorities announced on 27 May 2010 that the film was to be banned in Iran, apparently due to Binoche's attire; Deputy Culture Minister Javad Shamaqdari is quoted as saying, "If Juliette Binoche were better clad it could have been screened but due to her attire there will not be a general screening,".

Following the success of Certified Copy, Binoche appeared in a supporting role in The Son of No One for American writer and director Dito Montiel. The film also stars Channing Tatum, Al Pacino and Ray Liotta. The Son of No One premiered at the 2011 Sundance Film Festival to fairly negative reaction. It has been acquired by Anchor Bay Entertainment for distribution in the US and other key territories. In June 2010, Binoche started work on Elles for Polish director Malgorzata Szumowska. Elles, produced under the working title Sponsoring, is an examination of teenage prostitution with Juliette Binoche playing a journalist for Elle. The film is due for release in France on 9 November 2011. On 12 January 2011, Variety announced that Juliette Binoche has signed to star in The Life of Another based on the novel by Frederique Deghelt. The film will be the directorial debut of the highly regarded French Actress Sylvie Testud and will co-star actor/director Mathieu Kassovitz. In the film, a young woman falls in love, then wakes up a decade later, the mother of a young boy and on the verge of a divorce. The film began shooting on 4 April 2011. On 17 February 2011, Screendaily announced that Juliette Binoche has been cast in David Cronenberg's film Cosmopolis with Robert Pattinson, Paul Giamati, Mathieu Amalric and Samantha Morton. The film, produced by Paulo Branco, is due to begin principal photography on 24 May 2011.

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Personal life

Binoche has two children: a son Raphaël (born on 2 September 1993), whose father is André Halle, a professional scuba diver, and a daughter Hana (born on 16 December 1999), whose father is actor Benoît Magimel, with whom Binoche starred in the 1999 film Children of the Century. Her sister, Marion Stalens, is a professional photographer with Corbis, as well as a director of documentary films, including; La réconciliation?, a documentary shot on the set of John Boorman's film In My Country, The Actress and the Dancer, exploring the genesis of Binoche's dance show in-i and Juliette Binoche - Sketches for a Portrait a documentary which follows Binoche as she paints the portraits that would later appear in her book Portraits in Eyes. Her half brother Camille Humeau (born 1978) is an acclaimed musician and has been part of the line-up of Oncle Strongle, before top-lining the group Artichaut Orkestra. In 2007, he appeared in a stage production of Cabaret directed by Sam Mendes. Stage director Pierre Pradinas is married to her sister Marion.

Binoche previously had romantic relationships with Leos Carax, Olivier Martinez, Benoit Magimel and Santiago Amigorena, as well as brief relationships with Daniel Day-Lewis and Mathieu Amalric.

Charitable work

Since 1992, Binoche is a patron of the French Cambodian charity Enfants d'Asie (previously ASPECA). Through this charity she is godmother to five Cambodian orphans, and has funded the construction of a children's home in Battambang. Starting in 2000, Juliette Binoche has been involved with the organization Reporters Without Borders. In 2002, she presided over "Photos of Stars" with Thierry Ardisson. Nearly 100 French stars were given disposable cameras, which were then auctioned, the buyer then having the exclusive photos taken by the star developed.

Political views and activism

She supported José Bové in the 2007 French presidential elections which were won by Nicolas Sarkozy. She has disclosed on a number of occasions that she does not approve of the Sarkozy administration, stating that the president is creating a monarchic republic. In April 2002, Binoche and several other French stars including Catherine Deneuve and Mathieu Kassovitz attended a "protest picnic" to object to the firing of Canal+ chairman Pierre Lescure by the Vivendi Universal company. On 7 February 2006, Binoche attented a high profile demonstration organised by Reporters Without Borders in support of Jill Carroll and two Iraqi journalists who had been abducted in Baghdad. Binoche and numerous other French personalities including Isabelle Adjani, Yvan Attal, Jane Birkin and Josiane Balasko joined Réseau Education Sans Frontieres (RESF) on 7 January 2010 with a symbolic "cake of solidarity" to highlight the taxation and legitimacy issues being faced by undocumented workers in France. Binoche was a signatory to a June 2010 petition organized by Reporters Without Borders and Shirin Ebadi to protest against the detention of numerous people, including members of the press, who were protesting the occasion of the first anniversary of disputed re-election of Mahmoud Ahmadinejad. At the 2010 Cannes Film Festival Binoche spoke out against the detention of Iranian director Jafar Panahi, incarcerated in Teheran's Evin Prison since 1 March 2010 without charge or conviction. At the press conference following the press screening of Copie Conforme, Binoche was informed that Panahi had begun a hunger strike. The following day Binoche attended a press conference called especially to demand the release of Panahi. Also in attendance were Abbas Kiarostami, Mohsen Makhmalbaf, Gilles Jacob. Binoche read a letter which pointed out that Panahi's detention was "unwarranted and intolerable". When Binoche was awarded the Best Actress award at the festival, brandishing his name on a placard, she used her speech as an opportunity to raise Panahi's plight once again. On 25 May it was announced that Panahi had been released on bail. It was generally agreed that the publicity Binoche and Kiarostami elicited for his case was a strong factor in his release. On 20 December 2010 Panahi, after being prosecuted for “assembly and colluding with the intention to commit crimes against the country’s national security and propaganda against the Islamic Republic,” was handed a six-year jail sentence and a 20-year ban on making or directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media as well as leaving the country. Binoche continues to lobby on his behalf.

Filmography and awards

! Year	! Title	! Role	Notes
1983	Dorothée, danseuse de corde	minor role
1983		Girl at the rally
1985		A friend of Veronique	Also known as A Better Life
1985		Nina/Anne Larrieux	Nominated – César Award for Best Actress
1985	Adieu Blaireau	Brigitte	Also known as Farewell to Fred
1985		Natacha	Also known as La Vie de famille
1985		Antoinette	Also known as The Girls
1985		Juliette	Also known as Je Vous salue, Marie
1985	Fort bloqué	Nicole	Television film
1986	Mauvais Sang	Anna	Nominated – César Award for Best ActressAlso known as Bad Blood and The Night is Young
1986	My Brother-in-law Killed My Sister	Esther Bouloire	Also known as Mon Beau-frère a tué ma soeur
1988		Tereza
1989		Elsa	Also known as Once Around the Park
1991		Michèle Stalens
1991	Women & Men 2	Mara	Television film Appeared in segment Henry Miller's Mara
1992		Anna Barton	Nominated – César Award for Best Actress
1992	Emily Brontë's Wuthering Heights	Cathy Linton / Catherine Earnshaw
1993	Three Colors: Blue	Julie Vignon (de Courcy)
1994	Three Colors: White	Julie Vignon (de Courcy)	Also known as Trois couleurs blanc
1994	Three Colors: Red	Julie Vignon (de Courcy)	Also known as Trois couleurs rouge
1995		Pauline de Théus	Nominated – César Award for Best Actress.Also known as Le Hussard sur le toit
1996		Hana
1996		Beatrice Saulnier	Also known as Un Divan à New York
1998	Alice et Martin	Alice	Also known as Alice and Martin
1999	Children of the Century	George Sand/Baroness Aurore Dudevant	Also known as Les Enfants du siècle
2000		Vianne Rocher
2000	Code Unknown	Anne Laurent	Also known as Code inconnu
2000		Pauline (Madame La)	Nominated – César Award for Best ActressAlso known as La Veuve de Saint-Pierre
2002		Rose	Nominated – César Award for Best ActressAlso known as Décalage horaire
2004	In My Country	Anna Malan	Also known as Country of My Skull
2005		Marie Palesi / Mary Magdalene
2005		Miriam
2005		Anne Laurent	Nominated – European Film Award for Best ActressAlso known as Hidden
2006		Amira
2006		Irène Montano	Also known as Quelques jours en septembre
2006	Paris, je t'aime	Suzanne
2007	Dan in Real Life	Marie
2007		Ana
2007		Suzanne	Also known as Le Voyage du ballon Rouge
2008		Elise
2008	Summer Hours	Adrienne	Also known as L'Heure d'été
2008		Woman in audience
2010		Elle
2011		Lauren
2011		Anne	post-productionAlso known as Sponsoring
2012		Didi Fancher	filming
2012	The Life of Another	Marie	post-productionAlso known as La Vie d'une autre

Other awards

Won

1986 – Prix Romy Schneider

1992 – European Film Award – Best Actress – Les Amants du Pont-Neuf

1993 – Berlin International Film Festival – Berlinale Camera

1993 – Venice Film Festival – Best Actress – Three Colors: Blue

1996 – National Board of Review – Best Supporting Actress – The English Patient

1997 – Berlin International Film Festival – Best Actress – The English Patient

1997 – European Film Award – Best Actress – The English Patient

1997 – Screen Actors Guild Award – Best Supporting Actress – The English Patient

2010 – Cannes Film Festival – Best Actress – Certified Copy

2010 – Kerry Film Festival – Maureen O'Hara Award 2010 – Cairo International Film Festival – Lifetime achievement

Nominations

2001 – Screen Actors Guild Award – Best Actress – Chocolat

2001 – Academy Award for Best Actress in a Leading Role – Chocolat

2001 – Screen Actors Guild Award – Outstanding Cast – Chocolat

2005 – European Film Award Best Actress; – Caché

2005 – London Critics Circle Film Awards – Best Actress – Caché

2006 – British Independent Film Award – Best Actress – Breaking & Entering

References

External links

Juliette Binoche at filmsdefrance.com

Juliette Binoche Interview at AMCtv.com

Category:1964 births Category:Living people Category:Actors from Paris Category:European Film Awards winners (people) Category:BAFTA Award for Best Supporting Actress Category:Best Supporting Actress Academy Award winners Category:César Award winners Category:French film actors Category:French people of Polish descent

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name	Mary Mary
background	group_or_band
birth name	Trecina "Tina" Evette Atkins & Erica Monique Atkins
alias	The Campbell Sisters
origin	Inglewood, California, United States
instrument	Voice
voice type	Erica (alto) & Tina (soprano)
genre	Contemporary Gospel, R&B;, soul, jazz
occupation	Singers, songwriters
years active	1998–present
label	C2, Columbia
associated acts	Warryn Campbell, Kierra Sheard, Kirk Franklin
website	Mary-Mary.com
current members	Erica Atkins Campbell Trecina "Tina" Atkins Campbell
notable instruments	}}

Mary Mary is an American gospel music duo, consisting of sisters Erica Atkins-Campbell (born April 29, 1972) and Tina Atkins-Campbell (born May 01, 1974). The duo are often credited along with Kirk Franklin for broadening the fan base of urban contemporary gospel in the 2000s by introducing elements of soul music, hip hop, funk and jazz. Mary Mary broke onto the music scene with their popular song "Shackles (Praise You)"—which is considered one of the pioneering songs of urban contemporary gospel music.

Their debut album Thankful (2000) was certified Platinum. The duo has released three Gold albums: Incredible (2002), and Mary Mary (2005), which all charted No. 1 on the Billboard Top Gospel Albums. They have also received three Grammys, among other awards.

Biography

Early years

The sisters were born Erica Atkins and Trecina Atkins. The Campbell (formerly Atkins) sisters grew up as part of a large family of nine children in Inglewood, California. Their parents are Thomasina, an evangelist and choir director at the Evangelistic Church of God in Christ, and Eddie, a youth minister.

Due to their proximity in age, the two sisters grew up closer to one another than to any of their seven siblings. The Atkins children are: Darrel (born 1965) (the only living boy; the second boy having died as a child); Maliea (born 1967); Erica and Tina; Delisa (born 1978); Thomasina (born 1979); Alana (born 1985) and Shanta (born 1986). Thomasina and Alana sometimes sing back up for their big sisters.

The sisters quickly entered the world of church choirs, traveling gospel shows, and some television productions. All eight Atkins children were on the Bobby Jones Gospel show on BET.

The sisters had their sights set on making music a career and enrolled at El Camino College to study voice. There they ran up against the divide between academic music studies and the popular musical world. "We had to study classical and sing arias, which was fine," Erica told the Times, "but the teachers would tell us if we sang anything else it would damage our instrument".

The sisters toured with the 1995 Michael Matthews traveling gospel show Mama I'm Sorry and Sneaky. Each sister subsequently toured as a backup singer for a variety of R&B; acts including Brandy.

Music career

A meeting with producer Warryn Campbell led to their song publishing deal with the giant EMI music conglomerate and a series of songs that landed on movie soundtracks. They wrote "Dance" and performed it with Robin S. for the soundtrack to the 1998 film Dr. Dolittle; they performed "Let Go, Let God" for The Prince of Egypt. Several of their songs were recorded by 702. The sisters' profile in the gospel industry was raised when their songs "Time To Change" and "Yeah" were recorded by Yolanda Adams on Mountain High... Valley Low. At the same time, Mary Mary as a musical entity took shape. They have won multiple awards, including three Grammys. On December 23, 2010, Mary Mary along with Bebe & Cece Winans featuring the West Angeles Choir performed on The Tonight Show.

Thankful (2000)

The duo was subsequently signed to Columbia Records/C2 Records and decided to perform under the name Mary Mary, honoring Mary, the mother of Jesus and Mary Magdalene. They were first gospel act to record for the industry giant Columbia Records since Tramaine Hawkins in the mid-1990s. Their first single, "Shackles (Praise You)" became a crossover hit, being popular with gospel, R&B;, and pop audiences. It was a Top 5 R&B; and Top 10 pop hit, and peaked at No. 28 on the Billboard Hot 100 chart. It became the first gospel song in five years to crack the R&B; top ten and gained wide exposure on the MTV video cable channel. The album was a huge success because it offered a younger, hipper version of gospel that audiences could relate to. Their debut album, Thankful was released in May 2000. It peaked at No. 1 on the Gospel album chart and at No. 59 of the overall Top 200 chart, and was certified Platinum for shipments of one million copies in the USA. It went on to win the Grammy Award for Best Contemporary Soul Gospel Album. The second single "I Sings" features rapper BB Jay. Both singles were also hits in the UK and Europe, and to this day remain popular with Christian youths in the US, Latin America, and Europe. Their only Top 10 UK hit to date is "Shackles (Praise You)", which reached No. 5 in the UK Singles Chart in June 2000. The follow-up "I Sings" peaked at UK No. 32.

Incredible (2002)

With their second album Incredible, the duo was able to maintain their success. Soon after its July 2002 release it was No. 1 on the Gospel chart and was able to enter the Top 20 of the Top 200 album chart. Incredible was later on certified Gold for 500,000 copies sold in the United States. The album's singles were In The Morning and I Try. While this album charted higher than their debut, sales were lower. The duo attributed the lower sales to less aggressive promotion due to label switchovers and the advent of music piracy.

Mary Mary (2005)

After taking time off to have children, Mary Mary released their third album Mary Mary in July 2005. It became the duo's first album to enter the Top 10 on Billboard and was later on certified Gold for sales of 500,000 copies. The first single "Heaven" contained a sample from seventies soul trio the Honey Cone's "Want Ads". Heaven made history and broke chart records as it had an unprecedented 9 week run as the #1 record on Billboard's Gospel Radio chart. The second single, "The Real Party" debuted at No. 43 on the Gospel Radio Chart. The third single, "Yesterday", also became a hit, especially on the Adult R&B; charts where it peaked at No. 10. On the R&B;/Hip Hop chart, the song became their second biggest hit since "Shackles" in 2000, reaching the No. 50. The album's final single, "Believer" indicated testimonies of being a Christian. The song hit No. 33 on the Gospel Radio chart.

A Mary Mary Christmas (2006)

On October 10, 2006, the duo released a Christmas album called A Mary Mary Christmas.

The Sound (2008)

On October 21, 2008, the recording group released their fourth studio album of new music entitled The Sound. The lead single "Get Up" was released digitally via iTunes on July 15, 2008. The Sound saw Mary Mary achieve even greater success in the mainstream market; the album sold over 37,000 copies in its first week, and was their best charting album to date, debuting No. 7 on the Billboard 200, No. 2 on the US R&B; chart, and topping the gospel and CCM charts. The album held the No. 1 position on the Billboard Gospel Album chart for over six months since its release. Warryn Campbell again returned to produce the album and saw collaborations with Kierra Sheard, David Banner, Marvin Winans, Daryl Coley, Andrae Crouch, Rance Allen, Dorinda Clark Cole, Joe Ligon, Walter Hawkins, Tramaine Hawkins, and Karen Clark Sheard. In Spring 2009 "God In Me" began achieving crossover success (as Shackles had nine years earlier), reaching No. 5 on the Hot R&B;/Hip-Hop Songs, and No. 1 on the Hot Dance Club Play.

The duo was nominated twice at the 52nd Grammy Awards in the Best Gospel Song category for "Every Prayer" with Israel Houghton and for God in Me. They won the award for the latter song. After the awards, they were invited to participate in the remake of We Are The World to benefit Haiti after the earthquake. The album also won Mary Mary four Stellar Awards on January 16, 2010.

Something Big (2011)

In 2009, Mary Mary commenced recording their sixth studio album. Originally titled OMG, the project was renamed Something Big (album) after R&B; singer Usher had a hit single, "OMG" in 2010. The album was released on March 29, 2011. The duo released the lead single, "Walking," in the fall of 2010. A video was shot in January 2011 in Santa Ana, CA. Mary Mary debuted their follow-up single, the title track "Something Big" on the BET Celebration of Gospel 2011. The latter single will be the B-side of the former single. The next single from the album is "Survive." The video debuted on July 27, 2011.

Discography

2000: Thankful

2002: Incredible

2005: Mary Mary

2006: A Mary Mary Christmas

2008: The Sound

2011: Something Big

Music videos

See Mary Mary videography

Awards

Personal life

Both sisters are married to unrelated men with the last name Campbell.

Tina is married to Teddy (who has a daughter Cierra (b 1994) from a previous relationship—that lives in Chicago with birth mom and visits her father every summer). Their daughter Laiah Simone Campbell was born on Tuesday, September 9, 2003. Second daughter Meela Jane was born on June 11, 2007. On October 20, 2009 their son Ted Jr was born.

Erica married their record producer Warryn Campbell on May 26, 2001. On September, 13 2004, Erica gave birth to their first child, Krista Nicole Campbell. On April 24, 2010, she gave birth to the couple's second child, Warryn Campbell III. On Tuesday July 19, 2011 Erica announced on Good Morning America that she is pregnant with their third child.

Literature

In November 2003, the sisters released their biography Transparent.

In April 2010, the sisters released the book, Be U via Simon & Schuster.

References

External links

Mary-Mary.com - Official Website

MaryMary Official Twitter

Official Myspace

Category:American rhythm and blues musical groups Category:Musical groups from California Category:Family musical groups Category:Sibling duos Category:American gospel musical groups Category:Urban contemporary gospel musicians Category:Grammy Award winners Category:Girl groups

fr:Mary Mary nl:Mary Mary ja:メアリー・メアリー pt:Mary Mary fi:Mary Mary

name	Pete Townshend
alias	Bijou Drains
birth name	Peter Dennis Blandford Townshend
born	May 19, 1945London, England
instrument	Guitar, vocals, bass guitar, harmonica, drums, keyboards, banjo, tin whistle, mandolin, ukulele, violin, viola, cello, accordion, piano
background	solo_singer
genre	Rock, art rock, hard rock, power pop
occupation	Musician, singer-songwriter, musical arranger, author
years active	1962–present
label	Track, Polydor, Atlantic, Atco, Decca, Rykodisc
associated acts	The Who, Deep End, Ronnie Lane, Thunderclap Newman
website	The Who's official webpage
notable instruments	Rickenbacker 330Fender StratocasterGibson SG SpecialGibson Les PaulGretsch 6120Gibson J-200 }}

Peter Dennis Blandford "Pete" Townshend (born 19 May 1945) is an English rock guitarist, vocalist, songwriter and author, known principally as the guitarist and songwriter for the rock group The Who, as well as for his own solo career. His career with The Who spans more than forty years, during which time the band grew to be considered one of the most influential bands of the 1960s and 1970s, and, according to Eddie Vedder, "possibly the greatest live band ever."

Townshend is the primary songwriter for The Who, having written well over one hundred songs for the band's eleven studio albums, including concept albums and the rock operas Tommy and Quadrophenia, plus popular rock and roll radio staples like Who's Next, and dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations like Odds & Sods. He has also written over one hundred songs that have appeared on his solo albums, as well as radio jingles and television theme songs. Although known primarily as a guitarist, he also plays other instruments such as keyboards, banjo, accordion, synthesiser, bass guitar and drums, on his own solo albums, several Who albums, and as a guest contributor to a wide array of other artists' recordings. Townshend has never had formal lessons in any of the instruments he plays.

Townshend has also been a contributor and author of newspaper and magazine articles, book reviews, essays, books, and scripts, as well as collaborating as a lyricist (and composer) for many other musical acts. Townshend was ranked #3 in Dave Marsh's list of Best Guitarists in The New Book of Rock Lists, #10 in Gibson.com's list of the top fifty guitarists, and #50 in Rolling Stone magazine's 2003 list of the 100 greatest guitarists of all time. Townshend was inducted into the Rock and Roll Hall of Fame as a member of The Who in 1990.

Early life

Born in Chiswick, London into a musical family (his father Cliff Townshend was a professional saxophonist in The Squadronaires and his mother Betty (née Dennis) was a singer), Townshend exhibited a fascination with music at an early age. In the mid-1950s he was drawn to American rock and roll; his mother recounts that he repeatedly saw the 1956 film Rock Around the Clock. When he was 12, his grandmother gave him his first guitar, which he has described as a "cheap Spanish thing". Townshend's biggest guitar influences include Link Wray, John Lee Hooker, Bo Diddley and Hank Marvin of The Shadows.

Townshend's brother Simon (who also became a musician) was born in 1960. In 1961, Townshend enrolled at Ealing Art College, with the intention to become a graphic artist and a year later, he and his school friend from Acton County Grammar School John Entwistle founded their first band, The Confederates, a Dixieland duet featuring Townshend on banjo and Entwistle on horns. From this beginning they moved on to The Detours, a skiffle/rock and roll band fronted by Roger Daltrey, another former schoolmate. With the encouragement and assistance of his old classmate Entwistle, Daltrey invited Townshend to join as well. In early 1964, because another band had the same name, The Detours renamed themselves The Who. Drummer Doug Sandom was replaced by Keith Moon not long afterwards. The band (now comprising Daltrey on lead vocals and harmonica, Townshend on guitar, Entwistle on bass guitar and french horn, and Moon on drums) were soon taken on by a mod publicist named Peter Meaden who convinced them to change their name to The High Numbers to give the band more of a mod feel. After bringing out one failed single ("I'm the Face/Zoot Suit"), they dropped Meaden and were signed on by two new managers, Chris Stamp and Kit Lambert, who had paired up with the intention of finding new talent and creating a documentary about them. The band anguished over a name that all felt represented the band best, and dropped The High Numbers name, reverting to The Who.

Music career

Breakthrough

After The High Numbers once again became The Who, Townshend wrote several successful singles for the band, including "I Can't Explain", "Pictures of Lily", "Substitute", and "My Generation". Townshend became known for his eccentric stage style during the band's early days, often interrupting concerts with lengthy introductions of songs. He developed a signature move in which he would swing his right arm against the guitar strings in a style reminiscent of the vanes of a windmill. He became one of the first musicians known for smashing guitars on stage and would repeatedly throw them into his amplifiers and speaker cabinets. The first incident of guitar-smashing happened when Townshend accidentally broke the neck of his guitar on the low ceiling of an early concert venue at the Railway Tavern in Harrow. The stage, only about a foot high, nevertheless brought the ceiling to within 7 feet. After smashing the instrument to pieces, he carried on by grabbing another guitar and acting as if the broken guitar had been part of the act. Drummer Keith Moon was delighted; he loved attention and destruction on any level, and smashed his drum kit as well. The press sensationalised the incidents. The on-stage destruction of instruments soon became a regular part of The Who's performances. This was further dramatised with pyrotechnics, an idea which came from Moon, who incorporated it in his exploding drum kits. At a concert in Germany, a police officer walked up to Townshend, pointed his gun at him, and ordered him to stop smashing the guitar. Townshend, always a voluble interview subject, would later relate these antics to German/British artist Gustav Metzger's theories on auto-destructive art, to which he had been exposed at art school. However, on several occasions, he admitted that the destruction was a gimmick that set the band out apart from the others and gave them the publicity edge that they needed to be noticed.

The Who thrived, and continue to thrive, despite the deaths of two of the original members. They are regarded by many rock critics as one of the best live bands from a period of time that stretched from the mid-1960s to the 2000s, the result of a unique combination of high volume, showmanship, a wide variety of rock beats, and a high-energy sound that alternated between tight and free-form. The Who continue to perform critically acclaimed sets in the 21st century, including highly regarded performances at The Concert For New York City in 2001, the 2004 Isle of Wight Festival, Live 8 in 2005 and the 2007 Glastonbury Festival.

Townshend remained the primary songwriter and leader of the group, writing over one hundred songs which appeared on the band's eleven studio albums. Among his most well-known accomplishments are the creation of Tommy, for which the term "rock opera" was coined, and a second pioneering rock opera, Quadrophenia; his dramatic stage persona; his use of guitar feedback as sonic technique; and the introduction of the synthesiser as a rock instrument. Townshend revisited album-length storytelling throughout his career and remains the musician most associated with the rock opera form. Many studio recordings also feature Townshend on piano or keyboards, though keyboard-heavy tracks increasingly featured guest artists in the studio, such as Nicky Hopkins, John Bundrick or Chris Stainton.

Townshend is one of the key figures in the development of feedback in rock guitar. When asked who first used feedback, Deep Purple guitarist Ritchie Blackmore said, "Pete Townshend was definitely the first. But not being that good a guitarist, he used to just sort of crash chords and let the guitar feedback. He didn't get into twiddling with the dials on the amplifier until much later. He's overrated in England, but at the same time you find a lot of people like Jeff Beck and Hendrix getting credit for things he started. Townshend was the first to break his guitar, and he was the first to do a lot of things. He's very good at his chord scene, too." Similarly, when Jimmy Page was asked about the development of guitar feedback, he said, "I don't know who really did feedback first; it just sort of happened. I don't think anybody consciously nicked it from anybody else. It was just going on. But Pete Townshend obviously was the one, through the music of his group, who made the use of feedback more his style, and so it's related to him. Whereas the other players like Jeff Beck and myself were playing more single note things than chords."

Many rock guitarists have cited Townshend as an influence, among them Slash, Alex Lifeson and Steve Jones.

Solo career

In addition to his work with The Who, Townshend has been sporadically active as a solo recording artist. Between 1969 and 1971 Townshend, along with other devotees to Meher Baba, recorded a trio of albums devoted to his teachings: Happy Birthday, I Am, and With Love. In response to bootlegging of these, he compiled his personal highlights (and "Evolution", a collaboration with Ronnie Lane), and released his first major-label solo title, 1972's Who Came First. It was a moderate success and featured demos of Who songs as well as a showcase of his acoustic guitar talents. He collaborated with The Faces' bassist and fellow Meher Baba devotee Ronnie Lane on a duet album (1977's Rough Mix). Townshend's solo breakthrough, following the death of Who drummer Keith Moon, was the 1980 release Empty Glass, which included a top-10 single, "Let My Love Open the Door". This release was followed in 1982 by All the Best Cowboys Have Chinese Eyes, which included the popular radio track "Slit Skirts". While not a huge commercial success, noted music critic Timothy Duggan listed it as "Townshend's most honest and introspective work since Quadrophenia." Through the rest of the 1980s and early 1990s Townshend would again experiment with the rock opera and related formats, releasing several story-based albums including White City: A Novel (1985), The Iron Man: A Musical (1989), and Psychoderelict (1993). Townshend also got the chance to play with his hero Hank Marvin for Paul McCartney's "Rockestra" sessions, along with other respected rock musicians such as David Gilmour, John Bonham and Ronnie Lane.

Townshend has also recorded several concert albums, including one featuring a supergroup he assembled called Deep End, who performed just two concerts and a television show session for The Tube, to raise money for a charity supporting drug addicts. In 1984 Townshend published a collection of short stories entitled Horse's Neck. He has also reported that he is writing an autobiography. In 1993 he and Des McAnuff wrote and directed the Broadway adaptation of the Who album Tommy, as well as a less successful stage musical based on his solo album The Iron Man, based upon the book by Ted Hughes. McAnuff and Townshend later co-produced the animated film The Iron Giant, also based on the Hughes story.

A production described as a Townshend rock-opera and titled The Boy Who Heard Music debuted as part of Vassar College's Powerhouse Summer Theater program in July 2007.

Recent Who work

From the mid-1990s through the present, Townshend has participated in a series of tours with the surviving members of The Who, including a 2002 tour that continued despite Entwistle's death.

In February 2006, a major world tour by The Who was announced to promote their first new album since 1982. Townshend published a semi-autobiographical story The Boy Who Heard Music as a serial on a blog beginning in September 2005. The blog closed in October 2006, as noted on Townshend's website. It is now owned by a different user and does not relate to Townshend's work in any way. On 25 February 2006, he announced the issue of a mini-opera inspired by the novella for June 2006. In October 2006 The Who released their first album in 26 years, Endless Wire.

The Who performed at the Super Bowl XLIV half-time show on 7 February 2010, playing a medley of songs that included "Pinball Wizard", "Who Are You", "Baba O'Riley", "See Me Feel Me" and "Won't Get Fooled Again".

Hearing loss

Townshend suffers from partial deafness and tinnitus believed to be the result of noise-induced hearing loss; in other words, his extensive exposure to loud music. Some such incidents include a Who concert at the Charlton Athletic Football Club, London, on 31 May 1976 that was listed as the "Loudest Concert Ever" by the Guinness Book of Records, where the volume level was measured at 126 decibels 32 metres from the stage. Townshend has also attributed the start of his hearing loss to Keith Moon's famous exploding drum set during The Who's 1967 appearance on The Smothers Brothers Comedy Hour. NME – April 1970

In 1989, Townshend gave the initial funding to allow the formation of the non-profit hearing advocacy group H.E.A.R. (Hearing Education and Awareness for Rockers). After the Who performed at half-time at the Super Bowl XLIV, Townshend stated that he is concerned that his tinnitus has grown to such a point that he might be forced to discontinue performing with the band altogether. He told Rolling Stone, "If my hearing is going to be a problem, we’re not delaying shows. We're finished. I can’t really see any way around the issue." Neil Young introduced him to an audiologist who gave him the possible option of a hearing device to use, and although The Who have cancelled their spring touring schedule, Townshend planned a test run with the aid at their one remaining London concert on 30 March 2010, to ascertain the feasibility of continuing to perform with The Who.

In March 2011, Roger Daltrey said in an interview with the BBC that Townshend had recently experienced gradual but severe hearing loss and was now trying to save what remained of his hearing.

"Pete's having terrible trouble with his hearing. He's got really, really bad problems with it...not tinnitus, it's deterioration and he's seriously now worried about actually losing his hearing."

Interviews

From The Who's emergence on the British musical landscape, Pete Townshend could always be counted upon for a good interview. By early 1966 he had become the band's spokesman, interviewed separately from the band for the BBC television series A Whole Scene Going admitting that the band used drugs and that he considered The Beatles' backing tracks "flippin' lousy". In a 1967 interview, however, Townshend complimented one of The Beatles' songs: "I think "Eleanor Rigby" was a very important musical move forward. It certainly inspired me to write and listen to things in that vein." Throughout the 1960s Townshend made regular appearances in the pages of British music magazines, but it was a very long interview he gave to Rolling Stone in 1968 that sealed his reputation as one of rock's leading intellectuals and theorists.

Townshend gave interview after interview to the newly risen underground press, not only providing them with a star for their covers, but firmly establishing his reputation as a commentator on the rock 'n' roll scene. In addition, he wrote his own articles, starting a regular monthly column in Melody Maker, and contributing to Rolling Stone with an article on his guru Meher Baba and a review of The Who's album Meaty Beaty Big and Bouncy.

Townshend has withdrawn from the press on occasion. On his 30th birthday, Townshend discussed his feelings that The Who were failing to journalist Roy Carr, making unflattering comments on fellow Who member Roger Daltrey and other leading members of the British rock community. Carr printed his remarks in the NME causing strong friction within The Who and embarrassing Townshend. Feeling betrayed, he stopped interviews with the press for over two years.

Nevertheless, Townshend has maintained close relationships with journalists, and sought them out in 1982 to describe his two-year battle with cocaine and heroin. Some of those press members turned on him in the 1980s as the punk rock revolution led to widespread dismissal of the old guard of rock, Townshend attacked two of them, Julie Burchill and Tony Parsons, in the song "Jools And Jim" on his album Empty Glass after they made some derogatory remarks about Who drummer Keith Moon. Meanwhile several journalists denounced Townshend for what they saw as a betrayal of the idealism about rock music he had espoused in his earlier interviews when The Who participated in a tour sponsored by Schlitz in 1982 and by Miller Brewing in 1989. Townshend's 1993 concept album Psychoderelict offers a scathing commentary on journalists in the character of Ruth Streeting, who attempts to scandalise the main character, Ray High.

On 25 October 2006, Townshend declined at the last minute to do a scheduled interview with Sirius Satellite Radio star Howard Stern after Stern's co-host Robin Quivers and sidekick Artie Lange made joking references to his 2003 arrest. Stern conducted an interview instead with Roger Daltrey and repeatedly expressed regret about the utterances of his on-air colleagues, stating that they did not reflect his own feelings of respect for Townshend.

Later in 2006, Townshend appeared on the Living Legends radio show in an exclusive interview with Opal Bonfante. The interview, broadcasted worldwide on Radio London, was his first live interview in 15 years. Townshend spoke about his forthcoming UK tour, his online novella and his memories of the old pirate radio stations.

Also in late 2006, Townshend granted an interview with author Mark Wilkerson, which led to Wilkerson's 2008 biography Who Are You: The Life of Pete Townshend.

In a BBC Radio 4 interview, first broadcast on 27 October 2009, Townshend informed the audience that from the time he was involved in writing the music for the Who's first album, he has been influenced by the works of the English Baroque composer Henry Purcell.

Musical equipment

Throughout his solo career and his career with The Who, Townshend has played (and destroyed) a large variety of guitars – including various Gretsch, Gibson, and Fender models. He has also used Guild, Takamine and Gibson J-200 acoustic models.

In the early days with The Who, Townshend played an Emile Grimshaw SS De Luxe and 6-string and 12-string Rickenbacker semi-hollow electric guitars primarily (particularly the Rose-Morris UK-imported models with special f-holes). However, as instrument-smashing became increasingly integrated into The Who's concert sets, he switched to more durable and resilient (and sometimes cheaper) guitars for smashing, such as the Fender Stratocaster, Fender Telecaster and various Danelectro models. On The Who's famous The Smothers Brothers Comedy Hour appearance in 1967, Townshend used a Vox Cheetah guitar, which he only used for that performance; and the guitar was smashed to smithereens by Townshend and Moon's drum explosion. In the late 1960s, Townshend began playing Gibson SG models almost exclusively, specifically the Special models. He used this guitar at the Woodstock and Isle of Wight shows in 1969 and 1970, as well as the Live at Leeds performance in 1970.

By 1970, Gibson changed the design of the SG Special which Townshend had been using previously, and thus he began using other guitars. For much of the 1970s, he used a Gibson Les Paul DeLuxe, some with only two mini-humbucker pick-ups and others modified with a third pick-up in the "middle position" (a DiMarzio Superdistortion / Dual Sound). He can be seen using several of these guitars in the documentary The Kids Are Alright, although in the studio he often played a '59 Gretsch 6120 guitar (given to him by Joe Walsh of The Eagles), most notably on the albums Who's Next and Quadrophenia.

During the 1980s, Townshend mainly used Fenders, Rickenbackers and Telecaster-style models built for him by Schecter and various other luthiers. Since the late-1980s, Townshend has used the Fender Eric Clapton Signature Stratocaster, with Lace Sensor pick-ups, both in the studio and on tour. Some of his Stratocaster guitars feature a Fishman PowerBridge piezo pick-up system to simulate acoustic guitar tones. This piezo system is controlled by an extra volume control behind the guitar's bridge.

During The Who's 1989 Tour Townshend played a Rickenbacker guitar that was ironically smashed accidentally when he tripped over it. Instead of throwing the smashed parts away, Townshend reassembled the pieces as a sculpture. The sculpture was featured at the Rock Stars, Cars And Guitars 2 exhibit during the summer of 2009 at The Henry Ford museum.

There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. There has also been a Pete Townshend signature Rickenbacker limited edition guitar of the model 1998, which was his main 6-string guitar in the Who's early days. The run featured 250 guitars which were made between July 1987-March 1988, and according to Rickenbacker CEO John Hall, the entire run sold out before serious advertising could be done.

He also used the Gibson ES-335, one of which he donated to the Hard Rock Cafe. Townshend also used a Gibson EDS-1275 double neck very briefly circa late 1967, and both a Harmony Sovereign H1270 and a Fender Electric XII for the studio sessions for Tommy for the 12-string guitar parts.

In 2006, Townshend had a pedal board designed by long-time gear guru Pete Cornish. The board apparently is composed with a compressor, an old Boss OD-1 overdrive pedal, as well as a T-Rex Replica delay pedal.

Over the years, Pete Townshend has used many types of amplifiers, including Vox, Fender, Marshall, Hiwatt etc., sticking to using Hiwatt amps for most of four decades. Around the time of Who's Next, he used a tweed Fender Bassman amp, which he also used for Quadrophenia and The Who by Numbers. Since 1989, his rig consisted of four Fender Vibro-King stacks and a Hiwatt head driving two custom made 2x12" Hiwatt/Mesa Boogie speaker cabinets. However, since 2006, he has only three Vibro-King stacks, one of which is a backup.

Townshend figured prominently in the development of what is widely known in rock circles as the "Marshall Stack". It has been recounted by others during the start of popularity of Jim Marshall's guitar amplifiers, that Townshend became a user of these amps.

He also ordered several speaker cabinets that contained eight speakers in a housing standing nearly six feet in height with the top half of the cabinet slanted slightly upward. These became hard to move and were incredibly heavy.

Jim Marshall then cut the massive speaker cabinet into two separate speaker cabinets, at the suggestion of Townshend, with each cabinet containing four 12-inch speakers. One of the cabinets had half of the speaker baffle slanted upwards and Marshall made these two cabinets stackable. The Marshall stack was born, and Townshend used these as well as Hiwatt stacks.

His amplifier rig currently usually consists of four Fender Vibro King amps with extension cabinets.

He has always regarded his instruments as being merely tools of the trade and has, in latter years, determinedly kept his most prized instruments well away from the concert stage. These instruments include a few vintage and reissue Rickenbackers, the Gretsch 6120, an original 1952 Fender Telecaster, Gibson Custom Shop's artist limited edition reissues of Townshend's Les Paul DeLuxe models 1, 3 and 9 as well his signature SG Special reissue.

Townshend also worked with synthesisers that made their debut on Who's Next that included the EMS VCS3, the ARP Instruments, Inc. ARP 2600, some of which modified a Lowrey TBO Berkshire organ. Current photos of his home studio also show an ARP 2500. Townshend was featured in ARP promotional materials in the early 1970s.

Literary work

Although known for his musical compositions and musicianship, Pete Townshend has been extensively involved in the literary world for more than three decades, writing newspaper and magazine articles, book reviews, essays, books, and scripts.

An early example of Townshend’s writing came in August 1970 with the first of nine installments of "The Pete Townshend Page", a monthly column written by Townshend for the British music paper Melody Maker. The column provided Townshend’s perspective on an array of subjects, such as the media and the state of U.S. concert halls and public address systems, as well as providing valuable insight into Townshend’s mindset during the evolution of his Lifehouse project.

Townshend also wrote three sizeable essays for Rolling Stone magazine, the first of which appeared in November 1970. In Love With Meher Baba described Townshend’s spiritual leanings. "Meaty, Beaty, Big and Bouncy", a blow-by-blow account of The Who compilation album of the same name, followed in December 1971. The third article, "The Punk Meets the Godmother", appeared in November 1977.

Also in 1977, Townshend founded Eel Pie Publishing, which specialised in children's titles, music books, and several Meher Baba-related publications. A bookstore named Magic Bus (after the popular Who song) was opened in London. The Story of Tommy, a book written by Townshend and his art school friend Richard Barnes (now the Who's official biographer) about the writing of Townshend’s 1969 rock opera and the making of the 1975 Ken Russell-directed film, was published by Eel Pie the same year.

In July 1983, Townshend took a position as an acquisitions editor for London publisher Faber and Faber. Notable projects included editing Animals frontman Eric Burdon’s autobiography, Charles Shaar Murray’s award-winning Crosstown Traffic: Jimi Hendrix and Post-War Pop, Brian Eno and Russell Mills's More Dark Than Shark, and working with Prince Charles on a volume of his collected speeches. Townshend commissioned Dave Rimmer’s Like Punk Never Happened, and was commissioning editor for radical playwright Steven Berkoff.

Two years after joining Faber and Faber, Townshend decided to publish a book of his own. Horse's Neck, published in May 1985, was a collection of short stories he’d written between 1979 and 1984, tackling subjects such as childhood, stardom and spirituality. As a result of his position with Faber and Faber, Townshend developed a friendship with the Nobel prize-winning author of Lord of the Flies, Sir William Golding, and became friends with British Poet Laureate Ted Hughes. His friendship with Hughes led to Townshend’s musical interpretation of Hughes's children's story, The Iron Man, six years later, as The Iron Man: The Musical by Pete Townshend, released in 1989.

Townshend has written several scripts spanning the breadth of his career, including numerous drafts of his elusive Lifehouse project, the last of which, co-written with radio playwright Jeff Young, was published in 1999. In 1978, Townshend wrote a script for Fish Shop, a play commissioned but not completed by London Weekend Television, and in mid-1984 he wrote a script for White City: A Novel which led to a short film.

In 1989, Townshend began work on a novel entitled Ray High & The Glass Household, a draft of which was later submitted to his editor. While the original novel remains unpublished, elements from this story were used in Townshend’s 1993 solo album Psychoderelict.

In 1993, Townshend authored another book, The Who's Tommy, a chronicle of the development of the award-winning Broadway version of his rock opera.

The opening of his personal website and his commerce site Eelpie.com, both in 2000, gave Townshend another outlet for literary work. Several of Townshend’s essays have been posted online, including "Meher Baba—The Silent Master: My Own Silence" in 2001, and "A Different Bomb", an indictment of the child pornography industry, the following year.

Townshend’s most recent literary contribution is The Boy Who Heard Music, a novella which began a chapter-a-week online posting in September 2005. It is now available to read at his website. Like Psychoderelict this is yet another extrapolation of Lifehouse and Ray High & The Glass Household.

Townshend signed a deal with Little, Brown and Company publishing in 1997 to write his autobiography. Reportedly half-complete and titled Pete Townshend: Who He? this is a work in progress. Townshend's creative vagaries and conceptual machinations have been chronicled by Larry David Smith in his book The Minstrel's Dilemma (Praeger 1999).

Religion

Townshend showed no predilection for religious belief in the first years of The Who's career. By the beginning of 1968, however, Townshend had begun to explore spiritual ideas. In January 1968, The Who recorded his song "Faith in Something Bigger" (Odds & Sods). Townshend's art school friend Mike McInnerney gave him a copy of C. B. Purdom's book The God-Man, introducing him to the writings of the Indian "perfect master" Meher Baba, who blended elements of Vedantic, Sufi, and Mystic schools.

Townshend swiftly absorbed all of Baba's writings that he could find; by April 1968, he announced himself Baba's disciple. At about this time, Townshend, who had been searching the past two years for a basis for a rock opera, created a story inspired by the teachings of Baba and other Indian spiritualists that would ultimately become Tommy.

Tommy did more than revitalise The Who's career (which was moderately successful at this point but had reached a plateau); it also marked a renewal of Townshend's songwriting and his spiritual studies infused most of his work from Tommy forward, including the unfinished Who project Lifehouse. The Who song "Baba O'Riley", written for Lifehouse and eventually appearing on the album Who's Next, was named for Meher Baba and minimalist composer Terry Riley. His newfound passion was not shared by his bandmates, whose attitude was tolerant, but who were unwilling to become the spokesmen for a particular religion. Few of the thousands of fans who packed stadiums across Europe and the U.S. to see The Who noticed the religious message in the songs: that "Bargain" and the middle section of "Behind Blue Eyes" from Who's Next and "Listening To You" from Tommy were all originally written as prayers, that "Drowned" from Quadrophenia and "Don't Let Go The Coat" from Face Dances were based on Baba's sayings, that the "who are you, who, who, who, who" chorus from the song "Who Are You" was based on Sufi chants, or that "Let My Love Open The Door" was not a message from a lover but from God.

In interviews Townshend was more open about his beliefs, penning an article on Baba for Rolling Stone in 1970 and stating that following Baba's teachings, he was opposed to the use of all psychedelic drugs, making him one of the first rock stars with counterculture credibility to turn against their use.

His stardom quickly made him the world's most notable follower of Baba. Having missed out on meeting his guru with Baba's death 31 January 1969 (work on Tommy kept him from making the pilgrimage), Townshend made several trips to visit Baba's tomb in India as well as becoming a frequent visitor to the Meher Baba Spiritual Center in Myrtle Beach, South Carolina. At home he recorded and released his most overtly spiritual songs on records assembled, pressed and sold by Baba organisations. When these records became widely bootlegged, Townshend put together a selection of the tracks for release as the solo album Who Came First. One of the songs from that album, "Parvardigar", a Baba prayer set to music by Townshend, would gradually be accepted as a hymn by the Baba movement. In 1976 he opened the Oceanic Centre in London, using it as a haven for English Baba followers and Americans making a pilgrimage to Baba's tomb in Meherabad, India as well as a place for small concerts (one such in 1979 was released on CD in 2001 as Pete Townshend & Raphael Rudd—The Oceanic Concerts) and a repository for films made of Baba.

Townshend became a lower-profile member after 1982, having felt that his former addictions to cocaine and heroin made him a poor candidate for spokesman. Nevertheless, his discipleship continues to the current day.

Personal life

Townshend met Karen Astley (born 12 June 1947, daughter of composer Ted Astley and sister of record producer Jon Astley), while in art school and married her in 1968. The couple separated in 1994 and divorced in 2009. They have three children: Emma (b. 1969), who is a singer/songwriter, Aminta (b. 1971), and Joseph (b. 1990). Townshend currently lives with his long-time partner, musician Rachel Fuller, in The Wick, Richmond, England. He also owns a house in Churt, Surrey, England, and in 2010 purchased a lease on the historic National Trust property Ashdown House in Oxfordshire. According to The Sunday Times Rich List his assets are worth £40 million as of 2009.

Townshend has two younger brothers by nearly a generation, Paul Townshend (b. 1958) and Simon Townshend, (b. 10 October 1960). Simon is a guitarist, songwriter, and vocalist. Simon initially has had a career as a solo artist, and has performed with other bands, but began to record with The Who in the studio as early as their work on the film version of Tommy, and began to play with Roger Daltrey and John Entwistle on their solo efforts. By 1996, Simon joined The Who on their Quadrophenia support tour for two years as a backup guitarist and singer. He also returned again after the death of Entwistle as a part of their touring band. Paul played the voice of his brother, Pete, in The Simpsons episode, "A Tale of Two Springfields" as Pete was unavailable.

Charity work

Pete Townshend has woven a long history of involvement with various charities and other philanthropic efforts throughout his career, both as a solo artist and with The Who. His first solo concert, for example, was a 1974 benefit show which was organised to raise funds for the Camden Square Community Play Center.

The earliest public example of Townshend’s involvement with charitable causes was in 1968, when Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of wife Karen. Townshend sat on a committee which oversaw the operation and finances of the centre. "The committee sees to it that it is open a couple of days a week, and keeps the bills paid and the library full," he wrote in a 1970 Rolling Stone article.

In 1969 and 1972 Townshend produced two limited-release albums, Happy Birthday and I Am, for the London-based Baba association. This led to 1972’s Who Came First, a more widespread release, 15 percent of the revenue of which went to the Baba association. A further limited release, With Love, was released in 1976. A limited-edition boxed set of all three limited releases on CD, Avatar, was released in 2000, with all profits going to the Avatar Meher Baba Trust in India, which provided funds to a dispensary, school, hospital and pilgrimage centre.

In July 1976, Townshend opened Meher Baba Oceanic, a London activity centre for Baba followers which featured film dubbing and editing facilities, a cinema and a recording studio. In addition, the centre served as a regular meeting place for Baba followers. Townshend offered very economical (reportedly £1 per night) lodging for American followers who needed an overnight stay on their pilgrimages to India. "For a few years, I had toyed with the idea of opening a London house dedicated to Meher Baba," he wrote in a 1977 Rolling Stone article. "In the eight years I had followed him, I had donated only coppers to foundations set up around the world to carry out the Master’s wishes and decided it was about time I put myself on the line. The Who had set up a strong charitable trust of its own which appeased, to an extent, the feeling I had that Meher Baba would rather have seen me give to the poor than to the establishment of yet another so-called 'spiritual center'." Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. The project was known as MEFA, or Meher Baba European Film Archive.

Children's charities

Townshend has been an active champion of children’s charities. The debut of Pete Townshend’s stage version of Tommy took place at San Diego’s La Jolla Playhouse in July 1992. The show was earmarked as a benefit for the London-based Nordoff-Robbins Music Therapy Foundation, an organisation which helps children with autism and mental retardation.

Townshend performed at a 1995 benefit organised by Paul Simon at Madison Square Garden's Paramount Theatre, for The Children’s Health Fund. The following year, Townshend performed at a benefit for the annual Bridge School Benefit, a California facility for children with severe speech and physical impairments with concerts organised by Neil and Pegi Young. In 1997, Townshend established a relationship with Maryville Academy, a Chicago area children’s charity. Between 1997 and 2002, Townshend played five benefit shows for Maryville Academy, raising at least $1,600,000. His 1998 album A Benefit for Maryville Academy was made to support their activities and proceeds from the sales of his release were donated to them.

As a member of The Who, Pete Townshend has also performed a series of concerts, beginning in 2000, benefiting the Teenage Cancer Trust in the UK, raising several million pounds. In 2005, Townshend performed at New York’s Gotham Hall for Samsung’s Four Seasons of Hope, an annual children's charity fundraiser, and donated a smashed guitar to the Pediatric Epilepsy Project.

Drug rehabilitation

Townshend has also advocated for drug rehabilitation. In a 1985 radio interview, he said:

The "large clinic" Townshend was referring to was a plan he and drug rehabilitation experimenter Meg Patterson had devised to open a drug treatment facility in London; however, the plan failed to come to fruition. Two early 1979 concerts by The Who raised £20,000 for Patterson’s Pharmakon Clinic in Sussex.

Further examples of Townshend’s drug rehabilitation activism took place in the form of a 1984 benefit concert, an article he wrote a few days later for Britain’s Mail On Sunday urging better care for the nation’s growing number of drug addicts, and the formation of a charitable organisation, Double-O Charities, to raise funds for the causes he’d recently championed. Townshend also personally sold fund-raising anti-heroin T-shirts at a series of UK Bruce Springsteen concerts, and reportedly financed a trip for former Clash drummer Topper Headon to undergo drug rehabilitation treatment. Townshend's 1985–86 band, Deep End, played two benefits at Brixton Academy in 1985 for Double-O Charities.

Amnesty International

In 1979, Townshend donated his services to the human rights organisation Amnesty International when he performed three songs for its benefit show The Secret Policeman's Ball – performances that were released on record and seen in the film of the show. Townshend's acoustic performances of three of his songs ("Pinball Wizard", "Drowned", and "Won't Get Fooled Again") were subsequently cited as having been the forerunner and inspiration for the "unplugged" phenomenon in the 1990s. Townshend had been invited to perform for Amnesty by Martin Lewis, the producer of The Secret Policeman's Ball who stated later that Townshend's participation had been the key to his securing the subsequent participation for Amnesty (in the 1981 sequel show) of Sting, Eric Clapton, Jeff Beck, Phil Collins and Bob Geldof. Other performers inspired to support Amnesty International in future Secret Policeman's Ball shows and other benefits because of Townshend's early commitment to the organisation include Peter Gabriel, Bruce Springsteen, David Gilmour and U2 singer Bono who in 1986 told Rolling Stone magazine: "I saw The Secret Policeman's Ball and it became a part of me. It sowed a seed...."

Miscellaneous efforts

Highlights of Pete Townshend’s other public charitable efforts include the following:

A 1972 Tommy performance which raised nearly £10,000 for the Stars Organization for Spastics charity.

A 1979 Rock Against Racism benefit concert, organised to raise money to pay the legal costs of those arrested in a London area anti-racism demonstration. Townshend helped organise the show, topped the bill, and supplied the event lighting and equipment.

A 1981 Rock Against Unemployment benefit concert, part of the People’s March For Jobs campaign.

A 1982 Prince’s Trust Gala Benefit performance.

Performing with The Who at the 1985 Live Aid concert.

Involvement in fundraising supportive of Nelson Mandela's African National Congress.

Performing in a 1986 Royal Albert Hall benefit show for the victims of a Colombian Volcano disaster which killed over 25,000 people.

A 2001 benefit show for San Diego's La Jolla Playhouse which raised approximately $100,000.

Performing in Rock the Dock, a 1998 benefit for striking Liverpool dock workers.

Organizing an online auction in 2000 to raise funds for Oxfam's emergency services to help those affected by floods in Mozambique and a combination of drought and food shortages in Ethiopia. Among the auctioned items were a selection of gold and platinum awards, letters from celebrities such as Eric Clapton and Paul McCartney, and musical instruments (including a smashed Rickenbacker guitar and the guitar on which Townshend composed the Who classic "Behind Blue Eyes"). The centerpiece of the auction, however, was a 1957 Fender Stratocaster which was given to Townshend as a gift by Eric Clapton after Townshend had helped arrange Clapton’s 1973 recovery from his own heroin addiction, and comeback show at the Rainbow. The guitar was ultimately purchased by Pete Townshend, Mick Jagger and David Bowie, and presented to British Prime Minister Tony Blair.

Performing with The Who at the 2001 all-star The Concert for New York City at Madison Square Garden, honouring policemen and emergency personnel killed in the 11 September attacks.

Performing at the Royal Albert Hall in a 2004 Ronnie Lane tribute show which served as a fundraiser for both Lane’s family and multiple sclerosis research.

Performing with The Who at the 2005 Live 8 concert.

In 1998, Townshend was named in a list of the biggest private financial donors to the UK Labour Party. He refused to let Michael Moore use "Won't Get Fooled Again" in Fahrenheit 9/11, saying that he watched Bowling for Columbine and was not convinced.

Performing with The Who in Detroit in 2008, donating all profits to Focus: HOPE and Gleaners Community Food Bank.

Operation Ore investigation and police caution

Townshend was cautioned by the British police in 2003 as part of Operation Ore. Following a news leak that Townshend was among the subjects of the investigation, he publicly stated that on one occasion he had used a credit card to access a website advertising child pornography. Townshend, who had posted essays on his personal website in 2002 as part of his campaign against the widespread availability of child pornography on the internet, said that he had entered the site for research purposes and had not downloaded any images. A four-month police investigation, including forensic examination of all of his computers, established that Townshend was not in possession of any illegal downloaded images. Instead of pressing charges, the police elected to caution him, stating, "It is not a defence to access these images for research or out of curiosity." In a statement issued by his lawyer, Townshend said, "I accept that I was wrong to access this site, and that by doing so, I broke the law, and I have accepted the caution that the police have given me."

Discography

Guest appearances

"Because You're Young" with David Bowie on Scary Monsters (and Super Creeps) (1980)

Acoustic guitar on "Ball and Chain" with Elton John on Jump Up! (1982)

"Lonely at the Top" and "Hard Women" with Mick Jagger on She's the Boss (1985)

Guitar on "Town of Plenty" with Elton John on Reg Strikes Back (1988)

Acoustic guitar with Prefab Sprout on "Hey Manhattan!" on From Langley Park to Memphis (1988)

"Substitute" with The Ramones on Acid Eaters (1993)

"Joy" and "Gun" with Mick Jagger on Goddess in the Doorway (2001)

"Slow Burn" with David Bowie on Heathen (2002)

In 1968 Townshend helped assemble a band called Thunderclap Newman consisting of three musicians he knew. Pianist Andy Newman (an old art school friend), drummer John "Speedy" Keen (who had written "Armenia City in the Sky" for The Who to record for their 1967 album The Who Sell Out) and teenage guitarist Jimmy McCulloch (later to join Wings). Townshend produced the band and played bass on their recordings under the tongue-in-cheek pseudonym "Bijou Drains". Their first recording was the single "Something in the Air", which became a number one hit in the UK and a substantial hit elsewhere in the world. This was the only number one hit in the UK that Townshend performed on (The Who had none.) Following this success, Townshend produced their sole album, Hollywood Dream.

Townshend also produced "Fire" by The Crazy World of Arthur Brown in 1968 that was No. 1 in the UK and No. 2 in the US.

In 1971, Townshend, along with Keith Moon and Ronnie Lane, backed Mike Heron (of the Incredible String Band) on one song "Warm Heart Pastry" from Heron's first solo LP, Smiling Men with Bad Reputations. On the album notes, they are listed as "Tommy and the Bijoux". Also present on the track was John Cale on viola.

In 1984, Townshend contributed lyrics to two songs ("Love on The Air" and "All Lovers are Deranged") on David Gilmour's solo album About Face.

For albums Townshend composed as a member of The Who, see their entry. Not included are albums by other artists on which Townshend played as a session musician. Through much of 2005, Pete Townshend recorded and performed alongside his partner Rachel Fuller, a classically trained pianist and singer-songwriter.

In 2006, Townshend opened a website for implementation of The Lifehouse Method based on his 1971 Lifehouse concept. This website was in collaboration with composer Lawrence Ball and software developer David Snowden. Applicants at the website could input data to compose a musical "portrait" which the musical team could then develop into larger compositions for a planned concert or series of concerts.

Awards

BRIT Awards 1983 – Life Achievement Award

Tony Award 1993 – Best Original Score (music & lyrics) – The Who's Tommy (tie)

Grammy Awards 1993 – Best Musical Show Album (as composer and lyricist of The Who's Tommy)

Kennedy Center Honors 2008

See also

Guitar showmanship

Cliff Townshend

Simon Townshend

References

Further reading

Horses Neck by Pete Townshend Mariner Books 1985, new edition, (21 May 1998) ISBN 0-395-90559-1 ISBN 978-0-395-90559-3

The Who: Maximum R&B; by Pete Townshend and Richard Barnes Plexus Publishing; 5th edition (27 September 2004) ISBN 0-85965-351-X ISBN 978-0-85965-351-0

Pete Townshend: A Minstrel's Dilemma by Larry David Smith Praeger Publishers (30 March 1999) ISBN 0-275-96472-8, ISBN 978-0-275-96472-6

Who Are You: The Life Of Pete Townshend by Mark Ian Wilkerson Omnibus Press; 1st edition (30 November 2008) ISBN 1-84772-243-1 ISBN 978-1-84772-243-0

External links

The Who's official web site

Pete Townshend's commercial Eelpie web site

In Love With Meher Baba (Townshend's 1970 Rolling Stone article)

video of Townshend's 1996 Fillmore West performance of his song "O Parvardigar"

Category:1945 births Category:Living people Category:English rock musicians Category:English male singers Category:English tenors Category:English guitarists Category:Lead guitarists Category:English rock guitarists Category:English composers Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Rock and Roll Hall of Fame inductees Category:Tony Award winners Category:English-language singers Category:English songwriters Category:English rock singers Category:Ivor Novello Award winners Category:20th-century classical composers Category:Deaf musicians Category:Followers of Meher Baba Category:The Who members Category:Townshend family Category:British rhythm and blues boom musicians Category:People from Chiswick

an:Pete Townshend cs:Pete Townshend da:Pete Townshend de:Pete Townshend es:Pete Townshend fr:Pete Townshend ga:Pete Townshend gl:Pete Townshend it:Pete Townshend he:פיט טאונסנד hu:Pete Townshend nl:Pete Townshend ja:ピート・タウンゼント no:Pete Townshend nn:Pete Townshend pl:Pete Townshend pt:Pete Townshend ro:Pete Townshend ru:Таунсенд, Пит simple:Pete Townshend sk:Pete Townshend sl:Pete Townshend fi:Pete Townshend sv:Pete Townshend th:พีต ทาวน์เซนด์

name	Tina Turner
background	solo_singer
birth name	Anna Mae Bullock
alias	Tina Turner
birth date	November 26, 1939
birth place	Nutbush, Tennessee, United States
occupation	Singer, dancer, author, actress
genre	Rock, folk rock, rock pop, pop, soul, gospel
instrument	Vocals
years active	1958–present
label	EMI, United Artists, Capitol, Parlophone, Virgin
associated acts	The Ike & Tina Turner Revue }}

Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American singer and actress whose career has spanned more than 50 years. She has won numerous awards and her achievements in the rock music genre have earned her the title The Queen of Rock 'n' Roll. Turner started out her music career with husband Ike Turner as a member of the Ike & Tina Turner Revue. Success followed with a string of hits including "River Deep, Mountain High" and the 1971 hit "Proud Mary". With the publication of her autobiography I, Tina (1986), Turner revealed severe instances of spousal abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. After virtually disappearing from the music scene for several years following her divorce from Ike Turner, she rebuilt her career, launching a string of hits beginning in 1983 with the single "Let's Stay Together" and the 1984 release of her fifth solo album Private Dancer.

Her musical career led to film roles, beginning with a prominent role as The Acid Queen in the 1975 film Tommy, and an appearance in Sgt. Pepper's Lonely Hearts Club Band. She starred opposite Mel Gibson as Aunty Entity in Mad Max Beyond Thunderdome for which she received the NAACP Image Award for Outstanding Actress in a Motion Picture, and her version of the film's theme, "We Don't Need Another Hero", was a hit single. She appeared in the 1993 film Last Action Hero.

One of the world's most popular entertainers, Turner has been called the most successful female rock artist and was named "one of the greatest singers of all time" by Rolling Stone. Her combined album and single sales total approximately 180 million copies worldwide. She has sold more concert tickets than any other solo music performer in history. She is known for her energetic stage presence, powerful vocals, career longevity, and widespread appeal. In 2008, Turner left semi-retirement to embark on her Tina!: 50th Anniversary Tour. Turner's tour became one of the highest selling ticketed shows of 2008-2009. Turner was born a Baptist, but converted to Buddhism and credits the spiritual chants with giving her the strength that she needed to get through the rough times. Rolling Stone ranked her at 63 on their 100 greatest artists of all time and consider her the Queen of the Rock and Roll.

Early life

Anna Mae Bullock was born in Nutbush, an unincorporated area in Haywood County, Tennessee, on November 26, 1939, the daughter of Zelma Bullock (née Currie), a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer and factory worker. She is of African American, European and a small fraction Native American descent. Bullock long believed her mother had significant Native American ancestry, specifically Navajo and Cherokee. Bullock attended Flag Grove School in Haywood County, Tennessee (the land for the school was sold below market value to the school trustees by Bullock's great great-uncle in 1889). Anna Mae's older sister is named (Ruby) Alline. Their parents took Alline with them when they moved to St. Louis, Missouri, and left younger Anna behind with the grandmother. When Anna was a teenager, she joined her mother and sister in St. Louis following her grandmother's death.

Ike & Tina Turner Revue

In St. Louis, Bullock attended Sumner High School. Around this time, Bullock's sister was taking her to several nightclubs in the city. At Club Imperial one night, Bullock met Mississippi-born rhythm and blues musician Ike Turner and later asked him if she could sing for him. Ike was initially skeptical, but after much persistence on Bullock's part, he decided to let her perform for him. Thus, Bullock became an occasional vocalist in Ike's shows at the age of 18. Going by the name "Little Ann", Bullock was also the spotlight of a soul revue led by Ike Turner and his Kings of Rhythm band.

Mainstream success

In 1960, when a singer scheduled to record the song, "A Fool in Love", did not appear, Bullock stepped in and recorded the vocals instead. "A Fool in Love" was a huge R&B; hit reaching No. 2, crossing over to the top 30 of the US pop chart. Ike changed Bullock's name to Tina Turner and that of his band to The Ike & Tina Turner Revue. In 1962, the two married in Tijuana, Mexico. (According to Tina's bio on web site, the couple married in 1958.)

Turner raised four sons — Ike Jr. and Michael (from Ike's previous relationship), Craig (born 1958, from her earlier relationship with Raymond Hill, a saxophone player in Ike's band) and Ronald (fathered by Ike; born 1961).

Throughout the 1960s and into the 1970s, Tina and Ike rose to stardom. As times and musical styles changed, Tina developed a unique stage persona which thrilled audiences of the group's live concerts. Tina and the Revue's backup singers, the Ikettes, wove intricate and electrifying dance routines into their performances and influenced many other artists, including Mick Jagger (for whose 1966 UK tour they opened).

Tina and Ike Turner recorded hits in the 1960s that include "A Fool in Love", "It's Gonna Work Out Fine", "I Idolize You", and "River Deep, Mountain High" with producer Phil Spector in his Wall of Sound style. By the end of the decade, the couple incorporated modern rock styles into their act and began including their interpretations of "Come Together", "Honky Tonk Woman", and "I Want to Take You Higher" to their stage show.

Their high-energy cover version of Creedence Clearwater Revival's 1968 "Proud Mary" remains Turner's signature hit and one of her longest enduring standards. "Proud Mary" was the duo's greatest commercial success, peaking at No. 4 on the Billboard Hot 100 in March 1971. The single eventually won a Grammy for Best R&B; Vocal Performance by a Duo or Group.

Decline in popularity

While many of its original recordings failed to make the charts, the Ike and Tina Turner Revue was lauded by the Rolling Stones, David Bowie, Sly Stone, Janis Joplin, Cher, James Brown, Ray Charles, Elton John and Elvis Presley. A one night gig at a small, predominantly black supper club could be followed in the same week by a show at a major venue in Las Vegas or a national TV appearance. Ike acted as the group's manager and musical director, making all decisions and ruling the act with an iron fist. While he was a fine musician and an early rock 'n' roll influence, Ike's control of the Revue's management, recording contracts and performances eventually led to their decline as his drug abuse worsened. This controlling (and often violent) atmosphere caused the musicians and backup singers to come and go frequently. Tina later reported being isolated and physically abused by Ike on a regular basis for most of their marriage.

By the 1970s, Tina's personal life and marriage were falling apart. Ike's drug use led to increasingly erratic and physically abusive behavior. Their act was losing speed largely due to Ike's refusal to accept outside management of their recording or touring, as well as the cost of maintaining his allegedly voracious cocaine habit. Touring dates began to decline and record sales were low; their last success was "Nutbush City Limits", a song penned by Tina Turner about her home town, that reached No. 22 on the Hot 100 and No. 4 in the United Kingdom in 1973.

Having opened his own recording studio, Bolic Sound, following the lucrative success of "Proud Mary", Ike produced Tina's first solo album, Tina Turns the Country On in 1974. It failed to make an impact on the charts, as did Tina's follow-up solo album Acid Queen (1975), which was released to tie in with Tina's critically acclaimed big-screen debut in the The Who's rock opera, Tommy.

Tina and Ike had a violent fight before an appearance at the Dallas Statler Hilton in July 1976, where Tina was again physically abused. She left Ike that day, fleeing with nothing more than thirty-six cents and a Mobil gas station credit card in her possession. She spent the next few months hiding from Ike while staying with various friends.

Tina would later credit her new-found Nichiren Buddhist faith and chanting Nam Myoho Renge Kyo, which she adopted while visiting a friend in 1974, with giving her the courage to strike out on her own. By walking out on Ike in the middle of a tour, she learned she was legally responsible to tour promoters for the canceled tour. Needing to earn a living, she became a solo performer, supplementing her income with TV appearances on shows such as The Hollywood Squares, Donny and Marie, The Sonny & Cher Show and The Brady Bunch Hour.

The divorce was made final in 1978 after sixteen years of marriage. Tina later accused Ike of years of severe spousal abuse and rampant drug addiction in her autobiography I, Tina that was later adapted for the film What's Love Got to Do with It?. In the divorce, she completely parted ways with him retaining only her stage name and assuming responsibility for the debts incurred by the canceled tour as well as a significant IRS lien.

Life after the Revue

In 1978, Tina released her third solo album (and her first album since her separation from Ike) entitled Rough on EMI Records. It was a departure from the funky rhythm and blues sound of the Revue, and featured strong readings of rock songs, demonstrating the direction she wanted her musical career to progress. The album did not sell well and received no certifications. 1979's disco-infused Love Explosion album also failed on the charts.

Tina continued to perform shows around the United States and Europe but without any hit albums, her career continued a downward spiral. In 1982, she teamed up with B.E.F. for a remake of the Temptations' "Ball of Confusion". The producers were impressed by the recording so they persuaded her to record a cover of Al Green's Let's Stay Together.

With the underwhelming performance of "Rough" and "Love Explosion", EMI Records parted ways with Turner. She was unable to immediately secure another major label deal as many US and UK labels felt her popularity had passed. Turner divided her time between appearing at small venues in the US and UK (mainly Las Vegas) to keep herself in the public eye, and she remained quite popular as a stage act.

Return to prominence

In December 1983, Turner's cover of "Let's Stay Together" hit No. 6 in the UK and also became a hit in several other European countries. In March 1984, "Let's Stay Together" hit No. 26 on the US Billboard 100 singles chart. The song entered the top-5 on both the R&B; and Dance charts.

In 1984, Turner staged what Ebony magazine called an "amazing comeback". The album Private Dancer was released in June 1984, and the hit "Let's Stay Together" would be included on the album.

The second single, "What's Love Got to Do with It", peaked at number one in the US and number three in the UK. It became Turner's only number-one hit in the US.

The single hit the top ten in several European countries. Private Dancer went on to sell five million copies in the US, and a total of 11 million copies worldwide, though some sources stated the album has sold over twenty million making it her most successful album. Besides "Let's Stay Together" and "What's Love Got to Do With It", the album also yielded the singles "Better Be Good To Me" (US No. 5, UK No. 45); "Private Dancer" (US No. 7, UK No. 26); "I Can't Stand The Rain" (UK No. 57); and "Show Some Respect" (US No. 37). Turner would later win an MTV Video Music Award, two American Music Awards and four Grammy Awards. In February 1985, Turner embarked on her first solo world tour, the Private Dancer Tour, which saw her performing in North America, Asia, Europe, and Australia. She also collaborated on the USA For Africa song "We Are The World" which helped famine victims in Africa.

After the success of Private Dancer, Turner accepted the role of Aunty Entity, the ruler of Bartertown, in the motion picture Mad Max Beyond Thunderdome. Upon its release, the film grossed $36 million and Turner received the NAACP Image Award for Outstanding Actress. In July, Turner performed at Live Aid alongside Mick Jagger. In August, the first single "We Don't Need Another Hero" was released to promote the soundtrack for Mad Max Beyond Thunderdome. The single became a hit for Turner, reaching number two in America and number three in the UK. The song received a Grammy nomination for Best Female Pop Vocal and received a nomination for a Golden Globe Award for Best Original Song. The soundtrack was released and reached the top forty in the US and No. 47 in Canada, and sold one million copies worldwide. In October another Turner soundtrack single, "One of the Living" (US No. 15, UK No. 55), was released. It later won a Grammy Award for Best Female Rock Vocal Performance. In November, a new single was released entitled "It's Only Love", a duet with Bryan Adams. It received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal.

Subsequent releases

Turner continued her widely successful solo career releasing the album, Break Every Rule, in 1986. That same year, Turner published her autobiography, I, Tina, which she talked about her early life and volatile marriage to Ike Turner. Later that summer, the singer received a star on the Hollywood Walk of Fame. Turner's Break Every Rule yielded the US singles of: "Typical Male", "Two People", "Back Where You Started", "What You Get Is What You See", "Break Every Rule", and "Afterglow". ("Typical Male" and "What You Get Is What You See" were the two singles to crack the US top twenty). The album sold approximately four million copies worldwide, with two million of those in the US. In March of the following year, Turner embarked on her Break Every Rule Tour in Munich, Germany. On January 16, 1988, Turner made history when she entered the Guinness World Records alongside Paul McCartney performing in front of the largest paying audience (over 184,000) to see a solo artist in Maracanã Stadium, Rio de Janeiro, Brazil. In April, Turner's double live album, Tina Live in Europe, was released. In late 1989, Turner released her seventh studio album, Foreign Affair, which included the international smash, "The Best". The single became one of Turner's signature singles. In 1990, she embarked on a hugely successful European tour to promote the album playing to nearly four million fans and touring over 121 shows in Europe.

In 1991, Ike and Tina Turner were inducted into the Rock & Roll Hall of Fame. Phil Spector accepted the award on their behalf. That same year, Turner released a compilation album, Simply the Best. Her modern dance-pop cover of "Nutbush City Limits" hit the top thirty in the UK. In 1993, Turner's life story was turned into a box-office film, What's Love Got to Do with It?. Based on I, Tina, the film painted a dark picture of Turner's marriage to singer Ike Turner and her overcoming the marriage through Nichiren Buddhism and chanting Nam Myoho Renge Kyo. While the film was given mixed reviews, its leading actors Angela Bassett, who played Tina, and Laurence Fishburne, who played Ike, ended up with Academy Award nominations for Best Actress and Best Actor, respectively, for their roles. Turner supervised the film's soundtrack, re-recording several songs from her Ike Turner days including "A Fool in Love", "It's Gonna Work Out Fine", "Nutbush City Limits" and "Proud Mary", but otherwise remained uninvolved with the making of the film, and had no interest in seeing it, telling an interviewer "Why would I want to see Ike Turner beat me up again? I haven't dwelled on it; it's all in the past where it belongs." She recorded a cover of The Trammps' "Disco Inferno" and two newer songs, the Lulu cover, "I Don't Wanna Fight" and the R&B; ballad, "Why Must We Wait Until Tonight" (written by Bryan Adams). The soundtrack went platinum in America and yielded Turner's final top ten U.S. single, "I Don't Wanna Fight", which peaked at number nine. Later that year, Turner went out on a sold-out U.S. tour, her first in seven years, to promote the soundtrack. Afterwards, Turner moved to Switzerland and took a year off from the road at the end of the tour. In 1995, Turner returned to recording with the title track for the James Bond film, Goldeneye, written by U2's Bono and The Edge. "Goldeneye" hit the top ten in several European countries. In 1996, Turner's Wildest Dreams album was released. Due to its later successful world tour and a commercial where she promoted Hanes hosiery, the album hit gold in the U.S. while it went platinum in Europe based on the success of singles such as "Whatever You Want", the cover of John Waite's "Missing You", "Something Beautiful Remains" and the Barry White duet, "In Your Wildest Dreams". In May 1996, Turner embarked on a year-long world tour which again broke concert ticket sales records. The tour lasted into April 1997 and grossed a combined total of $130 million in sales. At the end of the year, Turner and one of her musicians co-wrote an English version of the Italian ballad "Cose della vita" with Italian singer Eros Ramazzotti. Their duet became a European hit. In April 1999, Turner opened at the VH-1 special, Divas Live '99, performing several of her 1980s hits and performing with both Elton John and Cher to "Proud Mary". Turner later remarked that she was recording a new album. In November 1999, Turner released the dance single "When the Heartache Is Over", its parent album, "Twenty Four Seven", was released in Europe the following month. In February 2000, the album was released in America and was certified Gold by the RIAA. Later that year, Turner went out on one of her most successful tours of her career. By tour's end, the Twenty Four Seven Tour had become the highest-grossing tour of 2000 according to Pollstar grossing over $100 million. Later, Guinness World Records announced that Turner had sold more concert tickets than any other solo concert performer in music history.

Recent years

In 2002, Tennessee State Route 19 between Brownsville and Nutbush was named "Tina Turner Highway". In 2003, she teamed up with Phil Collins to record the song "Great Spirits" for the Disney film Brother Bear.

In 2004, Turner released a new compilation, All the Best, and released the single "Open Arms". The song became a modestly successful European hit and a modest R&B; hit in America. In 2005, Turner briefly performed on shows such as The Oprah Winfrey Show and The View. All the Best became Turner's first album to go platinum in the U.S. in over eleven years.

At the end of the year, Turner was recognized by the Kennedy Center Honors at the John F. Kennedy Center for the Performing Arts in Washington, D.C. and was elected to join an elite group of entertainers. President Bush commented on Turner's "natural skill, the energy and sensuality", and referred to her legs as "the most famous in show business". Several artists paid tribute to her that night including Oprah Winfrey, Melissa Etheridge (who performed "River Deep - Mountain High" , Queen Latifah (who performed "What's Love Got to Do with It?"), Beyoncé (who performed "Proud Mary"), and the Reverend Al Green (who performed "Let's Stay Together"). Winfrey stated, "We don't need another hero. We need more heroines like you, Tina. You make me proud to spell my name w-o-m-a-n," and "Tina Turner didn't just survive, she triumphed." In November, Turner released All the Best - Live Collection and it was certified platinum by the RIAA.

In early 2006, the All the Invisible Children soundtrack was released. Turner sang "Teach Me Again" from the All the Invisible Children soundtrack with Elisa charted at No. 1 in Italy. In May 2007, Turner returned to the stage to headline a benefit concert for the Cauldwell Children's Charity at London's Natural History Museum. This was her first full show in seven years. Jazz pianist Herbie Hancock released an album paying tribute to singer-songwriter Joni Mitchell, entitled River: The Joni Letters on September 25, 2007, on which Turner contributed her vocals to a version of "Edith and The Kingpin". On October 16, 2007, Carlos Santana released an album entitled Ultimate Santana which featured Turner singing "The Game of Love", a song originally intended for her to sing, but which was instead released by Santana with Michelle Branch due to demands from the recording label.

On December 12, 2007, Turner issued a brief statement through a spokesperson regarding the death of her former husband Ike Turner: "Tina hasn't had any contact with Ike in more than 30 years. No further comment will be made."

Turner performed with Beyoncé at the 50th Annual Grammy Awards in February 2008. It was Turner's first major public performance since her record-breaking Twenty-Four Seven Tour. In addition, she picked up a Grammy as a featured artist on River: The Joni Letters. On May 5, 2008, she performed in a televised concert and interview for the Oprah show at Caesar's Place in Las Vegas with long time friend Cher.

Turner embarked on her Tina!: 50th Anniversary Tour on October 1, 2008, which began on in Kansas City, Missouri at the Sprint Center. The album, Tina!: Her Greatest Hits, was released in support of the tour.

In 2009, Turner participated in the Beyond singing project with fellow musicians Regula Curti, Seda Bagcan and Dechen Shak Dagsay. This CD combined Buddhist chants and Christian choral music along with a spiritual message read by Turner. The album was released only in Germany and a handful of other countries.

A new live album was released by Parlophone in September 2009 entitled Tina Live. The double disc set included the full concert recorded in the Netherlands as part of her 50th Anniversary Tour on DVD and selected tracks on CD. It is only Turner's second live album with the first, Tina Live in Europe, being released twenty years previously in 1988.

In April 2010, Turner once again rose to the top of the UK and Scottish singles charts with her 1989 hit record The Best, following an International campaign by her dedicated fans and the supporters of Rangers Football Club to send the hit to number one in the charts. It subsequently peaked at positions number nine in the UK Singles Chart, number nine in the UK Downloads Chart, and number one in the Scottish Chart.

Personal life

Tina is the younger of two sisters. Her elder sister, (Ruby) Alline Selico (December 1, 1936 – September 4, 2010), helped to contribute to her sister's recordings with Ike Turner, co-writing several songs including the charted hits, "Bold Soul Sister" and "Funkier than a Mosquito's Tweeter".

Turner also had a half-sister, Evelyn Currie, who died in a car crash alongside her cousin Margaret while Turner and Alline were teenagers. Turner barely knew her father, who moved to California after splitting from Turner's mother. Her mother also left Tennessee to live in St. Louis, leaving Turner and her sister to live with their grandmother. Turner stayed behind in Tennessee while sister Ruby (known to family and friends by her middle name), left Tennessee and moved to St. Louis to be near their mother. Turner spent some time as a domestic in Ripley.

In 1956, before Turner turned 17, her grandmother died. At the funeral, Turner was reunited with her mother, who offered to give her a new life in St. Louis. Turner's relationship with her mother grew estranged over the years. Turner, however, has said that the last times she talked to her mother, who died in October 1999, were on good terms.

Turner met Ike Turner in 1956 at a nightclub. Two years later she joined Ike's band. In 1958, a relationship with saxophonist Raymond Hill produced Turner's first child, Craig Bullock (renamed Craig Turner after Turner married Ike). A year later, Turner became romantically involved with Ike. She had Ike's baby; Ronnie Turner, born in 1960. After marrying Ike in 1962, Turner became the adoptive mother of two of Ike's previous children, Ike Jr. and Michael. Turner's much-publicized marriage to Ike was volatile and violent. Over the years Turner would accuse Ike of physically beating her, emotionally abusing her, raping her, and even stubbing cigarettes out on her body.

In 1968, Turner attempted suicide while on tour in Los Angeles, swallowing a reported 90 sleeping pills. She was rushed to the hospital and revived. Later, after still enduring Ike's abuse, a close friend introduced Turner to Buddhism in 1971. Three years later, Turner converted to the Buddhist faith. Finally, in July 1976, Tina left Ike after a violent altercation while en route to a hotel in Dallas, in which she was beaten by Ike. Turner sought refuge in a friend's apartment while Ike was searching for her.

After several months, Ike decided to stop searching. Turner filed for divorce and offered to leave Ike all the couple's monetary assets, but told the courts she wanted to keep the stage name Ike had given her in 1960, as she had worked very hard to make the name Tina Turner famous. The divorce was finalized in March 1978, and the courts allowed her to keep her stage name.

Awards and accolades

Turner was listed on Rolling Stone's list "The Immortals — The Greatest Artists of All Time". Turner is a Rock and Roll Hall of Fame inductee, and two of her recordings, "River Deep - Mountain High" (1999) and "Proud Mary" (2003), are in the Grammy Hall of Fame. Turner has won 8 Grammy Awards.

Bryan Adams, who toured with her on the Private Dancer Tour, praised Turner's live performances, saying, "I never saw Tina walk through a performance, she always put on a great show, and was gracious and grateful to her audience."

Her legs were noted specifically as she was honored by President George W. Bush.

Discography

Studio albums

Tina Turns the Country On! (1974)

Acid Queen (1975)

Rough (1978)

Love Explosion (1979)

Private Dancer (1984)

Break Every Rule (1986)

Foreign Affair (1989)

Wildest Dreams (1996)

Twenty Four Seven (1999)

Other albums

Soundtracks

Tommy (1975)

Mad Max Beyond Thunderdome (1985)

What's Love Got to Do With It (1993)

Live albums

Tina Live in Europe (1988)

VH1 Divas Live '99 (1999)

Tina Live (2009)

Compilation albums

Simply the Best (1991)

The Collected Recordings (1994)

All the Best (2004)

Tina! (2008)

The Platinum Collection (2009)

Tours

1978–1979: Wild Lady of Rock Tour

1980–1981: Various Shows

1982–1984: Nice 'n' Rough Tour

1985: Private Dancer Tour

1987–1988: Break Every Rule Tour

1990: Foreign Affair Tour

1993: What's Love? Tour

1996–1997: Wildest Dreams Tour

2000: Twenty Four Seven Tour

2008–2009: Tina!: 50th Anniversary Tour

Filmography

Film
Year	Film	Role	Notes
1970		Herself	Documentary
1971		Herself
1975		The Acid Queen
1976	All This and World War II	Herself	Documentary
1978		Our Guests at Heartland
1979	John Denver and the Ladies	Herself	Variety Show
1985	Mad Max Beyond Thunderdome	Auntie Entity	Won (1986) - NAACP Image Award for Outstanding Actress in a Motion Picture
		Herself	Singing voice for Angela Bassett, also archive footage
Last Action Hero	The Mayor
Television
Year	Title	Role	Notes
1966	The Big T.N.T. Show	Herself	Documentary
1970	It's Your Thing	Herself	Documentary
1971	Soul to Soul	Herself	Documentary
2000	Ally McBeal	Herself	cameo appearance one episode: "The Oddball Parade"

References

External links

Tina Turner's Entry on the St. Louis Walk of Fame

Category:1939 births Category:Actors from Missouri Category:Actors from Tennessee Category:African American female singers Category:African American rock musicians Category:African American singers Category:American Buddhists Category:American dancers Category:American expatriates in France Category:American expatriates in Germany Category:American expatriates in Switzerland Category:American expatriates in the United Kingdom Category:American people of European descent Category:American pop singers Category:American rhythm and blues singers Category:American rock singers Category:American singers of Native American descent Category:American soul singers Category:Converts to Buddhism Category:Female rock singers Category:Grammy Award winners Category:Ike & Tina Turner members Category:Living people Category:Music of St. Louis, Missouri Category:Musicians from Missouri Category:Musicians from Tennessee Category:People from Haywood County, Tennessee Category:People from St. Louis, Missouri Category:Rock and Roll Hall of Fame inductees Category:Former Baptists

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Mary Christmas is a pseudonym of Emily O'Hara, an activist and a former editor of $pread magazine, a New York-based magazine on sex industry workers' rights. She was also involved in Radical Cheerleaders, a group of leftist activists who cheer in squads at protests.

Mary Christmas currently works as a freelance writer in Portland, Oregon. Her articles can be read in Willamette Week, the local alternative newspaper.

References

External links

$pread magazine website

New York Radical Cheerleaders website

Category:American magazine editors Category:People from New York City Category:Living people Category:People from Portland, Oregon Category:Writers from Oregon