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Nina was born in Bergen, Norway. She married Edvard on June 11, 1867, in Copenhagen.
The couple often performed concerts together in Europe, usually to rave reviews. Edvard considered her the best performer of his songs.
The English composer Frederick Delius dedicated two sets of songs to her in the years 1888-1890.
She was featured as a soloist in Felix Mendelssohn's Elijah with Musikselskabet Harmonien (later known as the Bergen Philharmonic Orchestra) in 1866.
After the death of Edvard in 1907, she moved to Denmark where she died.
Nina Grieg never recorded professionally, but two amateur recordings made on wax cylinders have been preserved (sadly in quite poor condition) and have been issued on the Simax label.
Category:1845 births Category:1935 deaths Category:Norwegian female singers Category:People from Bergen
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He made his concert debut as a pianist at the age of 11; then, at the age of 18 he moved to London to study under Dame Myra Hess on a scholarship, and has been a London resident ever since, and is currently living in Hampstead. In 1961 he made a sensational European début at the Wigmore Hall playing the Sonata by Alban Berg, three Bach Preludes and Fugues and Beethoven's Diabelli Variations. In 1967 Kovacevich made his New York début and since then he has toured Europe, the United States, the Far East, Australia, New Zealand and South America.
As a soloist and conductor, he is probably best known for his interpretations of the core classical repertoire, including Mozart, Beethoven, Schubert, Brahms and Bartók. His international reputation has been built both on his concert appearances, renowned for their thoughtfulness and re-creative intensity, and on the highly acclaimed recordings he has made throughout his career.
In addition to his solo work, Stephen Kovacevich enjoys good relations with orchestras as a conductor and by directing from the piano. He has directed the London Mozart Players, Royal Liverpool Philharmonic and Vancouver Symphony Orchestra in this way. His chamber music partners have included Jacqueline du Pré, Martha Argerich, Steven Isserlis, Nigel Kennedy, Lynn Harrell, Sarah Chang, Gautier Capuçon, Renaud Capuçon, and Emmanuel Pahud.
He was the third husband of Martha Argerich.
Category:1940 births Category:Living people Category:American classical pianists Category:American people of Croatian descent
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Edvard Grieg was raised in a musical home. His mother was his first piano teacher and taught him to play at the age of 6. Grieg studied in several schools, including Tank's School,. He often brought in samples of his music to class.
In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull, who was a family friend; Bull's brother was married to Grieg's aunt. Bull recognised the 15-year-old boy's talent and persuaded his parents to send him to the Leipzig Conservatory, then directed by Ignaz Moscheles.
Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study, but he achieved very good grades in most areas. An exception was the organ, which was mandatory for piano students. In the spring of 1860, he survived a life-threatening lung disease. The following year he made his debut as a concert pianist, in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig and held his first concert in his home town, where his programme included Beethoven's Pathétique sonata. (Grieg's own recording of his Piano Sonata, made late in his life, confirms that he was an excellent pianist).
In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of great inspiration. Nordraak died in 1866, and Grieg composed a funeral march in his honor.
On 11 June 1867, Grieg married his first cousin, Nina Hagerup. The next year, their only child, Alexandra, was born. She died in 1869 from meningitis. In the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen. Grieg himself was unable to be there due to conducting commitments in Christiania (as Oslo was then named).
In 1868, Franz Liszt, who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which led to Grieg obtaining a travel grant. The two men met in Rome in 1870. On Grieg's first visit, they went over Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On his second visit, in April, Grieg brought with him the manuscript of his Piano Concerto, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg gently pointed out to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration, (for example, to give the melody of the second theme in the first movement to a solo trumpet).
In 1874–76, Grieg composed incidental music for the premiere of Henrik Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the orchestral suites or piano and piano-duet arrangements.
Grieg had close ties with the (Bergen Philharmonic Orchestra) (Harmonien), and later became Music Director of the orchestra from 1880–1882. In 1888, Grieg met Tchaikovsky in Leipzig. Grieg was later (though not at the time?) struck by the sadness in Tchaikovsky. Tchaikovsky thought very highly of Grieg's music, praising its beauty, originality and warmth.
In 1906, he met the composer and pianist Percy Grainger in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: “I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love.”
Edvard Grieg died in the autumn of 1907, aged 64, after a long period of illness. His final words were "Well, if it must be so." The funeral drew between 30,000 and 40,000 people out on the streets of his home town to honor him. Following his wish, his own Funeral March in Memory of Rikard Nordraak was played in an orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the Funeral March movement from Chopin's Piano Sonata No. 2 was played. His and his wife's ashes are entombed in a mountain crypt near his house, Troldhaugen.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Grieg's popular Holberg Suite was originally written for the piano, and later arranged by the composer for string orchestra. Grieg wrote songs, in which he set lyrics by poets Heinrich Heine, Johann Wolfgang von Goethe, Henrik Ibsen, Hans Christian Andersen, Rudyard Kipling and others. Russian composer Nikolai Myaskovsky used a theme by Grieg for the variations with which he closed his Third String Quartet.
Category:Norwegian composers Category:Romantic composers Category:Norwegian classical pianists Category:Knights Grand Cross of the Royal Norwegian Order of St. Olav Category:1843 births Category:1907 deaths Category:Honorary Members of the Royal Philharmonic Society Category:Norwegian people of Scottish descent Category:People from Bergen Category:Felix Mendelssohn College of Music and Theatre alumni
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Veronika Bauer (born October 17, 1979 in North York) is a Canadian freestyle skier.
Bauer has competed in three Olympic games, 2002, 2006 and 2010. In the first two she made the final, with her top finish 10th place in 2002. {|class="wikitable sortable" style="font-size:90%" style="text-align:center" |- | Date ! Location ! Rank |- |September 12, 1999 || Mount Buller || |- |August 12, 2000 || Mount Buller || |- |August 13, 2000 || Mount Buller || |- |January 12, 2002 || Mont Tremblant || |- |January 18, 2002 || Lake Placid || |- |September 7, 2002 || Mount Buller || |- |September 8, 2002 || Mount Buller || |- |January 26, 2003 || Fernie || |- |February 7, 2003 || Steamboat || |- |September 7, 2003 || Mount Buller || |- |January 25, 2004 || Fernie || |- |February 14, 2004 || Harbin || |- |January 21, 2005 || Fernie || |- |January 28, 2005 || Deer Valley || |- |December 18, 2005 || Changchun || |- |January 14, 2006 || Deer Valley || |- |January 7, 2007 || Mount Gabriel || |- |December 19, 2008 || Adventure Mountain || |} January 24, 2010 15th place
Category:1979 births Category:Living people Category:Olympic freestyle skiers of Canada Category:Freestyle skiers at the 2002 Winter Olympics Category:Freestyle skiers at the 2006 Winter Olympics Category:Freestyle skiers at the 2010 Winter Olympics Category:People from North York, Ontario Category:Canadian freestyle skiers
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Novaes' technique and musical interpretations may have already been fully formed by the time she reached Paris. One of her first pieces for Philipp was Beethoven's Les Adieux Sonata. Philipp said she played the second movement much too fast and to repeat it slower. Novaes thought for a moment, then replayed with some differences in detail but at exactly the same tempo. This happened several times. Philipp finally gave up, saying later, "Even at that age, she had a mind of her own." Phillip later considered her one of his greatest students.
At all times her playing was intensely poetic. Harold C. Schonberg recalls in his book The Great Pianists that her performance of the Schumann concerto under the direction of André Cluytens in the late 1950s "was strikingly reminiscent of Josef Hofmann's [performances]. It had much the same suppleness, tonal subtlety and unswerving rhythm." Like Hofmann, she never played a piece quite the same way twice. Each time she brought to it a slightly different point of view; each time, the new approach seemed inevitable and perfectly natural.
David Dubal writes in "The Art of the Piano" that her playing was "first and always personalized. She delighted in details, leaving one wondering why others never saw or savored them. Even at capricious moments, she had that marvelous and indispensable trait of a great interpreter -- the power to convince. In whatever she touched there was a feeling of intimacy, and it was Chopin she touched most."
Novaes made a number of discs for RCA in the 1920s, as well as piano rolls, but was most extensively recorded by Vox in the 1950s. Her Chopin recordings include a Voxbox Legends 3-CD set, ref. CDX3 3501. This remarkable set contains several etudes, nocturnes, and the B-flat minor piano sonata ("Funeral March"). At Philipp's urging, she recorded a set of Mendelssohn's Songs Without Words, which he said were 'unduly neglected." She also recorded the complete Etudes of Chopin, Op. 10 and 25, and both Concertos.
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Name | Ana Laura |
---|---|
Background | solo_singer |
Birth date | 1985 |
Origin | Brownsville, Texas, United States |
Genre | Pop, CCM Rock |
Occupation | singer |
Years active | 2004 - Present |
Label | Reunion, Intergrity Latin (2008-present) |
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.